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                  <text>Photographs of Sergeant F.C. Angus, Battery A 328th Field Artillery, American Express Forces, by D. J. Angus.  The 328th Field Artillery was one of the last horse drawn Filed Artilleries in combat. The correspondence between Angus, his brother D.J. and his parents took place while he was stationed at Camp Custer, MI, multiple camps in France and Fort Mills, NY during World War I. </text>
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                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/437"&gt;D.J. Angus photographs and films (RHC-04)&lt;/a&gt;</text>
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                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
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                  <text>James Ochs collection</text>
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                  <text>Collection includes a photo album of images taken by Ochs, 16 photos taken by the Army Signal Corps of the 26th Infantry Division, and document his tour of duty in France with the 26th Division, friends he acquired in France, and his leisure time activities</text>
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                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/482"&gt;James W. Ochs World War II collection (RHC-55)&lt;/a&gt;</text>
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                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
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            <description>A name given to the resource</description>
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                <text>Soldiers leaving a non-commisioned officers club</text>
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                  <text>F. W. Beasecker collection</text>
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                  <text>Photographs of Lt. (later Capt.) F.W. Beasecker, U.S. Army Corps of Engineers. Photographs of training at Camp Edwards, Massachusetts; visit to the Gibbon Boat Works in New Orleans, manufacturer of parts for the LCVP; housing in Carabelle, Florida; and Signal Corps and Engineer Amphibian Command photographs taken in Cairns, Australia. Images taken in Australia include construction of the landing craft boat assembly plant, production and testing of the LCVP and snapshots taken by Beasecker during his active duty with the 411th Engineer Battalion during WWII. </text>
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                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/457"&gt;F.W. Beasecker papers (RHC-29)&lt;/a&gt;</text>
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              <description>The topic of the resource</description>
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                  <text>World War, 1939-1945 -- Pacific Ocean</text>
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                  <text>United States</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
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                  <text>RHC-29</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Soldiers</text>
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                <text>Photographs</text>
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          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Soldiers marching at Camp Edwards, Massachusetts, 1942.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Beasecker F.W. (Francis Wallace), 1917-1971</text>
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              <elementText elementTextId="403127">
                <text> United States Army. Signal Corps.</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1942</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="403132">
                <text>F. W. Beasecker papers, RHC-29</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="403133">
                <text>World War II</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="403134">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="403135">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>image/jpeg</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1029559">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Otto Kuxhaus collection</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839916">
                  <text>Kuxhaus, Otto</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Photographs collected by Otto Kuxhaus. Materials document his tour of duty with the 81st Squadron and his leisure time activities. Some photos of family and friends are also included.</text>
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              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="839918">
                  <text>World War II</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1941/1971</text>
                </elementText>
              </elementTextContainer>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="839920">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/506"&gt;Otto Kuxhaus World War II collection (RHC-57)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839921">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>World War, 1939-1945</text>
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                  <text>World War, 1939-1945 -- Campaigns -- Africa, North</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="839925">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>RHC-57</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839927">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="404937">
                <text>RHC-57_OKuxhaus09</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Soldiers on Italian street</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>World War, 1939-1945</text>
              </elementText>
              <elementText elementTextId="404940">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="404941">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="404942">
                <text>United States. Army. Corps of Engineers</text>
              </elementText>
              <elementText elementTextId="404943">
                <text>Scrapbooks</text>
              </elementText>
              <elementText elementTextId="404944">
                <text>Photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="404945">
                <text>Soldiers on Italian street, 1944.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="404946">
                <text>Kuxhaus, Otto</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="404948">
                <text>1944</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="404951">
                <text>Otto Kuxhaus WWII collection, RHC- 57</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="404952">
                <text>World War II</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="404953">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="404954">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="793828">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1029640">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="22472" public="1" featured="0">
    <fileContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839928">
                  <text>James Ochs collection</text>
                </elementText>
              </elementTextContainer>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="839929">
                  <text>Ochs, James W.</text>
                </elementText>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Collection includes a photo album of images taken by Ochs, 16 photos taken by the Army Signal Corps of the 26th Infantry Division, and document his tour of duty in France with the 26th Division, friends he acquired in France, and his leisure time activities</text>
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              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="839931">
                  <text>World War II</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="839932">
                  <text>1942/1945</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="839933">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/482"&gt;James W. Ochs World War II collection (RHC-55)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839934">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839935">
                  <text>World War, 1939-1945</text>
                </elementText>
                <elementText elementTextId="839936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="839937">
                  <text>France</text>
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              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="839938">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="839939">
                  <text>RHC-55</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="839940">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="404520">
                <text>RHC-55_JWO011</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Soldiers on KP duty peeling potatoes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="404522">
                <text>World War, 1939-1945</text>
              </elementText>
              <elementText elementTextId="404523">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="404524">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="404525">
                <text>United States. Army. Signal Photo Company, 166th</text>
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              <elementText elementTextId="404526">
                <text>United States. Army. Infantry Division, 26th</text>
              </elementText>
              <elementText elementTextId="404527">
                <text>Photographs</text>
              </elementText>
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                <text>Soldiers</text>
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                <text>Military life</text>
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          </element>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Soldiers in the 26th Division 39th Signal company peeling potatoes at US base, 1944.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Ochs, James W.</text>
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              <elementText elementTextId="404532">
                <text> United States. Army</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1944</text>
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            </elementTextContainer>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>James W. Ochs WWII collection, RHC-55</text>
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                    <text>Grand Valley State University
Veterans History Project Interview
Afghan War
Nicolaus Solecki
Length of interview: (1:48:36)

