948 24 26018 https://digitalcollections.library.gvsu.edu/files/original/17b38833409338fcc2e20870c0b36cfc.jpg dafd0f117b7c7f66cff492d5ff03e609 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Michigan Novels Collection. PS3545.H6 B5 1902 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0045 Title A name given to the resource The Blazed Trail Description An account of the resource Binding of The Blazed Trail by Stewart Edward White, published by McLeod & Allen, 1902. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1902 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/695557242ff56046169c182faad0d4e4.jpg 19bf77d5053d2a3bd3a9fc3ae3056a43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grand Valley State University Photographs Subject The topic of the resource Aerial photographs Universities and colleges Michigan Grand Rapids (Mich.) Allendale (Mich.) Building Facilities Dormitories Students Events 1960s 1970s 1980s 1990s 2000s Description An account of the resource People, places, and events of Grand Valley State University from its founding in 1960 as a 4-year college in western Michigan. Creator An entity primarily responsible for making the resource News & Information Services. University Communications Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/41">News &amp; Information Services. University Photographs. (GV012-01)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Date A point or period of time associated with an event in the lifecycle of the resource 2017-03-03 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC-NC/1.0/?language=en">In Copyright - Non-Commercial Use Permitted</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource image Identifier An unambiguous reference to the resource within a given context GV012-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s-2000s Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Local Subject Subject headings specific to a particular image collection 1990s Source <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/41">University photographs, GV012-01</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV012-01_UAPhotos_000864 Title A name given to the resource The Bleacher Creatures Description An account of the resource The Bleacher Creatures on October 12, 1991. Subject The topic of the resource Grand Valley State University Michigan Allendale (Mich.) Universities and colleges Students Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC-NC/1.0/?language=en">In Copyright - Non-Commercial Use Permitted</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives black and white photo https://digitalcollections.library.gvsu.edu/files/original/e4887ccccee9395fc0848206014d3fc5.jpg f6ed90ba6cad61188eca7cbc5cc32a75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Lincoln and the Civil War. PS1006.A46 F54 1893 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0133 Title A name given to the resource The Blue and the Gray On Land: In the Saddle Description An account of the resource Binding of In the Saddle: from the Blue and the Gray On Land series by Oliver Optic, published by Lee and Shepard Publishers, 1889-1894. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1893 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/4b806f0e4bfe0b522fc9ab4c6abf2a47.jpg 6f8603588c051cca9422795e53c62667 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PZ8.L15 Bl 1937 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0264 Title A name given to the resource The Blue Fairy Book Description An account of the resource Binding of The Blue Fairy Book, by Andrew Lang, published by Grosset & Dunlap. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/4b4190412608e8dcf337d80dd14d1be0.jpg 6cc3891f4cd7b633f7a6017a73f5a277 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-July-1962-7 Date A point or period of time associated with an event in the lifecycle of the resource 1962-07 Title A name given to the resource The Blue Tempo Description An account of the resource A photo of the Blue Tempo. Signs on the building read food and bar. Someone has taken a blue pen and drawn a window awning and a design on the roof of the building. A flag has also been drawn on in the same blue ink. Subject The topic of the resource Michigan Saugatuck (Mich.) Allegan County (Mich.) Source A related resource from which the described resource is derived Digital file collected by the Kutsche Office of History as part of the Stories of Summer Project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/9267e993b003097a787b6cf57207e553.pdf d50216331f42c5449c237ebd79b42869 PDF Text Text ' The House of Music" < . )~ : � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-BlueTempo_0006 Date A point or period of time associated with an event in the lifecycle of the resource 1964-07-30 Title A name given to the resource The Blue Tempo "The House of Music" Description An account of the resource Front cover advertisement for The Blue Tempo "The House of Music" in Saugatuck, Michigan. The background photograph is a sepia-colored image of a crowded beach, which is most likely Oval Beach on the shores of Lake Michigan. Subject The topic of the resource Michigan Saugatuck (Mich) Allegan County (Mich) Advertising fliers Gay culture Beaches Michigan, Lake Source A related resource from which the described resource is derived Digital file contributed by the Saugatuck Douglas History Center as part of the Stories of Summer project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/fd267052c2cb713a6b743b418b87c6e3.pdf 3b6c2912c40aa2f0cc9731096d372768 PDF Text Text SAY YOU SAW IT IN AL1BGAN FLASlD!'S ,·THE BLUE TEMPO SAUGATUCK ' OPEN I ·lIK:: ii TUES., WED., THURS. 7:00 p.m. til 2:00 FRI.? SAT•1·SUN. 12:00 Noon til 2:00 p.m. · RAY MURPHY'S JAZZ GROUP .Modern Jazz &.. Dancin2 .. .EVERY .SAlURDAY 9:30 .'ti\ 111 e o~ I ll el *w @. ~, ·:X el e ] , !',¢ ;i o I ('l. ) 0 0 'C, .COUNTRY MUSIC ~TURING FOR;:~ .GLENN OWENS ALLEGAN · :~;:;c~ John De Allis C Plow, C Used PL · .EVERY FRIDAY AND SUNDAY Z:;~:~ -9: 30 -'llL -ffl re::s~: · M.H.Coml ■ ■ ■ , CHOICE BEERS & WINES fOOO , TAKEOUTS Tripod , ~:!g:s' . tractor1 also plc rakes, c Loaders Get our ·THE .BLUE TEMPO =~~~: � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-BlueTempo_0012 Date A point or period of time associated with an event in the lifecycle of the resource 1960-09-29 Title A name given to the resource The Blue Tempo Newspaper Advertisement Description An account of the resource Newspaper advertisement for The Blue Tempo Jazz Club in Saugatuck, Michigan. It also features Ray Murphy's Jazz Group whose modern jazz and dancing takes place every Saturday night and country music featuring Glenn Owens of Allegan every Friday and Sunday night. Subject The topic of the resource Michigan Saugatuck (Mich) Allegan County (Mich) Advertising fliers Gay bars Gay culture Source A related resource from which the described resource is derived Digital file contributed by the Saugatuck Douglas History Center as part of the Stories of Summer project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/dd14e621b1ac9bdd5896f6af7a8ba0d8.pdf 7cfb3dc1ed55e6a7335bc537aa0b90b9 PDF Text Text i OF SA ,UGAT UC1 · 1 PRESENTS . A TOUCH OF CHICAGO'S ''OLD TOWN'' ., EVERY WE ,E:KEI .D FRI. - SAT. - SUI. THE VERY FINEST .BOB SNYDER ./,1,IJ ~ IN THE COUNTRY GAY ROI J WHITNEY ",/,/-,1 TRUMPET \ I HAWKINS . I I ti J DRUMS BOB ~., .,_~., NELSON PIANO Plus · G,UEST STA RS JAM SESSION EVERY SUNDAY CALL 857-2629 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-BlueTempo_0005 Date A point or period of time associated with an event in the lifecycle of the resource 1960 Title A name given to the resource The Blue Tempo Presents "Old Town" Description An account of the resource Jazz poster for A Touch of Chicago's "Old Town" performed every weekend at The Blue Tempo in Saugatuck, Michigan. The advertisement mentions a jam session