961 24 26018 https://digitalcollections.library.gvsu.edu/files/original/96eac99edc32be368da1cfea738befbd.jpg a564609e85481f1da3c4d3c3a9dfca25 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Regional Historical Collection. TN140.O8 A3 c.2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0238 Title A name given to the resource The Iron Hunter Description An account of the resource Binding of The Iron Hunter, by Chase S. Osborn, published by The Macmillan Company, 1919. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1919 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/980a3d7a3c2d0646fed3f596b7806839.mp3 aa5df9dff05470359cf684faecef2d72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard A. Rhem Collection Description An account of the resource Text and sound recordings of the sermons, prayers, services, and articles of Richard Rhem, pastor emeritus of Christ Community Church in Spring Lake, Michigan, where he served for 37 years. Starting in the mid 1980's, Rhem began to question some of the traditional Christian dogma that he had been espousing from the pulpit. That questioning was a first step in a long and interesting spiritual journey, one that he openly shared with his congregation. His journey is important, in part because it is reflective of the questioning, the yearnings, and the gradual revision of beliefs that many persons in this part of the century have experienced and continue to experience. It is important also because of the affirming and inclusive way his questioning was done and his thinking evolved. His sermons and other written and spoken materials together document the steps in his journey as it took a turn in 1985, yet continued to revolve around the framework and liturgies of the Christian calendar. Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Religion Interfaith worship Sermons Sound Recordings Creator An entity primarily responsible for making the resource Rhem, Richard A. Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/514">Richard A. Rhem papers (KII-01)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Contributor An entity responsible for making contributions to the resource Kaufman Interfaith Institute Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Language A language of the resource English Type The nature or genre of the resource Sound Text Identifier An unambiguous reference to the resource within a given context KII-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-2014 Format The file format, physical medium, or dimensions of the resource audio/mp3 text/pdf Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Event Thanksgiving Sunday Scripture Text Deuteronomy 8:12-14, Psalm 115:6, 7, 17 Location The location of the interview Christ Community Church, Spring Lake, MI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context KII-01_RA-0-19971127 Date A point or period of time associated with an event in the lifecycle of the resource 1997-11-25 Title A name given to the resource The Irony of Thanksgiving Creator An entity primarily responsible for making the resource Richard A. Rhem Publisher An entity responsible for making the resource available Grand Valley State University Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Sermons Relation A related resource Richard A. Rhem - An Archive of Sermons, Prayers, Talks and Stories: http://richardrhem.org/ Language A language of the resource eng Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource audio/mp3 Description An account of the resource A sermon given by Richard A. Rhem (Dick) on November 25, 1997 entitled "The Irony of Thanksgiving", on the occasion of Thanksgiving Sunday, at Christ Community Church, Spring Lake, MI. Scripture references: Deuteronomy 8:12-14, Psalm 115:6, 7, 17. https://digitalcollections.library.gvsu.edu/files/original/2b5f9918a71e729aa4591d38cc2e42ca.jpg 5aafdd4a55a9d58e3553832ba8116748 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_176 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image are three cast members on a black stage. In the foreground sits a mustachioed man wearing a red, velvet tuxedo jacket and bowler hat. Behind him stand two women in Victorian style dresses and floral hats. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/9665cd8079245dcb9e720df7bcc9195a.jpg e57c9c0dd68eeb67fe59cca777595cd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_177 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image are seven cast members who appear to be singing. All but the two on the right are well lit. The stage is set minimally, with a high contrast, black-and-white color scheme of doorways and windows. The women are dressed in colorful Victorian style dressed and florals hats, and two of the men are dressed as soldiers. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/5286de659243c6fda2afc3b2a105bd81.jpg e57c9c0dd68eeb67fe59cca777595cd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_177 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image are six cast members who appear to be singing. The stage is set minimally, with a high contrast, black-and-white color scheme. Behind the actors are a white door and window painted in a roman style on a black backdrop. The men are wearing colorful tuxedo jackets in various cuts and felt hats. One of the women wears a French maid's outfit, another a satin gown with bold details, and the third is dressed as a bride. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/e276d5b1bab8090a732bb8269dec628c.jpg 38cfea4e9314bf1929438a3c0bb86f31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_186 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image are six actors staged in a high contrast, black-and-white set. Behind the actors are a white painted door and curtains. In the center are a man and two women who appear to be crying. The man is sitting on a suitcase beside a carpet bag. On the far left are a man in a blue jacket and a women dressed as a bride. On the far right is a man in a top hat with a large bouquet of mostly green leaves. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/f41f17d862e22b6cfb401dcbdce70eb1.jpg 50550b7adf02c2d3ee2c0da51bc9cf6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_187 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image are six actors staged in a high contrast, black-and-white set. A man and a woman on the left are dressed in Victorian night gowns. In the center is a man looking bedraggled in a night cap. On the right, a concerned-looking man wraps his arms around two women. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/f2fda9b6ac27e98f9439dba1a7d9953d.jpg 0b0bbd9f097954dad084371efc873473 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_195 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image are three actors staged in a high contrast, black-and-white set. In the center, a soldier comforts a woman in a peach gown, as a man in a blue tuxedo gestures to them while speaking. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/d28b5a03eb7ddd5d11d43e97d9a81b78.jpg 2073f026f9926eb0a430d88e99650ac0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_1982-Italian-Straw-Hat_670 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 1982 Title A name given to the resource The Italian Straw Hat (theater production), 1982 Description An account of the resource Color photograph of Grand Valley's 1982 production of "Italian Straw Hat," by Eugène Labiche and Marc-Michel. In this image a bride smiles as a man in a brown suit leans towards her. The set is minimal, black and white. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 1982s https://digitalcollections.library.gvsu.edu/files/original/a62de506d047550a89ba7719e0a7c82b.jpg be3fb432c63d5fe56648b8c25d25c01e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Concert & Event Posters Subject The topic of the resource Posters Events Michigan Universities & colleges--Michigan Description An account of the resource Division of Student Services provides programs, services, and environments that enhance the personal, social, and intellectual growth of undergraduate and graduate students at the University. Events including concerts were managed by the office of Student Life. Posters for music, speakers, poetry readings and other campuswide events are included. Creator An entity primarily responsible for making the resource Grand Valley State University. Division of Student Services Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/106">Student Services concerts, events, and posters files, (GV028-06)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-07-17 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context GV028-06 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1963 – 1981 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV028-06_jgeils Title A name given to the resource The J. Geils band, April 8, 1973 Subject The topic of the resource Grand Valley State University Grand Valley State College Michigan Allendale (Mich.) Universities & colleges--Michigan Events Posters Description An account of the resource The J. Geils band, in the Grand Valley State Colleges Fieldhouse, April 9, 1973 Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Date A point or period of time associated with an event in the lifecycle of the resource 1973 Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/106">Student Services concerts, events, and posters files, (GV028-06)</a> Type The nature or genre of the resource Image Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/4b536b7373b607745798136bef260d75.pdf 133d5b2f023dc5c8058e449290c9a792 PDF Text Text �������������������������������������������������������������������������������������������������������� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Temple B'nai Israel Collection Creator An entity primarily responsible for making the resource Temple B'nai Israel (Muskegon, Mich.) Description An account of the resource Collection of photographs, scrapbooks, programs, minutes, and other records of the Temple B'nai Israel in Muskegon, Michigan. The collection was created as part of the L'dor V'dor project directed by Dr. Marilyn Preston, and was supported by grants from the Kutsche Office of Local History and Michigan Humanities Council. Original materials were digitized by the University Libraries and returned to the synagogue. Source A related resource from which the described resource is derived Digital objects were contributed by Temple B'nai Israel as part of the L'dor V'dor project. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Subject The topic of the resource Jews--United States Muskegon (Mich.) Scrapbooks Synagogues Women--Societies and clubs Minutes (Records) Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Preston, Marilyn Grand Valley State University. Special Collections and University Archives Relation A related resource L'dor V'dor (project) Identifier An unambiguous reference to the resource within a given context DC-08 Format The file format, physical medium, or dimensions of the resource Image Text Type The nature or genre of the resource image/jpeg application/pdf Language A language of the resource eng Date A point or period of time associated with an event in the lifecycle of the resource Circa 1920s-2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-08_Ladies-Aid_1921 Creator An entity primarily responsible for making the resource B'nai Israel Temple Date A point or period of time associated with an event in the lifecycle of the resource 1921/1927-01-05 Title A name given to the resource The Jewish Ladies Aid Society Meeting Notes Description An account of the resource Handwritten ledger of meeting notes for the Jewish Ladies Aid Society Subject The topic of the resource Jews--United States Jewish women Muskegon (Mich.) Women--Societies and clubs Minutes (Records) Source A related resource from which the described resource is derived Digital file contributed by the B'nai Israel Temple as part of the L'dor V'dor project. Relation A related resource L'dor V'dor (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/ce5eeead1e77aafca7bd154f81d1a645.pdf 4f6a3df8ef61da2cfecbb8d72fc23da3 PDF Text Text _ _ _ _ _ THE PEOPLES OF AMERICA _ _ _ __ Second in a series on the ethnic minorities who make up what President John F. Kennedy called "This nation of immigrants." TheJews Among Us Their manifold contributions to the country's vitality and inventiveness constitute a sparkling chapter in American history BY LEO ROSTEN W E CROSSED Liberty ; and my mother carried me down the gangplank to Ellis Island , the magic portal to the new, free world. We waited in large, caged rooms for five endless days to hear our name called. The place was packed with wrinkled Russian women in babushkas , Greeks in funny hats , gypsies who gave me candy, and gentle Jews who prayed three times a day . When at last the $25 my father had saved and sent from Chicago arrived, my