<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://digitalcollections.library.gvsu.edu/items/browse?output=omeka-xml&amp;page=518&amp;sort_field=Dublin+Core%2CTitle" accessDate="2026-04-06T05:34:05-04:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>518</pageNumber>
      <perPage>24</perPage>
      <totalResults>26018</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="29195" public="1" featured="0">
    <fileContainer>
      <file fileId="32066">
        <src>https://digitalcollections.library.gvsu.edu/files/original/75d9937eb43320576c6d4ee8342564ef.m4v</src>
        <authentication>3163937d868a95cb4fe01c393df640c9</authentication>
      </file>
      <file fileId="32067">
        <src>https://digitalcollections.library.gvsu.edu/files/original/1253d716bc88ed3aab9014c94b77a443.pdf</src>
        <authentication>5c7d58b20ecb8c2520f77b7070e140f7</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="548765">
                    <text>Grand Valley State University
Veterans History Project Interview
Korean War
Gordon Ludema
Length of interview (12:23)
(00:00) Background
Served as a staff sergeant for the U.S. Air Force. (00:17)
When the attack on Pearl Harbor occured, he was 11 years old living on a farm in Dorr,
Michigan. At his age, he didn’t have much of a grasp of what was happening. (04:29)
Worked in a garage as a mechanic while in high school. (00:39)
Enlisted in the Air Force after high school in order to avoid being drafted into the army.
(00:27)
Joined the service in August 1948. (00:56)
(01:06) Basic Training
Basic training took place in Texas for 13 weeks. All of their drilling was done in 100
degree weather. (01:11)
Didn’t learn to fly until after basic training. (01:28)
(01:41) Service Overseas
Served in Japan when the Korean War started. (01:41)
Flew 104 combat missions while in Korea. (01:56)
Flew DC-3 planes, one of the oldest Air Force airlines. Every country involved in the
Korean War had them. (06:55)
Served as a radio operator. At night, his unit was responsible for dropping flares while the
enemy was moving their convoys. This allowed U.S. fighters and bombers could wipe
out their convoys. (02:02)
Dropped three or four flares at a time that were equipped with parachutes. (07:32)
Recalls that his missions were very scary. Says that their planes were shot at almost every
time they flew, but were only actually hit once when a large shell had gone off. They
dove to miss it and could hear the shell pellets hit the plane, but were not shot down.
(02:29)
His most memorable experience occured while flying over Wonsan harbor in North
Korea. Their plane lost power at 5,000 ft with surrounding mountains at 6,800 ft.
Describes their circling manuevers to avoid them. (02:56)
Kept in touch with his family by writing them weekly. (03:30)
In his free time, he took courses through the United States Armed Services Institute.
Describes his free time as rather boring and slow. (03:50)
Was never injured during his service. (06:50)
Was stationed in Iwakuni, Japan, and duscusses the bombing of Hiroshima and Nagasaki.
Thought that the bombings were drastic, but necessary. (05:15)
His outfit was on alert to move into China, but the operation was cancelled once
MacArthur was fired. Didn’t think that moving into China would have extended the war.

�(08:46)
Had a three year enlistment agreement that was extended for an extra year. Because he
had furlow time, he was discharged a month early in July of 1952. (06:20)
(08:21) Life After Service
Was living in Coopersville when the Korean War ended. (08:21)
Still keeps in touch with one of his good friends who served all four years in Korea with
him. Hasn’t seen most of the people that he flew with in years. (09:30)
His outfit, nicknamed The Fireflies, does not organize reunions. (09:55)
When he returned to the United States, he began working in the car business purchasing
cars at auctions for car dealers in Michgian, Indiana, North Dakota, Minnesota, and
Nebraska. Still buys and sells cars today. (10:19)
His experience in the service made him realize that although he doesn’t like war, it can be
necessary when talking is ineffective. (11:06)
Thinks that our current involvement in Iraq is necessary and that more action against the
insurgents is still needed. (11:42)

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548741">
                <text>LudemaG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548742">
                <text>Ludema, Gordon (Interview outline and video), 2005</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548743">
                <text>Ludema, Gordon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548744">
                <text>Gordon Ludema served as a staff sergeant for the U.S. Air Force during the Korean War. After high school in August of 1948, he enlisted in the Air Force in order to avoid being drafted into the army. After spending 13 weeks in Texas for basic training, he learned to fly DC-3 planes before his outfit went overseas. He served as a radio operator and at night, his outfit was responsible for dropping flares so that U.S. fighters and bombers could attack enemy convoys. While in Korea and Japan, he flew a total of 104 combat missions.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548745">
                <text>Chrzanowski, Ryan (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548747">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548748">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548749">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548750">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548751">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548752">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548753">
                <text>Korean War, 1950-1953--Personal narratives, American</text>
              </elementText>
              <elementText elementTextId="548754">
                <text>United States. Air Force</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548755">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548756">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548757">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="548758">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548763">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548764">
                <text>2005-06-07</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567695">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795165">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797216">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031285">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="54750" public="1" featured="0">
    <fileContainer>
      <file fileId="59021">
        <src>https://digitalcollections.library.gvsu.edu/files/original/933303fd86acbd3719f73adb6d94398e.pdf</src>
        <authentication>ab5ee8f5064aec4de9d0b9324623d440</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="1009087">
                    <text>I

II
I
I
I
I

.. . ..

·,.

LUDINGTON COMPREHENSIVE PLAN

I
I

I

WEST MICHIGAN REGIONAL

PLANNING COMMISSION

�FRO\·i 7~•E Li0;-1f\.~'i' OF
l?lanning &amp; Zon;ng .Ce!l~~r, Irie .

•
•
•
•
•I
I
I
I
I
I
I
I
I

.
LUDINGTON COMPREHENSIVE PLAN

by:
Ludington Planning Commission

with assistance from:
West Michigan Regional Planning Commission

1987

�•II
I

•I

LUDINGTON COMPREHENSIVE PLAN

I
I
I

•I
•
•I
I

•I
•
•
•

Ludington City Planning Commission - 1987
Helen M. Nelson, Chairperson &amp;John R. Bulger
Joe R. Clark
Beverly J. Gavigan
Paul J. Ivkovich
Martin Page
Ronald L. Scott
Robert E. Sha"'
Douglas Shoup
Other Contributing Previous Planning Commission Members
James Braden
Jack Ereon
Harold Hill
Betty Maskal
Frank Petersen
Jan Tava

Jan Dues
Wi 11 i am Hartley
John Markov
Bruce McFarren
Paul Peterson

�TABLE OF CONTENTS

Table of Contents • • .
List of Tables . .
List of Figures . . .
Resolutions of Adoption
I.
II.

i
iii

iii

iv

Introduction.

1

Goals, Policies, and Implementation Techniques
Economic Development
.....•..•.•.••
Housing . . . . . . . . . . . . . . . . . . .
Central Business District/Commercial Development .
Transportation . • • . • . . • . • . • • • • •
Recreation and Cultural Services . • • • • • .
Physical Development . . . • . • • . • • • . . . •

5

5
6
8
11

12
13

III.

Community Characteristics . • • •
Location and Setting. • • .
• •••••••.•
Natural Resources • . • . • • • • •
Geology, Topography and Soils . • • .
Lakes and Rivers • .
• •..•••
Groundwater Quality • . . . • • . • • . . . . . .
Climate • . . • • •
• . . • • • . .
. .•
Population. . . . . •
• .••.
Population Projection
.•.•..
Seasonal Variations . • • • • • • . • • • • • • .
Population Characteristics . . • • .
• ..
Economy
• • . . • . • • • •
. .•.
Employment. • • . • . • • • • • •
. •••••
Workforce . . • • . . • . . • . • . . . •
Economic Activity by Sector
. • .
. ••.
Construction Activity . • • • • • • • • • • .
Regional Economy • . • • . • • • • . • • • • . • .
Economic Development Activity . • . • . • • .
Neighborhood Characteristics. . .
• ....•.
Comparative Housing Characteristics
•..
Census Block Characteristics • . • . • . . . • . •

15
15
15
15
17
18
18
18
18
20
20
23
24
25
26
27
28
28
29
29
30

IV.

Community Facilities . . . . . . . . .
Transportation • . • . . . • . • . . . . • . • • . .
Roads and Streets . . . . . . . • • .
Rail Transportation
•..
Lake Transportation . . . • • . • . . . . . .
Air Transportation .
. •.
Public Transportation . • .
. . .
. .. .
Utilities
. . . . . .
. ....... .
Public Sewer Services
. • .
. ..•....•
Public Water Services
..... .
Solid Waste
. . . . . . . . . . . . .
. ...
Electricity, Gas, Phone and Cable Television.

33
33
33
35
36
36
36

i

37
37

38
38

39

�-I
I
I
I
I
I

•
•
•I

I
I
I
I

v.

Recreation
•..•••••••••...•..
Recreation Programming . • • • .
. •.
Recreation Resources . .
• . .
. .•••.
Area-wide Recreational Facilities
. . .
• •.
Recreational Analysis
. . . .
• .•.....
Public Health and Safety . . . • . . . . • . • .
Police Department . . .
. • •
. •..
Fire Department
. • • •
• •.
Other City Services
. • . •
. . .
Medical Facilities •
. . . .
. •.
Area Public Services .
• ••.••.
Education • • . • • . .
. •..
Cultural and Historic Resources
Senior Services • • . . •
County and State Services

39
39
39
42
44
45
45
45
46
46
46

Land Use and Development Trends • . . . • •
Comparison of Land Use, 1962 and 1986 . • • •
Land Use Classification
. • . . • •
. ..
Residential Uses •
. .•••..••••
Commercial Uses
• . . . . . .
. •.••
Industrial Uses . . .
• ..... .
Public and Semi-Public Uses . . . • . . . • . .
Parks and Recreation. . • . • • .
. •.
Development Trends and Future Land Use .
. •.
1. Manufacturer's Addition . • . . . . • .
2.
Residential Development • • . . • .
3. Neighborhood Shopping
... .
4. City Entrance/Gateway
. .. .
5. Central Business District . • •
6. Waterfront/Marine Areas
•..
7.
Industrial Expansion . • • •
. •....
Cooperation with Pere Marquette Township.

51
51
51
51
54
55
55
56
56
56
57
57
57
58
58
59
59

Epilogue •

47
47
48

49

61

Appendices
Appendix A.
Funding Resources
Local Resources • . • . • . .
State and Federal Resources • • .
Private Initiatives . • . . .

63
63
63
64

Appendix B.
Tables and Figures
Table 10 .
Table 11 .
Table 12
Table 13 .
Figure XII

65
66

Appendix C. Community.
Survey Form . . .
Survey Results • . . .

71
73

67
67
68
69

77

ii

�LIST OF TABLES
Table

II
II
II

2
3

4

-I

5
6
7
8
9
10

I
I
I

12

I
I
I
I
I
I
I

Population Change, 1940-1980
Mason County, Cities, and Selected Townships . • •
Ludington and Mason County Population Changes
Compared to Other Cities and Counties in
West Michigan
••.••••
Population Projections
Ludington and Mason County
.•••
Comparative Socio-Economic Characteristics
Household Income in Ludington by Income Level . • .
Occupations of Ludington Residents
••••••••
Comparative Housing Characteristics, 1980 • • • • .
Recreation Analysis . . . . • • • • . . . . • • • •
Land Use in Ludington, 1962 and 1986 • . • • • • .
Climatological Summary, 1951-1980 • •
. ••
Building Permits and Valuation
City of Ludington, 1980-1986 • • • • • . • . . • •
State Equalized Value
City of Ludington, 1980-1986 • • •
• •••
Population and Housing Characteristics by Census
Block Areas, City of Ludington, 1980
••••.

1

11

13

19
20
21
23
25
29
43

53
66
67
67
68

LIST OF FIGURES
Figure
I

II
III

IV
V

VI
VII
VIII

IX
X

XI
XII

Location Map • • • • • • • • • • • • .
Age-Sex Distribution • • . . . •
Mason County Employment Status
1970-1986 Labor Force and Unemployment
Mason County Employment by Sector, 1980-1986 •
Ludington Employment by Sector, 1980
.••
Census Block Map • • . • . . • • • • • • . • . • •
Street Map • • • . . • • . • . • •
Recreation Facilities Map . • . •
Area-Wide Recreational Facilities
Present Land Use Map • . • . • •
Future Land Use Map . • • . • . .
Pere Marquette Charter Township
Future Land Use Plan Map . . • . •

I
I

19

iii

16

22
24
26
27
31
34

40
41
52
62
69

�I
I
I
I
I
I
I

I
I
I
I
I
I
I
I
I
I
I

CITY OF LUDINGTON
201 S . WILLIAM STREET

DEAN M . ANDERSON , MAYOR
GERALD J . RICHARDS . CITY MANAGER

P . O . BOX 310

GERRY PEHRSON KLAFT . CITY CLERK

LUDINGTON. MICHIGAN 49431
PHONE 616 / 845 - 6237

JOHN A . VILLA . TREASURER

Motion by Commissioner Martin Page, seconded by Commissioner Bob
Shaw, to adopt the new Comprehensive Plan with a request that the
City Commission also review the new Plan for adoption. Motion
carried unanimously. (June 2, 1987)
Motion by Commissioner Ereon, seconded by Commissioner Scott,
that the Comprehensive Plan, previously adopted by the Ludington
Planning Commission, which updates the City of Ludington Master
Plan, be adopted. Motion carried. (June 8, 1987)

iv

�I
I

'I
I
I

I
I
I
I
I

I
I
I
I
I
I

I

I.

INTRODUCTION

Plans are designed to control change--to stimulate it and to give
it direction.
Ludington's Comprehensive Plan represents the
community's desire to deal with anticipated changes in the city's
growth.
The plan does not try to draw an ideal map of the
future.
Rather, it approaches change as a bundle of related
processes that must be coordinated to achieve desirable ends.
The city has not produced a master plan since 1964. That plan is
essentially a map of the ideal city as projected twenty-three
years -ago.
Many features of that map are impractical and
irrelevant today. One feature, however--the site of a municipal
marina--is an important reality in the Ludington of 1987. The
successful operation of the present marina has in turn become a
factor in planning today.
Change always generates further
change.
The ideal city always eludes the planner's grasp.
Planning itself becomes one of the processes in the bundle that
requires coordination.
During the past few years, the people of Ludington have seen
several areas of the city where some kind of change--good or
bad--seemed imminent.
The marina, for example, seemed a
potentially destructive force to the residential neighborhood it
bordered. A neighborhood plan was formulated and adopted which
forestalled undesirable change.
The downtown area--the Central Business District--is a great
concern to all citizens and especially to downtown businessmen.
Certain changes threaten the appearance and functioning of the
CBD: the design and construction of buildings, signs, traffic
patterns and flow, and building tenancy.
In order to direct
change in these elements, the City Commission has adopted a plan
which the Downtown Development Authority drafted with
professional planning assistance.
One of Ludington's critical areas is the Pere Marquette Lake
waterfront.
Traditionally, the waterfront has been devoted to
industrial use. Changes in industry and changes in recreational
uses of the environment have given the waterfront a completely
different significance.
The City Commission engaged a
professional planner to formulate a plan for the waterfront, and
has adopted the resulting plan.
Obviously, the people of
Ludington recognize that changes are inevitable and that
thoughtful, practical planning for change is necessary.
A survey of citizen opinion about Ludington conducted by the
Planning Commission and the Downtown Development Authority
reached a random sample of 465 households. The excellent return
rate (43.7 percent) shows great interest in and concern about the
future of the city. The following cluster of responses to survey
questions deserves thoughtful consideration by anyone planning
the city's future:

1

�1.

The best thing about living in Ludington is its small-town
atmosphere (77.3 percent).

2.

Ludington's worst problem is unemployment (86.7 percent).

3.

Fire protection is rated "high" rather than "fair" or "poor"
(91.67 percent).
Less than 6 percent rate city services
"poor" (police, water, sewer, snow removal, park
maintenance).

4.

Parking downtown is "easy" (89.6 percent).

5.

Ludington needs more industrial development (92.79 percent).

6.

The city should use tax incentives to attract new industry
(83.18 percent).

The people of Ludington want the city to maintain its atmosphere
of a small town on the Lake Michigan shore (73.21 percent like
its proximity to the big lake) with good city services and
comfortably "easy" living conditions. But at the same time, the
great majority of citizens are concerned about the high rate of
unemployment.
Presumably they would risk giving up the
small-town atmosphere in order to increase the city's industrial
base. They would even invest tax dollars in this cause.
In view of this ambivalence, a plan for Ludington's future must
accept one of the following general policies:
1.

Preserve the small-town atmosphere at all costs.

2.

Pursue a radical change in industrial development and risk
losing the small-town atmosphere.

3.

Find a compromise position that preserves the valued elements
of the small-town atmosphere while it encourages industrial
development.

The Planning Commission believes that Ludington should adopt the
third policy option.
This Comprehensive Plan is designed to
achieve that goal.

I

r

This plan does not show how Ludington should look in twenty
years.
Rather, it outlines a series of goals, policies, and
implementation techniques to give direction to those charged with
overseeing specific plans.
These goals and policies are
presented first in the plan. Following that section, background
material is presented--the context in which the goals and
policies are to be considered. Present and future land use maps
show graphically_what e~ists, ~nd what should be changed. The
plan concludes with a discussion of possibilities for some
particular areas in the city.
Supporting material in £urther
detail may be found in the appendix. Also in the appendix is a
copy of the community survey and the tabulated results.
2

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

�If this plan is to be effective in providing a context for future
change in Ludington, it must be kept up to date.
It should be
amended from time to time as circumstances require, and it should
be carefully reviewed in its entirety at no more than five-year
intervals.
The following plans for particular parts of the city are
incorporated into this Comprehensive Plan:
Waterfront Master
Plan (WBDC, 1986); Central Business District Master Plan (WBDC,
1986); Cartier Park: A Study of Market &amp; Development (Tom Sturr,
1986); and Recreational Development Plan of Ludington (City of
Ludington, 1984; and Recreation Plan Update (1986)
The Future Land Use Map developed by the Planning Commission
supersedes
any other maps in any plan, and the Comprehensive
Plan supersedes any other plan, in case of conflict or
inconsistency.

I
I

I
I
I
I
I

I

I
I

r

I

3

�f

I
I

I
I
I
I

I
I
I
I
I
I
I
I
I
I

J
f

II.

GOALS, POLICIES, AND IMPLEMENTATION TECHNIQUES
ECONOMIC DEVELOPMENT

GOAL:
To increase the availability of jobs for area residents
through actions and policies that promote the expansion of
existing industries and businesses and the attraction of new
industries and commercial activity to the city.
POLICIES

IMPLEMENTATION TECHNIQUES

A.

1.

Insu~e availability of appropriate sites.

2.

Cooperate with industrial
and business personnel in
dealing with potential
problems involved with
expansion. ·

3.

Phase out nonconforming
residential uses on Dowland Street to provide
area for expansion of
industries located there.

4.

Require screening between
industrial/commercial uses
and neighboring residential uses on district
boundaries or where mixed
uses exist.

5.

Continue to make use of
P.A. 198 to encourage
expansion of existing
industries as well as
attraction of new plants.

1.

Capitalize on the
strengths of the area,
including the high quality
of life, and, where applicable, the ferry service, excellent deep port,
good rail service, and
direct access to US 31 and
us 10.

2.

Cooperate with Pere Marquette Township in

B.

Provide opportunities for
expansion of existing industrial and commercial activities.

Continue efforts to attract
new industry to locate in the
industrial park through the
Economic Development Corporation (EDC), Ludington
Economic Development Corporation (LEDCOR), Manistee-Mason
Community Growth Alliance
(CGA), Chamber of Commerce.

5

�developing contiguous
land in the industrial
park and surrounding
township land.
3.

c.

D.

Exploit the potential for
1.
reuse for wholesale or light
industry uses of vacant industrial buildings outside the
industrial park, particularly
on the north side of the city
(Manufacturers Addition).

Extend Fourth Street into
the industrial park.
Make road improvements
in the north area, e.g.,
abandon rights-of-way
for Delia and Emily
Streets between Bryant
and Longfellow.

2.

Explore relocation of the
city garage and heavy
equipment storage to
this area (Manufacturers
Addition).

Capture a greater share of
1.
Michigan's growing visitor
trade through further development of facilities and
2.
expanded promotional
activities.

Expand public and private
marina facilities.
Promote development of
commercial facilities
for marina users.

3.

Develop off-season events
and activities, e.g.,
cross-country skiing.

4.

Develop a convention/
meeting facility appropriate for this area
of the state; coordinate
with West Shore Community
College.

5.

Upgrade Cartier Park
according to plan to
expand services to
visitors, as well as
recreational opportunities for residents.

HOUSING

GOAL: To increase the availability and accessibility of housing
in the city through policies and actions that protect and enhance
the quality of existing residential neighborhoods and promote the
development of new housing to serve a variety of needs and
preferences.

6

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

-I
I
I

�I

r

POLICIES

IMPLEMENTATION TECHNIQUES

A.

1.

Utilize resources from the
state to provide incentives for preservation or
restoration of historic or
architecturally significant dwellings.

2.

Continue to participate
in available state and
federal programs which
provide assistance to
homeowners for rehabilitation of existing
dwellings.

3.

Develop a program to
disseminate information
concerning the minimum
standards for housing and
maintenance which the city
uses; emphasize how these
standards apply to existing housing units,
particularly multifamily units.

I
I
I

I
I
I
I
I
I
I
I
I
I
I
I

B.

Maintain and rehabilitate
existing housing where practicable.

Provide opportunities for
1.
the construction of a variety
of housing types in the city:
single-family homes and
multi-family units; moderately 2.
priced homes and luxury apartments; year-round, seasonal,
and retirement homes.

f
7

Designate specific areas
of the city for future
residential use.
Promote new design
concepts which take
advantage of energysaving technology.

3.

Encourage construction of
additional housing units
that meet the particular
needs of low- and
moderate-income residents
and the needs of senior
citizens.

4.

Encourage multi-family
housing in areas with
adequate land, convenient
commercial areas, and
adequate transportation.

�C.

D.

Maintain and/or improve
environmental quality.

Control traffic flow and
parking in residential areas.

5.

Control conversion of
single-family dwellings to
two- or multi-family to
insure adequate parking,
open space, etc.

6.

Plan for appropriate new
housing in connection with
waterfront and marina
development.

1.

Continue maintenance
and/or replacement of
street trees, shrubs, and
other natural materials.

2.

Control home occupations
to prevent development
into highly visible
commercial uses.

3.

Enforce existing land-use
controls.

4.

Prevent the intrusion of
nonresidential uses into
predominantly residential
areas.

1.

Discourage through traffic
on local residential
streets.

2.

Institute parking controls
on narrow streets.

3.

Control traffic flow
resulting from large
developments by careful
placement of access.

CENTRAL BUSINESS DISTRICT/COMMERCIAL DEVELOPMENT

GOAL: To improve the quality, vitality, and value of the Central
Business District and other commercial areas through policies and
actions which encourage the prov i sion of a desirable mixture of
commercial and residential uses, increase employment
opportunities, and strengthen the role of downtown Ludington as a
provider of services for the entire region.

8

I
I
I
I
I
I
I
I
I

-I
I
I
I
I
I
I
I
I

�f
f

I
I
I
I
I
I
I
I

I
I
I
I
I
I
I

IMPLEMENTATION TECHNIQUES

POLICIES
A.

B.

c.

Make the CBD more accessible
1.
and attractive for pedestrians.

Increase the convenience
shoppers.

Improve the appearance of the
CBD while conserving the
unique character and historic
ambience.

r
9

Develop an entrance sign
and compatible uniform
directional signs for
the CBD and public
facilities.

2.

Encourage the improvement
of the appearance of the
rear of all buildings and
make use of the rear
entrances where they c~n
provide access to parking
lots.

3.

Initiate aesthetic
improvements, including
landscaping of parking
lots, boulevards where
appropriate, and street
trees, shrubs, and
flowers.

4.

Provide benches and/or
pedestrian rest areas.

1.

Improve parking areas to
facilitate traffic flow
and provide the maximum
number of spaces possible.

2.

Remove old foundation
remnants to provide more
efficient parking, particularly off South James
Street.

3.

Promote convenience/safety
improvements, including
street and parking lot
lighting.

4.

Encourage development of
mini-malls: inside access
between buildings in a
block.

1.

Promote cooperation between public and private
to take maximum advantage
available resources.

�2.

D.

E.

Provide a wider range of
uses and activities in
the CBD.

Encourage appropriate development in other commercial
areas.

10

Develop recommendations
concerning storefront
improvements. Priority should be given to
maintaining the historic
quality of buildings
where such exists.

i
I
i

I

3.

Promote the existing loan
prografil to stimulate
physical improvements to
buildings.

4.

Develop consistent sign
standards which will
enhance the appearance
and be aimed primarily at
pedestrian traffic.

1.

Encourage a wider variety
of businesses to the
downtown in order to
expand activities and
minimize vacancies.

2.

Promote better use of
space in some buildings
by permitting residential uses on the second
and third story levels
through rehabilitation.

3.

Encourage professional
offices.

1.

Discourage strip commercial development.

2.

Maintain the existing
entrance to the city by
controlling encroachment
of the commercial strip
on East Ludington Avenue.

I
I

3.

Cooperate with Pere
Marquette Township on
boundary areas.

4.

Encourage reuse of
existing buildings where
parking and other requirements are met.

I
I
I
I
I

�f

J
J

'I
I
I
I
I
I
I
I
I

r
r
r
r

r
r

5.

Encourage development of
marina-supporting services
around the bayou.

6.

Limit neighborhood commercial areas to uses
targeted to the immediate area.

TRANSPORTATION

GOAL: To promote safe and effective movement for all members of
the community, whether pedestrians, motorists, passengers, or
cyclists.
POLICIES

IMPLEMENTATION TECHNIQUES

A.

1.

Provide sidewalks where
they are lacking and
mandate future sidewalks
with new development.

2.

Schedule maintenance and
replacement of streets
a·nd sidewalks in the
capital improvement plan.

1.

Revise parking near intersections to allow better
visibility, particularly
on downtown corners without traffic signals.

2.

Change Rowe and Harrison
to two-way traffic.

3.

Regulate parking on narrow
streets to one side only.

4.

Establish a directional
island at Ludington Avenue
and Lakeshore Drive.

1.

Support advertising campaigns designed to draw
from a wider audience.

2.

Explore possible new
financing to insure
continuation.

1.

Strengthen local financing
commitments to insure consistent funding sources
public transportation.

B.

c.

D.

Maintain all streets, curbs,
and sidewalks in good condition.

Improve traffic flow,
saftey, and convenience for
motorists.

Promote continuation of car
ferry service.

Continue to provide a high
level of Dial-A-Ride bus
service to insure necessary
ti.on to residents.
11

�E.

F.

Minimize nonresidential
traffic and through traffic
in residential and recreation
areas.

Develop nonmotorized facilities.

2.

Expand service to include
group trips, special event
routes, other.

1.

Close Lewis Street between
Court Street and Ludington
Avenue.

2.

Develop formal truck
routing with appropriate
directional signs on
Washington, Bryant, _Dowland, and First Street.

1.

Request abandonment of
Ludington Northern Railway right-of-way to
provide a pedestrian/
bicycle path through
the city.

2.

Develop a walkway connecting downtown with
Pere Marquette Lake waterfront area and Lake
Michigan beach at Stearns
Park.

i

RECREATIONAL AND CULTURAL SERVICES
GOAL:
To insure adequate social, cultural, and recreational
opportunities for all residents through policies and actions
which promote the availability of necessary social and health
services, expand cultural and recreational opportunities, and
maintain a high level of government services.

IMPLEMENTATION TECHNIQUES

POLICIES
A.

Maintain a wide range of
1.
recreational opportunities
throughout the city through
implementation of the city's
2.
Recreational Development Plan.

12

Develop standard soccer
fields.
Increase playground
equipment in neighborhood playgrounds.

3.

Continue to maintain
existing parks and
facilities for maximum
use.

4.

Establish an indoor ice
rink.

I
I
I
I
I
I

I
I

�J
f
f

I
I
I
I

I
I
I
I
I
I
I
I
I
I

B.

c.

D.

1.

Mandate a public walkway
along Marquette Lake as
the new marina and other
waterfront development
occurs.

2.

Develop the non-campground
area of Cartier Park for
passive uses such as
nature trails, crosscountry skiing, boat
launch, and picnic areas.

1.

Pursue state coopera t ion
in identification of
significant buildings.

2.

Provide incentives for
preservation and rehabilitation of significant
historic structures where
desirable and practical.

Continue to provide a high
1.
level of government services
to protect the health, safety,
and well-being of all residents.

Improve public access to
the municipal building so
all public meetings can be
held there, or provide
another community meeting
facility.

Retain and increase public
access, including visual,
physical, and recreational
access to Lake Michigan,
Pere Marquette Lake, and
Lincoln Lake.

Conserve the unique character
and historic atmosphere
of significant buildings,
both residential and
commercial.

2.

PHYSICAL ENVIRONMENT
GOAL:
To preserve and enhance the physical environment through
policies and actions which protect desirable natural features and
systems and improve community appearance.
POLICIES

IMPLEMENTATION TECHNIQUES

A.

1.

Revise the zoning
ordinance as necessary
to implement this plan.

2.

Develop a Capital
Improvement Plan.

3.

Develop a uniform city
sign design for public
and informational signs.

Maintain an aesthetically
pleasant environment by
adopting and enforcing
municipal ordinances and
land use controls.

f

r

Insure continuation of
services to senior
citizens by providing
secure financial support.

13

�B.

C.

Develop regulations which
provide for orderly development of waterfront property,
including docks, piers,
filling, etc.

Control pollution problems
as they become identified.

14

1.

Implement the Waterfront
Master Plan.

2.

Develop a waterfront district zone in the zoning
ordinance.

3.

Explore participation in
the National Flood
Insurance Program.

1.

Monitor sites where
groundwater pollution is
suspected, and pursue
clean-up where possible.

2.

Promote regular testing of
private wells now being
used for drinking water.

�r
r
r

I
I
I
I
I
I
I
I
I
I

r
r

III.

COMMUNITY CHARACTERISTICS
LOCATION AND SETTING

Ludington, the county seat of Mason County, is located on Lake
Michigan at the mouth of the Pere Marquette River.
It has a
population of approximately 9,000, with significant increase in
the summer.
Ludington enjoys a special relationship with
Wisconsin and other port communities because of the
Michigan-Wisconsin Transportation Company's cross-lake ferry
service and the city's excellent harbor facilities.
Other
transportation routes include the north/south highway US 31, the
east/west highway US 10, and the CSX railroad.
Ludington's lakeshore and natural resources have attracted
development since Michigan's early days.
The first immigrants
arrived in the late 1840's, and the timber industry developed
soon after, with as many as 17 sawmills on the shores of Pere
Marquette Lake at one time.
Railroads were built, and wood
products were shipped by both rail and water.
When the lumber
industry declined, brine became the primary resource and that has
continued to the present day.
The earliest settlers planted
fruit trees, and the county's orchard and farming industries
began to develop.
NATURAL RESOURCES

The area's natural resources will continue to be a major factor
in determining Ludington's future, by influencing the quality of
life as well as by providing opportunity for economic
development.
Geology, Topography, and Soils
When Lake Michigan receded to its present general limit many
hundred years ago, there remained a layer of glacial drift
materials up to several hundred feet in depth with no
outcroppings of bedrock. The soils in Ludington and surrounding
areas are consequently mainly sandy with alluvial sands found
adjacent to the Pere Marquette and Lincoln Rivers. Dune sands
predominate in the city.
These have slight to moderate
limitations for building, depending on slope.
The alluvial
soils, on the other hand, can pose severe limitations on
development due to flooding, ponding, and frost action.
The present topography is generally flat, although this is the
result of considerable cutting of hills and filling of gulleys
since the days of the earliest settlers.
The elevation of the
city is approximately 590' Mean Sea Level (MSL), with a range of
just below that to 640' in the fourth ward. Greater changes in
elevation are found outside the city, to the north in Epworth
Heights and the sand dune area of Ludington State Park, and to
the south in Pere Marquette Township. Lowland areas are along
the Pere Marquette River and the shore of Pere Marquette Lake.
15

/

�FIGURE l
Location Map

CAN A DA

WISCONSIN

"'

~

&lt;f

I

..J

II

Mll..WAUl&lt;l!:1!:

ILL/NO/S

•

GAAV

INOIANA

16

OHIO

•
•
•

�r
r
r
r

r
I

I
I
I
I
I
I
I
I
I
I
I

I
I

Lakes and Rivers
Ludington and the surrounding area have significant water
resources. Mason County has 32 miles of Lake Michigan shoreline;
Ludington shares 1.7 miles of this with over 40 percent
accessible to the public. Lincoln Lake and Lincoln River divide
the city on the north from Hamlin Township.
Pere Marquette Lake
provides the sheltered harbor for the Port of Ludington. Pere
Marquette Lake offers both recreational and commercial
facilities.
At least eight public and private marinas are
located on or adjacent to the lake.
Several dozen charter
fishing operations are located there as well. Michigan-Wisconsin
Transportation Company, Dow Chemical Company, and Sand Products
Corporation regularly use the commercial port facilities. The
Port Development Study (Williams and Works, 1982) contains
detailed information.
The Lake Michigan water level has been rising, and is currently
at a record high.
The historic seasonal fluctuations of about
1.2 feet (with a low in February and a high in July) appear not
to be moving according to schedule.
Furthermore, fluctuation
extremes keep moving up--the low doesn't reach the lows of
preceding years and the highs keep getting higher. This trend is
expected to continue for the next few years at least, and the
potential for flood damage thus appears to be changing.
Historical information suggests that there has never been a
serious flood hazard in the city.
Ludington received a
floodplain map in 1975.
In 1977, the city declined to
participate in the National Flood Insurance Program, presumably
on the basis of historical evidence that no real hazard e·xisted.
However, with the current high lake level, and consequently high
groundwater level exacerbated by unusually heavy rainfall in
September 1986, a number of problems have been created.
There
have been flooding problems--both residences and
businesses--after heavy rains.
In addition, charter fishing
boats located east of Washington Avenue on the bayou have not
been able to get under the bridge at times because of high water.
The National Flood Insurance Program was created to provide
insurance at more reasonable rates than otherwise available. The
city's participation in this program would make it possible for
residents to qualify for this insurance.
It would also require
the city to adopt flood hazard regulations designed to prevent
future losses.
Potential erosion problems along Lake Michigan and Pere Marquette
Lake shores continue. The city has taken measures to correct or
prevent erosion on city property, princ i pally around the marina
and Loomis Street boat launch site.

17

�Groundwater Quality
All residences in the city have access to city water.
There is
an unidentified number of residents who prefer to use private
wells for drinking water.
Concern has been expressed about
potential polluted groundwater and soils in some areas of the
city, for example, at the site of a former plating plant in
Manufacturers Addition.
Michigan Department of Natural
Resources is currently monitoring this site, and there may be
others, such as former dumping sites, that could present
problems.
Establishing responsibility for cleanup is the main
hurdle in dealing with these problems; that - process itself has
proven to be both protracted and confused.
Climate
Ludington's climate is modified by Lake Michigan. Spring and
early summer temperatures tend to be cooler than would be
expected for this latitude.
Frost and initial snow periods in
the fall are delayed as well.
Ludington experiences fewer
prolonged periods of hot, humid weather or extreme cold. The
difference between the average summer and average winter
temperatures is about 51 F.
Snowfall is slightly higher than
inland averages in Mason County.
Table 10 in the appendix
summarizes the climate data from 1951 to 1980.
POPULATION

Ludington's population has remained fairly stable since 1970 at
around 9,000. This is based on an estimate of current population
which is sl~ghtly higher than the 1980 census figure.
(See
Waterfront Master Plan).
In contrast, the surrounding townships
and the county have shown increases in the same period.
Table 1
shows the details.
A 1983 survey of Pere Marquette residents indicated that 33
percent had moved from the city to the township.
Census
information for the surrounding townships, although less
specific, seems to confirm this trend. The same thing has been
happening in other West Michigan cities and counties as can be
seen in Table 2.
Population Projections
Population projections are rough estimates only, and can vary a
great deal. The West Michigan Regional Planning Commission
(WMRPC) has estimated that the population of the city will
increase by 10.2 percent by 1990 and another 11.7 percent by
2000.
Donnelley and Associates, a private industrial rating
· organization, projects a decrease of 11 percent in the population
of the county for 1990.
Federal government figures show a
10-year annualized decrease of about 3.5 percent.

18

�TABLE 1
Population Change, 1940-1980
Mason County, Cities, and Selected Townships

f

r
I
I
I

r

1940

1950

Percent
Change
1940-1950

19,378

20,474

+ 5.7

21,929

+ 7. I

8,701
I, 162

9,506
I, 141

-

+ 9.3
I. 7

9,421
1,245

.9
+ 9.0

-

9,021
I ,202

- 4.2
- 3.5

8,937
I ,241

- .9
+ 3.2

833
584
777
804

887
930
1,032
739

+ 6.5
+59.2
+32.8
- 8.1

1,060
1,468
1,513
780

+19.5
+57.8
+46.4
+ 5.5

1,278
I, 778
I ,846
863

+20.6
+21. I
+22.0
+10.6

I ,556
2,616
2,068
I, 170

+21 .8
+47. I
+12.0
+35.6

Governmental Unit

Mason County
Ludington
Scottvi I le
Townships
Amber
Haml In
Pere Marquette
Victory

SOURCE:

1960

Percent
Change
1950-1960

1970

Percent
Change
1960-1970

1980

Percent
Change
1970-1980

22,612

+ 3. I

26,365

+16.6

U.S. Census.

I
I

TABLE 2
Ludington and Mason County Population Changes
Compared to Other Cities and Counties in West Michigan

1960

1980

1970

I

I
I
I
f

r

f

J

Governmental Unit

Population

Population

9,421
8,324
I, 146
11,066
6,149

9,021
7,723
I, 154
I I ,844
6,471

21,929
19,042
16,547
98,719
48,395

22,612
20,393
17,984
128,181
56,173

Percent
Change
1960-1970

Population

Percent
Change
1970-1980

4.2
7-2
.7
7.0
5.2

8,937
7,566
I ,424
11,763
5,943

.9
- 2.0
+23.4
- .7
- 8 .2

+ 3. I
+ 7. I
+ 8.7
+29.8
+16.1

26,365
23,019
22,002
157,174
66,814

+16.6
+12.9
+22.3
+22.6
+18. 9

CITY
Ludington
Manistee
Pentwater
Grand Haven
South Haven

+
+
+

-

COUNTY
Mason
Manistee
Oceana
Ottawa
VanBuren

SOURCE:

U.S. Census, 1980.

19

�What is the explanation for this wide disparity? The last two
estimates are based on traditional population, birth/death, and
migration rates.
WMRPC added employment and housing trends,
which are more optimistic.
New housing starts since 1980,
suggest some growth.
When average household sizes are combined
with the number of new dwelling units, the figures suggest that
an additional 300 people may have moved into the city.
If
economic activity continues to increase, that will have an effect
on the population total as well.
(Michigan Department of
Management and Budget projects a 17.6 percent increase in
economic growth in Mason County from 1980 to 2000.)
The small
percentage increases in population shown in Table 3 still do not
contradict the perception of a stable population.
TABLE 3

Population Projections
Ludington and Mason County

1980

Ludington
Mason County

SOURCE:

8,937
26,365

Percent
Change
1970-1980

- .9
16.6

1990
Estimate

8,990
28,300

Percent
Change
1980-1990

2000
Estimate

Percent
Change
1980-2000

.5
7-3

9,170
31,100

3.8
17.6

U.S. Census, 1980; Mason County Projections, Michigan Department of Management
and Budget; Ludington Projections, West Michigan Regional Planning Commission,
1986.

Seasonal Variations
Ludington and Mason County have significant seasonal fluctuations
in population.
Michigan Department of Natural Resources
estimates the seasonally adjusted figure for Ludington's 1980
census population to be 9,259, or about 4 percent over the actual
population.
For Mason County, the adjustment factor is 35
percent or 35,593 people.
This includes Epworth Heights, which
reports a seasonal population increase of as many as 4,000 over
the summer months.
(See Mason Coun t y Solid Waste Plan, 1986, and
RERC report in WBDC Waterfront Master Plan.)
Population Characteristics
The 1980 census provides a great deal of information about
population characteristics.
For example, only 2.5 percent of
Ludington's population is minority (.5 percent black, 1.5 percent
Spanish, .5 percent other including Korean and Native American).

20

I
I

•
•~
-~
-~

-

~

~
~

�r
r
r
r
r
I

Ninety-six percent speak only English at home.
Seventy-nine
percent were born in Michigan, 1.9 percent were born in other
countries, and the remainder in other areas of the United States.
More than half had lived in the same home for the previous five
years (52.6 percent), 28 percent had lived in the county five
years before, and only 6 percent had lived out of the state or
abroad in 1975.
These latter figures emphasize the stability of
Ludington's population.
Table 4 compares education, residence, and income characteristics
of Ludington's residents with the residents of Manistee, Mason
and Manistee Counties, and other areas in 1980.
Almost 66
percent of Ludington residents over 25 years of age were high
school graduates; 17.5 percent didn't go to high school.
Fourteen percent had some college education and 11 percent had
graduated from a four-year college or had taken post-graduate
work.
TABLE 4

Comparative Socio-Economic Characteristics

I
I
I
I
f

'
f

I
f
f

r

Education

1975 Residence

Birth
Place

1980 Median Income

Percent
Same
Residence
1980

Percent
Different
Residence
Same County
1980

Percent
Born In
Michigan

Household

Percent
Faml I !es
Below
Povert y
Level

Percent
High School
Graduate

Percent
College
Graduate

Ludington

65.7

II .O

53

28

79

$13,415

$16,839

9.0

Mason County

66.1

10.0

58

23

81

14,410

16,824

9.5

Manistee
Manistee County

64.8
62.2

II

.o

9.1

63
65

26
19

86
84

13,789
14,351

18,502
17,281

7.2
8.2

Communities Out2
side Urban Areas

69.3

13.4

52

27

77

16,163

19,476

1.2

Michigan

69.0

14.3

56

26

72

19,223

22,197

8.2

Governmental Unit

Faml ly

"Family" does not include single-person households.
2

SOURCE:

Places of 2,500 to 10,000 population outside of urbanized areas.
U.S. Census, 1980.

Age-sex distributions are important considerations in planning
for housing, recreation, senior citizen needs, schools, etc.
Figure II shows age-sex distributions graphically for Ludington,

21

I

�FIGURE II
Age-Sex Distribution
LUDINGTON

. 1980

-

KAI.!

FEMALE

[ I [ [ I [( I [ [ [ I I 7 5 PLUS )) JJ I )I II I )I ]] )I] ]] )I Jl]) JJ ] ]]
ll II I I I (I 70 TO 7 4 l)) JJ J )J JJ]] l

2.8%
2.01
2.41
2.5.
2.6%
2.6%

([([((([((( 65 TO
[ I( I I [II I( I 60 TO
[ [ I( [ [ II 111 [ 55 TO
I [ [ [ I I [ I [ [ [ [ 50 TO
[II I [ [ I I I I 45 TO
[(l((ll[l( 40 TO
([ll([I((([ 35 TO
I I [ I [ I (I [ I [ I [ I 30 TO
I I I I I I I I I I I I [I I I I 25 TO
[ I ( l [ I [ I l I I I I I I I I I 20 TO
[ [ [ I [ [ [ [ [ [ [ [ [ [ [ [ [ 15 TO
[ I [ [II [ [ [II I [ I [ I 10 TO
1([[[11111111([ 5 TO
[[[[[[[[[[([[I[ 0 TO

2.1%

2.2.
2.41
3.01
"3.8%
3.9%
3.8%
3.6%
3.21
3.21

69]]]]])]])]]]])]
64 ll l])]] ]) ]] ll l
59]]]])]]])))))]
54 JJJJ ll Jl JJ ll
49 11 JJ I)] 1l
44)]]]]]]11111
39]]])]])))1
3411111111111 ll
29 1111)I1II1111J1111
24 I 1111 I I 11 I I I I I I J I I 11 I
19 11!]IIIJI11111111111
14 11 J Jl ll l l ll Ill JI
9))))))11))))))]
4 lJlJ))JllllJlJJI

6.3%
2.8%
3.2%
3.0%
3.0%
2.7%
2.0%
2.6%
2.3%
2.8%
4.0%
4.5%
,•• 3%
3.4%
3.4%
3.6%

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • AGE GROUPS • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

MASON COUNTY

-

1980

FEMALE

MALE

2. 3%
1.8%
2.41
2. 6%
2.6%
2. 6%
2.3%
2. 6%
2.8%
3.51
3. 9%
3 • 9I
4. 5I
4.0x
3.6%
3. 6%

I [ I I [ I I I I I[ ll l ( 7 5
11((1[((([(70
[([[[[(([[(([[(( 65
[ I I [ I I I I I [II I I I I I 60
([([[[[[[1[[[([([55
I I I [ I I I ! I!! ! I I! I! 50
I [ [ [!I I I [ [ [ I [ [ I 45
[ [ [ [ [ [ [ [ [ [ [ [ [ [ [ [ { 40
[I! I [II! [ I [ I [ [ I [ I [ I 35
[[[[[[[[[[[[[[[[([[[[[[ 30
[ I [( [ I [ [ [ [ [ [ I [ [ I [ I( [ [ [ [ [ I 25
[ [ [ [ [ [ [ [ I [ ( [ [ [ [ [ [ I [ [ [ I( I I 20
l I ([ [ I I [ (IC! I CI I [ I ([ I [II I I I I (I 15
CI I I [ I [II I I I I I [II I [II I I I I I I 10
[[[[[[[[[[[([[[[[([[[[[{ 5

I [ [ [ [ [ I ( [ {[ [ [ [ [ [ [ [ [ [ I ( [ I o

PLUS
TO 74
TO 69
TO 64
TO 59

J J )) ll 11 11 Jl 1 111 11 I 11 111 1
lJ])ll])lJ]lJ
lJ]))])JlllJ]lJJ]
1 I 1 I 1111 1111 1111 l 11
lJlJ]lJlllJ]l]])l]lJ

TO 54
TO 49
TO 44
TO 39
TO 34
TO 29
TO 24
TO 19
TO 14
TO 9
TO 4

1111111II111111
111111111 ] 11)]) II
l ll ll ll ll ll 1111111
lJlJ]ll]lllJJ]]]]]lJl
11 Jl 11 lJ lJ J 11 11lJ1111 lJ))
ll Jll Jll J ll 111 J11111 11 l 11 1
111111111 J 11 11 11111111 ll ll 111
1111111 ll l 1 )I 1 I )I 1)I11I111
lJllll))]]lJll]]]]lJ])]
1111))]] 111 ll 1 ll 11 l ll J 11

ll l 1ll JJ 1ll 1lJ I lJ

3.8%
2.0%
2.6%
2.9%
3.0%
2.7%
2.2%
2.6%
2.8%
3.2%
3.8%
4.0%
4.4%
3.91
3.5%
3.6%

•••••••••••••••••••••••••••••• AGE GROUPS •••••••••••••••••••••••••••••

MICHIGAN

l. 2I
0.9%
1.4I
l. 7%
2.4%
2. 21
2.0%
2.5%
2.6%
3.3%
3.8%
4.21
4.3%
3.9%
3. 5%
J. 3%

-

1980

FEMALE

MALE

[ [ [ [ [ [ ([
([[[[[
[ [ [( [ [ [ [ [
[[[[I I [[ [[I [
[[[[[[[([[[[[[[[
[[ [ [ [ [ [ [[ [ [ [ [ ([
([[[[[[{[[[([[
[([[[{[[(((([([[[

l!!lllllllllll[!ll
[[[[([[[[[([[[[[[[[[[I

[[[(([[[[[[[[[([[[[[([[[[[
[I [ ( ( I [ [ [ [[ [ [ [ ( [ [ [ [ [ [ { I ( [ [ [ [ [
[[([([([[[[[([[[((([[[([[[[[((
([{[[[({[[[[[([[[[[([([[[[{

I [ [ ( [ [ I [ [ [ [ I ( ( [ ( ( ([ [ [ [ [ [
( [ [ [ [ [ [ ( [ [ ( [ [ [ [ [ [ [ [ ! [I [

7 5 PLUS ll I lJ l 11 l l l I I I
70TO74111)]]])]
65 TO 69 111 I Ill )Ill
60 TO 64 ll l ll l ll l ll ll
55 TO 59 ]]JlJ]lJ]lJ]]Jl]
50 TO 54 1111] ] ] ]] ] ] ]] 11 J
45 TO 49 ]l]]]]l]]Jl]]lJ
40 TO 44 lllllllllll1111
35 TO 39 llllllllllllllllll
30 TO 34 lJlJlJ]lJ]l]]]]Jl]Jl]J]
25 TO 29 ]lJ])]J]J]]lJ]l]]]])J]]]]J
20 TO 24 1111lJl111111 l 1 Jl ll ll l J ll ll J J
15 TO 19 lJ]J]JJ]])]]J])]]])]))]Jl]JJ]
10 TO 14 ]]JJ]J]]J]lJJ])]]]J]]]J)]
5 TO 9 l 111 ll Ill Jl 1111 JI 1 ll]] 1
o TO 4 11 ll l l ll 1I l I ll I 11 Jl l 1l

• • • • • • • • • • • • • •••••••••• , ••• ,, . AGE GROUPS • • • • • • • • • • • • ••• • •••• , ••••••••

SOURCE:

U.S. Census, 1980
22

2.1%
1.3%
1.6%
2.0%
2.3%
2.3%
2.2%
2.2%
2.7%
3.4%
3.8%
4.3%
4.2%
3.7%
3.3%
3.2%

�r
r
r
r
r
I
I
I
I
I
I
I
I
I
I
I
I
I
I

Mason County, an6 Michigan.
Twenty-five percent of Ludington's
population is 60 or over, compared with 12.2 percent in the
state.
As could be expected, a high proportion of these older
residents are women.
Mason County's percentage who are 60 or
older is 20.4. Another way of illustrating this, though not so
dramatic, is to compare the median age of Ludington residents
(34.6 years) with Mason County (32.3) and Michigan (28.8).
Table 5 shows the income range in Ludington with the number and
percentage of households in each classification. Percentages are
estimated for 1984 and 1990.
The median household income in
1980 was $13,415; median family income was $16,839.
"Family
income" counts _only family households; "household income"
includes single-person households as well as families.
TABLE 5

Household Income in Ludington by Income Level

Estimated

Actual
1984

1990

Percent
of Total

Percent
of Total

Percent
of Total

28. I

22.8

9.4
18.3
26.6
12.7
4.1
.4
.4

7.3
14.6
32-4
16.9
4.9
.7
.4

16.9
5.4
10.9
32.0
25.5
7.4
I .o
.7

1980

Income Level

s

0 - S 7,499

7,500 10,000 15,000 25,000 35,000 50,000 75,000+

9,999
14,999
24,999
34,999
49,999
74,999

Number

1,035
347
673
980
469
151
14
15

* Household Income Includes single-person households.
SOURCE:

Donnelley Demographic Associates, 1985.

ECONOMY

Ludington's economy is still tied to its natural resources. The
chemical industry developed from the brine deposits;
transportation is tied to the natural harbor; and the tourist
industry is linked to the wide range of natural amenities which
the area offers.
However, changes in state and national--even
international--markets have begun to have a negative impact on
Ludington's economy. Manufacturing firms have clo~ed, or slowed

23

�significantly because their products are no longer in demand.
Shipping on the Great Lakes continues to decline, decreasing
Ludington's importance as a port.
Employment
Much of the statistical information on employment is available
only at the county level.
Michigan Employment Security
Commission (MESC), the primary source for this information, has
used a formula to estimate a city's share of the county's
employment.
In 1985, MESC "adjusted" that formula, then
recalculated 1985 figures.
So it is possible to have two sets of
figur~s for 1985--one using the old formula, and one using the
new; figures derived using the new formula cannot be reasonably
compared to those of previous years.
Figure III shows numbers
employed and unemployed and unemployment rates for Ludington and
Mason County from 1970 to the present. MESC suggests that it is
appropriate to expect that the unemployment rate will be a little
lower in the city than in the county.
FIGURE III
Mason County Employment Status
1970-1986 Labor Force and Unemployment
(Annual Average)

Thousands
14 , - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ,

12
10

8

- --- - -- -- ---- - - ····---···---·- ·-·· - - - - ·-- - -·· - ·- -·- -· - - --· .. - - - - - - - ·- - · - - ··- - -· -

6

- ---- - ·-- -· - ·--· - ·- -·- ·- ·--·---- - -- ·-·--- - -· -

4

·-··- - -· - .- ·-· --·· -- .- - - .. ·-- --··- --·-··- -- ·-· -. --•·- ·- ·- -. - ·-··· -····- - - -·· - - -·- -· ·-·• ... .. - - - - -. -·· -- ·- - ·

2

-·· -- -· - .. -- - - ··-·-·· ·--···- ·-·· -- - - ------·- -··- ·- --·-·-·- - ·- - ---·--- -·--· - ~

-· - .

. -- - - - -- -·-·-·-- -· - - ·

--

0'---'-----'----'---'----'----'--~-......__ __.__......__......__......__..___..___.,___.,___.__.

70

71

72

73

74

75

76

78

77

79

80

81

82

83

84

85

86

· year
Source: MESC, 1986

Labor Force

-+-

Unemployment

Seasonal fluctuation in .employment is a significant factor in the
county, reflecting the impacts of the agricultural industry and
tourist activity. Employment is generally highest in August and

24

~

-

~

•
•

�r
r
r
I
I
I
I
I
I
I
I
I
I
I
I
I

lowest in February and March.
In 1986, the unemployment rate in
the county ranged from a low of 10.4 to a high of 19.6.
Workforce
"Workforce" identifies how Ludington residents are employed, and
adds another dimension to employment statistics. Table 6 shows
1980 census information about employed residents over 16 years of
age.
The two largest classifications of workers were production
personnel and professional/administrative personnel; sales and
service were each about half that of these two classifications.
This is ordinarily considered to be a well-balanced distribution.
However, this apparent balance depends to large extent on two
major employers (over 300) in separate sectors: · Dow Chemical
Company in the industrial sector, and Memorial Medical Center in
the service secto~. One other major employer in Ludington, other
than the school d~strict and county government, is Great Lakes
Castings (over 100).
Firms with 50-100 employees are Brill
Manufacturing Company, LDI, Inc., Metalworks, Inc., Atkinson
Manufacturing Company, Whitehall Industries, and Kaines
Manufacturing Company (EDC, February 1987).
TABLE 6

Occupations of Ludington Residents

Occupational Classification
Managerial/Executive
Professional
Technical
Sales
Administrative Support
Services
Precision Production
Machine Operators
Transportation
Other Labor
Others
TOTAL
SOURCE:

U.S. Census, 1980.

25

I

Number

Percent

264
417
82
397
527
419
470
466
207
191

7.7
12.l
2.4
11.5
15.3
12.2
13.6
13.5
6.0
5.5

4

.1

3,444

99.9

�FIGURE IV
Mason County Employment by Sector
1980-1986
T·:..:.ho:.u:.:s:.::a:_n..:d.:.s_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
7

,o~

--

8

•·.

..

·••·

.. .

... ···•· .. ... ...... ... ··- ..... ···- ··••· ... _··- _... -··· ·-

-·- ·•-· ..... ....

4

2

0
1980

-

1981

Total Emp.

1983

1982

~

Year
I/-':,,'' !
Manuf.

1984

1985

Nonmanuf .

m

1986

Govt .

Source: MESC, 1986

Economic Activity by Sector
As employment trends show, manufacturing activity in Mason County
has decreased. Employment in the nondurable sector has increased
in actual numbers, although not enough to make up for the sharp
declines in durable manufacturing.
According to 1982 figures,
wholesale trade activity in Ludington was growing while retail
trade activity was declining. A number of smaller establishments
had closed, with larger retailers taking up the slack.
This
trend was occurring in surrounding counties as well.
More
recently, the downtown area in particular has experienced
considerable turnover in retail establishments. Figures IV and v
show employment by sector in Mason County and Ludington.
The growth in service industries indicated in the 1982 figures
reflected a diversifying economy:
a movement away from
manufacturing, and stable growth in the tourist and recreation
areas. Census information indicated that recreation/amusement
and health services were showing the most significant growth.

26

-ll

ll
ll
ll

II
II
~

II

�I
I

I
I
I
I
I
I

r
r
r
r
r
r
r

FIGURE V
Ludington Employment by Sector, 1980

Government 19.1%
Durable Manuf. 20.1%
Retail Trade 17.5%
Wholes. Trade 2.6%
Fin/Insur /Real Es 3.996
Construction 4. 7%

Services 12. 2%
Nondur. Manuf. 12.1%

U. S. Census, 1980

Construction Activity
Construction activity is a final criterion to consider in
reviewing the city's economy. Construction activity accounts for
about 4 percent of the county's labor force, down by almost 25
percent from 1980, the highest and most recent construction boom
period.
Table 11 in the appendix shows the number and value of
building permits issued in Ludington from 1980 to 1986.
Footnotes to the table identify major construction projects in
this seven-year period; although these projects in themselves
have had significant impact on the economy, it is not possible to
discern any real trends. However, there appears to be an upswing
in the last two years in nonresidential additions, reflecting
several recent industrial expansions.
State Equalized Value (SEV) provides an indication of the impact
of construction activity. Table 12 in the Appendix shows SEV for
Ludington from 19880 to 1986.
The figures seem to show an
increase in dollars (almost 33 percent).
However, in terms of
constant dollars which take inflation into consideration, there
is a decrease of about 3 percent from 1980 to 1984. Since 1984,
SEV has kept pace with, and even exceeded slightly, the annual
inflation levels.

r

r

Trans &amp; Util. 7.5%

27

�Regional Economy
Mason, Lake, and Manistee counties have faced a long period of
high unemployment, an actual decline in the number of jobs, and
stagnant income growth. For the past several years, the area's
unemployment rate has been over 1.5 times the national average.
The area lost jobs in all three major nonagricultural employment
categories:
manufacturing, nonmanufacturing, and government.
Although the three-county area has not experienced a single major
crisis, it is suffering serious economic adjustment problems
resulting from severe changes in economic conditions.
Economic Development Activity
Ludington is actively pursuing industrial expansion.
The city
developed the industrial park (a State of Michigan Certified
Industrial Park) located in the southeast portion of the city in
1974. The park has access to US 31 off First and Sixth Streets
and has full utility services. The industrial park has attracted
several new industries and is showing strong promise.
It is
estimated that the park has about five years' supply of
industrial land at the present development rate.
Significant efforts are being made to locate other industries in
thi~ area by Mason County Economic Development Corporation (EDC),
a financial packaging agency for development in the county;
Ludington Area Economic Development Corporation (LEDCOR), a
marketing and promotional agency which facilitates development;
Mason-Manistee Community Growth Alliance (CGA), an agency which
coordinates development activities in the two counties and
facilitates communication with the Michigan Department of
Commerce; Downtown Development Authority (ODA); Chamber of
Commerce; and others.
Approximately 125-130 new jobs have been created in the city
since 1984.
Slightly more than half of these are in new
industries, the balance were created by expansion of existing
industries.
Research for the Waterfront Master Plan reports limited potential
for expanding general retail activity.
However, a market is
identified for some harbor-oriented retail uses, including eating
and drinking establishments, which do not compete with downtown
businesses.
That report also points out that recreational
boating is currently the fastest growing activity in western
Michigan. Expansion of marina facilities would help to meet what
appears to be an almost inexhaustible demand, and would likely
generate demand for other facilities:
hotel/motel, restaurants,
service outlets for boats, etc.
Tourism and recreation have strong potential for Ludington.
The
natural resources of the lakes, harbor, nearby state park and
forest lands, as well as extension of the US 31 freeway will
continue to draw visitor activity.
The ferry brings a

28

I
I

•
•
•
•
•
•
•
•

•
•
•
•
•~

�r

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

significant number of visitors to the city who are important to
the motel operators as well as other retailers.
Although the
future of the cross-lake ferry service is not settled, expanded
marina facilities could serve to create demands for overnight
accommodations as well as other services.
RERC also suggests
that potential exists for a convention/meeting center. Such a
center, particularly if tied to West Shore Community College
activities could generate off-season activity as well.
Although much general retail activity has moved to the strip
commercial areas outside of the city, a concerted effort to
revitalize the downtown and develop the waterfront area may be
able to turn that around.
Both the downtown and the waterfront
areas can provide unique opportunities for development.
NEIGHBORHOOD CHARACTERISTICS

Ludington is a mature community. Half of its housing stock is at
least 40 years old and most of the residential areas of the city
are developed.
Comparative Housing Characteristics
As Table 7 shows, Ludington has a much older housing stock than
the county or the state, and its value is a little less,
primarily because of age. The city also has a higher percentage
of renter-occupied units. The city's vacancy rate is much lower
than the county's or the state's.
The county's high rate
includes a number of seasonal homes which were generally vacant
when the 1980 census was taken in April.
TABLE 7

Comparative Housing Characteristics, 1980

Ludington

Pere
Marquette
Township

Mason
County

Michigan

3,821

777

13,228

3,589,912

3,576
6.4
2,303
64.4
1,273
35.6

718
7.6
648
90.2
70
9.8

9,693
26. 7
7,601
78.4
2,092
21 .6

3,195,213
II .O
2,321,883
72.7
873,330
27.3

Median Value, Owner-Occupied

$28,700

$42,900

S29,900

S39,000

Median Rent, Renter-Occupied

s

s

s

s

Characteristic

TOTAL HOUSING UNITS
Occupied Units
Percent Vacant
Owner-Occupied
Percent Owner-Occupied
Renter-Occupied
Percent Renter-Occupied

153

141

152

197

Year Structure Sulit
Percent 1970-1980
Percent 1939 or before

II. 7
55.9

31 .4
18.5

23.1
39.0

22.1
27.6

Percent Lacking Complete
Plumbing

2.0

N/A

3.2

1.8

SOURCE:

U.S. Census of Housing, 1980
29

�Census Block Characteristics
The 1980 census divided the city into 13 "block numbering areas."
Since these areas do not conform to any "neighborhood" divisions
in the conventional sense, they will be referred to here simply
as "census areas."
Figure VI shows the lines drawn in this
census process.
Area 13 was designated "institutional" and
apparently included the Coast Guard station and perhaps persons
on boats in the harbor.
(See Table 13 in the appendix for
complete statistics for each area.)
Unlike larger urban areas, specific identifiable neighborhoods
have not generally been recognized in the city.
Most
"neighborhoods" tend either to be around an elementary school or
conform to city ward boundaries.
But even these are very
arbitrary.
The census areas seem to be the most useful units to
describe the community's characteristics.
Area #3 is the most populated, with 16 percent of the city's
total; it also has the largest number of children, with 15
percent of the city's under 18-year-olds.
Census areas #10 and
#11 also have high numbers under 18 years, with 13 percent each
of the city's population.
These three areas together have 41
percent of the city's population under 18 years.
Conversely, areas #6 and #7 have the highest numbers of senior
citizens--36 percent of those over 65 years of age in the city
(Longfellow Towers is in area #6).
Renter-occupied housing is
highest in #6, 21 percent of the city's total.
Census area #1 shows the highest value for owner-occupied homes,
and the lowest vacancy rate.
This area, particularly north of
Tinkham, is the most recently developed area of the city with the
newest housing.
Census area #8 has the lowest housing values and next to the
lowest market rental values.
It also has the highest rental
occupancy rates and vacancy rates.
This area is intermixed with
commercial and industrial uses. Areas #3 and #9 have the highest
proportion of overcrowding; #6, #9, and #10 have the highest
proportion of units lacking complete plumbing facilities.
The age of most housing in the city suggests the need for careful
attention to maintenance and rehabilitation; the disprcportionate
number of senior citizens raises questions about the need for
specialized housing and/or special programs for low-cost
rehabilitation and maintenance.
Questions about housing on the
community survey elicited responses indicating interest in
low-income housing (40 percent of those who felt new housing was
needed suggested low-income housing; 30 percent favored housing
for senior citizens).
Almost 25 percent of those responding
indicated interest in conventional single-family housing.