every Sunday and there is a phone number listed at the bottom which says "Call 857-2629." Circa the 1960s. Subject The topic of the resource Michigan Saugatuck (Mich) Allegan County (Mich) Advertising fliers Gay bars Gay culture Source A related resource from which the described resource is derived Digital file contributed by the Saugatuck Douglas History Center as part of the Stories of Summer project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/50d8190c4df41cd7cf02c34d1e853e9a.pdf ed942e7b61fbe4272db5b0eef11c3465 PDF Text Text Dear Resorter, Howdy! :We .at the Blue Tempo appreciate your inquiry regarding the Blue Tempo of Saugatuck. We know you will enjoy a vacation in Saugatuck and we hope we can help make your stay a most p;J'easant one, a vacation that you will \l'emember for years to come. rrhe Blue Tempo Hotel with adjoining restaurant has a quaint relaxing atmosphere that is fitting to the beautiful art inspired vi!llaiges of Saugatuck and IDouglias. H~tel rooms are clean and comfortable with hotel service, bathroom and shower faci!l-ities, and hot water heat. Rooms have double beds for one to four persons. Hotel rates start at $3,00 per day for one in room, $20,00 per week. $5-00 per day for two in room, $30-00 per week. $7-00 per day for three in room, $35.00 per week, $9,00 per day for four in room, $40,00 per week. The Blue Tempo cabins are located on a spacious lawn overlooking the lazy ,old Kalamazoo river, a nice pl,ace to sit and relJ:ax in one of the many Jlawn chairs •and watch the different boats going by. Cabins ,a re clean and comfortable. Ail are equipped for light housekeeping. AiJll have private baths and showers. Linens and utensils are furnished. Cabins will accomodate from one to six persons. Cabin rates start at $35,00 per week for one person. $40.00 per week for two persons. $45.00 per week for three persons. $50,00 per week for four persons. $55,00 per woe)< ·foJ: five persons. $60.00 per weeJ< for six persons. Below the Ba1Ue Tempo Hotel is t he spacious new Blue Tem~o, House ~f Music _bar .. A p1ace where you can meet aind enjoy an atmosphere with art appeal, that features the finest music f?r dancmg and ~istenmg, 'P'~ayed by some of the best musicians of our time. Bar opens at 12 noon till 2 a.m. and serves the best m beers and wmes. Food 1s served 'in the bar from noon ti!U 8:3-0 p.m. The El'.ue Tompo r estaurant located in the hotel area is air_ conditioned and wi!H serve breakfasts, light Junches, sandwiches, charcoal steaks and hamburgers, speciall salads, french fries, coffee and beverages. The Blue Tem'Xl is located direct1'1y on t he sho-re of Lake Kalamazoo with dock space for small cruisers. We are just one block from the center of most activity and the heart of our downtown, four blocks from the Greyhound bus station two baocks to the launderette. Entertainment of all[ kinds is to be found in the twin villages. It's only a short walk to tennis c~urts shuffleboard courts, fishing, boat rentals, canoes, water skiing, bicycle rental, miniature golf, and driving range, archery, bow{[~ ing .and rifle renge. Ride on the famous Island Queen stern wheeler u p the nicturesque Kafamazoo river or on a moonlight cruise out to Lake Michig,a n. Ride the Air Boat thru the Michigan evergl,ades. Take a scenic or thrill Dune Schooner ride over the sand dunes at Goshorn Lake. Sun and swim at the many be.aches t he Saugatuck Ovall on Lake Michigan is one of the finest on the [Jake -Michigan shores. :Pottawatamie beach on Goshorn Lake nestled beneath the llofty ~nd dunes is great for swimming. If y,ou like to hike there is no better scener y than ihru the woQdii and hills in this surroundmg area, the old harbor, the sand dunes miles of sandy beaches. Climb Mt. Baldhead, the highqst sand dune in Western Michigan. See the many art shows, at Ox Bo~ Taylor's Art Studio. S ee artists at work painting the surrounding beauty. Go to the Stock Car races. Horseback riding. Golf ~t the two excefilent 'Saugatuck .and .Douglas gdl\f courses. !See the many quaint and modern_ shops b~sting with things that you can takP. home ·a nd remember a most happy stay in Saugatuck and Douglas. Some of the fmest antique shops are found in this area. Visit the Red Barn theatre with its professional New York cast. · 1S ee t he commercial fis·~ boat s of Saugatuck and the new Marina, -Ride the ferry from downtown Saugatuck across the KaJ.amazoo river to the many hills and sandy beaches. S€e softball games at the Douglas square -a nd enjoy the square dances. Fine food can be found at the numerous restaurants in the area, and our night clubs and barn are equa,I to none. Of course there's dancing .. When writing for reservations please mention if dates you wish to stay are inclusive, the number of persons in your party and any7nf\ormation that you think we should know to speed an answer. Early reservations wiH be to your advantage. ' $11().00 is the usua-1 deposit to reserve your room or cabin. If there are no vacancies availllable -at the Blue Tempo fur the dates you prefer, your money will be returned, along with the names of other hotels or caibins that have vacancies on the dates ~hat you would want. Check-out time at the Blue Tempo is 12 noon; we _wiH g-ladlliy check your baggage of Jiate or early arriV'als and departures Tf for any reason you are unable to keep your reservat10ns, pliease notify us as soon as iJOSsible. · -~ . [_f your . ag~ is between. 21 and 25 or if you ihook ·yioung, be sure to bring 3 pieces of identification so you can get into the bars . .i his JS a M1ch1gan State Liquor Law. Hoping to hear from you or see you on your stay. "Happy Vacationing" \Sincerely, !Eve Davis Don 'Davis Jake Ihile a,nd aH at the Blue Tempo � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-BlueTempo_0002 Date A point or period of time associated with an event in the lifecycle of the resource 1960 Title A name given to the resource The Blue Tempo Resorter Letter Description An account of the resource Typed letter from The Blue Tempo Resort addressed to potential resorters ahead of their stay in Saugatuck, Michigan. The letterhead reads "The Blue Tempo, House of Music" in cursive lettering. The letter covers the rates for a stay in The Blue Tempo Hotel and cabin rates on the Kalamazoo River. It also covers the activities available in Saugatuck, the restauraunt within the Hotel, and the need for identification to drink legally. Circa the 1960s. Subject The topic of the resource Michigan Saugatuck (Mich) Allegan County (Mich) Hotels Restaurants Gay culture Source A related resource from which the described resource is derived Digital file contributed by the Saugatuck Douglas History Center as part of the Stories of Summer project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/d0d869b94f76e501f01b97b4fa1c3617.mp3 283b7cb344f16453290f4d004aa49f85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard A. Rhem Collection Description An account of the resource Text and sound recordings of the sermons, prayers, services, and articles of Richard Rhem, pastor emeritus of Christ Community Church in Spring Lake, Michigan, where he served for 37 years. Starting in the mid 1980's, Rhem began to question some of the traditional Christian dogma that he had been espousing from the pulpit. That questioning was a first step in a long and interesting spiritual journey, one that he openly shared with his congregation. His journey is important, in part because it is reflective of the questioning, the yearnings, and the gradual revision of beliefs that many persons in this part of the century have experienced and continue to experience. It is important also because of the affirming and inclusive way his questioning was done and his thinking evolved. His sermons and other written and spoken materials together document the steps in his journey as it took a turn in 1985, yet continued to revolve around the framework and liturgies of the Christian calendar. Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Religion Interfaith worship Sermons Sound Recordings Creator An entity primarily responsible for making the resource Rhem, Richard A. Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/514">Richard A. Rhem papers (KII-01)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Contributor An entity responsible for making contributions to the resource Kaufman Interfaith Institute Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Language A language of the resource English Type The nature or genre of the resource Sound Text Identifier An unambiguous reference to the resource within a given context KII-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-2014 Format The file format, physical medium, or dimensions of the resource audio/mp3 text/pdf Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Event Pentecost Series On Being an Easter People Scripture Text Acts 2:47 Location The location of the interview Christ Community Church, Spring Lake, MI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context KII-01_RA-0-19900603 Date A point or period of time associated with an event in the lifecycle of the resource 1990-06-03 Title A name given to the resource The Body of Christ the Spirit Creates Creator An entity primarily responsible for making the resource Richard A. Rhem Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Sermons Relation A related resource Richard A. Rhem - An Archive of Sermons, Prayers, Talks and Stories: http://richardrhem.org/ Language A language of the resource eng Type The nature or genre of the resource Sound Format The file format, physical medium, or dimensions of the resource audio/mp3 Description An account of the resource A sermon given by Richard A. Rhem (Dick) on June 3, 1990 entitled "The Body of Christ the Spirit Creates", as part of the series "On Being an Easter People", on the occasion of Pentecost, at Christ Community Church, Spring Lake, MI. Scripture references: Acts 2:47. Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/bd409e4b0ac831607e1014339fba5651.pdf 3aa0fa32066e21470ff6490fadc3df92 PDF Text Text The Book That Binds Us Article by Richard A. Rhem Minister of Preaching and Theological Inquiry Christ Community Church Spring Lake, Michigan Published in Perspectives A Journal of Reformed Thought December 1992, pp. 12-17 The Bible is the book that binds conservative Reformed orthodoxy, binds not in the sense of holding us together but, rather, in the sense of shackling us, immobilizing us as we attempt to address the Word of God—the Word of judgment and grace—to our contemporary situation, to present human experience. The 1992 Synod of the Christian Reformed Church, in its anguishing debate and failure to move forward on the question of women in office, is only the most recent instance of our inability to bring the scriptural witness into fruitful dialogue with present human experience and the knowledge and insight available to us from the various disciplines of human research. The Bible is being misused. It is being asked to function in a way it can no longer be expected to function, a way it was never intended to function. Until there is a radical revisioning of our understanding of the place of Scripture in shaping our faith and forming our practice, the church will be deadlocked, at an impasse, firing salvos of accusation and recrimination from opposing camps while the body bleeds and languishes. It is painful to read the account of the Christian Reformed drama as it has taken shape over the past two years since the Synod of 1990. A similar drama was played out in the past in the Reformed Church in America, which now has opened its offices to women but continues to be a house divided, living in a coexistence filled with dis-ease. Advocates of both positions in the Christian Reformed Church cite Scripture and claim to be faithful to its authority. But a great gulf separates the two sides, and it is difficult to imagine them reaching agreement. Cultural…climate of opinion does work its ferment on the staunchest of orthodoxies, and time is on the side of those who seek to open the offices to women. That will come. But the Christian Reformed Church will be much like the RCA at present—of two minds on the issue. The church will live with a pragmatic © Grand Valley State University   �The Book That Binds Us Richard A. Rhem Page 2   accommodation but without a unified, joyful vision of truth, of justice, energized by fresh insight and understanding. In this journal April 1991,I wrote, In theology old paradigms keep their adherents even when theological development has left them behind. But they can do so only by some form of authoritarian claim. In the case of Reformed orthodoxy, the authoritarian claim of the Bible has held theological movement hostage, hindering meaningful dialogue with the sciences and philosophy. We are theologically stuck, and we will not become unstuck until we learn to value Scripture as authority, but break loose from its authoritarian use. In that same article I referred to a statement of Hendrikus Berkhof in his Two Hundred Years of Theology that Herman Bavinck turned away from dogmatic theology in his later years, sensing that the modern period needed a much more vigorous renewal of theology than he was able to produce. And I raised the question whether he might not have recognized that his own objective principle of knowledge—the Scriptures—blocked him from fruitful engagement with the rapidly expanding horizons of knowledge in the modern period. I stated again that the orthodox Reformed view of Scripture and its hermeneutic make it impossible either to engage the cultural assumptions that are the legacy of the Enlightenment or to be in dialogue with the probings of the present, postmodern period. The current dilemma of the Christian Reformed Church confirms my contention. The question of women's ordination cannot be solved by appeal to Scripture alone. What must be recognized is that the Bible is not a book of propositional truths, timeless and eternal, covering the full spectrum of cosmic reality, to be applied objectively to questions of faith and practice. Rather, it must always be heard as a cumulative witness of those encountered by the God of Creation who came in judgment and grace to Israel and in the humanity of Jesus. The canon of Scripture includes that witness spanning centuries, but the canon has been closed for subsequent centuries to the present while the human story has continued on with dramatic development and amazing breakthroughs in the understanding of the cosmos, of historical development, and of the human person. In the present debate in the Christian Reformed Church we can see the failure on both sides to acknowledge the legitimate place of contemporary experience in the discussion of women's ordination. Each side is claiming biblical authority for its position. Obviously, something is wrong, and what is wrong is the view, shared by the opposing sides, of how the Bible functions in such a discussion in relation to present experience. It is my contention that the failure to engage contemporary experience stems from a failure to recognize the function of a living tradition of faith. © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 3   Let me say clearly, I stand unreservedly with those who advocate opening all ecclesiastical offices to women. They can mount a biblical case for their position. But their opponents can mount an equally strong argument against women's ordination if it is assumed that the Bible must provide the answer for or against that ordination. It is clear that what is at issue is not women as women in office, their giftedness, leadership capacity, or spirituality. The issue is the Bible, how it functions in the life of the church, where its authority lies. Until the