mother led me on the ferry to the mainland , whose twinkling lights we had marveled at each PHOTO : ERICH FRE AKING 153 the Polish border at Cz~stochowa, and my mother clutched my hand. We shivered in the train to Berlin, where we were "deloused," even though my mother was cleaner than the scary , smelly guards ; and then somehow she found a train to Hamburg , from which we sailed. She was only 22; I was three. Ten people were jammed into our suffocating cabin , far below deck, and the sea was very rough. On the 14th day, I was held up above the throng on deck to see the Statue of �THE JEWS AMONG US night. I sensed that a miracle had nancial assistance throughout ' the come to pass. _ long years of the rebellion came Pushing the Frontier. My parents from Jews like Haym Salomon of and I were but three of the millions Philadelphia. Indeed , James Madiof Jews who have sought freedom in son recorded his profound indebtthe United States. The first to come edness to Salomon, who refused were 23 Portuguese Jews who fled to take a promissory note, or to the Inquisition in Brazil to New Am- charge interest , for successive loans , sterdam in 1654. Jews were accepted and who "obstinately rejects all in America , especially by the Puri- recompense." tans, who appreciated the Hebraic The Jews who arrived after 1820 foundation of Christianity . · were artisans and· small traders . The Founding Fathers greatly re- Many were peddlers , their knapspected the Jews . John Adams said, sacks stuffed with pins , needles, "They are the most glorious nation thread , buttons , cloth. These Jews that ever inhabited this earth." Ben- walked the land and slept in barns jamin Franklin and Thomas Jeffer- and open fields. In time, they bought son proposed as the great seal for the wagons, and added pots, pans , ketnew republic a depiction of the He- tles , bedsteads to their wares. The brews crossing the Red Sea, crowned Jewish peddler became a welcome by this legend: " Rebellion to Ty- figure in America's rural areas and rants Is Obedience to God . ~ And the helped push the frontier westward. Jews never forgot George as fi mg- Some opened trading posts or dryton's letter to their congregation m goods stores. They moved into newNewport, R . I.: " [Our governmentl ly opened territories, across the gives to bigotry no sanction , to per- Mississippi , over the Rockies, to the West Coast. secution no assistance ." Some of these resourceful men From 1654 to 1800, some 3000 Jews had immigrated to America, a laid the foundations for great departminuscule group compared with the ment stores and retail chains : GimEnglish, Scots, Irish or Germans. bel, Saks, Altman, Straus (Macy's) Often they settled in the flourishing of New York City; May of Los Anseaport cities of Charleston, New geles; Magnin , Strauss and Haas of York and Philadelphia, where trade San Francisco; Neiman and Marcus was spurred by already established of Texas. Perhaps the most famous Jewish merchants. was Levi Strauss. He created an inConsidering their small numbers, ternational phenomenon called blue Jews played a significant role in the jeans, for California gold miners American Revolution. Thomas Jef- who wanted trousers of the utmost ferson used David Franks, a Jew , as durability. Levi had only very tough his diplomatic courier. Critical fi- tent canvas; he used copper rivets to strengthen pockets crammed with LEO ROSTEN , PH.D. , politic a l sc ienti s t , tools or nuggets. To his surprise, screenwrit er , humori st , is author of 31 books, miners poured into his shop, asking including Th e Joys of Yiddish , Treasury ofJ ewish for " them pants of Levi 's ." Quotations, Captain N ewman, M .D . a nd Th e Edu cation 0J'Hy111w1 Kap/an . Jewish pioneers scattered all over 1 54 �THE JEWS AMONG US the expanding nation and live on in dozens of American place names: towns like Castroville and Kaufman, Texas ; Solomonsville, Ariz.; Levy, Ark. ; Mayersville, Miss. A Jew named Sigmund Schlesinger was a famous Indian fighter and hero of the Battle of Beecher Island in Kansas. Philo Jacoby founded a Jewish newspaper in San Francisco, and became the champion rifle shot of the world. San Francisco's pioneers included the Fleishhackers, Koshlands , Schwabackers , Hellmans. In Cincinnati, the Freibergs , Fleischmanns and Friedlanders stamped the city with German-Jewish influences, as did the Baers and Stixes in St. Louis, and the Lazaruses in Columbus . Lovers of tantalizing trivia will relish the fact that one of the Old West's legendary figures , Wyatt Earp, is buried in the Jewish cemetery of Colma, Calif. Earp married Josephine ("Sadie") Marcus of San Francisco, an actress, after the famous shoot-out at the O.K. Corral, and the two spent the next 48 years prospecting for gold , gambling, and running saloons in Colorado , Texas , Mexico and Alaska. A Sacred Commandment. While American Jews prospered, Jews in Eastern Europe suffered. Pogroms, wholesale massacres organized by Czarist regimes, brutalized Russian Jews . In Germany and Austria, restrictions had forbidden Jews to own land, vote , enter colleges or professions, even to travel or marry freely . New waves of refugees fled to "golden" America and sent New York's Jewish population soaringfrom 500 in 1825 to 60,000 in 1880. In 1881 another explosion of pogroms in Poland and the Ukraine drove thousands more westward. At one point, 100,000 Jews a year were arriving on our shores. By 1930 one of four New Yorkers was Jewish. The newcomers had little in common with older Jewish settlers. Jews whose ancestors had come from Germany, Spain or Holland could not easily communicate with Yiddish-speaking Ashkenazim from Eastern Europe . Older settlers were now thoroughly acculturated , and they feared that the bearded , "medieval" refugees would offend American sensibilities and ignite anti-Semitism. Nonetheless , New York's Jews organized to help "our poor cousins. " A Jew does not "give" to "charity." (Indeed, there is no word for "charity" in Hebrew or Yiddish.) He fulfills a sacred commandment to care for his fellow mortals . Certainly one reason the newcomers succeeded was because the Jewish community was so energetic in caring for its people. New York's Jews helped immigrants get jobs , open stores, start businesses. German Jews supported free night schools that offered courses on citizenship, English , hygiene and medical care . The Ashkenazim also helped themselves. "The Jews had their own values," notes economist