(00:00) Early Life

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Nic was born in October 1990 in Flint, Michigan
He attended Flushing High School and graduated in 2009
Nic’s mother was a barber and his father worked for General Motors
On September 11, 2001, Nic was in middle school
o All the students were sent home that day
o As the wars in Iraq and Afghanistan progressed, Nic paid close attention
o Several of the boys from his town took part in the first and second battles of
Fallujah

(2:15) Military Life



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



After he ended his senior football season, Nic and a group of his friends decided to join
the marines
o He had a family friend who had graduated from West Point and was serving in the
army; however, this was the only positive insight he had. This influenced his
decision to join the marines
o Another reason he joined the marines was to get his schooling paid for by the G.I.
Bill
A recruiter offered Nic an armorer position (of which only three were available in the
country) but Nic wanted to join the infantry and fight
Nic left for boot camp in San Diego on August 2, 2009
o When he arrived at the airport a drill instructor walked in and herded them to a
bus. All of the recruits had to sit on the bus with their heads down
When they arrived at their destination, all of them had to remove all personal items
o All of the recruits were given a buzz cut, and basic military clothes and shoes.
They were not allowed to sleep for the first 24 hours because the drill instructors
were trying to reset everyone’s body clock
(11:30) Training occurred in phases
o In phase one, the drill instructors emphasized discipline and breaking down the
recruits by exhausting them
o The second phase (week 5-8) involved building the recruits back up in the ways
of the Marine Corps. In this phase, they went to Camp Pendleton to go through
rifle qualification training

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When a recruit joined the marines, a schedule was set which extended to their graduation
date
o If a recruit was injured, there was a significant period of time he was allowed to
heal before being placed in another class
Nic graduated basic training on October 30, 2009
o When he graduated, he was given a 30 day leave in which he was required to help
marine recruiters
In the beginning of November, Nic was sent to SOI (School of Infantry)
o This is where particular infantry roles were assigned and trained for
o Shortly after starting SOI, Nic was given another block leave for Christmas. This
was the second significant leave he was given in the five months he was in the
Marine Corps
(19:20) Nic’s particular designation was an 0352 Anti-Tank Missile man
o In SOI, he trained on medium and large, anti-tank missile systems. He also trained
on the Javelin and Sabre missile systems
o Although the enemy the United States was facing didn’t have the technology that
the Americans had, they still had vehicles that made these missile systems
necessary.
In SOI, Nic and his comrades learned how to operate in small fire teams. In total, the
training lasted for 2.5 months
After SOI, Nic was sent to Twentynine Palms, California
o Twentynine Palms was a large and empty place in the middle of the desert
o He was placed in a weapons company, 1st Battalion, 7th Marine Division. A lot of
the men in the unity had just come back from Iraq
(29:00) There was a significant amount of hazing that occurred when Nic joined his unit
o New replacements were often made to clean things and stay awake for long
periods of time. However, hazing was something largely frowned upon in the
Marine Corps. This was largely due to severe incidences that command didn’t
want repeated
o Ownership significantly influenced behavior in the Marine Corps. Officers of all
ranks were responsible for the actions of their men, If they behaved badly, the
leader took responsibility
Throughout their stay at Twentynine Palms, there were a lot of brawls between Platoons.
These often began when one marine insulted another and friends got involved. These
fights actually built comradery within units
Late in the summer of 2010, Nic was sent to Okinawa as part of the 31st Expeditionary
Unit
o This was shortly after North Korea had sunk a South Korean frigate off of their
coast. Nic spent 3 to 4 weeks on Okinawa before getting on a ship headed to the
coast of North Korea where they stayed for 2 weeks. One of the companies
assisted in training South Korean troops
o They also traveled to the Philippines and helped train troops as well as provide
relief after a typhoon