church wrestles with the authority of Scripture in determining the shape of its faith and the form of its practice, it will not be able to make progress on any theological front or come to consensus on any doctrinal debate. The apparent issue being debated will never be the real issue; lying behind it will always lurk the question, “But what does this do to the authority of the Bible?” In Reformed orthodoxy, the Bible carries not only authority; it is used with authoritarian coerciveness and uncritical literalness that brings every new discussion to an impasse whether the question be the ordination of women, the status of homosexual or lesbian persons, of creation versus evolution, of ethical issues such as abortion, genetic engineering, or euthanasia. In Bondage to the Bible The Bible is the book that binds us. In our academic, theological institutions we acknowledge that the Bible is not a scientific text, not a chronicle of history in the modern sense of historiography, that it comes to expression through human persons with all the limitations that entails. But we have never been honest with the church about the implications of our recognition of the nature of the Bible. Somehow the critical study of Scripture, the results of two hundred years of intensive study of its formation and its contents, has never trickled down to the people. We have continued living in the paradigm of Protestant orthodoxy deriving from the Protestant scholasticism of the seventeenth century. By that time both the Roman Catholic and Protestant Churches had battened down the hatches and set themselves against the emergence of Renaissance humanism, which came to full flower in the Enlightenment of the eighteenth century. Rightfully, the church resisted the drive for human autonomy and the enthronement of human reason, but it fought fire with fire; the theological enterprise took on a strongly rationalistic character and attempted in intellectual formulation to ground certainty, buttressed by an authoritarian church (Roman Catholic) or an authoritarian Scripture (Protestant). The historical-critical study of Scripture created a crisis for the churches of the Reformation, and a battle ensued that our churches have yet to settle. It is incredible, in light of what is widely recognized about the nature of the © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 4   Scriptures, that there should be such a prevalence of literalism in our understanding of the Bible. In his Dynamics of Faith, Tillich distinguishes two stages of literalism. The first is the “natural stage” before making a clear distinction between the symbolic and the factual; it consists “in the inability to separate the creations of symbolic imagination from the facts which can be verified through observation and experiment.” This represents the first naiveté, and such literalism creates no problem for the mediation of meaning. But when the symbol system is broken or seriously undercut in the continuing growth of knowledge and understanding, to continue to assert literal correspondence between symbol and fact is to fall into a “reactive literalism.” Literalism in this second stage is “aware of the questions but represses them, half consciously, half unconsciously.” This path is chosen by “people who prefer the repression of their questions to the uncertainty which appears with the breaking of the myth.” Reactive literalism cramps the figurative language of the Bible into the narrow framework of interpretation appropriate only to the literal usage of modern science. The desire is for certainty, but not, as Barth says, the certainty of faith that is given and given again, but the certainty of human control. Identifying the Bible with revelation, elevating the doctrine of inspiration so that the written word is inerrant and the truth infallible represents a “lust for certitude.” That phrase comes from Charles Davis. In his Temptations of Religion he discusses the social construction of all human knowledge, which excludes the possibility of “a revelation insofar as that implies an a priori claim to absoluteness and universality.” He contends, Revelation in that sense is given as an absolute in the order of knowledge; it is regarded as a set of unquestionable data, from which all opinions may be evaluated. It represents an attempt to limit criticism, to put a stop to the endless questioning of human thinking by establishing an a-critical point, a point not subject to criticism because beyond criticism. (18) To reject revelation in that sense is not, he claims, to exclude God's manifestation in our midst in word and event. It is, however, to exclude an a priori absoluteness and universality as violating human intelligence and freedom. Davis quotes Peter Berger: The theologian is consequently deprived of the psychologically liberating possibility of either radical commitment or radical negation. What he is left with, I think, is the necessity for a step-by-step re-evaluation of the traditional affirmations in terms of his own cognitive criteria (which need not necessarily be those of a putative “modern consciousness”). Is this or that in the tradition true? Or is it false? I don't think that there are shortcut answers to such questions, neither by means of “leaps of faith” nor by the methods of any secular discipline. (The Sacred Canopy, 187) © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 5   Davis recognizes how fearful such a recognition of the social construction of our reality is. To become conscious of the extent to which our “knowledge” and “values” are social fictions is “to look into the abyss, the void, surrounding human life in every direction.” Such honest recognition is very rare in the church; rather, theologians and preachers reinforce reactive literalism, feeding the lust for certitude. But should there not be an honest facing of what is widely recognized in our postmodern world—that human knowledge is socially constructed and symbolically expressed? When we do so, we are faced with an alternative. According to Davis, We can respond to the nothingness by a nihilism that interprets it as chaos, as meaninglessness, as the ultimate absurdity making everything absurd. Or we can respond to the void as positive nothingness, as mystery. That is the religious response. Faith in the last analysis is a basic trust in reality, an openness to mystery, a being drawn toward the abyss in selfforgetfulness and awe and love. Faith acknowledges the relativities of finite human existence without the nihilistic denial that these do, however gropingly, lead us toward absolute meaning and value. (21) The Bipolar Reality of Scripture And Present Experience The Bible contains the words of those in Israel and in the event of Jesus Christ who were encountered by God in judgment and grace, who witnessed to the Word of gracious salvation more or less adequately in their stammering words and historically conditioned understanding. But God is not dead. God still encounters us. God's Spirit still illumines the human understanding, not only in reference to the biblical witness but in the larger landscape of human experience. In the ongoing life of the church we must take seriously not only the Bible but also authentic contemporary experiences of being human in this world. We are people rooted in history, creatures of the cosmos, whose secrets scientists are probing, bringing to light fascinating findings. What of our knowledge of history and the awesome development of human knowledge in the respective disciplines of science? Because it lies outside the Bible's primary focus and purpose, is it therefore of no account in shaping our faith and forming our practice? Is it reasonable to assume that we can engage critical questions of ultimate human concern and determine crucial action and behavior as a human family living together on Spaceship Earth by reference alone to the