Thomas Sowell in Ethnic America. "And they took those values into and out of the slums." By religious precept, Jewish respect for the law and the closeness of Jewish family life set strong boundaries for moral behavior. Generally , the crime rate among Jews was low , and their children had lower truancy and juven- 157 �1HE JEWS AMONG US ile-delinquency rates than others. Jewish families were child-centered and moved heaven and earth to get their children a good education. Upon arriving in New York's slums, a Jewish mother would hasten to the public library, where she would hold up one, two, three fingers-the number of children for library cards . Returning from their first day at school, many Jewish youngsters would find cookies baked in the form of letters of the alphabet. Jewish immigrants planned to settle permanently; they did not want their children to suffer the poverty, terrors and humiliations they had known. And they became Americanized fast. Tyranny of Quotas. By the turn of the century, however, the paradoxes of America's competitive system produced social tensions and fanned old hatreds carried from Europe. Industry flourished , but depression and unemployment periodically recurred. The sheer speed of social change sparked blind hostilities: in the West against Chinese; in steel towns against Poles; in many places against Catholics . And now the Jews often encountered the dreadful bacillus of anti-Semitism. Housing covenants forbade the sale of homes to Jews in many places; "gentlemen's agreements" kept them out of banking, shipping, the better clubs. Many a country club sprouted such signs as: NO JEWS OR DOGS ALLOWED. In the early 1920s prestigious private universities attempted to limit Jewish enrollment. Many graduate schools discriminated against Jews. At the University of Chicago I was advised 158 by a friendly dean not to enter graduate work in English, history or philosophy: "Jews can't get teaching posts in those fields." I had begun to feel the lash of prejudice as a child in Chicago. Our neighborhood was periodically invaded by Irish or Polish hoodlums, who tore the beards of elders and smashed store windows. Frequently, I was taunted, chased or stoned. I was called a "kike," a "sheeny." World War I and the Great Depression fueled the fires of prejudice. Harshly restrictive immigration laws were passed in 1924. When Hitler came to power, Jews sought to flee to the United States, but a stringent quota system was in effect. In all the 1930s, only about 200 ,000 Jews got into the United States-but among them were people who transformed American science. A handful of refugees from NazismEinstein, Teller, von Neumann and Franck-led America into the nuclear age. The democratizing experience of an immense army and work force, united to fight racist dictators during World War II, made prejudice go out of favor. Racist theories, allegedly "scientific," were exposed as silly. The basic incompatibility of democracy with discrimination became indisputable. In the past 40 years, new Jewish immigration has shrunk to a trickle. Today there are about 5,700,000 Jews in the United States, around 2.5 percent of our population. Judaism in America is split into three branches: Orthodox (about a tenth), Conservative (about a third), Reform (about a quarter). But the connection of many to a synagogue �THE JEWS AMONG US or temple is so tenuous that perhaps 50 percent of American Jews are "secular." Only a small minority observe kosher laws. Roughly 35 percent of the Jews who get married today marry non-Jewish partners . "Jews have become more American than Jewish," says Rabbi Marc Tannenbaum of the American Jewish Committee. "And this has caused a great ambivalence. They want to be a part of the mainstream, but they also ask themselves what price they will pay for this in their survival as a people." Yet even the self-described agnostics or skeptics have a strong identification with Jewish history and values. Above all they feel the moral-ethical obligations of the Jewish tradition. The ethos of Judaism rests in part on the idea of study, which is sacred. Every synagogue had a "house of study" attached, open day and night for discussion and argument. Certainly the Jewish population has made spectacular contributions to human knowledge and welfare. More than 28 percent of the Nobel Prizes awarded to Americans have been given to Jews. Jews today are also significantly "over-represented" in ·medicine, mathematics and law . Faith and Reason. Jewish talent is just as conspicuous in the arts. Playwrights include George Kaufman, Moss Hart, Ben Hecht, Lillian Hellman, Arthur Miller, Neil Simon. Music and musical comedy were transformed by George Gershwin, Irving Berlin, Jerome Kern, Leon-, ard Bernstein, Richard Rodgers and Oscar Hammerstein. With brilliant contributions by Jack Benny, George Burns, the Marx brothers, Woody Allen and Mel Brooks, the liberating lunacy of Jewish wit revolutionized American humor. Movies were pioneered by men named Zukor, Lasky, Mayer, Fox, Goldwyn, Warner, Selznick. But the vast majority of Jews in America are not intellectuals, scientists or artists. They are ordinary people, burdened by everyday problems . A favorite saying among Jews is, "Only in America." No more is said, because no more need be said. Human history has never before seen so astonishing a phenomenon as this nation's creative hodgepodge of races, religions, cultures, creeds . And since this "melting pot" does not entirely melt, what our republic has created is a politically open society in which variety can flower in unprecedented richness. The Americanization of the Jews, and their manifold contributions to our health and education, to our economic vitality and inventiveness, to all the sciences, art, entertainment, constitutes but one sparkling chapter in the story of American civilization. For information on reprints -'~c "' of this article, see page 235 ""··· .•. ,!.