�

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







During this period, Nic also took part in jungle training
o This was difficult because it was always very hot. There were occasions when he
had to survive for an extended period of time without most of his gear. He learned
how to build shelter and what foods to consume when regular rations weren’t
readily available
Nic’s ship, the USS Harpers Ferry, held hover craft which were used for beach landings
o A lot of the exercises he went on utilized these hovercraft
They worked with foreign troops from Guam, Japan, South Korea, and the Philippines
(42:40) When Nic’s unit was in the Philippines, their base was set up near a small town.
The people living in the town were very poor; many of them didn’t have proper clothing.
These conditions gave Nic an idea of what to expect in Afghanistan
o He had to sit through a lot of briefings on sexual assault and general safety
because American soldiers had conducted themselves poorly in the past
o In general, Nic and his comrades had a lot of time to themselves when they were
on the ocean; they often called it the “Booze Cruise”
o A lot of the work Nic did in the Philippines involved moving supplies into nets so
that they could be air lifted
o He was on the ship until January or February of 2011
After he returned to the U.S. Nic had a short leave before he reported to an anti-armor
leaders course, where he achieved the rank of corporal
When he returned to his unit, they had received three replacements. Another company
(Animal) had received far more and was at double the normal company strength of 120
men
o Command was beefing these units up so that they would be better suited to train
Afghan soldiers. Four teams were set up, two would help train the Afghan Army,
two would help train the police force. MPs were also attached to these units
o Nic was pulled into Animal Company as a squad leader (Animal Company, Army
Team 4, 2nd Squad). Each team would pair with a company of Afghan soldiers
(50:50) Nic and his unit spent most of 2011 preparing to go to Afghanistan
o One of the first things they did was go to Bridgeport, California to become
acclimated to the sort of terrain they would be operating in
o Once he returned to Twentynine Palms, Nic was put into Animal Company. After
being reassigned, Nic and his comrades took a month long course in Dari, a
lingual dialect spoken in Afghanistan
o Afghan civilians would come in and take part in simulated operations. They
would only speak native Afghan languages
o The final stage of preparation was called Mojave Viper, a one month training
exercise in Twentynine Palms. After Nic had completed it, he had a few weeks of
liberty before shipping to Afghanistan

(55:00) Afghanistan


Nic boarded a Delta airliner in California and was flown to Germany where he got on
another plane headed to Manas Airbase in Kyrgyzstan