30

■
■

i
i

•
•
•
•
•

�I
I
I
I

FIGURE VI

Census Block Map
l lM:Ot N

l ,(IC£

CITY OF LUDINGTON

MASTER

I
I

=-

PLAN UPDATE

z

&lt;

~

...

a:

.,,r

r

I
I
I
I
I

r
r

r
r
r

"t,.

.,._
f"\

G

®

s:::.
&lt;"I
~

G

C)
):,.

~

...

0

z
&lt;

~

X

~~

r

r

r

NOTE:
31

Not to scale.

�I
I
I
I
I
I
I
I
I
I
I

r
r
r
r
r
r

r
r

IV.

COMMUNITY FACILITIES
TRANSPORTATION

The transportation system includes in addition to the road
system, rail, air, lake, and public transportation.
Roads and Streets
There are three state/federal highways giving access to
Ludington. US 10 is the primary entrance to the city from the
junction with US 31, which is east of the city in Pere Marquette
Township.
M-116 extends north from Ludington Avenue along
Lakeshore Drive and terminates at Ludington State Park about four
miles north.
US 10 ends at the Michigan-Wisconsin Transportation Company's
crosslake ferry dock. Plans are underway to expand US 10 to five
lanes between Ludington and Scottville, in conjunction with the
extension of the US 31 freeway through Mason County.
The new
freeway will provide two exits into Ludington, one along the
existing US 31, and the other at US 10 about five miles east of
the city or three miles east of the present junction.
The
completion of this segment of the freeway will have a favorable
impact on the city and county by making access from the south
easier.
At the same time, i t will provide impetus for
development outside the city along the freeway.
Other entrances to the city are First and Sixth Streets, off US
31--the primary access to the Industrial Park; and Bryant Street
and Tinkham Avenue off Jebavy Drive from the north.
Ludington's street system is primarily a grid system, with public
alleys through many blocks.
Local roads are generally in good
shape. The city maintains only a small amount of unpaved roadway:
Delia south of Longfellow to the railroad tracks, Lavinia between
Bryant and Longfellow, Lowell between Rowe and Lavinia, and one
block each of Sherman and Seventh from their intersection.
The
city recently completed a major $1 million-plus
reconstruction/paving project which brought almost the entire
street system up to current standards.
The local system can be
classified into the following general categories:
(See Figure
VII for illustration.)
1.

State trunklines:

Previously described.

2.

Major streets:
Facilitate traffic flow in the area and
connect local streets to state trunklines.
Major street
designation is important for identification of truck routes,
and location of traffic-producing uses such as multi-family
housing and a variety of commercial enterprises.
Major
streets include all of Washington Avenue, Madison, Tinkham,
Bryant, and Sixth Street; most of Rowe, Harrison, Rath, and

33

�FIGURE VII

Street Map

8.

LINCOLN

LAKE

=
GIi

Q ~.,,~,===:II

□i

jl

Mjiiil~---,.;::□
==; I' .~ ,.... I
r--

1

-7 =G

~

LEGEND

- - - - - - County Line
_ _ _ _ _ Corporate Limits
STREET SYSTEMS

- - - - State Trunkline
■
■
■
• County Primary
aazzazzzzzzz County Local
- - - - Major Street
Local Street
11 I I 111111111 Adjoining City or
Village Street
®
City Offices

-

~

========

34

I

N

"~
1--~=-I

�I
I
I
I
I
I
I
I
I
I
I
I
I
I

r
r
r
r

f

Dowland; and sections of several other streets in the central
part of the city.
3.

Local streets:
to residences.

All other streets, primarily affording access

The city maintains several one-way streets, originally designated
as such to facilitate traffic flow.
Traffic patterns have
changed in some instances, suggesting re-evaluation.
For
example, there is less traffic to and from what was formerly a
highly industrialized area on the north side of the city.
Rowe
and Harrison Streets are not required to carry the traffic they
once did.
Closing of block-long sections of two streets has been discussed
from time to time. Presently, Foster Street between Lavinia and
Emily is closed on school days because it runs between Foster
School and the playground.
Barricades are put up by school
personnel, and this solution seems acceptable.
Lewis Street,
between Ludington Avenue and Court Street is closed temporarily
for special events in the City Park.
Since the street divides
the park and the band shell, permanent closing could have some
advantages.
Ludington Avenue dead-ends at the lake just beyond the
intersection with Lakeshore Drive (M-116).
The corner is
confusing for visitors because directional signs are not clear.
There is adequate space for an island which could include signs
indicating Stearns Park, Loomis Street boat launch, parking, etc.
Except for the bicycle lane on M-116 north of Lowell, the city
has no designated bicycle routes.
Rail Transportation
The Chesapeake and Ohio (C&amp;O, now CSX) system terminates in
Ludington and has connections via the Michigan-Wisconsin
Transportation Company (MWT) ferry to Wisconsin.
The Chessie
System has links in Saginaw and Grand Rapids where it can make
connections to locations throughout the country and Canada.
There is daily service into and out of Ludington, most coming in
on the main CSX line to the harbor.
The biggest users are Dow
Chemical, Harbison-Walker (in Pere Marquette Township), and MWT,
although several smaller businesses utilize rail service on a
regular basis.
There is also service along a portion of the
Ludington &amp; Northern line for industries in the
Washington/Tinkham area.
The materials being transported are primarily bulk products. The
rail activity is very stable and relatively significant for a
community the size of Ludington.
In 1985, more than 14,000
carloads were shipped out of or into Ludington.

35

�Lake Transportation
The Port of Ludington is the most active Michigan port on lower
Lake Michigan, but use is decreasing, reflecting the decline in
all Great Lakes shipping.
In 1982, 1.9 million short tons went
through the port, compared to Muskegon (1.2), Manistee (.2),
Frankfort (.3), and Escanaba (6.5).
The average for a period
during the 1970's was 2.98 million tons.
The commodities most
frequently shipped are limestone, sand and gravel, basic
chemicals, and paper products.
MWT's cross-lake ferry handles passengers, freight, and rail
traffic to Kewaunee, Wisconsin.
It is presently running two
round trips per day in the summer and one during the rest of the
year.
MWT is operating on a lease arrangement with CSX; no state
subsidies are involved.
The future of the ferry operation is
uncertain, since freight shipments have been decreasing--and
freight shipments are the primary source of income.
The ferry plays a major role in the tourist activity of the city.
As the only remaining cross-lake ferry, it brings as many as
90,000 people into the city annually.
During the 1970's,
passenger ferries crossed Lake Michigan from three ports:
Ludington, Frankfort, and Muskegon, with Ludington having the
most traffic.
Air Transportation
The Mason County Airport is a general aviation, Class B,
commercial airport located in Pere Marquette Township at the US
31/US 10 junction. It has two paved and lighted runways:
one
5,000-foot primary and one 3,500-foot crosswind.
It has complete
fueling and repair facilities, and is open year-round.
The
airport is rated for instrument landings and can handle all types
of private aircraft and large turbo-prop planes.
It does not
provide commercial service but does provide service to private,
corporate, and charter aircraft.
Activity at the airport is projected to continue increasing.
In
1984, it was estimated to have averaged 26 based aircraft, with
21,700 operations. This is projected to increase to 35 aircraft
and 24,500 operations by 1994.
Most of the activity is local
traffic originating and terminating at the airport; about 40
percent is from other airports.
The only regular air freight
activity is for UPS. Commercial passenger service is available
at Traverse City, Manistee, Muskegon, and Grand Rapids.
Public Transportation
Ludington had been without any intercity bus service for many
months until recently when a trial service was initiated between
Traverse City and Holland, with stops in Ludington and other
cities and towns between these terminals.
The trial will
continue for over a year, when continuation will depend on the
number of passengers using the service.
36

�'

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

r

r
r

Ludington Area Dial-A-Ride provides transportation in the
Ludington-Scottville area on a demand-response basis, operating
six days a week.
It serves all of the city, portions of Pere
Marquette and Hamlin Townships, and Scottville. Passenger levels
have been rather consistent, averaging about 11,500 to 13,500 per
month.
Winter months show highest use, since school children
ride the system in the city.
About one-third of the users are
senior citizens, 30 percent are students, and 40 percent regular
fares.
A line-haul route (scheduled stops) between Ludington and
Scottville was tried but was unsuccessful, so i t was
discontinued.
Long-term funding for the system is not clear.
Presently, state and federal sources provide over half the
required revenue.
Less than 10 percent comes from fares.
The
remainder is provided by the participating units of government.
UTILITIES

Except for a few isolated locations which do not have sewer and
water, the city is almost fully served by public utilities. Gas,
electric, and telephone services are available throughout the
city.
Public Sewer Services
The sewage treatment plant, about four miles east of the city,
was constructed in 1975 and has a rated capacity of 7.5 million
gallons per day (mgd) but has an operational capacity of 6 mgd.
It is presently operating on an average of 2.8 mgd, with peaks up
to 5 mgd.
This high daily load is due primarily to high ground
water infiltration and heavy water runoff .
Part of the city's
storm water drainage is still connected to the sanitary sewer
system.
The treatment plant utilizes a secondary treatment
system; effluent flows into the Pere Marquette River.
The transmission system includes both primary and secondary
transmission mains, and operates on a gravity and forced system.
Some segments are over 70 years old, and consequently have a high
rate of infiltration. The city operates seven lift stations; the
primary station at Rath and Dowland pumps to the treatment plant.
Two of the stations have been recommended for replacement: South
Madison and North James. Both of these have been in service for
about 50 years.
The main area not served by the sewer system is on both sides of
North
Washington Avenue north of Lowell Street, west to Rowe
and east to Monona, and the 40-acre city-owned land northwest of
the corner of Bryant and North Washington.
In addition, there
are some small sections around town, one to four blocks long
which are not included. Another lift station would be required
to provide adequate service to those areas not now served.
Most of the system is used by homeowners and small commercial
and industrial users.
The largest individual user is Dow
Chemical Company which pretreats its waste to remove hazardous

37

�chemical materials prior to discharge into the city system.
There are only a few isolated locations of private on-site
systems for residential use.
Waste treatment is contracted to
Pere Marquette Township and Mason County Department of Public
Works.
Separation of stormwater and sanitary sewer systems exists
throughout most of the city. The stormwater system drains into
Lincoln Lake, Lake Michigan, and Pere Marquette River.
Public Water Services
The water system includes a Lake Michigan intake, treatment plant
on the lakeshore, above~and below-ground storage, and a
transmission system in the city.
The treatment plant was
constructed in 1970, and has a capacity of up to 8 mgd.
The
average peak daily use is 2-3 mgd.
The transmission system is
virtually complete except for sections west and south from the
corner of Bryant and N. Washington.
All residences in the city
have access to the system although an unknown number use private
wells for drinking water.
The oldest segments of the system are
100 years old, but are generally in good shape; annual
maintenance and sandy soils have helped to protect the system.
The city has two million gallons of storage:
one million
underground at the treatment plant, and one-half million each in
above-ground tanks on Gaylord Avenue and Danaher Street. The
city provides water to Pere Marquette and Amber Townships, and
Scottville through a 20" line running along US 10; One-half
million gallons of storage and a booster pump station are located
near Brye Road to provide that service. The largest industrial
users are Dow Chemical, Straits Steel &amp; Wire, and Stokely in
Scottville.
Solid Waste
The city contracts with a private hauler for the disposal of all
residential, commercial, and industrial waste, except for that
from Dow Chemical which has its own landfill outside of the city.
Most domestic solid waste is transported to White Lake Landfill
in Muskegon County, with the remainder going to Mason County
Landfill.
Collections are made daily; pickups throughout the
city are on a weekly basis. Special collections for white goods
and brush are scheduled annually.
A transfer station is
maintained by the city for residents with material not acceptable
for the regular service.
The city has participated in the county's recent solid
disposal plan which recommends continuing on the present
for the next five years, but moving toward more emphasis on
reduction, composting, and recycling.
(See Mason County
Waste Plan, 1986.)

38

waste
basis
waste
Solid

�I
I
I
I
I
I
I
I
I
I
I

r

Electricity/Gas/Phone and Cable Television
These services are available throughout the city.
Michigan
Consolidated Gas Company provides gas; Consumers Power Company,
electricity; General Telephone of Michigan, telephone; Cable
Vision, Inc., cable television.
All maintain local offices or
toll-free numbers for customer services. None of these companies
reported major problems or issues; all indicated that they are
capable of serving Ludington
with any type of residential,
commercial, or industrial service required.
RECREATION

The city undertook a complete recreational plan in 1984, which
satisfies the requirements of the Federal Land and Water
Conservation Fund as administered by the DNR. The plan includes
a recreational inventory which is illustrated on the map in
Figure VIII.
The following summary of some of the available
resources is taken from Recreational Development Plan of
Ludington, Michigan (1984), and Recreation Plan Update (1986).
Recreation Programming
The city works in cooperation with the Ludington Board of
Education in the operation and maintenance of city parks and
programming of recreational activities. Programs and activities
include the following:
Softball (slow and fast pitch)
T-ball
Baseball (mites, midgets, inter.)
Basketball
Golf
Soccer
Football and Flag Football
Tennis
Volleyball
Archery

Shuffleboard
Gymnastics
Ice Skating
Swimming (indoor)
Hunter Safety
Senior Citizen Activities
Health Clinics
Continuing Education
Adult Physical Education
Special Events

Recreational Resources
In addition to the playing fields and playgrounds where these
activities are conducted, the city maintains a number of parks
with a variety of recreational opportunities. The major ones are
the following (a number of smaller parks can be identified on the
map):

I
I

,-

r

1.

Stearns Park - 17 acres including one-half mile of Lake
Michigan beach, two beach houses, shuffle board, horseshoes,
playground, and picnic areas.

2.

Peter Copeyon Park - 4.2 acres with 400 feet of frontage on
Pere Marquette Lake, boat launch site, fish-cleaning station,
restrooms, playground, and picnic areas.

39

�FIGURE VIII

8

LINCOLN

LAKE

CITY OF LUDINGTON

MASTER

PLAN UPDATE

G

G

6

Recreation Facilities Map
Key

Key
H

1
2
3

4
5
6

7
8

9

10

Name
Oriole Field
Steams Park
Cartier Park
Dejonge Playfield
Optimist Field
Dow Field
Blodgett Park
Senior Citizen Ctr
Copeyon Park
4th Ward Park

#

Ownership

11
12
13
14
15

School
City
City
School
School
DOW (Lease to City)
City
City
City
City

16

17
18
19
20

40

Name
Iverson Park
Community Pool
Loomis St, Boat labb
Municipal Marina
City Park/Band Shell
Fonner St. Simons Ch
Elementary Sch Plgds
Cormnarcial Marinas
Racquet Club
Golf Course

Ownership
City
School
State
City
City
City
~
School
Private
Private
Private ...__ _•_ __ j __ _.._ ..._ • - _
_
- _____J

I

�~

FIGURE IX

Area-Wide Recreational Facilities

'
'I
I
I
I
I

I
I

I

I
I

Legend

I
I

/\

CAMPGROUNDS

'Y

OUTDOOR CENTERS

AOAO ANO REST AREA

+
,-ot)

SU.TE ROADSIDE PARKS
STATE SAFETY REST AREAS

PUBLIC ACCESS SITES

-J

WILDLIFE FLOODING AREAS

J...

AECREA TtONAL HARBORS

Ii;

:~~I~(ti~e~N~:~~:ri'1:~~M
.&amp;O
BANKS OVER THE

ACRES

INDICATED

-

STATE LAND

1111 FEDERAL LAND
41

�3.

City Park - 2.9 acres on Ludington Avenue between Lewis and
Gaylord, with band shell, picnic tables and benches.

4.

Cartier Park - 68 acres including 2500 feet of frontage on
Lincoln Lake, developed campground, boat launch site, nature
area. Cartier Park has been the subject of special study
recently to examine the feasibility of upgrading the
campground section of the park to provide better services to
campers and consequently, make the campground
self-supporting, perhaps even profitable to the city. The
campground, on the west side of the park off Lakeshore Drive,
covers 24 acres; the remaining east section, 44 acres, is
undeveloped except for some minor roads and is suitable for
hiking or skiing trails, and other passive recreation. The
plan calls for development of the campground in three phases,
with the cost to be spread over several years.
(See Cartier
Park; A Study of Market &amp; Development, Tom Sturr, 1986.)

Area-wide Recreational Facilities
Mason County and Ludington have a great variety of recreational
resources.
In addition to Lake Michigan, Pere Marquette Lake,
and Lincoln Lake, inland lakes and parks provide opportunities
for swimming, fishing, boating, camping, etc.
Figure IX shows
these facilities on the county map.
Port Ludington provides some of the best sport fishing on Lake
Michigan.
Public access to Lake Michigan is available at several
locations.
Those identified on the county recreation map are:
1.
2.
3.

Buttersville Peninsula on Pere Marquette Lake (city
property).
Suttons Landing in Pere Marquette Township on the west side
of US 31 (access to Pere Marquette River and Lake).
Pere Marquette River access on the east siqe of US 31, almost
directly across from Suttons Landing.

Those identified on the city recreation map are:
1.
2.
3.
4.
5.

Loomis Street Boat Launch.
Peter Copeyon Park.
Madison &amp; Water Streets.
Cartier Park (access via Lincoln Lake and Lincoln River).
Private marinas on Pere Marquette Lake.

The Ludington Board of Education maintains an 80-acre school
forest located just east of the city limits between Bryant and
Tinkham, with trails for nonmotorized use.
Public parks are
maintained by Pere Marquette and Hamlin Townships adjacent to the
city.
The county fairgrounds on US 10 and US 31, east of the
city, are the site of the annual county fair in August, and other
events scheduled during the year.
The county maintains a rest
area and picnic grounds on US 31 south of the city and the

42

•
•
•
•
•
•
•
•
•
•
•

�I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

TABLE 8
Recreation Analysis

Standard

Activity

Baseba 11
Softba 11

1/6,000 people
1/3,000 people

Existing

Need

I
I
I

Field

7

N

3 Fields

3

N

5 Cour-ts

8

N

Tennis Courts

1/2,000 people

Ice Skating
Basketba 11

1120,ooc2
3
111,000

9 Courts

Indoor Pool

1115,ooc2

I Pool

Beach
Boat Launch Sites
Nature Areas

I Rink

2'/people at

pop. 3/4
4
1/10 miles of stream

5a/1,000

6

3a/ I ,000

Public Fish Access

I site/3 miles of water

Community Bui Iding

l/25,0oc2

Soccer Field
Footbal I Field
+

7

1/1,500 (or 1/15,000 visitorsJ
Ia/ I ,000

Marina

I ,800'

6

Picnic Area

Shuffle Board

3

150 seasonal wel Is/
60-70 transit slips
I/ I , 500 peop Ie
2
1/10,000

Car-t ier Park area, less campground.

Deficiencies

3

N

N
I

Note:

2,640

I

10

N

45 Acres

44*

N

27 Acres

30a

N

2 Sites

3

N

I Center

I

N*

6 Courts

17

N

9 Acres

8

N*

150

y

6 Fields

3

y

I Fields

4

N

Standards were accepted from the fol lowing
sources:

* Includes public and
private facll ities.

2

3
4
5

6
7

Tennessee State Planning Commission
Michigan Department of Natural Resources
National Recreation and Parks Association
Vermont, Outdoor Recreation Plan
Arkansas Statewide Plan
New Jersey Recreation Plan
Ludington Parks Commission

43

N

3 Sites

150 SI ips

7

y

7

�Pumped-Storage Campground and Recreation Area adjacent to the
pumped-storage plant.
Ludington State Park, eight miles north of the city at the end of
M-116, is located between Lake Michigan and Hamlin Lake.
It
includes more than 4,000 acres of forest and dune lands, with
beaches on both lakes, picnic areas, campgrounds, and 18 miles of
marked trails.
In winter,
cross-country ski trails are kept
groomed. A public boat launch gives access to Hamlin Lake.
Within a 30-mile radius of Ludington there are over 2,450
campsites in public and private campgrounds. North of the state
park, Manistee National Recreation Area provides thousands of
acres of public recreation and hunting area, including
campgrounds and picnic areas.
West Shore Community College provides both indoor and outdoor
recreational facilities which are available to local residents,
some with a modest fee.
In addition, special events are
scheduled at the college which are open to area residents.
There are a number of privately operated recreational facilities
in the area: Ludington Hills golf course (south of the city) is
public, but Lincoln Hills and Epworth Heights golf courses are
both private.
The Jaycees operate a miniature golf course at
Stearns Park. A private racquet club is located on Rath Avenue,
north of Bryant. There are also seven marinas on Pere Marquette
Lake in addition to the municipal marina, making a total of about
352 slips.
Recreation Analysis
Table 8 provides an assessment of the city's recreational
resources based on standards the Recreation Commission feels are
appropriate for the city.
Deficiencies are shown in the
following areas:
Marina Slips: Although this analysis shows the city has enough
slips, the need for more slips is significant, based on the
length of the waiting list for slips in the municipal marina.
Probably the standard applied was developed before the tremendous
upsurge in pleasure boating that has been taking place in
Michigan.
It has been suggested that there is an almost
inexhaustible demand for marina slips all along the Michigan
shoreline.
The Waterfront Master Plan suggests that an
additional 160 slips would be a minimum to begin to meet this
demand.
Soccer Fields:
The city needs standard-size fields, and city
personnel have been looking at areas in the northern part of the
city.
Indoor Ice Rink: Although no deficiency is shown in the table,
need has been expressed for an indoor rink, particularly since no
outdoor rinks are being maintained at the present time.
44

•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•

�I

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

Overall, the city's recreational facilities are quite adequate
and, with the exception of these items cited above, meet local
needs. The strong cooperation between the city and the school
district enhances the operation and efficiency of the programs
and the facilities.
PUBLIC HEALTH AND SAFETY

These services, along with public utilities, provide
structure that allows the city to function.
The level
services is directly related to development potential.
to the community survey, Ludington residents appear to
well satisfied with these services.

the basic
of these
According
be fairly

Police Department
The Police Department provides 24-hour service with manned
patrols. In cooperation with Mason County Sheriff Department, a
central dispatch system has recently been established.
The
police department office on Loomis and Rath is open for walk-in
contact from 8:00 am to 5:00 pm, Monday through Friday.
All
phone calls are answered in the sheriff's department.
The city police provide primary road and traffic patrol, conduct
investigations, respond to criminal complaints, and assist with
crowd control, fire calls, and special event activities.
No
major issues or problems have been identified.
Fire Department
Ludington's Fire Department is entirely an on-call department.
Most communities this size have a fire department which employs
some full-time personnel.
Nevertheless, the city maintains an
insurance (ISO) rating of 6.
Rates are determined by the
National Insurance Service Office; the lower the rating on a 1-10
scale, the more effective are the fire fighting defenses.
Most
on-call or part-paid departments in other cities rate 7 or
higher.
Ludington has been at a 6 rating for the past five
years. The department is fully equipped, and water is available
on a grid system, with hydrants about 300 feet apart throughout
the city. On the average, response time for the 21-person
department is 2.5 to 5 minutes to get the trucks rolling.
The number of fire calls has decreased over the past several
years, attributed to an expansion of public education and
prevention activities.
All commercial buildings are inspected
annually.
In 1985, the department reported 75 calls, half the
number reported in 1975.
The city provides service on a contract basis to individual
property owners in Pere Marquette Township. The fire department
maintains a marine rescue squad and an extrication rescue squad.

45

�There are no major problems with Ludington's fire department.
Only two issues have been raised regarding services:
(1)
the
lack of direct water supply to the North Washington area where no
public water is provided; and (2) low pressure flows due to older
4" water mains in some areas.
Other City Services
Except for the fire and police departments, the city's
administrative of£ices are located in the Municipal Building on
William Street.
The second floor, originally designed as the
City Commission meeting room, is not accessible to the
handicapped, so public meetings have had to be scheduled in
either the school administration building or the senior citizen
center.
The major part of the municipal building is the garage
for the Department of Public Works. Recent discussion has raised
questions about the best use of this prime location across from
the municipal marina, and adjacent to the central business
district.
If the garage and the heavy road equipment could be
moved to another site in the city, the building perhaps could be
adapted for more efficient community use, including an accessible
meeting room.
Medical Facilities
Memorial Medical Center of West Michigan, located on Ludington
Avenue at the east city limits, provides area-wide hospital
services to Ludington and Mason County.
It is a full-service
hospital with 95 acute-care beds.
In 1983-84, extensive
renovation expanded outpatient and ancillary services. inpatient
services are down about 20 percent since 1980, while total
outpatient services are up 8.2 percent; outpatient diagnostic
services are up 26 percent, and outpatient surgical procedures,
274 percent.
Ambulance service is provided by the county and is housed at the
hospital. There are three fully equipped advanced life-support
units. Almost all emergencies and rescue calls are handled by
the ambulance service.
There are a number of other medical services available in the
area.
In 1982, 30 health care providers in all fields were
reported.
There are two nursing/personal care facilities:
Baywood Nursing Home and Oakview Medical Care Facility-Mason
County.
In addition, there are a number of adult care homes in
the city and the county.
Regional medical facilities are in
Muskegon, Grand Rapids, and Traverse City.
AREA PUBLIC SERVICES

These educational, cultural, and service functions, although
located for the most part in the city, serve a much wider
population. They have a primary effect on the quality of life
for county as well as city residents.

46

�I
I

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

Education
Ludington Area Public School District covers 75 square miles, and
includes, in addition to the city, all or portions of Pere
Marquette, Summit, and Hamlin Townships.
Enrollment in 1985-86
was about 2,500. The district operates six elementary schools,
one junior high, and one high school on 19 mills. The school
district receives no state aid. Existing physical facilities are
in good condition.
Busing is provided for all out-of-city
students; city students may ride the Dial-A-Ride system.
.The school district provides vocational education for the
and as has been mentioned, operates recreational programs
city.
Peterson Auditorium at the high school is the
meeting facility in the county. There are two parochial
in the city: one provides K-12 education, and one K-8.

county,
for the
largest
schools

Mason-Lake Intermediate Developmental Center, located on US 10
between Ludington and Scottville, provides a number of training
and support programs for children and young people in the two
counties and Pentwater with physical, mental, and emotional
handicaps, as well as a program for gifted and talented children.
Out of a total enrollment in the districts of 5,400, 625 students
are participating in these special programs.
The Intermediate
School District provides other services to the participating
districts such as in-service training for cooks and bus drivers,
group food buying, and communication with state offices.
West Shore Community College, located eight miles northeast of
the city, is a two-year college which serves Mason, Manistee, and
parts of Lake and Oceana Counties.
It provides a number of
two-year vocational curricula as well as an academic curriculum
which is transferable to four-year institutions in the state.
The college also provides a number of services to the community
at large:
conference and meeting facilities, recreational
facilities, library services, entertainment and special programs,
and exhibits of many kinds.
WSCC hosts the Manistee-Mason Community Growth Alliance (CGA), an
area-wide economic development clearinghouse.
The college's
Business and Industrial Institute provides local services such as
developing business plans and marketing studies, and coordinates
business research. The Institute receives technical support from
MSU.

Cultural and Historic Resources
The city's public library, located on Ludington Avenue in the
central business district, is a member of the Mid-Michigan
Library League; it handles inter-library loans from other
libraries througho~t the state.
The library provides a variety
of regional services, including outreach for the homebound, a
bookmobile with the county materials for the blind and

47

�sight-impaired, and a regional depository.
collection totals about 35,000 volumes.

The current

The library conducts special programs for children and adults
such as films, summer reading programs, and special seasonal
events.
The second floor of the library does not have
barrier-free access, but at the present time, public programs are
not scheduled there.
Rose Hawley Museum and White Pine Village are operated by the
Mason County Historical Society.
The museum has recently been
moved into expanded quarters on West Loomis Street, where there
are meeting facilities, extensive research library and archives,
and exhibit areas where artifacts illustrating county history are
displayed on a rotating basis on such topics as:
local maritime
history, lumbering, Indian culture, industrial and commercial
activities, dolls, toys and games, etc.
White Pine Village, located on South Lakeshore Drive overlooking
Lake Michigan, has 16 relocated or specially constructed
buildings surrounding the first county courthouse. First opened
in 1976, the Village has been growing ever since.
It is open
daily from Memorial Day to Labor Day, with many special events
scheduled which illustrate various aspects of county history.
There are a number of special programs for children, including
special tours when the Village is decorated for Christmas.
A
master plan was developed recently to guide future expansion,
both of physical facilities and programs.
Mason County Historical Society enjoys unusual support from
county residents; it is partially supported by millage which has
been reaffirmed several times.
The Society · is affiliated with
Mason County Genealogical Society and with the Old Engine Club.
Other historical sites are the Pere Marquette memorial, on the
Buttersville Peninsula, and the county courthouse in the city, a
registered historical building. Ludington also has a number of
fine older homes, some of which provide architectural
significance and charm to the city, and which might justify
investigation to determine the extent of historical significance.
Senior Services
The Ludington Area Senior Citizen Center, located on Foster and
Rowe Streets, offers a wide range of recreational and support
services for senior citizens in the city and in Pere Marquette,
Hamlin, Summit, and Amber Townships. Services are targeted to
over 4,000 senior citizens; funding is provided by the
participating governmental units, including the county.
Recreational opportunities include dancing, nature and hiking
club, shuffleboard, badminton, yoga, billiards~ table games, and
special events.
Support services include information and
referral, diet and health programs, tax assistance, and a variety

48

~

II
II
II

•
•

�'I

of cultural programs.
In addition, the Department of Social
Services offers a number of services at the center.

I
I
I

County and state offices are located several places in the city.
The courthouse, on Ludington Avenue east of the central business
distri6t, houses the primary administrative and judicial
services.
Economic Development Corporation, and the Health
Department, Mental Health, Department of Social Services and
various other services are located on South Washington Avenue.
The County Sheriff's Department and the County Jail are on Delia,
two blocks north of Ludington Avenue.

I
I
I
I
I
I
I
I
I
I
I
I
I
I

County and State Services

49

�'

I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I
I

V.

LAND USE AND DEVELOPMENT TRENDS

Ludington is a mature community, almost entirely developed. Less
than 20 percent of the city's land area is vacant, with only
limited areas available for major development of any kind.
COMPARISON OF LAND USES, 1962 and 1986

Table 9 compares percentages of various categories of land use in
1962, before the last master plan was completed, and in 1986.
The increased acreage shown in the table represents annexation of
various parcels of land over the years.
But annexation : snot
considered a reasonable alternative today, with the development
of Pere Marquette Charter Township around the city's boundaries.
Although annexation added more acres, the proportion of vacant
land is still the same today as it was in 1962.
Acreage has
increased in almost every category, but proportions have remained
virtually the same, with residential and industrial uses and
parks showing slightly increased percentages. The Present Land
Use Map (Figure X) shows where these types of uses are
distributed in the city today.
LAND USE CLASSIFICATION

Residential Uses
Single-family dwellings predominate in most residential areas in
the city.
The traditional residential and accessory uses are
expected to continue in these areas, as well as generally
accepted uses such as churches, schools, parks and playgrounds,
neighborhood stores, and other uses deemed not to be detrimental
to the residential environment.
The quality of housing is
relatively stable; however, with the age of most houses nearing
fifty years, it becomes more important to continue housing
rehabilitation programs and enforcement of building codes in
order to maintain that quality.
Two-family and multi-family uses have increased, many through
conversion of large single-family homes into two or more dwelling
units.
Conversions in single-family areas need to be monitored
to insure that traffic, parking, or other potential problems will
not have a negative impact on neighboring properties.

51

�4-lkz
CITY OF LUDINGTON

COMPREHENSIVE

8

LINCOLN

PLAN

EXISTING LAND USE
:J SINGLE FAMILY

LAKE

fi:@;:lfi::::::;t

MULTI FAMLY

IBR\IMIM

COMMERCIAL
INSTITUTIONAL/PUBLIC
PARK/RECREATIONAL
IIIOUSTRIAL
VACANT

_ISS,rr1t, J·lwmm m

~ □ Qronrol
i □□□I LJIL iLJ~.

.:.:-:4'•:•

:::J:b:J□□□□ □□□□

- Q::· 1~r.:l]~l[Je]·
r1 □'iG~
1~r }: :11
lrr.:J r-71olri lffi"l ffi7.

II•

!
□
0
00
□
·
~
~-:= □
~
::.1w~~i!B_oo10~□□
Cl Lt
~
I

••I

I

j

•

,:1

•• I

t;oj
1

~o'.

-~

I•"

J

I ;; I

:o~o~

0000

~:

i i

~

•

,~o~ I ·.:.

rnf'i fT'7 W1] I:

",

fil

II

7~

jhI ::

0
~
~❖ C111~f
t::.:._J ooooo
W1·•

~

iJ □ D ~ ~I~ ,~i k.n
~I I ==:=l [~J EJ □II
ijn~;
e::m ]r-i rm ...- ...-

\

;~~1

',

!'i

.

ill ~ lLkl ILI u!!U==.

0

,.

l

...z

1mnnnn1e7c:71~,~o □,ooo

~

"'_,

0

0

00000

~j

" ,~ljllf
//JV

~•

rr:-:•-;.;J!=====thf,f:•.:·

1

. · •:•:•

[]i□□□I)

nfJie:J □~
II~ □□

l~lll□□□
117 r7Jllllll!7 □ rn7

,~,1

lliw rumJllillU Lm) 8

&lt;i, .. :,.1¥

I

I, -

{~
ifi!!fi1'.::::::.-:-:::::·:·:·:·:·:::::::::::•:::::::;:·• .

~

LEGEND
STREET SYSTEMS

~

--~--

STATE TRUNKLINE
COUNTY PRIMARY

G, .,,.116Pld•. M.c~l'I

N

---

COUNTY LOCAL

Sl1J1e

a

IJA'".l

.. ...... ..

MICHIGAN

LOCAL STREET

--------

CITY OFFICES

©

MAJOR ST RE ET

v ou

2000 '

I

-..AP BY

DE PAR TM!:.NT OF

'r•TE 'l·,'R

1000'

..

TRANSPORTATION

1986

...

G

�TABLE 9
Land Use in Ludington
1962 and 1986

1962

Classification

Residential Total
(Single-family)
(Two-family)
(Multi-family)

•
•
•
•
•I
I
II

I

I

Percent
of Total

Acres
2,044

TOTAL

1986

100.0

513.5
(473.0)
( 19.5)
( 21.0)

25.1
(23.1)
( 1.0)
( 1.0)

Acres
2,635
727.3
(596.8)
( 46.5)
( 84.0)

Percent
of Total
100.0
27.6
(22.6)
( 1.8)
( 3.2)

Commercial

35.5

1.7

55.4

2.1

Industrial

123.0

6.0

217.2

8.2

Public

92.5

4.5

103.9

3.9

Semi-Public

48.5

2.4

93.9

3.6

103.5

5.1

183.7

7.0

522.5

25.6

536.3

20.4

Water

209.3

10.2

209.3

7.9

Vacant

395.7

19.4

508.0

19.3

Parks
Streets
Way,

SOURCE:

&amp; Rights-ofinc. railroad

1962, Geer Associates; 1986, West Michigan Regional
Planning Commission.

Encroachment of nonresidential uses should be minimized by
careful review of such uses as home occupations, industrial and
commercial uses along transitional residential boundaries, and
existing nonconforming uses in residential areas.
Screening or
other buffering should be required, both in existing
circumstances and with future development, wherever
nonresidential uses border residential areas.
Multi-family housing can include a wide range of styles such as
garden style apartments, high rise buildings, clustered townhouse
or single family units, and condominiums.
Although such
developments can serve as transitional uses between single-family
neighborhoods and more intensive uses, that has not been the
pattern in the city.
There are not clearly defined areas of the
city designated for multi-family housing, and although some
vacant parcels may be targeted for such development, multi-family

53

l

�housing is likely to remain scattered throughout the city.
Careful planning of new developments will insure that negative
impacts do not result if attention is given to such factors as
density, access to major streets, adequate open space, provision
for on-site recreation, adequate on-site parking and internal
traffic circulation, provision of public utilities, and
landscaping and buffering.
Commercial Uses
Commercial uses are scattered throughout the city, with several
well established clusters outside of the downtown area:
South
Washington and Madison Avenues in the fourth ward, South
Washington and Dowland, North Washington across from the high
school, as well a number of mixed commercial/residential uses on
East Ludington Avenue.
Commercial uses vary in intensity, depending to a large extent on
whether they are oriented toward pedestrian or automobile
traffic. Pedestrian-oriented areas are characterized by retail
and office uses offering comparison shopping and professional and
financial services, entertainment and restaurants, parking lots
which provide convenient access to a number of such outlets,
adequate sidewalks and pedestrian crossings at intersections,
street furniture and other amenities which encourage pedestrian
activity. Loading docks and delivery traffic need to be located
and channeled so as to provide the least possible obstruction to
pedestrians. The Central Business District is the primary area
for such pedestrian emphasis, as detailed in the recently
developed Central Business District Master Plan.
General commercial uses oriented toward automobile traffic are
usually more intensive uses, generating more traffic, sometimes
including open display areas, drive-in facilities, automobile
service facilities, etc.
Parking is usually provided on the
site.
Some commercial uses, such as neighborhood shopping areas or
other more isolated uses, will attract both pedestrian and
automobile traffic. Local convenience shopping and neighborhood
professional offices should be designed to serve the surrounding
residential areas. This type of commercial development should be
carefully planned to avoid spot-commercial or strip-commercial
results.
Parking availability and traffic flow need to be
carefully monitored.
Limited com~ercial uses often include a mix of office and
professional services with residential uses, and sometimes
represent transitional areas.
Concerns include preservation and
reuse of existing buildings such as large single-family
residences with architectural or historic significance.
Landscaping, rear-yard parking, and appropriate signs all
contribute to the preservation of the special atmosphere of such
areas. Parts of such areas may be eligible for historic district

54

I

•
•
•
•

�designation, and investigation of this possibility could serve to
guarantee the kind of preservation that is desired.

•
•

•
•
•
-I
I
I
I

I

Resort/vacation accommodations are found in several places in the
city, and this plan does not intend to change that by designating
a particular resort commercial area. Any expansion or addition
of these uses, wherever located in the city, should be planned so
as to maintain the leisure/residential character of the
community. Parking, signs, landscaping, and projected traffic
impacts need to be monitored closely to preserve the present
low-profile atmosphere.
It is expected that commercial uses
oriented toward marina and water-based activities will expand in
the future. These uses will be located primarily on the Pere
Marquette Lake waterfront.
Special consideration needs to be
given to the location of more intensive, semi-industrial
activities such as boat storage and major repair.
Adequate
parking space for boat trailers will be an increasing problem,
although such parking is not necessarily required on the
waterfront.
Industrial Uses
A ge~eral industrial district provides full utilities and
services and ideally is isolated from less intensive uses •
Access is off major streets, and the boundaries provide adequate
screening from surrounding nonindustrial uses.
The industrial
park is such an area and major new industrial development is
expected to be located there.
Therce are, however, important industries which are well
established and expected to continue in other parts of the city.
It is important to provide for expansion of these industries
where it is possible without creating negative impacts on the
surrounding uses.
Provision for adequate buffering to minimize
such impacts will be a critical consideration.
Limited industrial uses include less intensive manufacturing,
assembling, warehousing, and storage facilities.
These
activities tend to have little or no sensory impact other than
increased traffic.
Access to major streets should be required,
with truck traffic using designated routes.
Physical barriers
such as landscaping or berms should provide adequate screening
between these and adjacent nonindustrial uses.
Public/Semi-Public Uses
Governmental uses include city, county, and state offices and
other facilities which are located in various places throughout
the city.
All facilities open to the public should be fully
accessible.
Consistent directional and location signs would
facilitate identification by the public of these scattered sites.
Ancillary services such as the Department of Public Works garage
and heavy vehicle storage should be located outside the downtown
area.

55

I

,L

;-&gt;K

�Semi-public and institutional uses include public and private
schools, religious facilities, hospital, museum, library, and
similar uses.
With adequate provision for parking and traffic
flow, these uses are generally acceptable in most areas of the
city.
Parks and Recreational Uses
Most parks and recreational facilities are public uses as well.
Campgrounds, marinas, and public access to rivers and lakes are
included in this category. Here again, uniform directional signs
could improve the aesthetic quality as well as make finding
particular sites easier.

•
•

Pedestriin walks and bicycle paths would provide easier access
between the various public attractions and commercial centers,
such as: Stearns Park, Loomis Street Boat Launch, Coast Guard,
Municipal Marina, City Park, new waterfront develo~ment, and
downtown.
In addition, designated bicycle routes in other parts
of the city would provide safer conditions for the considerable
number of people who use bicycles for transportation and
recreation.
DEVELOPMENT TRENDS AND FUTURE LAND USE

The Future Land Use Map accompaning this Comprehensive Plan is
intended to show general land uses as guidelines for future
development.
It is recognized that there may be deviations
depending upon circumstances, and that within the boundaries of
each category there may be other uses included; there is no
intention to suggest that every parcel in a particular area must
be developed as designated. The map is subject to refinement and
amendment, as is the entire plan.
Thus, this map differs from
the Zoning Map which does dictate current land uses.
In addition to the previously described uses which are indicated
on the map, the Future Land Use Map (Figure XI) shows the areas
where development may be expected in the future, as well as areas
where redevelopment should be encouraged or where particular
concern has been expressed.
To facilitate discussion, the
following areas have been numbered on the map.
1.

Manufacturer's Addition
Manufacturer's Addition, in the northern part of the city,
was Ludington's first ''industrial park."
Originally
developed for industrial use, with residential lots platted
around it, this section has had varying success as an
industrial center over the years. At the present time, there
are a number of vacant buildings, some of which can be
reused.
There are a number of operating industrial plants,
and a mixture of scattered residences.
With the recent
development of the industrial park on the south side of the

56

•
•
•
•
•
•
•

�J
city, the interest in having further industrial development
in Manufacturer's Addition has waned.
One possibility for
reuse of some vacant buildings might be light industrial
uses, such as warehousing, which could be encouraged with
appropriate screening from adjoining residential uses. The
possibility of moving the city's public
works garage and heavy equipment storage to this area has
been discussed.
Thoughtful planning is necessary to make
maximum use or reuse of buildings and land in this area,
while at the same time, protecting the surrounding
residential areas.

'I
I
I
I
I
I
I

I
I
I
I
I
I
I
I

2.

Residential/Recreational/Office Development
One large parcel available for development in the city is the
40 acres now owned by the city, northwest of the corner of
Washington and Bryant.
South and southeast of this parcel
are vacant areas of sufficient size for major development,
perhaps for multi-family use. Recreational, residential, and
low intensity office or "high tech" uses have been considered
for the city property and the adjacent areas.
Major
development of any kind, however, will require extension of
the city's water and sewer lines and a lift station to insure
adequate service.

3.

Neighborhood Shopping
It is expected that future residential development in this
general area will create demand for low-intensity
neighborhood shopping outlets.
As has been previously
indicated, local convenience shopping and neighborhood
professional offices should be designed to serve the
surrounding residential areas, with adequate safeguards
against proliferating commercial development.

4.

City Entrance/Gateway
The entrance to the city is an area of particular concern.
It is considered critical that the existing style be
preserved on East Ludington Avenue from the city limits to
the Central Business District.
The strip-commercial
development outside the city limits should not be allowed to
"creep in" and destroy the gracious aspect which has
continued to exist.
It is intended that this area continue
to have mixed residential and office uses, with retention and
preservation of existing buildings, most of which were
originally large single-family houses.
Where reuse is
desirable, existing architecture should be maintained.
Particular attention must be given to appropriate signs,
parking, and landscaping so as to maintain the unique
atmosphere of the area.

57

�5.

Central Business District
The Central Business District (CBD) provides a mixture of
retail outlets, entertainment, professional and financial
services.
Activities should be oriented toward the
pedestrian shopper with provision of ample open spaces,
street furniture, landscaping, appropriate signs, and
consolidated parking.
The Central Business District Master
Plan provides detailed suggestions for additions, renovations
and/or reuse.
Residential uses ~f upper stories of downtown
buildings would probably result in more activity and expand
the market.
The southern end of South James Street has several vacant
buildings and many of the buildings currently in use show
deterioration.
In the judgment of professional planners
working on waterfront and downtown design, one of the reasons
for this is that James Street dead-ends just past Dowland.
with the development of the waterfront area, and the loop
road to connect James Street with the extension of Dowland
east (through the waterfront development area), a new
interest in reuse and redevelopment of South James Street
should follow.
Most of the uses in this area are not now
pedestrian-oriented.
However, the direct pedestrian
connections planned between the waterfront and downtown
should encourage commercial activity more appropriate to
downtown.

6.

Waterfront/Marine Areas
The property with the best potential for development is the
CSX property along the Pere Marquette Lake waterfront.
The
recently completed Waterfront Master Plan outlines the
guidelines for developing this property and some surrounding
land, part of it owned by the city.
Plans call for a second marina, redevelopment of the
municipal complex, new access to the ferry dock, housing, and
public areas.
An important goal in this plan is the
connection of this waterfront area with the downtown business
district, with emphasis on mutual support rather than
competition between the waterfront and downtown.
In addition
to the area included in this plan, it is intended that the
waterfront area include the Pere Marquette Lake shoreline
around the bayou and south to Peter Copeyon Park.
Development in these areas should include a variety of
marine-related uses targeted to both visitors and residents.
It is critical to maintain public access to the waterfront as
well as scenic vistas.
Height of any proposed buildings as
well as adequate open space requirements will be important
determining factors in any future development.
Some of the adjoining areas, particularly Madison Street
south of the bridge and South Washington Avenue, have

58

•
•
•
•
•~
•
'•
I

�'•
-I
I
I
I
I
I
I
I
I
I
I
I
I
I

developed more or less haphazardly and now show a mix of
residential, various levels of commercial, and even
industrial uses on some sites.
Careful planning is required
to encourage appropriate marina-related commercial uses and
specialty shops and services for marina users; adequate
screening should be provided to protect surrounding
residential uses.
7•

Industrial Expansion
Provision for expansion of existing industries could be made
on Dowland Street by the gradual phasing out of residential
uses, particularly on the south side of the street and south
to the shoreline.
Consideration should be given to
industries which may require docking facilities; industrial
requirements should be coordinated with marina-related
development expected in the waterfront area.
COOPERATION WITH PERE MARQUETTE CHARTER TOWNSHIP

Since Pere Marquette Charter Township virtually surrounds the
city, i t seems imperative that the two units of government
cooperate on future plans and development.
Figure XII, in the
Appendix, shows the Future Land Use Plan for Pere Marquette
Charter Township. For city planners, it is important to consider
what the township plans to do on our mutual boundaries.
For
example, the fact that township land surrounding Ludington's
industrial park is planned to be industrial provides opportunity
for cooperation in expanding industrial activities, perhaps
through use of tax-sharing incentives.
In other areas,
consideration will need to be given to what adjoining uses now
exist or may be developed in the future.

59

�'-I

EPILOGUE

Present-day planners are faced with both the mistakes and the
triumphs of the past. Decisions have to be made on the basis of
what is practicable and what is desirable in order to preserve
what is advantageous, to mitigate what is not desirable, and to
avoid the same kinds of mistakes in the future.
This Comprehensive Plan is designed to serve as a guide for
desirable change in Ludington's future.
If it is to remain
usable, it must be periodically reviewed, and amended when
circumstances serve to change the goals or policies.

I
I
I
I
I
I
I
I
I
I

I
I
I
I

61

�'
'J
I
I
I
I
I

I
I
I
I
I
I
I
I
I
I
I

APPENDIX A
FUNDING RESOURCES

With many federal funding programs being cut back or cut out
entirely, the city must depend primarily on resources available
by its own authority, with support in some cases from state and
federal sources.
Local Resources
General Obligation Bonds: Public improvements are supported by a
pledge of the city's taxing authority, generally requiring voter
approval.
General Revenue Bonds:

Public purpose revenue-generating bonds.

Special Assessments: Specific public assessments by a petition
or city initiative assessing the property owners who benefit in
the designated district.
Industrial/Economic Development Bonds:
Private purpose bonding
issues under Act 62 (Industrial Development), LEDCOR/EDC,
Michigan Strategic Fund, and DOA.
Tax Abatements:
Incentives to encourage new industry or
rehabilitation of existing industrial uses under Act 198 (1974).
Tax Increment Financing (TIFA):
Tax increases in a specified
district are captured to be used for improvements in that
district.
City Income Tax:

General municipal revenue source.

Hotel/Motel Room Tax:
A specific
tourist-related development.

revenue

source

for

State and Federal Resources
Community Development Block Grants:
Discretionary loans and
grants for housing, economic development, and planning projects.
Land and Water Conservation Funds/Michigan Natural Resource Trust
Funds: recreational grants for land acquisition and development.
Michigan Equity Funds:
Historic Designation:

Cultural improvement grants.
Technical assistance, loans, and grants.

Michigan Waterway Fund/Coastal Zone Management Fund:
assistance and grants for coastal improvements.

63

technical

�Emergency Home Moving Program/Army Corps of Engineer Advance
Measures Program: Grants and loans for shore-land improvements
due to high water.
Economic Development Administration Public Works Grants Program:
Grants and loans for public improvements and economic
development.
HUD's Urban Development Action Grant Program:
for economic development projects.

Grants and loans

Michigan Strategic Fund: Assistance and technical information
through Michigan Department of Commerce, and bonding authority.
Private Initiatives
Joint ventures and private syndications have recently become
popular mechanisms to entice the private sector to participate,
finance, or even develop municipal or public projects.
Appropriate state and federal tax advantages and the appropriate
economic climate are necessary.
Private purchase of facilities or equipment and lease-back to the
municipality have also been successful if the appropriate tax
advantages are present.
Private financing at reduced interest rates.
These are
particularly successful if the low interest monies can be rolled
back into a fund which can be used to finance future projects.
Private foundations and institutions are resources for special
projects and programs. The larger industries in the city such as
Dow Chemical and Consumers Power have private foundations and
endowments whi~h have historically been supportive in an effort
to be good corporate citizens.
The establishment of a Ludington Foundation has been suggested.
Individuals, corporations, or groups who wish to make substantial
contributions to the city could contribute funds which could be
used for special projects to improve the quality of life for all
residents.
Local businesses, large and small, can be asked to participate in
community projects and programs; frequently, mutual interests can
be satisfied.

64

�I
I
I
I
I
I
I
I
I
I
I
I

APPENDIX B
Tables and Figures
Table 10
11

12
13

Figure XII

Climatological Summary
Building Permits and Valuation,
City of Ludington, 1980-1986
State Equalized Value,
City of Ludington, 1980-1986
Characteristics by Census Block Areas,
City of Ludington, 1980
Pere Marquette Charter Township Future Land Use Plan

I
I
I
I
I

'
'

65

�__
.-

•.• --- . . . .

,

TABLE 10
Climatological Summary
Period:
1951-80

TFMPFAAT ,cc- IF
MEANS

. .

.
I:

&gt;- ::,

J AM
FE8
MAA
APA
MAY
J UN
JUL
AUG
SEP
OCT
NOV
DEC
YEAA

dC

X

0

",:

&gt;-

.J I:

....I

-I:

0
I:

15 , E,
15. 3
23 . 0
34 , 3
43 . 1
52 , E,
57 , E,
5E, , 8
50 , 7
41 . 3
31 . 2
20 . 9

22 . 2
23 . 2
31 , E,
44 , 3
54 . 3
E,3 , 8
E,8 , E,
E,7 , 3
E,0 , 5
50 . 2
38 . 3
27 . 4

I ;;o

28 . 7
31 . 1
40 , 1
54 . 2
E,5 , E,
74 . q
7'3 . 5
77 . 8
70 . 3
59 . 0
45 . 3
33 . 8

z

...J

z

3E,' 91 4€, . ol
•FAQM 1951 - 8 0 NOAMALS
55 . ol

SOURCE:

0

....
a: Vl
0W

a:

" "

U I

•,._
.J

W Cl

a: -I

5E,+
55+
73
85+
88+
'34+
'33+
'37+
92+
83+
74+
E,2

97

0

&gt;-

0

....

a: Vl
ow

a:

Ow

&gt;-

z

&gt;

0

"
0

0
CD

"&gt;- "

u :I
WO
a: ...J

w

11 - 11+ 78 1E,
20 - 22+ 7q 17
30 -14+ E,2 2
30 12+ 73 11
25 22+ E,E, 10
1E, 28+ 72 11
3 37+ 72 5
55 1q 3€,+ 77 2€,
53 2 2E,+ 59 1€,
71
2 19+ 7E, 27
E,1
3
3 58 30
E,2 1 -14+ 7E, 31
75
54
E,7
70
72
5E,
E,E,

I

DEGAEE DAYS

ME~~ ~\ ~~EA
MIN

MO~

I:

&gt;- ::,

...J I:

ooc-rfPTTATl r"l, rr ra ,

I

EXTREMES

AUG
FEB
551 , 9I -22 191111

I

Cl' "

0
0

0
0
0
0
1
1
0
0
0
0

0

z

:I

0

"

...J
r,W

M CD

1'3
15
E,
0
0
0
0
0
0
0
3
14

2 I 57

0

:I

z

0

"

...J

"'w
M CD

30
27
2E,
14
4

0
0
0
1
5
18
28

I 153 I

"

0

Cl lfl
.JJ

z

:I

0

&gt;- w

«

...J
w

CD

2
3
0
0
0
0
0
0
0
0
0
0

5

Vl

w
I "CD

1327
1170
103_5
E,21
344

104
25
43

I

, r ,irH , c;,

SNOW

MEfr~ ~~~~EA
l, J

Cl lfl
.JJ

-z
...J

z

"w

w

0 Vl
0U "CD

I:

0
0
0
0
12
E,8
137
115

149
4E,4

14

801
11€,E,

0
0

7249 I

c;

*

•

*
0
Z

*

2 . 37
1 . 77
1 _qq
2 , 8'3
2 . 47
2 . '33
2 . 18
3 . 7'3
3 . 25
2 . 95
2 . 77

E,

352

J

.... &gt;Vl ...J

w I
........

" z

W o
I:

ffi

4 . 74
4 . 12
7 . 08
4 , '35
4 , 8'3
8 . 31
E. . '32
9 . 39
8 , E,8
E, . 48

c::

....
a:

"&gt;-

w

Vl &gt;-

~

a:

&gt;-

" - "w&gt;- "0
...J

w a"
a:

I:

::, ...J

z

"

w
I:

Cl

5q
5q
7E,
51
E,Q
e,q

1 , E,Q
1 . 77
1 . q3
1 . 5'3
1 . E,7
2 , '3E,

E, 7
E,E,
7q
E,7
5E,

e,q

2 , 44 52

27
07
30
17
OE,
27
18
08
14

2 . 48

52
75
E,1
E,9
5 . 24 75
E, , 40 E,2

4 . 58
3 . 30
2 . 00
1 . 70
2 . 71

31 . 841

AUG
q . 39I 15I

AUG
4 . 501 e.si 001

E,5
E,1

59 23
58 17
E,2 09

►

27 . 4
17 . E,
q _q
2 0
.0
.0
.0
.0

.0
.5
E, , 4
19 . E.

- ....
I: I

X Z
"I: 0I:

E, E,, 5
51 . 3
22 . 0
8.4
.0
.0

C,

c::

a:

-

,~0

,:

a:

&lt;::

0

&gt;-

0

w

w

a:

0

,:

w

0

77

E,

1

58
75
E, 5

5
4
E,

1

.0

5
5
4

.0
.0
5 9 54
15 . 5 7E,
5S. 3 E, 2

5
E,
E,
E,
E,

c::

oO
,:

0

- a:

1
2
2
2
1

3

0

0
0
0
0
0
1

\0
\0

0

,
,

2
2
1

0

1

0

0

0

J AN
83 ' 41 e.e. .sl nl E,41 19 1
ALSO ON EAAL I EA DATE S

3

U.S. Climatological Survey, 1984.

JJ

�TABLE 11

J
J

Building Permits and Valuation
City of Ludington, 1980-1986

J
I
I
I
I
I

Building
Classification

I
I

ALTERATIONS &amp; ADDITIONS

NEW CONSTRUCTION

YEAR

No. of
Permits

TOTAL VALUATION

Valuation

No, of
Permi-:s

Valuation

145
94
51

$1,076,626
392,656
683,970

$4,621,012

545,048
326,221
218,827

_4,616,422

1980 - TOTAL
Residential
Non-residential

11
9
3

$3,544,386
3,077,07921
467,307

1981 - TOTAL
Residential
Non-Residential

2

4,071,374

5

176, 7103
3,894,664

128
94
34

1982 - TOTAL
Residential
Non-Residential

l!.

136
84
52

1,103,353
786,733 5
316,620

2,956,592

6

1,853,239
1,563,373 4
289,866

1983 - TOTAL
Residential
Nonresidential

§.

473,234

117

5,154,209

--0--

77

6

473,2346

40

4,680,975
338,7557
4,342,220

1984 - TOTAL
Residential
Nonresidential

11.

973.149
413,537
559,612

118

627,240
194,336
432,904

1,600,389

60
58

1985 - TOTAL
Residential
Nonresidential

li

1,491,953
8
1,301,0649
190,889

126
96
30

2,312,250
290,873
2,021,377

3,804,203

4

5

0

11

6

10
6

446,525
1,722,743
99
2,169,268
1986 - TOTAL
li
248,845
355,800
81
8
Residential
1,473,898
90,725
18
Nonresidential
6
SOURCE: City of Ludington Building Department, 1986.
NOTE: Residential permits do not indicate actual number of dwelling units constructed; for the total
period, 55 permits were issued for a total or 160 new dwelling units,

I
I

l Crosswinds, $2,300,000

2church, $135,000
30ow Chemical Co., $3,864,669
4Pine Way Townhomes, $1,465,273
5Addition to senior citizen apartments adjacent to
Baywood Nursing Home (now Village Haus), $505,658

I

6Public, $178,228
7Memorial Medical Center, $4,031,000
8tudington Park Apartments, $1,018,980
9Public, $17,654

TABLE 12
State Equalized Value
City of Ludington, 1980 - 1986

~

Residential

Commercial

Industrial

1980
1981
1982
1983
1984
1985
1986

37,949,300
41,758,946
46,809,615
46,828,900
47,079,100
48,180,300
50,353,800

7,028,700
9,968,000
11,238,100
12,542,100
12,106,400
12,201,300
12,280,800

7,299,100
7,113,148
7,991,600
7,907,300
7,993,200
7,915,400
8,348,400

Source:

City of Ludington, 1986.

Personal

Total

Increase over
Previous Year

17,212,300
18,551,000
16,578,650
16,786,900
17,569,450
18,910,200
21,197,250

69,489,400
77,391,994
82,617,965
84,065,200
84,748,150
87,207,200
92,180,250

16.32
11.37
6.75
1.75
0.81
2.90
5.70

�. ,1. -1/r••• - ••••• •••
T."!lliLE 13
Population and Housing Characteristics by Census Block Areas
City of Ludington, 1980

Neighborhood Population
Characteristics

1

2

569
187
32.9
49
8.6
33.8
52.0

917
209
22.8
177
19.3
39.6
53.0

204

3

Census Areas#
6
7

4

5

1,403
341
24.3
206
14. 7
34.5
52.7

442
111
25. 1
87
19.7
35.0
54.5

594
147
24.7
104
17.5
32.3
51.5

903
159
17 .6
320
35.4
50.0
58.8

670
107
16.0
301
44.9
60. l
60.7

401

573

208

269

508

200
138
62
31.0

385
260
125
32.5

547
447
100
18. 3

189
109
80
42.3

236
163
73
30.9

479
189
290
60.5

5.4

5.0

5.'5

5.3

11

Total

13*

12

9

10

229
66
28.8
28
12.2
28.0
47.6

562
159
28.3
80
14.2
26.6
56.9

1, 116
288
25.8
201
18.0
31.4
53.5

913
302
33.1
111
12.2
28.8
53.7

216

120

256

477

364

225

0

206
167
39
18.9

109
30
79
72.5

230
119
111
48.3

462
302
160
34.6

337
239
98
29 . 1

203
147
56
27 . 6

0

5.3

5.4

2.44

2.42

2.71

2.78

2.42

8

POPULATIOtl CHARACTERISTICS
Total Population
Pop. Less than 18 Years
Percent Less than 18 Years
Pop. 65 Years and Over
Percent 65 Years and Over
Median Age (In Years)
Percent Female

564
55
173
2
30.7 3.6
79 0.0
14.0 0.0
30.3 23.6
52.6 1.8

8,937
2,251
25.2
1,743
19. 5
34.7
53.9

HOUSING CHARACTERISTICS
Total Housing Units
Occupied Housing Units
Owner Occupied
Renter Occupied
Percent Renter Occupied
Median Number of Rooms Per Unit
rersons Per Unit

5.5+

5.5+

4.2

4.4
'

5.5+

3,821

co

35.6

5.5+

5.4

2.85

2. 38

2. 55

2.32

2.52

1.87

2.29

2.06

13

37

73

10

0

17

8

11

32

51

37

18

307

0

5

4

3

4

15

1

7

12

11

9

4

75

Median Value of Owner Occupied
Units

$48,400 $24,800 $34,600 $35,800 $28,000 $29,900 $36,100 $16,300 $28,400 $27,500 $20,500 $19,500

$28,700

Median Value of Renter Occupied
Units

s

Persons in Occupied Housing Units
with more than One Person Per Room

(overcrowding)
Total Units Lacking Complete
Plumbing for Exclusive Use

174

s

168

s

167

• Coast Guard Station and/or persons on ships in the harbor.

SOURCE:

U.S. Census, 1980.

s

180

s

151

s

116

s

240

s

127

The census labeled this area "institutional".

s

151

s

155

s

138

s

149

s

153

\D

�FIGURE XII
Pere Marquette Charter Township
Future Land Use Map

I
I
I
I
I

LAKE MICHIGAN

-i

~r,==,'--"·"
I

I
I
I
I

N

Cl

T

O

N

PLAN MAP
GENERAL DEVELOPMENT
PATTERNS

LEGEND

□

CONSERVATION

1($.:J

AGRICULTURE

t~,J

AGRICULTURE/RESIDENTIAL

=
~
~

-

LOW DENSITY RESIDENTIAL

MEDIUM DENSITY RESIDENTIAL
COMMERCIAL

LIGHT INDUSTRIAL

(ill

GENER.AL INDUSTRIAL

WJJ

AIRPORT

DISTRICT

COMMERCIAL STUDY A
I

-

PROPOSED

ACCESS

.

