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  • Text: . I absolutely don’t ever remember hearing that word, except in the “Music Man,” there is a line where the music man talks about “swell’’ and something else. But in my yearbook, that word is all over the place. You know, you’re swell this, you’re swell
Levin, Estelle (Interview transcript and video), 2008

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  • Text: with courses and lectures and courses in music, you know, the St. Cecilia Society came in there. Interviewer: Was that an important organization? Miss Perkins: That was very important when it was begun, and it was begun by some very important, society within
Perkins, Mabel

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  • Text: it to the United States and it was fitted as a hospital ship. It was kind of a nice ride. The weather was very good. I listed to radio music. By the way in Hawaii we had Bob Crosby. He finally got out of the Philippines. That was Bing Crosby’s brother and he had
Warber, Ester (Interview transcript and video), 2004

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  • Text: . The other thing I wanted to back up to—you said you went to Cuba and came back; do you have recollection of that time in Cuba and spring training in Cuba?” 15:13 I certainly do. Interviewer: “Share them with me please.” There was music twenty-four hours
Cione, Jean (Interview transcript and video), 2009

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  • Text: meant to me and how she effected my wanting to be an actress. But when I was nine and ten years old, I was very involved in Park Church and there were quite an extraordinary woman named Mary Einecke she was married to our musical director Harold Einecke
Wilson, Elizabeth

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  • Text: . Looks to me like cherry wood and it looks so pretty how could they left it out of…..You know they have oak in the Music Room and … Mrs. McLachlan: Oak was a big thing in those days. Interviewer: Yes. Mrs. McLachlan: Especially quarter-sawed oak
McLachlan, Veronica

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  • Text: Grinnell, Henry Lawrence (Brother) · 1, 4, 5, 11 H Hazeltine Family · 10, 11 P Perkins, Mrs. Voigt · 3, 10 S Saint Cecilia Music Society · 8 Sherman, Howard · 6 Squier, John W. (Grandfather) · 1 Squier’s Opera House · 1 12 Steketee Family · 6 W U
Hodgen, Ruth

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  • Text: like that? PS: No. No. JS: Now, did they have chaperones for this, older people who were looking out? PS: Yeah. Yeah. They had chaperones. JS: And then, for the music, did they have live bands there? Or just records? PS: I think it was records. (10:18
Stolk, Peggy (Interview transcript and video), 2008

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  • Text: Washington. And that was the Madison Avenue crowd. Our parties were always in people’s homes. We didn’t have clubs to go to, we did, but it wasn’t the place for young people. Many of the homes had ballrooms, and player pianos for our music, and we had
Judd, Dorothy

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  • Text: that with that? Straighten up a little bit. Comb that hair.‟” (00:34:33) “What kind of music were you listening to?” (00:34:35) ”Pretty much what anyone else was listening to.” (00:34:41) “Okay. This is like the rock-n-roll era.” (00:34:44) “Credence Clearwater Revival, any
Sefton, Mary B. (Interview transcript and video), 2005
Lois Youngen was born in a small town in Ohio in 1933. She grew up playing baseball with boys from her town, and played on a boys' team for several years before switching to a girls' softball team while in high school. She learned about the All American League while visiting a relative in Fort Wayne in 1950. She joined the league the next year and played for Fort Wayne, Kenosha and South Bend as a catcher and outfielder until the league folded in 1954. She used the money she earned as a player to go to college, and eventually earned a doctorate in Physical Education and taught at the University of Oregon.
Youngen, Lois (Interview transcript and video), 2010

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  • Text: remember. 38:00 It was a music show. I can’t remember any of the others. We saw Oklahoma, standing room only. [laughs] And after I met my future husband, we would go to New York and take in some plays when we were still in uniform. Interviewer: Even though
Brooks, Mary Jean (Interview transcript and video), 2007