Bible? It is precisely the theologian's task to coordinate the bipolar reality of Scripture and present human experience. Theology performs a hermeneutical function; its task is to interpret the biblical tradition in the present context of the church's life—an ongoing process that is never finished, always provisional, necessarily open-ended. All interpretation is a mediation of past and present within the history of a faith tradition. And the present is a moving target. Breaking the Impasse: Scripture and Tradition © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 6   How can the church move forward with theological discussion that will illumine contemporary human experience and shape the faith and practice of God's people in the image of Jesus Christ? What connects the canonical biblical witness to the present? What forms the bridge between the revelatory events in Israel's history and in Jesus Christ—to which the biblical story witnesses—and our present experience of being human in this world? We need a new understanding of the place of the living tradition of faith as lived out in the community of faith. We must recognize the elements at play here: the revelatory events, the witness to those events in the biblical canon, the church as the community constituted by that witness and the place of ongoing witness, and the whole spectrum of human knowledge and cumulative historical experience that continues to grow and develop. As I engage anxious folk in our churches who fear faith is being diluted and biblical Christianity is being jeopardized, I get the impression they assume that there was a time of pristine revelation infallibly recorded in the writings of the New Testament and that apostolic truth was rather quickly overlaid with church tradition that distorted that truth. Then, it is claimed, in the Reformation of the sixteenth century, the apostolic Christian faith was recovered and brought to expression in its original clarity in the creeds and confessions of the church, reformed according to the Word of God. That is a delusion, a colossal distortion of the way of the gospel in the church over nearly two thousand years. Yet it is still cavalierly asserted for popular consumption. A more accurate portrayal of the situation must recognize the interpretation of the revelatory events in Israel and in Jesus Christ by the witnesses to those revelatory events; that interpretation was instrumental in constituting a faith community. That faith community (Israel and the church) was formed out of the witness to revelation and, in its ongoing life, that community reinterpreted its understanding of the original revelatory events and continued to translate its faith understanding in ever new historical circumstances. We can trace the process already in the canonical Scriptures. For example, Israel's faith is reinterpreted by the prophetic word in terms of Israel's ongoing historical experience. Development can also be seen within the New Testament in Christological understanding. The primitive Christology of Acts is not at all the full-blown incarnational Christology of the fourth gospel. With the setting of the limits of the canon, such reinterpretation and development did not cease. We distinguish the biblical witness from the postcanonical tradition, but it was a historical decision of the church that determined the breakpoint. And the lines are blurred. Common agreement as to the canonical books was not reached until around a.d. 400. © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 7   The problem of the canon reopened at the time of the Reformation. The Protestant churches excluded the Apocrypha, a whole series of Old Testament writings that had been recognized as canonical for over a thousand years. Luther, in his September Bible of 1552, openly separated Hebrews, James, Jude, and Revelation from the other New Testament writings, thereby constituting a dual canon. Erasmus questioned the authenticity and authority of Hebrews, James, Jude, and 2 and 3 John. Zwingli thought Revelation should be rejected, and Calvin's expositions cover every book except Revelation. In the introduction to his commentaries it is clear, according to Barth, that he had doubts not only about the books mentioned by Luther, but also concerning 2 Peter and 2 and 3 John. The history of the canon indicates a shifting and a questioning that denies the possibility of a claim of absolute certainty regarding its limits. But even within the present Protestant canon we can see the process of translation and reinterpretation of the faith traditions, as stated above, and that process has never ceased. The preaching of the church is the bridgehead where the biblical text comes to contemporary expression. The heart of the preaching task is the hermeneutical moment when the words of the text that witness to the Word that once sounded find fresh expression in the hope that through the preacher's stammering words the Word might again be heard—that the living God might speak here and now. Every historical formulation is provisional; to absolutize an interpretation at any point on the historical continuum is idolatry. The historically conditioned interpretations of the Christian faith through the centuries vary in the degree to which they express a faithful interpretation of the originating revelatory events in Israel and in Jesus Christ, in the degree to which the original revelatory luminousness shines through. Sometimes there is clarity, sometimes distortion. There is action and reaction; the pendulum swings. In the nineteenth century the climate of opinion dominated by Newtonian physics and historicism smothered the witness to the newness and freedom of God's engagement with our world. Against a truncated, liberal faith expression, Barth boldly proclaimed the “Wholly Other,” the God who shatters “our little systems.” In the wake of the renewal of the church and the rediscovery of God's liberating grace in the sixteenth century, Reformed orthodoxy fell into the sterility and rigidity of Scholasticism. It absolutized its interpretation of the faith as though it were a statement of timeless and eternal truth unalloyed with the cultural assumptions of its day. Reformed orthodoxy failed to recognize that this interpretation was forged out of the crisis created by the ascendancy of rationalism as the Enlightenment was coming to flower, and so it declared the autonomy of the human person and human reason as the measure of truth. © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 8   What we must recognize is the constant interplay of the biblical witness and contemporary interpretation and the fact that we are part of a faith community that is living out of and carrying forward a living faith tradition. We have an anchor in the past; the church has demarcated certain writings as canonical. Present interpretation of the Christian faith and shaping of Christian practice will always involve serious listening to the biblical witness. But the present determination of faith and practice will not treat the intervening centuries between biblical times and our own as a vacuum. The history of the transmission of the faith will also be mined for wisdom, insight, and guidance. But neither do we live in a vacuum. Our contemporary expression of the faith and the shaping of our practice will finally have to be our truth. Finally, our witness and life must be authentically our own, our voice bringing to expression the living tradition. Jaroslav Pelikan differentiates that sense of the living tradition from traditionalism. Tradition, he says, is the living faith of the dead; traditionalism is the dead faith of the living. If we would move forward in our understanding of all reality before the face of God, we must come to a new appreciation of the living tradition of biblical faith as a dynamic movement. Hendrikus Berkhof acknowledges that