-',..._ <WHEN my son turned 16, he took his driver's test. Afterward, I asked him if he had been nervous. "I was while waiting to drive," he replied . "But once the examiner got in the car, I just pretended he was Dad and ignored him." -Contributed by Rose Marie Price 160 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adriana B. and Peter N. Termaat collection Creator An entity primarily responsible for making the resource Termaat, Adriana B. (Schuurman) Termaat, Peter N. Description An account of the resource Collection contains genealogical, personal, and family papers and photographs documenting the lives and interests of Adriana and Peter Termaat. The bulk of the materials are related to family history and genealogical research carried out by the Termaats, including research notes and materials about places in the Netherlands that were significant to the Termaat and Schuurman families, such as the city of Alkmaar. Other materials in the collection are related to the Termaats' experiences on the eve of and during the Second World War, especially the German occupation of the Netherlands and the Termaats' participation in organized resistance to the Nazis. Also included are materials that document the family's post-war life in the United States, including their public efforts to recognize, commemorate, and honor people and events significant to World War II. Date A point or period of time associated with an event in the lifecycle of the resource 1869 - 2012 Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/719">Adriana B. and Peter N. Termaat collection, RHC-144</a> Subject The topic of the resource Netherlands Netherlands--History--German occupation, 1940-1945 World War, 1939-1945 World War, 1939-1945 -- Underground movements -- Netherlands Dutch Dutch Americans Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Identifier An unambiguous reference to the resource within a given context RHC-144 Format The file format, physical medium, or dimensions of the resource Text Image Type The nature or genre of the resource application/pdf image/jpeg Language A language of the resource eng nl Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-144_Termaat_NWS_1985-03-Jews-Among-Us-317 Creator An entity primarily responsible for making the resource Rosten, Leo Date A point or period of time associated with an event in the lifecycle of the resource 1985-03 Title A name given to the resource The Jews Among Us Description An account of the resource Second article from "The Peoples of America" series on the ethnic minorities of the United States of America. Subject The topic of the resource Jews--United States Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/719">Adriana B. and Peter N. Termaat collection (RHC-144)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/83ea86d6e8f8eccfc4cb66938f5247b4.mp3 dde03e324bff6c56add29cc9d3888530 https://digitalcollections.library.gvsu.edu/files/original/ac774425ba1616e8a5e0b61f743dd599.pdf ee4ad2c16c4745e3534df8837730d4ba PDF Text Text The Judgment That Aims At Salvation From the sermon series: This Is Our Father’s World Text: Genesis 6: 5-6; Genesis 8: 21; Isaiah 54: 8 Richard A. Rhem Christ Community Church Spring Lake, Michigan November 17, 1985 Transcription of the spoken sermon …The Lord saw that man had done much evil…his thoughts and inclinations were always evil, he was sorry he had made man…he was grieved at heart… Genesis 6: 5-6 …I will never again kill every living creature… Genesis 8: 21 …I hid my face from you for a moment; but now have I pitied you with a love which never fails… Isaiah 54:8 The story of the Flood in the early chapters of Genesis is a story of judgment and grace. That duality is found throughout the Scriptures. Judgment and grace are not, however, two equally balanced responses of God toward humankind, each equally ultimate. Rather, God's judgment is a means toward the end of Salvation. God judges a recalcitrant and resistant creation in order finally to redeem and recreate according to His eternal purpose of love. Judgment is God's instrument. Salvation is God's ultimate intention. The story of Noah and the Flood tells us of a resolve in the heart of God never to abandon His Creation but to stay with it with limitless patience and forebearance on the basis of a radical grace that will not finally be defeated. Thus the story of Noah and the Flood is not simply a curious, ancient tale from a stage of primitive religious development. Rather, it was finally cast in the written form in which we have it during the dark days of Judah's Exile as a proclamation of the faithfulness of the God of Israel, Who would yet remember and redeem His people. In a word, this story is a proclamation of the Gospel of Grace. Chapters six through nine of Genesis present an exceedingly dismal picture of the inclinations of the human heart and thus the fractured reality of the Creation © Grand Valley State University   �The Judgment That Aims At Salvation Richard A. Rhem Page 2   the betrayal of God's purpose of a faithful, harmonious created order in covenant with Himself. But these chapters present a most hopeful picture of the resolve of the heart of God to stay with, renew and redeem Creation, which has run afoul of His purposes. These chapters then are gospel, Good News. We can be assured that this is our Father's world and we can rest in the deep assurance that nothing will ever separate us from the love of God that is in Jesus Christ our Lord. The story is familiar and need not be rehearsed here. Let us rather begin by recognizing once again that Genesis 1-11 throughout is a preface to the history of God's redemptive action in our history. These eleven chapters are constituted by a series of episodes which reveal deep and ultimate convictions about God, the world and humankind, convictions which are the premise of the whole biblical story of God's saving action in the midst of the world's resistance and revolt. We have reflected on God's creative intention for humankind made in His image. We have examined the failed test in the case of Adam and Eve, the fatal choice to give way to jealous anger in the story of Cain and Abel. The fourth chapter points to the development of culture in the descendants of Cain and now we come to the story of Noah and the Flood. Yet these chapters are not really about a flood that covered the earth and an ark that some religious groups are still trying to locate. Much rather, these chapters relate the truth about the human condition and the response of God to that situation. The real drama of this story occurs in the heart of the Creator; this is a story about the grief and faithful love of God. The story is introduced by God's taking notice of the wickedness that corrupted His good creation and betrayed His purposes in Creation. Notice the anguish of God's heart and His decision to destroy what He had made: ... The Lord saw ... (vs. 5) …he was sorry he had made man ... (vs. 6) I will wipe them off the face of the earth ... (vs. 