PERE

I

'

MARQUETTE

CHARTER

MASON COUNTY, MICHIGAN

69
- -- - - - -~ ~ - -

--

-----

-

TOWNSHIP

�~

'I

APPENDIX C
COMMUNITY SURVEY

I
I
I
I
I
I
I
I
I
I
I

71

�Survey Methodology
The City of Ludington Planning Commission conducted a survey of Ludington residents.
A separate survey of residents was being conducted by
the Ludington Cable TV Advisory Committee.
It was decided to randomly
select households to survey using a mail-out/mail-back format for both
surveys.
The sample was selected in such a way as to prevent duplication; no household received both surveys.
Sample Selection
Each survey was sent to over 501 households randomly distributed
throughout the city. Therefore, 1,002 addresses were selected and every
other address selected will receive the same survey.
Since the 1980
Census identified 3,821 housing units in the City of Ludington, every
fourth household was selected from the address listings included in the
R. L. Polk City Director.
In addition, another 50 households were
selected at random to increase the sample size.
In addition, copies of the survey were made available in City Hall for
any city resident who was not included in the sample but wanted to
participate in the survey.
These surveys were printed on a different
color paper so that they could be distinguished from the surveys that
were randomly selected.
Results
Of the 501 Planning Commission surveys mailed out, 36 were returned as
undeliverable. These are attributable to vacant units and errors in the
address listings included in the Polk Directory.
Of the 465 surveys
that presumably reached a household, 203 were returned for a rate of
return of 43.7 percent. This should be considered an excellent rate of
return.
An additional 25 surveys were picked up in City Hall and returned for a
total of 228 surveys returned, representing a sample of about 6.0
percent of the total households in the city.
The similarity in rates of return for the two surveys is an
awe-inspiring indication of the accuracy of the random selection process.
Of the 501 Cable TV surveys mailed out, 40 were returned as
undeliverable. Of the 461 surveys that reached their destination, 228
were returned, a response rate of 49.S percent, again an excellent
return.
The results of the Planning Commission survey are shown on the following
tables. The Cable TV survey has been tabulated elsewhere.

72

•

l-

�COMMUNITY SURVEY FORM

Dear- Resident:

I
I
I
I
I
I
I
I
I
I

The Ludington Planning Commlssion is worki.ng to update the City's Master Plan. This
Plan is important as lt will be used to guide future growth in our community. In
addition, the Downtown Development Authori.ty is seeki.ng directi.on for- future
planning in the downtown area. Your input and suggestions are necessary to improve
the "quality of life" for Ludington residents. We are requesti.ng your cooperation
by answer-ing the following questions:
1.

What characteri.stics do you li.ke best about living in Ludington?

(Answer only

2)

-----

Small Town Atmosphere

Educational System

Shopping Facilities

Proximity to Northern Michigan

___ Proximity to Lake Michigan

2.

What are the worst problems facing Ludington?

--------3.

___ Other ______________

Lack of Jobs

-------

Bad Streets
Dilapidated Housing

(Answer only 2)
Lack of Recreation Facilities
Lack of Activities for Youth
Traffic
Other

Lack of Shopping Facilities

What type of new residential development is needed most in the Ludington area?
(Answer only 1)

-----

More Single Family Homes
More Apartments for Sr. Citizens

- - -More Apartments
--- Housing for Low

Income Citizens

Lakefront Condominium

4.

Is there a need for additional recreational facilities in the City?
Yes
If yes, what types are needed most?
Softball Fields

---

(Answer only 3)

---

Tennis Courts

Lakefront Open Space
Picnic Areas

Marinas

---

No

-----

Neighborhood Playgrounds
Other

73

Boat Launching Ramps
Swimming Pools

�S.

How would you rate the following City services?
Good

Fair

Poor

Police Protection
Fire Protection
Water Services
Sewer Service
Street Maintenance
Snow Removal
Park Maintenance
Zoning Enforcement
6.

With respect to downtown Ludington, please check the one statement that best
describes your shopping habits.
I usually shop in downtown Ludington at least once per week.
I usually shop in downtown Ludington at least once per month.
I rarely shop in downtown Ludington.

7.

With respect to shopping in the commerical areas east of Ludington, please
check the one statement that best describes your shopping habits.

---

I usually shop east of town at least once per week.
I usually shop east of town at least once per month.

--8.

I rarely shop east of town.

With respect to shopping in other communities, please indicate how frequently
you shop:
In Scottville

times per year

In Manistee

times per year

In Pentwater

times per year

In Muskegon

9.

times per year

In Grand Rapids

times per year

Other

times per year

I believe that the reason(s) more persons do not shop in downtown Ludington
is(are):
Inadequate Parking
Poor Lighting

---

Danger to Pedestrian Traffic
Lack of Product Choice
Unattractive appearance of the downtown area
Uncompetitive Prices

---

Other

--------------------74

�~

I

10.

Please check the one statement that best describes the parking situation in
downtown Ludington.
I find it easy to find a parking space when I chose to shop downtown.

I
I
I
I
I
I
I
I
I
I

I do not have an easy time with parking because:
Lighting is inadequate
I have to park too far from where I want to shop

--11.

The building entrance closest to the parking area is unattractive
or inconvenient

The thing I really like about the downtown area is:
The friendly service and personal care of the storekeepers
The variety of stores and services available
Downtown is close to where I live or work
The number of parking spaces available
Other

12.

Does the City need more industrial deve~opment?
Yes

13.

Should the City use tax incentives to attract new industry to the area?

--14.

Yes

No

Please indicate which ward of the City you live in?
1st

15.

No

4th

3rd

2nd

5th

Don't know

Check the statements that best describe your household:
Homeowner

Married

Renter

Single, Divorced,
or Widowed

---

Number of Children in Household

Thank you for your cooperation. All answers are strictly confidential and will be
used as an indicator of community support for proposals to be developed as a part of
the Master Plan.
PLEASE MAIL OR RETURN THE SURVEY FORM TO THE POLICE DEPARTMENT OR CITY HALL BY
JULY 20, 1985.
Sincerely,

THE LUDINGTON PLANNING COMMISSION

75
-

- -- -

�- .

- - - - - -

- - -

WEST MICHIGAN REGIONAL PLANNING
Ludington Community Survey

SINGLE QUESTION ANALYSIS
NOTE:

For statlstlcal purposes, some questions have been divided In these results. Where this Is
the case, the number of the orlglnal survey question appears beside the question number.

QUESTION NO. 1
QUESTION NO. 3
WHAT CHAJl.\crERISTICS 00 YOU LIKE ~ ABOUT LIVING IN LUDINGTON?
WHAT TYPE OF NEW RESIDENTIAL DEVEI.OPMENT IS NEEDED ll&gt;ST IN THE LUDINTON AREA?
ANS DESCRIPTION

RESP

Na R1Psp0nse

4

0

NET PCT
ANS DESCRIPTION

RESP

Na Response

24

10.:53

SINGLE FAM

49

· 21.49

24.02

2

SENIOR APTS

62

27.19

30.39

3

LAKEFRONT CONDOS

18

7.89

8.82

4

APARTMENTS

24

10.:53

11. 76

:5

LOW INCOME HSG.

80

::S:5.09

39.22

1. 7:5
0

SMALL TOWN

--..J
--..J

TOT PCT

17::S

~

SHOPPING FACILITIES

::s

PROX TO LAKE MICH

4

EDUCATIONAL SYSTEM

7:5.88

12

:5.26

:5.36

164

71.9::S

7::S. 21

:57

2:5.00

2:5.4:5

PROX TO NORTH MICH

18

7.89

8.04

6

OTHER

11

4.82

4.91

228

MEAN

NET PCT
t/l

77.2::S

:5

TOTAL

TOT PCT

TOTAL

228

MEAN

4.79

3. :54

QUEST ION NO. 2
WHAT ARE THE WORST PROBLEMS FACING LUDINGTON?

QUESTION NO. 4
IS THER

TOT PCT

RESP

Na R1Psp0nse

2

0.88

196

85.96

86.7::S

12

:5.26

:5. 31

HOUSING

37

16.2::S

16.37

4

LACK OF SHOPPING

74

::S2.46

32.74

:5

RECREATION FACIL

13

:5.70

:5. 7:5

6

YOUTH ACTIVITIES

4::S

18.86

19.0::S

7

TRAFFIC

24

10.:53

10.62

8

OTHER

36

1:5. 79

1:5.9::S

0

JOBS
2
3

STREETS

TOTAL

22B

MEAN

A

NEED FOR ADDITIONAL RECREATIONAL FACILITIES IN THE CITY?

NET PCT

ANS DESCRIPTION

6.22

ANS DESCRIPTION

RESP

Na Response

22

9.6:5

117

:51. 32

:56.80

88

38.60

42.72

0

YES
2

NO
TOTAL

228

TOT PCT

MEAN

NET PCT

1.42

~

,&lt;

~

t/l

~

t/l

�.-:~
. ~-(See survey question 114)

QUESTION NO. 5

ANS DESCRIPTION

RESP

No Response

88

38.b0

SOFTBALL FIELDS

14

b. 14

10.00

2

TENNIS COURTS

20

8.77

14.29

3

MARINAS

34

14.91

24.29

4

PLAYGROUNDS

73

32.02

52.14

5

LAKEFRONT OPEN SPACE

48

21.05

34.29

b

PICNIC AREAS

44

19.30

31.43

7

BOAT RAMPS

29

12.72

20.71

8

SWIMMING POOLS

24

10.:53

17. 14

9

OTHER

35

15.35

25.00

0

TOTAL

MEAN

228

(See survey question 115)

7

HOii 1/0ut.D YOU RATE FIRE PROTECTIOl/7

WHAT TYPES OF RECREATIONAL FACILITIES ARE NEEDED MOST?

TOT PCT

QUESTION Nu.

NET PCT

ANS DESCRIPTION
0

RESP

No Response

TOT PCT

NET PCT

3b

1:5. 79

GOOD

17b

77.19

91.67

2

FAIR

15

b.58

7.81

3

POOR

l

0.44

0.52

TOTAL

MEAN

228

1.v9

11.87

co

"

HOW 1/0ULD YOU RATE WATER SERVICES?

HOW WOULD YOU RATE POLICE PROTECTION?

ANS DESCRIPTION

RESP

No Response

37

lb.23

GOOD

121

53.07

b3.3:5

2

FAIR

b4

28.07

33.51

3

POOR

b

2.63

3.14

0

TOTAL

228

(See survey quest ion 115)

QUESTION NO. 0

(See survey question f/5)

QUESTION NO. b

TOT PCT

MEAN

NET PCT

ANS DESCRIPTION

RESP

No Response

42

18.42

GOOD

149

b:5.3:5

80.11

2

FAIR

31

13.b0

1b.b7

3

POOR

b

2.b3

3.23

0

1.40

TOTAL

228

TOT PCT

MEAN

NET PCT

1.23

�- - - (See survey question 115)

auEsTION NO. 9

QUESTION No. 12

HOW WOULD YOU RATE SEWER SERVICE?

HOii WOULD YOU RATE PARK MAINTENANCE SERVICE?

TOT PCT

NET PCT

ANS DESCRIPTION

RESP

No Response

42

18.42

14:5

63.60

77.96

36

1:5.79

19.3:5

5

2.19

2.69

0

GOOD
FAIR

2

POOR

3

(See survey ques~ion f/5)

MEAN

228

TOTAL

ANS DESCRIPTION
0

RESP

No Response

NET PCT

3:5

1:5. 3:5

GOOD

112

49.12

:58.03

2

FAIR

70

30.70

36.27

3

POOR

11

4.82

:5.70

1 .2:5

TOTAL

228

QUESTION No.

(See survey question //5)

QUESTION NO. 10

TOT PCT

13

MEAN

1.48

(See survey question //5)

HOW WOULD YOU RATE ZONING ENFORCEMENT SERVICE?

HOW WOULD YOU RATE STREET MAINTENANCE?

ANS DESCR I F'T ION

--.J

'°

ANS DESCRIPTION

RESP

No Response

39

17. 11

GOOD

72

31.:58

38. 10

2

FAIR

88

38.60

46.:56

3

POOR

29

12.72

1:5.34

0

TOTAL

228

ouESTION NO.

11

TOT PCT

MEAN

NET PCT

1. 77

(See survey question 115)

HOW WOULD YOU RATE SNOW REHOVAL SERVICE?

ANS DES CR I PT ION

RESP

No Response

37

16.23

GOOD

120

:52.63

62.83

2

FAIR

61

26.7:5

31.94

3

POOR

10

4.39

:5.24

0

TOTAL

228

TOT PCT

MEAN

NET PCT

1.42

0

RESP

TOT PCT

NET PCT

No Response

47

20.61

GOOD

48

21.0:5

20.52

2

FAIR

102

44.74

:56.3:5

3

POOR

31

13.60

17. 13

TOTAL

228

MEAN

1.91

�•.• ••
-

QUESTION NO. 14

□UESTION No.

(See survey question 116)

RESP

No Response

:Sl

0

DOWNTOWN-1/WEEK
2

:s

92

DOWNTOWN-I/MONTH
DOWNTOWN-RARELY

59

46

TOTAL

228

TOT PCT

NET PCT

25.88
20.18
MEAN

ANS DESCRIPTION
0

RESP

TOT F'CT

NET PCT

No Response

65

28.51

46.70

(0)

29

12.72

17.79

29.95

2

(1-3)

83

36.40

:50.92

23 . 35

3

(4-6)

30

13. 16

18.40

1.77

4

(7-12)

10

4.39

6.13

5

&lt;MORE THAN 12)

11

4.82

6.7:5

13.60
40 . 35

(See survey question f/8)

HOW OFTEN 00 YOU SHOP IN SCOTTVILLE?

HOW OFTEN 00 YOU SHOP IN DOWNTOWN LUDINGTON?

ANS DESCRIPTION

16

TOTAL

228

MEAN

2.33

0

co

QUESTION No . 15

QUESTION No. 17

(See survey question 117)

HCM OFTEN 00 YOU SHOP IN MANISTEE?

HOii OFTEN 00 YOU SHOP EAST OF LUDINGTON?

TOT PCT

NET PCT

ANS DESCRIPTION

RESP

No Response

32

14.04

EAST-I/WEEK

160

70.18

81.63

0

EAST-I/MONTH

25

10.96

12.76

3

EAST-RARELY

11

4.82

5. 61

228

MEAN

ANS DESCRIPTION
0

2

TOTAL

(See survey question 118)

1.24

RESP

TOT PCT

NET PCT

No Response

79

34.21

(0)

50

21.93

33.33

2

&lt;1-3)

71

31.14

47.33

3

(4-6)

13

5.70

8.67

4

(7-12)

15

6.58

10.00

5

(MORE THAN 12)

l

0.44

0.67

TOTAL

228

MEAN

1.97

�.. -1- -\- -f.. -I-I-I- .,
1111

11111

(See survey question 118)

18

QUEST ION NO.

1111 . . . . -

QUEST ION NO. 20

(See survey question 1/8)

HOW OITEN DO YOU SHOP IN GRAND RAPIDS?

HOW OTTEN DO YOU SHOP IN PENT\lATER?

NET PCT

TOT PCT

ANS OESCR IPT ION

RESP

No Response

9b

42.11

0

No Response

bO

2b,32

(0)

95

41.b7

71.97

1

10)

4:5

19.74

2b,79

2

( 1-3)

32

14.04

24.24

2

I 1-3)

72

31.5B

42.86

3

(4-bl

2

O.BB

1.:52

3

14-bl

32

14.04

19.05

4

17-12)

2

0.8B

1.:52

4

17-12)

12

:5.2b

7.14

5

(MORE THAN 121

1

0.44

0.7b

:5

(NORE THAN 12)

3.07

4. 17

0

TOTAL

--

1. 3:5

MEAN

22B

R.E SP

ANS DESCRIPTION

7
TOTAL

22B

TOT PCT

MEAN

NET PCT

2.19

00
_.

QUESTION NO.

19

(

See

SU rvey

quest ion 118)

QUESTION NO. 21
HOW OITEN DO YOU SHOP ELSEWHERE?

HOW OITEND DO YOU SHOP IN MUSKEGON?

TOT PCT

NET PCT

ANS OESCR I PT ION

RESP

No Response

59

2:5.BB

(0)

34

14.91

:20.12

2

(1-3)

b5

2B.:51

3B.4b

3

&lt;4 - bl

27

11.B4

1:5,9B

4

(7-12)

33

14.47

19.:53

5

&lt;MORE THAN 12&gt;

10

4.39

:5.92

0

TOTAL

(See survey question 1/8)

228

MEAN

ANS OESCR I PTI ON
0

2.53

RESP

No Response

TOT PCT

NET PCT

17b

77.19

(0)

18

7.89

34.b2

2

(1-3)

1 :5

b.5B

2B.B5

3

14-6)

11

4.B2

:21. 15

4

17-12)

6

2.b3

11.54

5

&lt;NORE THAN 12)

4

1.75

7.69

TOTAL

22B

MEAN

2.40

)

�,. -••
ouEsTioN NO. 22

(See survey question 119)

ouEsTtoN No. 24

I BELIEVE THAT THE REASON(S) MORE PERSONS DO NOT SHOP IN DOWNTOWN LUDINGTON IS (ARE):

ANS DESCR I PTI ON
0

RESP

TOT PCT

NET PCT

No Response

37

16.23

INADEQUATE PARKING

13

!5.70

6.81

3

1. 32

1.57

(See survey question till)

THE THING I Rl!ALLY LIKE ABOtrr THE DOWNTOWN AREA IS:

ANS DESCRIPTION
0

RESP

TOT PCT

NET PCT

No Response

18

7.89

FRIENDLY SERVICE

83

36.40

39.:52

2

VARIETY OF STORES

16

7.02

7.62

127

:55.70

60.48

2

POOR LIGHTING

3

DANGER TO PEDS

18

7.89

9.42

3

CLOSE TO HOME OR WK.

4

PRODUCT CHOICE

1!54

67.!54

80.63

4

PLENTY OF PARKING

23

10.09

10.95

!5

APPEARANCE

'.2!5

10.96

13.09

5

OTHER

16

7.02

7.62

6

PRICES

128

!56.14

67.02

7

OTHER

27

11.84

14. 14

TOTAL

228

MEAN

TOTAL

228

MEAN

3. 18

9.27

N

co

QUESTION NO. 2:s

QUESTION No. 25

(See survey quest ion f/10)

WHIOI BEST DESCaIBES THE PARKING SITUATION IN DOWNTOWN LUDINGTON?

TOT PCT

NET PCT

ANS DESCRIPTION

RESP

No Response

1 !5

6.58

191

83. 77

89.67

0

EASY
NOT EASY-LIGHTING

3

1. 32

1. 41

3

NOT EASY-TOO FAR

41

17.98

19.25

4

NOT EASY-BAO ENTR.

21

9.21

9.86

TOTAL

228

MEAN

ANS DESCRIPTION

RESP

No Response

6

2.63

206

90.35

92.79

16

7.02

7.21

0

2

l. 90

(See survey question f/12)

DOES THE CITY NEED MORE INDUSTRIAL DEVELOPMENT?

YES
2

NO
TOTAL

228

TOT PCT

MEAN

NET PCT

1.07

�.. .. - -- - - I- - ... - - - - - ..
QUESTION No. 20

QUESTION NO. 28

(See survey question f/13)

RESP

No Response

0

YES
NO

2

TOTAL

TOT PCT

ANS DESCRIPTION

NET PCT

0

TOT PCT

NET PCT
cl•i ,

1.32

181

79.39

80.44

32

14.04

14.22

149

o:s. 3:5

00.22

SINGLE, ETC.

oO

20.32

20.07

5

0 CHILDREN

06

28.95

29.33

b

.1 CHILD

27

11.84

12.00

7

2 CHILDREN

3:5

15.35

1 :s. :so

8

3+ CHILDREN

23

10.09

10.22

178

78.07

83.18

3:5

1:5. 3:5

10.30

2

RENTER

1.lo

3

MARRIED

4

HOMEOWNER

(X)

w

TOTAL

QUESTION No. 27

(

See survey quest ion //14)

TOT PCT

NET PCT

No Response

20

8.77

1ST

30

13. lo

14.42

2

2ND

4o

20.18

22.12

3

3RD

28

12.28

13.40

4

4TH

25

10.90

12.02

5

5TH

44

19.30

21. 1:5

b

DON'T KNOW

35

15.35

lo.83

TOTAL

228

ANS DESCRIPTION
0

WHITE
2

RESP

No Respons•

8.24

BLUE

3.~4

TOT PCT

NET PCT

J

0.,44

(MAILED&gt;

2(•2

88.60

88.9'1

(PICKED UP)

2:5

10.96

11. 01

TOTAL

MEAN

MEAN

COLOR OF PAPER

RESP

0

228

QUESTION NO. 29

PLEASE INDICATE WHICH WARD OF TIIE CITY YOU LIVE IN?

ANS DESCRIPTION

, .

:?ZB

.
1
.

(See survey question f/15)

3

o.14

MEAN

RESP

No Response

14

228

, .

DESCRIBE YOUR HOUSEHOLD:

SHOULD THE CITY USE TAX INCENTIVES TO ATTRACT NEW INDUSTRY TO THE AREA?

ANS DESCRIPTION

. .

MEAN

I. 11

�,.

CITY OF LUDINGTON

PLAN

COMPREHENSIVE
!~-

~

\~~

',,
'

G

LINCOLN

LAKE

\l-,

\,

I

lj

I I •••.
WlJ'
[Ii
1:: :!:~:~1~1r~1 i
1:: rn 111
__ mii~! 1:
t m~ IDID@II 1:111111
~l:iflldii!iliii
IiiMIii.ii
lllilllii
111:
ffllNLJ It/~
tm8188 EB
; 1111,! !; !~1i;~ t:}~1!111,:~;;
i!i\ll

b

'

::\f

n,

. . ;_r~
t -~

ti

_;: w////®Ii~ · i....-~./~~~i~~i~t~~~~~~~~~v\~ t)Il [\\J\\\@t
fE+%a
//
W///§~ , ////,"o"o"oWo"o"o ❖❖• ::

.:::::::::: ~}{~
:~:~:~=~~3 ·.-::.~ 1;){~~~

r-

11

.... ... .... : .:~ 1 ' ; ~:~ ;z,::r.

1:::::,:1 1:mrn

k'\,vou,,uoouoououc

i:

\;,:.;:;.:,:-:•:;:;:;:f:: '••:;:;:;:;:J;.
:

C&gt;'• C&lt;•

r1;; r::::=:=

:::1:::::

tJ::::~$!:1:1:1:i

--:r.
-

~

C")

G)

b

&lt;

~

MJl1mmq :~~t

r

Llil lftH~~/}~::TI tillt ,.·.·.·.·.·.· · · · · ·•:❖-.-,,,,nJ°'i·

E]

[;!'.:::l r::1;:,;i1:::,;;;::::;1 ii:\\i,::::1=1

[~~~~r,;rr:;,~:l~

,

v'
.•

.\

~-

"

,,..

".,._
"&gt;)

' z

I

-, ~ .

) r ~ ; ~ ~ _. ·. ~-~

I'l'\ •-. ..: - \:

.

-

\ ':.

~~' ~ ~ -:., oUV
o .;;.V,,;
o_oiJo0 o
-

- -

\

V

.J V • • V O

0

\

1

1

- -- . ]jl\I\i\:::::::Iii
'·
'-...

- -

·--

I I•. , ~".;},.V
":-t-;•:•.•.•,
. ....•.•, .
V:. ·, ...• ..

' ,.,:~!,:-?~;?:'J

a:;:}

FUTURE LAND USE PLAN
~
~

'[ill:::::{. ffiill/::
····;i)
@··········
·.•
.•,•,·
•.•.•,•,•, ..·.······
·.·.·..· lli§=::;:::..
·····

@ill1filw mill I

GENERAL RESIDENTIAL

·1i"••···
::=•:••
::,

~ RESIDENTIAL / RECREATIONAL /
OFFICE DEVELOPMENT

ooi::.···

·•·•••·••• .·.·.·•:•
···· Em··
····•;:J w·······
;:::::::::

§~:I::
:::::::::! ITTI~ I~ IT

~

~

o~o~~-

~ Mlffil lliiru fu

~o=fffffn::.
~ .......

~~ Ifill] OOJIErn rm [I

";;,;:i:::

• •

PUBLIC, INSTITUTIONAL AND RECREATIONAL

~~&lt;:J

NEIGHBORHOOD SHOPPING

U:::H LOW INTENSITY COMMERCIAL
~ GENERAL COMMERCIAL
~

-

GATEWAY/ CITY ENTRANCE

S

CENTRAL BUSINESS DISTRICT

~ WATERFRONT / MARINE

loo.ffil

LIMITED INDUSTRIAL

~

GENERAL INDUSTRIAL

NOTE: The numbers on tho map correspond to a
narrative description of the proposed
uses found In the Development Trends and
Future Land Use section of the Compre hens lve Plan .

.

..

l --~ -· I•==~::~ ?.•~.,-•
&lt;..__, ~

I

_______,

_,-:...

M1C!1IG AN

-

l

Dt= PA""l T"ME::NT Of

-, v ..::p,

a

- ()('

, RAN S PO~ TAT I ON
I ?':16

i

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="62">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998780">
                  <text>Wyckoff Planning and Zoning Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998781">
                  <text>Planning &amp; Zoning Center (Lansing, Mich.) (Organization)</text>
                </elementText>
                <elementText elementTextId="998782">
                  <text>Wyckoff, Mark A.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998783">
                  <text>Municipal master plans and zoning ordinances from across the state of Michigan, spanning from the 1960s to the early 2020s. The bulk of the collection was compiled by urban planner Mark Wyckoff over the course of his career as the founder and principal planner of the Planning and Zoning Center in Lansing, Michigan. Some additions have been made to the collection by municipalities since it was transferred to Grand Valley State University.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="998784">
                  <text>Michigan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998785">
                  <text>1960/2023</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="998786">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/870"&gt;Planning and Zoning Center Collection (RHC-240)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998787">
                  <text>&lt;a href="http://rightsstatements.org/vocab/NoC-US/1.0/"&gt;No Copyright - United States&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998788">
                  <text>Michigan</text>
                </elementText>
                <elementText elementTextId="998789">
                  <text>Comprehensive plan publications</text>
                </elementText>
                <elementText elementTextId="998790">
                  <text>Master plan reports</text>
                </elementText>
                <elementText elementTextId="998791">
                  <text>Zoning--Michigan</text>
                </elementText>
                <elementText elementTextId="998792">
                  <text>Zoning--Maps</text>
                </elementText>
                <elementText elementTextId="998793">
                  <text>Maps</text>
                </elementText>
                <elementText elementTextId="998794">
                  <text>Land use--planning</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="998795">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="998796">
                  <text>RHC-240</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998797">
                  <text>application/pdf</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998798">
                  <text>Text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="998799">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1009072">
                <text>Ludington_Comprehensive-Plan_1987</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009073">
                <text>Ludington Planning Commission, City of Ludington, Mason County, Michigan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009074">
                <text>1987</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009075">
                <text>Ludington Comprehensive Plan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009076">
                <text>The Ludington Comprehensive Plan was prepared by the Ludington Planning Commission with assistance from the West Michigan Regional Planning Commission in 1987.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009077">
                <text>West Michigan Regional Planning Commission (consultant)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009078">
                <text>Comprehensive plan publications</text>
              </elementText>
              <elementText elementTextId="1009079">
                <text>Ludington (Mich.)</text>
              </elementText>
              <elementText elementTextId="1009080">
                <text>Mason County (Mich.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1009081">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/870"&gt;Planning and Zoning Center Collection (RHC-240)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009083">
                <text>&lt;a href="http://rightsstatements.org/vocab/NoC-US/1.0/"&gt;No Copyright - United States&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009084">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009085">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1009086">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1038375">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="46473" public="1" featured="0">
    <fileContainer>
      <file fileId="51554">
        <src>https://digitalcollections.library.gvsu.edu/files/original/f41b739477588872d2d0e1f05288c9f1.pdf</src>
        <authentication>56a086a73e81d0288bc1628322cae080</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="883245">
                    <text>Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

Estevan Luevano Interview
Interviewed by Andrew Schlewitz
June 18, 2016

Transcript
AS: Alright, this is Andrew Schlewitz, and I'm here today with Estevan Luevano in the Hart Public Library
in Hart, Michigan, on the eighteenth of June 2016. This oral history is being collected as part of the
Growing Community Project, which is supported in part by a grant from the National Endowment for the
Humanities Common Heritage Program.
So, thanks, Estevan, for taking the time to be interviewed.
EL: No problem.
AS: So, can you, for the record, say your full name and then spell it?
EL: Okay, my name is Estevan Luevano. It is spelled E-s-t-e-v-a-n, Luevano L-u-e-v-a-n-o.
AS: Okay, do any of those letters have accents?
EL: No.
AS: No, you don't use it. So where were you born?
1

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

EL: I was born in San Juan, Texas.
AS: San Juan, Texas. Okay and what county is that in Texas?
EL: That's Hidalgo County.
AS: Hidalgo, okay. Is that where you grew up as well?
EL: Yeah, part of my life, yes.
AS: Okay, so where did you go from there then? You said part of my life.
EL: Yep, we're migrants. We traveled ever since I remember. We used to travel from Texas to Michigan
and back to Texas. Then one year we traveled from Texas to Michigan to Iowa, Iowa to Texas.
AS: Wow. Can you remember that year?
EL: Uh, no, I was like maybe ten, eleven years old.
AS: When were you born?
EL: I was born in nineteen sixty-seven.
AS: Okay, how many people are in your family?
EL: It’s my dad, my mom, three brothers, and two sisters and me. Eight of us.
AS: Were you in the middle there?
EL: I'm the oldest of the boys…
AS: The oldest of the boys. And your two sisters then?
EL: My sisters… one of my sisters is the oldest, then me, then my brothers, then my little sister.
AS: Okay. Did you have other family around you?
EL: Yes. We came up from Texas with my grandpa and my uncles and one of my uncles came from
Florida down here. They went to Florida instead of Texas.
AS: Okay, where are your parents from?
EL: My parents are from Texas as well.
AS: Okay, so would you say you're like third or fourth generation Chicano?
EL: I don't know because my grandpa and grandma were from Texas, too.
AS: Okay, so you've been there a long time?
EL: Yes.
AS: Many generations.
EL: Yes.

2

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

AS: What are your family members' names, like your father and mother? Siblings?
EL: My father is Hilario “G” Guadalupe Luevano. And my mother is [?] Luevano.
AS: Okay and then your siblings?
EL: My older sister is... her real name right now is Irman Holsa [?].
AS: Okay.
EL: And then my brother, Hilario Guadalupe Luevano Junior, and then my other brothers, Sylvester
Luevano and then Hector Luevano, and then my little sister, Elise [?] Luevano.
AS: Okay. What was your grandpa's name?
EL: My grandpa's name was Tereso [?].
AS: Tereso [?]. And what are your most vivid or starkest, clearest memories of childhood?
EL: Well, my grandfather used to have a business, semi business.
AS: Oh.
EL: A truck driving company. It was Luevano and Sons. And that's the reason he decided to migrate this
way, because he used to do all of the oranges and fruits in Texas. Well, somebody told him that over
here they had pickles and cherries and, you know, all that kind of stuff, too. So, he decided to come over
here to try it out and he brought two semis and one two-ton truck with them. And then they liked it, so
they started coming up here.
AS: Okay.
EL: And then they worked for Chase Farms and Miles Chase asked him if they knew any more people
they can work with, you know, work in the fields for them. So, he started asking people around over
there and started bringing people in and people started coming with my grandpa because there were
people they would charge people to bring him over here. My grandpa never charged nobody. He said,
do you want to come in here? Well, I don't think my truck and my car make it here so we don't make it.
We stop and fix it because my uncles were mechanics, my dad, my uncle Greg, everybody's a mechanic.
So, he said, “if you break down the road, we stop and fix it or we put it on top of the semi.
AS: Did that ever happen?
EL: Oh yeah, sometimes we stopped and fixed the car and, you know, at the rest area. We used to come
from Texas… this over here. It's kind of funny because I go to Texas and I can make it in thirty-six hours
with, you know, with sleep and stuff. Or if I don't want to sleep, you know, straight at twenty-four hours
or whatever, but we used to last four days to get here because that's how many people were in the
back, the two semis were in front and then the two-ton truck, then all the cars behind it.
AS: So, how many people would go? I imagine it started out with a few. And then by the end…?
EL: By the end, there was like fifteen cars behind the trucks.
AS: Wow.
3

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

EL: That's how many people would come with my grandpa. And the reason why, because, you know,
other people would charge people to bring them over here. And my grandpa said, as long as, you know,
you can make it over, just come behind me…
AS: Follow me.
EL: ...follow me. And my grandfather stayed in the back and then somebody broke down and he, you
know, passed all the semis and go off the road and the semi driver, you know, my uncle knew when my
grandfather passed him, that something happened. So, they’d all stop and see what happened. And
then the semis would go to a truck stop and the rest of them are going to the rest area and the trucks
will get fuel and stuff and wait for the people, you know, for all the other people to get there.
AS: So, you always stuck together.
EL: Oh yeah. Whenever my grandfather led and he let nobody, you know, break down; my dad and my
uncles would fix it. You know, if they couldn’t fix it, they’d find somewhere to put it on top of one of
those semis. And then they would bring it to Michigan and then drop it and then they'd fix it here, you
know. But if they could fix it on the road, they would fix it on the road.
AS: What time of year did you leave for Michigan?
EL: We were here just for… we’d get here and we never picked asparagus. We always picked just
strawberries, cherries and pickles, and we never picked apples. And then we would take off because the
trucks had to be there for the orange season and all that stuff for down in Texas. And one year, after the
pickle season, we went to Iowa.
AS: What did you do in Iowa?
EL: Well, you know, we didn’t take the semis out there, you know; we didn’t take the trucks. The trucks
decided to stay that year. All the trucks stayed here and my uncle ran them here. You know, Chase [?]
had a lot of, you know, he said, “you buy a freezer, you know, refrigerator trailer. You’ve got work all
year round.” So that's when my uncle, Denny [?], and my uncle, Greg [?], decided to stay here and run
the trucks and bought a refrigerator trailer for the truck for one of them. He started driving for a trade
farm, and then my dad would come over here and drive a truck and we would go out in the fields. My
dad would go drive the truck for my uncle or for my grandfather.
AS: So, your uncle settled here?
EL: My uncle settled here.
AS: Okay. Have you settled here?
EL: We settled here in nineteen eighty-one. My dad decided, you know, at first, we stayed two years in
Texas because of school. He knew we weren’t getting a real good, you know, education because we're
going back and forth with him. Matter of fact, well I’m going to say it anyways. I don't know how to read
real good or spell real because of that. Because back then, like, the teacher didn't care, you know, they
just passed you.
AS: Oh, really?
EL: Yep.
4

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

AS: What's that called? Social promotion or something like that.
EL: They just wanted… because you're a migrant and they just want you to be at the school at that day
for the count.
AS: For the county, yeah.
EL: And, you know, when I grew up, I grew up after I got out of school, I worked, you know, and I did my
homework when I got home, but, you know, didn't study very much.
AS: Yeah, plus your year was chopped up.
EL: Yeah, and then we stayed there two years and then my dad was in Texas and then come over here
and then my dad had a good job, but then he started having problems with their… because he was a
good truck driver. So, the company he was driving for bought a brand-new truck and trailer and gave it
to him and the people that were there, they had more years there, kind of got mad because he got the
brand-new semi. So, they started doing stuff to the truck. Then my dad had a nervous breakdown. And
then my Uncle Phil said, “I don't know what you're doing over here. There's trucks over here you can
drive.” So, my dad decided, “well, I'm going to go over there for vacation” for a couple of, you know, the
doctor told him to take a couple months of vacation. So, he took three months of vacation. We came up
here and we worked in the fields and he drove a truck for my uncle. And then that was in 1981 when he
decided to stay here. So, I've been here since [nineteen] eighty-one. I graduated in [nineteen] eightysix...
AS: Okay, from Hart High School?
EL: Nope. From Walkerville High School.
AS: Walkerville, okay. So, the first time you came up here, what did you think?
EL: Well, the first time we came up here, I was too little to remember, but when we were younger, you
know, nine, ten years old, we used to go help my mom, you know, in the pickles, you know, to pick
pickles and stuff. We were not working. We just out there in the fields, you know, playing around. But at
the age of thirteen, that's when we started picking pickles and stuff, you know, in the young age and
ever since then, till I graduated. You know, since thirteen until I graduated. And then during the
wintertime, we lived so close to the factory at Chase’s that I would get home and Miles would pick me
up and say, “hey, do you want to work?” He picked me up and would take me. He’s the one that showed
me how to drive a forklift. I never knew how to. You know, I was fourteen years old and he showed me
how to drive a forklift. And then he would pick me up every time and I would drive a forklift. Okay, so I'd
be unloading trucks out in the skill building and stuff.
AS: So, like taking out the pallets and stuff?
EL: Yep.
AS: So, you picked and you drove a forklift. Did you have any other jobs?
EL: Yes, well, I took the vocational center. I went to the vocational center and graduated high school.
And I took diesel there because my uncle had trucks and my dad. And then from there, you know, Miles
wanted me to drive trucks, you know. So, then my uncle said my dad decided to sell everything and I
said, “why are you selling everything? I want to drive the truck.” And my uncle says, “you want to drive
5

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

the truck for real? I'll set you up with somebody, my brother out of Hesperia and you can drive a truck
for me. If you like it, we’ll buy a brand-new truck.” But the reason that my uncle sold everything is
because my dad couldn't drive anymore. He had an accident with a semi. He had an accident in a vehicle
and he was not the driver. It was my brother driving. And somebody t-boned him and didn't stop at the
stop sign and my dad got hurt pretty bad. Matter of fact, he's got some of his nerves are pinched, some
of his vertebrae are pinching his nerves in his neck. But they want to do surgery because he's allergic to
the anesthetic, he has diabetes, and he's got a heart murmur.
AS: Oh, no.
EL: So they told him that no, they won’t operate on him. He’s losing feeling on his arm and that's the
arm that he's shifted gears and he says, you know, “I don't want to drive like that because I might have
an accident and I don't want to kill somebody in an accident.” So, he stopped driving.
AS: So, what year then did you start to drive the truck?
EL: At an early age because my uncle and my dad showed us how to move the truck where my dad
parked it, so we could put fuel in it. So, I was like sixteen, seventeen years old. I can move it, back it up,
and that's it, because that's all he let us do. [Laughter] But, you know, and Miles, when I graduated, I
was nineteen, he said, “hey, I want you to get in that truck and go to Paul’s” - his son’s place. So I drove
it all the way to Paul’s and Paul would be waiting there for me and he said, “okay, now back it up here.”
So, I’d back it up and I thought I was going to get something. I would back it up there and he’d say, “you
did good. Now go back.” And it was about eight or ten miles away from the plant, you know.
AS: So, they are like testing you?
EL: Yeah, they were, you know, so I would drive it back. And then a friend of mine, his dad is Jerry Frick,
they own Walkerville Well Drilling, and they knew I graduated from the vocational center for a diesel
mechanic. And one day they came over there to Chase and Jerry offered me a job working on the trucks.
And I couldn’t let that go because at that time, I was only getting like five-fifty an hour at Chase Farms.
And when Jerry showed up, he says, “I'll pay you ten dollars an hour at my place.” And I couldn't refuse
from five-fifty to ten dollars an hour.
AS: Sure.
EL: So, I said, “well, let me give Michael two weeks’ notice before I move over there.” He said, “I'll let
you do that.” When I went and talked to Miles, Miles wasn’t here. He was in Belize because they were
trying to buy land over there, too, for producing over there... I don't know what. And I told Michael,
“Miles isn’t here, but I'm talking to you. I would like a raise because all the forklift drivers - I've been
here more than the forklift drivers - and I'm working at the Brown garage, working on trucks, working on
this mechanical work on the forklift and stuff like that. And I'm only getting five-fifty [dollars an hour]. I
know they're getting eight, eight-fifty an hour. I would like to go up to eight ninety-five an hour.” And he
said, “well, I just gave you a raise. Yeah, a twenty-five-cent raise.” But them guys had been here less
than I'd been here and they’re getting paid more money. And he said, “well, I already give you a raise.” I
said, “well, I'm going to give you a two-week’s notice.” He said, “well, you don't have to. You can leave
right now if you want to.
AS: Wow.

6

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

EL: I think he thought that I was kidding. I wasn't. And I said, “okay, Friday will be my last day.” And
Friday was the next day; that happened on a Thursday. So, I loaded up my toolbox and my tools on my
truck. And that Friday he said, “are you leaving?” And I said, “you told me I could go. I’ll see you later.”
And then I started working for Walkerville Well Drilling on that Monday, I started on Monday.
And then when Miles came back from Belize, he went and ordered a pipe cutter and I'm the only one in
the shop that he asked me, you know, how to use the pipe cutter and stuff. And I said, “yeah, I used it
over there at Chase, you know, I know how to use it.” Okay, come here, link this link and Miles was
coming to pick it up. So, when he came and picked it up, they called me in the shop, “hey, I put it in his
trunk.” So, I went and put it in his trunk. He was waiting for me outside and said, “how come you
couldn’t wait for me to get back?” I said, “because I talked to Michael and Michael said he would not
give me a raise.” He said, “well, if I was here, I would give you a raise. I would give you what you wanted,
but come back and I'll give you what you wanted.” I said, “well, they’re paying me more money here
than what I wanted over there. They’re paying me ten dollars an hour here.” And he said, “well, I can't
pay you that much, but I would like you to come back.” And I said, “well, I can’t. I already got obligated
to work here.”
So, I stayed there for five years with Walkerville Well Drilling, and then my friend, you know, he knew I
was a mechanic and stuff, he said, “hey, they’re hiring mechanics over here.” I said, “where?” He says,
“North American Factories in Whitehall [?].” I said, “I got a good job getting paid ten dollars an hour.” He
said they paid fifteen over here. So, the only way I could make an application there is to go to Michigan
Works and they had a test for me to do and stuff. And I did that and I didn't think they were going to call
me because I didn't. I didn't think I did good on the test. I must have done good on the test because they
called me for a job interview. I went over there for the job interview and he asked me why I wanted to
quit Walkerville Well Drilling. And I said, “well, it’s more money. I've been there five years and I never
got a raise, you know?” And he says, “well, if you get hired in here, it'll be twelve ninety-five. And then I
have two years or less than that and if they think that you learn everything and you can get top raises.
Fifteen ninety-five.” And I said okay. “We’ve got to start you from the very beginning, we just can't
throw you in as a mechanic.” I said, “okay, and how much does that pay?” Fifteen ninety-five, mechanics
get paid more than that.” So, I said, “well, if mechanics get paid more than that, I should start working
here and maybe I can make it into a mechanic.”
So, I did the interview, I didn't think they were going to hire me and they called me. They said, “I want
you to come to work Monday.” And that was on Wednesday. So, on Wednesday morning, they called
me Wednesday morning before I went to the other job and I told Jerry, you know, “I got a job offer at
this other place.” And he said, “well, I don't want you to leave, so we can talk about what they're going
to pay me.” And he said, “I can't do that.” And I said, “well, Friday will be my last day.” So, Friday was my
last day. And I wanted to give him a two-week notice, but the other job wanted me on Monday and I
couldn't lose that opportunity and I'm glad I didn’t. I've been in my job for twenty-one years and I'm
getting paid twenty-four sixty an hour as a mechanic.
AS: As a mechanic. How long did it take you to become a mechanic there?
EL: It took me five years to become a mechanic, but I'm glad I did it, because after I became a mechanic,
I became a Journeyman and they sent me to school for welding, for everything they wanted me to go to
school for. You know, I struggled at school because, you know, my spelling wasn't very good and my
reading wasn't very good. But I still passed the classes and I got my certificate for the Labor Board, and
7

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

I'm a Journeyman and I can work on equipment - heavy, heavy machinery. And it took me a while to
come to days, but I'm on the day shift. I'm third in seniority in maintenance. And when my group leader
ain’t there, I’m the group leader.
AS: So, it was a good move?
EL: It was a good move, yes.
AS: Where do you live now?
EL: I live in Hesperia.
AS: In Hesperia, okay.
EL: I moved from Walkerville to Hesperia in [nineteen] ninety-two when I bought my first place. And I
wasn't married, so, you know, a single white trailer house with a garage was okay. And then later on,
you know, I got married.
AS: When did you get married?
EL: I got married twice.
AS: Okay.
EL: First I got married and it didn't work out. It lasted not even a year. We got a divorce. And then a
couple of months later, I met my wife and we starting going out. She's from Mexico. She's from… where
do you call it? She's from Mexico and she's from Oaxaca, Mexico.
AS: Oaxaca?
EL: Yeah, and we started going out. And at first, she came over here with her sister from Houston and
her sisters came over here with her boyfriend and they came from Houston, but he had brothers in
Washington. His family was in Washington. They stayed here for two years. I went out with my wife,
went out with her for a year and his brothers told them to move to Washington and they were going to
move to Washington. And I didn't know what to do because she was going to leave. So, at that time, I
didn't know if I should propose to her because I had just gone through a divorce a year ago, you know,
and stuff like that. I didn't want to go through it again. But I'm glad I told her not to leave [laughter]
because we've been married ten years.
AS: Do you have children?
EL: Yes, well, first my little daughter was born and then we lost one. She had a miscarriage and she
called me in the bathroom; I went over there and I'm like, wow, I never seen anything like it. It came out
like a little egg, like it was still in the pouch, it came out. And he was about an inch and a half long, the
baby. And you can see his little feet, little arms like, you know, in the fetal position. But he didn't have
his face. No eyes, no nothing like, you know, like it was just starting to develop.
[?]: Sorry to interrupt, guys, but I just got a phone call. Make sure you get your picture taken across at
the community center before you leave. I didn’t want anyone to forget.
AS: Alright, thank you.

8

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

EL: And seeing that, you know, upset me a little bit.
AS: Sure.
EL: And upset my wife a little bit, but, you know. They told us he was going to live because two days
before that, she started bleeding and we went to the hospital. And they told us that the baby was not in
the... where it’s supposed to be. It was in the tube. It was growing in the tube. And that's how come it
only grew that much because, you know, that's how far it could grow in the tube and then it decided
to... she started to have labor pains that day and she didn't know why. But that's why, because the baby
was coming out. But, you know, we tried again and we're blessed with Stellan [?] Jr. and he's five now.
AS: Okay, and what's the first child's name?
EL: My first child is Yasmine [?] Marie Luevano.
AS: It's my granddaughter's name, too.
EL: And my son is Estevan Luevano, Jr. And then my wife wanted another one, so we tried and she
couldn’t. We didn’t know why she couldn’t get pregnant. So, we went to the doctor and the doctor told
her the monthly cycles are lasting too long. That's how come you can't get pregnant. They should last
only five days. And my wife was, well, they were lasting like fifteen, twenty days. So, they told her that
the best thing they can do, you know, for her for that. And then they found out that her gallbladder was
bad, too. So, they said, “well, we can go in there and take your gallbladder out and then go in there and
burn the blood cells that make you, you know, go to her monthly cycle.” And my wife said, “well, we
wanted to have another baby, but we couldn’t have one.” And they said, “I don't think you can have
another baby.”
Okay, so we made the appointment in two months to go do surgery because they told us she couldn’t
get pregnant. The day of the surgery, we walked in the hospital and [?] stayed with the kids, and they
put everything… they started everything, put in her I.V. on and they didn't start, you know, putting her
to sleep because the doctor was still in surgery for another patient. So, you know, they just prepped her
up to get her ready. She was already hooked up to everything. But they had to check her blood and
check her hearing before the surgery. Then the lady that put her to sleep came in there and said, “hey, I
need to talk to one of you guys outside.” So, the head nurse went outside and talked to her and she
came back in there and started unhooking everything. I'm like, “What? What are you doing?” “Well, the
surgery isn’t going to happen today.” I said, “why?” He said, “your doctor is going to be here to tell you
why.” Then she went outside and they told her, yeah, you can tell them why. So, she came in and said,
“well, they told us that we can tell you why - she's pregnant.” What do you mean she’s pregnant? The
Doctor told her she couldn’t get pregnant. “Well, she's pregnant. We don't know how long, but she's
pregnant.”
AS: Wow.
EL: And then that's when my son was born - the other one. And so, you know, it was a blessing of God,
so I name him Isaiah Christian Luevano. So, he's one and a half right now.
AS: He's one and a half. So, you have Yasmine, who's how old now?
EL: Yasmine is nine.

9

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

AS: Nine. And Estevan Junior is five.
EL: Five.
AS: And then Isaiah is one and a half.
EL: One and a half. And we would have had another one between Junior and, you know, only two years
apart, not even, you know, but, you know, at that time it didn't happen. But we’re glad with the other
two. My son was a miracle. That's what the doctor said, when the doctor showed up, actually told me
she couldn't get pregnant. He said, “it must be that God wanted you to have another one.” So, he says
surgery is not going to happen today until the baby's born and then you've got to wait three months
before we can do surgery. So that's what happened. The baby was born and after three months my wife
had surgery.
AS: What's your wife's name?
EL: Marguerita [?].
AS: Marguerita [?]...
EL: Her real name or her?
AS: Yeah, her real name or prior to getting married to you.
EL: Her name is Marguerita [?] Contaros [?].
AS: So, she's from Oaxaca, but she's not from an indigenous group.
EL: What’s that?
AS: She's not from [spanish language]?
EL: What do you mean?
AS: So, in Oaxaca, there are a lot of [American] Indians. I don't know if she was…
EL: I don't know if she is. She looks and, you know, my friends told me that because he went to the ruins
up in Oaxaca, one of my friends at work. And when she met my wife, she said, “she looks like the Indians
from over there. Is she Indian?” I said, “I don't know - we don't talk about that.” I know she lived in a
small town, you know, and you can see mountains and hills there. But I don't know if she’s Indian or not.
I haven’t even asked her that question. But, you know, and she said... one time I did ask her...yeah, I
remember that because my friend told me and I asked her and she said no, but she don't know if her
grandfather or her relatives are or not. But she said no. But to me, she said, “I don't know.” [Laughter]
AS: Okay. Other people that you've said you ran into from Oaxaca, have you… are the other Latinos or
Latinas, are they mostly from Mexico or have you run into Guatemalans or other Tejanos up here?
EL: Well, when I used to come, you know, I don't know where they're from. I used to go to the dances,
they had Spanish dances here a lot. I’d just go to dance and I never asked girls where they're from and
stuff. I just knew that were you know, they talk Spanish and some of them talk English. I never asked
them.
AS: Okay.
10

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

EL: All the people that I meet now, because I'm married to my wife, they're all from Oaxaca and they're
all from her town and that's where we go visit, you know, some other times. Because they're the people
that are still in Michigan that know her because, you know, they migrate in the state here and they’re
from Oaxaca. They live in Shelby, some live in Hart, some live in Ferry and stuff. And they know my wife
because they know my mother-in-law and stuff. And they all know each other because they’re from the
same town.
AS: Interesting.
EL: You guys can take… I’ll show you some pictures of my father-in-law and mother-in-law from Mexico
in their hometown.
AS: So, they still live in Oaxaca?
EL: Yes, my father-in-law and mother-in-law still live in Oaxaca. And her sisters, all her sisters and her
brothers - they’re from Oaxaca. But we go visit them, not every year, but every other year, you know.
Like one year, two years ago, my sister-in-law called her and said, “I'm getting married.” From
Washington, the one that was living here with her, that she lived with her for two years here and “I'm
getting married, I want to be here to be my maid of honor. And I want my other sister to be here for,
you know, further, you know, to stand up in the wedding. And I want you guys' husbands to be the
groomsmen.” And I'm like, “we should go.” We start planning, you know, because she told us there was
like three years before she was going to get married. So, I was saving money and stuff.
And then that year, my wife was pregnant. She goes, “we need a bigger house.” So, we started looking
for a bigger house and we found that the same year we went to Washington. Well, she says, “we can’t
buy the house and go to Washington.” And I said, “don't worry about it.” I had money saved up just to
go to Washington, but we also had money saved up to buy a house. And the good thing about it is that
because I had a single-wide and there was a lot of foreclosures out there, the government had a thing
that you can buy a house with no money down. And I didn't think I was going to fall into that because
we had the house. But the lender says, “you fall into that because that ain’t a house. You got a title with
that trailer house, right?” And I said, “yeah, I’ve got a title.” It ain’t a house; you need a deed to have a
house, not a title. So, he told me, “take pictures of the house, take pictures of the rooms, and write me a
letter why you need a bigger house.”
Because there's only two bedrooms and we had two kids already and one on the way. So, I told my
sister that she can do that for me. So, she wrote me a letter why and everything, and I took the letter to
him and signed it. And then, I took the title of the trailer house - what year it was and stuff - and I passed
the application. He says, “you can get any house. No matter what, no money down.” You know, no
money down, no closing cost, nothing. And that’s how come we got the house. And then we said, “well,
we can’t go to Washington.” And I reserved plane tickets because we were going to fly and then she
canceled them. You know, she [?] and I said, “yeah, we do. We’ve got this money. I'm going to resort [?],
you know, resort it with a credit card and we pay it, you know, when we get our income taxes. “No, no,
no, no.” So, I went to work and she called the company and canceled the flight. When I got home, she
goes, “I canceled the flight.” Why you do that? “Because it's too much money, we're not going. I called
my sister and we're not going.” So, I called her sister and said we're going. So, she said, “I'm going to
expect you here.” And I said, “yep, we’ll be there. She canceled the tickets, but I'm going to drive.” It’d
be cheaper for me to drive. So, I didn't have them, I had two more days left for vacation, so I took them
two. We already had the vacation to go to Washington, but if I was going to fly, not drive.
11

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

AS: Right.
EL: So, I had two more days of vacation left that I could schedule. And I took them and I left and I took
them two days and they gave them to me. And there was two more days so we had to leave. I told the
wife, “you better pack.” She goes, “why?” I said, “we're going.” She said, “no, we’re not!” We’re going. I
said that “your sister wants you over there and all your family, all your sisters from Houston are going to
be there, your brother from Houston, their brothers from Houston. It's like a family get-together. I guess
your family from Oaxaca can’t be there. You can't see your family over there because you can't go to
Mexico, but you can see your family that live here.” And how long has it been that we haven't gone to
Texas? I said, “for three years. I haven’t seen my brother and sister for three years. How long have you
not seen your sisters in Washington?” “For five, seven years,” she said. We're going! And she said, “no,
we’re not.” Yes, we are - you better pack. I already took the two days that it's going to take to get there
on the road off. And I says, “we’re leaving, my day starts this day, we’re leaving… after I get out of work,
we leave on that day. I get home at four o'clock, we're leaving at four o'clock.”
AS: So, the whole family went?
EL: She didn't believe me, she packed and everything. And we got there and she said, “where are we
going to leave the dogs?” I said, “don't worry, I got all my sisters and my little niece is going to take care
of them. I already talked to her.” “No, we’re not going.” So, we started putting everything in the truck,
we took the dogs over there to my sister's and we left and when we were there, she was so happy to be
there and she said, “well, I told my sister not to buy the dress.” And I said, “well, we can buy one on the
way over there. Just tell her to send you what color.” And she didn't find the same color that, you know,
almost, but she stood up in the wedding. And I think she had a good time with her because then she
hadn’t seen her aunt for fifteen years. She saw her aunt because her aunt is over there in Portland,
Oregon and it's only two hours from Irvington.
AS: I was going to ask, yeah, where in Washington? I grew up in Oregon, spent a lot of time in
Washington state.
EL: You know where Portland, Oregon... you know, Arlington. Arlington is on Highway-Five.
AS: Just up north then of…?
EL: Yeah, it’s over there by Port Washington [?].
AS: So, below Tacoma?
EL: It’s called Arlington. It's got like a port, like the ships come in there and it's like, I don't know, like a
port for ships and stuff because the companies are over there, they definitely like fish. So, they're fishing
like a fishing factory. They’ve got fish factories, they got single factories. And that's the only thing
they’ve got there: saw mills and stuff at that place. But we went over there and we had a lot of fun and
all of them took days off from work. And we all, for two days, we went to Portland, Oregon, to her aunt's
house. And then from there we went... man, that's beautiful. Portland, Oregon is beautiful. She took us
to… her cousin took us to a rose garden over there.
AS: Oh, the rose gardens, yeah.
EL: The rose garden is beautiful. It's just beautiful.

12

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

AS: What time of year? I'm sorry.
EL: This time right here. Right now.
AS: In June?
EL: We left in June and we had to be over there by June the eighth. And we left here on June the fourth
after work or June the fifth after work because my wife didn't think we were going to make it. We got
there on June the eighth, so it was a Saturday, I think it was. Yeah, June the eighth, I think it was. And we
got there at three o'clock in the morning in Washington that day that my sister was getting married. And
she said, [?], so we slept. And then I couldn't sleep because there was a whole bunch of racket upstairs,
you know, they had… we stayed at my sister-in-law’s, but, my sister-in-law's husband, her future
husband, brought Mariachis upstairs when they were singing and they were, you know, and I told my
wife, “what is going on upstairs?” Because we were in the basement, sleeping in the basement. Well, my
future brother-in-law brought Mariachis because that's what they do in Mexico. When somebody gets
married, the groom brings chocolate and donuts to the wife's parents house. But my parents are not
here, so they brought it here to my sisters. I went upstairs. They had homemade chocolate, you know,
chocolate for drinking - hot chocolate - homemade hot chocolate. And then they had buns from Mexico,
donuts and then they had [?] they had for breakfast and stuff. And I couldn't sleep. So, I went upstairs
and they were singing, Mariachis were singing and stuff. And I'm like, wow, you know, I never been to
a… over here, you just get married, you know, a celebration. Then they all left and my wife started
getting dressed. And my wife said, “we haven't slept hardly, it's too much excitement. I can't sleep.” So,
we went to the wedding, to the reception at nine o'clock at night. And I can't keep my eyes open. I fell
asleep in the chair for two hours, then I woke up. She was like, “do you want to go back?” I said, no,
“we're good. I slept for two hours. We're good.” So, we stayed there till almost one o’clock in the
morning. And then went, “I know we can go. We should go there. We can go now.” But then I said I
didn't want to go. She goes, well, “thank you for bringing me now,” because she didn't want to go. And I
think we're going to have the money to do it, but we had the money to do it because of my loan, I didn't
have to have the closing costs or not because we passed that government loan, they call it, like I said, I
don't know what it was.
AS: What are some of your best memories and some of your worst memories about living here?
EL: Like a good one was the trip to Washington. Well, being here, the best memory is when I met my
wife. I mean. Sheila, I never, you know, I was married to a Takana [?]and they're a lot different, they're
more… the culture's way different, you know, so it's an example of a difference, the way we talk. When I
was talking to my wife, my wife would look at me and start laughing as I don't know, what are you
talking about? I don't have the slightest idea what you're saying. So, what do you mean because you're
Spanish and you're talking differently, and I talk and we talk like a sliding Spanish and they talk to write
Spanish, and you don't say this, you say like this. All my life, I've been saying things, but now I talk with
her in my life, I talk the correct way now and when I’m with my brother-in-law and my sister in law, I
don't laugh at me anymore when I talk to him, because I first when they started talking, when they
looked at me and started laughing and looked at what it's trying to say and my wife would tell him what
I was saying, you know, and they don't do that anymore. But, you know, that's the best time. I met her
and we had kids, and at first, you know, I was like...I never grew up. I would party, go to Spanish dances,
you know. All my money was gold, like to drink and I'm going to spend it and going to Toledo, Ohio, to
see the theaters and all that and stuff like that going, you know, spending money doing that. And I never
13

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

had nothing. You know, I was just the house and the car. I always had a brand-new vehicle all the time
because I was single, but never, you know, I always party. Then my first wife was the same way. So, you
know. And we didn't get along because she would take off and then come back, you know. And I
thought we were married. I said, you know, “you should tell me where you're going and stuff” and she’d
get mad. And you know, that time she got mad and took off. Then I didn't see her for a month. Because
she was mad at me. And when she came back, I said, “well, this ain't going to work, you can just leave
for a month. Don't know where you are and you know well you don't like it while living [?] all over
again.” That's when I filed for divorce. Because marriage is a lifetime, it's a commitment, not the way
you're doing it. I don't want that. You know, if you want to do, you know, party and do whatever you
want, you can do it without me. Because part of the time, I don't know where you are at? You know, and
I don't need that.
And then, when we were divorced, and then when I met my wife, it was, you know, the culture's way
different. Like I say, their culture is way, you know, she doesn't bring…. It's way different, I mean, this
culture, you know, our culture here and being our people and our culture in Mexico is different. And
that's come to me as my life goes along because, you know, I was at that time, you know, I was thirtysomething years old. I'm forty-nine years old. And I got that one and happy, I'll tell you something. But,
you know, I mean. And at that time, I was thinking about settling down; I didn't want to party anymore. I
didn't want to go to dances. I just, you know, I would see my brothers, my sisters, especially my
brothers. You know, they got married young and their kids were growing big. My brother, you know, I
went visiting my brother, but he's got a house here and his daughter staying there and he goes all over
working in construction and working hard. He works for a company out of Holland. They work in
hospitals and stuff, and they go all over the United States working in a hospital. And I’ve got nieces that,
you know, my brother younger than me and I got nieces, they're twenty-one, twenty-two years old and
already grown up.
And there’s one, you know, one Christmas. I went to Christmas and, you know, I started realizing, I need
to settle down. My nephews and my nieces are fifteen, sixteen, and I need to get settled down, and
that's when I decided, you know, when I got married with my first wife, I thought I was going to be
settled down. That was what she wanted to continue her life the way it was. And I was I was not going
to do that, you know, anymore. I had quit drinking and stuff she did. And she wanted to, you know, be
liberal or what you want to call it. I couldn't handle that. So, I told her, you know. This only lasted, you
know, we were together for a year and marriage, you know, I thought marriages are going to change it,
but it didn't. It made it worse. So, we were only married three months and I decided, you know, this is, I
can't have you going like that. I'm going to work and then come back, you know, the next day on a
Friday because you had Saturday and Sunday off. You know, she didn't come back until Friday and
wouldn’t come back till five, six o'clock in the morning. When I was with friends from work party, you
know, there's a phone call. I can't handle it. I married my wife. That's one of the cultural differences; we
got along great and I was ready to settle down and we’ve got to trust each other, no matter what I think,
we have that. We mean I've been here waiting for you with me, where I you and this one, you know, I
can go to my work, come back. And I love to work, we talk about work, we talk about, you know, the
kids are you know, where we differ. Yeah.
AS: Does your wife work?
EL: No.