as a rule Protestant dogmatics has no separate chapter on tradition. But this disregard of the concept of tradition cannot be maintained, he argues. In Christian Faith he writes, Revelation means that God enters the field of history to bring about an encounter with men which transcends human history, and which therefore goes far beyond the temporal spatial bounds of the original field of revelation. The encounters which took place at that time were means and suited for leading to further encounter in other times and places. Hence the revelation of Christ in the New Testament, in spite of, or rather because of its definitive nature, is not the end but calls forth as its sequel the coming and the work of the Spirit. The Spirit proceeds from Christ to continue and interpret his saving work world-wide. This coming of the Spirit is a new redemptive act, of the same importance as the coming of Christ of which he is the complement and counterpart. It is one continuous revelational event. Fixation without interpretive transmission petrifies the faith…. Berkhof contends that if the concern of revelation is the continuing encounter between God and humankind, then tradition is theologically of the same importance as Scripture. The redemptive work of God must be “handed over,” faithful to the fixated form (Scripture) but verbalized such that it becomes intelligible in other times and places. © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page 9   The current impasse in the conservative Reformed churches is the result of fixation with the biblical writings and a failure born of fear to find fresh expression for contemporary faith. Sola Scriptura. That was the clarion call, the battle cry of the reformers. Faith will be shaped, practice formed by reference to Scripture alone. The claim can be easily understood given the historical context, and the return to Scripture as the authoritative witness to revelation proved fruitful in the life of the church. But there was a loss as well: it was the sense of tradition as the living, ongoing, mediating, and interpreting expression of biblical faith as it is confessed and lived in the community of faith, the church. Tradition. In Fiddler on the Roof Tevye booms out the word claiming that life is as precarious as a fiddler making music on a perilously steep roof and that balance is maintained by tradition. According supremacy to tradition over Scripture in the Roman Catholic Church allowed it to drift from testing its faith and practice by the Word of God and to lose the clear sound of the gospel. Tradition and Scripture were a dual source of authority, but tradition had the ascendancy. The recovery of the authority of Scripture to exercise its critical function was a great contribution of the Reformation. But such movements as the Reformation are reactionary; often there is such a strong reaction to the status quo being attacked that the pendulum swings too far. How does the cumulative, growing experience of humankind become incorporated into faith's vision and practice? The witness of prophets and apostles continues to be heard in the pages of the Bible. But what of the ongoing encounter of God's Spirit with the church as it moves through history confronted by new questions, immersed in circumstances beyond that of the biblical world? It is in the living tradition of the faith community that new experience and fresh discoveries are brought into dialogue with the biblical witness. The tradition, like a fiery river of lava, moves with the current of history, a stream continuous with the erupting volcano, yet ever moving through new landscapes. This function of tradition was brought home sharply to me by the New Testament scholar Krister Stendahl, who joined Rabbi David Hartman in an all-day, JewishChristian dialogue on the theme “Faithful Interpretation.” Stendahl spoke of tradition as an instrument of continuity and change. Continuity was obvious to me; tradition connects backward to the past. But is tradition an instrument of change? Indeed, he argued. By means of the tradition we enter the new and negotiate the future. Stendahl spoke warmly and charmingly of a visit to Swedish relatives in Minnesota. There he experienced life as he remembered it in Sweden when he was a child and visited his grandparents. In Minnesota the Swedish tradition is frozen, as is true in most immigrant ethnic communities. If you want to see a piece of Sweden past, he said, visit Minnesota, for there the tradition has become a museum piece. But Stendahl has recently returned to the United States after © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page10   serving for a time in Stockholm as Bishop of the Swedish Lutheran Church. If you want to experience the living tradition of the Swedish people, you must go to Sweden where the dynamic tradition is continuing to evolve, he pointed out. Stendahl offered a vivid image: a boa constrictor periodically wriggles out of its skin, leaving the skin behind, an empty shell. He pictured a biologist taking the skin, measuring it, analyzing it, and then having it stuffed and mounted—a museum piece. Someone exclaims, “There's a snake!” But, says Stendahl, that's not the snake. The snake has wriggled out and away and is still living—in new skin—still making history. The living tradition of Christian faith is the contemporary reinterpretation of the biblical witness in light of the cumulative historical experience of the church and the growing store of human knowledge. In Words Around the Table, Gail Ramshaw writes, Tradition is not like an obsolete edition of the encyclopedia, full of half facts, and old prejudices. Tradition is not like a 1948 etiquette book that lists the activities and even the fabrics forbidden a widow in deep mourning: All we can do is grimace and ignore it. The tradition of the church lives. We can read medieval books being discussed, we can unearth attitudes that were subsequently buried, we can make tradition different tomorrow than it was yesterday or today. Where “tradition” repeats tired slogans out of context, when “tradition” yells louder and louder to drown out queries, it becomes a sarcophagus that the dying church deserves. But when tradition is the history of the movement of the Spirit, darting here, hiding there, migrating halfway around the world, it can serve as one expression of God's Truth. As much as any contemporary theologian, David Tracy has addressed the question of the faithful interpretation of the Christian tradition to make it accessible to a serious and reasonable public. As I have been contending, he sees systematic theology's task to interpret, mediate, and translate the meaning and truth of the continuing living tradition in dialogue with the biblical witness in light of present human experience. Where this is not the case, the notion of authority shifts from a truth disclosed to mind and heart to an external norm for the obedient will. Then theologians can no longer interpret and translate the tradition but “only repeat the shop-worn conclusions of the tradition.” Eventually, the central, classical symbols and doctrines of the tradition become mere “fundamentals” to be externally accepted and endlessly repeated. (Analogical Imagination, 99) In an earlier work, Blessed Rage for Order, Tracy calls for a revisioning of the Christian tradition. He explains: © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page11   [T]he revisionist theologian is committed to what seems clearly to be the central task of contemporary Christian theology: the dramatic confrontation, the mutual illuminations and corrections, the possible basic reconciliations between the principal values, cognitive claims, and existential faiths of both a reinterpreted post-modern consciousness and a reinterpreted Christianity. (32) The revisionist theologian is not motivated by the desire for relevance, Tracy argues. Rather, The