7) I intend to destroy them. (vs. 13) This sets the stage for the story. God's heart is grieved at the state of affairs He observes on earth. His first reaction is to destroy what He has made for He sees that evil has permeated to the core of the human heart and the corruption of Creation is complete. There is no hope that things might turn around of their own accord. It is a hopeless situation going from bad to worse. Destruction is God's determination. Creation has refused to be God's creation and God's decision is death to the whole world. The "very good" of Genesis 1:31 has become the "I will blot out" of this narrative. This story reminds us of the most severe preaching of the later prophets. © Grand Valley State University �The Judgment That Aims At Salvation Richard A. Rhem Page 3   But, contrary to the human response to such a situation which would be anger, we find in the heart of God anguish; He is grieved in His heart. The evil heart of humankind troubles the heart of God. This is indeed "heart to heart" between humankind and God. How it is between humankind and God touches both parties. (Brueggemann, Genesis, p. 77) Thus we are dealing with a God Whose purposes have been betrayed, a God Who brings a serious charge against His creature and Who resolves to destroy, in light of the recalcitrance of the world; but we are not dealing with an angry tyrant Who might use His almighty power to crush in a fit of rage. This is not a hostile God Whose dignity has been offended. Rather, this is a God of gracious intent, willing life and harmony and completeness for His Creation, finding to His deep anguish that such purposes of loving intention are being resisted and betrayed. The world stands condemned; the sentence is destruction, but the sentence is rendered from an anguished heart, not from a jealous rage. Could God abandon His world? Could He bring it to an end? The answer of this story – a reflection of Israel's faith and understanding – is obviously, Yes, He could. He could change His mind about His Creation and bring to nothing that which He created out of nothing. Brueggemann writes: Can he abandon the world which he has so joyously created? That is a central question for Israel. Many people hold a view of God as unchanging and indifferent to anything going on in the world, as though God were a plastic, fixed entity. But Israel's God is fully a person who hurts and celebrates, responds and acts in remarkable freedom. God is not captive of old resolves. God is as fresh and new in relation to creation as he calls us to be with him. He can change his mind, so that he can abandon what he has made; and he can rescue that which he has condemned. (Ibid., p. 78) Thus Brueggemann points out we come to the heart of this narrative which has to do "not with a flood, but with a heavy, painful crisis in the dealings of God with creation." The real crisis is the crisis in the heart of God - "because of the resistant character of the world which evokes hurt and grief in the heart of God." What is going on here is a parallel of that familiar and moving passage from Hosea where the same conflict rages in the heart of God. Israel's unfaithfulness is documented; certain judgment will be the result. Yet that judgment cannot be the last word. How can I give you up, Ephraim, how surrender you, Israel? ... My heart is changed within me, my remorse kindles already. I will not let loose my fury, I will not turn round and destroy Ephraim; for I am God and not man, the Holy One in your midst. Hosea 11:8-9 © Grand Valley State University �The Judgment That Aims At Salvation Richard A. Rhem Page 4   And then we meet Noah and Noah won favor in the sight of the Lord. You know the story from that point - the ark, the rescue of some of all kinds of living creatures, the terrible flood and eventually the return of the dove with a sprig of olive branch, the dry land and an altar built to offer thanksgiving to God Who had surely judged but, rather than destroy, had saved Creation. Now Creation can begin again; this is a point of re-creation and a fresh start. Thus we find the resolution of the conflict in the heart of God. The sentence of death is overcome by a gift of new life. Grace prevails. God begins again with a resolve greater than that which prevailed at the beginning. Note the end of chapter 8. Noah and his family are restored to dry land and he builds an altar. In response God says, Never again will I curse the ground because of man, however evil his inclination may be from his youth upwards. I will never again kill every living creature, as I have just done. While the earth lasts, seedtime and harvest, cold and heat, summer and winter, day and night, shall never cease. (8:21-22) Here is God's pledge of unwavering faithfulness to Creation; He will never destroy it. The conflict in His heart has been resolved and resolved in favor of mercy. A great change has occurred but the change is not in Creation nor in the heart of the creature; rather the change is in God Who determines to be gracious, come what may. It is critical to note that this resolve is not made in the light of the judgment that has just occurred in the belief that a fresh start will make everything all right. Notice the words "Never again ... however evil his inclinations may be from his youth upwards." To put it bluntly, God took the persistent evil of the human heart as a given and said I will redeem anyway. In this passage we have a statement of radical grace - a grace that saves because of God’s decision quite apart from human merit. Perhaps the wonder of this passage can best be seen by putting in juxtaposition two statements: The human situation is hopeless. God will redeem the human situation anyway. or In the creature himself there is no hope; the hope of the creature is God's grace alone. or Humankind is hopeless. Our hope is in God. © Grand Valley State University �The Judgment That Aims At Salvation Richard A. Rhem Page 5   Just as Hosea discovered, so the Genesis writer believed: God will never abandon the world or the people He has created. How can I give you up? By rights I should give you up! I cannot give you up! I will not give you up! He takes as his vocation not judgment but the resilient work of affirmation on behalf of the death-creature. The flood has effected an irreversible change in God, who now will approach his Creation with an unlimited patience and forbearance. To be sure, God has been committed to his Creation