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

o All troops going to Afghanistan went through Manas. They spent a week there to
adjust to the climate and the time zone.
o After a week in Manas, Nic was taken to Camp Leatherneck in Helmand
Province, Afghanistan
After spending several days at Camp Leatherneck, Nic was flown by chopper to his area
of operation
o Unfortunately, he was flown to the wrong forward operating base (FOB). He was
taken by truck to FOB Alcatraz in northern Sangin. Nic’s platoon was attached to
an Afghan Army unit there. Dog Company (Nic’s old unit) was also stationed at
Alcatraz
Half of Nic’s platoon remained in FOB Alcatraz while Nic and 12 other men were
positioned at a small patrol base (PB Watson) 30 minutes away
When they arrived in Sangin, the 3rd Battalion of the 7th Marine Division were rotating
out. They helped incoming units learn their jobs
The Afghan soldiers were high a lot; the first Afghan soldiers Nic saw were carrying a
large garbage bag of marijuana into a hut
o Nic and those in his platoon had a hard time trusting the Afghan soldiers. There
was only one that they allowed into their living area
o They knew that some of the Afghan soldiers were Taliban informants. The only
reason that they weren’t arrested is because the Americans were getting a lot of
intelligence from their cell phone activity
(1:05:30) At the patrol base, there were 23 Afghan soldiers living with them; those who
were suspected of being informants were kept close so the marines could watch them
Nic and his comrades worked with the Afghans and their goal was to get them to a point
in which they could operate on their own.
o The incompetence of many of the Afghan soldiers prevented the marines from
allowing them to take the lead.
o Many of the soldiers we paid infrequently because their commanders would not
distribute the funds given for payroll. Many of the Afghan soldiers were paid far
less than they were supposed to because commanders often stole their money
There was quite a bit of enemy activity during Nic’s deployment; however, the Taliban
were careful not to shoot rockets at the marines because they were located close to a large
amount of poppy.
o Poppy fields were very important to the enemy. On one occasion, Nic witnessed a
bulldozer driving into a poppy field. The silence that had lasted the whole day
ended with a firefight, in which the enemy fought to protect their crop.
The enemy often refrained from engaging the marines. Instead, they waited for Afghan
soldiers or police to fall into an ambush. Nic and his comrades were not always able to
help their Afghan allies because they wanted the Afghans to handle problems on their
own
Villagers were often helpful in pointing out IEDs because they didn’t want the marines
walking through the middle of their poppy fields

�

















(1:13:30) A major flaw of the advising was the fact that a lot of the marines were not
patient enough to carry it out effectively. A low-ranked marine was more enthusiastic
about fighting than working with the locals
Despite the issues in this advising effort, they had fostered good relations with Afghan
commanders, allowing them to work through many of the problems they faced
About five months into the deployment, the marines were told that they were pulling out
of PB Watson and consolidating all U.S. and Afghan forces at FOB Alcatraz
o During Ramadan, the Afghan soldiers were fasting in the high heat (over 100
degrees). Issues arose when several marines began to purposely chug water in
front of them. When a fight broke out, one of the marines claimed that one of the
Afghan soldiers tried to kill him
o There had been several “green on blue” incidences where sleeper cells within the
Afghan army had killed marines. When the fight occurred, the entire base went on
alert because they believed this to be a similar incident
As a result of this incident, all of the marines left Alcatraz and went to FOB Jackson
(1:21:00) The Helmand River flowed through their area of operations. They called the
area across the river “Indian country” because it was under the control of the Taliban.
When patrols were conducted, there needed to be a total of 12 men, four of whom needed
to be marines
o The Afghan soldiers were often high but the marines tolerated it as long as they
were doing their jobs
o They didn’t make much contact with the Taliban; however, when the Afghan
soldiers went out alone, they were often engaged
o The Afghan soldiers were often able to use American transportation (such as
helicopters) when going into the field with the marines
Translators came from the United States (belonging to immigrant families) or local areas.
Those who came from local areas were often working so that they could earn the right to
move to the United States
When Nic moved back to Alcatraz, he took part in the normal patrols and guarded the
base
On one occasion, supplies were accidentally dropped into Taliban country. Whenever Nic
and his comrades saw American supplies on the ground, they refrained from toughing
them because the Taliban were known to booby trap items such as MREs
When the marines reduced their presence in Sangin, the Taliban began to operate more
aggressively because the Afghan army weren’t able to hold them back as effectively as
the marines
While he was in Afghanistan, he was able to call his family on his satellite phone.
However, they had to go on a roof to get a good signal; this made them targets for the
Taliban
(1:36:42) Nic was in Afghanistan for seven months. He got back to the United States in
October 2012.

�

They were replaced in Sangin by the 2nd Battalion, 2nd Marine Regiment. Although Nic
and his unit stayed for a short time to advise their replacements, their advice was largely
ignored

(1:40:20) Back in the United States





Before they were sent to Twentynine Palms, they spend a week at Camp Leatherneck
learning how to readjust to civilian life
Nic was released from the Marine Corps in March-April 2013. The first thing he did was
spend a week in San Francisco before driving across country to Michigan. He spent the
summer readjusting before starting college at Grand Valley State University.
o PTSD was an issue for many men and women coming out of the military. For
Nic, the skills he learned in the Marine Corps (organization and discipline) helped
him land on his feet.
Nic is studying international relations with a minor with a minor in international business.
He has also studied abroad in Poland; he plans on going into the field of business

�</text>
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                    <text>Solidarity in The Way, The Truth, and The Life
Thanksgiving Day
Text: John 14:6
Richard A. Rhem
Christ Community Church
Spring Lake, Michigan
Advent I, November 28, 1999
Transcription of the spoken sermon
Someone who has become a good friend, Rabbi David Hartman, who has been in
Muskegon on three different occasions in that full-day dialogue sponsored by the
West Shore Committee for Jewish-Christian Dialogue, has sent me his most
recent book, an autographed copy, and the title is the title of his lecture here a
year or two ago - A Heart of Many Rooms. It's a wonderful image; a heart of
many rooms is a heart that can receive and accommodate diversity of opinion and
various perspectives on the truth. As I was reading the introduction, I realized
that it is really a statement of David Hartman's life and passion as he lives in
Jerusalem, having moved there from this country in order to be a part of that
emerging Israeli experience, the living community of Jews returned to Jerusalem.
In the introduction, he mentions an experience that he had back in the 70s. The
Six Day War was going on and David Hartman was terribly distressed and
recognized that the nation, Israel, was in jeopardy, and he said, "Oh, Lord God, if
we are to experience another Holocaust, I'll not be able to do it. How long," he
says, "could we continue to be witnesses to the silent God of history?"
Well, Israel won that war and feeling compelled to go there, he visited Israel and
he found that, in the wake of the victory of the Six Day War, the Jews were
dancing in the streets of Jerusalem. There was a mood of jubilation. He was a
Rabbi in a congregation in the Bronx or Montreal at the time, and he returned
home on the ninth of Ab. Ab is a Jewish month in the Jewish calendar, and the
ninth day of the month Ab is the day that the Jews traditionally mourn the
destruction of Jerusalem that occurred by the Roman legions back in 70 C.E. The
ninth of Ab every year they gather and they mourn the destruction of Jerusalem.
So, he leaves the jubilation of the streets of Jerusalem, the living Jewish
community, and he comes to his own people in his own synagogue and they are
in mourning for the destruction of Jerusalem. The incongruity of it struck him,
and he writes that it seemed like a parent who prays for the recovery of a sick
child and the child recovers, and the parent continues to pray for recovery
because he or she has fallen in love with the prayer. He announced to his people
© Grand Valley State University

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Richard A. Rhem

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who were in mourning in traditional fashion for what had happened nearly 2000
years ago, that the people of Jerusalem were dancing in the street! That's one of
those deep human experiences that has a way of changing one's thinking or at
least jarring one out of traditional patterns and thought. David Hartman, from
that moment on, began to ask himself, "What does it mean to engage the God of
history in the present? What does it mean to engage the God of history in a live
community, here and now?" That became the passion and the mission of his life.
Eventually, he moved his family to Jerusalem and formed the Shalom Hartman
Institute for the study of peace, trying in that living community itself to live out a
vital Jewish faith, not now waiting.for Messiah to come, but seeing in the
concrete realization of that Israeli community the action of God in the midst of
history, trying to interpret it and trying.to live into it.
As he reflected on that, he realized that, as a traditional, observant Jew, he had
been living between history remembered and history anticipated. In the
meantime, it was a time of passive waiting, which, in the Jewish experience, was
explained as the time of the silence of God. Where was God when six million Jews
suffered death? Where was God through all the centuries of history and the
struggle and the suffering of the Jewish people?
As a Rabbi, David Hartman had celebrated the great Jewish festivals which
celebrated God's past action, and one of those festivals, the Passover, had an
eschatological (future) dimension. The liturgy for Passover ends with "next year
in Jerusalem." Thus Hartman realized he had been living with a "symbolic
history" which "remembered" and which “hoped,” but missing was the sense of
the immediate presence of God acting here and now. God was "silent."
That triggered lots of thoughts with me as I thought about the first Sunday in
Advent, today, and coming to this table of our Lord for we, too, today have
experienced again participation and ritual and the sacrament, and the sacrament
has called us to remember and to hope. That same eschatological note is in the
sacrament. Jesus says in Luke's gospel, after having shared that meal, "I will not
do it again with you until the kingdom fully comes." Paul, in the institution in I
Corinthians 11, says that, "As often as we eat this bread and drink this cup we
proclaim the Lord's death until he comes." So the Christian experience, very
much like the Jewish experience, is lived in the meantime, between the mighty
act of God in Jesus Christ, and that mighty act of God in Jesus Christ in the
coming again to judge the nations. So we have action past, action anticipated. We
remember and we hope and, in the meantime, we don't really take very seriously
the active engagement of God in our history.
If you want to know what's going on, you go to Washington or Beijing or Moscow
or Paris or London. If you want to know what's going on, check the Wall Street
Stock Market. If you want to know what's going on, read the journals. But God is
not really very vividly present in our thinking about history, our history, our day,
our nationv our world. A kind of passivity comes over the Church.

© Grand Valley State University

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Richard A. Rhem

Page 3	&#13;  

Oh, we're very good at remembering what God has done; we're very clear about
what God will do. Jesus comes for our salvation. Jesus comes again for our full
redemption. That's the story, that's the biblical story, that's the traditional
Christian faith. And here it is, the first Sunday in Advent, the first season of the
Christian year that will bring us into the first season of a new millennium, and
we're doing it again.
Traditionally, I would say to you Advent is the time when we remember that the
one who came is coming again. Of course, I can't do that anymore because last
year I told you Jesus wasn't coming again, and of course, you always believe
everything I say. But I don't really think Jesus is coming again. I think that that
idea of a second coming permeated the air of the first century. It marked Jewish
expectation and the emerging. Christian movement; they were expecting the
imminent return of Jesus from heaven. Imminent. That means right now, very
soon.
We've noted here before that the first great crisis and perhaps the greatest crisis
of Christian faith is the fact that Jesus didn't return. Nothing happened. Paul had
to write his letter to the Thessalonians because they laid off work and were
waiting for it to happen. The expectation runs through the whole of the New
Testament, and it didn't happen. And of course, if you have an infallible, inerrant
Bible that you have to defend, you're in real trouble, because what you have to do
is say that it will still happen. It just hasn't happened yet. But, if you can hear that
scripture witness as the testimony of those who were giving witness to their
deepest faith and conviction in the only kind of terms that they could understand,
the conceptuality of their own context and history, then you can simply say they
got it wrong. What they were expecting didn't happen and, if it didn't happen,
there is not any reason to think that they were simply wrong in terms of a couple
of thousand years, but rather, their understanding of what God had done in Jesus
Christ was wrong.
Well, yes and no. They got the core of it right, for they saw in Jesus Christ the
embodiment of God. They saw in Jesus Christ the word made flesh. They
experienced the presence of God in Jesus Christ, or, as our good Bishop Spong
said here, the God presence. That's what the scripture lesson is about in John 14.
Jesus says to them, "You know where I'm going," and Phillip doesn't know. He
said, "We don't know the way. We don't know where you're going; how can we
know the way?" Jesus said to him, "I am the way, the truth, and the life." And, of
course, he went on to say, "No one comes to the father but by me." At least that's
what John wrote decades after the event because that was what John felt, being a
leader of a small persecuted minority movement. John wasn't talking, about
whether or not the truth of God is held exclusively in Jesus Christ or that the
whole world has to become Christian in order to come into communion with God.
That wasn't even in the purview of what the writer was saying; the writer was
trying to give witness to that which was the deepest experience of his life. He said,
"In Jesus, my God," and so, we have that sixth verse, "I am the way, the truth,

© Grand Valley State University

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Richard A. Rhem

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and the life." And rather than some final, dramatic, divine intervention to right
all the wrongs, to bring all things to consummation, to damn the wicked and
rescue the righteous, I wonder if that wasn't something put on Jesus, but that
Jesus himself was simply living out the God life so that those who encountered
him could say, as John writes in this gospel, "If you've seen me, you've seen the
father. How much plainer can I make it? In my flesh, this is the embodiment of
God; this is what God is; this is what God is about; this, my way, is the way. This,
my truth, is the truth. This, my life, this is life."
I wonder in this season of Advent if, rather than the passivity that has marked us
– waiting for the final act, I wonder if we really took Jesus seriously we might
start a contagious consciousness of what, after all, we are called to be, so that it
wouldn't simply be for us coming to this table remembering and hoping,
remembering what God had done, anticipating what God would do, but rather,
coming to this table understanding ourselves becoming the companions of Jesus.
Bishop Spong also said that word, companion. I looked it up; he's right. It comes
from the Latin - com, with; panis, with bread. To be a companion literally is with
bread. You break bread with your companion, with your friend. You have a meal
with your friend. Human relationship and human community is built in the meal.
Too bad we have to do it symbolically with a little piece of bread and a little dip in
the chalice. Too bad we can't throw out banquet tables and have conviviality. And
then, in the midst of the meal, a real meal, experiencing the communion. But, this
is all we can do, so we give you just a hint of what it really would be about. But
what if, coming to that table was our declaration to be in solidarity with Jesus.
That is, solidarity with the way of Jesus, the truth of Jesus, the life of Jesus. What
if we really believed that God was in that one, so that that one, in the midst of our
history was the pointer for the only hope of history, which is not for some
dramatic coming again, but for the likes of us to quit Lolly-gagging through
history, and like a David Hartman, saying "I'm going to go and I'm going to live in
Israel because I want to experience the God I remember from past action in the
present." It might make a difference in our world and, God knows, the world
needs transformation.
I mentioned to you Thursday I have been going.through the video series of World
War II, narrated by Walter Cronkite. I watch those videos of the rise of Hitler.
You see the brutality and the violence of the brown shirts. The other night I
watched the invasion of Norway and Denmark. I could cry. How can we do that to
one another? I remember watching Schindler's List, and I thought we ought to
get the whole world together and make everyone look at that film. I saw Private
Ryan, and said if only we could get the whole world to sit down together and then
to look at each other across the table and to say we can never, never do that to
each other again. The horror of it! The brutality of it! The inhumanity of it! The
violence and the destruction that is a denial of everything about the way, the
truth, and the life that came into expression in Jesus Christ.

© Grand Valley State University

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Richard A. Rhem

Page 5	&#13;  

The Dalai Lama, recently in the Golan Heights at a World Interfaith Conference,
spoke of the third millennium as the millennium of peace. God knows we need it,
rather than our religions fueling the divisiveness and the barriers and the
hostility between people. If the world religions, whose core values point to peace,
could use all of our energy and all of our efforts and resources to raise the
consciousness, the human consciousness of the world to say we've got to stop
killing each other, we've got to stop excluding each other, we've got to stop
dominating each other, we have to do away with this arrogance, this
triumphalism, this tribalism that will tear the human fabric apart.
Think of the marvelous picture of the peaceable kingdom and the prophets, the
shalom. David Hartman says, "That's not a picture of some future time and place.
That's the immediate critique of every moment of history and every structure,
economic, social, political, religious. Every structure and every moment of history
comes under the critique of that ideal of shalom, of that magnificent picture, that
glorious vision when they will not hurt or destroy in all God's holy mountain."
My God, people, there's something to do! This isn't about some comic strip
finality at the end of time. This is about right here and right now, and it's about
you and me, companions of Jesus, who is the way and the truth and the life.
References:
Rabbi David Hartman. A Heart of Many Rooms: Celebrating the Many Voices
within Judaism. Jewish Lights Pub, 2001.

© Grand Valley State University

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                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
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&#13;
Indiana resident and entrepreneur, D. J. Angus produced an extensive photographic record of his work and travels throughout the U.S. and Mexico, during the late 1920s -1940s. The images of manmade and natural phenomenon often reflect his interest in engineering projects that include dams, bridges, mines, power plants, cliff dwellings, and quarries. Over 10,000 still images from 1903-1966 document Angus’ family, friends, business, and travels. Over 12,000 ft. of 16mm movie film complete this collection.</text>
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                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/437"&gt;D.J. Angus Photographs (RHC-04)&lt;/a&gt;</text>
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                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives.</text>
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              <description>Information about rights held in and over the resource</description>
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              <description>A language of the resource</description>
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              <description>The nature or genre of the resource</description>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1900-1960</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="164159">
                  <text>2017-03-21</text>
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          <description/>
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              <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/437"&gt;D.J. Angus photographs and films, RHC-04&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Portrait of Soloman. Copy of studio portrait of unknown Native American.</text>
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            <description>The topic of the resource</description>
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