14

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

AS: Okay.
EL: She does. She wants to work, but we're trying to get her papers and it's been difficult. She's not
documented and it's been difficult for us because they denied our part because my job, you know, for
me to have what I got and for us to have the help we got, I’ve got to work overtime. And they know me
there at work. They don't ask nobody because they really know what they're going to say. They come to
me and say, “You want to stay here, you want to come in early tomorrow?” And I go in early and they
deny my pardon, they call it, because they told me I make too much money and I can afford for her to be
over there. But they don't understand how much over time I've been working. Because of her, she wants
to work. I would want her to work too, you know, to help us out, you know, but the lawyer said she
couldn't work. She couldn't drive. You know, we don't get caught working. Don't get caught driving
because there's a penalty on your account because of paperwork, because of what's going on. So, she
thinks that I don't want her to work. But it ain't that I don't want her to leave. You know what I mean?
Because she... they also told her that if she gets caught, they can send her back to Mexico or whatever.
And I don't want her to, you know, I don't want the kids to go to that, you know?
AS: Sure.
EL: And she doesn’t understand that. But, you know, right now she's understanding why but at first, it
was kind of hard for me and her because she thought I don't want her to work. She said, “no, you don't
want me being, you know, get my own money.” It ain't that, this is what the lawyer said, it isn’t that I
didn't want you to work or do that, but. And for us to have the house we got and the kids and stuff, I got
to work that overtime and I work a lot overtime. You know, last week I worked fourteen hours overtime.
This week, guys, I work for hours of overtime, and so the government is saying you make too much
money. For now, I make too much, I make too much money that I can afford for her to live in Mexico
and have my household here and still send her money to live off of. Because I worked a lot over time,
they think that they think that the money I make throughout the year, that's the money I make all year,
every year, and that ain't the case.
And this year I'm going to prove it, because this year we got bought out from another company. We got
bought out from Harverson [?] one. The company that bottomed out is Harbourfront Walker
International. Now, the company is not North American Factories anymore. This year changed name to
Harverson Walker International and they don't want to. Over time, they took away the overtime, not
necessarily overtime, but there's still overtime. Sometimes because of the vacation, people got to
vacation and stuff to get done. So, during the summertime, that's when I get the overtime. During the
wintertime, I don't get overtime. And they're going to see that this year because that's when they
bought us last year at the end of the year and at the beginning of the winter. And we didn't work no
overtime when their time started and worked overtime right now. So, then we had a bonus every month
and the whole year bonus. Don't give us a bonus anymore. So that's what they were looking at, too. You
know, I get they didn't know, how do I get paid? They were just saying, you know why he's making sixtyseven thousand, eight, you know, a year. But they don't know that. I was working a lot of overtime, you
know, six, seven days a week sometimes. You know, yeah, and the lawyer once said it's going to be a
new law coming out and then he wants me to say, you're not making any money. I said, I'm not making
overtime and I’ll say I'll be probably in the forties, forty-five or something, not in the sixties anymore,
not sixty-nine. Seventy thousand, I'm not going to be making that anymore. And you told me why...I
said, well, honest and then necessary overtime, they took our bonus away. So, you're not going to see
that I would get a thousand dollar bonus a month, just like another paycheck, you know, it's like another
15

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

paycheck because the government takes forty percent off that. Yeah, because it's another tax bracket.
Because of brackets, because it's a sentence, not a word. You know, it's like a center for you. The
government don't look at that, they don't look at your... you know, over there and see how much you
work, and they just see that he makes as much money in a year. You don't know why you're making that
much money in a year. You don't want me to. And that's what they should look at, the people there and,
you know, the judges and stuff. You know, how can we make so much money over time? But I just hope
they change and we can find the paperwork and because I got to redo everything again, I started from
scratch because I denied everything. And now we have to start like the lawyers and we have to start
from the beginning and see if you could. So, they're talking about the money. I don't make the money
anymore. I mean, you know, I'll be in the forty-five this year. Yeah, you know, not seventy, over seventy
down.
AS: Does your wife speak any English?
EL: No, she don't.
AS: What about your kids? Are they growing up speaking English? Spanish?
EL: Both my kids are bilingual.
AS: So, your oldest daughter is already in grade school and she's in third grade.
EL: Third grade.
AS: And then your middle son is in kindergarten.
EL: Kindergarten because my daughter was born in February and September is the deadline. So, I can't
put her in school until, you know, she has to be five years of September, the deadline. So, she was going
to be five that year. But I couldn't put her in school because the time was like she had to wait another
year to go to kindergarten or to preschool. And so, did my son. He just turned five in October, and he's
going to kindergarten and then he's going to be the same way because he was born in September 2001
and September 12th, that's the deadline. He was born September 21st. And then he’ll have to wait to
turn five years old to go to preschool right, then in kindergarten he is going to turn six years old. But it's
okay. And then all three of them are bilingual and they’re barely talking. But he speaks Spanish directly.
You know, my son talks a lot of English to me, but with my wife, he talks Spanish. And when we had a
teacher’s conference and the teacher asked me and my wife said, “do you know how to talk in Spanish?
“And so, she tells me, you know, it's interesting. Why do you think, I told her, you talk to your mom in
Spanish, oh, that's what that is, Spanish. So, it's just so natural to me. Yeah, I say you talk Spanish to your
mom. So, it is teaching, I know what to expect. But yeah, he taught Spanish to me by the time he talks
English to mom, his mom, but she is learning English by my kids, so she understands it, she can read it,
she don't know what she's reading, but she you know, that's the good thing about it. They are not a very
good reader. And she can read it to me how she can pronounce the words very good. But I understand
what she's saying and I can, you know, you know, relate, you know, to stuff. You know, I don't know the
words and stuff. And in English, all I'm doing, I'm using the words in Spanish. So, when she tells me that
in Spanish, I'm telling you in English, but she tells me that and how are your kids learning to read in
Spanish where they just talk and understand English talk and understand.
My daughter loves to read. I didn't know one time I went to bed and I'm like, I'm here and stuff like. I
was talking why she stopped. You will you will find out for a lot closer to her over get the door open a
16

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

little bit and I see a little light coming from open the door, turn the light on. She's underneath the covers
with her flashlight reading a classic. I think a lot of kids have done that and say, what are you doing? She
goes reading, I go to bed. I said, no, you can read. She goes like me before I go to bed. That makes me go
to sleep. I love it. She does that every night, reads something with the little flashlight. So sometimes I
have to tolerate it. If you need better batteries for your flashlight. And I said here, just keep them in
your room and then she already knows how to change them and everything. So, then I got her little
lights that’s got that clip. No, no, it's a light that it's instead of twenty-five lumens or whatever you call it,
it's like sixty, so it's a little brighter. I got one of them and she loves it. Thank you for the light. I would
like, you know, to know what she reads every night, every night. And I could hear you talking at night. I
really know that a couple of nights there, I'm like, let's talk. So, Yasmine, I thought maybe she started
her sleep or something. One night I said, man, she's talking like she's reading something and you go
check and my wife already knew what's going on. I wanted to act and she was reading. So, she likes to
read. At school they get a little piece of something. Every month during the winter time, she got one
little piece of fruit because she read a whole bunch of books. She likes reading.
So, my son is a different story. You know, you don't know how to read in preschool. You don't pick up a
book and read or not, I think it's going to be like me. He likes mechanical stuff. I'm working on stuff
where I go outside to the garage. He goes outside to the garage with me. And what is that? What is this?
What is that for? What is this used for? So, I show, you know how to use it to stuff some. And he said,
we got to fix the bike, what to do, and I help him to fix this and that. And he surprised me this year. He
says that I need a bigger bike. I said, no, you don't. Yes, I do. You don't. Your bike, it's good. No, I need a
bigger bike and I need to take the training wheels off. It had training wheels on, but bigger than the one
he had, he can barely put his feet down like he is too tall. You know, I can do it now. That's what
happened with the little one. I would get stuck like those that take the training wheels off. I didn't want
to, but I took them off. I mean, it surprised me. We took off all around the house and stuff. And I'm like,
I can't believe that Yasmine didn't do that. She had the training wheels until she was like six or seven
years old. He's only five, we need to take the training wheels and he took off with his bike and he's
bigger and he barely can put his feet down as it is. And I got to see it all the way down, you know, all the
way it can go down. And he says, you know, one time you fall off the bike, I'm like, so he can yeah. It's
because I have been on my tiptoes. I lost the footing. I think I said, well, get the other one and I put the
seat on it. No, I want this one. And he rides and he rides that bike every day. Now after he got out of
school, and I said, what are you doing out there? And like I said, he's out there on his bike. Yeah, he's out
there every day. And he wakes up, he goes out there, gets his bike, riding his bike all day.
AS: Apart from family life and your work, are there other kinds of things that you do in town?
EL: Yes, I'm a proud member of the Knights of Columbus. I didn't know what it was at first when I was
married to my wife, with my wife here. One day a friend of mine said, you know what we're doing
tonight? I said, well, what is that? He said, Well, I'll bring Mr. Mason with me and we can talk about it.
His name is Jim Mason from Fremont. He came and talked to us at St. Gregory and I said, well, I'll try the
way he talked to Mr. Mason. I mean, just look at Greece this year. Yes. Mr. Mason talked about the
nights when he talked about the nights. It was like, you know, it was like a great thing to do. The way he
talked, you know, when Hector told me about it, I don't want to do it. So, I wouldn't bring Mr. Mason.
But when he talked, he was the one that convinced me, you know, OK, I've been in the knights for five
years. And I'm a fourth-degree knight. You know, they go by degrees, they go first degree, second
degree and third degree in fourth degree and fourth degree night. I do the [?] with the fourth degree.
17

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

And I like it because it gives me something. To do one, you know, sometimes they have, like breakfast
and stuff and that's my time for me. I tell the wife, I said, I'm going to help, you know, help out there.
And I come and help and I go back home. She told me how much money you guys make and, you know,
stuff like that because, you know, we make money, too, for charities. And I tell her stuff that's done all
the time alone for me because the rest of the time I spend it with my kids.
There was a time that I was spending too much time doing because I was a great knight. I don't know,
what a great knight, you know, great knight is your… the council is your council. You're the one that
makes the meetings. You're the one to send letters to your council members. You're the one that makes
the decisions for them. It's like being like a president. And it's like you got a president and vice president
for a company. That's what it is. The grant like, you know, does all that where the money is going to
where you know, and you got your assistant knight. You got your treasurer, you got here. So, it's you
know, and it was getting to be too much, you know. And then the kids got baseball stuff, you know,
practices and Girl Scouts, Boy Scouts. And my son just wants to be a Boy Scout and we're trying to get
them in Boy Scouts. And he plays football. You get, you know, stuff like that. My daughter plays it and
she's been trying everything. And I think she wants to do baseball, basketball, and volleyball and not
football. Yes. You know, she liked football, but, you know, she's a girl. So, football, soccer or no football.
Football where they call it Football Americano.
AS: Right.
EL: But, my son wants to play that. So, I put them in and he sees Yasmine being in Girl Scouts. You've
been in Girl Scouts and since she started, if you want. You know, since we went there, we asked her if
she wanted to be a Girl Scout in first grade. She was going to first grade and she likes it. And Junior sees
her going, like, they go on trips, they go on camping trips and stuff like that. He says, I want to do that.
Then I want to be in Girl Scouts. I say, you can’t be a Girl Scout. And they’ve got Boy Scouts. Oh, they do
the same thing as Yasmine. Go on trips and go on camping trips and soccer. He likes camping. We go
camping sometimes. I went back in the day and my wife doesn't like camping. But, you know, I once had
just gone a couple of miles away from home, you know, we can do that at home. And I said, you don't
understand this. Can you keep away from home, you know, just for a couple of days? You know, it's like
she don't like it, but the only way she's going to go to Europe or something or like Ludington and stuff,
you know, they were far away from home, but we try to do it here in the Hart. It's too close to home. I
don't understand going camping. But she does understand the kids like it, so they must love camping,
fishing, we go fishing, camping together and I take my daughter, she loves fishing. You know, I used to
party a lot, and when I decided to settle down, I picked up fishing with my cousin Roy. We used to go
fishing in Ludington. And that was, you know, that was my time away from work, to go fishing. I was
working third shift, I would get out and he worked at [?]. And he said, I might take a day off Friday. I
said, well, Friday is my last day and I get out at seven o’clock in the morning. I said, I'll meet you at your
house at eight o’clock. Okay, so I will get out of work, and that was my last day of work, you know, and
before I used to go party, and I’d go to the bar and all that stuff.
Now it's time for me to settle down. So, I go fishing with my cousin and then, you know, what time you
get out of work? And it's about five o’clock and said, well, we got a couple hours to go fishing. I'm going
to be at work. And we go to Ludington and I got to drop you off and I got to go to work. So that's what
we do. I sleep at home, get up, get all my equipment ready, and wait for him to get out of work. We go
fishing up the [?]. I come back and drop him off at work so I can go home. Sometimes they say, well, just
meet me at home. So, I'm home. Now, wait a minute. You know, I'll get there before you always get
18

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

there before. One time I got there and I thought you said you were going to [?}, so I left early and then
he had an accident and he messed up his back. He doesn't work there anymore. Matter of fact, he can’t
be seen very much because his back. I went to my little nieces, his daughter's graduation party and says
he's still fishing. I said you should come pick me up one time. I said, well, I thought you didn't want to
fish. Come sit down and kind of stand up. Well, he says I can do a little bit more now, but not very much,
he said. But we can still go fishing. So, I have to call him up. I didn't know his number. You know he
changes it. Yeah, I had his own phone number, but then he got a cell phone and I didn't know his
number. A couple couple of days ago, it was last Saturday. Now we've got his number. Give me your
phone number on it. Call me when we've got to go fishing. My wife called me to say where I left that
because I thought I might be home by one or twelve [o’clock].
AS: I just have a couple more, quick questions and we can wrap it up and we can take you over to get
your picture taken. We can give you a copy of this. And if you wanted to give us some pictures or you
could send them.
AS: So, this interview is going to be archived, it's saved for years and years, and so if you think of
somebody fifty years from now listening to this. What's one thing that you would want to say to them?
That really matters about your life here?
EL: Life in Michigan?
AS: Yeah, or maybe your life growing up first as a migrant settling here, something like that.
EL: And I don't think I would have this opportunity when I got in Texas, so I talked to my cousins over
there in Texas and they earn a lot less than I do, you know, but the cost of living is a lot less over there.
But the job I got, I don't think I'll find anywhere else. I mean, in order have a job like that and like it is
very slim and I like where I work at because of the people that work there, but the president and the
president of the company are nice people, you know, not the people that bought us out because I don't
know them. But the people there in the plant itself are like a big family. I mean, if something happens to
somebody, like an operation. My friend's wife had cancer and fortunately she died about a couple of
weeks ago. But we all had… a hat goes around people for money in there and it all goes to get a car and
everybody finds it and it goes to the person because the medical bills are pretty expensive, that stuff.
And our insurance company is not a Michigan insurer or insurance. Now, we had good insurance, but
they took it away from us and they gave us insurance from Pennsylvania. And I don't know, is it different
over there or whatever is here in Michigan? They don't cover hardly anything.
But, you know, I like working there, and I don't think I would get an opportunity to go to a place like that
and get on with the people, get along with your supervisor, get along with the company manager and,
you know, stuff like that. I don't know. And there is a place around like that. I mean, ever since I worked
there, I felt at home because the people are just, you know, they reach out to people and. And I like
working here.
AS: Is there a mix of Anglo and Latino workers there?
EL: No, well, at first, there were African-American, Latino and Americans. But throughout the years, I'm
the only Hispanic that works there…. African-Americans, their only used to be four of them. The other
one, the other two retired, one quit, and there’s only one left and the rest are Americans. So there's
only two of us, the one African-American, one Hispanic. Yeah, and there's no racial stuff going on,
19

�Growing Community: Oceana’s Agricultural History Project
A project supported by a National Endowment for the Humanities Common Heritage Grant
Project Director: Melanie Shell-Weiss, GVSU Liberal Studies Department

nothing. They're just like, you know, you're the president of the company who walks around and, well,
how are you doing? You know, all the kids now, they don't talk about it when they talk to you. You
know, when he's walking around first thing or, you know, out of his mouth is, how are you doing? I was
a kid, you know, stuff like that. Not that, you know, you don't talk about work or anything, you know,
and then you talk to him about the kids and stuff and he and all the kids down there, they're pretty
grown already. You know, I've been there twenty-one years. And, you know, people think, how people
are going to act or who, you know, who's nice, who's not. But mostly everybody is, you know, a good
person. They're working.
AS: Well, to finish up anything else that you'd like to share that I haven't asked you about? I don't know
whether you want me to talk about it, maybe?
AS: How do you feel like you've gotten your story out, you feel like if somebody else listens to the story,
they’d have a pretty good idea of this guy's life?
EL: Well, I don't know, I just know that, when we were younger, it's kind of hard because going from
Texas to Michigan, it's kind of hard because, you know, you don't… you only knew a couple of people at
school, and there's always problems in school because, you know, you're new here and people didn't
like you here. Then when you go to Texas while you were a part of the problem, the school first started
for you or it’s not your problem there to me. So, it worked both ways. You know, it doesn’t matter, you
know, people say there's racial stuff. It don't matter where you go, you know, it's got to be, like I said
here, because I was the only Spanish guy here at school in the high school in Walkerville, you know, and
then over there is because you didn't start the school year when they started, you know, and they're
your own race, you know, you want me to be like, hey, you know, and then over here the same way, you
know, that's where I come from. That's why when Miles would come up and say, you want to work, go
to work and hang around with anybody, you know, I'd rather go work than, hang around with people.
The people used to be wrong, you know? Yeah, and over there in Texas, we got home. My grandfather
had cattle and some cattle, not very much. And my uncle and we get home and [Inaudible] be waiting
for us a long time. Let's go cut some grass for the cows and stuff and we'd help out, you know, water.
The cow will take food, too, you know, and hang around my grandfather. That's what I miss most about
my time when my grandfather died, as part of me died because I used to hang around my grandfather a
lot when we used to do a lot of stuff because my dad was a truck driver, he was never home, but my
grandfather was there for me.
AS: Alright, very well. Thank you for that. Thanks for your time and for sharing your memories with us.
And that concludes the interview.

20

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="51555">
        <src>https://digitalcollections.library.gvsu.edu/files/original/0ced52a717bdf0a73f834c4bf75bcc52.mp3</src>
        <authentication>e86599ee104bd66ffc7b3d1a9104f268</authentication>
      </file>
    </fileContainer>
    <collection collectionId="37">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770065">
                  <text>Oceana County Migrant Labor History Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770066">
                  <text>Shell-Weiss, Melanie</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770067">
                  <text>Collection contains images and documents digitized and collected through the project "Growing Community: A Century of Migration in Oceana County." This project was a collaboration between El Centro Hispano de Oceana, the Oceana County Historical and Genealogical Society, and Grand Valley State University funded by a Common Heritage grant from the United States National Endowment for the Humanities. The materials in this collection document the history of communities in Hart, Shelby, and Walkerville and explore themes of migration, labor, religion, family, belonging, national and cultural identities, regional, national, and international connections, and citizenship.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="770068">
                  <text>Oceana County (Mich.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="770069">
                  <text>Grand Valley State University. Kutsche Office of Local History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="770070">
                  <text>Grand Valley State University Libraries. Special Collections and University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770071">
                  <text>El Centro Hispano de Oceana; Oceana County Historical and Genealogical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="770072">
                  <text>Growing Community (NEH Common Heritage project)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="770073">
                  <text>DC-06</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770074">
                  <text>application/pdf</text>
                </elementText>
                <elementText elementTextId="775833">
                  <text>image/jpeg</text>
                </elementText>
                <elementText elementTextId="775834">
                  <text>audio/mp3</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770075">
                  <text>Text</text>
                </elementText>
                <elementText elementTextId="775835">
                  <text>Image</text>
                </elementText>
                <elementText elementTextId="775836">
                  <text>Sound recording</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770076">
                  <text>eng</text>
                </elementText>
                <elementText elementTextId="775837">
                  <text>spa</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770077">
                  <text>2016</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="771934">
                  <text>Oceana County (Mich.)</text>
                </elementText>
                <elementText elementTextId="775824">
                  <text>Hart (Mich.)</text>
                </elementText>
                <elementText elementTextId="775825">
                  <text>Shelby (Mich.)</text>
                </elementText>
                <elementText elementTextId="775826">
                  <text>Farms</text>
                </elementText>
                <elementText elementTextId="775827">
                  <text>Farmers</text>
                </elementText>
                <elementText elementTextId="775828">
                  <text>Migrant agricultural laborers</text>
                </elementText>
                <elementText elementTextId="775829">
                  <text>Hispanic Americans</text>
                </elementText>
                <elementText elementTextId="775830">
                  <text>Account books</text>
                </elementText>
                <elementText elementTextId="775831">
                  <text>Diaries</text>
                </elementText>
                <elementText elementTextId="775832">
                  <text>Oral history</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="883226">
                <text>DC-06_Luevano_Estevan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883227">
                <text>Luevano, Estevan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883228">
                <text>2016-06-18</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883229">
                <text>Luevano, Estevan (audio interview and transcript)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883230">
                <text>Oral history interview with Estevan Luevano. Interviewed by Andrew Schlewitz on June 18, 2016 in Hart, Michigan. English and Spanish language. Estevan Luevano was born in San Juan, Texas in 1967 as the son of two Mexican parents who migrated to Michigan for work each year. Throughout his life, he and his family were a part of the agricultural heritage of both places, and they settled in Michigan in 1981 and decided to stay. Estevan graduated from Walkerville High School in 1986 and studied diesel engines at the vocational center, which later helped him as he started his career as a semi-truck driver for his family’s business and later working as a mechanic. He ended up moving to Hesperia, Michigan in 1992 where he bought his first home and later started a family.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883231">
                <text>Schlewitz, Andrew (interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883232">
                <text>Oceana County (Mich.)</text>
              </elementText>
              <elementText elementTextId="883233">
                <text>Migrant agricultural laborers</text>
              </elementText>
              <elementText elementTextId="883234">
                <text>Farms</text>
              </elementText>
              <elementText elementTextId="883235">
                <text>Audio recordings</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="883236">
                <text>Growing Community (NEH Common Heritage)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883238">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883239">
                <text>Sound</text>
              </elementText>
              <elementText elementTextId="883240">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883241">
                <text>audio/mp3</text>
              </elementText>
              <elementText elementTextId="883242">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="883243">
                <text>eng</text>
              </elementText>
              <elementText elementTextId="883244">
                <text>spa</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1034624">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29196" public="1" featured="0">
    <fileContainer>
      <file fileId="32068">
        <src>https://digitalcollections.library.gvsu.edu/files/original/6024f5a6bd38e3cff6de21082b2909ec.mp4</src>
        <authentication>c21882bbf86c1ff7292cde955f39a112</authentication>
      </file>
      <file fileId="32069">
        <src>https://digitalcollections.library.gvsu.edu/files/original/7b8057744bb9b912d78f33eb903ab1e0.pdf</src>
        <authentication>eeda8905ff89b1f47b8118a6b809ffa8</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="548792">
                    <text>Grand Valley State University
Veterans History Project
Harvey Lugten
(52:36)
(00:05) Background Information
•
•
•
•
•
•

Harvey was born in Holland, Michigan in 1922 and graduated from Holland high school
in 1940
His father was a cabinet maker, but lost his house and job during the depression
Harvey worked as a paper delivery boy during school and began working in
manufacturing once he was done with school
Harvey worked in a tool room and was deferred from service 3 different times because of
his job
Once he was drafted he had his choice of joining the Army or the Navy
He had always enjoyed going sailing and fishing so he chose the Navy

(6:55) Training
• Harvey was sent to Great Lakes Naval Academy in Chicago for training
• They went through lots of marching and other physical activities for 9 weeks
• He was then sent to machinist school in the same area of Chicago
• Harvey was later interviewed to join in submarine school and went through psychiatric
testing as well
• He passed his testing and was sent to submarine school in Connecticut
• The submarine service was very selective and the classes were difficult
• There was hands on training and they were working in subs the whole time
• He then had training in submarine diesel school
• Both courses lasted 13 weeks and Harvey spent about 6 months altogether training in
submarine school
(14:55) Overseas
• Harvey finished his classes in 1944 and took a troop train from Connecticut to California
• He boarded a troop ship headed for New Caledonia and then was transferred onto a
coastal steamer
• They stopped in New Guinea to stay for a while on a very old and beat up base and then
left for Brisbane, Australia
• While in Australia Harvey also visited Sydney, Adelaide, and Perth on the western side
of the country
• They took trains across the country that were very old and slept on straw
• They only thing in Australia to eat was mutton and after that, Harvey never ate mutton
again

�(18:20) First Sub War Patrol
• Harvey had been staying at a sub base in Fremantle, Australia
• They then left on the Hake, USS 256 submarine, which had just returned from 2 previous
war patrols in the Atlantic working to fight German U-boats
• The sub had also been on 5 patrols in the Pacific and was successful in sinking Japanese
vessels
• On Harvey’s first patrol, he witnessed the sinking of a Japanese destroyer and a ship
• On another patrol Harvey and others had been attacked by 147 depth charges for 16 hours
• When attacked by a depth charge, everything on the ship is shut down and it operated for
“silent running”
• They turned the devices back on after the attack and the sub had been flooded with about
4 inches of water
(25:20) Submarine Crew
• When Harvey joined the crew he had been a replacement member
• Much of the rest of the crew was experienced and had already been on 5 patrols in the
Pacific
• The sub contained a control room, torpedo room, officer’s quarters, mess hall, engine
room, and maneuvering room
• Harvey worked in the engine room while they were on the surface
• Every man worked for 4 hours on, 4 hours off, and so on
• While they were submerged he worked on maintaining the level of depth for the sub
• Most war patrols lasted two months and then they would have two weeks off while the
sub was at port
(35:50) Third War Patrol
• For his third patrol Harvey traveled to Manila Bay, but the ship was called back to the US
for an overhaul due to the beating it took from the depth charges
• They traveled to CA for the sub to be worked on and Harvey had time to go back home
on leave
• He had been at home in Michigan on VE Day in May of 1945
• Once he was back in California they headed for Pearl Harbor and then Wake Island to
load up on fuel and supplies
• The sub was then on lifeguard duty near Saipan, helping to pick up downed pilots
• Then they headed to Tokyo Bay for the Signing of the Peace
• They left Japan and headed back to the Eastern US
• The sub was sent to Connecticut to be decommissioned
(41:15) Discharged

�•
•
•
•
•
•
•
•

Harvey was discharged in February of 1946 and planned on going back to college after
that
He started a little late in the semester at Hope College in Holland, MI
The GI Bill helped him pay for most of his classes
Harvey got married while in college and dropped out
He built his first house on his wife’s property in Holland
Harvey worked at GM for a few years, but decided to go back to college and graduated in
1954
He received a degree in mathematics and then went to Western Michigan University in
Kalamazoo for his masters degree
Harvey eventually became the superintendent for Byron Center schools and remained in
the position for 20 years

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548766">
                <text>LugtenH</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548767">
                <text>Lugten, Harvey (Interview outline and video), 2008</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548768">
                <text>Lugten, Harvey</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548769">
                <text>Harvey Lugten was born in Holland, Michigan in 1922 and graduated from Holland High School in 1940.    Harvey was drafted into the service and had his choice of the Army of the Navy.  He chose the latter and went through training at Great Lakes Naval Academy in Chicago.  After basic training Harvey went to machinist school and then submarine school for another 6 months.  After training he was shipped to Australia where he later boarded the USS 256.  Harvey went on three war patrols throughout the Pacific and was later discharged in February of 1946.  After his time in the service, he received his masters degree and later became the superintendent for Byron Center schools in Michigan.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548770">
                <text>Smither, James (Interviewer)</text>
              </elementText>
              <elementText elementTextId="548771">
                <text> Byron Area Historic Museum (Byron Center, Mich.)</text>
              </elementText>
              <elementText elementTextId="548772">
                <text> BCTV</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548774">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548775">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548776">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548777">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548778">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548779">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548780">
                <text>United States. Navy</text>
              </elementText>
              <elementText elementTextId="548781">
                <text>World War, 1939-1945--Personal narratives, American</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548782">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548783">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548784">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="548785">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548790">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548791">
                <text>2008-10-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567696">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795166">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797217">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031286">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29197" public="1" featured="0">
    <fileContainer>
      <file fileId="32070">
        <src>https://digitalcollections.library.gvsu.edu/files/original/b83c5f2f9e0ca4689d129d8c6be658b8.mp4</src>
        <authentication>517d9ef81118aff9b5b0dcaf7afc6cbe</authentication>
      </file>
      <file fileId="32071">
        <src>https://digitalcollections.library.gvsu.edu/files/original/ee7b6033cfba88c7c9f92269d1f37bdb.pdf</src>
        <authentication>c0442628dbc96c7e3637a1d7ce1db608</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="548818">
                    <text>Grand Valley State University
Veterans History Project Interview
Name of Interviewee: Phil Lugtigheid
Name of War: Vietnam War
Length of Interview: (00:17:21)
Childhood and Pre-Enlistment (00:04)
• Born in Grand Rapids, MI
• Enlisted in the Air Force at age 17 in April 1962
Training (01:30)
• Enlisted in Detroit, and was sent to Lackland AFB in San Antonio, TX for 5
weeks of basic training.
• (02:00) He then went to Chanute AFB in Illinois for 34 weeks of training to learn
to be a flight controls and autopilot repairman.
Active Duty (02:25)
• After training, he was sent to George AFB in Southern California.
• (03:01) His wing would go to Spain for 6 months at a time for air defense
command.
• (03:30) He also spent some time in Alaska.
• (04:45) They would train to support airplanes on alert status by boarding airplanes
on a few minutes notice with whatever equipment they could grab. They would be
dropped off at the other side of base and they would have to repair flight systems
with whatever they had brought along.
• (05:35) He was also sent to Taiwan for 2 ½ weeks, and then to Vietnam for 4 ½
months where his wing flew Army and Marine support missions. They stopped in
Hawaii and the Wake Islands on the way over.
• (07:57) He made many friends while he was in the Air Force, but he did not stay
in contact with them.
• (08:30) His job was to repair autopilot and other systems which the pilots reported
as malfunctioning. They were generally electronics fixes.
• He would communicate by letters and phone calls while he was overseas.
• (10:21) He took some courses at a community college when he was in California.
• (11:16) While they were in Vietnam, they were attacked by the NVA a few times
while they were on their base in Da Nang, Vietnam. The NVA were able to get on
the base a few times and they blew up some airplanes.
• (12:30) He was in the Air Force for 4 years, but was only in Vietnam during the
early part of the war.
• (13:36) He was supposed to be sent back to Vietnam, but he didn’t have enough
time left on his enlistment to go back.
Post-Service (14:03)
• He went to Michigan after he was discharged with a friend.
• (15:35) He attended Grand Rapids Junior College and Western Michigan College
on the GI Bill.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548793">
                <text>LugtigheidP</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548794">
                <text>Lugtigheid, Paul (Interview outline and video), 2009  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548795">
                <text>Lugtigheid, Paul</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548796">
                <text>Paul Lugtigheid was born in Grand Rapids, MI and served in the Air Force during the Vietnam War. He joined the Air Force at age 17, and became an autopilot and flight controls mechanic. He was based in California and spent some tours of duty in Spain. He also spent a tour of duty in Da Nang, Vietnam on a base working support for aircraft.   </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548797">
                <text>Kailey Rosema (Interviewer)</text>
              </elementText>
              <elementText elementTextId="548798">
                <text> Caledonia High School (Caledonia, Mich.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548800">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548801">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548802">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548803">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548804">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548805">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548806">
                <text>Vietnam War, 1961-1975--Personal narratives, American</text>
              </elementText>
              <elementText elementTextId="548807">
                <text>United States. Air Force</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548808">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548809">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548810">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="548811">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548816">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548817">
                <text>2009-05-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567697">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795167">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797218">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031287">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="43973" public="1" featured="0">
    <fileContainer>
      <file fileId="59941" order="1">
        <src>https://digitalcollections.library.gvsu.edu/files/original/a504811e89a273a10fa7e10f0aca097a.pdf</src>
        <authentication>34d859f62d470eb57cc5c25df33d09e9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="1039110">
                    <text>Young Lords
In Lincoln Park
Interviewee: Luis “Tony” Baez
Interviewers: José “Cha-Cha” Jiménez
Location: Grand Valley State University Special Collections
Date: 8/23/2012

Biography and Description
Luis “Tony” Baez arrived in Chicago from Barrio Borinquén of Caguas, Puerto Rico in 1969 and soon
became Minister of Education of the Young Lords. Barrio Borinquén is the first rural community just
outside of Caguas on the same road that leads to Barrio San Salvador. Dr. Baez comes from a Puerto
Rican cuatro playing family, and he also plays guitar. In Puerto Rico, Dr. Baez was also active with the
Puerto Rican Independence Party (PIP), the electoral component of the broad movement in Puerto Rico,
fighting for Puerto Ricans to regain back control of their nation. By 1970, Dr. Baez moved from Chicago
to Milwaukee and set up a Young Lords chapter. They maintained a community office and distributed
the Young Lords Newspaper (that Dr. Baez had also helped to publish while in Chicago), focusing
primarily on neighborhood organizing, community-based programs, and bilingual education. During the
same time, Dr. Baez continued his studies and some years later earned a Ph.D. Today Dr. Baez is
Executive Director of the Council for the Spanish Speaking, Inc. The organization was established in 1964
and is the oldest Latino community-based organization in Milwaukee. The Council serves more than
15,000 individuals, including at risk youth, working families, adult learners and the elderly via subsidized
elderly housing. They also assist with foreclosure counseling, health education, and civic engagement
and mobilization. Dr. Baez is the former Provost and Chief Academic Officer of the Milwaukee Area
Technical College in Wisconsin. He has served as Assistant to the President, Associate Dean of Pre-

�College Programs, Dean of Liberal Arts and Sciences, and Director of Research, Planning and
Development there as well. In the Bronx, New York, Dr. Tony Baez also ser served as Vice-President and
Dean of Faculty at Hostos Community College.

�Transcript

JOSE JIMENEZ:

(inaudible) Testing, one, two, three. Testing, one, two, three.

LUIS BAEZ: Testing, one, two, three. Testing, one, two, three. Can you hear me well?
(break in audio)
JJ:

Okay. Tony, if you can give me your name, your date of birth, and where you
were born?

LB:

I was born in Caguas, Puerto Rico in 1948, and in the Caguas, it has a number of
barrios, and I was in a barrio called Borinquen, close to Salvador, and
Salvador’s, where Cha-Cha Jiménez is from.

JJ:

Okay, San Salvador.

LB:

Yup.

JJ:

[San Salvador?]. And what was the date that you were --?

LB:

September 3, ’48.

JJ:

September what?

LB:

Third. Third.

JJ:

[Third, okay?]. Okay. Okay, so, Borinquen. What was that like? Give me a
description of that.

LB:

Barrio Borinquen in Caguas was a neighborhood that was very active in
[00:01:00] the 1960s because of a lot of things that were happening on the island
that were very political in nature. And I was recruited at that time by groups of
people that were involved with the Puerto Rican Independence Party to be a part
of the youth organizations that were in the area. We were also involved, at that

1

�time, in takeovers, land takeovers, where people were desperate for housing,
and there were large lands that were being used for sugar canes -- fields and for
cattle. And, as sugar cane was dwindling, coming down, those big, huge areas
became empty, and we -JJ:

What year was this?

LB:

This was in the 1960s, 1966 to ’69, more or less. And so, I was recruited --

JJ:

So, there was sugar around there, in --?

LB:

Yeah, there was a lot of sugar in that neighborhood. There was a lot of
[00:02:00] cattle in that neighborhood. The (Spanish) [00:02:02], they produced
milk. They sold milk to the city. And so, there was economy based both on the
sugar cane, tobacco, and cattle. Okay? And my grandfather was the owner of a
piece of land that produced a lot of sugar cane.

JJ:

What was your grandfather’s name?

LB:

[Emilio?] Baez. Emilio Baez, who had been a politician involved in another barrio
of Caguas before he came to Borinquen, and my father was --

JJ:

What kind of politician?

LB:

A local politician. He was a city councilor.

JJ:

City counselor.

LB:

And he lost an election -- he was very disappointed -- in Barrio (inaudible). And
then, he got this piece of land in Borinquen and came over, and he grew a family
there, and my father was the first member of that family out of nine people who
[00:03:00] made it to the Army. He enlisted in the Army, and the family was not

2

�happy with him because he enlisted in the Army. To my fortune, when he came
back because he -JJ:

This is in World War II, or...?

LB:

World War II.

JJ:

Okay.

LB:

Because he had been a soldier, and he had been around, and he had traveled,
and, you know, he had more aspirations for us. There were four boys and one
girl in my family, and he also took us back and forth from back inBarrio Borinquen
to New York as a worker. My mother and he would come and work in the
different industries in New York City, and then they would go back, and it was
almost like an annual thing, so --

JJ:

Like factories, or --?

LB:

Factories and the needle industry.

JJ:

The needle industry.

LB:

A lot of the needle industry.

JJ:

In New York.

LB:

In New York, yeah. And --

JJ:

What were their names?

LB:

[Bernardo?] Baez was my father, who died in [2004?], [00:04:00] and my mother,
who’s still alive, [Maria Isabel?] (inaudible) Baez. And so, they --

JJ:

Your siblings, what were their names?

LB:

Oh, my siblings. One was [José “Tito”?] Baez, who is a cuatrista and pretty well
known in Puerto Rico for a master cuatro player.

3

�JJ:

Tito Baez, mm-hmm.

LB:

Yeah. And my other brother is [Eduardo?].

JJ:

And what does Eduardo do?

LB:

Eduardo is a guitarist. Okay? And a worker ’cause they’re all workers. Tito -José -- for example, who follows me, was working in the public schools and
taking food to the cafeterias, these school cafeterias. (Spanish) [00:04:44], as
they call them. And my sister, [Yolanda?], who was also a laborer. She lived in
[there?]. She lived in New York. She lived in Chicago too. And one brother who
was very active. [00:05:00] We called him [Papo?], and he disappeared one day
during the political process, and we found his body later.

JJ:

Disappeared, and you found his body?

LB:

We found his body in the --

JJ:

So --

LB:

-- beach in (inaudible). Yeah.

JJ:

But, I mean, you know that it had to do with political reasons?

LB:

The suspicion is that it did. Okay? Some people say that maybe he went for a
swim and that happened. Well, he used to work as a swim guard in one of these
places, so that’s unlikely, but my brother was known for his political activism
(overlapping dialogue; inaudible). And he was among the couple people that
stood on the Lares celebration in 1960 -- 1970, actually. Yeah, 1970. And
burned an American flag on top of the US post office. And, after that, he was the
subject of a lot [00:06:00] of persecution, and he came to Milwaukee for a bit,
and he went back, and then he died. So, he died at the age of 26. Okay? So,

4

�my family was sort of like well known in Barrio Borinquen because my father set
up a little store there and a little country bar, and I used to work there with him,
and we went back to Puerto Rico for [a certain point?] when I was in sixth grade.
JJ:

Right there at the entrance, that country bar?

LB:

Yes. It was [just that street?] going into Barrio Borinquen. And the activities of
the family were sort of like well known, and my father --

JJ:

Are they still there? Are there any family members still there?

LB:

Yes. Everybody’s there. Everybody’s there except me.

JJ:

(inaudible).

LB:

Yes, and my father that died. But my father was, you know, more conservative.
He had been a soldier, and he was member of -- he was sort of like a follower of
the Republican party in Puerto [00:07:00] Rico, so I had my disagreements with
my father, and I had very strong disagreements, like most people in Puerto Rico.

JJ:

Yeah, my father was (overlapping dialogue; inaudible).

LB:

Exactly. In the same house, we have people who are Republicans, Populares.
In my house, my father was Republican, my mother was Popular, and I was
Independentista, you know? And we used to have these discussions about party
lines and our own ideological lines because that’s the nature of Puerto Rico for a
long time. Since the Americans came in 1898, there has been this whole
movement around either becoming sort of stabilized as a colonial state, like the
Populares did, particularly since the ’40s and the ’50s, or become a state of the
United States, like they are still trying to make Puerto Rico a state even though

5

�the US doesn’t want us. And then, the groups [00:08:00] that were pushing for
Puerto Rico to become an independent island from the United States.
JJ:

What do you mean, the United States doesn’t want us?

LB:

The Congress of the United States has repeatedly stated throughout the years
the Puerto Rico, for them, is a major dilemma, and it’s a problem, not just along
racial lines, as many of us know, but, because of the density of the population,
we would probably have more representation in Congress than many states in
the Union. However, the representatives in those states would have to vote in a
referendum to make us a state, and becoming a state of this Union is extremely
difficult to do. So, the politics of it is that -- why would you want to vote in another
territory that will bring in more representation in the Congress of the United
States than many -- and I really mean many -- states will have? Okay? And, on
top of that, people of color and [00:09:00] that have been saying for many years
that they want to remain bilingual, and they want to -- and they insist on Spanish
being the national language of Puerto Rico as opposed to English. So, yeah,
being from Borinquen, having had those experiences, participating in land
takeovers, and then going to the University of Puerto Rico and the --

JJ:

So, you participated in -- you went to the university, but you participated in the
land takeovers?

LB:

Yes.

JJ:

But were there people arrested in that or anything like that, or --?

LB:

Yeah, there were people arrested, but it was a different time. It was not like here.
I mean, these were Puerto Rican policemen, many of whom themselves needed

6

�houses, and they participated in land takeovers in other places on the island.
Okay? So, it was a time in the island where people were just taking over land -JJ:

What year was this?

LB:

This is from ’66 to ’68. Okay. People were doing this. I mean, 1968 is a big
[00:10:00] year of people rising all over the world. Okay? There’s books written
about this stuff. As the (inaudible) of a particular year where people had enough,
like people are having enough today, and people go into the streets to exercise,
basically, democracy. And, in Puerto Rico, that was reflected in the [strong?]
movement to take over lands. And so, you were affected. I mean, you’re in the
same barrio, and, all of a sudden, somebody comes to the little store of my father
and says, “(Spanish) [00:10:33].” And then, “We’re getting people together to --”
And then, you go with him. You participate, and, all of a sudden, you find
yourself as a speaker, you know, in events like that, and I remember, in one of
these events, I was asked by the people in the area -- said, “Well, you speak
well. Could you speak for us?” And the city council -- this was my first time
before the city council in Puerto Rico, in Caguas, okay? [00:11:00] And I go
there, and these people are distinguished folks and councilmen, you know,
(Spanish) [00:11:06], right? And so, for me, it was a little bit weird to have to do
that, but, you know, we were young folks. We saw what was going on in the
neighborhood. We didn’t think it was fair, and we became involved. Then, we
got affected by the war.

JJ:

What wasn’t fair? I don’t understand. You’re taking over somebody’s land.

7

�LB:

Well, what was fair is that people were living in little huts all over the place that
didn’t have their own homes, and their houses were attached to the land of
others. So, like, my grandfather, who had a piece of land, I used to remember
the (inaudibleChito?) who used to take care of a lot of the maintenance of the
land. He had a little house right next to the (Spanish) [00:11:58], right?
[00:12:00] Smelling all that cow stuff and all that stuff with a big family, and some
of these family members used to be my friends. I used to go, “Why do they have
to live like that?” So, these are people that became part of a movement of
takeovers. And then, on top of that, you had the war, and then you had the
ideological battles, and the Puerto Rican Independence Party, the Puerto Rican
Socialist Party at that time, in Puerto Rico were very adamant about the whole
thing that a very energetic youth had to be included and had to be a part of a
change in the island and resisting the war, the war in Vietnam, because the war
in Vietnam was becoming a household word for people in (inaudible). So many
Puerto Ricans were being recruited by Servicio Militar Obligatorio to go to the
war to fight in foreign lands in wars that we had nothing to do with. Okay?
[00:13:00] Wars that we had not begun, that were began by other corporate
interests. So, we were sort of part of a resistance movement in the war. We
were part of land takeovers. We used to march a lot. I mean, the schools where
I went to. I mean, people demonstrating --

JJ:

In (Spanish) [00:13:21]?

LB:

No. In Barrio Borinquen, no, but I went to the school in the city. Okay? So,
there was a little bus that used to take us to the city, and, (Spanish) [00:13:34]

8

�was a high school, and (Spanish) [00:13:38] was a middle school. Kids were
very involved. We had demonstrations, and we used to march, and all this kind
of stuff, and sometimes we’d wonder why we were marching so much, but we did
it anyway. And then, we heard about these demonstrations at the University of
Puerto Rico, and these students were (Spanish) [00:14:00] because they didn’t
want to go to the war. And then, the movements like the Sixto Alvelo movement.
Sixto Alvelo was a Puerto Rican student that went with a group of students to
Vietnam to see what was going on over there, and he was in a school with a
group of other students from other Latin countries. And, when the US bombed
Vietnam -- and he was in one of those places where the bombs fell, and he was
killed, and Sixto Alvelo had nothing to do with it. So, there’s a big movement. I
became, later, the vice president of the youth movement in the -- what was called
Sixto Alvelo Movement in Defense of the Juventud Puertorriquena. And so, we
were all affected by all this stuff that was going on, and I was right in the middle
of all of that because I was an emerging young kid among the kids in the
neighborhood who took positions, [00:15:00] and PIP, for example, the Puerto
Rican Independence Party, had an office in town, and they made the office
accessible to me and a bunch of other young kids. And I was sort of like the
young leader of that group that would represent the group in different events. I
remember there was other folks that were doing likewise, young people that went
out teaching in the schools, and the Puerto Rican Independence Party had a
huge convention in 1968, and two of us were selected to argue against
established leaders in the party that had been to prison with Pedro Albizu

9

�Campos for other kinds of things in the ’50s. And here we are, these young kids,
debating them on the sort of procedure of things in the party and in conventions
because we wanted more voice. The youth movements wanted more [00:16:00]
voice in the party. So, within the party, there was all that debate. How do you
make the party more democratic and sort of move towards [the real time?]?
When they were sort of behind the times, as we thought, because they were still
following the (Spanish) [00:16:17], the whole Albizu Campos movements, and all
of that stuff, and (Spanish) [00:16:27] [Rivera?], and others, who we saw as good
leaders who had done good things, but they belonged to another generation. We
were the new generation coming in. So, yeah, we were involved in all of that
stuff. I remember speaking in Bayamón before a mass of people and going like,
“Wow, I’m speaking to this mass of people about members of the party who are
old members of the party, and now the young people are taking over.” And
Rubén Berríos was president of the party, and, for us, that was like, “Wow, he’s
such a good speaker.” [00:17:00] He was such a good presenter, an economist,
a doctor, you know. [In economics, he?] went to Oxford and Princeton, and we
were impressed because we had sort of like a youthful leader that was taking the
party in another direction, and it was a direction that was a little bit more
aggressive, and it was going more to the streets, and there were demonstrations,
as opposed to the old [guard?] that was negotiating -JJ:

So, [it was?] (inaudible) as the old guard, or --?

LB:

No, he was a new guard.

JJ:

He was the new guard.

10

�LB:

He was the new leader. He was young. He was energetic. He spoke so well,
and, for us, every time he made a speech, it was like, “Wow.” So, I was affected
by all this that I saw around me and people like him, who were remarkable role
models for us as people that, when they grab a microphone at a podium, they
mobilize masses, and I’m talking [00:18:00] about masses. You know, you’re
talking 40, 50 thousand people, demonstrations like that. So, when I finished
high school, I went to the University of Puerto Rico on a scholarship because we
were too poor. I didn’t have money to really go there. And so, I would work at
my father’s store and then go to the University of Puerto Rico, and I had to take a
little (Spanish) [00:18:25], as we call them, (Spanish) [00:18:27], public
transportation, every day. Had to get up at five in the morning to (inaudible)
Barrio Borinquen --

JJ:

(Spanish) [00:18:36] is what? Like a van, or --?

LB:

Yeah, it’s like a van, and it’s a public transportation van, and --

JJ:

Versus a bus.

LB:

Versus a bus. And these things were out in the street since early, so, at five
o’clock in the morning out of Barrio Borinquen, I took one of those. I took it to
Caguas. And then, from Caguas, take another (Spanish) [00:18:56] to Río
Piedras, and then, Río Piedras -- [00:19:00] they left you at the plazas, and you
had to walk to the University of Puerto Rico. And when I went to the University of
Puerto Rico is the first time I’ve seen a university. I didn’t know what that was. I
heard a lot about it, and I heard about the demonstrations and all of that, but I
didn’t really know what that is. And you had to do it between five in the morning

11

�and four o’clock because that’s when the (Spanish) [00:19:19] stop rolling.
Okay? So, your classes had to be during the day. And then, at night, I’d work at
the store, but I had to travel. I didn’t have money to stay, like many children of
privilege did when they went to the University of Puerto Rico. They had their
dorms and all of that. No, I lived in Caguas. I could take transportation and then
go there. And, when I got to the University of Puerto Rico, I started to see some
incredible things around me. I was already politicized enough that I had a sense
that I had to join these movements.
JJ:

So, you were going there to study what? What was your major?

LB:

When I went to the University of Puerto Rico first, I was the general [00:20:00]
studies, but I [had a concern of?] becoming a math teacher. I wanted to be a
math teacher, so most of my work was in mathematics, and, actually, after two
and a half years --

JJ:

My worst subject.

LB:

Yeah. When I was at the University of Puerto Rico, they assigned me as a
substitute teacher in the country, in (Spanish) [00:20:21], and the first one was in
[Cidra?], Puerto Rico, and in (Spanish) [00:20:26], and I was teaching
mathematics. I was teaching the new algebra, okay? In high school. But I was
a substitute teacher. I wasn’t a certified teacher yet. It’s just that the system
needed a lot of substitute teachers ’cause they didn’t have enough teachers.
But, when I went to the University of Puerto Rico, I met a lot of young folks that
were extremely brilliant people. The University of Puerto Rico at that time was
sort of like a center of very bright young folks because you had to have above a

12

�3.5 GPA average to get [00:21:00] into the university, and you had to test among
the top 10 percent on the SAT, you know, and I happened to do that, so I got a
scholarship, and I went in. And, at the University of Puerto Rico, you were
surrounded by the activism of thousands of people, and the student movement
that was becoming increasingly large, and people like Florencio Merced from the
Puerto Rican Socialist Party or people from the -- what it’s called the JIU, la
Juventud Independentista Universitaria. These were amazing speakers. These
were students of law. These were students of journalism, more advanced than
us. They were older than us young guys, but they were models, you know, and
you saw them standing on top of cars and doing these incredible speeches, and
you would learn from them. As a matter of fact, I heard a chancellor, Puerto
Rican chancellor, speak one day here in Milwaukee, [00:22:00] and, when he
finished, I went up to him and says, “You sound very much like me. Where did
you learn this from?” He says, “Well, I went to the University of Puerto Rico in
1966.” [I says?], “Me too.” But it was so large that you never got to meet people.
We had the same models.
JJ:

You had the same what?

LB:

The same models. We learned from the same people.

JJ:

The same people, yeah.

LB:

We learned from the same people, but we never met.

JJ:

So, what were some other names of some of the people --

LB:

Florencio Merced, [Miguel Ángel?] -- [I forget?] his last name. But they were
people who -- student leaders at that time. And then the party leaders,

13

�(inaudible), people like Rubén Berríos and others, and they were there all the
time, participating with us on issues because it was the Vietnam War, the
ideological battles, trying to make Puerto Rico an independent country. And
then, the larger issue of -- in the context of the university -- of the university’s
independence [00:23:00] from the political [groups?] and the political process.
And, at that time, we used to argue that the university should be a place of study
and for people learning and not to be controlled by government. You know, at
that time, it was a -- (Spanish) [00:23:18] didn’t matter. It didn’t matter who was
in power. The issue is the university should have that independence.
Unfortunately, like right now, the university doesn’t have that independence
because it’s controlled by the party in power. And then, this whole movement
towards accountability has become an excuse for parties to take over universities
and crush the whole issue of academic freedom.
JJ:

Can you describe what a movement towards accountability -- what is that?

LB:

Well, this accountability really begins at a -- stronger during the Reagan years.
Okay? And it’s about the notion that America’s [00:24:00] failing because of
people like us, people in the street and people in schools, et cetera. So, you
vilify the small folks, and you glorify the people at the top, the one percent that
makes the money and the corporate folks. Business is always right. Nonprofit
organizations are always wrong. That kind of thing. People in the community
are always wrong. They just want to take and take from government, and they
want government to work for them, and these corporate people, they made it on
their own. It doesn’t matter that it was us that built the roads that create their

14

�revenues and their richness or that [it was?] working people that created the
infrastructure that allows them to make all that money and become international.
They seem to forget that. Okay? But we, in the ’60s in Puerto Rico, were being
slightly affected then by this accountability thing, and we stop it, [00:25:00] and
we develop movements to promote the idea that the people need to have a seat
at the table. And they use what government had at that time, and they still use it
today -- the police [have separate purpose?] too. And so, the police at the
University of Puerto Rico were highly involved in crushing youth movements, and
I remember being arrested at the University of Puerto Rico once at the School of
Social Sciences with some other folks because there was a huge demonstration
at the university, and the police came, and, boy, they grab us. They throw us to
the floor. They kick us. They took us into a police station, and, with phone
books, they beat the heck out of us and that kind of stuff, and we had to be -- the
person that bailed us out was the dean of the law school at the University of
Puerto Rico, who was more into equity and into [00:26:00] a university that was
protecting the students at that time. So, we went through all of those
experiences, so, after the beating, that’s when my parents said, “You got to get
out of here,” you know, and, finally, I ended up here in Chicago.
JJ:

This is after you got arrested --

LB:

Yeah.

JJ:

Your parents said, “Let me get you out --”

LB:

Yeah.

JJ:

“Out of here. We don’t want you arrested again.”

15

�LB:

Exactly. And, “You’re putting yourself in danger, and this is not for you.” My
father was very embarrassed. For example, my father was extremely
embarrassed that policemen beat me up and slapped me around.

JJ:

So, he wasn’t angry with the police? He was embarrassed?

LB:

No, he was embarrassed, and he was angry at me that I was espousing
ideological positions and things like that to have these policemen beating me up
and all that stuff, and that was embarrassing. He felt that I shouldn’t do that, that
I was not deserving of that kind of treatment if I was on the right track. Okay?
So, his position was always a little bit different from [00:27:00] mine in that
regard. Later, when my brother disappeared, he never let go of the feeling that
he was responsible for not protecting his kids from the police and from repression
in Puerto Rico, but that was later. See? So, as he got older, he started to rethink
his positions. So, yeah. You know, my mother raised money, and they sent me
to Chicago, and I came here.

JJ:

Did you know people in Chicago, or...?

LB:

I knew some people in Chicago where I used to live at -- they were from the
barrio. Okay? And I had just got married at that time. I was living with
somebody, and she had come here --

JJ:

What year was this?

LB:

This was in late ’69, and I arrived here in 1970. I arrived in Chicago in February
of 1970. [Used to remember the?] (overlapping dialogue; inaudible) --

JJ:

’70 or ’69?

16

�LB:

’70, yeah. [It was?] ’70, and it was cold like hell [00:28:00] outside. And, as I
arrived in Chicago, the family I was staying at, which was on North Avenue and
[Oakley?], that area, themselves, were Independentistas, and they were aware of
everything that was going on, and they told me about, you know, these young
kids took over People’s Church on Armitage. I didn’t know what the heck
Armitage was or what was going on here, but it [smelled?] consistent with what I
was doing in Puerto Rico, right? And so, I was -- when I left Puerto Rico, I left,
really -- my whole heart was destroyed because I wanted to be a part of that
movement, and I remember that all these people from the Puerto Rican
Independence Party went to say goodbye to me at the airport. And so, coming to
Chicago and finding out that people were doing things here against a system that
was not working for people in general -- then, [00:29:00] the people in the house
said, “There are some people that are meeting about this issue at People’s
Church, and these kids are inside with weapons and protecting the church, you
know? You should go in and talk to them too. Be a part of this.” And I said,
“Yeah.” Made a lot of sense to me. So, that’s when I went to People’s Church,
and you guys were inside already, and when I met Cha-Cha Jiménez for the first
time there, and I met Omar López, and I always tell this story, that I felt a little bit
odd because Omar was the first person I met from the Young Lords, and he was
Mexican, you know? Not Puerto Rican. I thought this was a Puerto Rican
movement. So, my idea of a Mexican was different, not involved in something
like this, and we’d sort of joke about it and all that stuff, and I became involved,
and I was introduced to Cha-Cha Jiménez, and I was sort of recruited right there.

17

�“Can you help us out? [00:30:00] You were involved at the University of Puerto
Rico. Can you get involved here and help us organize an educational
movement?” Because the Young Lords were talking about education. They had
been doing educational stuff. They had been educating themselves and the
community around them. So, the more of us that had some educational
experience, the better, and, because I was from a barrio, not a child of privilege,
it sort of made me be closer to people from the street. Okay? That had been in
the street, doing things and struggling in the street as opposed to privileged kids
that have this ideological [bent?] for a little bit, and then they go off to become
lawyers somewhere else. Okay?
JJ:

So, you were asked to kind of set up some kind of classes or --

LB:

Yes, I was --

JJ:

-- some training.

LB:

I was asked, particularly by Omar López, who [00:31:00] I became very close to - and Omar, at that time, was living, I think, at Association House in the upstairs,
and I was close enough, so I could just walk over there, and we would talk about
how to further the education of the Young Lords. And Omar had been involved in
the student movement here, so, for me, that was very impressive, that both him
and his wife at that time, Ada, had been sort of like students in this movement
too. So, we were able to talk in the language we knew, the language of students.
The other members of the organization were more from the streets of Chicago.
They had taken a number of political actions to stop repression, and that
repression was in the form of government coming in, and taking over land, and

18

�not providing certain services, like free health clinics and things like that that
needed to [00:32:00] happen. But everything moved around the fact that the
Puerto Rican community in the Armitage area and Halsted area was being
moved, was being pushed. I remember we used to talk about urban removal.
Okay? So, how do you fight a system like that? You need to fight a system like
that with good education and people who can speak and can present before
audiences, so to be a little bit more participatory and more convincing. Okay?
And then, Cha-Cha was a good speaker. And so, for me, when I got to the
Young Lords, I was inspired also by the fact that there were people like Cha-Cha,
and Omar, and [Alberto?], and others that were connecting to a larger
understanding of a movement, and that movement [00:33:00] was affected by
what the Black Panthers were doing, what the Brown Berets were doing, what
people were doing in New York in the takeovers, what people were doing in
California [and the?] Southwest, and you sort of heard about all of this because
you were networking. And then, in the networking, you understood much better
that this was not just us in Chicago -- there were more people doing this -- and
that what was happening in Chicago is that people were a little more aggressive
about doing certain things, more daring. You know, daring to be arrested, daring
to go to the street, daring to have demonstrations. I participated in those
demonstrations. I marched in those groups. I found myself with the Young Lords
and before the UN in New York, marching and demonstrating. [I said?], wow. I
would have never done that in Puerto Rico. And marches down Division Street
and -- so, you’re surrounded [00:34:00] by the grandeur of movements of people

19

�resisting and fighting back and people talking about what they had just done, and
the death of Fred Hampton, and the marches, and the riots in Chicago, and all of
that. All of that talk, that discourse, was sort of affecting me personally because,
now, if I had certain skills and education, I had to put those skills to work, and I
had to work with others to identify the literature that was being read by folks in
the movement to better understand what was going on everywhere. Okay? And
that’s where I started to read more economics and read people like Marx, and I
had touches on Marx at the University of Puerto Rico, but now, it was a little bit
more formal, or reading (inaudible), or reading the others -- you know, Ho Chi
Minh -- not because of who they [00:35:00] were as much as because they gave
me additional tools and tools to understand the contradictions, these things that
were going on. And so, I set up with Cha-Cha, and Omar, and others. I set up
courses. It was like what I knew then. It was like formal courses at the
University of Puerto Rico to teach young people about some of these folks, to get
people to read more and to read more, and I was like a pain in the neck because
I was telling people, “You got to read. You got to read,” because I was a reader,
and I read everything that came my way. So, I wanted people to do that. I
remember that, with the young women in the movement, I had these discussions
one time because we were not doing -- yeah, sort of, we were not intellectuals
trying to produce papers and all that kind of stuff, but they were sort of angry at
me because I was pushing too much because, you know, I wanted them to read,
and I wanted them to understand [00:36:00] things. And I kept on saying, “But
you got to. You got to because we have to depend so much on people’s intellect

20

�in a movement like this and our ability to convince other people in the
community.” And then, we had an idea of a newspaper and how to use the
newspaper as an organizing tool, you know, that we would build into that
newspaper news about the community, news about what was going on in all the
country, and get it to people in our community in a bilingual fashion. Then, the
idea that it had to reflect more what Mexicans and Puerto Ricans were going
through, so we had in the paper, you know, little things with Zapata on one side
and [Albizu another?]. The whole format had to be like that, but it took a lot of
thinking. It took sort of a good understanding of what was going on in the
movements, but we were not technicians that we knew how to do a newspaper,
so we just imitated what other [00:37:00] people were doing, and doing layouts,
and writing things in Spanish -JJ:

What do you remember of some of the layouts?

LB:

Oh, yeah. Yeah.

JJ:

What do you remember [of it?]?

LB:

I had to do layouts. Yeah, and I had to figure things out, and these machines
that we haven’t used before to type with two fingers, and do the little strips, and
then the papers, and the columns because we had to be economical in how we
put the columns in and all that kind of stuff. It costs money to do all of that stuff.
And so, then we had to organize around that and get people to sell the
newspaper and raise some money so that we could produce the next copy and
the next copy.

JJ:

So, it was self-produced, or...?

21

�LB:

It was self-produced. We did the whole thing. We work at it, and then Omar
López was the minister of information, and he was responsible for the paper. I
was the minister of education, and I was responsible for a lot of the content. And
then, [00:38:00] Cha-Cha, you were mostly sort of like an inspirational piece, and
you help us think about some things, and I remember we had many discussions
about what kinds of things should we cover, and what kinds of things should we
say? The next movement, how do we use the newspaper as an organizing tool?
So, we were very much personally affected by what was going on, going to
meetings. I remember that, once, they wanted you to speak. They wanted ChaCha to speak in some event, a student event in Carbondale. I didn’t know where
Carbondale was. Cha-Cha said, “Well, you go,” and I didn’t know enough
English. I said, “Oh, my God. How am I gonna do this,” right? Speak before a
student body that I didn’t know how large. And the people that were involved
was [Bernardine Dohrn?], who was gonna be speaking there, and then, she was
a fugitive at that time. [00:39:00] I didn’t know. And (inaudible), who was her
friend. And then, a group of people took me in a car with these fugitives, quoteunquote, to Carbondale, Illinois, and then they took us to the back door so that
we could speak to the student movement. And, when I got up there, and I look at
[it, I?] couldn’t see the end. There were masses of students. And I says, “Oh,
my God. What do you say here?” And you spoken English, and you try your
best to be as clear as possible, and you made the point in favor of a Young Lords
movement that was emerging as a strong political force and that from becoming
a street initiative, now, you had all this other activity and all this involvement that

22

�we could be a part of and present in a major student demonstration in
Carbondale, Illinois. That, for me, was like, wow. That was very big. And then,
getting into a car and sneaking you out, you know, [00:40:00] to Chicago. So,
that was my sort of involvement in Chicago at that time. And then, I decided to
go to Milwaukee.
JJ:

Before [you get to Milwaukee?]. Okay, so, now, you’re in Lincoln Park, and
[there’s a Young Lords there in the church?]. You’re the minster of education.
What was your impression of some of the Young Lords that hadn’t gone to
school at all, that were just from the streets, from -- you know, ’cause we came
right from the gang into the group without --

LB:

That’s a very interesting point. My initial impression was that you had young
people that were eager to do things, and they were daring because they had
been in the streets. They would do things that I had not thought about doing
before. You learn from that, and then you let them take the initiative, and you
participate in it, but they were [00:41:00] daring acts. Okay? But they were not
very well educated. They were people who were volatile, and they were
individuals who were --

JJ:

Volatile?

LB:

Volatile, and they were sort of -- [not?] very disciplined. Okay? You will call
meetings, and people will [show or not show?] depending on that kind of stuff, or
you would try to give some more structure to the organization, and you had to
spend a bunch of time tracking people down and stuff like that. And it was
different from being an organizer at the University of Puerto Rico, where the

23

�discipline was very high, and the kids that were at the University of Puerto Rico
were very smart, and even those that came from poor neighborhoods were
people who were very well prepared. And so, when you had a demonstration,
you could count on 50 thousand people to go into the streets, and it was highly
organized. Everybody was very responsible about different kinds of things.
[00:42:00] When you come to Chicago, it’s not the same thing, but you have the
passion. You have the people that are daring, and you want to be a part of that,
so you have to get closer to the folks that are there, which I did. I got close, and I
was part of the discussions and things like that, but I was always viewed as being
more educated than other folks, and I was not different from them because I was
also from the street but from a different place.
JJ:

And you were a member, right?

LB:

Yeah, I was a member, but I was, you know, from (inaudible) Puerto Rico, not the
streets of Chicago, so I had to make my points, and Omar made his points, and
you, and others, and what we learned in that process is that education was
critical to everything we did, and we had to educate people to be a part of that
movement. So, I had to find a way of taking people that were very undisciplined
[00:43:00] and getting them to sit put for a little bit to do some reading. And then,
we had to prepare modules that were not too long, you know, that were short
enough so that people could read [it then?] and get into it. You could not expect
people to read books, whole books. Some of us had to read the whole books,
and we had to summarize it for others. So, we had classes to do that. And what
my impression of that group is that, while it would take a long time because we

24

�had this vision -- we’re gonna be here doing this for the next 30 years, that kind
of thing. Well, we had this vision of a movement that would continue to grow,
very much like the movement in Puerto Rico had grown from something very
undisciplined in the ’40s and ’50s to something very disciplined in the ’60s, that
we could get there. And so, we had to develop tools to do that, and that’s -- the
newspaper did that. The courses did that, and a bunch of thinking, [00:44:00]
planning meetings. Boy, we came up with these planning meetings all the time,
and we would sit around, and talk, and argue, and think about what’s next
because that was part of our growth. Okay? And we would discuss what the
Black Panthers were doing and the other party was doing, but we all learned
through that process.
JJ:

And [were you?] using some of the Panther newspapers and films, or --?

LB:

Yeah. We were using some of that. We would look to, you know, the (inaudible)
[of this world?]. We would look to the Angela Davises of this world and others as
sort of like models that would teach us some things, and then we would read
about them [raising up angry?], and they’d publish a newspaper, and we would
read their paper. And we had a number of students that used to come around
from the University of Chicago and other places to volunteer and help out, and
we learned from those folks [00:45:00] too. Like, I remember I wrote a paper on
the history of the Puerto Rican independence movement, and I wrote it in
Spanish, and then it had to be translated into English, so the students from the
University of Chicago help us translate that article. Okay? And it got into
different kinds of things, like another version of the article got into the Journal of

25

�Puerto Rican Thought, and that’s when I met people that were editing sort of a
scholarly journal of Puerto Rican intellectuals all over the country, and I found
myself -- an article that I wrote -- in there, and you were like, “Wow.” But it came
from a street movement, and people were recognizing that we can contribute to
the sort of philosophizing and intellectual knowledge of our communities as they
were growing.
JJ:

Okay. Okay, you said Milwaukee, and you moved to Milwaukee. [00:46:00]
What was the reason for that?

LB:

I moved to Milwaukee because I felt the movement was changing here. Okay?
Cha-Cha [had left. We were underground?]. There were more internal battles
within the organization, and I thought at that moment that I had been to
Milwaukee already. They had brought me to Milwaukee to speak to a group, and
there was a very -- you know, a good movement in Milwaukee. It was very
Puerto Rican, Mexican, everybody mobilizing in that community, and --

JJ:

Did you know people there at all?

LB:

I knew a family. My family was there. I had an aunt who was married there. [I
had that?] uncle, and I had cousins. And then, I was taken there by a group of
folks because students and people from the community took over the University
of Wisconsin, and they took me [00:47:00] over to a -- sort of like it was a
consultation, you know? And a number of us went, and we discussed the
takeover. Then, I came back to Chicago, and they took over [in?] Wisconsin.
And then, right after that, I was asked to go to Milwaukee to speak, and I decided
that Milwaukee would be a place for me to move to, mostly because Milwaukee

26

�had been a socialist community for many years. They had had socialist mayors
until the 1960s, so Milwaukee was just coming out of a socialist stage. It’s a
social democratic stage. There was a lot of community-based organizations and
movements. It was really different from Chicago. You had (inaudible) asking
people that -- shoot to kill and very extremely repressive, very nasty. People
scatter all over the place, underground, running away from what was really a very
[00:48:00] oppressive movement. The Milwaukee activity was a lot -- flourishing.
Okay? Developing. People coming from the southwest of Milwaukee a lot, from
Puerto Rico, and there were all kinds of organizations -- civil rights organizations
-- following mostly Father Groppi at that time, who was an icon of the
desegregation movement in Milwaukee. And I remember finding myself in some
of these [things?]. I remember sitting in a meeting, and, on one side, I have Jane
Fonda, and the other one, you know, I had some of the people from Father
Groppi and that kind of stuff. So, I felt that I was being a part of something very
significant there, and why I moved there -- I didn’t want to leave the Young Lords’
idea behind. I thought that it was a good thing. How do we bring it to other
cities? Okay? [00:49:00] How do we expand the Young Lords from being a
Chicago-based group that’s gone through up and downs but that needs to
continue also in places where some of us that were in the Young Lords went to?
So, I started [in our?] chapter in Milwaukee, and the newspaper that was being
published here, then, I took it to Milwaukee with me because I got connected to a
local newspaper in Milwaukee called La Guardia, and La Guardia was a Chicano
newspaper. They needed a Spanish editor, and I could be the Spanish editor, so

27

�I became Spanish associate editor of La Guardia, and Lalo Valdez the English
editor of La Guardia. And then, other people that were in the movement -Milwaukee, at that time, connected to Crystal City, Texas, where a lot of things
were happening.
JJ:

What part of Milwaukee were you based?

LB:

I was in the South Side of Milwaukee and based -- the work I did was in that
newspaper, and that [00:50:00] offered me the opportunity to bring the Young
Lords into that setting. And then, the community-based organizations that were
very close to what we were doing -- I ended up directing a community-based
organization and doing the same thing that I was doing with the Young Lords.

JJ:

[At that time?]?

LB:

Yeah.

JJ:

During --

LB:

During 1971. Doing the same thing that I was doing with the Young Lords in
Chicago, sort of transferring that to Milwaukee, creating study groups. People
will sit around, all these young people, you know, and they used to have, like, 20
people, and I was in the middle of these 20 people, discussing what is to be done
[by learning?] and what is -- having people read different kinds of things. And
then, I (inaudible), you know, [when I did?] the political stuff because I had an
interest in literature, and I had done a lot of literature when I was in Borinquen.
We had a literary circle, and we read Latin American literature [00:51:00] and all
of that, and, in Milwaukee, I had the opportunity because, mostly, they were
students. They were students in high school and students in college, unlike gang

28

�members in Chicago for a while that politicized themselves. Okay? So, I was
able to say, “We got to read Gabriel García Márquez, and we got to read
something from Guatemala, and we’re gonna have (inaudible) or the antiimperialist novels (inaudible),” and all of that stuff. I was able to do that and
assign people to read these books that we had not read in Chicago but that
people were now getting involved in writing about it and things like that. And the
movement in Milwaukee as we saw it was we come in also more politicized,
okay? In a different way from Chicago. It was just -- more community
organizations [00:52:00] were sprouting everywhere, and they were growing, and
I was running -- at the age of 24, I was running a community-based organization,
and, for me, that was like, wow, you know?
JJ:

What was the name of that?

LB:

Yeah, Centro Nuestro.

JJ:

Centro -- okay.

LB:

Centro Nuestro, which I remember because I use as a base when Cha-Cha
came to town and other Young Lords came to town, and people that were
involved with the Young Lords nationally, we could come to town and now had a
place to meet. I had a facility, so I could engage people in different kinds of
meetings [allowing?] more of the larger thinking, the intellectual stuff, [where?] I
keep on doing the basics (inaudible) community. I mean, welfare reform, health,
those kinds of things that were affecting people the most, connecting people to
jobs and things like that. And that helped me grow a lot. Because of that
network, I met people that [00:53:00] were involved with the university because

29

�of the takeover at the university, and I became co-chair of something called the
Council for the Education of Latin Americans with Roberto Hernández. There’s a
center now in Milwaukee named after him because he died of a heart attack
some years ago. And I was creating structures within the university to help
increase Latino students to go to college, and we created a center there. And
then, I started working with parents in the community because they were
mobilizing, and there were these mass meetings about bilingual education in the
schools. We need to get more bilingual services in the schools. Our kids are
going to these schools that don’t understand them. And, all of a sudden, I found
myself in front of these massive movements, and I remember going -- there are
articles in La Guardia in Milwaukee and in the newspapers in the Historical
Society, where I appear, [00:54:00] speaking before the school board and
surrounded by this mass of parents and saying, “We’re not gonna go anywhere.
We’re gonna take over the school district unless you do this, and this, and this,
and that,” and reach an agreement with them on that. And that sort of prompted
me to a position of friendship with people that were concerned about the
university structures, and I was recruited to be part of a group that put together
some alternative schools in Milwaukee, alternative schools for Latinos, and for
whites, and for Blacks, and it was a form of integration, even though we had our
own schools. And the university hired me to do some of that under a project that
they had and sent me to school. So, my studies were being paid while I
continued to do community work because it was a more progressive university
system. There was a [00:55:00] progressive dean there, and there were people

30

�that -- sort of helping you, like Ricardo Fernández, who is now the president of
Lehman College.
JJ:

Which college?

LB:

Lehman College in the Bronx in New York. So, he was --

JJ:

Okay. He was working with you there?

LB:

Yup. At that time, he was in the school of education, director of the Spanish
Speaking Outreach Institute, and sort of extremely helpful and sort of like a
mentor, you know, saying, “You got to go to school. You got to take those credits
from the University of Puerto Rico and bring them here, the credits you did, and
I’ll get you connected to some of the people in the school to see if you can get a
degree.” And then, I completed a bachelor’s degree, and, when I completed a
bachelor’s degree within the university and they sort of saw you in the
community, and moving in the masses, and stuff like that, they said, “Can you
teach courses regarding that movement and what you’re doing?” I said, “Yeah,
sure.” So, I started teaching courses at the University of [00:56:00] Wisconsin. I
[had to be?] teaching courses at the University of Wisconsin. And then, Dr.
Fernández and Dr. Adrian Chan, who were at the university at that time, said,
“Somebody like you shouldn’t do a master’s degree. You should go right to the
PhD.” And I said, “How am I gonna do that?” They said, “Well, challenge the
university.” And I became the first student to challenge the University of
Wisconsin on the issue that I didn’t have to do a master’s degree to go into a
doctoral program. And so, there were all kinds of meetings, and arguments, and
discussions about -- but these people stood behind me, and I was sort of like the

31

�poster boy, you know? [You sort of like to?] push, and I kept on saying, “I can do
it. I can do it.” And they had me take these exams and all these exams, and I
passed them all, and they were interesting because the questions they gave me
were about union movements and -- so, I knew that stuff. I was able to write
extensively about it. And [00:57:00] then, I went directly into a PhD program and
finished a doctorate degree, but it was totally paid for. I mean, I wrote the
proposal that brought the money to the University of Wisconsin.
JJ:

[The what?]?

LB:

For five people to go into a doctoral program to become bilingual educators, and
I was one of them. I wrote myself into the proposal. So, everything was paid
through that proposal, and the federal government provided resources to
increase the number of Latinos that went into bilingual education, and I was one
of them. So, that’s how I managed to get a doctorate degree.

JJ:

When was this? When --?

LB:

This was in the 1970s, late 1970s, and I finished -- you know, it took me about 15
years to finish a PhD because I was active in the community. So, I started, in the
’80s, doing the courses. I did all the courses in a couple years for the PhD, but
then, to complete the [00:58:00] dissertation took me longer because I wanted to
do -- I had this community thing in me, so I wanted to do a community-based
dissertation, and my advisor kept on saying, “You’re crazy. No. Do something
fast and get it out of the way.” I said, “No, no. I want to interview people in
different parts of the country about educational movements in the communities
and what people did. So, as part of my dissertation, I went to California,

32

�interview people that were in street movements of parents changing the schools,
and I went to Texas and did the same thing, to New York, to Boston, here in
Chicago. That took me all over the country, raising money so I could -- getting
inside an old car, and driving all the way to New York, and going to the South
Bronx, for example, and meeting Evelina Antonetty, who, at that time, had taken
over the New York Board of Education, and this lady was like a [big mama?], you
know. She was like the South -- there are streets named after Evelina [00:59:00]
Antonetty in the South Bronx now since she died, but she became like a mentor,
you know? She would call me, “Oh, you little [communist?], shut up,” and she
would tell me what to do and all that kind of stuff. And then, I would go -- I
remember, met with a group of parents in Boston, and they asked me to go out of
the room for a little bit. They needed to talk among themselves, and it was to
check me out. Okay? And then, some people talk -- “Is he a parent? Does he
know something about parents? How come he talks that way? You’re a student
at the university.” And, no, they [arranged?], and they brought me back, and they
said, “Okay.” And then, I became part of parental movements, educational
movements, university movements -JJ:

Parental like PTA, or...?

LB:

No, we organized our own organizations. They were different from PTAs in the
sense that they were community grown. They were moms and pops, Latinos that
[01:00:00] were concerned about the education of their kids, and we had
committees all over the place, and we went all over the country, doing that. I
remember coming to Chicago to meet with some parent groups here and

33

�meeting people in Cleveland, Ohio that were involved in educational stuff, and
having people in Cleveland, for example. There were two women, [Nati Pagan?]
and Daisy Rivera, who were extremely involved in educational issues since their
time in Boston. They were involved in the Boston desegregation case with
Harvard University law students of Puerto Rican descent. And, you know, now,
these universities had Latinos, and you got these Latinos involved, and they
became very sophisticated, so they developed a bilingual movement in
Cleveland, and they asked me to go to meet with the parents about the strategies
that we used in the Milwaukee case. Okay? Because, in [01:01:00] Milwaukee,
we had to reach agreements with the school district on bilingual education. And
so, that helped me a lot because I knew, through this network, people that were
really, really smart and who were grassroot. They were people from the street.
They were people who had built movements, not because they were members of
PTAs or PTOs. They were people who believed in community control of the
schools, and the community control movement was something that had been big
in the ’60s. Well, in the early ’70s, it was really big in many of our communities
all over the country. So -JJ:

And what did that mean, community control? What was that?

LB:

Well, it meant that, even in communities like Milwaukee, where we were less in
numbers, we were growing faster. We knew something about data, about
evidence. We knew that our kids were gonna really be part [01:02:00] of that
power structure at some point, and we wanted to humanize them so that they
wouldn’t be part of the corporate world, you know, smashing us when they got to

34

�the top. And the movements that evolved to do that had to be people’s
movement, a democratic movement, and we had to argue that, if the schools
didn’t do certain things for us, we had to do it for ourselves. So, that’s why we
created [alternative?] schools. That’s why we created education movements in
the community. We used to write for grants and seek foundation money to
create institutes of parent growth, parent development, and things like that, and
that sort of put us in a situation of a lot of community power. So, when I went to
the school board, for example, in 1974, I appeared before the school board to
argue what we came up with in terms of a bilingual [01:03:00] movement in the
school district that we felt would empower the parents in the community, and
there would be a closer link between community and the schools where the kids
went to. And then, they told me that they didn’t think that they could do that, and
I could stand before a school and say, “Well, if you can’t agree to this, next week,
at this date, at 10 o’clock in the morning, we’re gonna ask all Latino students in
all of the schools of Milwaukee to walk out. Okay?” And they look at me like,
“Eh,” you know. That day, they had these parents organize with (Spanish)
[01:03:38] and all this stuff in the parks, and, at 10 o’clock, the doors opened,
and all the Latino kids from all the schools came marching out. We had this big
event. [The workers were a part?], and the parents were serving food to their
own kids, and the police came, but why would they attack kids? It was like they
had to be careful about that because the press was [01:04:00] there. And so, we
saw that as a great victory. We told the public schools, “You see? When we
want, we tell kids to walk out. They’re gonna walk out, so you’re gonna sit at the

35

�table with us.” And they sat at the table with us, and, three days later, we came
up with a bilingual plan in Milwaukee, and the bilingual plan became the base for
parent groups all over the country to say, “They did it in Milwaukee. We can do it
here too.”
JJ:

And what’s the basis of the bilingual plan or education?

LB:

It’s taken an interesting in number of years. We reached an agreement with
Milwaukee Public Schools in May 7, 1974. ’74. Okay? Then, we increased the
population of Latinos working in the public schools and the level of parental
involvement and parental participation. And, whenever you do that, you know,
the people you bring into these positions at the [01:05:00] university or at the
community level -- you have a number of people that become more comfortable
and don’t become part of a movement, but you have a number of people that
stay with it, and we stayed with it over the years, and we’ve reached a point, after
almost 30 years, where, now, we can go to the public schools and say,
“Milwaukee, Wisconsin was always supportive of the idea of language education
because of us, okay? Because we created a consciousness, and we had
German immersion schools, and French immersion schools, and Italian, and
bilingual programs for Hispanics, and all of that. Why don’t we go to the next
step now? Why don’t we rebrand Milwaukee as a city that embraces the idea
that everybody should be bilingual?” And you have a superintendent of schools
that says, “That makes sense. That makes sense.” You’re no longer dealing
now with the resistance that you would find before. You have a school board that
says, “That makes sense,” [01:06:00] and you appear before a committee of the

36

�board, and you tell them about this idea, and you get a unanimous vote by a
school saying, “We should do that. We should try to move all of the schools in
our system to become bilingual schools. Let’s start somewhere.” So, we’re at a
point right now where bilingualism and the idea that kids in this country, poor
kids, kids from the community, like rich kids, whose parents send them to other
countries for immersion in another language, or their schools teach them multiple
languages, now we can say poor kids, when they go to a school, their language
doesn’t need to be suppressed, their native language. They can retain their
language, grow that language, and become bilingual, and a global economy, that
needs bilingual folks. Okay? And so, we’re at that point in the Milwaukee
movement. Now, we can coordinate with the [01:07:00] city council, the
superintendent of schools, with the school board, with community groups, parent
groups, the bilingual teachers, you know, who are now looking at us as -- they’re
not that crazy. This makes sense. So, the Wisconsin Association for Bilingual
Education creates something that they call the Tony Baez Leadership and
Advocate Award for the state of Wisconsin so that only people that do what I’m
doing in education can get that award. Those are significant things. That’s not
about me. It’s about the fact that you stay with it through these years, and
people recognize that your involvement was really about humanizing how we do
things here and taking our time so that, now, we can say, because of our
population, the size of our population now we’ve grown, you know, it makes a lot
of logical sense to [01:08:00] have this kind of stuff. But there’s been a growth,
and people are also more educated about it, and now, we have more educators.

37

�I mean, the University of Wisconsin, Marquette University, Cardinal Stritch, they
all want in it. Milwaukee Area Technical College [has scholars, see?]. And these
scholars are saying, “Oh, that makes a lot of sense. Can we be part of this
[committee?]? Can we be part of this effort?” So, we develop a memorandum of
understanding so that all these institutions can sign to it and say, “We’re gonna
grow the number of Latinos teaching in these different areas so that we can
support the idea that Milwaukee should be a bilingual town.”
JJ:

Now, is that related to -- you were talking earlier about --

LB:

Absolutely.

JJ:

-- the alderman --?

LB:

Mm-hmm. Absolutely. It’s related to the idea that --

JJ:

Someone just got elected or something?

LB:

Exactly. It’s related to the idea that --

JJ:

Who got elected?

LB:

José Pérez got elected alderman in the 12th District in Milwaukee. [01:09:00] But
all I’m saying is that you sort of start somewhere. You develop an
understanding, a commitment, a passion for doing certain kinds of things. You
grow, and you affect other people around you, right? And the people that are
around you start doing things. So, José Pérez is the son of (inaudible), who used
to be the principal of one of our two language schools. And so, he’s part of a
second generation, so you saw him grow since he’s little, and his commitment to
community is more along the lines of, you know, “I care about this. I grew up
here. My mom was involved in these movements.” Okay? And his mom worked

38

�closely with who today is the president of the teachers’ union. Okay? So, you
have all these connections, and everybody knows everybody, and the person
that’s on the school board right [01:10:00] now was a member of -- his wife was
the movement that organized from 9to5.
JJ:

Who is this person?

LB:

Larry Miller. His wife was Ellen Bravo, who wrote a book about women working
from nine to five and developing a national movement, and she appears in 60
Minutes, and NBC, and all that stuff. So, you have all these people who were
part of movements in the ’60s and ’70s, were affected by it, developed the
passion for it, and are now sort of friends, and connected, and coming together,
and you can say to José, “Not only is your district going to be affected by this
bilingual plan, but there are people as high as the White House [that will be?] part
of your kitchen cabinet to help you think through this.” Okay? And people that
are connected in political circles all over the country [01:11:00] are going to be
part of that thinking.

JJ:

Okay. Any final thoughts?

LB:

I think that the lesson that I’ve learned from all of this is that, when you become
part of a movement in your youth, if you are not participating in that movement
sort of from the outside, when you’re part of it, you’re in it, you grow with it. And
the movements in this country change. They have to change because of the
circumstances, and the population, and how we become involved, and, as we
become older, we also get connected to jobs because we have to live and work,
and you have kids, and now I have grandkids and children, and all of that --

39

�JJ:

What are your children’s names?

LB:

They’re in Milwaukee, and --

JJ:

What are their names?

LB:

The older one is [Luis?], who is [01:12:00] very involved in the whole thing of
health. Okay? [Pablo?], who is highly involved in the Milwaukee community,
works for the American Society for Quality, has two beautiful girls that are
Chicano (inaudible), you know, and Luis has married to an African American
woman, so he married African American, my other son married a Chicano, and
my daughter married African American, and she has children too. And so, all of
these kids are connected to what they see their grandfather doing, and, even
though they don’t follow what you’re doing, they’re generating their own flow of
things, and I think that what happens too is that, when you are part of a
movement, you want to leave that with other people, so I mentor a lot of people.
A lot of people. And, throughout the years, you learn how to be more [01:13:00]
sensitive, more understanding, but still pushing positions of more community
empowerment, community control, developing leaders who don’t look at how
deep their pockets are, but how they’re connected to communities. So, if I get
involved in succession training, I take to my home people who I know are
promising leaders in the community, young folks, and I feed them. I cook for
them, do all of that stuff, and put the food away and say, “Now, we’re gonna talk.”
And you spend time talking with them, and they sort of think of you as this
grandpa that was involved in some of these things, and now, I was trying to
[leave with them?] before I disappear so that the next generation, you know,

40

�carries that forward. So, we have to think time-wise that this is something that’s
not gonna end now and that all of us that [01:14:00] were involved in the ’60s and
the ’70s, we lived experiences that we have to share with others, and those
experiences made us stronger, and more passionate, and more responsible, and
having the community integrity. And so, we have to pass that on to other people
because the people today did not live the civil rights movements and these
community struggles that we lived. Okay? They’re living something different.
Now, the movements are about a different kind of civil rights. They could be
about schools, but they’re also about undocumented people, and about how do
we build solidarity with the African community, and how do we continue with
those struggles? So, I learned a lot about that, and I think -- I’d write about it. I
speak to people. I became more [techy?] about it, and, in my presentations
wherever I go, I try to inspire others to do likewise so that [01:15:00] people
continue, and I think that’s the big lesson, that these are things that are gonna
change over time, and we change over time, but we have to give to others so
that others start doing the kinds of things that we believe in because making
change and transforming a society like this one takes a long time. That’s what
you learn. It takes a very long time. Okay? So -JJ:

Now, you’re talking about getting income (inaudible) for survival and all that.

LB:

Mm-hmm.

JJ:

Where do you work now?

LB:

Right now, I’m the executive director of the Council for the Spanish Speaking in
Milwaukee. The Council is an organization that is the oldest Latino-serving

41

�organization in the state of Wisconsin. Okay? And it’s best known for having
developed, since the ’60s, an agenda with poor and working-class people. And
so, that was closer to me. Not organizations that wanted to build [01:16:00] a
Latino middle class or to engage more Latinos in the corporate sector, you know,
or in corporations and professionals getting up there somewhere else on boards
and things like that. No, this organization was about poor people, and poor
people’s movements, and mobilizing to improve the lives of people. Okay? And
I was a provost at the Milwaukee Area Technical College, and -JJ:

[What is provost?]?

LB:

Yeah, provost is a vice president of academic affairs, and there are co-provosts
in many universities because, by legislation, they are independent from
presidents. Okay? That means that you control the academic agenda of a
university. Okay? And the president will try to tell you what to do sometimes, but
the only way he can get around that is by firing you. Because you have
[01:17:00] protection, you can -- the academic freedom is there. And I was
provost of the Milwaukee Area Technical College, which is the third largest
technical college in the country, so I had 160 partners under my supervision, and
that was huge. You know, a kid from the Barrio Borinquen that goes through this
process in the streets and marching, and, all of a sudden, he’s inside a
university, a two-year college at that point, and then also teaching in four-year
colleges and university systems, and you earn a certain level of respect when
you enter a position like that. At one point, I was the highest-level Latino
educator in the state of Wisconsin. And so, you get into circles with white folks

42

�that are in these other committees and things like that, and you can argue your
point, and you can humanize curriculum that affects a whole state or that affects
the education of [workers in?] [01:18:00] the whole country. Okay? You can do
that. So, the White House has a Latino education excellence agenda, and they
have staff related to that, but they know that, when they call Milwaukee, they can
call me because I was a provost. I have legitimacy now. Okay? And I am
involved in educational circles. So, they will call me. He says, “What do you
think about this? What do you think about that?” And it’s government calling
you, or somebody from the Department of Labor who called me just yesterday,
and he says, “Look. I’m with the Department of Labor of the United States, and
when --” Because I call him back in the evening, and I said, “Excuse me for
calling you back so late. I was in a meeting.” He says, “No, no.” Because, when
you call people that work for the president of this country, “[We need to?] hear
you, and we wanted to reach you, and we are gonna have some officials coming
to Milwaukee. Can you handle that?” So, now, government is sort of [01:19:00]
respectful of the position you play in a particular community, and they call you for
things. Not that they agree with you. It’s not an issue of agreement. So, if the
White House invites me into a meeting that they have for Latinos in the White
House with 150 leaders nationally, you can go into that meeting, and you can
argue with the lawyers from Homeland Security and the Department of Justice,
and I could say things like -- (inaudible) [this week?]. “No, that’s irrelevant, Dr.
Baez, because we’re not discussing this.” “No, no, no. No, no. That is relevant.”
Okay? And they go, “No, no. That’s not relevant. We’re lawyers.” I said, “I don’t

43

�care if you’re lawyers. Okay? That is relevant. I’m not gonna go back to the
Latin community and say that they have to put pressure on what they’re doing,
stop doing this, stop doing that, to save money, and you guys are not suing those
rascals that are going away with 50 million dollar bonuses. Okay? You know
why you’re not suing them?” I says, “I can tell you [01:20:00] why. ’Cause they
have better lawyers than you do. So don’t pull the wool over our eyes.” Now, we
can say -- in the White House, we can say that. Okay? Before, we were in the
street, fighting in demonstrations. We haven’t given that up. We still do that.
We still demonstrate and march. Like, the last immigrant march in Milwaukee
was 80 thousand people, and I was there, marching with everybody else. But we
also have standing because of our preparation, and the way we talk, and the way
we read. We know what’s going on. We know the economics of Wall Street.
We know the political systems and things like that. And then, you’re gonna have
a university inviting me to speak before chancellors and the Department of
Economics of a major university about how the economic, financial crisis is
affecting Latinos. And you didn’t have that before, you know. So, they are now
listening because they know that we are [01:21:00] growing as a Latino
community. In the 1970s, we had no idea how big the Latino community was
gonna be, but, as we see it growing now, and we see the immigration
movements, and we see that the majority of the growth is because of Latinos that
are citizens, that live in this country, and that, you know, the media and others
are making it sound like it’s just immigrants, and stuff like that, and
undocumented people, and it’s not. It’s because we are part of a change, and

44

�we’re changing the face of America, and, therefore, we need to have people that
can speak and raise issues on our behalf. I remember going before the city
council once, and there was somebody raising some other issues, and, “Well, he
doesn’t represent the Latin community,” and one of the aldermen said, “Oh, no,
no. He does. He does. He is one of those --” And an alderman said this [in
there?]. He says, “He is one of those people in the community who earned,
[01:22:00] throughout the years, the respect, and we have to hear what he has to
say. He may come here and say he doesn’t represent the community, but he’s
here because he’s a Latino, okay? So, you listen to him.” And that’s sort of like,
wow, somebody’s understanding on the other side that you don’t represent
everybody in the community, but you can speak with a certain level of authority
about the history of a community [in exchange?].
JJ:

So, final thoughts, but the Young Lords -- what do you think their contribution
was to this whole --?

LB:

Growth that they helped me develop a passion like I never would have had if I
hadn’t been part of that movement. I was at the University of Puerto Rico,
developed a certain type of passion there. Okay? But, when I came to the
Young Lords, I developed a sort of -- I built upon that passion. Okay? [01:23:00]
Now, from student bodies, I saw community folks trying, and working, and
developing, and you go like, “Wow. All these people that died because of this
and the people that tried their best in spite of the fact that they didn’t have all the
tools available to them --” So, as you acquire more tools and you diversify, you
go like, “Wow. I’m growing because of a perspective, you know, a way of looking

45

�at the world that I developed when I was a member of that organization,” and the
Young Lords helped me do that because I became active in that. So, for
example, while in the 1960s and the early 1970s, I didn’t play the guitar or sing.
When I started doing that -JJ:

I remember your guitar.

LB:

Yeah. When I started doing that and developing that, in my own barrio, I’m a
nobody because people there -- my brother’s a master musician, so, you know.
But, [01:24:00] in Milwaukee, there was nobody doing songs of social political
content. Okay? And I had that perspective because of the movement and the
Young Lords. So, when I started developing that, and playing, and appearing in
a concert -- all of a sudden, I’m in a concert, doing a concert before a whole
mess of people, and then being invited to do a concert in [New Orleans?], and
California, and New York, and places like that -- you are singing before large
masses of people and crowds, and I sang before masses of three, four thousand
people, like singing before the mariachi festival in Tucson, Arizona in the late
1970s. When I did that, there were thousands and thousands of people there,
listening to mariachis, but they heard the singing of this lone guitarist, you know,
conveying a message of transformation, peace, of revolution. [01:25:00] And you
now have a forum, but you developed that. I could have gone into salsa, and
(inaudible) stuff. Other people were doing that. No, I had to do something
different that pertained to what I knew, and that was because of how I was
affected by the Young Lords movement, by a community movement, and,
throughout the years, staying with it. Yeah.

46

�JJ:

Okay. Any final thoughts?

LB:

I think I said it all. [Thanks?].

JJ:

All right, Tony. Thank you.

END OF VIDEO FILE

47

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="48437" order="2">
        <src>https://digitalcollections.library.gvsu.edu/files/original/4306fb22aa487da3aa251cd6801a0d0f.mp4</src>
        <authentication>1e0c6029a26f559db9f4bf7cd4d439b8</authentication>
      </file>
    </fileContainer>
    <collection collectionId="24">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="446395">
                  <text>Young Lords in Lincoln Park Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447054">
                  <text>Young Lords (Organization)</text>
                </elementText>
                <elementText elementTextId="765923">
                  <text>Puerto Ricans--United States</text>
                </elementText>
                <elementText elementTextId="765924">
                  <text>Civil Rights--United States--History</text>
                </elementText>
                <elementText elementTextId="765925">
                  <text>Lincoln Park (Chicago, Ill.)</text>
                </elementText>
                <elementText elementTextId="765926">
                  <text>Personal narratives</text>
                </elementText>
                <elementText elementTextId="765927">
                  <text>Social justice</text>
                </elementText>
                <elementText elementTextId="765928">
                  <text>Community activists--Illinois--Chicago</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447055">
                  <text>Collection of oral history interviews and digitized materials documenting the history of the Young Lords Organization in Lincoln Park, Chicago. Interviews were conducted by Young Lords' founder, José “Cha-Cha” Jiménez, and documents were digitized from Mr. Jiménez' archives.&#13;
&#13;
The Young Lords in Lincoln Park collection grows out of the ongoing struggle for fair housing, self-determination, and human rights that was launched by Mr. José “Cha-Cha” Jiménez, founder of the Young Lords Movement. This project is dedicated to documenting the history of the displacement of Puerto Ricans, Mejicanos, other Latinos, and the poor from Lincoln Park, as well as the history of the Young Lords nationwide. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447056">
                  <text>Jiménez, José, 1948-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="447057">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/491"&gt;Young Lords in Lincoln Park collection (RHC-65)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="447058">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447059">
                  <text>2017-04-25</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447060">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447061">
                  <text>video/mp4&#13;
application/pdf</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447062">
                  <text>eng&#13;
spa</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447063">
                  <text>Moving Image&#13;
Text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="447064">
                  <text>RHC-65</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="447065">
                  <text>2012-2017</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="59">
          <name>Título</name>
          <description>Spanish language Title entry</description>
          <elementTextContainer>
            <elementText elementTextId="839853">
              <text>Luis "Tony" Baez vídeo entrevista y biografía</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Sujetos</name>
          <description>Spanish language Subject terms</description>
          <elementTextContainer>
            <elementText elementTextId="839867">
              <text>Young Lords (Organización)</text>
            </elementText>
            <elementText elementTextId="839868">
              <text>Puertorriqueños--Estados Unidos</text>
            </elementText>
            <elementText elementTextId="839869">
              <text>Derechos civiles--Estados Unidos--Historia</text>
            </elementText>
            <elementText elementTextId="839870">
              <text>Lincoln Park (Chicago, Ill.)</text>
            </elementText>
            <elementText elementTextId="839871">
              <text>Puertorriqueños--Relatos personales</text>
            </elementText>
            <elementText elementTextId="839872">
              <text>Justicia social</text>
            </elementText>
            <elementText elementTextId="839873">
              <text>Activistas comunitarios--Illinois--Chicago</text>
            </elementText>
            <elementText elementTextId="839874">
              <text>Puerto Rico--Autonomía e independencia movimientos</text>
            </elementText>
            <elementText elementTextId="839875">
              <text>Activistas comunitarios--Wisconsin--Milwaukee</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="839851">
                <text>RHC-65_Baez_Luis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839852">
                <text>Luis "Tony" Baez video interview and transcript</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839854">
                <text>Baez, Luis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839855">
                <text>Luis "Tony" Baez arrived in Chicago from Barrio Borinquén of Caguas, Puerto Rico in 1969 and soon became Minister of Education of the Young Lords. In Puerto Rico, Dr. Baez was also active with the Puerto Rican Independence Party (PIP), the electoral component of the broad movement in Puerto Rico, fighting for Puerto Ricans to regain back control of their nation. By 1970, Dr. Baez moved from Chicago to Milwaukee and set up a Young Lords chapter. They maintained a community office and distributed the Young Lords Newspaper (that Dr. Baez had also helped to publish while in Chicago), focusing primarily on neighborhood organizing, community-based programs, and bilingual education.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839856">
                <text>Jiménez, José, 1948-</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839858">
                <text>Young Lords (Organization)</text>
              </elementText>
              <elementText elementTextId="839859">
                <text>Puerto Ricans--United States</text>
              </elementText>
              <elementText elementTextId="839860">
                <text>Civil Rights--United States--History</text>
              </elementText>
              <elementText elementTextId="839861">
                <text>Lincoln Park (Chicago, Ill.)</text>
              </elementText>
              <elementText elementTextId="839862">
                <text>Puerto Ricans--Personal narratives</text>
              </elementText>
              <elementText elementTextId="839863">
                <text>Social justice</text>
              </elementText>
              <elementText elementTextId="839864">
                <text>Community activists--Illinois--Chicago</text>
              </elementText>
              <elementText elementTextId="839865">
                <text>Puerto Rico--Autonomy and independence movements</text>
              </elementText>
              <elementText elementTextId="839866">
                <text>Community activists--Wisconsin--Milwaukee</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839876">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839877">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839878">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="839879">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839880">
                <text>video/mp4</text>
              </elementText>
              <elementText elementTextId="839881">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="839882">
                <text>2012-08-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="839883">
                <text>Young Lords collection (RHC-65)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1033692">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="24224" public="1" featured="0">
    <fileContainer>
      <file fileId="59931" order="1">
        <src>https://digitalcollections.library.gvsu.edu/files/original/3e1bb646ba3d9c01479b2c50716841e7.pdf</src>
        <authentication>64f38880d1a6bbc237add67415786909</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="1024441">
                    <text>Young Lords
In Lincoln Park
Interviewee: Luis Garden Acosta
Interviewer: Jose Jimenez
Location: Grand Valley State University Special Collections
Date: 10/25/2012
Runtime: 01:59:23

Biography and Description
Oral history of Luis Acosta, interviewed by Jose “Cha-Cha” Jimenez on October 25, 2012 about the
Young Lords in Lincoln Park.
"The Young Lords in Lincoln Park" collection grows out of decades of work to more fully document the
history of Chicago's Puerto Rican community which gave birth to the Young Lords Organization and later,
the Young Lords Party. Founded by Mr. José “Cha-Cha” Jiménez, the Young Lords became one of the
premier struggles for international human rights. Where thriving church congregations, social and

�political clubs, restaurants, groceries, and family residences once flourished, successive waves of urban
renewal and gentrification forcibly displaced most of those Puerto Ricans, Mejicanos, other Latinos,
working-class and impoverished families, and their children in the 1950s and 1960s. Today these same
families and activists also risk losing their history.

�Transcript

JOSE JIMENEZ:

It was, what, a significant day?

LUIS ACOSTA:

It was a significant day for my mother and father, I’m sure, when I

was born on March 17, 1945. But apparently, someone -JJ:

And [who’s?] your mom and dad?

LA:

Apparently, more to the case, it was a day of great celebration for the nurses that
were in the hospital because they were all, it seemed, Irish, at least wanted to be
Irish. And so they were shouting and screaming at my mother that “He’s gotta be
called [Patrick?], he’s gotta be called Patrick.” And my mother had no idea what
they we’re talking about, but she kept hearing the word Patrick, and so that’s the
name that stuck. So Luis Garden Acosta is this public figure that my family
sometimes remembers as, oh, that’s Patrick, right. (laughter) But that’s the
name, I mean, nobody obviously outside the family calls me Patrick, it’s --

JJ:

And what was the date and --?

LA:

March 17 --

JJ:

March 17, what --

LA:

-- nineteen forty-five.

JJ:

-- nineteen forty-five, that’s right.

LA:

Right, [0:01:00] but it was --

JJ:

And it was here, it was here?

LA:

It was right here in Brooklyn, and, you know, I’ve lived in Brooklyn on and off
‘cause, obviously, I went away for school and came back. But, I’m a child of the

1

�’50s who came of age in the ’60s and, slowly but surely, began to see that so
many of us were oppressed. I lived in what was then the largest housing project
in the world, Fort Greene houses, and certainly the poorest in New York City.
The most violent in terms of gangs, the Mau Mau, Chaplains, and other gangs
that were circling around it, so it was a very tough upbringing. My father died
when I was seven, and the wind got knocked out of us. I mean I -JJ:

You mentioned his name, right?

LA:

His name was Luis.

JJ:

Luis (inaudible) -- [0:02:00]

LA:

He’s Luis --

JJ:

-- Junior?

LA:

-- [Agosto?], I’m Luis Acosta, kept the a in there.

JJ:

And your mom --

LA:

But thank God --

JJ:

-- (overlapping dialogue; inaudible)

LA:

-- he wanted to make sure that I wasn’t a junior.

JJ:

And your mom? (laughter)

LA:

Good for him, thank you, Pop.

JJ:

And your mom’s name, Luis?

LA: My mom is Maximina Acosta from Boquerón -JJ:

And your --

LA:

-- but everybody calls her [Mina?].

JJ:

-- your siblings?

2

�LA:

My sister is [Linda?]; I only have one sibling. She lives in Wisconsin with her
husband, and she’s become a country bumpkin, they both have, although her
husband would always tell me that he couldn’t get used to the country. He’s a
real devoted aficionado of John Coltrane. He’s a medical doctor, African
American, born and raised in Roxbury, much where I saw you last actually. And,
you know, he would go in every weekend to Boston, [0:03:00] but he told me -not every weekend, every weekend of the John Coltrane Festival every year.
And he told me the last time he went that he doesn’t know whether he’s gonna
go anymore. I said, “Well, why not, [Edison?]?” He says, “Well, you know, I
found the people to be rude,” (laughter) so he’s, kind of, gotten used to the
country and the country ways so that -- she’s in Wisconsin. My mom died two
years ago at the age of 97, and as I said, my father died when I was 7. Now, I
can look at my birthday pictures, and I look at pictures throughout my life up to
that point. I’m so well-dressed, I’m fat, I have, you know, every toy that you can
imagine, I’ve got all the stuff we were living in, in the housing projects, of course.
And that was due to the fact that, at the time of my birth, those housing projects
had just been built for people involved in the war effort. And my father was a
hard hat at the Brooklyn Navy Yard, [0:04:00] so he was eligible. So, it was like a
first step for the working class in that part of Brooklyn. And it was very diverse,
mostly white housing project, but by the time my father died, it was becoming
more Black. And then of course as I became an adolescent, it became more an
African American community and Latino community, so...

JJ:

And this was (overlapping dialogue; inaudible)

3

�LA:

-- so I remember that --

JJ:

-- what section of Brooklyn?

LA:

-- this is the -- it’s called Fort Greene.

JJ:

Fort Greene, okay.

LA:

And I remember that I began to realize this whole question of resources,
economics, money when my father died because my mom would tell me in her
suffering, long suffering of my father’s death. It was sudden. He never had gone
to a doctor in his life -- oh, to a hospital rather in his life. And one day he’s not
feeling well, he goes to the hospital, [0:05:00] a week later, he’s dead of
rheumatic fever and pneumonia and complications. All of which he would not
obviously die today, he’d recover and go home in a week, but in those days, the
medicines that we take for granted today just weren’t there. So, we realized that
we had no money, that all we had was a Social Security check, and at that point,
that was less than what my mother could get on welfare. So that meant that I
would have to wear army clothes from the Korean War to school because those
were the hand-me-downs that my cousins, coming back from the war, would give
me to wear. Means I couldn’t expect much at Christmas, if anything, and that I
had to work to a paper route and other jobs that I took on to get presents for my
daughter as – daughter, here we go -- my sister, who really felt like my daughter
at that [0:06:00] point. Because I really had to look out for her so that she could
get and have at least some of the things that I enjoyed when I was growing up.
Christmas presents, all of that stuff, and I make sure she had them, but it was
very tough. And I remember one day, my mother was very stressed out and

4

�didn’t know what to do. Everybody kept telling her, “You should go to the welfare
department, you should go to the welfare department.” She didn’t wanna do it,
but finally, she goes to the welfare department. Now, I saw my mother cry twice
in my life -- the day my father died, and she was inconsolable, and the day that
she went to the welfare department. She came back, you know, I hear fumbling
in the door, I open the door, she’s crying, wailing away. I thought somebody had
died. I said, “Ma, what’s wrong, what’s wrong?” She said, “I am never, ever,
ever going back to those people, I am never going back. They treated me
[00:07:00] like an animal, I will never, ever, ever go back to those people. We’re
gonna somehow survive without them,” and she was so adamant about it. And I
think the rage that I had against the welfare department started there, that
moment. That what could they have done to my mother? How could they have
talked to my mother in such a way for her to feel that way? I will never forgive
whoever the bureaucrat was that did that. But the whole system was a mess,
and I think that moment, the seed was planted in me to cast my lot with the
poorest of the poor, and to mobilize and work to empower our community, people
like my mom and the people I grew up with. I remember once, now that I think
about it, the other moment in my life when I began to realize that the welfare
department was something to be feared and [00:08:00] changed was one day
when being taken care of... My mother went back to work at the factory, sewing
machine, you know, like so many of our mothers, sewing undergarments and for
very little money, by the way. And so I was being taken care of by the neighbor
downstairs on the first floor, and she had other kids. And so there’s a knock on

5

�the door, and suddenly, she says, “Quick, hide him under the bed,” me. So I’m
going, “What’s goin’ on here? Is somebody gonna shoot us or something,” you
know?” I’m put underneath a bed, and one of her kids says, “Don’t you say a
word until we tell you to come out.” Now, can you imagine -- I dunno, I must
have been eight or nine, I forget [00:09:00] -- being hid under a bed without any
explanation? I dunno if someone’s gonna come in with a gun and kill them, I
dunno what is going on, I mean my imagination went wild. I mean, I just was
praying to God that this would be okay. And I remember saying, “What, who was
that?” He says, “It’s the investigator.” I said, “Who’s the investigator?” I said,
“Who’s the --?” but, you know, they didn’t let me talk. They just told me to keep
quiet until the investigator left, and then they said, “Okay, you can come out now,
everything’s okay.” I said, “Well, what happened?” They said, “No, we can’t let
the investigator see you.” I said, “Well, why not?” They said, “Well, because
that’s the way welfare works.” “Welfare?” He says, “Yeah, you know, that’s how.
‘Cause, you know, our father died --” By the way mysteriously killed by
somebody, they just found his remains on the street,” and a very nice family too.
[00:10:00] “--and so we had to go on welfare, and, you know, they don’t allow
Mom to have any other kind of money coming in. And since your mother pays
my mother for a few dollars, she can’t tell them that because we need the
money.”
JJ:

Why do you think your father was killed?

LA:

Their father?

JJ:

Oh, their father.

6

�LA:

Their father. To this day, they don’t know, they just found his remains on the
street, I have no idea, it was horrible, so anyway. Now, my dad died of natural
causes, you know?

JJ:

Mm-hmm.

LA:

Unnatural today, but then of course, you know, without the medicines, a very
common occurrence. So, I think that those moments in my life, you know, if you
asked me what went on in my world to make me think that I wanted to do
something about the injustice [00:11:00] that I saw. I think certainly the issue of
the welfare department was big. Now, I remember once also that -- and this is
kind of comical. You know, again, I was doing everything I could to make money,
I mean I would sell Christmas cards, I would do all kinds of stuff I would sell. My
mother would make handkerchiefs because that’s what she did in Puerto Rico to
survive, you know, and I would sell those, door-to-door, and I had a paper route.
So, I remember that the worst day for the paper route was a Wednesday
because that’s the day that they put in all the advertisements and coupons and
stuff. I said, “Oh, man, Wednesday, my arm would be dead,” you know, because
I had to carry those things. And on this particular Wednesday, everybody is
talking to each other, all the men that I would deliver this to and people on the
street, about O’Malley and how horrible it was and cursing at him. And I’m
saying, [00:12:00] “Who’s this guy O’Malley?” and I’m going like, “What is this all
about?” Everybody was totally upset. So I finally asked somebody, I said, “Why
is everybody upset about this guy, you know?” And he says, “Oh, it’s because
he’s taking the Brooklyn Dodgers from us.” I said, “He can’t take the Brooklyn

7

�Dodgers from us. I mean that’s the Brooklyn Dodgers, I mean that’s Brooklyn,
Brooklyn owns the Brooklyn Dodgers, right?” “No, Brooklyn does not own the
Brooklyn Dodgers.” “Well, how come it’s the Brooklyn Dodgers?” “Well, kid, you
know, you gotta grow up. The Brooklyn Dodgers are owned by one guy, his
name is O’Malley, and he’s a bad guy, and he’s taking them to LA or somewhere
in California.” And I said, “Oh, that’s not possible, how can one person own a
baseball team? That’s insane.” I mean to my mind how can one human being
own a community’s baseball team? It didn’t make any sense. Well, of course, I
began to learn a little bit about capitalism then [00:13:00] and much to my horror.
So, I think those, you know, moments in my life, and one very critical moment I
think that really addressed it all was behind my thinking. It was a very early age,
a young age, and I was in Catholic school. I went to Catholic school all my life,
except for Harvard. Harvard was my first public school, and that’s how we
Catholics talk about it, you know?
JJ:

Yeah, what was the name of this school, the Catholic school?

LA:

St. James.

JJ:

St. James.

LA:

St. James Pro-Cathedral because it was built as a cathedral -- as taking the
place of a cathedral that was never built. So eventually, they threw in the towel
and said, “Okay, it’s the cathedral, right, and now it’s a basilica,” so, but then, it
was Pro-Cathedral. And, you know, one day, we’re going through The Sermon
on the Mount. [00:14:00] And the sister is talking about what is sometimes
referred to as The Last Judgment Gospel -- I think of it as the Community Gospel

8

�-- where Christ is talking and trying to describe what are the principles of a good
life. When he says, “At the end of the world, people will be divided.” On this side
will be one group, and on the other side will be the other group. And he will say
to the group on his right hand, he will say, “Come beloved of my father, for you
have given me to eat when I was hungry, you gave me to drink when I was
thirsty, you sheltered me when I was homeless, you visited me when I was in
prison or sick,” or what we call the seven corporal works of mercy in the Catholic
church. [00:15:00] And, of course, some will say, “When did we do this? We
never saw you, we never really did see you, so we couldn’t have done that.” He
said, “Because you did it to the most oppressed, you did it to me.” Just, you
know, those words, “‘Cause you did it to the most oppressed, you did it to me.”
And then, of course, the other group, because you did not give me to eat when I
was hungry, did not give me to drink when I was thirsty, did not visit me when I
was in prison, in the hospital, et cetera. For you did not and -- treat me as a
human being.” And they’re gonna say, “Well, we never saw you, we never did
that.” “‘Cause you didn’t do it to the most oppressed, to the lowliest of us all, you
didn’t do it for me.” And I was pretty shocked by that [00:16:00] because as the
sister explained, that this was the basis on which people would go to heaven.
And I’m going, “Wait a minute now, it’s not going to mass every Sunday?” “No.”
“What about eating meat on Friday?” “No.” “Really? It’s not about the rosary
every day?” “No.” “It’s not about the nine first novenas?” I got my list, you know.
He said, “Well, all those things you’re supposed to do and you have to do, and of
course, if you don’t, it’s a big sin, et cetera, et cetera. But what Christ is saying at

9

�that moment is that that is how you treat your fellow human being that is the
basis of your eternal life.” And it said in the Gospel, how can you love God who
you can’t see if you can’t love your neighbor who you can see? [00:17:00] I think
that was the most indelible impression, and so -JJ:

And how old were you then?

LA:

I was in grammar school.

JJ:

Grammar school.

LA:

Grammar school. So you had that and then the welfare incidence and then the
O’Malley thing. See, all that happened in grammar school, so I’m like, “Oh,
okay.” Now that I’m thinking about it, one other thing. I guess there’s many
things when I’m -- you know, it’s funny, it’s interesting as I talk now, I’m beginning
to see how this Young Lord happened.

JJ:

So who were your friends in grammar school?

LA:

Well, that’s what I wanted to say. My best friend was an African American. Now,
I went to Catholic school, as I said, and one of the wonderful things about the
school was that it was a working-class, mostly White school. But I say wonderful
because I got to meet Italian Americans, Irish Americans, Polish Americans, and
we were very, very tight. My best friend [00:18:00] was an African American, and
it was interesting because he lived in Farragut Houses. And Farragut Houses
were built, sort of, one step up, so we, kinda, looked at him like almost middle
class, they were not at all. But, you know, like I lived in an apartment that didn’t
have any separation between the living room and the kitchen, it was just one
room, you know. Sometimes I didn’t have my own room, so I slept in this living

10

�room-kitchen thing. So they had separate bedrooms, they had a separate living
room, they had a separate kitchen, a real one, so we said, “Wow,” you know.
And His father worked for the FBI, of course later, I learned he was a clerk ’cause
he wasn’t allowed to be anything else in those days. But the fact that he was an
African American and was a clerk in the FBI was big for all of us and, of course,
for the Black community. And the family was from the South. So we became
very, very close [00:19:00] friends, and they would always invite me on
vacations, Easter week, you know, stuff, full weeks, sometimes two weeks in the
summer I think. I went down a lot, and the first time I went down, and I’ll never
forget this, again, I’m in grammar school, about -JJ:

What do you mean you went down in this --?

LA:

I went down with him to visit his family, you know, sort of on vacation, right?

JJ:

Okay.

LA:

And I’m going to Lexington, Virginia, to an all-Black community. There’s nobody
white who lives in that part of Lexington, Virginia, so it’s an all-Black community.
And it was wonderful, you know, nice house and nice hills around it and dogs,
and we could really run around, and it was just natural. I mean I’m coming from
brick and gray cement to a [00:20:00] very verdant place where people are just
alive and connected, and it was such an exciting time. I loved [Jay?], and we
were very tight. We were also very, very committed to science fiction, and we
wanted to build a robot someday. I wanted to be a nuclear physicist, you know,
[yeah, those?] craziness from watching science-fiction movies, right?

JJ:

Mm-hmm.

11

�LA:

And there was one science-fiction movie that we missed, and I don’t know how
because we were always on top of it, but somehow we -- I don’t know what
happened. And I think it came from outer space or something like that, right? So
we missed this, and we were like really jumping on each other’s back for whose
fault it was not to be on top of it and who didn’t remind who. And we’re walking
through town, through the main town, you know. Of course, the town is mostly
white, right? And there it is, [00:21:00] the movie theater on Main Street, and
there was the movie. And I go to Jay, “Jay, there it is, oh my God, and we’ve got
money, we can do this, we can go” because we were going to the movies, right?
and he said, “No, we can’t go.” I said, “What are you talking about? And your
grandmother says it’s okay, we have the money to go to the movies, this is what
we’re doing. Why can’t we go see this movie? This is the movie that we’ve been
screaming about not seeing.” He says, “We can’t go in there.” I said, “What do
you mean we can’t go in there? Look, come on, let’s do it.” He said, “No, we
can’t go in there, talk to my grandmother, I can’t talk to you about this.” I said,
“What are you talking about?” “I can’t talk to you about it, talk to my
grandmother.” I says, “Oh.” I thought maybe it was polio or some disease, that’s
how I thought, oh, it’s some kind of disease in there, somebody got it, and so
he’s forbidden to go into the theater, and I get that, you know? [00:22:00] So that
night, so we wound up going to, what, I think was called the National State
Theatre to see The Lone Ranger. I’ll never forget that movie because I was so
upset. I mean I like The Lone Ranger, but I was so upset that we didn’t see a
science-fiction movie. So his grandmother was just one of the most loveliest,

12

�loving, caring woman I’ve ever met; she just exuded love. And I remember
asking her, “[Mrs. C?], you know, we went to the movies today.” She says, “I
know child.” I said, “Well, Jay and I love science-fiction movies, and we watch
every one of them, and we saw this movie that we missed in New York. And I
wanted to go and, and I don’t understand why we couldn’t go. And he said that
we couldn’t go into theater, and he told me to talk to you about it. So what
happened, somebody died there or something?” [00:23:00] She said, “Son,
there’s a lot of good people in this world, a lot of good people, and they’re all
different kinds of colors. But there are some bad people too, and a lot of them
don’t like Black people, people of our color. And they’re not well, but they really
don’t like us, and they don’t allow us to be with them. And so there are certain
places that we can’t go, and so we have to be very, very careful here. It’s not like
in New York City, you have to be very careful how you treat these people and
that you know the places you can go and you can’t go.” And she looked at me,
and I’m looking at her in disbelief. I didn’t know at that moment what I felt. I felt
hurt, really hurt, [00:24:00] really, I almost wanted to cry. I felt anger,
uncontrollable anger, a rage inside of me. I can remember almost trembling, but
here, this woman who I loved was telling me this, so it had to be true, but in the
United States of America? And this is happening, and there’s nothing we can do
about it?
JJ:

Now what year was this?

LA:

I graduated from St. James Elementary School in 1958, so this had to be in the
1956 or 1957. You know, I don’t think it was my last year, it was not, it wasn’t my

13

�last year. So I was either 11 or 12, maybe around 11, and I’ll never forget that, I
will never forget that.
JJ:

Why, did you feel it was you too, did you identify with him or --?

LA:

Oh, yeah, [00:25:00] I mean look at me. I was very clear from the very beginning
that I wasn’t white, you know, and my father is a Black Dominican, although his
niece, my first cousin would say he’s Indio. (laughter)

F1:

Right.

LA:

Oh my God, anyway, but, you know, he was a Black Dominican, and of course,
so... My grandmother, who was the first woman who really, I remember as -after being born, besides my mom, obviously, and my dad, who took care of me,
because my father sent for his mother to take care of me. And so that my
fondest moments of being loved and cared for were by a Black woman. Of
course, my first cousin said she’s Indio but -- and she’s got Indian features but
she’s Black. She’s got Indian features, I give [00:26:00] her that much.

JJ:

(overlapping dialogue; inaudible), yeah.

LA:

So she’s probably mixed there, right?

JJ:

(Spanish) [00:26:03], her name?

LA:

Well, you know, my --

JJ:

Your grandma, your grandma.

LA:

-- yeah, my father’s name is Garden okay, so, and her name, you know, was
[Abuela?]. You know, we’re the only Garden family in the Dominican Republic.
It’s quite interesting because now, there’s been a resurgence of connections
through the internet. So we’re finding actual cousins as a history on the Garden

14

�side of real political involvement. I remember when -- you know, and this is going
a little aside now on the Dominican side but -JJ:

That’s all right.

LA:

You know, one day, my sister and I were watching Roots, but maybe for the third
time and – which just happened to be on TV. And it was [00:27:00] pre-VCR
days and stuff like that, so, you know, you watched whatever was on, right? And
so we’re watching this and then as a joke I said to my sister, “You know, maybe
we should find our own Kunta Kinte and our own because we don’t have any
connection to our Dominican side.” When my father died, I had one aunt here,
and she was very mysterious about... And I love this aunt, and she was loving to
me in every way, and I love goin’ to see her, and we were very bonded, right, but
she would not tell me anything about the family. For some reason, it was all a
mystery, and my sister and I couldn’t figure it out, but we just had no contact. So
my sister said, “Yeah, we should, we should figure it out, we should find them
somehow.” I said, “Yeah, well, let’s try looking up people in the phone book and
see what happens, is there another Garden?” So she did, and she called that
person because it was [00:28:00] pre-internet days, right. And that person turns
out to be my first cousin, and they had known about us. I think it was... I mean
it’s definitely after I was in the seminary, so they had known that I went to the
seminary, that I was gonna be a priest. They knew a lot of stuff about me and
about Linda, but they didn’t know how to contact us. And so we made the
contacts, and we connected, and it was terrific. And then we finally went to
Santo Domingo, went to Dominican Republic with my mother. My mother was

15

�able to see her husband’s family for the first time aside from my cousin who
came and stayed with us and my grandmother. So it was a marvelous time for
my mom and for my sister and I, and it was like, you know, going back to Africa
in a way. It was like, you know, being a descendant of [00:29:00] Kunta Kinte
and coming back to the Rio, whatever that river was. And they picked us up in
the airport, and they said, “Okay, before we take you to the house, we wanna
take you somewhere, so you know who you are.” They took us to (Spanish)
[00:29:15], and there, of course, are the remains of the people who led the
independence struggle and the remains of my great-great-grandfather’s nephew
who wrote the national anthem.
JJ:

Of Santo Domingo?

LA:

Emilio Prud’Homme, yeah.

JJ:

Okay.

LA:

And --

JJ:

What was his name again? I didn’t get it.

LA:

Emilio Prud’Homme, and he, you know, was a big figure in Dominican history,
and of course, I had no knowledge of this. I didn’t know that. There’s a letter
behind you right there to my father, from his brother from the [00:30:00] -- I guess
the White House of the state of Puerto Plata, from the palace, acknowledging my
father’s letter and telling him that he was fine and all kinds of things. Well, that’s
my uncle, and he was president of the region of Puerto Plata five times in a row,
so he was literally there forever, you know. But I didn’t know this, so it was an
interesting part, you know. So people would say, “Well, this is why you were a

16

�Young Lord, this is the Dominican side of you.” (laughter) I said, “Oh, really?”
So I think it was the Puerto Rican side. (laughter) But it was interesting ’cause a
lot of my Puerto Rican family is, kind of, mellow, you know, so... But on the other
hand, I’ll never forget the day that I think we had some kind of meeting or
something at the Lords, and I came home, and usually... [00:31:00] It must have
been early on in my life as a Young Lord because I remember that I would
always take the beret off and would not wear it in the trains, would not give the
police an excuse to attack me, so... I guess I didn’t this time, and I walked in Fort
Greene Projects, you know, into my mother’s apartment, into our home, with the
beret on, and my mother saw the beret, and she went crazy. (Spanish)
[00:31:34] I mean, classic, classic, (Spanish) [00:31:38] Puerto Rican style,
started screaming. My mother’s not that kind of a person. She’s a very religious
woman, right, strong, but she wasn’t into screaming and going crazy, you know?
Well, she went nuts. She really started screaming and screaming and crying and
“No, this can’t be, this can’t be,” and I’m going, “What’s goin’ on [00:32:00] here?”
She just looked at me, and this happened. So, my aunt was there, thank God,
and, you know, she’s my favorite aunt on my Puerto Rican side and the person I
was closest to in the family. And she went to see that my mother’s okay in the
bedroom, and my mother’s crying, I could hear her crying, you know. And so,
she comes out after a while, you can imagine how I was, I said, “What’s going on
here?” And she said, “(Spanish) [00:32:31] you don’t know anything, right?” I
said, “No, what, what is there to know?” She says, “You never heard the story?”
“No.” “Well, we weren’t supposed to tell you, so I can understand. Your mother

17

�would tell us everybody, they could never mention this to you. We can never talk
about it, so it’s the big secret in the family.” I said, “What secret?” She says,
“Well, [00:33:00] how your mother came to this country?” and I go, “Well, what’s
it -- how she came, how you came?” She says, “No, no, no, no, no, your mother
came before us.” I said, “Well,” she says, “Well, the reason why she came was
because the family, seeing that she was dying, that she would need -- that she
was very depressed, that she was losing so much weight. (Spanish) [00:33:25] It
took a year or so to raise enough money to be able to buy a ticket for her on a
boat and send her up to the family here.” I said, “Why, what happened?” She
says, “Because the man that she loved, the man that she was to be married, a
week before her marriage on Palm Sunday was killed along with other people in
Ponce.” I said, “The Ponce massacre?” I had heard about it, of course, you
know, as a Young lord, I knew about it, [00:34:00] but I didn’t know that I had
such a personal relationship to it. And she said, “Yes, he was one of the 22, and
in fact, you know, he took blood, his own blood, and he wrote on the sidewalk,
“(Spanish) [00:34:25].” I said, “Really?” “And you really can’t mention this to
your mom, we’ve gotta calm her down, but after this, do not say a word. Never
mention this because she could get very sick.” I said, “Okay.” You know, I
remember growing up, and I remember because my father, particularly when he
was alive that -- which I can remember, we had... You know, my father was a
very generous guy, a hardworking, typical, working-class guy [00:35:00] who
understood what hunger was, he went through that in his own life. So when
cousins would come, you know, in the late ’40s and ’50s, right, come into Puerto

18

�Rico as part of the whole wave. People would get there, he’d always have the
house available on Sundays for food and the entire family, so many people came
over, and that’s how I got to know my whole family. And every Sunday, that’s
what it was. And I remember once that somebody said, “Albizu Campos.” Now,
you know, if you’re growing up in Brooklyn and somebody says Albizu Campos,
that doesn’t sound like the name of a human being. It’s not like, you know,
[Maria?] or [Luis?] or something, you know, you didn’t... So Albizu Campos,
[00:35:49] and you think it’s one word, you don’t what it is. Albizu Campos
(inaudible). So my mother, being the religious person that she is, I thought it was
some kind of curse word like [00:36:00] (Spanish) [00:36:01] or something,
another one I could never understand, and so... But I know that when somebody
said that, my mom [says?], “Well, we don’t speak that way here.” So that’s what
she did, she said, “We don’t speak about that here,” so okay, must be some kind
of bad language. I never thought about it until of course that day, and all the
pieces began to fit. I began to realize what was going on here was my mom,
when my father died, how she went into deep depression, again, real deep
depression, and that that was really just a recurrence of her first love. You know,
she was at her friend’s house who made dresses and was making her wedding
dress. My aunt told me, that [Beying?] [00:37:00], her pretendiente, her fiancé,
dropped her off, and she had a premonition, my mom did. And she said, “What,
where are you going?” He said, “Well, you know, we’re gonna have a march
because of what happened, we have to come out.” And she said, “Oh, no, no,
no, I heard there’s gonna be trouble” because in Ponce in those times, you know,

19

�people were talking about it and how bad the police were behaving. And, of
course, some police officers got shot, and there was a big problem, and that they
were looking for revenge, and that the governor and all that were behind them.
So she said to him, “Look, you have to be careful because this is not good. I
mean, what’s happening here?” He said, “Oh, don’t worry about it, it’s a Palm
Sunday march, it’s kids, families, I mean, you know, it’s peaceful. We’re not
gonna create any trouble, but we want to take a stand.” And he says, “You
know, I’d rather die with my boots on than cower. [00:38:00] It’s time for us to be
who we are as Puerto Rico, to be independent, to get rid of these Yankees, so
I’m gonna take a stand, I’m gonna be a part of it. It’s gonna be peaceful, but
we’re gonna stand up as men,” you know? She made that point. So he was
killed. When my mother saw me, it was like coming full circle, full circle in life,
and then she saw me dead, that’s what she saw. That’s why she responded the
way she did because she thought, here goes the love of my life at this moment,
the only one left, and they’re gonna kill him too.
JJ:

You mentioned the seminary, how did you get into that, the --?

LA:

Well, you know, let me have a little cafe.

JJ:

Oh.

LA:

My drug of choice here.

JJ:

(overlapping dialogue; inaudible) here you go.

LA:

You know, [00:39:00] when you go to Catholic school, you realize that you have
great heroes around you. Of course, the nuns were amazing. And also, you
have to understand that it was the ’50s and the early ’60s, right, so there was no

20

�Peace Corps, there was no war on poverty. I never saw a social worker, I never
saw a Puerto Rican doctor, a Puerto Rican priest, a Puerto Rican anything, right?
And no real models around which to channel what was now becoming a real
deep-seated feeling about injustice and about what had to be done in the world.
So I began to think that perhaps God was calling me to the [00:40:00] priesthood,
that God was calling me to do something special. I had dreams about it, you
know, typical stuff, stressed out, and thinking about it. And so I began to think
that, yeah, this is what I have to do because this is the one way, the only way
that I thought I could make a difference. That I could really contribute just to try
to begin to end the horrors that I had seen. And I remember a priest, a
missionary priest, from the Congregation of the most Holy Redeemer known as
Redemptorist. They’re the ones who created Santa Maria Reina in Puerto Rico,
the Catholic university church there. I mean, they had a part in it, but they ran
the church. And they had missions in Paraguay and Santo Domingo and really
all over that Latin [00:41:00] -- all over the world really. The Redemptorist is the
third largest order at the time behind the Jesuits and Franciscans. So he talked
about, you know, the work that he was doing in Latin America and Paraguay. He
talked about the hunger and the poverty, and he talked about his order as going
to the most abandoned. I mean, I understood that immediately as the most
oppressed, and so I was really moved by [Father Mike Travis?]. I was serving
his mass, I was his altar boy, and he was visiting our church, but I was really
moved by that, and so that was one, sort of, major moment in my life. But the
one that really got me thinking about it and that I really wanted to model my life

21

�after was that man there, Monsignor John Powis. I met [00:42:00] him as a
seminarian, he wasn’t [even?] a priest. He was one of these white seminarians,
little Father Powis. I mean, he’s so much a part of us that people swear he’s
everything but white, you know, I mean, really and... But then he was somebody
from outside Fort Greene Projects coming into Fort Greene Projects to just hang
with us, connect with us, part of a group of people who worked under the
mentorship of a wonderful Catholic nun. She belonged to the Trinitarian Order,
and her sister name was Sister Thomas Marie, but who she was really, her
secular name, if you will, was Isolina Ferré. In fact, she went back to that name
even as a nun when things, you know, opened up after [00:43:00] Vatican II.
And Isolina Ferré is the sister of the governor, Ferré, the modern leader of the
statehood movement in Puerto Rico, a very decent, honorable man, by the way.
There’s another story I could tell about meeting him, but she was wonderful. And
Father Powis, then John Powis, the seminarian, right, was, sort of, her mentee.
These group of seminarians worked with the Trinitarian nuns to learn from them
and to extend their work in the projects. So I was part of it as a kid, I was like 12,
I was just either graduating or about to graduate from St. James, yeah, about to
graduate when I met him. I guess I was in the eighth grade. Then [00:44:00]
when I did graduate, he was ordained and his first assignment was my parish, St.
James. Why? Because he was a pianist. I didn’t know that, nobody knew that,
and we had the home of the Brooklyn (inaudible) and Choristers. The pastor of
the church, Father Toomey, was the leader of the Brooklyn (inaudible) and
Choristers, and they were very famous. They went all over the place singing,

22

�beautiful and fantastic voices. And so Father Toomey requested an aide, an
assistant, who could lead the choristers, and so he was a concert pianist, done.
So that’s why he came to St. James, right, but little did Father Toomey know that
he was not interested in that. What he was interested in is me and young people
like me and in the projects and in connecting [00:45:00] and really serving and
working with the poor. So that became rather apparent quickly on, and of
course, they went into a struggle for all the time that they were there, right? But I
admired Father Powis for that; I admired for how he stood up to the pastor and
how he wanted to really perform the corporal works of mercy. How he was about
feeding the hungry and giving drink to the thirsty and clothing the naked, how he
was about being a Christian. And it was the first time that I had really seen a
priest that actually, actually lived what Christ was talking about in the Gospel to
the extent that he would -- I mean, a big complaint about Father Powis is if you
saw him without a coat, and somehow you gave him a coat. Well, you know, you
might have given that coat in the morning, but by the afternoon, he’d given it to
somebody else. I don’t think he owned a coat half the time. He used to walk
with holes in his shoes. We saw him, we said, “Oh my God, he’s got [00:46:00]
cardboard,” just like we did, and I mean it was the same. And it wasn’t that he
was trying to be like us or he’s romanticizing poverty in any way. It was just that
he always felt somebody else needed something more and that he could do
without. That he could live a life of doing without if that would help somebody
else. And so I was inspired by him, and of course, my father had died, so he
became my father, and I wanted to be like him. So that consolidated the idea

23

�totally in my mind, I wanna be a Catholic priest like Father Powis. Now, he
belonged to the diocese, so he was just, what we called, a secular priest. In
other words, he was part of the diocese. He became ordained by that bishop
and he worked there. But Father Mike Travis was a missionary, and a
missionary that went to the most oppressed. At that point, I didn’t think I was the
most oppressed because, you know, I thought that, well, I eat three times a day,
I’ve got [00:47:00] a roof over my head. We’re very, very poor, but, hey, look at
these people in Paraguay or look at these people in China, look at these people
in Africa. I’m rich compared to them, right? So I wanted to, of course, cast my
lot with those who are the most abandoned. I’ve never asked about Father
Powis what he thought about my decision; he’s very good about it. He said,
“Well, this is great, wonderful,” the whole thing, very supportive all the way. But I
guess he had to wonder why I would choose an order that wasn’t his, but...
Because he was the one all through the seminary that I would go to. In fact, he
went -- you know, it was a 12-hour trip to get to St. Mary’s Seminary in North
East, Pennsylvania, right next to Lake Erie, and he made that trip at a time when
I really needed him, so... I suppose I became a Young Lord because of how the
welfare department treated my mom and my neighbor, and [00:48:00] because I
wanted to be like Father Powis, and because I really wanted to heed what the
Gospel talked about, about really being there for your neighbor. And that I saw
so much suffering going on, especially in the Puerto Rican community where we
had so little that when I heard... At that point, let’s say when I returned from the
seminary, I wanted to see how I could express my priesthood in a more worldly

24

�way, and let me explain that. I remember once, they went into a whole new
grading system in the seminary around conduct and application. Now, they were
very strict. [00:49:00] I mean, if you really messed up, you packed your bags that
night, and I saw that, you know. On the other hand, there were always little
things that people do, but maybe they shouldn’t have done, minor things, right.
So they had a system for basically telling you what your grade was in application,
what your attitude was in applying yourself, and in your conduct. So they went to
a system of numbers. So the priest said, “Now, no one’s ever gonna get 100 in
conduct and application because that would mean that you’re perfect, and none
of us are perfect, so... But we expect, oh, everybody get 95, you know, 90.” So I
said, “Okay.” We all said, “All right, we’re [going to get?] 95,” or whatever it is,
you know and... But there were two people in the seminary that I [00:50:00]
knew of, at least in terms of when I was there, that got 100, 100. It was Tom
Curley, amazing, amazing man, who became a priest, who was the one person
that I met in my life who really loved knowledge. I mean, of course, I met
wonderful priests and great academicians at Harvard and people like that who
were very, very much committed to understanding the world and to really acquire
knowledge, but he had a love affair with it. I mean he loved reading the
encyclopedia. I think we saw him read it like three times or something, the whole
thing, the Britannica, and we, “Hey, Tom,” said, “so what letter are you up to
today?” that kind of thing, you know. He just loved learning. Everything was just
beautiful for him. Whatever we were learning, Greek, whatever it was, he
embraced it. [00:51:00] He was a very humble guy, extremely humble. You

25

�know, somewhat, off in his own world half the time, but really, because he was so
kind and so generous and so humble, you know, “Hey, Tom, come on out.”
’Cause he couldn’t do sports, he couldn’t do any of that, so “Oh, it’s all right, oh
yeah, okay, you can’t catch that one, okay, no problem, Tom,” that kind of thing,
we just loved him. So he got 100 and 100, and I got 100 and 100. Now, I wasn’t
Tom Curley, and I wasn’t certainly the best, but I was good at watching my back,
you know. But, I mean, certainly, I’d never go for the 100 and 100, but I got it
anyway. So, I only say that because I was really committed, very committed to
becoming a Redemptorist priest, I wanted to. I had a very strong desire to
embrace medicine. [00:52:00] I was thinking maybe they could send me to
medical school, have some conversations about them. Of course, they weren’t
teaching me any science, you know, other than the required physics course,
which was not much, a general science course at best, but I was trying to learn
as much as I could on my own. And I was definitely focused on healing, so I was
thinking and hoping that they would send me to medical school, so I could be a
priest-doctor. But after a while in the monastery -- and let me just explain the
monastery. The monastery, so you graduate from St. Mary’s Seminary, which is
a high school and a junior college, and then you take a break for all academic
studies, and you go into this monastic existence for one year. You have no
contact with the outside world, no contact with your family, no letters, nothing, no
TV. I mean, with a couple of [00:53:00] exceptions; I’ll get into that. But literally,
you are to spend the time of prayer, meditation, of learning the ways of the order,
and of getting ready to take vows. Because then you take these vows and then

26

�you go on to the house of philosophy and the house of theology and then you get
ordained. Come back for another year in the monastery and then go out as a
priest. So, you know, all total, it’s 12 years to ordination and another year, 13th,
yes. So you can say that I had finished the first six years, although I didn’t start
in the seminary as a freshman. I started in high school here, the Catholic high
school here, so...
JJ:

You were in the seminary, were you in high school you say?

LA:

High school and college, junior college, right. And so, [00:54:00] in the seminary
-- no, in the monastery, there was only my class, so I don’t know how many we
were, about 22. It wasn’t a whole lot of young people, right, and we were all,
what, 17, 18, 19 but so young. And of course, the priests that were there were all
there for us. Some were retired, but for the most part, they were there for us,
and they were there to support us in our journey. But as I walked in every day to
this big dining hall, which we call the refectory. Before you went into the main
doors, through the main doors, you would see -- I remember on the right-hand
side as you walked in -- a map of the world. And you would see, of course,
enlarged the United States, and underneath the United States, there would be a
legend explaining the different marks on the map that would relate to how many
[00:55:00] schools the Redemptorist were working in, how many schools they
had, how many churches they had, and then the United States was divided north
and south. So if you look down in the south, there was the furthest subdivision,
and that was in terms of color, how many schools white, how many schools
Black, how many churches white, how many churches Black. And I looked at

27

�that. Now, you know the rage that I felt at realizing there was such a thing as
segregation and afterwards the racism and the white supremacy, that that really
was behind that. So I would look at that every day, and I’m going, huh, what is
that? And then finally, I said to my classmates, “What is that white and Black
stuff?” and they said, “Oh well, that’s the South.” I said, “What are you talking
about?” “Well, we have white churches and we have Black churches.” [00:56:00]
“Wait a minute, you have white churches and you have Black churches? So you
mean if a Black person goes into church, you’re not gonna let them go into
church?” “No, no, we let ‘em go in.” “So what’s the problem?” “Well, they have
to be in the back.” I said, “What do you mean you have to be?” “Well, they can’t
be up front.” “So you don’t let them go to communion?” “Oh, we let them go to
communion, but they have to wait for all the white people to have their
communion first, then they can go out for communion.” I said, “Are you really
telling me this is what you do?” They said, “Yeah, look, this is -- Luis, you don’t
understand, you’re from New York City, this is the South.” And the people I was
talking to were from the South, said, “So, it’s a different culture there, we have to
deal with the reality of the South. You know, you have a different life in the
North, I know that, but in the South, that’s the way it has been, and it will always
be that way. So we have to conform, or we can’t be there.” I said, “Are you guys
crazy? I mean, are you really [00:57:00] -- are you listening to what you’re
saying?” They said, “Luis, come on, calm down, this is like you’re [Atoms for
Peace?].” They used to call me [Atoms for Peace?] stuff. Because they were
supportive of nuclear war, and I’m going, “Are you guys nuts?” I mean, really, you

28

�know. So like three things that I wound up saying, you people are insane, the
whole issue of racism and the support of it, the question of, you know, nuclear
annihilation, and the support of their so-called just war. And I’m going, “There
cannot be a just war if you have nuclear bombs, it’s impossible,” and they didn’t
want to accept that. And of course early on, I said, “It was insane to have our
services, our masses in Latin because nobody understands what’s going on, and
what is the point?” And it seems so logical to me, and they said, “Oh well, yeah,
sure, but that’ll never or it might change maybe a thousand years from now, you
know how slow the Catholic church changes.” And I’m going, [00:58:00] “It’s
gotta change now, and we’re gonna be priests, we’ve gotta make it.” They said,
“No, you can’t do that because you’ll defy the Pope.” Like, “Give me all kinds of
reasons why you could not use your common sense.” So I love them now; these
are my brothers. You know, I understand when marines say, “They’re my
brothers” because you do bond, and I did bond with them, and they were very
much my family. But I remember the day that I told the novice master that I just
felt that I had to leave, and he tried to talk me out of it of course. They had been
thinking about me as being a bishop someday in Latin America, and they had
great hopes. And spoke to the provincial, the provincial wanted to see me, you
know, it wasn’t the easiest thing to do. And it wasn’t the easiest thing for me
because I loved my fellow classmates; I mean, we were a family. [00:59:00]
JJ:

And you also did it also because of social justice in terms of --?

LA:

I did it solely because of that. Look, I went on with this a long, long time in my
mind. I just could not leave because I could not leave my family. But what

29

�finished it for me and the reason I had the nerve and the courage to be able to
talk to the novice master about it, which meant that I was making a decision,
finally, was because one day, we were allowed to see a television program there.
We had been allowed to see one other television program before. It was a
debate between a Protestant and a Catholic priest, Protestant minister, about
something related to ecumenical sort of approach, and it was great. I remember
that, because at that point, it was on TV, it exciting, [01:00:00] whatever it was
because we [didn’t?] see TV. The master had to leave for some meeting or
something, and so the junior guy, who had just been ordained and assigned
there, right, who was a Republican -- I’ll never forget this -- pro-Goldwater type
said, “Well, you know, novice master is away today, and I’m in charge. And
something’s very important happening, and I think you guys should see it.” So
we went upstairs to the TV room, and I’m going, “Wow, this must be a very heavy
debate between the Catholic and Protestant for them to want us to see it.” I’m
going, “But anyway, hey, we’re gonna watch TV, so that’s good,” so... And he
puts the TV on, and at that moment, Martin Luther King comes out to the
microphone and says, “I have a dream.” I mean, imagine you don’t see TV at all,
you don’t know what’s going on, you don’t read newspapers, you don’t know
anything that’s going on. And what you see for the first time is Martin Luther King
[01:01:00] say the I Have a Dream speech, the famous speech. And for me, it
was like God was talking to me because here I was. I didn’t tell anybody that I
wanted to leave, and I didn’t tell them why. Because in my heart I felt, you know,
if I stay in the order, I’m just gonna be a rabble-rouser because I’m not, not ever

30

�going to accept the division between white and Black, never gonna happen. I’m
either gonna get thrown out, and I also was supposed to be such a model
student, I mean, it will be a horror. And so I thought God was talking to me, and I
said, okay, that’s it, that’s it, and then I went to the novice master and eventually
left. But I left hoping to think maybe to become more like Father Powis, but the
war in Vietnam was just starting, people did not even know about it at the time,
[01:02:00] but I was very concerned. And of course ex-seminarians usually wind
up in Brooklyn in St. Francis College, and that’s where I wound up because that’s
-- you have to go somewhere. You’re like a fish out of water; the world seems
very strange.
JJ:

What is St. Francis College?

LA:

St. Francis College is a Catholic college in Brooklyn.

JJ:

They take -- seminarians [go there?] --?

LA:

Ex-seminarians go, I mean everybody goes there, but in those days when there
were seminarians, and a lot of seminarians coming out, they usually went to St.
Francis first, and that’s where they would move to. So I was told, “Go to St.
Francis;” I said, “Okay, I’ll go to St. Francis.” Now think about it, St. Francis, the
peacemaker, his famous peace prayer, well, that wasn’t the case at St. Francis.
In fact, a friend of mine and I went to this rally that St. Francis was holding down
the block right there in front of the [01:03:00] Borough Hall, and it was a rally to
bomb Hanoi. It was the early days of Vietnam War, and it was a conservativesupported thing that we should go in with greater troops, and the whole thing just,
you know, wiped the world of Vietnam, and it was horrifying. It was horrifying

31

�because a brother actually said the prayer first, you know, and that’s how the
rally started, and it was well attended. And my friend and I, we were just, like,
totally blown away because we were pacifists both of us, we said, “Oh my God.”
So, soon after I left, I said, “I can’t do this class.” Eventually, of course, I got
more and more involved in the antiwar movement, and I went to every major
march. The only march that I did not go to in Washington was the Pentagon
march ’cause [01:04:00] I think that was during the week, I couldn’t do it but ev-JJ:

What years were these?

LA:

This was 1967 --’66, ’67, ’68, those late ’60s.

JJ:

Were you part of any group or you just went?

LA:

You know what, actually, there was two groups that I belonged to. One group
was the tight-knit group. In ’67, I became a member of John Lindsay’s mayor’s
office and the youngest one, and there’s a whole story behind that. But there
was really some cool guys because what John Lindsay wanted to do was to
recruit ex-civil rights and welfare rights people, and I was a welfare rights
organizer. It was the first major organizing that I did. Or people thought it was
impossible to organize welfare clients into a union, but we showed it was not only
possible, but that we could create a City-Wide [01:05:00] Coordinating
Committee of Welfare Groups and then a national organization, and we did all
that. And then when the chairperson of the City-Wide Coordinating Committee of
Welfare Groups, Frank Espada --

JJ:

Oh, I know.

32

�LA:

You know Frank? A very noted, wonderful militant organizer. Most people know
him as a photographer, and he’s a great photographer. Of course, his work is
now a part of the Smithsonian is the --

JJ:

Who did an exhibit in Chicago --

LA:

Right.

JJ:

(overlapping dialogue; inaudible)

LA:

The (inaudible) and Diaspora exhibit, which I hope someday will come --

JJ:

The Hawaiian-Puerto Rican exhibit.

LA:

Exactly, exactly. So Frank, who was my compadre, my best man at my first
marriage and who I was very, very close to and close to his family, and, man, I
was there all the time practically. When he got [01:06:00] the job, eventually, he
allowed me to volunteer, and eventually, he figured out a way to get me the job
because I was very young. And my history just in terms of organizing was really
welfare rights, but I was really into it, and I had learned a lot, and I had become a
very good organizer. And Frank knew that, so he wanted me to organize the war
on poverty, particularly here in this community in Williamsburg and other
communities, but this would be my main community. So I did, and as part of that
group, there was a bunch of us, like [Benny?] and others, that were really against
the war in Vietnam earlier on. This is before people, kind of, put up to this, and
we wanted to make sure that there was a Puerto Rican presence. The marches
were mostly white, and we wanted to make sure that the world knew that Puerto
Ricans were against the war. [01:07:00] In those early days, a lot of Puerto
Ricans weren’t, unfortunately, because we all swallowed the anti-communist

33

�propaganda and that kind of thing. So it was difficult talking to even members of
our families about this because they would feel that somehow, we were being
cowards in not going to the army. Or they would ascribe all kinds of other issues
to the real issue, which was that it was an immoral war and that we had to stand
up against it, so... Not to mention the fact that we were pacifists, which is a
whole other can of worms for some people. So anyway, so we decided we’d get
the biggest Puerto Rican flag we could get, huge, right? And if you look with a
magnifying glass at all those pictures, just look for the Puerto Rican flag, and I’ll
be right underneath it. So I was very much in that whole, sort of, Catholic Social
Action [01:08:00] effort also. So it was that plus Catholic Social Action circles
that I was part of, the [Bergen?] Fathers, the Catholic Worker, Catholic Peace
Fellowship. They helped me very much get my deferment, you know, because...
JJ:

So you marched with the Bergen?

LA:

Oh, yes, I was very much a part of because I was from the seminar, still feeling
like, “Okay, I’m trying to express my priesthood, this is the way I’m gonna do it.”
And so it’s no longer gonna be in a structured Catholic church, it’s gonna be
Catholic Worker, it’s gonna be a soup kitchen, it’s gonna be this, it’s gonna be
that, it’s gonna be the antiwar movement, you know. So, that’s where I was in
1969, in December, when I heard about this group of young people who were
trying to get a church to perform the corporal works of mercy. I said, “Oh my
God,” [01:09:00] and this is what had moved me all my life, right? So I hear that
they were trying to create a breakfast program, they were trying to get a clothing
drive going. They were trying to get a liberation school where young people

34

�would learn about their history. They were trying to help people in all sorts of
ways. They were tryin’ to perform the corporal works of mercy, what Christ told
us would be the criteria for acceptance into the kingdom of heaven. They were
tryin’ to be Christians, and that for that, the police had come in and beat them up
and bloodied an entire church. And that had just happened, and the word spread
like -JJ:

So the police came in and...?

LA:

The police. Because it was the First Spanish Methodist Church. Now, I’m a
Catholic, so we have a different set of rules, but within the ceremony of the
service of the Methodist Church, there is [01:10:00] a moment when one can
speak up and pray out loud and talk to God about things that are happening,
right? And so Felipe Luciano, who was the first chairperson of the Young Lords,
had tried with other Young Lords to speak to the pastor of the church who was
from Cuba. And so unfortunately, what he saw when he saw the berets was -well, he fled. So he saw Fidelistas, and he didn’t want anything to do it. So, of
course, Felipe also has a Protestant background, and he had friends who went to
that church, whose families went to that church, so explained the process to him.
So he said, “Well, we’re gonna go to church, let’s go to church and let’s just
plead our case directly.” So he got up and said who he was and said why they
were there and what they were doing. And as soon as he did that, [01:11:00] the
pastor gave a nod to a plainclothes police officer in the church. He went outside
and brought in uniformed police officers, a whole bunch of them who started

35

�swinging their billy clubs at the Young Lords. They broke his arm, there was
blood over the entire, entire church, it was horrible. And it was the first time -JJ:

The entire --

LA:

Felipe’s was blood and other Young Lords, yeah. And I am told it was the first
time ever that the New York City Police Department ever entered a church during
a ceremony and actually assaulted people. So that news went all around the
world, and of course, you know, it basically got to everybody in New York City
and Latinos talking about it, and I heard about it immediately. And then we were
told that next Sunday there was gonna be a -- that people [01:12:00] are gonna
go up there support what the Young Lords were doing. And so we went up there,
and the Young Lords just had the church, and they basically talked, and it was
wonderful. And I remember I was sitting next to Richie Perez who was his first
time too. He was a teacher, and I liked Richie because Richie looked normal.
(laughter) I mean, we all had long hair, but that was normal for us in those days.
But, you know, he had a job, he was a teacher, he was real, he didn’t look as
flamboyant as Pablo and Felipe. You know, they were really great guys and very
charismatic and all that, but for me, it’s a little scary. Remember, I’m from the
seminary, you know, and they’re talking about armed struggle and stuff like that,
and I’m going, “Ooh, I don’t know if I can do that, [01:13:00] it’s not for me,” so...
And Richie --

JJ:

You’re a pacifist.

LA:

I’m a pacifist, right, but I agreed with them and everything that they were saying,
and I was moved by them [hence?]. But I figured I have to get some kind of

36

�reading on this from a guy I can trust, so at some point, I turned to Richie. I said,
“Richie, would you consider joining this?” ’Cause right there, I was there, I was
there, I was so there by that time, right? Because what was missing in my life
was, yeah, I had the Catholic Social Action Group, but it was mostly white, loved
them, but it wasn’t my people. I had this small, little group at work, but we were
singular, right? There wasn’t a group. I tried the Movimiento por Independencia,
but I thought, you know, I can’t really hang with these people and my Spanish
isn’t good enough. You know, I thought it was a Spanish issue, right?
JJ:

Mm-hmm.

LA:

Later I realized it was a class issue, right?

JJ:

Yeah.

LA:

But, [01:14:00] then it was like I’d be tongue tied, (Spanish) [01:14:02], et cetera.,
you know, so I really couldn’t hang with them. I liked them, especially since they
were committed to independence and of course brought me into the culture, the
music, the poetry, the cancion and all that. But they weren’t me, you know, and
they didn’t really represent our experience, so I didn’t have a group. So when
Felipe was talking and Pablo was talking and Juan Gonzalez, and I had met
David before then --

JJ:

David Perez.

LA:

-- David Perez, yeah, through a friend, and I trusted that friend. So I knew David
was a good guy, a good working-class guy, a guy like me, like my family. I was
really ready, but as I said, they were very charismatic and very forceful, and I
was enraged as they were, but [01:15:00] I don’t know if I would use that

37

�language. And so when Richie said, well, he’s thinking about it, I said, “Well,
okay, Richie, if you join, I join,” and we both joined together the same day.
JJ:

And then after you joined, what kind of actions were you involved in? Was there
a demonstration --?

LA:

Wow, well, of course, the first thing was the people’s church. We’d be taking
over the church and holding it, I think, for about 14 days, wasn’t it?

JJ:

Yeah, I went one day, I came from Chicago.

LA:

Yeah, you did? Yeah.

JJ:

Yeah.

LA:

Well, it must have been a very special day.

JJ:

Yeah.

LA:

So I had a child and --

JJ:

And what’s your child’s name?

LA:

Arianne, [Arianna?], and Arianna was, you know, maybe -- yeah, she was born in
1968, so she was about a year old. And so that meant that I could not be there
every single day or at least could only be there for a few hours [01:16:00] every
day, right? So we all planned this, this takeover, and it was understood that, at
some point, the police were going to come and arrest us. And so, you know, I --

JJ:

Make sure you don’t say anything --

LA:

I was given a dispensation for being there for that because obviously I had a
daughter, so I missed that one and... But, you know, I was involved --

JJ:

First, you guys took over the church and so --

38

�LA:

Yes, we took over the church, and eventually, after negotiations, et cetera, et
cetera, we were arrested, you know. But we held it for a good long time.

JJ:

How many people were arrested?

LA:

Jeez, I don’t remember.

JJ:

But I mean a lot of --

LA:

A lot of people, yeah, but – and it was in the middle of the night, basically, who
did that kind of number. But we had, you know, for like -- was it 14 days? I can’t
remember how many days it was. [01:17:00] For a good while there, every
single day, we had so many different activities there. I mean, you could see what
it was that we were talking about because it was all about --

JJ:

What kind of activities were --?

LA:

Oh, everything from cultural activities to the actual practice of the activities we
wanted to begin with, the practice programs, the liberation school, the clothing
drives. All that stuff happened in those two weeks, and it was wonderful. Of
course, every day, the headlines, you know, when is Lindsay going to act and,
blah, blah, blah, all that stuff but we were doing all kind. Even at one point, we
had a real religious service there with the bishop of Puerto Rico who came,
remember?

JJ:

Right.

LA:

And the gospel was from the Red Book; he quoted Mao. I thought I’d died and
gone to heaven; (laughter) It was amazing, so... So I remember those days; it
was just very moving. [01:18:00] But I was involved in the health and education
minister, so I was under the leadership of Juan Gonzalez, which was great,

39

�because Juan was amazing and still is a very close friend. And so I was involved
in issues around TB testing and sickle cell anemia, and my focus was TB testing
and in other areas like -JJ:

And you guys --

LA:

-- the clothing drive and stuff.

JJ:

-- someone to the team for it to --

LA:

I’m sorry?

JJ:

Someone --

LA:

Yeah, yeah, oh well, yeah --

JJ:

-- during that time?

LA:

I wasn’t there for that, okay.

JJ:

(overlapping dialogue; inaudible)

LA:

But, yes. Well, they had this mobile TB, tuberculosis, truck where you could get
an examination and an x-ray. And it was in some part of Manhattan that really
where it was a middle-class community, people had access to health care. It
really was in the wrong place, so they weren’t getting much business, right? So
[01:19:00] very politely, we told them we’re taking over, and we told them where
they had to go, and, of course, I think they were probably a little concerned, but
there were many of us. So they moved to East Harlem, to the block where they
really could get a lot of people, and people needed those services. At the end of
the day when the reporters came and everything else came, and they asked
people how did they feel about being kidnapped, and they said, “Well, no, we
weren’t. In fact, you know, they were right, we were in the wrong place and they

40

�treated us very well, and we should be here.” I think early on, our reputation
grew as the so-called “Polite Revolutionaries” in New York City. Unlike what the
media had portrayed as the Black Panthers. I mean the Black Panthers were as
polite as we were, but they got the bad press. We got a lot of favorable press
because everything that we did, eventually, people say, “You know what, they
were right, this is [01:20:00] what we should be doing.” We took over Lincoln
Hospital, but it was after creating the Think Lincoln table where we would get
complaints. And we would basically generate all these complaints and bring
them to administration, “Look, this is stuff that you’ve gotta deal with, right?” Of
course, they didn’t wanna deal with it, so we had to organize the nurses as part
of -- some of them, of course, not all of them -- the Health Revolutionary Unity
Movement, the HRUM. And together with them and other doctors and people
who worked in the hospital, we took it over. Now, at the end of the day, people
said, “Yeah, Lincoln Hospital should be closed, and no one should be opened,
and the Young Lords were right,” so in almost every situation. I think only one
situation that -- well two situations where I think -- and we ourselves felt
[01:21:00] that we were wrong -- was when we took over the church again. I was
in Boston by the time I -- [Josephina?] and I had opened up the branch in Boston.
JJ:

(inaudible), okay.

LA:

And I founded the branch in Massachusetts, and so I was there for most of -- a
lot of this, right. And so what happened was that we took over the church again
but with rifles. Now, I wouldn’t have been a part of that, you know. Now, it
wasn’t that --

41

�JJ:

It was that time, it was that era.

LA:

Yeah, it was that era and...

JJ:

Today they call it Occupy but it was the same --?

LA:

It’s the same concept, yeah, the same concept.

JJ:

It was just that era that --

LA:

Yeah, and, you know, we were very, very upset. We felt we had -- take a
dramatic kind of action. Richie was telling me about it -- [01:22:00]

JJ:

I’m not saying it was wrong, I’m just saying of that era.

LA:

Richie was telling me about it, and I said, “Richie, come on, guns, come on.” And
Richie just bowed his head and said, “Yeah, bro, I know but...” So Richie would
never tell me it was wrong either, but I knew what he felt, and that’s why he
became a wonderful brother to me. And I always considered him my mentor
even though we’re the same age, but I would always go to him to think things out
around politics particularly and our struggle, so... That was one that I think, you
know, some people, rightfully so, would argue that that wasn’t the best day for
the Young Lords. I think the other one was the takeover of the front of the Puerto
Rican Day Parade. And, again, we were brought in from Boston, you know, I
came with my guys and stuff, [01:23:00] and we were told that we had decided
that we had enough of the Puerto Rican Parade being led by the New York City
Police Department. That the people should lead the parade, and that what we
were gonna to do was to jump the parade and be at the front. So that was the
plan, and I’m going, “Richie, does this make sense?” It’s like I’m out from
Boston, so I’m like just getting it, I’m not a part of the thinking process, I didn’t go

42

�through in this, and I’m going, “Why would we wanna do this?” I mean I
remember going to the Puerto Rican. The early days of Puerto Rican Day
Parade, you would just show up and walk the streets, that was it, and my mother
did that, so... And so I remember as a young boy walking with my mother on
Fifth Avenue, and it was wonderful, so I had fond memories of the Puerto Rican
Day Parade. I do understand the politics and how it’s used [01:24:00] basically
to aggrandize certain so-called political Puerto Rican leaders and how the
politicians use it basically to pacify our community in some cases or win votes.
And you know, it seemed like the police department, given the kind of assaults of
our community that the police department had perpetrated, shouldn’t be the ones
leading it, so it made sense in a way. But on the other hand, you know, taking
the front of the parade was gonna be a dangerous kind of thing, and people
might take it the wrong way, and it may not be something that we should be
doing. And I told Richie that, and he said, “Bro, we thought about this, it’s
important,” blah, blah, blah,” and I said, “Okay.” So the mistake was that we
were not gonna wear for the first time our [01:25:00] berets or anything
identifying us as Young Lords. The idea would be that we would go -- at some
point when the parade nearing us, we were gonna jump out into the streets,
disclose who we were because people followed us, they trusted us. Again, they
marched with us 10,000 strong to the UN. I mean, everything that we did was
huge, people -- and rightfully so. We were very good and very respectful at what
we were doing all the time. And so that was the plan, except we hadn’t counted
on the fact that we had people that had infiltrated Young Lords and knew about

43

�these plans, that the police department knew about these plans. And so all of a
sudden, from out of nowhere, comes this big Puerto Rican flag. That goes on to
the street, people start screaming and hollering, you know “Young Lords.” And
then these people that looked like the so-called classic militants jump [01:26:00]
out and tell people, “Come on, come on out to the street.” Now, the people knew
that we were gonna take the front of the parade, right, so they go out into the
streets. Now -JJ:

So these were agent provocateurs.

LA:

Agent provocateurs, and I’ll tell you how I learned that because there was one
guy particularly who was moving everything. Black, maybe African American, or
Black Latino, I don’t know, but he had a beret on, and he had all kinds of medals.
You know how we were told all the time, anybody who has a lot of buttons, you
gotta worry about them, they’re probably an agent, right? So he had all that stuff
on, and he was telling me, “Come on, we’re taking the front of the parade, we’re
taking the front of the parade.” And then we’re going, “No, no, no, stay back,” but
they wouldn’t listen to us because they didn’t know we were Young Lords. They
thought that was the Young Lords. The flag was out there, people just jumped,
the parade was nowhere near us, and the police were on the side streets, you
know, totally armed to the hilt with all kinds of gear and trucks and everything.
Just it was a setup [01:27:00] so that they could come in and mop the place up,
literally, and arrest us all, clean the streets before the parade even got there, and
that’s exactly what happened. A lot of people hurt, I saw a baby carriage go up
in the air, I saw horrors that I had never seen before. I remember that people

44

�were screaming and trying to get into the lobbies of the buildings on Fifth
Avenue, and the doorman would not let them in. And I remember that you can
only do this when you’re so in the moment that you get this kind of strength. I
remember that, I said, “Look, these people have to get in, there’s a mob of police
officers swinging their police clubs, they’re gonna get hurt.” “Oh, we can’t let you
in,” I said, “Yes, you are gonna let us in,” and I took one with one hand, and the
other with the other hand. Now, come on, how strong [was I?]? Not that strong.
I lifted them both and threw them. Now, I don’t know how I did that. [01:28:00]
It’s impossible normally because I wasn’t that strong, just normal. I opened the
doors and said, “Come on in,” and people went to the lobby. So when I had them
secured, I went back out to see what else I could do. I saw the guy that started it
all after the flag, the African or Black Latino dressed up as a so-called Young
Lord. And I followed him because I wanna see who this guy was. And I followed
him, followed him, followed him, and he was moving up back to the front of the
parade. The parade by that time had passed by. Of course, a lot of people
oblivious to what happened ’cause it was all in the press in the night and
everything else, [the stories?]. But those people behind them had no hint that
something like that had happened. People were bloodied and -(break in audio)
M2:

Yeah, that’s the only piece that’s missing because my project’s more specific to
who you are now so --

LA:

I think I was talkin’ more about today, right?

M2:

You talked about today and the [01:29:00] past were you -- you know?

45

�LA:

Yeah, whatever, so you look at it and tell --

M2:

That’ll be great. Yeah, I think that’s missing, so let’s --

LA:

Okay, let’s -- we’ll do it. So...

JJ:

(overlapping dialogue; inaudible)

LA:

Okay, yeah.

(break in audio)
JJ:

[Really?]?

LA:

Really

JJ:

[Sued?]?

LA:

Yeah, I mean ’cause we sued.

JJ:

Now we were talkin’ about when we -- (overlapping dialogue; inaudible)

LA:

I feel like so (overlapping dialogue; inaudible) yeah, he did, he did real time.
(laughter) I got money for my time.

F1:

Your --

(overlapping dialogue; inaudible)
JJ:

Okay, now we were talking --

LA:

So I’m watching this guy, and other people had also, when they saw what was
happening, started walking up away from the police, right?

JJ:

Mm-hmm.

LA:

So all of a sudden, I see him jump to the other side of the street, and there, I see
on the ground an elderly gentleman who just had a heart attack. He was one of
those people. I guess all of the horror that he saw just got to him, and he had a
heart attack and actually [01:30:00] died. And so he immediately goes to the --

46

�he was the first one on the scene, and I’m right behind him. He doesn’t notice
me, and he immediately, you know, checks for vital signs or anything else. I’m
going, hmm, and then the police come, and then he takes out his badge. I said,
“Son of a gun, you know, they just set it up totally.” So that’s how I knew that it
was all a setup.
JJ:

This is gonna be the Puerto Rican --

LA:

Puerto Rican Day Parade.

JJ:

-- Parade?

LA:

Yeah, so that was not a high point in our history. But the support --

JJ:

So why wasn’t that a high point? I mean what do you --?

LA:

Because we didn’t understand fully the kind of (inaudible), the reporting that was
going on, number one. Number two, because it just wasn’t the right thing to do,
[01:31:00] with a sacred cow like the Puerto Rican Day Parade. You know, there
are some things that are done incorrectly and are exploitative of our people, but
our people believe in them. And so it’s not our place at that moment to contradict
that, but to create a context for our people to understand what’s really going on.
So I believe that we didn’t create that context for that Puerto Rican Day Parade.
We just confronted it believing that we had the people on our side. And I guess if
we had done it in a way like we used to do things, right, we might have been able
to pull it off.

JJ:

What do you mean the way you used to do?

LA:

Well, I mean, the early days of the Young Lords. I wasn’t there, obviously, but
the stories that I first heard when I got to the People’s Church. But this is in the

47

�summer of ’69, and the People’s Church was in December of ’69, right, on how
[01:32:00] the Young Lord started. The Young Lords started basically as the
Sociedad Albizu Campos, a bunch of college students from Stony Brook and
Columbia, Juan and others who had gathered together mostly because of Mickey
bringing people together, Mickey Melendez, and some kids who were not in
college who had also somehow connected with them. And, you know, it, at first,
was more of a study group of people tryin’ to figure out what to do. You know,
they were, sort of, more of the classic Marxists who thought you had to read the
50 books of Lenin before you could even do anything, you know, and others who
wanna do everything without even thinkin’ about it, so it was that mix. So finally,
I guess as a compromise, they decided, well, here’s what we’re gonna do. We’re
gonna go on a Saturday morning, and we’re gonna go and clean up the streets.
The number one issue that people could obviously see was a major problem
[01:33:00] was the garbage because garbage was piled up in our communities
like a couple of stories high in some cases. The city had basically abandoned
the kind of garbage pickup they had on Park Avenue. That wasn’t for us in the
so-called ghetto. So we thought that if we could clean up the garbage, people
would see that, and they would follow our lead, and before you know it, we had
people engaged and we can begin to start demanding our rights. So we started
doing that as the story goes, and people saw us, and they mocked us. They
started saying, “What do you think, you guys the sanitation department now?” so
they didn’t get it at all, you know? And so people went back to their clubhouse,
you know, and said, “What was that about?” It’s like, we gotta change up that

48

�somehow. We thought, okay, the next time we do this, we’re gonna put the
garbage in the middle of the street. [01:34:00] We’re gonna stop traffic, that’s
gonna get people’s attention, and that’s gonna really demand that the city, in fact,
change their policy, so we did that. Now, I think a couple of people knew what
Felipe was gonna do. I’m not sure all the Lords knew at that moment, other than
the central committee, what Felipe was gonna do. I’m not clear; I wasn’t there.
But Felipe doused the garbage with, I guess, some flammable liquid and torched
it. And then, as the flames sprang up, screamed at the top of his lungs, and you
know Felipe can scream, he’s got an incredible voice, “(Spanish) [01:34:42]!”
And everybody heard that, and people were opening up the windows and said,
“What’s goin’ on here?” and he said, “The Young Lords!” And so we did that, all
right, but we had like a van plan, we had an escape plan immediately. So
immediately, we knew that we had to go into the stores, the bars, [01:35:00] the
restaurants, we had to go in there immediately. Everybody had sneakers on
because we could run fast, take our beret out, put it back in, look normal, and
then come out as the people came out and said, “Whoa, you know, the Young
Lords were at it again.” And this happened every weekend in the summer, to the
point that by Friday night, there were helicopters over El Barrio looking for Young
Lords to see where they were gonna strike next. We’d always do it, we’d always
strike, we’d always do the same thing, and we’d meld into the masses and come
out with everybody else, and nobody knew. Everybody assumed that Young
Lords like, I don’t know, hundreds and hundreds of people, like the Black
Panthers that stay out in the West Coast, but the reality was, it was a very small

49

�group of guys. Some women, definitely, Sonia Ivany and others, but mostly
young people and a very small group at that. So, you know, that was [01:36:00]
the kind of thinking that was going on in the Puerto Rican Day Parade, but as I
said, the police department was one step ahead of us.
JJ:

Okay. You mentioned (inaudible).

LA:

Yeah.

JJ:

What was that, what was your involvement with --?

LA:

Well, I founded El Puente and then --

JJ:

Oh (overlapping dialogue; inaudible)

LAC: -- El Puente -- and I founded El Puente in 1982 because -JJ:

And El Puente is what, what is that?

LA:

Well, El Puente means “the bridge” in Spanish. And I thought that given what
was happening in our community, that we needed a more mass-based place to
convene our people to stand up for our human rights. It couldn’t be a political
party. It had to be a place that was open to everybody and that was safe
[01:37:00] and --

JJ:

So mass-based --

LA:

-- welcoming.

JJ:

-- meaning everybody, open to the community?

LA:

Welcome to the community with certain principles, of course, but not so
ideologically determined that it would basically chase people away even before
they got to know and engage in El Puente. And particularly focus on young
people, why? Because 12 months before I opened up El Puente. In a period

50

�from 1979 to 1980 -- I opened up El Puente up in 1982 -- we had lost 48 young
people in a section of Williamsburg. Some 30,000 to 32,000 people, one square
mile called the Southside, Los Sures, very famous. This was El Barrio, the most
-- the community with the census tract [01:38:00] in all of New York State with the
highest concentration of Latinos. It was also part of the second poorest
congressional district. It was the poorest community in the city, in the state, the
poorest Latino community, so... And it was also obviously the most violent
because we lost 48 young people in that one square mile, virtually one every
single week through gang violence. We were, as the mass media defined, as the
teenage gang capital of New York City. And everybody had a show on us,
Geraldo, Donahue, all the different stations talked about the Southside and the
killings in the Southside, and our own community was very much afraid to walk
the streets.
JJ:

Was this before it got gentrified or--?

LA:

Oh, nobody wanted to come to the Southside. This was the most concentrated
Latino community, mostly Puerto Rican. Nobody wanted to come, and virtually
everybody was [01:39:00] Latino, and of course, nobody ever thought that
anybody would ever wanna come and live here. You know, people at any
moment, if they could get away, got away. I had founded El Puente, it was the
process of it, and basically realized that if I was going to be able to build a base
in this community, I had to live here, and so... And the other people who worked
at El Puente who volunteered, because we were all volunteers at the time, also
had to live here. So I would not allow people to be working with us or volunteer

51

�with us who did not live here, so I bought my own house here. Now, my
mortgage was 200 dollars a month; it was virtually nothing. I didn’t have a credit
card, so I borrowed some money from a friend for the closing cost and basically
got [01:40:00] the house for nothing. And that’s the way it was because people -and even the woman who sold to me, I told her, “Listen, things are gonna
change, if you want, I’ll just rent here if you have second thoughts about giving
up the house,” she said, “Oh no, no, I’ve been dying for this and I’m so glad you
came along and I know you mean well, but nothing’s gonna change.” And I told
her, I said, “You know --” but she insisted, she was so happy to leave, so, and for
good reason. I came home one night, there was a dead body that shoot up, and
just before I arrived, the police were just arriving right. One week, I remember
the very famous week that I had guns pointed at me by both the police and some
gang kids, so in two different incidences. So it was a very difficult place, so we
knew that we had to create a space that was a neutral zone in terms of the
gangs. [I had to?] get agreement where [01:41:00] their younger siblings could
come, and they would be safe, and that’s how we began. But when they got
here, I would explain to them that this was about a movement and that what we
wanted -- yes, we wanted them to learn how to do breakdancing and all the
different other activities I would get volunteers to do, and then eventually, I got
some money and actually could pay people. But the whole point was to promote
peace and justice, and that we had to be those people to stand up for our
communities to stop the injustice that was going on. So out of this came the
Toxic Avengers of El Puente, the first Latino environmental group in the city,

52

�[Mash?] Ministry, a health group, all kinds of groups. The El Puente Dance
Ensemble was, recall, celebrated, throughout the state and region, reviewed by
the New York Times and a very professional group. In fact, there were only two
groups allowed to perform at the United Nations [01:42:00] children’s summit
before 75 heads of state, ambassadors, and wives -- (coughs)
JJ:

You want some water?

LA:

Yeah, I could (inaudible). And it was El Puente and another group called
[Sounds of Nature?], a very good group, but we were the only two groups, so that
gives you a sense of the quality of the El Puente Dance Ensemble. Of course,
[Dator?] El Puente was the first adolescent-aged trauma group in the country,
started in 1987, still going strong. So the many, many groups that have come out
of El Puente have been about peace and justice. And I got this from both my
Catholic Social Action and, in particular, the Young Christian Worker movement.
(Spanish) [01:42:57] gave rise to liberation theology [01:43:00] in Latin America
and union struggles, and we were part of it here, in our church here in
Transfiguration Church. And that’s where I met what would be eventually the
cofounders of El Puente, people I went to, “Listen, let’s do this,” and who said,
“Yeah, we’re down with you.” And like Frances, who’s the executive director
today, she was the first one to -- she had started the Williamsburg Arts &amp; Culture
Council for Youth, so she was doing dance classes. She was a professional
dancer who was home healing from an accident and, in the meantime, actually
teaching young people about modern dance. Thought she was gonna go back to
it. And her brother, who was a fine artist, and taught --

53

�JJ:

Who’s her brother?

LA:

Frank Lucerna, yeah, it’s either the Frances or Frank, kind of runs in the family,
you know, is the way I -- you know, so... [01:44:00] And Gino Maldonado, who
was one of the four incorporators, along with me and Father Steve and Judy
Agostini in terms of state charter, who’s been with El Puente from day one and
now is the chief of operations after 30 years of doing this. So it was a coming
together of the Young Christian Worker movement and the Young Lords in a way
that could be very appealing to everybody. We call them the 12 principles. Four
cornerstones of those 12 principles are holism. That our approach was not
gonna be categorical in terms of one part of the human person or the other, but
that we were gonna relate to each other as whole human beings. [01:45:00] A
very novel notion in 1982, by the way, holism. When I would speak of holism,
people thought I was talking about brown rice or acupuncture or something, you
know, something mysterious. And no, I was talkin’ with them about how we
should approach ourselves, how should we connect with ourselves. And focus
on development, not on some disease, human development, our development,
our development as neighbors, as human beings, and a community. And the
second most important cardinal principle for us... Well, we have 12 principles, so
let me... Holism was a part of an approach. So we break up the 12 principles
into beliefs, tools, and goals, right? So lemme just talk about the goals because I
was going more into the belief system. So the goals are, [01:46:00] number one,
creating community. We need to promote in every member of El Puente that
their first responsibility always is to create community wherever they are, whether

54

�they are in prison or outside of this present community. Wherever they are,
where they find themselves, their job as human beings is to create community.
And the second one, the second cardinal principle is really a corollary of that, and
that is to love and care for each other. So loving and caring, the second cardinal
principle. The third one is mastery. That we are about excellence in everything
that we do. It’s not about getting by, so it’s about really honing our skills,
whatever we do, you know. Our relationships have to be the most loving, our
learning has to be the most excellent, our applications the best. [01:47:00] Our
community and this world is rather oppressed, so it’s our obligation to be
masterful in our approach to change it. And the last one is peace and justice.
That what we stand for and that the most important thing in terms of creating
community and loving and caring for each other and being masterful is to
promote peace and justice.
JJ:

Yeah, can you say something about Boston when you worked there?

LA:

Okay, so...

JJ:

Just because that’s the difference.

LA:

Yeah, yeah, yeah, so let me just -- you know, just so you have it on the history -finish with El Puente. So 30 years later, we are seven sites. We’re the first
public high school for human rights in America. Actually, PBS did a survey of 52
countries and declared on primetime, on national television that the El Puente
[01:48:00] Academy for Peace and Justice was the only public school in that – in
our case high school, for human rights in the world. We thought we were the
only one in the city, but then the state department let us know we were the only

55

�ones in the country, and PBS declared that we were the only ones in the world.
Now, we opened up in 1993, so that was some 11 years later since the founding
of El Puente as a whole. We are a community health and environment institute.
We were able to stop the development of a 55-story incinerator that was already
legislated in the city by the New York City Council by, four years later, getting the
governor to basically sign into law a measure for bidding incineration, so
basically, doing away with that vote of the city council. And been doing all kinds
of stuff around environmental justice ever since, including last year launching
[01:49:00] a 10-year initiative, which we call the Green Light District, to transform
this one square mile called the Southside of Williamsburg, by knocking on
everyone’s door, engaging everybody we can, block by block, to transform
ourselves into a community at the highest level of community health and
environmental wellness. Doing wellness assessments, looking at our physical,
our emotional, our political, our environmental, our artistic, and cultural wellbeing, and then coming up with action plans, engaging everybody. Because
you’re right, we’ve suffered gentrification, and a lot of our community, even
though we’re still slightly the majority in the core aspect of the Southside, we
won’t hold on to that for long. The important thing is for those of us who are here
to stay here and to believe that we have a future here. And of course when you
wake up one day [01:50:00] and all the bodegas are gone, and instead you have
very nice French bistros and bagel stores and all kinds of other things. I’m not
saying anything against them, right, but they’re not our bodegas, and they’re not
our restaurants, and you, kind of, feel like it’s gone. And you’re not hearing salsa

56

�music at every street as we do in the summer, and you’re not seeing all the
people playing dominoes everywhere as we used to, and what you mostly hear is
some rock music. You begin to think it’s all over, and that all that’s left is for you
to move, and we’re saying no, we’re staying here. So, in fact, we’re committing
ourselves a green light to move forward, and so that’s what we’re doing. And
thus the Green Light District involve five different committees and looking at
greening spaces, looking at health, looking at making all the changes we need to
shrink our carbon footprint in our homes and our buildings. Every aspect of our
[01:51:00] life is covered by this Green Light District. And we have a fantastic
garden, amazing gardeners from the so-called hipsters, white, upper- and
middle-class young people who are now part of our community, to people from
Bangladesh who are living among us, to, of course, Latinos, everybody. I always
felt -- and I say this is kiddingly, but somewhat serious -- I think that we could
have a really good comedy reality show just putting a camera on the garden
because it’s so funny the kind of cultural stuff that comes up. It’s a riot. Keeps
the person in charge of the garden very busy all the time. And, of course, we
have our leadership centers. So we have three leadership centers in
Williamsburg and one in Bushwick [01:52:00] where young people and two of
them, adults, become -- are members of El Puente. We have two that are mostly
adolescent, but two that are everybody from 6 years old to 60 and beyond. So
we have all of these activities going on. And for some people with the most -and we are the most comprehensive Latino center for art and Culture; we have
29 artists on staff. For others, we’re the community health and environment

57

�institute, and all they hear about is the environmental justice work and stuff like
that. And still for others, we’re the pioneers in educational reform, in the small
school movement, in the social justice movement. Remember, there are no
schools in social justice until we started one. Now, there are also kinds of
schools for social justice. I remember the Albizo Campos School coming up from
Chicago, and of course, they’re a private school, but we’re a public school. And
until they really [01:53:00] brought it up, I said, I always know in the back of my
mind that we’re good at infiltrating the system, you know, but they really brought
it to witness it. They, “This is a public school,” and I said, “Yeah.” “They let you
have these images and do this work, and you have Che Guevara everywhere,
and you have all this stuff and...?” I said, “Yeah, of course.” “It’s a public
school?” (laughter) I said, “Yes, it’s a public school.” So I think that brought it
home to us how lucky we were actually in having a great chancellor, Joe
Fernandez who believed in us and thought that we could create a great school,
and I think we’ve lived up to it. We’re virtually A+ rated every year. Our young
people...
JJ:

Isn’t that [Joe?] Fernandez from Lehman College, isn’t it?

LA:

I think he went to Lehman, I’m not sure.

JJ:

No, this guy was the president.

LA:

No, no, no, no, no, no, no. [01:54:00] No, he didn’t go to Lehman, no, not the
same. That’s right, not Joe.

JJ:

I don’t (overlapping dialogue; inaudible)

58

�LA:

Joe actually is a New Yorker, joined the service. I think he got a GED, I’m not
sure, I’m sure that’s how he started, you know, but eventually he became the -he became --he’s -- he became rather famous nationally as the head of the Dade
County Public School System, and then he came to New York, a good guy. And
he started this movement to create small schools, and he would allow these
small schools to partner with the department of education if they had a good
idea. These small groups, well, most of them were academicians, okay,
universities, colleges, and stuff, and there were three of us that he accepted that
were very different. One was the union, 1199, so they were allowed to start a
school. One was a church, the Abyssinian Baptist Church, Powell’s old church,
right, and [01:55:00] the other one was El Puente that was known more for taking
over school buildings (laughter) than for, you know, creating them. And he
believed in us, so, of course, everybody else didn’t, and they thought we would
just implode in a year. And we wind up being a shining example of what is
possible when you really want to do it. Of course, our secret weapon was
Frances Lucerna, she was the founding principal, she moved the entire thing.
Frances, who’s the executive director today, basically, we asked her, and she did
it. She put the development team together, and she created a masterful school.

JJ:

Okay, if you wanna end, any final thoughts or any --?

LA:

I think you had asked me about Boston. Boston was -- look, I was part of the
health and education ministry, as I said before, and mostly the health ministry,
right, [01:56:00] the health part of that. And my daughter was very asthmatic, so
I spent a lot of my time outside of Young Lords’ activities because I was in the

59

�hospital. She was given the last rites three times, so never expected to live.
Thank God for steroids, which were experimental at the time, that saved her life
one particular moment when she had almost expired. So, at that point, I had to
take a leave absence. Juan talked to me, he says, “You can’t keep this up,” I
said, “Okay.” But in that process, I had connected in my work with the Medical
Committee for Human Rights, which was the activist group of doctors, and they
had a student wing, and so... And I always had this dream from the seminary of
becoming a doctor, of working in that area, so one thing [01:57:00] led to
another, and I found myself really thinking. I mean I spent all this time in the
hospitals really thinking about going to medical school but had no idea on how to
do it. Never had seen a Puerto Rican doctor. And so I hooked up with this guy
who was a part of the student wing of the Medical Committee for Human Rights,
and he said, “You know what, you should apply for Harvard because only these
big schools have the kind of money that can support you, and I think it’s
possible.” And I said, “And they never had a Puerto Rican, a Puerto Rican,
Dominican,” so, I said, “Okay,” and I applied. Now, it turns out that not only did
they not have a Puerto Rican, they never had more than two African American
students for their four-year program since the start of Harvard Medical School.
And at any time since the beginning of that school -- and it’s the oldest medical
school in the country -- would you ever find more than two Black people in the
building until Martin [01:58:00] Luther King was assassinated. Then the faculty
got together, and people started looking at themselves, started realizing that they
were part of the same white supremacy structure that had brought upon the

60

�death of one of the most incredible leaders America ever had, and they decided
to do something. So, of course, the more liberal, progressive side of that faculty
wanted to make sure that we would include, in our admissions, people of color,
and eventually, there was a compromise. That, yes, they would admit people of
color, but not at the risk of giving up any white seat. So they expanded the class
for the first time to include 22 African American young people, 1 Puerto Rican,
Dominican, I think there were 3 Mexican Americans, 1 Native American.
[01:59:00] I think that was it, and that’s how I got in, you know.
JJ:

Okay, any other last thought?

LA:

Oh, this is so much. (laughter) You’re making me think maybe I should write
some of this.

JJ:

Look (inaudible) –

END OF VIDEO FILE

61

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="26184" order="2">
        <src>https://digitalcollections.library.gvsu.edu/files/original/a779f73f74eab82cfdaf2def8254b0d5.mp4</src>
        <authentication>da7e1d0eb53e5299a537949b76ff36bd</authentication>
      </file>
    </fileContainer>
    <collection collectionId="24">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="446395">
                  <text>Young Lords in Lincoln Park Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447054">
                  <text>Young Lords (Organization)</text>
                </elementText>
                <elementText elementTextId="765923">
                  <text>Puerto Ricans--United States</text>
                </elementText>
                <elementText elementTextId="765924">
                  <text>Civil Rights--United States--History</text>
                </elementText>
                <elementText elementTextId="765925">
                  <text>Lincoln Park (Chicago, Ill.)</text>
                </elementText>
                <elementText elementTextId="765926">
                  <text>Personal narratives</text>
                </elementText>
                <elementText elementTextId="765927">
                  <text>Social justice</text>
                </elementText>
                <elementText elementTextId="765928">
                  <text>Community activists--Illinois--Chicago</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447055">
                  <text>Collection of oral history interviews and digitized materials documenting the history of the Young Lords Organization in Lincoln Park, Chicago. Interviews were conducted by Young Lords' founder, José “Cha-Cha” Jiménez, and documents were digitized from Mr. Jiménez' archives.&#13;
&#13;
The Young Lords in Lincoln Park collection grows out of the ongoing struggle for fair housing, self-determination, and human rights that was launched by Mr. José “Cha-Cha” Jiménez, founder of the Young Lords Movement. This project is dedicated to documenting the history of the displacement of Puerto Ricans, Mejicanos, other Latinos, and the poor from Lincoln Park, as well as the history of the Young Lords nationwide. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447056">
                  <text>Jiménez, José, 1948-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="447057">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/491"&gt;Young Lords in Lincoln Park collection (RHC-65)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="447058">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447059">
                  <text>2017-04-25</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447060">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447061">
                  <text>video/mp4&#13;
application/pdf</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447062">
                  <text>eng&#13;
spa</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447063">
                  <text>Moving Image&#13;
Text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="447064">
                  <text>RHC-65</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="447065">
                  <text>2012-2017</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="59">
          <name>Título</name>
          <description>Spanish language Title entry</description>
          <elementTextContainer>
            <elementText elementTextId="446398">
              <text>Luis Acosta vídeo entrevista y biografía</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Descripción</name>
          <description>Spanish language Description entry</description>
          <elementTextContainer>
            <elementText elementTextId="446401">
              <text>La historia oral de Luis Acosta, entrevistado por Jose 'Cha-Cha' Jimenez el 10/25/2012 acerca de los Young Lords en Lincoln Park.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Sujetos</name>
          <description>Spanish language Subject terms</description>
          <elementTextContainer>
            <elementText elementTextId="446416">
              <text>Young Lords (Organización)</text>
            </elementText>
            <elementText elementTextId="446417">
              <text> Puertorriqueños--Estados Unidos</text>
            </elementText>
            <elementText elementTextId="446418">
              <text> Derechos civiles--Estados Unidos--Historia</text>
            </elementText>
            <elementText elementTextId="446419">
              <text> Lincoln Park (Chicago, Ill.)</text>
            </elementText>
            <elementText elementTextId="446420">
              <text> Mexicano-Americanos--Relatos personales</text>
            </elementText>
            <elementText elementTextId="446421">
              <text> Justicia social</text>
            </elementText>
            <elementText elementTextId="446422">
              <text> Activistas comunitarios--Illinois--Chicago</text>
            </elementText>
            <elementText elementTextId="446423">
              <text> Mexico-Americanos--Illinois--Chicago--Condiciones sociales</text>
            </elementText>
            <elementText elementTextId="446424">
              <text> Relaciones raciales</text>
            </elementText>
            <elementText elementTextId="446425">
              <text> Conflicto social</text>
            </elementText>
            <elementText elementTextId="446426">
              <text> Identitad cultural</text>
            </elementText>
            <elementText elementTextId="446427">
              <text> Partido Pantera Negra. Illinois Capí­tulo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="568290">
              <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/491"&gt;Young Lords in Lincoln Park (RHC-65)&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="446396">
                <text>RHC-65_Acosta_Luis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446397">
                <text>Luis Acosta video interview and transcript</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446399">
                <text>Acosta, Luis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446400">
                <text>Oral history of Luis Acosta, interviewed by Jose “Cha-Cha” Jimenez on October 25, 2012 about the Young Lords in Lincoln Park. In the video, a Latino man in a dark sweater sits in front of a bookshelf facing the camera, while speaking to the interviewer who is off camera. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446402">
                <text>Jimenez, Jose, 1948- (interviewer)</text>
              </elementText>
              <elementText elementTextId="1024442">
                <text>Audio Transcription Center (transcriber)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446404">
                <text>Young Lords (Organization)</text>
              </elementText>
              <elementText elementTextId="446405">
                <text>Puerto Ricans--United States</text>
              </elementText>
              <elementText elementTextId="446406">
                <text>Civil Rights--United States--History</text>
              </elementText>
              <elementText elementTextId="446407">
                <text>Lincoln Park (Chicago, Ill.)</text>
              </elementText>
              <elementText elementTextId="446408">
                <text>Mexican Americans--Personal narratives</text>
              </elementText>
              <elementText elementTextId="446409">
                <text>Social justice</text>
              </elementText>
              <elementText elementTextId="446410">
                <text>Community activists--Illinois--Chicago</text>
              </elementText>
              <elementText elementTextId="446411">
                <text>Mexican Americans--Illinois--Chicago--Social conditions</text>
              </elementText>
              <elementText elementTextId="446412">
                <text>Race relations</text>
              </elementText>
              <elementText elementTextId="446413">
                <text>Social conflict</text>
              </elementText>
              <elementText elementTextId="446414">
                <text>Cultural identity</text>
              </elementText>
              <elementText elementTextId="446415">
                <text>Black Panther Party. Illinois Chapter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446428">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446429">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446430">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="446431">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446432">
                <text>video/mp4</text>
              </elementText>
              <elementText elementTextId="446433">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446436">
                <text>2012-10-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1024443">
                <text>Young Lords in Lincoln Park collection (RHC-65)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1029968">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="24593" public="1" featured="0">
    <fileContainer>
      <file fileId="59991" order="1">
        <src>https://digitalcollections.library.gvsu.edu/files/original/1d47852304adeca681255418b5a5f566.pdf</src>
        <authentication>872e44295af7e3a29e0fb69deb5a05ab</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="1039181">
                    <text>Young Lords
In Lincoln Park
Interviewee: Luis Neris
Interviewer: Jose Jimenez
Location: Grand Valley State University Special Collections
Date: 12/14/2012
Runtime: 01:25:37

Biography and Description
Oral history of Luis Neris, interviewed by Jose “Cha-Cha” Jimenez on December 14, 2012 about the
Young Lords in Lincoln Park.
"The Young Lords in Lincoln Park" collection grows out of decades of work to more fully document the
history of Chicago's Puerto Rican community which gave birth to the Young Lords Organization and later,
the Young Lords Party. Founded by Mr. José “Cha-Cha” Jiménez, the Young Lords became one of the
premier struggles for international human rights. Where thriving church congregations, social and

�political clubs, restaurants, groceries, and family residences once flourished, successive waves of urban
renewal and gentrification forcibly displaced most of those Puerto Ricans, Mejicanos, other Latinos,
working-class and impoverished families, and their children in the 1950s and 1960s. Today these same
families and activists also risk losing their history.

�Transcript

JOSE JIMENEZ: Okay, so like I said, we’re going to start with just some basic stuff. If
you could -LUIS NERIS: Sure.
JJ:

-- tell me your name, and where you were born, and your, like, date of birth.

LN:

Okay. My name is Luis Neris, I was born in Chicago, May 24th, 1965. And, yeah
--

JJ:

Where were you born, please?

LN:

I’m sorry?

JJ:

Where you were born, you said?

LN:

In Chicago.

JJ:

But I mean, where --

LN:

Oh, hospital. It was Belmont Community Hospital. I don’t know if it exists
anymore. (laughs) But, you know, we lived in -- you know, I’m just a product of
some parents that came on that wave, came looking for jobs here. And
(overlapping dialogue; inaudible) --

JJ:

Tell me what your --

LN:

-- here!

JJ:

Tell me your parents’ name, and --

LN:

Papi is --

JJ:

-- and where were you living at the time, when you were born?

1

�LN:

Papi’s name is Luis Neris, also, Angel Luis Neris, and then Mami is Loida
Gorgas. And they met here in Chicago. They married in -- [00:01:00] I was...
You know, we lived on Halsted and Armitage, and every time we pass by the
building, we don’t go by there much, I mean, it’s a different neighborhood from
what I remember. And we lived right on the corner of Halsted and Armitage.
2022 North Halsted. Right across the street from that big old empty lot that I
remember. And we lived there from --

JJ:

People’s Park, we used to call that People’s Park.

LN:

People’s Park? I didn’t know that. (laughs)

JJ:

Yeah, it was. It used to be...

LN:

But we went to Santa Teresa Church, as a matter of fact, my wife and my kids
still go there. We live way up on the north side now, by O’Hare Airport, but we
still go there, because we still know some of the people from the neighborhood
that still go there. Carmen Uvides still goes there,

JJ:

Oh, Carmen Uvides is still there?

LN:

[armen (overlapping dialogue; inaudible) is still there, she looks just as good as
always. And, you know, I stay in touch with --

JJ:

Who were some of the other people there?

LN:

Carmen Vasquez. [Fabian Pagan?] used to go there. [00:02:00] I think he
retired and he moved to Florida, but there’s just, you know. And all these people,
they know my dad, too.

JJ:

Yeah. And now, they were part of that Council Number Nine (inaudible)

LN:

They were there, yeah.

2

�JJ:

Is that still existing, or (inaudible)

LN:

I don’t know about Council Number Nine. I don’t know if it exists. But yeah, they
were always involved. And my grandfather was Francisco Marcano, and Paulita
Marcano, they were my grandparents, and (inaudible). He’s the one that -- he
organized a lot of -- he had an organization called Parents and Childrens, Padres
y Hijos, and he had softball teams for adults, he started softball for girls, back,
you know, now, I have my daughter playing on travel softball, but Marcano
started some of those programs. And he started the Little League Baseball, as
well, for, you know, he called it “La Liga ‘Pampers’.” (laughter) And I do have
some of those photos, and I apologize I didn’t bring ’em with you, but I will make
sure [00:03:00] you get ’em. Marcano, you know, we grew up on Halsted Street.
You know, from there, we just moved down the street, and then, you know, we
didn’t have money to buy property. Although my mom always wanted to buy.
But my daddy, he’s always had this dream about coming to work here, make the
money, go back to Puerto Rico. So he never invested, you know, and my mom
wanted him to, but he just didn’t. But we always lived on Halsted, we rented --

JJ:

I didn’t get his name and her name, your mom [or?] --

LN:

Yeah, I said his name is Luis Neris, same as mine.

JJ:

Oh, [same as your name?].

LN:

And then mami’s Loida. Loida Gorgas.

JJ:

Okay, no, that’s right, you’re right, I’m sorry.

LN:

And then we moved over by, it was Waller High School, right on Howe and
Armitage. And we lived there for a while, but then we moved back to Halsted

3

�Street, I mean, and it was just -- I remember the neighborhood, and kind of, like,
it was a lot of Puerto Ricans, and I remember in the summer, there was a pump JJ:

What do you mean, a lot of Puerto Ricans? What do you mean?

LN:

Lotta Puerto Ricans living on the block.

JJ:

Lot, like [00:04:00] 40 percent, 30 percent?

LN:

Oh, no, no, I would say, like, a majority of them. I would say, like, 90 percent. I
mean, when we lived on Halsted, Halsted and Wisconsin, and in the summers it
was like, it was so nice, you see all these people outside, you know, just hanging
out and talking. I mean, it was, after a hard day’s work they’re outside, and some
people are playing the guitarra, I mean, I remember Perfecto Nieves playing the
guitarra across the street, and then another foursome playing dominos, you
know, while he played the guitarra, and the women over here talking, and the
kids running all over the street. And in the summers, when it got really hot, I
remember the water pump, right on Wisconsin and Halsted. They would put,
like, a tire around it, with a board (laughs) so the water could shoot up, and
somebody would, you know, come and open. I mean, Halsted Street is pretty
busy now, but back then there wasn’t a lot of traffic, you know, and it was just...
But that’s how I remember the neighborhood. [00:05:00] And then Marcano, I
call him Marcano, but he pretty much raised my mom. He’s my mom’s
stepfather. But that’s the grandfather I know. And he had all these
organizations, and he had baseball leagues, and all the neighborhood kids
played in it, it was Little League Baseball, he had the softball for girls. And he

4

�was always with a camera on. I mean, he would take a camera everywhere.
And that’s when -- he would document so much, and it’s a shame that he’s not
part of this piece, because he would have so much information. But before he
passed away, he would tell me, he would say, “Hey, Luisi--” He called me
Luisito, everybody in the family called me Luisito. And he’s like, “Mira, Luisito,”
and he knew I was in school, and for whatever reason, he left everything to me.
And I have all those tapes, and he left me a lot of pictures, and those are the
ones that I didn’t bring. But I will make sure you get ’em, because I think they’re
part of what you’re trying to docu-- what should be documented. [00:06:00] It’s a
forgotten part. It’s a shame that it was just erased, but, you know, thankful that
we have people like yourselves and [Grant?] and people who are interested in
making sure that we don’t forget about what happened and how Puerto Ricans
did live there, and...
JJ:

Why don’t you want us to forget it?

LN:

I think it’s important. I mean, it’s part of history. It’s important for people to know
that we -- where we came from, where we lived, some of the struggles, I think,
that a lot of -- my parents had...

JJ:

Like, what were they?

LN:

Well, you know, job unfairness. Just because of who they were, because they
were Puerto Ricans. You know, I’m a little bit younger, but even now, I mean,
I’ve had my experiences at work. I mean, I’m a government employee, and when
I started --

JJ:

[00:07:00] What do you do for the government?

5

�LN:

I’m a federal investigator.

JJ:

Oh, okay.

LN:

Yeah. We investigate fraud against, you know, government programs.

JJ:

Oh, that’s good. That’s good.

LN:

And I’ve been doing that for a while, but, you know, and I can understand -- I
mean, I see some of the stuff that I’ve experienced, and I can’t imagine what my
parents, or even people back then, you know, experienced, as far as racial
tensions or racial discrimination. It should be about who you are, not where you
came from, not the color of your skin. I mean, Puerto Ricans come in all shapes
and sizes and colors. Marcano, my grandfather, was Black. I mean, dark skin,
afro. My grandfather, my dad’s father, was Black. I have a cousin who’s whiteskin, blue eyes, blonde hair. (laughs) I mean, they run the gamut, and I think it’s
important that what happened in Humboldt -- not in Humboldt Park, in Lincoln
Park, is documented, because [00:08:00] it’s gone. And we almost got pushed
out. We almost didn’t, we did get pushed out, we got pushed west. I lived in
Lincoln Park till 1991, ’92...

JJ:

Well, what do you mean, pushed out? Do you --

LN:

Well, I think they kept getting pushed west. Prices --

JJ:

How -- oh, prices. Oh.

LN:

Prices, rent prices were expensive. And the few Puerto Ricans who did buy, who
had the property there, eventually sold, because they were -- some of them were
not very well-educated. And they were smart enough to buy property, so if you
buy a property, and I’m just throwing numbers out here, for 10,000 dollars, and

6

�then 10 years later, somebody comes and offers you 100, for them, it’s like, “Oh
my God,” you know, “this is a good return on my investment, I’m outta here!
Here, take my property!” And then that’s taken down, and then you build up a
nice condominium, which is what started happening. And [00:09:00] so, either
they got -- you know, a lot of people got bought out, if they had a building that
was rented. “Sorry,” you know, “I sold the building,” and the new owner’s not
gonna want these folks, because he’s gonna raise the rent, he wants it. And so a
lot of the rents went up, properties were bought, and where else could you go?
You had to go somewhere where you could afford to live. And I think people
started migrating west. Wicker Park, you know, all those neighborhoods. And a
lot of Puerto Ricans ended up in Humboldt Park as a result. I can’t go back any
further than that, because I was born in the ’60s, but I do remember that. I do
remember going to school at Newberry School, I went to Newberry, and then I
eventually went to Waller -JJ:

What was that like? What was Newberry like?

LN:

Newberry was a mix. It was, you know, it was a hood! (laughs) You know, you
had Puerto Ricans and you had Blacks, and you had your other Hispanic, you
had some Mexicans, but yeah, that was the school. I mean, [00:10:00] and it
was kinda like --

JJ:

It was a “hood,” what do you mean? What do you mean?

LN:

It was a neighborhood, where, you know, it’s just a term that we use, and...

JJ:

I know it has meaning to it, I’m just trying to find out what it means to you.

7

�LN:

To me, the meaning that I give it is, it’s like, mi casa. You know? It’s where I
grew up. It’s my neighborhood. And, you know, (laughs) “hood” is short for
neighborhood, but that’s where, I believe... That’s what I call it. My “hood,” is
because that’s where I grew up, that’s where I lived for most of my young life.
And that’s where Newberry was. Newberry, I remember the clínica, right, on
Halsted. It was a Infant and Welfare Society. And right next door there was a
big ol’ empty parking lot. Not empty. It was a parking lot for the clinic. And right
next to that was, Marcano had this club, this nightclub.

JJ:

Right. ’Cause there was Planned Parenthood, they [00:11:00] put that up later.

LN:

I think, yeah, that was much later.

JJ:

(overlapping dialogue; inaudible) But that wasn’t Marcano. Marcano (overlapping
dialogue; inaudible)

LN:

No, that was not Marcano.

JJ:

So he had, like, a social club?

LN:

He had a social club. And these pictures that I have, he gave them to me, you
know, there’s pictures of that club, there’s pictures of people you may even know.
He has got video -- I brought it, because I wanted you to have it. He gave it to
me before he passed away, wanted to make sure I kept it. ’Cause he always
said, “I know you’re gonna do something good with it.” And I couldn’t get rid of
’em, you know, I was going through it the other day, and he’s got notes in there,
you know, it’s like, stuff that he would write, and he...

JJ:

Now, you saw some of it, or...?

8

�LN:

Yeah, exac-- You know, he would take the video and then he would make us sit
down and watch this thing. And I remember, you know, he would put the reel-toreel, and we would sit there, and it was kind of cool because it’s like, you know
those old movies where you see the (imitates a sound effect) (laughs) and you
could see, there no sound, but you can hear that. That was the sound, I
remember. And it’s all black and white. And I would see these movies over and
over and over, and sometimes, you know, there are [00:12:00] some of them of
us, when we were kids, and he would document us, and then, he would
document everything. I mean, he would document whatever parade he had,
excuse me, whatever event he had, he would take pictures, he had it all. And my
grandmother always got mad at him, ’cause he would always store this stuff, and
it would just, like. And it would start off as a little bit here, and then it would grow,
and then he would move it (inaudible). I mean, it just expanded. And a lot of the
pictures that he gave me, after he passed away, I made a video of him and my
grandmother, and some of the things -- some of the pictures that he gave me,
and I put it on a DVD and I sent it to my grandmother and my mom. Kinda like,
as a memory of him. There’s a lot of pictures I didn’t put in there because, you
know, there were other people that -- and I wanted it to be something of him.

JJ:

So we have pictures of him, too, then.

LN:

You do have pictures of him, you will have pictures of him. And I know when you
see ’em, you’ll remember. And so, he gave me a bunch of [00:13:00] tapes, and
he noticed that a lot of the -- and you’ll see, the reel-to-reel, it’s very fine,
because it’s so old. But what he did, and this was his way of documen-- trying to

9

�secure it, he put it on the wall, and then he took a video camera, and he was,
like, trying to, with a VHS tape. So there’s also a VHS tape of that film in here.
So you’ll have it, and, you know, you guys are more than welcome to take it, and
I’m sure I’ll put it in good hands.
JJ:

And did you need the original, or do you want us to...?

LN:

Whatever I give you, that’s what I’m gonna give you. I --

JJ:

So then we just send you the copies?

LN:

Yeah.

JJ:

Whatever we want?

LN:

Yeah, I mean, whichever way is easiest for you. Because, I mean, I don’t have
the capability of playing some of this stuff --

JJ:

No, no, [we’ll do it there?] and then we’ll (overlapping dialogue; inaudible)

LN:

And then the other tapes that he has on here is --

JJ:

To the address you gave us?

LN:

Yes.

JJ:

Okay.

LN:

The recording, this was before cassettes, you know, remember the reel-to-reel
things? It’s a little tape.

__:

Yeah.

JJ:

Oh, yeah.

LN:

And there was a lot of [00:14:00] stuff like that. I mean, the guy was amazing,
and I was telling my wife the other day, he would make the camellos --

JJ:

I definitely remember his name, I just (overlapping dialogue; inaudible)

10

�LN:

He would do camellos.

JJ:

Been 40-some years, I can’t --

LN:

And he would sit at home and we would run out of wire hangers because he was
always inventing things. And he made horses--camels out of wire, and then he
would have my grandmother drape it, you know, to make it look like a camel.
And he would do this, like, you know, his little tweezers and his little tools, and
now you see it, like, you see Santa’s snowmen outside of people’s lawns, out of
the wire, I’m like, you know, Marcano, he used to do this stuff! The guy was a
visionary. But he wanted to make sure that, you know, the Puerto Ricans there
had somewhere to go. You know, I belonged to a boys club, boys and girls club
in Chicago, when I got here.

JJ:

At that [00:15:00] time?

LN:

Well --

JJ:

Was it the boys club on --

LN:

There was a boys club, Eisenberg’s Boys Club. Right on... Orchard and Willow.

JJ:

Exactly, yeah.

LN:

And kinda like what Marcano had was, you know, similar to a boys club, but for
adults, you know? He had all this organizations, all these people there, and they
were all involved. I mean, there’s -- he --

JJ:

So he had a sports social club (overlapping dialogue; inaudible)

LN:

A sports social club.

JJ:

[I don’t wanna?] -- I shouldn’t label things, but (inaudible)

LN:

Well...

11

�JJ:

Is that what he was, or [am I--?]?

LN:

Yep. Mm-hmm. Exacto. And he had a lot of people, and he --

JJ:

Was it for the Caballeros de San Juan or was it just (overlapping dialogue;
inaudible)?

LN:

He was part -- no, it was apart from Caballeros de San Juan, it was kinda -- I
don’t know if it was something similar, but I remember he had --

JJ:

(overlapping dialogue; inaudible) social clubs, there was a social club...

LN:

I think he belonged to all those clubs. He did. (laughs) And I have a younger
brother who was also born in Chicago, he’s living in Puerto Rico, and I have a
younger sister, also, who was born in Chicago. And all the family --

JJ:

What’s their names? I didn’t get their names.

LN:

[00:16:00] Osvaldo Neris and Ivelisse Neris. But they moved with my mom to
Puerto Rico years ago. But, you know, all my family, the Gorgas family, was
there on Halsted at one time or another.

JJ:

Borjas?

LN:

Gorgas.

JJ:

Gorgas, okay. All right.

LN:

Yeah. G-O-R-G-A-S, Gorgas. Strange last name. Both of my last names, I
think, are. (laughs) Pero, yeah, it was mostly Puerto Ricans, and I still run into
people, the other day I was at the hospital with my dad, he had some surgical
procedure done, and I saw, you know, a guy I grew up with, and he was waiting
to get picked up, and the Uvides family, I don’t know if you heard of [Julio?]
Uvides.

12

�JJ:

Exactly.

LN:

And Carmen Uvides.

JJ:

They were from Council Number Nine (overlapping dialogue; inaudible)

LN:

Yeah, they were involved too. I mean, they did a lot, and... I think Marcano
eventually named one of his leagues the Julio Uvides Baseball League, and that
was for the little kids. And then he had Julio [00:17:00] Uvides Softball League.

JJ:

(overlapping dialogue; inaudible) at that time. (inaudible)

LN:

And he used to have the slow-pitch softball.

JJ:

He was definitely a community leader.

LN:

And that was a lot of people, I’m telling you, [like?], Lincoln Park, I mean, he used
to get permits for everything there. At Lincoln Park, the actual park, not the
neighborhood, but the park. And he had permits, he knew the guys at the park
district, they would -- but I remember -- I do remem--

JJ:

Did he have a city [dab?] or, no, [he didn’t?]?

LN:

No, he didn’t. No, he didn’t.

JJ:

He didn’t?

LN:

No.

JJ:

But he just knew the guys at the park district.

LN:

Knew the guys at the park district.

JJ:

So he was working with the mayor at that time, then.

LN:

He wasn’t working with the mayor. He had the organization, and I don’t know
how, I mean, I’m not a politician, but now, you know, having seen stuff that
happens in the paper and how things work in Chicago --

13

�JJ:

[You gotta?] (overlapping dialogue; inaudible) the city. Yeah.

LN:

You know, you gotta know somebody. And, you know, Marcano did have a lot of
people in his organization. A lot of parents. And there was not a fee, I mean,
Marcano didn’t charge a fee. And I think even for the kids, I think, maybe they
would get uniforms, I don’t know how the whole uniform thing worked out, but
when you [00:18:00] have an organization that big in a neighborhood, and... You
know, it’s all about votes, you know? And I’m sure the politicians are gonna
come and say “Hey,” you know, “who’s the leader here?” And they would talk to
Marcano. And I do remember, you know, we had baseball bats, we had gloves,
we had everything. We had boxes, and Marcano would lug it around in his big ol’
station wagon in the back, you know? Bases, everything. And so, it’s just the
way, I guess, politics works (laughs) and you get the --

JJ:

Yeah, exactly. That’s the way it did work. You had an organization, you were
good.

LN:

They wanted it. Those are votes. I think they see them as votes. But he had a
lot of contacts, he had a lot of connections. And I never asked him, and I don’t
know how the whole --

JJ:

So he never talked to you about politics, he talked to you about sports.

LN:

Exacto, yeah, yeah, he never pushed the politics part, yeah.

JJ:

So he was more [interested in?] (overlapping dialogue; inaudible).

LN:

They knew that -- I think that -- I have cousins who eventually did work for the
park district, and I think they worked with the ward person at the time --

JJ:

(overlapping dialogue; inaudible) Committeemen, [00:19:00] whatever.

14

�LN:

Committeemen, yeah, and, you know --

JJ:

[Aldermen?] (overlapping dialogue; inaudible)

LN:

-- kinda knock on doors, and, you know, it’s just the way Chicago is. (laughs)
And some of them are still working there, I think some of them retired. But
Marcano, I remember, before he left to Puerto Rico, because he got older, and
he’s like, you know, “I’ve had it here, I’m gone.” And he left in, I wanna say 1986,
’87? That’s when he left to Puerto Rico?

JJ:

What do you think he was mad about, or frustrated, or whatever?

LN:

Why he left?

JJ:

Yeah, why he went (overlapping dialogue; inaudible)

LN:

No, he left because he was just, you know, he was here alone. I mean, he had
us, and I considered him my grandfather, I mean, I knew him my entire life, but I
think he was at that stage in his life where he said, “You know what, I --” The
winters were brutal here. I do remember when he left, he’s like, “You know, I
can’t handle another winter here.” So he left. I mean, he’s like, he’s got a house
in Puerto Rico. “I’m going back.” And that’s what he did, he went back. I don’t
think he was frustrated, I mean, he loved Chicago. [00:20:00] You know, he
came here. I remember the video. Again, I’m going all by memory for the video.
There’s video of him coming to Chicago, and they’re saying goodbye to him in
Puerto Rico, and then he’s got the camera here. I mean, he brought the camera
with him. He’s documenting everything. But I don’t think there was any
frustration about anything, I think it was just... He lived in the neighborhood for a
long time, and I think he, mor--

15

�JJ:

Did he talk about why he documented? I mean, what was his fascination
(inaudible)?

LN:

You know, it’s a shame that he’s not around to tell you, because, again, I was
giving the example of the stuff we ran out of wire hangers. And how he would
make stuff, like, out of wire hangers. The guy didn’t have an education, and I see
snowmen on people’s lawns, and reindeers, out of the same thing. Maybe it’s
that he saw, “This has gotta be documented somewhere.” Maybe this is what he
wanted all along, to make sure that [00:21:00] the Puerto Ricans in that
neighborhood, or the Puerto Ricans coming here, were not forgotten, that they
lived in Lincoln Park, and then, that asides from, you know, more or less having
to move out of the neighborhood for whatever reason, whether through sale, or
rent increases, or whatever --

JJ:

Was the moving going out -- were people moving out at the same time that he
was documenting, or?

LN:

I don’t think so. No, I -- well, he documented when we were living there. Again,
I’m going back to what I remember from what -- and you will see this. The
activities, I remember something going on at a church on Armitage, between
Armitage and I don’t know if it’s Bissell or Burling. It’s Burling, right?

JJ:

The church there?

LN:

Yeah, the church there.

JJ:

(overlapping dialogue; inaudible) people’s church --

LN:

People on the street, I remember, you know, being on my -- on the film, I think
I’m there, I’m on my dad’s shoulders, and there’s people everywhere. I don’t

16

�know what they were shouting about, or what they were screaming -- I was a kid,
you know. (laughs) And I haven’t seen the movies in a long time. But he
[00:22:00] documented everything, and I think when he -- he had a restaurant,
too, called El Batey Restaurant, right on Halsted and Armitage.
JJ:

El Batey

LN:

A lot of people coming through. I remember politicians coming in and getting
bussed in to the back seats, where the big tables were. (laughs) You know?
And they were seated, and not for nothing, but, you know, Puerto Rican women
know how to cook, man, and they (inaudible). (laughter) I gain a lot of weight
when every time I go to Puerto Rico, ’cause Mami takes care of me like I’m a
king, and I’m like, “I can’t do this.” But they cook really good, and he had the
restaurant there, so he documented a lot of that stuff. He had events there, you
know? He did plays, I remember being part of the Christmas plays. He made a
play called El puerco de Osvaldo en tiempo de Navidad. And he came up with
the skit.

JJ:

“The pig of Osvaldo in the time --”

LN:

Yeah, “Osvaldo’s pig in the time of the holidays”, you know? And Osvaldo would
go to everybody, the thing is, Abuelo would go to Osvaldo, which was my
younger brother, you know. He would go to everybody’s Christmas party and eat
lechón, and he had a little pig as his pet. And you know, they [00:23:00] were
like, saying, “Hey, you know what! [Get away?], your time’s coming!” He’s like,
“No, not this year, maybe next year.” So he would eat everybody’s roasted pig,
but nobody -- like, he never, I mean, that was his pet, he would never get rid of it,

17

�like, no way. And he made stori-- and we would play ’em at the -- we would do
the play at the Museum of Science and Industry. And I remember his
organization also was in charge of decorating the Puerto Rican Christmas tree at
the Museum of Science and Industry. And that was an event in itself. They
would make the maracas. He would make the little... The big knives, machete.
(laughs) When he would knit the little Puerto Rican flag, and he would make the
little pavas, the little jíbaro hats, and he would put a ribbon in. The tree was
decorated, I mean, I remember my grandmother used to do this stuff, ’cause they
-- grandma was a decorator, and my mom, they loved decorating, they loved
arrangements and stuff, and they would do all these little things for the tree, and
it was a beautiful [00:24:00] tree. And then he would have people coming over
during the holidays, and you know, (Spanish) [00:24:04], you know, there was a
parranda, and then trying to tell people what Puerto Ricans were like. And I don’t
know if you know about the Museum of Science and Industry, they have the
“Christmas Around the World”, and every year they decorate a tree from each
country around the world, and it’s an exhibit. I think it’s going on now, through
the end of... Maybe after January. But he would document all of that stuff. And
as a kid, I remember, you know, living there, and being part of this, and then
eventually having to move out because, again, he didn’t own the property. He
had the restaurant there, we lived upstairs. He eventually had to move
somewhere else because they sold the building, he had to get rid of the
restaurant. So he went to Orchard, it was on Orchard Street, 1665 North
Orchard. It was between [00:25:00] North Avenue and Willow. And it was all

18

�projects that are there, it’s low-income housing. And because they were now
older, you know, they got an opportunity to get an apartment that -JJ:

Willow and... Orchard?

LN:

Willow and Orchard.

JJ:

Where the boys club was. (overlapping dialogue; inaudible)

LN:

Yeah. Well, you know, the boys club was torn down. (laughs) ’Cause they tore
that boys club down, because enrollment dropped, I remember, and it was
valuable property.

JJ:

So was that crime (inaudible)? So was that Section 8, or...?

LN:

The boys club?

JJ:

YeahI mean the -- what they built afterwards.

LN:

No, yeah, those were condos.

JJ:

They were condos?

LN:

Oh, yeah, they tore the boys club down and -- condos. I do remember --

JJ:

[Were you?] saying you lived there, somebody lived there, right?

LN:

Yeah, my grandma lived there. Well, it was right on the corner, the boys club
was right on the corner --

JJ:

But they didn’t live in a condo. Did they, or did they live in a condo?

LN:

My grandparents?

JJ:

Yeah.

LN:

No, no, they lived -- well, the boys club was right on Willow and Orchard. Right
on the corner. And then, the boys club had that corner lot there. The Section 8
housings that I’m talking about is behind it. So, [00:26:00] that’s where -- we

19

�could walk to the boys club from there, I remember. We would walk from the
apartment to the boys club. Then, when the boys club enrollment dropped, or
maybe, again, somebody was offering a lot of money, it’s prime property, they
tore that down, that entire block from Orchard and Willow, almost to Laramie, or
to Howe, I think Howe was the next street over. And you know what, I think it
even went over to Laramie -- Larrabee, Larrabee, which is further down. And all
that whole block was torn down, and they made condos, very expensive condos,
I remember. And then when they tore the boys club down, we had nowhere else
to go, I mean -JJ:

So you went to the boys club?

LN:

Oh, I went to the boys club.

JJ:

So what happened in there, what was going on there?

LN:

It was more after-school activities. I remember --

JJ:

And who was the population, I mean, (inaudible)?

LN:

Mostly African American from the Cabrini-Green homes. And then you had your
few Puerto Ricans that would come in. I remember I went there, and yeah, I
think the fee was, like, I don’t know, two, three bucks for the year. And we got
our little card, and we would go there, play basketball, we’d go swimming.

JJ:

No dodgeball?

LN:

[00:27:00] Oh yeah, dodgeball, kickball, you name it. Softball in the back. The
boys club was so big, I mean, the lot that they had, I remember there was a
softball field in the back. And they would have events in the summer, like, you

20

�know, summer Olympics or something. I mean, yeah, but mostly it was African
American, from Cabrini-Green and in the neighborhood, but then you had -JJ:

At that time.

LN:

At that time.

JJ:

We played dodgeball, when I was growing up.

LN:

Oh, is that right? (laughter) And then you had your Puerto Rican --

JJ:

It was more Puerto Rican then, but (inaudible)

LN:

Yeah. (laughter) Yeah, I eventually (inaudible) you got out!

JJ:

(inaudible) Cabrini-Green got pushed out to later.

LN:

Yeah. Oh, yeah, yeah. That’s --

JJ:

I’m sorry, I’m going off --

LN:

That’s changed big time.

JJ:

I’m going off the time.

LN:

Pero, pero no, I mean, I mean, that’s what I remember.

JJ:

But you remember playing basketball there and that you played (overlapping
dialogue; inaudible)

LN:

Basketball, oh yeah, absolutely, basketball, softball in the back. Again, you
know, dodgeball, kickball, they had the nice swimming pool. We would go in
there, they would let us in at night. I forget who we knew, or maybe one of my
friends knew somebody who would open the door for us, and we would go in
after hours, which was [00:28:00] kinda cool, it was just -- we had the swimming
pool all to ourself. Obviously under supervision, [we didn’t?], you know, go in
there by ourselves. But nothing I would admit to on tape. (laughter) Pero it was,

21

�you know, it was a good time. It was a good time, and it’s unfortunate that, you
know, I mean, it is what it is. I eventually moved out, myself, ’cause it just got too
expensive. After Marcano moved out, it was -- his rent there was based on his
income, and because he was on Social Security, he paid, like, I think it was, like,
something crazy, like, 64 bucks or something. Entonce, and I was there, I was at
school at the time, I went to Columbia College. And it was just him, my
grandmother -JJ:

What was your major there? What was that? (laughs)

LN:

Communications, imagine that. (laughs) And I’m doing something completely
different now.

JJ:

(inaudible)

LN:

But he, you know, he paid something crazy, and then when he moved, we had to
report it. And so I reported it to the office, [00:29:00] and the rent shot up to 400
bucks, and I was there by myself. And it was okay, I mean, I delivered pizzas in
the neighborhood, I mean, at O’Fame Restaurant and I did that for six, seven
years, and they actually, it was pretty good money, you know. Cash money, no
taxes. (laughs)

JJ:

Tips, you [got?] those.

LN:

Tips were great. I delivered mostly in the Lincoln Park area, which I knew like
the back of my hand, and we would come downtown as well, and up north. And
they fed me, and I worked three, four nights out of the week, I was living by
myself, I’m eating pizza. I love pizza! (laughter) I wanna have pizza in the
morning, you know, I wanna have pizza at night. And every night, they had food

22

�for us. So it was a good thing for me. But, you know, the 400 dollars, man, it’s
like, I’m a college kid! You know? I gotta pay school, I gotta pay my own bus
fare, you know, and granted, we did get some financial assistance, I got financial
assistance, but it just wasn’t enough. And then, I did that, and I got a job when I
graduated -JJ:

(overlapping dialogue; inaudible) ’cause, I mean, at that time some people,
[00:30:00] I remember we got paid, like, 80 dollars a month, so...

LN:

Is that right?

JJ:

So 400 is a lot.

LN:

It is a lot.

JJ:

When they raised it to 400, [we moved?].

LN:

I had to. (laughs) I had to.

JJ:

(overlapping dialogue; inaudible)

LN:

Yeah, I had to. I think I stayed there for a bit, but you know, it was -- I made a
little bit more money than my parents, you know, it’s like, I made about 75, 80
bucks a night, at the time, back in the ’80s, I think that was good, man.

JJ:

Very good.

LN:

For a kid, you know, working --

JJ:

So this was the ’80s, ’cause you were living there in the ’80s, that’s [pretty?] --

LN:

I was still living there, yeah. The ’80s.

JJ:

That’s pretty (inaudible). I thought that most Puerto Ricans were gone by that
time, no? They just --

LN:

They were. Oh, yeah, absolutely.

23

�JJ:

So when was the change, did you see the change?

LN:

You’re absolutely -- oh yeah, I saw it. I mean, I think we were probably --

JJ:

What was that like, the change, can you describe that or...?

LN:

I mean, we wouldn’t even venture down Halsted Street. We didn’t know
anybody. You know, it wasn’t the same. I told you the story about when I was a
kid, remembering the Puerto Ricans playing the guitarra, playing dominos, you
know, hanging out, haciendo chiste’, [00:31:00] the kids running around, you
know. There was none of that, ’cause you know, our culture, we love to enjoy
everything, I think. And we go to the extreme. (laughs) You know? And we
have the parrandas in there, and we go all out. And you can still see some of
that in Humboldt Park, if you drive down Division Street, I’m sure you can see
that in the summer. Pero, when we moved over there, to the Section 8 housing, I
don’t remember any Puerto Ricans. Any Puerto Ricans. I lived on 1911. I think
there’s still one family there.

JJ:

Halsted, or...?

LN:

1911 North Halsted, which is right by Wisconsin. And the house that we lived
there, it’s still there, ’cause I drove around there not too long ago. And I am
willing to bet that the guy who bought it -- the guy who owned it when I was there,
either his daughter or his -- somebody, they still own it. It’s still there. 1911
North Halsted. And I think that’s the only family. But it was a complete change,
there was none of the hanging out outside, none of the, [00:32:00] you know, us
playing against the guys from down the street, there was none of that. Because,
it’s a completely different, you know, young people were moving in...

24

�JJ:

Some people would think that hanging out outside would be rowdiness or
something like that.

LN:

I don’t remember --

JJ:

Was it like that, or (inaudible)

LN:

I don’t remember it being rowdy, not at all. No. I mean...

JJ:

Or at least scary, or something.

LN:

You know, it’s just that the people that live there, they like the music. That’s
probably what they did in Puerto Rico, you know? And they just brought that
here. To other people, they’re more like, “Oh, what are they doing hanging
outside?” You know? But I don’t remember it ever being a problem. ’Cause it
just wasn’t one night. You know? I mean, it wasn’t every night, though, ’cause
people had to work. (laughs) But I remember the hanging out outside, you know,
absolutely. But it wasn’t -- yeah, you’re right, people may consider it hanging out,
you know, it’s not like a bunch of kids hanging out, it’s a [00:33:00] whole
different world nowadays, you know. Kids hanging out outside, you know, in
groups, nowadays, cannot compare to hanging out back in the day, when I was
growing up, ’cause it was just kids running around, parents were outside. You
know, there was, at least for the most part, at least from what I remember, I saw
Mom and Dad there. Not speaking in terms of my mom and dad, but mom and
dads of other kids there. Like, the couple. Nowadays, different, divorce rate,
whatever. You don’t see Mom, you don’t see Dad, you just see the kid, and his
buddies hanging out outside. And you can make your judgment on whatever you
see there at the time, but, you know, my hanging out that I’m describing is, it was

25

�a good hanging out, you know. It wasn’t none of the, like you said, people may
perceive it as being bad, but when we moved over there, it was a whole different
neighborhood. I mean, it was just -- there was -JJ:

Over where, to...?

LN:

When we moved over by the boys club, [00:34:00] by the Section 8 housing, the
Halsted that I remember was pretty much gone. I mean, condos were going up,
houses were being torn down. You know, different people moving in that were
not Puerto Rican, people who owned the property or people who rented it. And it
just, you know, it was just a different neighborhood. I mean, completely, it was
transformed. But I was too young, I mean, I didn’t know. Marcano probably did.
That’s probably why he documented it. Maybe he said, “This eventually will be
part of something.” And, you know, you’re gonna have it in your hands, and you
guys can do what you want. What I did not find, which I know I still have at
home, is a bigger reel-to-reel. And I have your address, I know I’m gonna find it,
’cause we were moving some stuff around. And I got the pictures. And he
wanted to document [00:35:00] everything. I don’t know why. Maybe it’s
because we take pictures. I have a camera at home, I got over 20 thousand
pictures of my kids, you know? (laughs) And maybe that’s just what I -- I enjoy
doing it.

JJ:

Well, some of that (overlapping dialogue; inaudible) Some of that we’d probably
also would like, ’cause it’s about you, I mean, this is all histories about you. [I
mean?], I’m glad that we were honoring Marcano, because he definitely -- I
appreciate what he was doing.

26

�LN:

Yeah.

JJ:

I mean, as someone who’s trying to document stuff now, I appreciate what he
was --

LN:

I will tell you, Cha Cha, that if --

JJ:

And he was a leader, he was definitely a born leader --

LN:

He was a definite leader.

JJ:

-- in Lincoln Park (inaudible).

LN:

I mean, I don’t know what your budget is like, but my grandmother’s still alive.
His wife. She’s in Puerto Rico. And --

JJ:

We do go to Puerto Rico, I just came back from (overlapping dialogue; inaudible)

LN:

If you go to Puerto Rico, let me know. I mean, she lives in Gurabo. Right next to
her, right literally next to her is her son, her younger son, Junior Gorgas, Jose
Gorgas. [00:36:00] And, you know, they have a lot they could tell you as well.
And Abuela, although she’s a little bit older, she’s in her nineties, and she doesn’t
remember what happened yesterday, she’s got an amazing memory of what
happened 40, 50 years ago, you know. And I’m sure she could provide you with
a lot more info as well. More about -- because, remember, I was a younger kid. I
remember just, you know, being born there with the -- Papi told me that was the
building, and I remember what I did as a kid on Halsted --

JJ:

[No?], your generation is what we’re talking about, too, so --

LN:

Oh, pero if you’re looking for further back, Abuela, and Marcano, who
unfortunately passed away, Abuela would definitely have more. Because she

27

�lived through that change, and she, you know, she was a little bit older. She
remembered a lot more. And -JJ:

You don’t know what year they came to Chicago, do you?

LN:

Well, I was born in [00:37:00] ’65. I wanna say, I think my mom, she said she
was 17, 18 when she had me, she wasn’t born here, she was born in Puerto
Rico. I wanna say maybe in the late ’50s, it’s gotta be late ’50s.

JJ:

Now did they always say they lived in Lincoln Park, or did they live somewhere
else before that?

LN:

Always Lincoln Park. Always Lincoln Park.

JJ:

So they came in the late ’50s to Lincoln Park.

LN:

As far as I remember, yes. ’Cause I remember, for a while, I don’t know if you
heard of a company called [Cumings Display?]. (laughs) It’s a flower shop. And
they used to work there on Halsted Street. But they lived on Ar-- my abuela lived
on --

JJ:

Yes, I do remember that.

LN:

-- on Armitage, right by Santa Teresa, right by the L.

JJ:

Cumings Display, okay, [that?] (overlapping dialogue; inaudible)

LN:

Cumings Display was on Halsted, it was a flower shop, and then they eventually
moved downtown to Wells. I remember coming downtown with my mom and my
grandmother. Maybe that’s where they got --

JJ:

So they’re on Wells now?

LN:

They used to be, I think they closed. I mean, it’s been [00:38:00] years. Pero --

JJ:

But they were by Saint Teresa’s?

28

�LN:

Yeah. They were. And Abuela and Marcano, I remember them living by Santa
Teresa church.

JJ:

You didn’t go to Saint Teresa’s.

LN:

Oh yeah, oh yeah.

JJ:

Oh, you went to Saint --

LN:

To school? No. I went to the church.

JJ:

What was going on there?

LN:

Oh, Sunday mass.

JJ:

Oh, so you went to Sunday mass.

LN:

Yeah, yeah, Sunday mass. So they always lived in that neighborhood. Entonce’,
when my grandparents decided to go to Puerto Rico, ’cause the winters were just
too brutal here, they were still living over there at the houses on Orchard and
Willow. So they always lived in Lincoln Park, from what I remember. I don’t
know if they ever went -- they lived in Humboldt Park -- I don’t think -- I think they
came to Lincoln Park, and that’s where they lived. And eventually, that was their
last place. When they left, they went to Puerto Rico, you know, and that’s where
they were until his death, and she’s still alive, she’s still kicking. 90 years old.
And she looks good, [00:39:00] for her age.

JJ:

So they only moved because of the brutal winters, or?

LN:

I think, yeah -- they were retired, you know. There was nothing else here for
them, they couldn’t do anything else.

JJ:

(overlapping dialogue; inaudible) [retired?]?

LN:

Yeah.

29

�JJ:

You said that the restaurant was closed down?

LN:

Well, the restaurant, they sold it.

JJ:

Twice?

LN:

Because he -- well, he didn’t own the building, he sold the restaurant. I mean, he
rented the restaurant, and he rented the whole building. ’Cause he had the
restaurant on the first floor, and then the upstairs apartment --

JJ:

And this was on what corner, again?

LN:

Halsted and Armitage.

JJ:

Right on the-- (overlapping dialogue; inaudible)

LN:

1971 North Halsted was the address.

JJ:

Oh, 1971, okay.

LN:

’Cause 1973 is [Nick’s] Bar, which is right on the corner, so we’re right next to the
bar. (laughs) But yeah, good business, because, you know, the bar people
would come over, and Puerto Rican food. (laughs) [Patilillo, murcia?], whatever
they would make. And so he sold the -- I guess the restaurant -- they raised the
rent, and he said, “I gotta go.” But he had the restaurant, [00:40:00] too. So he
sold the restaurant to somebody else, and they kept it, they kept the name for a
while, and then eventually they closed. Maybe ’cause they couldn’t cook as good
as my mom or my grandma. (laughs)

JJ:

Now, you mentioned the people hung out on the corn-- on the outside, and that
you were outside people, you hung around out there playing dominos and music.

LN:

Mm-hmm.

JJ:

Was there any -- how was the gang situation there?

30

�LN:

I don’t remember a gang around there. I don’t know if it’s because -- my
grandmother was very... She would always tell us, you know. She would always
say, “Hey, don’t hang out, this --” She was always careful. Always watching out
for us, you know. And I’m thankful for that because, you know, we were very
vulnerable young men. But it was just the guys hanging out. I mean, we never -what I remember, I don’t remember ever having any troubles with gangs. As a
younger kid, I remember, when we were on Armitage one time, I went to the
store ’cause my mom sent me, and it was over there, it was a store right under
the [00:41:00] L on Armitage, right before you get to Sheffield. And there was a
store right by the alley, I don’t know, to get something, and I remember the Latin
Kings being there. And there was Latin Kings there, and I think there was
another gang up north, there was Harrison Gents over there by Larrabee, but
over there on Halsted, I don’t remember ever... We didn’t venture too far from
there ’cause, you know, our parents wouldn’t let us! (laughs) She was always
watching us. But on Halsted Street, I don’t remember...

JJ:

That hangout that you’re saying was at the end of -- but by that time Lincoln Park
was kind of gone.

LN:

Yeah.

JJ:

So was it kinda unstable at that time (inaudible)?

LN:

Yeah, I mean, I don’t remember the gangs --

JJ:

But growing up, you didn’t see a lot of gang activity or anything like that.
(overlapping dialogue; inaudible)

LN:

Well, when I went to high school --

31

�JJ:

[I know there were?] clubs, wearing sweaters and (overlapping dialogue;
inaudible)

LN:

Oh, yeah, yeah, yeah, I mean, I went to high school, I remember -- I went to high
school, I went to Waller one year and then it turned into Lincoln Park. And I
remember that. And of course, you know, you see the guys come [00:42:00] in
their sweaters. I remember the black and gold sweaters, and I remember the
black and white from the Unknowns, and I think Eagles would come around once
in a while...

JJ:

(overlapping dialogue; inaudible)

LN:

And the Harrison Gents, which weren’t too far. You can’t compare to today,
though. I mean, back then, people used to fight. Now, they shoot you. (laughs)
You know? And...

JJ:

Right. So you can’t compare to today, and it wasn’t really...

LN:

I don’t think it was as --

JJ:

It wasn’t really, like -- people weren’t associating with a club or something.

LN:

Yeah. Yeah. But just like anything else --

JJ:

Is that what you’re saying? I don’t wanna put words...

LN:

Just like anything else, you’ll see a bunch of guys, and then there’s another, you
know, you look at each other the wrong way or whatever, they don’t like you, you
don’t like them. But I don’t remember --

JJ:

You’re describing the later part of (overlapping dialogue; inaudible)

LN:

Yeah, but I was just gonna tell you, I don’t remember --

32

�JJ:

(overlapping dialogue; inaudible) describing the ’80s, you’re describing the ’70s
and ’80s.

LN:

I don’t remember the violence, you know, I remember -- and it was more like
social clubs, like you said. There’s hanging out, and, I guess, for whatever,
[00:43:00] you know, did they have their illegal activities? Yeah, probably. You
know? I mean, it’s been around for years, you know? I don’t see why they would
be any different. But, you know, it wasn’t -- at least, from where I remember, on
Halsted Street, it wasn’t none of that stuff, and guys coming around --

JJ:

So, (inaudible) [summarize?], so you remember it was more family-oriented,
though they were outside.

LN:

Absolutely. Yeah.

JJ:

Not gang, like today, or...

LN:

No. No, no, no.

JJ:

Trafficking in drugs, or (overlapping dialogue; inaudible)

LN:

No. I don’t remember that. And maybe, if it was around, I mean, I didn’t see it,
you know. (laughs) Definitely didn’t see it.

JJ:

(overlapping dialogue; inaudible) Your family (overlapping dialogue; inaudible)

LN:

Nowadays, they do it out in the open market. I mean, they’ll all be out there --

JJ:

-- not part of that, yeah.

LN:

Yeah, no, we were never part of that.

JJ:

Okay. You know, and I think that’s important to know, you know, people were
just outside like they were in Puerto Rico, (overlapping dialogue; inaudible)

33

�LN:

Right. Right, right, right. Yeah, and it’s not -- it wasn’t no, no, no, no. No big
wild parties every time it was out there, it was kinda almost like serenading, you
know? I liked to sit around at home, and it was quiet --

JJ:

And you were born, you s-- so we’re talking about a period after the [00:44:00]
community was there for a while, too.

LN:

Yes.

JJ:

’Cause you’re talking about when it was a Puerto Rican community, and before
that it was also an Italian and (overlapping dialogue; inaudible)

LN:

Dude, that I didn’t know. Yeah, that -- the community was already established
there.

JJ:

(overlapping dialogue; inaudible) (laughs)

LN:

Yeah, that’s how -- the community was already established when we moved in.

JJ:

-- established when you were there.

LN:

Oh, yeah. Oh, yeah. Yeah.

JJ:

So, since it was already established, it was more family. Is that what you’re
saying, or?

LN:

Yeah, I mean, there was a lot of families on the block. You know? I mean, all
the way from Halsted and Armitage all the way to Willow --

JJ:

And [would you just describe?] (overlapping dialogue; inaudible)

LN:

That’s where I remember the Calisto family lived. Willow and Orch-- Willow, and
-- Halsted and Willow. And I think it even went further, I think when you got to
North Avenue, then it started changing to the African American community.
That’s more Cabrini-Green.

34

�JJ:

Right. (overlapping dialogue; inaudible)

LN:

’Cause you had all the projects down there. And then, but you had your African
Americans right on Halsted as well. I remember a couple of families, guys that I
went to school with at Newberry, you know, guys that went to school at Waller,
then Lincoln Park. It was just all guys from the [00:45:00] neighborhood. But it
was mostly Puerto Ricans on the block, and, you know, it was already
established. It was already established, it wasn’t -- I don’t remember the
transition from the other ethnic group to the Puerto Ricans. I do remember the
Puerto Rican community then, you know, migrating west, or going back to Puerto
Rico, wherever they went, and then the turnover to a different community. Was
more white community.

JJ:

So there was a lot of that going on? During that -- while you were there? What
year are you referring to?

LN:

Well, when I lived there, I was in high school, in the ’80s.

JJ:

Okay, the ’80, okay.

LN:

But it had already started to change. It had already started to change. The guys
that -- I mean, I graduated from Newberry School, and then we went to Waller,
Lincoln Park, and had already started to change, ’cause we had already -- we
were still living on Halsted [00:46:00] and Armitage, but then in the 1980s, it
started to change. I mean, I remember. But when I lived there on Halsted, it had
already started to change. Now, I didn’t venture too far south on Halsted Street.
Because, you know, our family was over here closer to Armitage. But there was
still some people on the block. Puerto Rican families. But it did start to change.

35

�And then, when we moved over to Orchard and Willow, it was almost like, you
know, after Marcano moved, I think we were probably one of the last few families
to move out of there. And then it started -JJ:

And this was the ’80s.

LN:

This was the ’80s, definitely the ’80s. Yeah. I remember we moved out [to 9th?]
-- it was 1980, I graduated ’83? About ’84, ’85, ’84? Is when he eventually
moved over to the homes over there. And he was there until he left. He said,
you know, he’s [00:47:00] had enough, he’s gone, the winters are too brutal for
him. Yeah, so that’s what I remember. The change. The change back in the
mid-’80s.

JJ:

How did you take the change?

LN:

You know, I was living with my grandparents, so it’s...

JJ:

I mean, ’cause you grew up there, right? So you had to --

LN:

Yeah, I mean, but, you know, it’s like, wherever the grandparents were going,
that’s where I had to go. (laughs) You know? I mean, I didn’t -- I just had to
follow where they were going. It didn’t affect me, I mean, had I wish we would’ve
stayed there? Absolutely. You always wanna stay, especially if you’ve been
there for years. But the community had already started to change, and it wasn’t
the same thing. I mean, I would love to be able to go back in time, just for that,
but as adults, and just to see how it would’ve turned out, had the community
stayed with all the families there, and all the -- everybody who grew up in -[00:48:00] it would be ideal, but you know, that stuff doesn’t happen, only in
movies, I think. You know?

36

�JJ:

So you’re going to Waller High School during this change. How was Waller High
School? You graduated from there, you said? So...

LN:

I did not. I graduated in ’83. What happened was, I went to Waller one year, and
then it changed to Lincoln Park. And then my parents divorced --

JJ:

What was that like? You know, (overlapping dialogue; inaudible)

LN:

To me, it was just a name change. It was a name change. I mean, the school
was still the same. I remember reading an article about Waller being such a bad
school, and it was so bad, you know, and I have an article at home, if you want it,
I’ll make sure you get it. And the only reason I kept it is because, I remember,
whoever wrote it, it was in the Tribune, I was in the paper --

JJ:

That would be a good thing.

LN:

It was a black and white photo, I was coming out of class, and there was a
photographer taking pictures and I just happened to be there. Then one of my
friends --

JJ:

(overlapping dialogue; inaudible) So you were in the-- (overlapping dialogue;
inaudible)

LN:

Yeah, one of my friends was flipping through the pages --

JJ:

I definitely wanna see that.

LN:

And he’s like, “Hey!” And so he kept it, and he gave me the paper. [00:49:00]
And so, there was an article about how bad Waller used to be, how one teacher
got thrown out of a window or something, and there was always gang fights, and
then, now it’s Lincoln Park, and, you know, it changed. Lincoln Park High
School. And now the change. And I remember thinking, “How can a name

37

�change,” you know, “change the school so much?” You know? And eventually it
did, because it’s a very -- it’s a tough school to get into now. Unless you
(inaudible). But it’s -- man, oh, back then anybody could go there. But to me the
change wasn’t that big of a deal, it was just Waller, and then I still saw the same
students, I still saw the same teachers. Maybe eventually they got some, I don’t
know, I didn’t see any big change, it was just a name change.
JJ:

You said before --

LN:

Think it was a bad reputation, maybe.

JJ:

You said before that the community wasn’t really that gang type.

LN:

Yeah, but --

JJ:

But now they’re reporting in newspapers saying that it was.

LN:

Well, because, no, I’m talking about Waller High School. [00:50:00] Now,
remember, Waller is on -- it’s not that far from where we lived. We lived on
Halsted and Armitage, to, you know -- I lived on Halsted and Wisconsin. So
Halsted and Armitage, to Halsted and Wisconsin. My parents lived on Halsted
and Wisconsin, my grandparents lived by the restaurant. So I remember that.
Now, the school is not too far from there. So, you know --

JJ:

Couple blocks.

LN:

Yeah, just a couple blocks. But, again, I don’t know if I just wanna believe that
we had a protective layer around our block, I don’t remember anything like that.
You know? Did it happen? It probably happened a block behind us. But not on
the -- where I grew up in.

JJ:

But you didn’t see it.

38

�LN:

I didn’t see it. No. I didn’t see it. And what I’m telling you about the school --

JJ:

You didn’t see what the paper was describing.

LN:

Yeah. What I’m telling you about the school was that that’s what they reported.
You know? And I don’t know whether they were talking about Cabrini-Green. I
mean, listen, it’s a project, you know what projects are like, you know, you put a
bunch of people in a building, what do you think they’re gonna do, you know? I
mean, it’s just crazy. And --

JJ:

And actually, they were bussing, but actually -- [00:51:00] not bussing, they were
giving bus tickets to the people in Cabrini-Green to go to Waller.

LN:

Is that right?

JJ:

During that time.

LN:

Yeah? Wow.

JJ:

So those people didn’t even live in Waller, but they --

LN:

I haven’t read the article in years, but I’m sure that that’s what they talk about,
you know, about people coming into the neighborhood. Pero, you know, the stuff
that I saw in high school when I went there, it’s not the stuff that I remember
seeing on my block. Granted, guys did come by, we would play softball and
stuff, but I don’t remember any of the -- and I think it had a lot to do, again,
Marcano and Paulita, my grandparents, they were involved. I mean, they were
involved in everything we did. They made sure -- I mean, I remember my abuela
going to the school, and if there was something, issue, something going on in the
community, Abuela was there. They knew Abuela, they knew Paulita Marcano,
you know? And every time they would go -- I mean, we’re not saints, you know,

39

�we’d get into trouble at school or something, we didn’t do our homework, or my
cousins [00:52:00] would get into a fight or something, Abuela was there. She
was always there. And -JJ:

(inaudible) Even though she wasn’t asked to man the PTA, she came in and --

LN:

Oh, yeah, yeah, yeah, yeah. Yeah, yeah, absolutely. She was there. Oh, she
was there.

JJ:

(laughs) (overlapping dialogue; inaudible)

LN:

Absolutely, yeah. She was there all the time. And my grand-- and my mom --

JJ:

[And the?] other parents? Were they doing that?

LN:

Other parents were there too, as well. Absolutely.

JJ:

So the parents were actively involved in the schools.

LN:

Oh, yeah. Yeah, yeah, absolutely.

JJ:

And with their kids. Is that what you’re saying?

LN:

Yes. They were -- my grandmother, my mom, were there. I remember other
parents as well, too. Being there. And so, maybe it was because they were so
involved, and I don’t know if maybe, you know, they would stand up to anything.
I mean, as a parent, you would stand up to anybody trying to come into your
neighborhood and messing around with your kids’ lives. I mean, I would do it, I’m
sure you would too. And I think that’s what they did. And so maybe I was just -I’m thinking about this protective layer because Abuela was there, and parents
were involved, and stuff. And maybe they knew, like, “Let’s not mess around in
that neighborhood.” (laughs) You know? They didn’t walk around like
community watchmen, or [00:53:00] neighborhoods, or anything. They were just

40

�there. They were always involved. And on the block on Halsted, I don’t
remember any -- I mean, the competitions we would get into would be like, teams
from the south sides of Halsted Street against the north side, playing a game at
the clínica. (laughs) You know? The clínica, where there was bases painted on
the floors, and then we had -- we would play fast pitching, or we would go to
Newberry and play fast pitching against [DeWall?], and, you know, like, “Hey, our
team will play your team!” And it was kinda like a mini competition. But it wasn’t
ever about us fighting them or anything like that. Or even outsider gangs, or the
Kings, or the Gents, or whatever coming over. I think, eventually, later -- but I
don’t wanna say, because I didn’t experience it. I didn’t experience none of the
gangs coming on Halsted Street. The article did mention about how bad Waller
High School was. But I say that because that’s what I read. It’s not what I
experienced. And, again, you got people coming in [00:54:00] from everywhere,
you know. I could definitely see trouble at the high school.
JJ:

So why do you think the newspaper would (inaudible) say something like that?
Just to sell papers, or?

LN:

Could be. It could be. (laughs)

JJ:

(overlapping dialogue; inaudible)

LN:

I don’t know. I don’t know why the paper --

JJ:

(overlapping dialogue; inaudible) said, I’m just saying (overlapping dialogue;
inaudible)

LN:

I’ll get you the copy, but, you know, I think that --

JJ:

What do you think (overlapping dialogue; inaudible)

41

�LN:

-- the paper did it because they wanted to document that it was a change, and
the high school was changing. They said “cleaned it up”. Again, I only went
there for two years, Waller one year, and then it became Lincoln Park --

JJ:

And what year was that?

LN:

’78.

JJ:

Seventy (overlapping dialogue; inaudible)

LN:

’78, ’79, ’79-80. And that’s when it was Lincoln Park. And then I moved to
Puerto Rico. I graduated from a high school in Vieques, Puerto Rico. The little
island off the coast of Puerto Rico.

JJ:

Little famous island.

LN:

Yeah, little famous island. Yeah. With all the US bombing we used to be, not
anymore. But I went to high school there for two years. My parents separated,
divorced, and I went with my mom. And, I did good, I mean, I spoke Spanish at
home. My parents always spoke [00:55:00] Spanish. I speak fluent Spanish.
And I adapted. It was tough getting used to, though. It’s a whole different world
in Vieques. You know? From growing up in Chicago. And growing up in a big
city.

JJ:

So how was that, going over there? How were you treated?

LN:

Oh my God, it was a culture shock. Culture shock.

JJ:

Culture shock? What do you mean? What do you mean?

LN:

Well, you know, here, you can hang out outside. You know? And you could over
there, and you could do so many things, but Vieques, I mean, you think... It’s like
going to the campo. And --

42

�JJ:

To the country, okay.

LN:

Putting you there, where, at seven o’clock at night, everybody’s in bed. This was
back in the ’80s. And this is like -- (laughs) That’s how it was. I remember the
first day that I got there, we were playing all day, I took a shower, and I put on
jeans, and a t-shirt, and socks, and gym shoes. And I went outside, because my
brother was outside, my younger brother, my stepbrother was outside. And
they’re asking me, “Where are you [00:56:00] going?” And I’m like, “What do you
mean, where I’m going? I’m not going anywhere.” He’s like, “Why do you got
jeans on?” ’Cause everybody’s got on shorts, you know, chancletas, sandals,
and a t-shirt. You know, t-shirts. And here, it looks like I’m going into town, just
because I got a jeans and socks and a shirt on.

JJ:

And shoes. (laughs)

LN:

And shoes. And it’s like, “Well, where are you -- it’s a weekn-- It’s a school
night, like, where are you going?” I’m like, “I’m not going anywhere!” “Well, why
are you dressed like that?” I’m like, “How am I supposed to dress like?” You
know? But everybody was in shorts, chancletas, ’cause everybody’s just chilling,
a couple hours, and then going to bed, ’cause they gotta go to school the next
day. And, I mean, we had two channels, three channels. We had channel 2,
Telemundo, channel 4, WAPA, and channel 40, which was a cable channel that
would come in because a US base was there, so we would get a feed, a very
light feed. Three channels. And there’s not much else to do. You got, you
know, two, three guys in the house, my parents, I mean, my mom and her
husband, [00:57:00] they were sleeping early, ’cause they had to work. But there

43

�was nothing to do, I mean, there’s like, you had a park, but here, when I was in
Chicago, you could go with your buddies, you could go here, you could go party
here, you know, anywhere. But, you know, in Puerto Rico, it was weird. It was
just something different, I mean, we had a small house, there was about six of us
in the house. (laughs) It was just a total shock. I adapted well in school because
I spoke the language. And of course, anybody who comes from the States to
Puerto Rico, they call you Nuyorican. I wasn’t a Nuyorican, I was a Chicagorican. Because that’s where I came from. But because, you know,
(Spanish)Gringo [00:57:42]. Because I spoke English, or they knew I came from
the States. They knew I wasn’t from there. So, but, I mean, I only lived there for
two years. I made great friends. This coming summer we’re having our 30th
high school reunion, and, you know, they’re great [00:58:00] people, I mean, they
-JJ:

So you go there every year for the reunion, or?

LN:

I don’t go every year, I think the last one I went was for the 25th --

JJ:

In Vieques (overlapping dialogue; inaudible)

LN:

In Vieques, yeah. Vieques, yeah. It’s a nice little trip, yeah.

JJ:

[What?] was the school? [I mean?], was there only one school?

LN:

There was only one high school. There still is only one high school. (laughs)

JJ:

Do you remember the name? What’s the name of (inaudible)?

LN:

Germán Rieckehoff High School.

JJ:

Okay.

44

�LN:

Well, you know what, I think that, but it’s the only high school, they have a junior
high s--

JJ:

[Germán Enrique?]?

LN:

Germán Rieckehoff. And I think, Germán Rieckehoff’s son used to be the
president of the Puerto Rican Olympic Committee or something. But that’s -Germán Rieckehoff High School, that’s what I remember it being. It’s the only
high school in Vieques. And there’s no college or university, you have to go to
the mainland, you know, so. And then that’s the other thing, transportation, to
get to Vieques you have to take a boat. Or a plane. Plane rides are -- they used
to be, I remember, ten bucks. Back then, that was a lot of money. The boat was
a dollar, or two dollars, that’s it. So everybody would take the boat. It was a
lancha ride, which was a horrible hour-and-a-half ride, ’cause the boats back
then were just crazy.

JJ:

(laughs) [Yeah, they [00:59:00] didn’t work right?].