from the beginning. But this narrative traced a new decision on the part of God. Now the commitment is intensified. For the first time, it is marked by grief, the hurt of betrayal. It is now clear that such a commitment on God's part is costly. The God-world relation is not simply that of strong God and needy world. Now it is a tortured relation between a grieved God and a resistant world. And of the two, the real changes are in God. This is a key insight of the gospel against every notion that God stands outside of the hurt as a judge. (Ibid., p. 81) This story found written expression at the time of the Exile. A people under judgment through their own folly and disobedience heard this as a story of their God Who would never abandon them but finally bring them to salvation. Second Isaiah reminds the Exiles of the story of Noah and the Covenant pledge of the faithful God. For a brief moment I forsook you, but with great compassion I will gather you. In overflowing wrath for a moment I hid my face from you, but with everlasting love I will have compassion on you ... For this is like the days of Noah to me; as I swore that the waters of Noah should no more go over the earth, so I have sworn that I will not be angry with you and will not rebuke you. For the mountains may depart and the hills be removed, but my steadfast love shall not depart from you ... (Isaiah 54:7-10) Within the course of history judgment continues to occur. There is no sense of indifference to human wrong, no blasé attitude about creation's perversion and human sin. However, judgment is always embraced within the resolution to redeem and save. Judgment aims at salvation. This is the message of radical grace and our hope must rest in the God and grace and in nothing else. The Summit meeting brings the heads of State together. We pray for mutual understanding and progress with the reduction of world tension. But our hope is not in the negotiating skill of our leaders; our hope is in God, the Sovereign of the nations. © Grand Valley State University �The Judgment That Aims At Salvation Richard A. Rhem Page 6   In our personal lives, too, we encounter difficult experiences; we go through deep water. We do our best to handle the situation and we find what help and support we can. But finally our hope is in the God Who through His prophet said, When you pass through the waters I will be with you; and through the rivers, they shall not overwhelm you; when you walk through fire you shall not be burned, and the flame shall not consume you. For I am the Lord your God, the Holy One of Israel, your Savior. (Isaiah 43:2-3a) God has resolved in His own heart never to leave us nor forsake us. He will never abandon Creation. His steadfast love endures forever. Amen. Reference: Walter Brueggemann. Genesis: Interpretation: a Bible Commentary for Teaching and Preaching. John Knox Press, 1982. © Grand Valley State University � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard A. Rhem Collection Description An account of the resource Text and sound recordings of the sermons, prayers, services, and articles of Richard Rhem, pastor emeritus of Christ Community Church in Spring Lake, Michigan, where he served for 37 years. Starting in the mid 1980's, Rhem began to question some of the traditional Christian dogma that he had been espousing from the pulpit. That questioning was a first step in a long and interesting spiritual journey, one that he openly shared with his congregation. His journey is important, in part because it is reflective of the questioning, the yearnings, and the gradual revision of beliefs that many persons in this part of the century have experienced and continue to experience. It is important also because of the affirming and inclusive way his questioning was done and his thinking evolved. His sermons and other written and spoken materials together document the steps in his journey as it took a turn in 1985, yet continued to revolve around the framework and liturgies of the Christian calendar. Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Religion Interfaith worship Sermons Sound Recordings Creator An entity primarily responsible for making the resource Rhem, Richard A. Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/514">Richard A. Rhem papers (KII-01)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Contributor An entity responsible for making contributions to the resource Kaufman Interfaith Institute Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Language A language of the resource English Type The nature or genre of the resource Sound Text Identifier An unambiguous reference to the resource within a given context KII-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-2014 Format The file format, physical medium, or dimensions of the resource audio/mp3 text/pdf Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Event Pentecost XXV Series This is Our Father's World Scripture Text Genesis 6:5-6, 8:21, Isaiah 54:8 Location The location of the interview Christ Community Church, Spring Lake, MI References Walter Brueggemann. Genesis: Interpretation: a Bible Commentary_, 1982 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context KII-01_RA-0-19851117 Date A point or period of time associated with an event in the lifecycle of the resource 1985-11-17 Title A name given to the resource The Judgment That Aims at Salvation Creator An entity primarily responsible for making the resource Richard A. Rhem Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Sermons Relation A related resource Richard A. Rhem - An Archive of Sermons, Prayers, Talks and Stories: http://richardrhem.org/ Language A language of the resource eng Type The nature or genre of the resource Sound Text Format The file format, physical medium, or dimensions of the resource audio/mp3 application/pdf Description An account of the resource A sermon given by Richard A. Rhem (Dick) on November 17, 1985 entitled "The Judgment That Aims at Salvation", as part of the series "This is Our Father's World", on the occasion of Pentecost XXV, at Christ Community Church, Spring Lake, MI. Scripture references: Genesis 6:5-6, 8:21, Isaiah 54:8. Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives Divine Intention Flood Genesis God's Radical Love Hebrew Scriptures Judgment Noah https://digitalcollections.library.gvsu.edu/files/original/abfda8a51362a5b23fd4f75472f62a7f.jpg c975f14e8429b8dec36913c0ea7d5c53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PS3537.I85 J85 1906 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0071 Title A name given to the resource The Jungle Description An account of the resource Binding of The Jungle, by Upton Sinclair, published by The Jungle Publishing Co., 1906. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1906 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/17033c05d20dffeea95d8c84b7fa6af9.jpg ac2d311ea6ebc469504dc830724bb0e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PS3501.D253 K53 1901 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0417 Title A name given to the resource The Kidnapped Millionaires: A Tale of Wall Street and the Tropics Description An account of the resource Binding of The Kidnapped Millionaires: A Tale of Wall Street and the Tropics, by Frederick Upham Adams, published by Lothrop Publishing Company, 1901. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1901 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/a536458a97800669e8d94004483c5c04.jpg 476f35e99d521c240f3b18411c0577b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M144-0024 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, C.S. Lewis House Description An account of the resource Black and white photograph of an exterior view of writer C.S. Lewis's home, known as The Kilns, located in Risinghurst, Oxford, England, and infamously known as the location where Lewis wrote all of his "The Chronicles of Narnia" books and other classics. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/d622dbdfe6484abd5e15ae7ce0276369.jpg 9ff446858904180f28457eff0d5ce248 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M144-0027 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, C.S. Lewis House Description An account of the resource Black and white photograph of a close-up view of writer C.S. Lewis's home, known as The Kilns, located in Risinghurst, Oxford, England, and infamously known as the location where Lewis wrote all of his "The Chronicles of Narnia" books and other classics. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/471a42152774746fb1c1bc993d0b2d5c.jpg 431c7229dbf9be614f094e98f57a5f0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M144-0031 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, C.S. Lewis House Description An account of the resource Black and white photograph of an exterior view of writer C.S. Lewis's home, known as The Kilns, located in Risinghurst, Oxford, England, and infamously known as the location where Lewis wrote all of his "The Chronicles of Narnia" books and other classics. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/57c8a038614db0bfa81af402840f242d.jpg b9460cb753c309738f17c7de03334e92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M146-0029 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, C.S. Lewis House Description An account of the resource Black and white photograph of an interior view of the living room in writer C. S. Lewis's home, known as The Kilns, located in Risinghurst, Oxford, England, and infamously known as the location where Lewis wrote all of his "The Chronicles of Narnia" books and other classics. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/0f41682a8290dad87d2709359c81eb63.jpg 121229d049f7754f2222e26869c19889 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M146-0036 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, C.S. Lewis House Description An account of the resource Black and white photograph of the Lewis Family Wardrobe located in writer C. S. Lewis's home, known as The Kilns, located in Risinghurst, Oxford, England, and infamously known as the location where Lewis wrote all of his "The Chronicles of Narnia" books and other classics. The wardrobe was handmade by C.S. Lewis's paternal grandfather, Richard Lewis, in the 1800's and served as inspiration from his childhood for his Narnia books. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Furniture--England--History Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/22f290fc2c3d7a3dfa61232758c5fd79.jpg a2dd3dca39f6cac17a4fa7aa8ee44bc2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M149-0042a Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, Oxford, England Description An account of the resource Black and white photograph of the driveway and wooden garage of C.S. Lewis's beloved home known as "The Kilns," located on Lewis Close south of Kiln Lane in the Headington residential suburb of Oxford, England. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Garages--England Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/b99db3461befcd8916b046c94aeaeedb.jpg 142e69775cbeab3120e26ea2881a7a4f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_M152-0002 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1972-06/1972-08 Title A name given to the resource The Kilns, Oxford, England Description An account of the resource Black and white photograph featuring an interior view of a bedroom in writer C.S. Lewis's beloved home known as The Kilns, located in the Headington residential suburb of Oxford, England. Scanned from the negative. Subject The topic of the resource Lewis, C. S. (Clive Staples), 1898-1963 Cottages--England--Oxford Headington (Oxford, England) Oxford (England) Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1970s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/07027f7824741aa0bddb3827e212ba72.jpg 1b841d827e0cfa6921b5116b6b7e57bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. QL791 .R64 1902 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0367 Title A name given to the resource The Kindred of the Wild Creator An entity primarily responsible for making the resource Sacker, Amy M. (Designer) Description An account of the resource Binding of The Kindred of the Wild, by Charles G.D. Roberts, published by L.C. Page and Company, 1902. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1902 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/fe7e55b87d266e1d404a67de40878a43.jpg f78f543587face9757196c62661c06e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Michigan Novels Collection. PS3509.N57 K54 1909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0020 Title A name given to the resource The King of Nobody's Island Description An account of the resource Binding of The King of Nobody's Island, by Thomas Enright, published by Gibson Publishing Co., 1909. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1909 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives