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  • Text: my appreciation to the team for the fine way that all of you in significant numbers have been here. The lines of W. H. Auden's poem that so powerfully catch the mood and spirit of our day were written September 1, 1939. Auden attended the theater
Don't Do It For God's Sake

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  • Description: to the European Theater. He was stationed in Marseille, France for a while then in early 1945 he moved to Caserta, Italy then in early spring 1945 moved to Florence, Italy where he worked in a dental clinic. In mid-April 1945 the Spring 1945 Offensive in Italy
  • Text: -In fall 1944 a massive number of troops got deployed (00:24:30) Deployment to the European Theater -Received orders to go to the European Theater -Went to Camp Reynolds, Pennsylvania to receive some training and gather supplies -Went on an infiltration
Benjamin, Edward Claire (Interview outline and audio), 2013

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  • Text: with ideas. Zoo, Grand Rapids Civic Theater, Santa Maria, St. Mary’s. Development of the Community Foundations- YAC (21:16) Michigan was the foundation of YAC- Mott and Kellogg (22:48) Formalization of the process of grant-making (24:40) Frey Foundation has
Conversation with John and Eleonora Frey

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  • Text: staying downtown at a motel and then I - I said I was going to see Jim Webster. I don’t know if you remember him. 2:53 TR: No. 2:54 DN: He was the head of the Red Barn Theater. 2:56 TR: Ah! Yes, 2:57 DN: And he lived on 2:57 TR: I heard the name
Duane Newmeyer (Audio interview and transcript), 2018

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  • Text: , not an historical account; the Psalmist is a poet writing a hymn. This is the stuff of poetry and theater because we are dealing with the depths of human experience, the longing for some clue or glimpse or token that our human existence has meaning, some
The Question That Will Not Go Away

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  • Text: based on the novel, The Last Temptation of Christ, by a Greek author, people picketed outside the theaters, saying it was blasphemous. In that scene in which the novelist, as an artist, tries to get into the head and the mind and the being of Jesus
Endless Love

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  • Text: the Pavilion, what it was like going there. 15:58 JE: Oh it was awesome to, to, to not only see that building, but to, uh, there was a movie theater to the left of it. 16:12 JO: Mm kay. How did you get in the building? Tell us that. 16:14 JE: Well 16:15 JO: How
Joy Muehlenbeck and Jerry Muehlenbeck-Elsinga (Audio interview and transcript), 2018

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  • Text: big draw to the area which I’m sad to see go is Red Barn theater. Did anyone talk about Red Barn Theater? 40:48 EG: A fair amount. Yeah. Yeah, but tell us, tell us some of your experiences there. 40:49 JA: Yeah. That was, that was special. Yeah
Jeanmarie Hays Arnold (Audio interview and transcript), 2018

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  • Text: : Yep, and… CULLEN: Livonia BAERT: uh Royal Oak, they have that big theater there. CULLEN: That’s where I was born, Royal Oak BAERT: Oh really? Yep, that’s where one of my roommates is from and he lives two blocks from the theater down there, so its uh
Donald Cullen audio interview and transcript

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  • Text: before? James: No. I guess, um, as far as through the high school, um, theater club, um like drama club was actually my big thing. But, if I had a say a sport throughout high school, um, martial arts I guess would be my sport. Um, I wasn’t really
James Morton audio interview and transcript

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  • Text: , but that was much later I was in my teens, I was was in maybe 17, 18 years old when they, when the Red Barn was erected, or was bought I don’t know, I, or rented, I don’t know whether it, how it started and, uh, became a theater, and uh, I tried out for a part and I
Paola Onesto (Audio interview and transcript), 2018

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  • Text: was in a foreign country a little kid, to see a building that big. NN: yeah. CVO: But no, at my mother, of course, and her brother and her friends always used it for a dance hall, and just um, previous to it burning down it had become a movie theater or a while
Candace Van Oss (Audio interview and transcript, Part 2 of 2), 2018