reality of the situation is both more simple and more basic: when all is said and done, one finds that he can authentically abandon neither his faith in the modern experiment, nor his faith in the God of Jesus Christ. (4) The church lives in a creative tension because it lives in a bipolar reality of Bible and present experience, an ancient faith and the undeniable reality of the modern experiment. We need a new understanding of the Bible and a new appreciation of tradition if we would be faithful to the Word and present to our world. In An Essay on the Development of Christian Doctrine, John Henry Newman describes the church, tradition, the cosmos itself after the manner of an organism. Their development is seen as an organic process. This view was in contrast to a fundamentalistic view that regards revelation and tradition as a fixed, unchanging body of truths and rejects all change and pluralism. Newman was able to accommodate ongoing human experience in his organic view of tradition. In What Is Living, What is Dead in Christianity Today? Charles Davis comments on Newman's view: The result was a concept of tradition as cumulative experience, subject therefore to change whether as development or as decline, which distinguished [him] as conservative, from reactionaries, who did not acknowledge history and development. In a religious context the conservatives... were those who saw tradition as a dynamic process rather than as a static deposit. (33) This is not enough for Davis to meet the situation we face today. He calls for a more radical revisioning of faith, raising the question, Are we not in a situation that cannot be met by an orderly development of traditional categories; but which demands something radically new? (34) One may lean more to Newman's view of a growing organic process or to Davis's with his call for radical revisioning, but the option not open to an honest facing of the present crisis of the church is a conception of the Bible, theological © Grand Valley State University �The Book That Binds Us Richard A. Rhem Page12   formulation, and Christian practice as fixed, into which contemporary human experience and present human knowledge on all fronts must be crammed. In a recent issue of Context, Martin Marty lifts a quotation from Newman from Ian Ker's Newman on Being a Christian. Marty writes, “With development and change in mind—over against a static picture of God, the human, faith, and doctrine—we read: It is indeed sometimes said that the stream is clearest near the spring. Whatever use may fairly be made of this image, it does not apply to the history of a philosophy or belief, which on the contrary is more equable, and purer, and stronger, when its bed has become deep, and broad, and full. It necessarily rises out of an existing state of things, and for a time savours of the soul. Its vital element needs disengaging from what is foreign and temporary.... It remains perhaps for a time quiescent; it tries, as it were, its limbs, and proves the ground under it, and feels its way. From time to time it makes essays which fail, and are in consequence abandoned. It seems in suspense which way to go; it wavers, and at length strikes out in one definite direction. In time it enters upon strange territory; points of controversy alter their bearing; parties rise and fall around it; dangers and hopes appear in new relations; and old principles reappear under new forms. It changes with them in order to remain the same. In a higher world it is otherwise, but here below to live is to change, and to be perfect is to have changed often. References: © Grand Valley State University � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard A. Rhem Collection Description An account of the resource Text and sound recordings of the sermons, prayers, services, and articles of Richard Rhem, pastor emeritus of Christ Community Church in Spring Lake, Michigan, where he served for 37 years. Starting in the mid 1980's, Rhem began to question some of the traditional Christian dogma that he had been espousing from the pulpit. That questioning was a first step in a long and interesting spiritual journey, one that he openly shared with his congregation. His journey is important, in part because it is reflective of the questioning, the yearnings, and the gradual revision of beliefs that many persons in this part of the century have experienced and continue to experience. It is important also because of the affirming and inclusive way his questioning was done and his thinking evolved. His sermons and other written and spoken materials together document the steps in his journey as it took a turn in 1985, yet continued to revolve around the framework and liturgies of the Christian calendar. Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Religion Interfaith worship Sermons Sound Recordings Creator An entity primarily responsible for making the resource Rhem, Richard A. Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/514">Richard A. Rhem papers (KII-01)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Contributor An entity responsible for making contributions to the resource Kaufman Interfaith Institute Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Language A language of the resource English Type The nature or genre of the resource Sound Text Identifier An unambiguous reference to the resource within a given context KII-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-2014 Format The file format, physical medium, or dimensions of the resource audio/mp3 text/pdf Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RA-4-19921201 Date A point or period of time associated with an event in the lifecycle of the resource 1992-12-01 Type The nature or genre of the resource Text Title A name given to the resource The Book That Binds Us Publisher An entity responsible for making the resource available Perspectives: A Journal of Reformed Thought Creator An entity primarily responsible for making the resource Richard A. Rhem Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Language A language of the resource eng Description An account of the resource Article created, delivered, or published by Richard A. Rhem (Dick) on December 1, 1992 entitled "The Book That Binds Us", it appeared in Perspectives, pp. 12-17. Tags: Authority of Scripture, Experience, Faith Tradition, Critical Thinking, Faith, Mystery. Format The file format, physical medium, or dimensions of the resource application/pdf Authority of Scripture Critical Thinking Experience Faith Faith Tradition Mystery https://digitalcollections.library.gvsu.edu/files/original/b056abfc3995c56c54af35546278cd49.jpg 7a2682c30c397d5c66eb93d440311c6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PS3505.H793 B67 1911 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0288 Title A name given to the resource The Boss Description An account of the resource Binding of The Boss, by J.W. McConaughy and Edward Sheldon, published by The H.K. Fly Co., 1911. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1911 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/321310af232108013e9e04a99f82d4ed.jpg 372f9fa61900b18066d479c4be296cb8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PS3545.I6275 B67 1905 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0300 Title A name given to the resource The Boss of Little Arcady Description An account of the resource Binding of The Boss of Little Arcady, by Harry Leon Wilson, published by Lothrop Publishing Co., 1905. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1905 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/7d9aa27ef53f12517458828bc393bf38.jpg 27dba018d183e20b4df859d15c9fd7f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PS3505.H793 B67 1911 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0120 Title A name given to the resource The Boss of Wind River Description An account of the resource Binding of The Boss of Wind River, by A.M. Chisolm, published by Doubleday, Page & Company, 1911. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1911 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/ef636d0001bd602769e28ca4a90e0fb6.jpg dc9f27898939d8cb50c7f131f0ebd11e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Michigan Novels Collection. PS3537.A95 B69 1912 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0042 Title A name given to the resource The Boy Scouts of the Air at Eagle Camp Description An account of the resource Binding of The Boy Scouts of the Air at Eagle Camp, by Gordon Stuart (Harry Lincoln Sayler), illustrated by Norman P. Hall, published by Reilly & Britton Co., 1912. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1912 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/613eb60e683c3872141dc953312f1c28.jpg f9f6afb2650de10ccdec19cc092e3fdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Publishers' Bindings Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Description An account of the resource From the early 1870s to roughly 1930, many publishers issued their commercial book covers with a remarkable variety of graphic designs and illustrations. This sixty-year period saw many artists and designers contributing to this art form. While some can be identified from their style or initials, others remain unknown. Source A related resource from which the described resource is derived Seidman Rare Books Collection Michigan Novels Collection Regional Historical Collection Lincoln and the Civil War Collection Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 2017-08-30 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a>, <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context DC-01 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source Seidman Rare Books. PS2704 .B69 1907 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-01_Bindings0115 Title A name given to the resource The Boys of the Old Glee Club Description An account of the resource Binding of The Boys of the Old Glee Club, by James Whitcomb Riley, published by The Bobbs-Merrill Company, c.1907. Subject The topic of the resource Book covers Covers (Illustration) Graphic arts Publishers and publishing Pictorial bindings Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1907 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/fcf1b94a0d8c07fd9a5c180c03b1a792.jpg bcf38a142379efea8e4761f56dc57761 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_001 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image a man and woman dressed as ancient Greek statues pose together at a well. They are wearing gray-white clothing, the man sporting gray-white armor, and white body paint. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/403bd8700dd8a214f36a2c348a607230.jpg d3cffceec8bf5a54f8f6f69a988ec5e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_003 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image an ancient Greek soldier marches with a confused look on his face. Behind his back a performer dressed as a Greek statue, with white clothing and body paint, holds up two small shields and jeers at him. The set is designed to look like wattle and daub walls. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/1fe0c3eb2af2b588b2fcce1e55ca6530.jpg a91e33113bb1e494ab7fdb9d72eaa8cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_004 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image a woman lunges forward and thrusts a dagger against the shield of a frightened soldier. Behind her a man draped in a purple cloth jeers as he watches the scene. The set behind them is designed to look like wattle and daub walls. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/c2b29154e65606962dcba2329333ad4b.jpg b4a3dbd3a00cec8ceb9f95c296d20aff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_012 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image a woman in a Grecian tunic barley contains her laughter has she recounts a story to a crowd gathered at her feet. Behind her a man and woman sit and watch in amazement. In front of her four figures dressed entirely in gray-white and wearing white body paint sit and listen. One holds her hands to her face and snickers. The set is designed to look like wattle and daub walls. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/bd7514fadd7d31672164eef0b5cb9fea.jpg 00638f27e4c103fe8c7df4ff9e92c89f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_015 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image a man with graying sideburns and draped in purple snarls out at the audience. To the left a man in a tunic and holding a shield stands with a silly expression. To the right a young man appears to be asking something. The set behind them is designed to look like wattle and daub walls. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/a2d0ead934697304a5f3241bbdb11ed0.jpg 229af9ed165c84eea6afa468ac964268 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_022 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image two women in beautiful Grecian gowns pose gracefully. They look with distain at a tunicked man on the right who is mimicking their stance. The set behind them includes a stone well. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/7e6f034ea9134b2c5e8902fe1d8b6eed.jpg 0b5a7c6781a071f2bc1034e38b0b7726 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_028 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." In this image three women strike a silly pose together. They wear ancient tunics and sandals. In the background someone draped in purple appears to be rushing away. The set behind them mimics the look of wattle and daub walls. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s https://digitalcollections.library.gvsu.edu/files/original/95f967559229674f992b57957975f722.jpg 3fd17e7b4854e628994b741a7fd68e13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Theatre Photos Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Description An account of the resource Photographs of Grand Valley theater productions from the 1980s to the 2010s. Photos include shots of performances, backstage, casts and crewmembers. Included in the collection are Shakespeare Festival productions and small acts such as Bard to Go and the Greenshow. Rights Information about rights held in and over the resource Copyright Grand Valley State University Identifier An unambiguous reference to the resource within a given context GV058-01 Date A point or period of time associated with an event in the lifecycle of the resource 1982-2017 Source A related resource from which the described resource is derived Theatre Department photographs (GV058-01) Subject The topic of the resource Theater Performances Plays Musicals College Students Publisher An entity responsible for making the resource available Grand Valley State University. Special Collections and University Archives. Allendale, MI 49401 Format The file format, physical medium, or dimensions of the resource image/jpg Type The nature or genre of the resource Image Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context GV058-01_2011W-Braggart-Soldier_029 Creator An entity primarily responsible for making the resource Grand Valley State University. Theatre Department Date A point or period of time associated with an event in the lifecycle of the resource 2011 Title A name given to the resource The Braggart Soldier (theater production), 2011 Description An account of the resource Color photograph of Grand Valley's 2011 production of "The Braggart Soldier." Image of the full cast and crew together on stage. Subject The topic of the resource Theater College students Plays Performances Acting Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/754">Theatre Department photographs (GV058-01)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives 2011s