LN:

And then you have to be on the boat, you [can mareaba?], you get seasick. So it
was going to a whole different world, man. I mean, you don’t have no TV, very -you can’t do much, there’s not much to do in Vieques, you know. (laughs)

JJ:

And this was what year?

LN:

This was 1982, ’83?

JJ:

And there was no TV or anything?

LN:

Well, we had a TV, and I think we had three channels, I don’t think we had --

JJ:

Oh yeah, you had the three channels.

45

�LN:

We had -- no, (inaudible) because they were local channels. I don’t know about
cable or anything, you know. Plus we couldn’t afford it. (laughs) Not on my
stepfather’s salary.

JJ:

But your family’s from there? He’s not from there (inaudible) --

LN:

No, Mami is from Gurabo, but she’s got an older sister who married one of the
pilots that flew from Vieques to Puerto Rico, who fly the planes. So her older
sister married this guy, and he’s from Vieques, so when my mom went over
there, you know, her only sibling there was her sister. So she went and lived with
her sister for a while. And then Mami eventually bought the house down the
street, [01:00:00] and that’s how Mami went to Vieques. And that’s where I went
to high school, that’s where she was living at the time, so.

JJ:

So, yeah, ’cause they got the base, I saw that here, but the base (overlapping
dialogue; inaudible)

LN:

Mm-hmm. They have two bases, yeah.

JJ:

So did you interact with those people at all, from the base?

LN:

With the base people?

JJ:

Yeah.

LN:

Oh yeah, my stepfather was a security guard for the base. That was his job.
And he would get us in there, you know, to go fishing, crab fishing, (Spanish)
[01:00:26] --

JJ:

But they had rivers, or something like that?

LN:

They don’t have rivers, they have little lagoons, and they have other -- he knew
those spots, because he was a security guard, and he would roam the areas.

46

�And he would talk, he spoke English, he would talk to the Navy guys, you know,
and they would tell him. Some of the guys, they treated him good. And they
would tell him, “Oh, you gotta go here,” and, you know, he was a security guard.
And so he knew all the spots, so he would get us in there, and we would go to
the base. I mean, they had, like, I forget what [01:01:00] they call it, their
nightclub or something, and they had, like, music there, and I remember they
used to have free movie nights, and they would have this big projector, and then I
think, I don’t know if it was once a week or every night, they had a different
movie. And they would allow the residents of Vieques to go. The only time you
cannot go in the base, I remember, in the two years that I was there, was when
they had the maniobra, they had the practice sessions where they would do all
the bombing on, you know, one end of the island. Which is interesting, too,
because when I was there, I remember being outside of my mom’s house, and
feeling the earth move. And I’m like, “Oh, what was that?” And my brother,
sister, and my stepbrothers, they were like, “Those are just practice bombs.” I’m
like, “Really?” And they would just, you know, the whole island would shake. At
least, that was my experience when I was there. I’m like, “Wow!” You know, this
-- and that’s when you were not allowed to go on the base because, I guess,
security reasons. [01:02:00] You know, obviously, they’re practicing. And they
would do their landings in the boats, and shooting, and practice bombings, or
whatever. But yeah, we would go in there all the time. I remember the free
movie nights, I think we had to bring our own popcorn or buy popcorn from

47

�inside, but the movies were free. You know. (laughs) And, so we, you know, my
stepfather mostly interacted with the Navy guys.
JJ:

But you didn’t actually hear the bombs, it was...

LN:

I felt them. Yeah, I felt them.

JJ:

Why wouldn’t you hear them? Were they underground?

LN:

No, I think it’s because they were far. I mean, you know, Vieques is not a big
island, so right in the middle is where the residents live. And I think the practice
was way at one of the ends of the island of Vieques.

JJ:

At the beach? at the beach.

LN:

So I wouldn’t hear them. I would see the Navy ships, though. If you would go to
one of the -- I don’t know if you’ve been to Vieques. Vieques has got some of the
most beautiful beaches in the world.

JJ:

No, I’ve never been (overlapping dialogue; inaudible).

LN:

It’s really, really pretty. So you would be in Sumbay Beach, which was, we called
it Sumbay, but it’s Sun Bay [01:03:00] Beach. Puerto Ricans be calling Sumbay.
(laughter) And, you could see the big Navy ships way, way, way in the
background. You would see them. You wouldn’t -- I didn’t ever saw them firing.
I felt it, when I, like I said, I heard the dun, like, dun, I felt that, but I wouldn’t -- I
never saw them, you know.

JJ:

Was this a regular thing, where you felt that?

LN:

Oh, yeah. Every time they did the practice, you know. Once -- it’s like living next
to a train. I remember we lived here, next to a train a while, and you hear the
loud noise initially, but then after a while you just become oblivious to it.

48

�JJ:

You get used to it. Bom, bom --

LN:

Yeah, and so --

JJ:

Yeah. (overlapping dialogue; inaudible)

LN:

-- initially when I first heard the bombs -- Yeah, you know, I felt it, I’m like,
“Wow.” And then after that, you would hear ’em, whenever they would practice.
I forgot how frequent they would practice. But after that, I didn’t hear ’em
anymore. Again, it’s like, probably I just got used to them. And that’s why I said I
don’t know how often they would practice. But yeah, Vieques was definitely an
[01:04:00] experience. Very beautiful island. My sister still lives there. She
works for Vieques Air Link, she’s one of the receptionists. ’Cause she speaks
perfect English, you know? And Spanish.

JJ:

Air Link, Airlines?

LN:

Vieques Air Link.

JJ:

Air Link, Air Link. Okay.

LN:

Yeah. L-I-N-K.

JJ:

So is that the airport, or something?

LN:

That’s the airline there.

JJ:

Airline.

LN:

They have several, but one of them, the guy who founded it, his name was
Valdo. But he came up with the initials VAL, you know, Vieques Air Link, and
those are his initials for his name, so, and, so my sister works there. She still
lives there. So I go there every chance I get, I’ll go there. It’s a very beautiful
island. But I can only handle two or three days of that tranquility. Beautiful. If

49

�you ever wanna go there and just not hear anything. And just sit by the beach,
which is what I do. One or two days is good. (laughs)
JJ:

So today you don’t hear the bombs, is that what you’re saying, or?

LN:

Oh yeah, they stopped bombing years ago. I think they got the Navy out of
there. I wanna say, I forget when, in the ’90s I think. ’90, ’91, or something like
that. They had the big [01:05:00] protest, all those mass arrests, all the
congressmen and politicians --

JJ:

(inaudible)

LN:

Was it Clinton that got -- I think it was Clinton, right?

JJ:

I’m not sure (inaudible)

LN:

One of them, yeah. But it was --

JJ:

But I think it was around 2000.

LN:

It was ninety-- Yeah, you know, that must be right. Yeah.

JJ:

That year.

LN:

Yeah, it was --

JJ:

’99 or 2000, something like that.

LN:

But it’s very -- you don’t hear none of that anymore, you know, you don’t. It’s
just, you know, Google it and you’ll see some of the -- it’s really --

JJ:

’Cause you’ve been back afterwards.

LN:

Oh, yeah, plenty of times.

JJ:

(overlapping dialogue; inaudible) place is more tranquil?

LN:

Oh, yeah. Every time I go, I -- we’ve gone for Christmas, and, you know, it’s 80
degrees out there, and my mom thinks it’s cold.

50

�JJ:

And Christmas is the same as the rest of the Puerto Rico there, of course.

LN:

Oh, yeah, yeah, yeah. So I’ll go -- I wanna go --

JJ:

(overlapping dialogue; inaudible)

LN:

I wanna go to the beach, you know. I wanna go to the beach and just hang out.
And my mom’s like, “It’s too cold!” I’m like, “Mom! I come from Chicago.”
(laughter) “You know how cold it is in Chicago? I wanna go hang out at the
beach! I don’t care if it’s 50 degrees! I’m going to the beach. I can’t come to
Puerto Rico and not come to the beach.” And [01:06:00] Mami’s so protective,
like, “Oh, no te vayas, stay here with the kids, watch the ocean, watch the
waves.” You know, the beach is so beautiful, you can walk, literally, for about
100 feet and you will never go deeper than this here. And then the water’s so
warm, to me, it is. And clear as day. Pretty, pretty. But, you know, my mom’s
like, “Oh, don’t go out there!” But, you know, Puerto Rican women, to her, she’ll
prepare me a lunch bag, like, you know, [jata?], she’ll boil the [jatas?], and do the
bread, the whole thing. (Spanish) [01:06:31] She’ll make it for me. And then she
wants to know what I want for dinner. (laughter) That night. Right after I had
breakfast. You know? (laughter) And she’s always protective. But no, I gotta go
to the beach, and just hang out. It’s so pretty, if you get a chance, go and visit.
Stay for a couple days, stay as long as you want. Not much of a nightlife there,
you know, if you want the nightlife you gotta go to San Juan, pero, Vieques is
[01:07:00] very pretty, very quiet. It is a whole different world, and I think now
that I’m older, I appreciate it. I’m like, “Man, you know, that’s not a bad little
island to go to.” Not so when you’re a teenager, you know, born and raised in

51

�Chicago and you wanna go party and hang out with your boys all the time, you
know. (laughter) But I grew up -- I thank my grandparents, I always will. And
maybe some of the guys that I grew up with and their parents. They were all
always involved in our lives. I have a bunch of friends that I grew up with who
are Chicago police guys, detectives now, I have friends who are lawyers, I have
friends who are doctors, all from the neighborhood. And that’s a rarity, I think.
You know. Because we weren’t given much of a chance, I think, I mean, and
even through life, I’m sure everybody’s faced their own discrimination to some
extent. But could you imagine if we [01:08:00] would’ve been given an
opportunity? If we would’ve been accepted more? I mean, I’m just giving you a
sampling of the guys that I know. There’s those guys that went the other way,
who never got that chance, for whatever reason. They got involved with other
things. But the guys that I grew up with? Those guys are -- they’re like my
brothers, they’re friends for life, and I think that, you know, my parents and my
grandmother and my grandfather were always involved in our lives. That allowed
us to continue to know that education was key. And you gotta stay in school, and
all that stuff, you know. And the guys, again, I mean, you hear stories about
guys, and you go to west side Chicago. Oh yeah, they can tell you how many of
their friends have died through gang fight, through gun -JJ:

You’re talking about, like, Humboldt Park and stuff like that.

LN:

No, I’m talk-- I mean west side, I mean --

JJ:

And west side.

52

�LN:

Even Humboldt Park, you know, west side or even further west, like getting
closer to Austin. And you have kids, kids that are barely teenagers --

JJ:

’Cause they were the Puerto Ricans right now, or is that what you’re saying?

LN:

[01:09:00] No, yeah, most of them are there. But I’m just saying that, you know,
the kids out there will tell you, “Hey, I have, I know five or six of my friends who
are dead.” Because of gang fights or whatever. The guys that I grew up with,
you know, none. I can’t -- I don’t know any one of my friends who were killed in
some tragedy like that. The guys that I grew up with. We had a good upbringing
in the neighborhood. You know? That whole community on Halsted Street was
a good community. I mean, I can go on and on and on about the guys that I
know, about what they did. Eventually, you know, some of those guys moved out
west, and I think there’s a bigger -- there’s a lot of Puerto Ricans in Humboldt
Park, you know that. We bought our building in Humboldt Park, you know.
When we moved out of there, I think I lived in Logan Square for one year, and
again, the rent was, like, crazy. I had started working already, so I could afford a
bigger apartment, but then after a while, I’m like, you know, the rent -- that
building got sold, to a Spanish guy, but he wanted to jack the rent up 150 bucks,
I’m like, [01:10:00] “I can’t pay 950 for a two-bedroom apartment.” And I looked,
and I’m like, “I could pay a mortgage for 100 more dollars.” So we bought a
building in Humboldt Park, a three-flat. Which we still have to this day. Maybe
it’s because I’m thinking, “I’m not selling!” (laughs) I’m not selling because I
know what happened to Halsted Street, you know, when these guys had a house
that they bought for 10,000, somebody came and offered them 100 and now

53

�they’re gone. Humboldt Park’s changing too. I mean, you could see it if you go
there. When I moved in, then, it was a whole different neigh-- it wasn’t Halsted
Street. Humboldt Park, when I lived there, when I bought it in 1992, ’93, was
definitely, you know, a different world than from what I grew up in Halsted.
You’re talking gangs that I would see. You could see the guy smoking weed on
the street. You know. Humboldt Park was definitely a different world from the
Hals-JJ:

And what year was this?

LN:

This was ’90s. In the ’90s.

JJ:

In the ’90s.

LN:

Yeah.

JJ:

You know, they were similar to Halsted in the beginning.

LN:

Is that right?

JJ:

Yeah, [01:11:00] that was a change during that time.

LN:

Yeah. Well, (inaudible)

JJ:

That I recall. But I --

LN:

No, no, no, and that’s good.

JJ:

That’s what you recall.

LN:

Exactly, I mean, that’s what I remember from my Halsted. My Halsted --

JJ:

(overlapping dialogue; inaudible) you saw gangs, and (overlapping dialogue;
inaudible)

LN:

My Halsted Street, I didn’t see -- I mean, again, we saw some of that, but not on
the block that I grew up. Humboldt Park, when I moved, that was -- I mean, there

54

�you saw it everywhere. Everywhere. I mean, you still see it today. Not as much,
but you still s-JJ:

So it wasn’t, like, really, like, a close-knit community, or anything.

LN:

I don’t think so. But I’m talking about, I had just moved into Humboldt Park. I
knew that Puerto Ricans lived there...

JJ:

So how was it not?

LN:

Well, the block that I live in, and I tell people, it’s, like, probably one of the best
kept secrets in Humboldt Park. It’s a dead end street, no pun intended, but it’s
Thomas Street that butts up against an alley. It’s not a through street where you
have cars driving in all the way all the time. You don’t have drive-bys on that
block, you know. When I moved in, yeah, you had your guys that were, you
know, you could tell who’s who, and who’s probably trouble, and who’s in a gang,
[01:12:00] and who wasn’t. I fit in, ’cause I was Puerto Rican, and my wife’s
Puerto Rican, and, you know, we lived on the block with a bunch of Puerto
Ricans. And you saw families --

JJ:

What is your wife’s name? Is that okay?

LN:

Flor. Flor Neris.

JJ:

Flor.

LN:

Yeah.

JJ:

(inaudible) (laughs)

LN:

Yeah, Flor Neris. And we lived on the block, and it was just her and I, and we
had the building, and we rented the two apartments, and it helped us pay for the
mortgage.

55

�JJ:

And you have kids, too, or?

LN:

Now I have kids, yeah.

JJ:

What are their names? First names --

LN:

Jeneli, Jaidelis, and Luis. Again, I gotta follow family tradition. My papi’s Angel -actually, Papi’s Angel Luis, I’m Angel Luis also. And my son is Luis Angel. I
kinda changed it up a little bit. But yeah, I have the three kids now, pero, but Hal- Humboldt Park was different because you had, I didn’t know the families. I
mean, I was already an adult. And then, you’re the new kid on the block, moving
in. You know, you’ll make friends. I mean, I met Don Vicente from across the
street, I met Eliot next door who works for the IRS. (laughs) Vicente’s wife works
for the school, my buddy Leon down the [01:13:00] street is a retired police
officer, his wife was a schoolteacher. So you met those people and you got good
people on the block, and it’s a really good block. Some people rent, you know,
and you have your Section 8 folks living in the neighborhood, and you have other
people who don’t care much for what they rent, or maybe the owner doesn’t care
as long as he’s getting his rent, who don’t live in the building. I don’t live in my
building either. Listen, I don’t wanna say, “Hey,” I’m not gonna start throwing any
stones. But I’m a little bit more picky when it comes to my tenants. I would
rather have somebody who’s gonna pay me less, but have a good tenant, as
opposed to jacking the rent up, where, you know, who knows who I’m gonna get
just because I want 100 extra bucks. You know. I pass by my building all the
time, it’s like I live there, so my tenants know. You know? And they’re good, the
people on the block, they’re kinda watching out. I think it still needs time, you

56

�know, it still needs time. Humboldt Park is not that idyllic, great neighborhood
[01:14:00] that you have -- I mean, listen, anywhere you go, you’re gonna get in
trouble. Trouble can find you anywhere. Whether you live in Lincoln Park,
whether you live in Wicker Park, whether you live in Humboldt Park, it’s gonna
find you. The block that I live in? It’s different from Lincoln Park, it’s just that I
didn’t grow up there, and although we’ve had the building 20-plus years, you
know, I like to believe that it’s a nice little block. Not too far from Haddon, which
is where one of the Calistos lives. (laughs) And then you have the other side of
the park. And I haven’t gone to much of the other side of the park, ’cause I lived,
you know, Kedzie and Thomas is where the building is at.
JJ:

You’re on Kedzie and Thomas?

LN:

Yeah. But, you know, it’s a great neighborhood. I loved it. The only reason I
moved out was because of what I do. You know, I wanted the big house. I
wanted the big backyard. I didn’t have a backyard in Humboldt Park, I had an
alley. (laughs) And a two-car brick garage. I want my kids to [01:15:00] play
outside, I want my kids to grow up in a nice, safe neighborhood. Again,
anywhere it can find you, but the neighborhood where I live now, it’s kinda like
that neighborhood where everybody watches you. It’s amazing. When I went to
-- they had a meeting at the school up in Oriole Park in Chicago. How, there
were some reports about gang recruiting at Oriole Park. Which is unheard of, it’s
a neighborhood where you have just a bunch of professionals living. You know,
it’s unheard of, gang recruiting. And they had a meeting, they sent a letter out to
all the parents, and I went to this meeting. And it was just amazing, the number

57

�of people that came to that meeting. The parents in the neighborhood. It
overflowed. It was just incredible. And I’m like, “Wow!” And this was when I had
just first moved in the neighborhood. Had that happened, you know, back in the
neighborhood, very few parents showed up. I know I remember the parents from
my block being at the PTA meetings, or the [01:16:00] meeting with the police
commander of the area, but over there, it’s because so many people were
involved, and I’m like, “Wow!” This is good, it’s a good thing, you know? You’re
getting involved with the neighborhood. It was good. And so, it’s a nice
neighborhood. I mean, I’m giving my kids an opportunity, and it’s okay with me.
Now, after they’re gone, I mean, I’d probably move back to Humboldt Park, I
kinda like Humboldt Park, you know? There’s a difference between -- I’ll never
forget the first night we lived in our house. I’m looking out the window, and my
wife tells me, “What are you doing? Que te hace (Spanish) Puertorriqueno.”
[01:16:34] [01:16:35] I’m like, “This is too quiet, it’s eerily quiet.” You know, in
Humboldt Park, you look out the window, people, “Ay, (inaudible)!” They’re
screaming and stuff, bom bom, you know? Neighborhood where I live is like,
“This is crazy, it’s too quiet, man!” (laughter) Like, “No!” Anyway, it’s just a
different neighborhood, you know? And then, maybe I’m coming full circle,
coming to the neighborhood. ’Cause the neighborhood where we have, we don’t
have parrandas. But [01:17:00] we have walks. (laughs) For Christmas. In the
neighborhood, it’s crazy, it’s mostly an Anglo neighborhood. Very few Puerto
Rican families. But we make coquito for Christmas. And the entire block wants
it. They have street party -- street --

58

�JJ:

What’d you put in --

LN:

Block parties.

JJ:

What’d you put in the juice? (laughter)

LN:

Hey --

JJ:

[Mixed up?].

LN:

Exacto. They have block parties. In the summer. It’s great, I mean, you have
the entire neighborhood come out. They do stuff for the kids, they do a bike
parade at 12:00, they got music, they got, you know, jumping things, they got, the
pump is open, it’s, like, awesome. And my wife makes limber. And the kids, little
Anglo kids, come over and they want more and more, Flor makes batches of ’em,
and they absolutely love it. And, you know, when we had the Christmas walk,
similar to our [01:18:00] parranda, they’re caroling here, but it’s just a couple of
families, you know, about, almost half the block did it, and you get three houses.
That one house, you know, you’re at the Johnsons’ house from 7:00 to 8:00.
You’re at the Gonzalezes’ house from 8:00 till 9:00. And it’s just hors d’oeuvres,
just hanging out, adults only. And they just walk, you know, from house to
house. No music, but you’re just hanging out, and it’s kinda cool. We made the
ponche coquito one year, and they absolutely loved it, so now every year, we
gotta do it. You know. And they loved it. It’s our culture mixing with their culture,
and it’s a good mesh. We get along, I love all my neighbors, absolutely. And it’s
that neighborhood that I remember from when I was growing up, that maybe
protective little block on Halsted Street. That, you know, probably my parents
and my grandmother, or my grandparents, saw the trouble, but they kinda

59

�shielded it away from us, and now we’re in a neighborhood where it’s [01:19:00]
kinda something similar, and anybody who’s suspicious that comes in the
neighborhood, I mean, first of all, you’d have to be crazy, ’cause nothing but cops
and firemen live up there. You know? (laughs) Does it happen? Absolutely. I
tell you, trouble will find you anywhere. And, you know, it just -- today’s life, so.
JJ:

And, can you kind of, in general, describe the type of work that you do? You said
fraud? --

LN:

Yeah, I do investigative work for --

JJ:

I mean, if it’s okay to describe, I don’t wanna (inaudible)

LN:

I’d just like to keep it general. (laughs)

JJ:

Yeah, just keep it general.

LN:

Yeah, just general. Yeah, we just investigate white-collar crime. Yeah, and, you
know, it’s a good job.

JJ:

Like businesses, or?

LN:

Businesses, individuals, you know, you name it. Yeah. Pretty much, you know,
it’s, today’s day and age, politicians, whatever.

JJ:

Okay, so there’s -- is there a lot more today or something? That became a
business now, now that becomes a -- fraud is a business, or?

LN:

Oh, absolutely. I mean, I got job security for my --

JJ:

I’m not trying to (overlapping dialogue; inaudible)

LN:

No --

JJ:

I’m not trying to (inaudible) I’m just trying to --

60

�LN:

No, I mean, [01:20:00] there’s some work out there to be done. I mean, again,
it’s nothing new. It’s just that, you know, with the economy nowadays, people get
a lot more creative. You know? (laughter) We just gotta keep up with
technology. I mean, we got a lot of resources that are disposable, and it’s just,
fraud is always gonna be around, you know. I mean, listen, we live in Chicago, I
think, I don’t know if state of Illinois still has the title of the most corrupt state in
the nation, you know, it’s just... I think it’s just that they get caught.

JJ:

(overlapping dialogue; inaudible)

LN:

Everybody does it, I think everybody does it --

JJ:

(overlapping dialogue; inaudible) [couple going or something?] --

LN:

(laughs) I think we have the state where people get caught. I mean, I think it
happens everywhere, you know. So, but yeah, it’s an interesting line of work,
something --

JJ:

So you actually are investigating this kind of thing?

LN:

Not this thing, but fraud. (laughter)

JJ:

No, no, I just --

LN:

No, you make it sound like -- no, I’m not investigating anything here.

JJ:

I mean the fraud, [I mean?] you’re investigating fraud, that’s what I mean.

LN:

Oh, yeah, yeah, yeah, mostly white-collar stuff, yeah. So anything to do with
white-collar. (laughter) [01:21:00] I’d like to keep it at that, you know, so. And it’s
interesting, though, and it’s interesting, though.

JJ:

Some final thoughts, what do you think we need to really stress about Marcano,
like, your life --

61

�LN:

Yeah, you know what, again, you asked me for my Lincoln Park, and I gave you
what I remember. I was just a kid there. You know. If, you know, you’re smart
enough, you can figure this how you want it to go, and I think you’re on the right
track. What I would like, though, is the stuff that Marcano left for me. Because
he was a good man. He was. And he meant to do well. And he left the stuff for
me... I have it, I’m glad I had the conversation with Freddy Calisto not too long
ago, because we were [01:22:00] talking about it and I said, “Hey, I got a bunch
of stuff at the house, man. You know? And it’s just sitting there.” And I couldn’t
get rid of it, because Marcano left it for me. He specifically told me, “You
(inaudible) I’m gonna leave this for you, ’cause I know,” you know, he left it to me
for a reason. And I don’t know if maybe, just, fate that you... Freddy knew about
what you were doing, and I had the stuff, and you know, we’re coming together.
And I got the pictures at the house, I wanna make sure that you get, because I
think his story needs to be told, and there’s no better story that you’re gonna get
than from the tapes and the audios. ’Cause there’s audios here, of everything he
did, you got a lot of work here, man. (laughs) You know? There’s a lot of -countless hours of tape, and you got música, he’s got everything in there. And I
think this is probably something that’s gonna, you know, do your project good.
And again, I --

JJ:

(overlapping dialogue; inaudible) the best thing that we could do is to make it
public for the (overlapping dialogue; inaudible)

LN:

Absolutely, absolutely. And again, you know, listen, I --

62

�JJ:

For research -- other researchers, and other people that (overlapping dialogue;
inaudible)

LN:

Absolutely. If they ever need to [01:23:00] get in touch with me, you know, I’ll
give you whatever I remember. If I can find stuff at home, some more, I, you
know, I think it’s a -- when he passed away, I thought it was a shame that he
didn’t -- it did not get played more here, in Chicago. Because he was a pillar
here. He was a pillar of the community. You’ll see for yourself, when you see
the tapes, if you get a chance to see the tapes, and see the pictures and stuff,
the kinda stuff that he did. I mean, he got black and white photos, that I have at
home, and I apologize I didn’t get them to you, but I’m gonna definitely make
sure. I’m off today, so I’m gonna get home, start getting the pictures, putting ’em
on a disc, and I’ll definitely make sure you get ’em, ’cause I think it’s important.
This is perfect, this is perfect, what you’re doing. Especially, like, the Lincoln
Park community, you know, it’s like. So that’s what I would like. I mean, you
know, he’s the one that deserved the credit. I was just, you know, again, part of
the Puerto Rican mom and dad that came here, looking for a [01:24:00] better
life.

JJ:

Well, that’s important, so that it’s a, oral histories of different people, so.

LN:

Yeah, absolutely.

JJ:

And you’re familiar with that being, you know, going through the college scene
and all that, so.

LN:

Yeah, absolutely. So, yeah, he --

JJ:

So you know what we’re doing, I mean, it’s clear what we’re trying to do.

63

�LN:

Good. And I’m glad, I’m thankful for that, because it’s almost like a forgotten
story. And I don’t know if anybody’s taken time to document it, you know, and
obviously you’re doing it -- Marcano did, but he wasn’t around long enough to
make sure that --

JJ:

(overlapping dialogue; inaudible) Way before that.

LN:

-- to make sure that --

JJ:

Way before we even thought about documenting, he was doing it, so that’s really
great.

LN:

Yeah, yeah, exactly.

JJ:

That’s what’s great about that.

LN:

That’s what I said, and it’s funny, I made that analogy about the wire thing. He
made camellos for the Three Kings Day. He made a lechón, I remember he
called it El Batey, the restaurant was called El Batey, and he made un lechón en
una varita, and the pig was made out of wire and covered in some fabric that he
colored brown to make it look like an actual pig, with an apple in its mouth, and,
you know, [01:25:00] and the two sticks. I mean, it’s -- I think there’s a picture, at
home, of the restaurant, you know. (laughs) He made the stuff, it was just crazy,
just to think that I was driving the other day and I thought about the snowmen
and the reindeers that are being made and being sold in stores. Stuff he was
making (laughs) way back when. And documenting the stuff, you know?
Documenting it. And I’m glad that I got an opportunity to meet you and that, you
know, hopefully this --

JJ:

Appreciate it.

64

�LN:

-- will have some stuff for you guys that will help you get along in your project,
man. I really do. I really do.

JJ:

I appreciate it. Thank you very much. I appreciate it.

LN:

No problem. Anytime.

END OF VIDEO FILE

65

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
      <file fileId="26627" order="2">
        <src>https://digitalcollections.library.gvsu.edu/files/original/5d4496b6234c5647994459293151e198.mp4</src>
        <authentication>dacd1107d6455c29107f2001ac76368c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="24">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="446395">
                  <text>Young Lords in Lincoln Park Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447054">
                  <text>Young Lords (Organization)</text>
                </elementText>
                <elementText elementTextId="765923">
                  <text>Puerto Ricans--United States</text>
                </elementText>
                <elementText elementTextId="765924">
                  <text>Civil Rights--United States--History</text>
                </elementText>
                <elementText elementTextId="765925">
                  <text>Lincoln Park (Chicago, Ill.)</text>
                </elementText>
                <elementText elementTextId="765926">
                  <text>Personal narratives</text>
                </elementText>
                <elementText elementTextId="765927">
                  <text>Social justice</text>
                </elementText>
                <elementText elementTextId="765928">
                  <text>Community activists--Illinois--Chicago</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447055">
                  <text>Collection of oral history interviews and digitized materials documenting the history of the Young Lords Organization in Lincoln Park, Chicago. Interviews were conducted by Young Lords' founder, José “Cha-Cha” Jiménez, and documents were digitized from Mr. Jiménez' archives.&#13;
&#13;
The Young Lords in Lincoln Park collection grows out of the ongoing struggle for fair housing, self-determination, and human rights that was launched by Mr. José “Cha-Cha” Jiménez, founder of the Young Lords Movement. This project is dedicated to documenting the history of the displacement of Puerto Ricans, Mejicanos, other Latinos, and the poor from Lincoln Park, as well as the history of the Young Lords nationwide. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447056">
                  <text>Jiménez, José, 1948-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="447057">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/491"&gt;Young Lords in Lincoln Park collection (RHC-65)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="447058">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447059">
                  <text>2017-04-25</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447060">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447061">
                  <text>video/mp4&#13;
application/pdf</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447062">
                  <text>eng&#13;
spa</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="447063">
                  <text>Moving Image&#13;
Text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="447064">
                  <text>RHC-65</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="447065">
                  <text>2012-2017</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
      <elementContainer>
        <element elementId="59">
          <name>Título</name>
          <description>Spanish language Title entry</description>
          <elementTextContainer>
            <elementText elementTextId="455343">
              <text>Luis Neris vídeo entrevista y biografía</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Descripción</name>
          <description>Spanish language Description entry</description>
          <elementTextContainer>
            <elementText elementTextId="455346">
              <text>La historia oral de Luis Neris, entrevistado por Jose 'Cha-Cha' Jimenez el 12/14/2012 acerca de los Young Lords en Lincoln Park.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Sujetos</name>
          <description>Spanish language Subject terms</description>
          <elementTextContainer>
            <elementText elementTextId="455361">
              <text>Young Lords (Organización)</text>
            </elementText>
            <elementText elementTextId="455362">
              <text> Puertorriqueños--Estados Unidos</text>
            </elementText>
            <elementText elementTextId="455363">
              <text> Derechos civiles--Estados Unidos--Historia</text>
            </elementText>
            <elementText elementTextId="455364">
              <text> Lincoln Park (Chicago, Ill.)</text>
            </elementText>
            <elementText elementTextId="455365">
              <text> Mexicano-Americanos--Relatos personales</text>
            </elementText>
            <elementText elementTextId="455366">
              <text> Justicia social</text>
            </elementText>
            <elementText elementTextId="455367">
              <text> Activistas comunitarios--Illinois--Chicago</text>
            </elementText>
            <elementText elementTextId="455368">
              <text> Mexico-Americanos--Illinois--Chicago--Condiciones sociales</text>
            </elementText>
            <elementText elementTextId="455369">
              <text> Relaciones raciales</text>
            </elementText>
            <elementText elementTextId="455370">
              <text> Conflicto social</text>
            </elementText>
            <elementText elementTextId="455371">
              <text> Identitad cultural</text>
            </elementText>
            <elementText elementTextId="455372">
              <text> Partido Pantera Negra. Illinois Capí­tulo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="568364">
              <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/491"&gt;Young Lords in Lincoln Park (RHC-65)&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="455341">
                <text>RHC-65_Neris_Luis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455342">
                <text>Luis Neris video interview and transcript</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455344">
                <text>Neris, Luis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455345">
                <text>Oral history of Luis Neris, interviewed by Jose 'Cha-Cha' Jimenez, on 12/14/2012 about the Young Lords in Lincoln Park.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455347">
                <text>Jimenez, Jose, 1948-</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455349">
                <text>Young Lords (Organization)</text>
              </elementText>
              <elementText elementTextId="455350">
                <text>Puerto Ricans--United States</text>
              </elementText>
              <elementText elementTextId="455351">
                <text>Civil Rights--United States--History</text>
              </elementText>
              <elementText elementTextId="455352">
                <text>Lincoln Park (Chicago, Ill.)</text>
              </elementText>
              <elementText elementTextId="455353">
                <text>Mexican Americans--Personal narratives</text>
              </elementText>
              <elementText elementTextId="455354">
                <text>Social justice</text>
              </elementText>
              <elementText elementTextId="455355">
                <text>Community activists--Illinois--Chicago</text>
              </elementText>
              <elementText elementTextId="455356">
                <text>Mexican Americans--Illinois--Chicago--Social conditions</text>
              </elementText>
              <elementText elementTextId="455357">
                <text>Race relations</text>
              </elementText>
              <elementText elementTextId="455358">
                <text>Social conflict</text>
              </elementText>
              <elementText elementTextId="455359">
                <text>Cultural identity</text>
              </elementText>
              <elementText elementTextId="455360">
                <text>Black Panther Party. Illinois Chapter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455373">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455374">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455375">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="455376">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455377">
                <text>video/mp4</text>
              </elementText>
              <elementText elementTextId="455378">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="455381">
                <text>2012-12-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1030041">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29198" public="1" featured="0">
    <fileContainer>
      <file fileId="44706">
        <src>https://digitalcollections.library.gvsu.edu/files/original/1559f08573cc574159834a3b670bcd35.mp4</src>
        <authentication>16a7e633638775607ed60c68f8237c49</authentication>
      </file>
      <file fileId="44707">
        <src>https://digitalcollections.library.gvsu.edu/files/original/410a301021f6b15ed74dc68282ecc9ff.pdf</src>
        <authentication>d1f98afab233c4f55f6e4c75fb7c0027</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="775877">
                    <text>ORAL HISTORY INTERVIEW
DR. GARY LULENSKI
Born:
Resides:
Interviewed by: Richard Massa, for the GVSU Veterans History Project,
Transcribed by: Joan Raymer, January 3, 2014
I’m Dr. Gary Lulenski, Vietnam veteran. 1970-1971, I was stationed in Chu Lai,
Vietnam as a medical company commander.
Interviewer: Today is Thursday, November 19th 2009, and we are at Lake Michigan
College in Benton Harbor, Michigan. The interviewee, as I mentioned, is Dr. Gary
Lulenski, and the camera operator is Bill Langbehn, and the interviewer is Richard
Massa. We are performing this interview as part of the Veterans History Project
being conducted by Grand Valley State University in Allendale, Michigan. 1:02
Interviewer: Gary, what branch of the service?
I was in the United States Infantry and I was what was referred to as an obligatory
volunteer, because in medical school if I hadn’t been willing to sign up for some active
duty time, then the directors of the programs for training, called residency, they would be
disinclined to look favorably upon you, because then you might get drafted and taken
right out of the middle of the year. You were one of few, and very much needed, so I
signed up in 1966 to into the very program after part of my training was completed.
Interviewer: Did you finish your medical training and then go into the service?
No, I finished medical school, a year of internship and a year of surgical residency. 2:03
Those were granted without much problem. If you really wanted to spend another three
or four years becoming a fully trained surgeon, like I am, then you would have to enter a

1

�sort of lottery system where about one out of twenty physicians, who attempted to get
that deferment, only a few received it.
Interviewer: Now, was part of your medical training, schooling, covered by the GI
Bill after serving?
That’s a good question. After I returned from active duty I had four more years of
training. I didn’t know it when I went in, but I was eligible for some portion of my—my
income came from the GI Bill for educational purposes, so for those four years I did
receive some additional payments.
Interviewer: You entered the military program and what, and where, was your
military training? 3:05
At that time all the physicians, medical corps, the physicians were all in the medical
corps, and then the medical service corps, who were, basically, the executive officers and
the right hand people for the medical corps officers, and the veterinarians and the nurses,
we all went to Fort Sam Houston, San Antonio, Texas, so I had a basic training course
there for six weeks.
Interviewer: After that did you go directly to Vietnam?
I think I went home for a few days. That was a while ago, a few years ago, and I think I
went home for a few days, but I went from Cleveland, Ohio to Tacoma Air Force Base
and from Tacoma to—stopped in Anchorage, stopped in Guam, and then on to Bien Hoa
airfield in Saigon. 4:01
Interviewer: Were you married or single at the time?
I was married and I had one small boy, Jeffery, and they stayed in Cleveland.
Interviewer: Do you remember arriving in the country?

2

�Yeah, I do remember arriving and getting g in country. Even though it was so long ago,
of course we’ve had our course going on this and it helps to revive memories and I hope
more good than bad. But, flying into Bien Hoa and sitting with some other physicians,
and some enlisted men and officers, someone in the row next to me said, “Well, I hope
this is better than the last time, because the last time that I came over here there were
rockets coming into the airports and we had to get off the plane and go directly into
bunkers”. I’m thinking, “Oh, this can’t be, I can’t be here and have to go down some
chute and go into a bunker”. 5:02 We landed without a problem, but in 1968, during the
Tet Offensive, and afterwards, the Bien Hoa airport took not only rocket attacks, but
mortars and sappers. That guy was not making it up, he was telling the truth.
Interviewer: What rank were you when you arrived?
I was a Captain when I arrived, because during the Vietnam War you were given credit
for time in service for your medical training. In my case that was four years of medical
school, and two years of post-graduate school, so I was given the rank of Captain and I
was considered to have six years in the service. My father was in the same position as
medical corps company commander as I was, but then in the 2nd World War they didn’t
give credit for your training. 6:00
Interviewer: What was your position? Were you a company medical corps
commander, or a person who worked for someone else?
No, I was a company commander. My MOS directed me to be in charge of a company of
a hundred and forty men, as opposed to a general medical officer who would be assigned
to a firebase. We had about thirty general medical officers and they were out in the
middle of the jungle on a hill, so I was in a division area where we had a very secure

3

�perimeter. We were on the South China Sea and I was in charge of the company. How
they expected me to know what to do with a hundred and forty people, some of them who
were half crazy, and how they expected me to do that with six weeks of learning, I don’t
know.
Interviewer: You were not in any area where your medical facilities came under
direct fire? 7:00
There were rocket attacks during the 1970-1971 period, but no significant mortar attacks,
no significant attacks by units and we didn’t have any significant explosions caused by
sappers. We had two fixed hospitals and I assisted surgery at each of those to some
extent, and then I had a dispensary with two other physicians. I was in charge of daily
care for soldiers in the Americal [23rd] Division. Then we had an inpatient facility for
those wounded and were going to have what was called delayed primary closure. A
soldier that was wounded with shrapnel did not go to the hospital and have those wounds
closed up right away, unless they were life threatening. So, one of my responsibilities
was to decide when, and how, to help those wounded. We also had an extensive inpatient
rehabilitation unit with two fulltime, fully trained psychiatrists, and they lived right next
to me. 8:00

So, we had all kinds of people, sentries, motor pool people, and they had

the division surgeon and his staff just on the next little hill—we had all kinds of people.
Interviewer: Could you describe a typical day and what a typical day would be
like?
Well, we had sick call every morning except Sunday, and one of the three doctors would
be assigned to morning sick call. One of the doctors would be available the rest of the
day for any type of urgent or emergency problems. One of the doctors would make

4

�rounds in the hospital, in our hospital, not the big hospital. In our units, where we had
malaria victims too and, in fact, quite a few, so one physician would be in charge of those
patients and if there was some decision about doing surgery, then if it wasn’t myself who
had made the rounds and it was one of the other two general medical officers, they would
ask me whether I concurred, or what we would do. 9:11 So, the afternoon, often times,
was surgery and then there was a physician on call in the evening and we all strayed,
basically, in the division rear. I had my own Jeep, but Chu Lai, even in 1970, was not a
place you wanted to go, so I never did take my Jeep out of the division area. I could
have, but I chose not to.
Interviewer: Were there cases of more serious injuries that came to your facility?
No, the more serious ones would go the 312th Evacuation Hospital, which was a big
hospital. Every specialty of physician, or at least every specialty of surgical trained
physician, was available at the 312th Evac Hospital. 10:02 Then the 27th surgical
Hospital, those were the places where there were not only military casualties, but often
times where civilian casualties would be taken. My role was to help take care of those
that didn’t require immediate surgery, didn’t have any abdominal wounds, didn’t have
any broken limbs, so mostly those were what we call soft tissue injuries, and many of
those soldiers were able to return to duty and we didn’t have anybody that was really
getting sick, or was having something bad happen. If that were to happen we were
supposed to transfer that patient to one of the two bigger facilities.
Interviewer: Did you ever have occasion to treat any of our service people who had
been prisoners of war?

5

�No, I don’t think we had any prisoners of war. We certainly didn’t have any assigned to
my company and I don’t think in the division rear. 11:07 There may have been some—
the troops from out in the jungle, they would come to us if they were advised to by the
general medical officer, or if they were close to our division area. Some of them may
have been prisoners of war, but I don’t recall sitting down and talking with anybody that
said, “This is my second tour of duty and the first time I had to spend some time with the
Vietcong, because they captured me”. I don’t remember any conversation like that.
Interviewer: Did the enemy avoid, or in any way attempt to target medical
facilities?
That’s a difficult question. I know that the answer in 1968 and 1969 was yes. I think by
the time I was there, the attitude of the enemy was just sort of “hold in place”. 12:05
So, we had rockets come in and one of the rockets, actually, did hit the Air Force clinic,
which was the same as mine. It wasn’t, though, intended specifically, that was just at the
airfield and unfortunately that rocket hit the building and didn’t destroy any planes and
didn’t impact the runway, but it sure did make a mess of the clinic.
Interviewer: Did your facility treat enemy combatants?
No, we did not---there were specific rules and regulations for treating any combatants and
they had to be treated at a facility like the 312th where they had military police and
security personnel. We didn’t have any military police; we had sentries, but not a unit.
13:05
During your time there, were you able to communicate regularly with your family at
home?

6

�We had a pretty good system called the WATS system, and you’d have to walk over to
this hill, which had all of its telecommunications towers on it, and then you would sort of
take a number and sit in line, and most of the time, if you were patient, and, of course, I
would do that on a day that I wasn’t assigned to sick call, or wasn’t assigned to morning
call, and if you waited there, usually you could get through. When that rocket attack
occurred, unfortunately, the way it was presented in the United States, including to my
family, was that the army outpatient facility had been struck by a rocket and the physician
and all ten other people in the facility were dead, so my family thought that was me.
14:04 I found out that’s the way it had been delivered, so that day I went to the WATS
facility and tried to do whatever I could do to get ahead, beg and plead, so I could let my
wife and father and mother know that I was not in the facility that had been struck by a
rocket. Unfortunately, I had to go and pronounce all those people dead. That was one of
the things I had to do and that was very unattractive to do that every third day, graves
registration.
Interviewer: Other than that, which was a memorable experience, do you have any
other specific things that stand out?
Well, by the time I was in Vietnam, we had terrible trouble with drug abuse. 15:04
That’s why our rehab facility was full, that’s why we had so many enlisted, and even
some officers, being discharged on what was called a two twelve general discharge, and
many of them had been involved with drug use and were considered unfit to remain on
active duty, so I would have to go and do the physical exam that would precede their
being dismissed. About everything happened, we had fraggings, we had some grenades
thrown in the first sergeant's office, we had guys drive their trucks off the road, we had

7

�people shooting weapons in my company area. There were a lot of strange, memorable
things that happened, but I guess I look back upon it, mostly, as the good part of it. 16:03
Most of the time it was comfortable, peaceful and maybe even boring, in the rear area.
But, when it was bad, when it was terrifying, it was still really terrifying, like in 1968,
everywhere.
Interviewer: Did you have a feeling there were enough supplies, food, facilities for
self-sanitation?
Yes, I think that the people involved in supply did a terrific job. We always—we had our
own staff, we had two full time cooks and some assistants and they did good work. It
was a little interesting—I found out later in the year, when I went to Da Nang a couple of
times, and when I went to Saigon to present this drug survey I had conducted, I saw all
these people eating steak and I’ll tell you, we never saw a steak in my company. 17:04
So, here I was in the Americal Division, so I knew there was some filtration going on
there, but we had excellent supplies, people, and I think that, as a group, we were very
grateful to those people and even the maintenance people did a great job. If we had a
truck break down, it wouldn’t take long and it would be fixed.
Interviewer: What ways did you find to relieve the stress of all your experiences?
Well, when I got there my medical service officer told me that they had plans to build a
basketball court and I thought, “Well that’s a good thing to do”, and then a couple of days
later I saw these bags of cement coming in and a couple of days later these guys in my
company started putting up wooden frames and started making cement. 18:00
Somewhere along the line I asked my medical service officer, I said, “Well, where did
you get all that cement?” Well, you understand he didn’t really have an answer for that

8

�and I kind of figured it out later on and I think that’s where some of our steaks went, but
we did get the basketball court done. Then the Marine Air Group, MAG 12 had been
into—left before I got there, but the Marines, they were dedicated to taking good care of
themselves, including exercise. So, they had a racquetball, paddleball, squash, handball
court made out of concrete, solid wood floors, brick walls, and I played a lot of handball.
I played enough handball to have my hands get kind of pulverized, but I had one of our
medical service executive officers, a wonderful guy, and he liked to play handball. 19:00
He found out that I could be teachable, so we played a lot of handball and we had good
facilities. I think, probably, the people out on our firebases, I don’t know what they did
to break up the tension and do something physical. We had lots of room and the firebases
were just small little tops of hills and bunkers, wires, sentries, and I don’t know what
those troops did to keep themselves fit, except, of course, they went out into the jungle,
but we had good exercise facilities. We could swim in the ocean too and we did that
fairly frequently. It was safe by the time that I was there and I don’t know if they would
have done that in 1968.
Interviewer: At the firebases were the medical facilities adequately protected?
20:00
Every firebase had a bunker protected clinic and the way that medevac was done, at least
About through time that I knew what was going on, and that would be 1967. I had a
good friend of mine who was in Vietnam as a combat commander and I learned some
more from him. The firebases all had bunker protected, underground facilities where
they could provide some even units of blood, do some things to triage, or stabilize, a
wounded soldier, because unless it was clear that the wounded soldier had to go

9

�immediately to one of the major hospitals, he was usually taken to the firebase, because it
was much closer, and would be stabilized there, given plasma, given whatever was
appropriate, and then a medevac helicopter would take those wounded soldiers to the
division rear. 21:11 Some of the soldiers that were taken out of the jungle, and out of
combat, they were not flown in by medevac helicopters, because they were flown in by
whatever helicopter pilot was bold and brave enough to go out and go there. I got to
know some of those guys, because I flew around doing the drug survey—a different
breed of people.
Interviewer: Did you visit some of the firebase medical facilities on occasion?
I visited all the firebases, all thirty one of them, because I did this drug survey, and I had
a responsibility to go out there and support the doctors anyway, so I did a lot of flying in
helicopters, but I decided, with two enlisted men who had been out in the My Lai area
and we were talking about how bad the drug problem was, and they were saying, “Yeah,
it really was”, so we decided, “Well, let’s find out how bad”, so we began to do a
questionnaire. 22:07 These two guys were social workers and they knew statistics and I
had majored in Psychology, so I knew statistics, so we put together a questionnaire and
we distributed it. We had fourteen thousand soldiers in the Americal Division. We had
about seven thousand respond and that was good information, and because of that I flew
around a lot more.
Interviewer: What did the survey show?
During the winter of 1970 and the spring of 1971, about thirty to thirty-five percent of
enlisted personnel in the rear supply, maintenance type areas, admitted to more than just
occasionally. 23:05 They admitted to frequent, or habitual drug use of illegal drugs.

10

�The number of officers was less, but still pretty significant. About ten percent of the
questionnaires filled out by troops that were in the field, admitted to frequent use of one
or more of the illegal drugs that were available. So, when that was done, we summarized
the data and I discussed it with the division surgeon and he kind of was confused. He
said, “Well, alright”, and he looked it over and he said, “Well okay, let’s go talk with the
division General”, so we did and he kind of, “Hmm”, and I don’t think he knew what to
say, really, so a couple of days later he called me and the division surgeon back and he
told the division surgeon, “I want this Captain Lulenski to present this material”. 24:05
I said, “Well, yes sir”, and he said, “I mean I want you to go out on MACV headquarters
and present this material”, so I did. It was good that we were beginning to leave,
because it seemed like the drug problem was overwhelming. We even had LSD sent in
from the states and being used. We had two frightening episodes where it was clear that
two of our soldiers had been sent LSD and they were completely blown away and they
had thrown grenades. That made some of their comrades nervous enough that they
turned these guys in to CID and then those two guys, they just disappeared.
Interviewer: What drugs were the most used?
Well, of course, the most used, or you could say the most used drug was marijuana,
because it was so prevalent. 25:07

But, the problem in Vietnam was you weren’t sure

what was in it. There was opium, heroin, barbiturates, methamphetamine, cocaine and
hallucinogens, and of course, the largest producer of opium in the world then, and now
it’s in the Golden Triangle up near the border of China, Laos and Cambodia. When I was
in Saigon a CIA officer presented the whole story on how the drug trafficking was done
and protected by the Kuomintang Army and sometimes flown into Saigon on Air

11

�America cargo planes, so that was a presentation I was not likely to forget. In fact, we’re
going to talk about that in one of our seminars in the spring. 26:04 About the drug
problem, the drug trafficking, how it was done, and there’s a great segment in the movie
“American Gangster”, about exactly how it was done. It’s very much like I was told by
the CIA officer.
Interviewer: Were there any policies, procedures, or changes that came about as a
result of your drug survey?
I don’t know that my drug survey had a real impact, but I think what was happening, was
that there was an attempt to try to really rehabilitate and educate the soldiers who were
involved with drugs. I think in the early part of the Vietnam War they were just—if they
weren’t court marshaled, or severely disciplined, or, I don’t know, worse than that
maybe, if they weren’t punished severely, that would be unusual. 27:01 I think by the
time I was there, it was more an effort to rehabilitate. I mean, they talk about the drug
problem right now and mental illness right now, in 2009, in November. I think there’s a
lot of effort that’s gone into help our troops who are presently returning from Iraq and
Afghanistan, and I could see some of that when I was in Vietnam. Some attempt to—we
had psychiatrists; I mean the psychiatrists weren’t there to be punitive. They were there
to be of mental value. We had a psychiatric social worker who was an enlisted man, and
he could sit down and try to help one of these young eighteen, or nineteen year olds who
probably didn’t know what he was doing. But the drugs were everywhere, on the
firebases, and get them through the wire around our perimeter. 28:04

Some of the

people who cleaned our Quonset huts, or hooches, some of those people you could buy
drugs from. I found that out from some of my company people. Then when two of my

12

�medics, who I work with every day, were caught by the CIA because they were heroin
addicts, then I didn’t think I was so smart.
Interviewer: Was part of the drug problem due to boredom or fear?
You hit it right on the head, boredom was a big cause, because there was nothing to do
and in fear a way to get round it and put it away, was the other reason that drugs were
used. So, you did that just right.
Interviewer: To go back to your time on the base, was entertainment provided, or
did you go off the base for entertainment at any time? 29:05
No, the USO and all the people involved did a great job. We had an officers' club and an
enlisted men’s club, and we routinely had quality entertainment. There were some
groups that came from the states, or from other English speaking countries, Australia, and
then we had some groups that were from the Southeast Asia area, but we had lots of
entertainment and most of the time it was well done and the troops enjoyed it. We had
movies regularly. Once in a while things got out of hand and then we might have some
kind of scuffle going on. The doctor who was on call might get called over to the
outpatient clinic and sew up somebody who got punched in the face, but it general it was
a lot of entertainment in the division rear. 30:08 I don’t know what the guys out on the
firebase, I don’t know what they did. I don’t think there was any room to have much
entertainment on the firebase.
Interviewer: Did you have any opportunity to go on leave?
I got to go on one week on R&amp;R and I went to Hawaii and met my wife. Then they had a
new policy that came into effect in about 1970, I think, when things started going down

13

�in activity and ferociousness, and I was allowed to return to the United States for one
week, so I had two weeks out of fifty-two where I was not in my Quonset hut, in Chu Lai.
Interviewer: Back to your time at the facility there, were you awarded any citations
or medals? 31:06
I was awarded a Bronze Star, but not for any particular act of bravery and we all received
service medals. I can’t remember—I flew a lot, but I did not fly enough to have any
award for that time. Combat medics who flew a certain amount of time received an air
medal besides their combat medic award and they deserved it. So, I didn’t receive
anything special, but that was alright. My friend Stanley was awarded a Silver Star for
heroism beyond belief, and that happened in 1967 and he was awarded the Silver Star by
the Secretary of Defense and in his interview he has a picture of that and that’s very
impressive. 32:00
Interviewer: Can you tell us a little more about his experience?
My friend Stan McLaughlin was company commander of the 199th Light Infantry
Brigade and he was in at the worst time and in the worst area. He was in Vietnam
between June of 1967 and January when he was wounded when he stepped on a mine.
He was in the jungle and the Vietcong and NVA were everywhere. So, on one occasion
he and his company went out and recovered a captured a long range reconnaissance
platoon [patrol] and that was no easy accomplishment, because they were out in the
jungle and they didn’t have Air Force support and it was almost impossible to bring
helicopter support in. They rescued that group and he received the Bronze Star for that.
33:00 they had another episode where they attacked a large bunker complex that had
just been put up. It was probably a regimental battalion headquarters for a NVA or VC

14

�regiment, and he led his troops into there and they, basically, wiped it out, and he
exposed himself as the company commander and he received an appropriate award, so he
received the Bronze Star and received the Silver Star for those two days in December.
Interviewer: Do you recall any particularly humorous or unusual events?
Well, you name it and we had it happen. There are all kinds of things that happened that
were unexpected, humorous, or almost like crazy. 34:00

I think the one I remember the

best was because I had just gotten there. We had an officers' party, and there were a lot
of parties. We had parties in the company, which would actually include the officers and
the men, as long as I said it was okay to do things together, and I thought it was, but then
again I was a doc. We had lots of parties and one of the first ones I was taken to by my
administrative service officer, was at the MAG 13, their outdoor patio cookout area, I
mean first class, and there were officers there. I didn’t know anybody except my
administrative service officer who was a 1st Lieutenant. There were a group of guys that
were all hanging out together and I found out a little later that these were all warrant
officers. 35:02 Warrant officers were helicopter pilots among other things and they
were only eighteen or nineteen years old, so they usually wouldn’t be involved with
officers' parties, but they were officers and I want to tell you, I thought I’d seen a lot of
crazy things in my college years, but I never saw anything like that. I mean, I don’t know
how these guys could have possibly recovered and flew their helicopters the next day, but
they recovered. It was humorous and it was crazy and as I look back upon it, it was kind
of like a statement on, “Man, this place is really weird. This is not the world that
everybody said”.
Interviewer: Did you get a photograph of those parties?

15

�No, I didn’t take my camera. I did have some pictures that I ended up saving. 36:00
Some pictures that are interesting of some of the officers and one of one of our firebases.
I showed that picture when I presented about the Tet Offensive in one of our classes. The
pictures of the firebase and in the spring that firebase was completely overrun, so I had
some interesting pictures, but if I had known that party was going to end up like it was,
yeah, I would have tried to take a camera, but I was not expecting that. Nobody got hurt,
so it was still humorous and crazy, but it was not like dangerous.
Interviewer: Were there pranks that were played just for fun?
All the time, all the time, every day, every day and they played pranks even on the people
like psychiatrists, other officers, like in the medical battalion, would play tricks on the
psychiatrists. That was a big time activity in the rear, thinking up ridiculous pranks.
37:03
Interviewer: Can you give examples of some of the pranks?
Well, being the company commander, I didn’t get too much involved in doing pranks. I
guess I would have gotten more involved, I guess, if I was my medical service corps
officer, or one of the other sergeants. Of course, a lot of these pranks and crazy behavior
were between a group like officers and the enlisted men, but also between what was
called “the druggies” and the other people. In many cases they were way into alcohol too
much. There were a lot of pranks and silly things done and I didn’t get too much
involved in it. I don’t remember any prank that was pulled on me that made me feel like
an idiot. 38:02 It might have happened.
Interviewer: What did you think of your fellow officers and soldiers and their
preparedness and competence?

16

�Well, you know there are two kinds of officers in my division. There was the obligatory
volunteer, or the enlisted officer who went to OCS, or was drafted as an enlisted man and
was allowed to go to OCS, or of course, anyone who graduated from one of the military
academies. The people in the higher ranks, most of those were career officers. There
were big differences, big differences between the career officers and the part time limited
action officers. I had to deal with five or six division surgeons, all of them were career
medical officers. 39:01 Their attitude was quite a bit different than myself and the other
officers that I worked with. We knew we were only going to be in the military for two
years, but that was all alright. One of the things that was really disturbing to me and a lot
of people, and my friend Stan, was you know, when someone got to be down to a
hundred days left in their commitment, their interest would obviously start going down
and they would start marking off the calendar. It became two a digit midget once you
had ninety-nine days and you look at the enemy and there’s nobody counting off days
who is in the enemies group. Their commitment was as long as it took, so there was a
real conference between officers and officers and between viewing the time in Vietnam,
on our side, and the time in Vietnam on the other side. 40:00
Interviewer: Was there a distinction between the career officer and the non-career
officer in Vietnam?
Well, the career officer was looking at his career and things that would benefit his career.
Why did they go to Vietnam? Well, I got to know the division surgeons pretty well and I
got to know one of them pretty well. Mostly they went because it was a way they could
get advanced in rank and spent a tour in combat. Well, I wasn’t going to get advanced in
rank by a tour in combat, nor is any other doctor who is going to be in the military for

17

�two years. It was totally inappropriate and there were a lot of differences like that. A
career military officer is looking at his career and what else would you expect him to do?
Interviewer: Were they more of an administrative type people rather than hands on
medical people?
Well, the division surgeons, as a group, especially the one who was in my same field of
surgery, he was a very accomplished and dedicated surgeon. 41:08 He was in charge of
the residency training program at Fitzsimons Hospital for many years. I actually talked
with him several years after I got back. Obgyn division surgeon, Obstetrics/Gynecology,
well I don’t think he did very much and yeah, there was a lot of administration for the
division surgeon, the medical battalion officers, and those are the people I knew. I don’t
know about operations officers, or security, or intelligence officers. I think a lot of the
medical officers were career and they were involved in patient care, they were at the
hospitals. This ears, nose and throat surgeon, Dr. Kekorian, man he handled some of the
worst cases. If they had some terrible neck wound, they had fully trained ear, nose and
throat surgeons at both hospitals, but he was probably the best, most experienced, head
and neck surgeon. 42:08 So, he would get called in often for the worst civilian and our
own American troop casualties.
Interviewer: Did you think, at the time, to keep a diary of your experiences, or was
it something you think you didn’t want to remember?
I wish I had now, because my attitude about everything has changed a lot. For a lot of
years I was just very resentful and actually, it took many years until my friend Stan and I
began to feel the need to share and get rid of some of these bad feelings. I had a lot more
bad feeling than he did, but there was a lot of animosity while I was there. 43:01

18

�Animosity between career officers and non-career officers, animosity between the
drinking sergeants and the druggie enlisted men and we had racial problems too, no
question about it. Anyone that wants to say that was not true is just trying to fool you, or
are dazed and confused. We had lots of racial problems. So, there was a lot of
resentment and if I had it to do over again, where I am now, I would have liked to have
kept a diary, because I would have remembered a lot more. Now, since my attitude has
changed and also true for my lifelong friend Stan, we have remembered things, we’d just
talk, I was just with him and we remembered things that we had never remembered
before. I don’t mean just a few things, I mean a lot of things, a lot of things I’ve
answered to you, and you have very good questions, are things that if you’d asked me ten
years ago I probably would have said--I probably would have just sat here and said
nothing. 44:06 So, I think there’s a lot of goodness that comes out of history project,
things we’re doing now, today, the class we’re holding today, here is Southwest
Michigan and I think it’s even changed the attitude of the American people. If you were
here for our week-end last year, and if you could come for our veteran, Vietnam Veterans
week-end this coming June, where we’re going to have the eighty percent replica of the
Vietnam War memorial, there’s been a huge change, people want to know, they want to
hear what veterans have to say, they want to know what their feelings are and they don’t
necessarily think the Vietnam War was a good idea, but there’s no reason to blame our
soldiers, especially not the ones who either enlisted, or were drafted, or were obligatory
volunteers. 45:02
Interviewer: did you have a chance to interact with any of the Vietnamese?

19

�Yes, I was in charge of the medical assistance program where we went to help the
Vietnamese every other Saturday, in a village that was on an island in the river that was
near Chu Lai, and I don’t know the name of the river, but maybe I did at one time, but we
interacted with them a lot, because we would go every other Saturday morning and we—
actually I had the authority then, in some cases, if there was really a sick child, or an
adult with bad infection, I had the authority to have that person taken by, we had a
medevac helicopter, not one that stayed there . We would never have a helicopter stay in
a place like that; they would come and drop us off. We had the authority, we had two
radio operators. And we had the authority to call in the medical helicopter if I decided
that we were going to send this child to the hospital. 46:05 We interacted pretty well
there—it was not like the civil action programs which we learned about in our course.
Those people, like the leader of our group, Don Alsbro, they interacted with the people
all the time. Fred McLaughlin, helped the people relocate in a fortified hamlet. He
interacted with the people all the time and I appreciated getting to know something about
the Vietnamese and their history. I never learned much of the language. There’s always
problems trying to interact with the people, and one Saturday when our helicopter
dropped us off and flew away and we walked around the building where we had always
had the medical assistance program—the back of the building was where we landed and
that was still there, but the front of the building was gone and there were no people there.
There were some graves there from the home security forces, and the Vietcong were
proving that, “You may think that this is secure and you may have your children taken
care of by these Americans, but you’re wrong”. 47:07 then we didn’t do any more
medical assistance programs.

20

�Interviewer: How did the Vietnamese people treat you, or respond to you, other
than in the formal setting where you’re trying to help treat them, but in day to day
interaction?
The day to day interaction was limited to the Vietnamese that were either working, or in
something that involved our military, so we had people that would come in and actually
clean the clothes, they’re called “hooch maids’, and there wasn’t much interaction there.
It was like servants and you didn’t have much opportunity to get to know people. Now, I
know a lot more about how many of our soldiers did get to know people, but I didn’t
have that opportunity. I told you I never went beyond the fence, so I never, really, was
going to have the time to spend, to sit down and try to understand. 48:10 But, I’m glad
we had those civil action programs. Now, a group of our people just went back and the
Vietnamese are, at least apparently, half glad that we were there. They are very friendly
and the animosity that you might think would be overwhelming, the difference in
political philosophy that’s still there, the group that went from our “Lest We forget”
group, they’re going to present their experience , but I already know it was terrific.
Interviewer: Now, when you became a “two digit midget”, did your behavior
change at all?
Not much, not much, but I’ll give you an example that I remember now, and I don’t know
why I remember it now. There were a lot of bad things that physicians had to do and
orthopedic physicians at the hospitals still had to do a lot of amputations. 49:08 It
wasn’t like the Civil War, but it was still bad and I found out from various physicians that
it was a syndrome among orthopedic surgeons, a pattern of behavior, when they get down
to a certain limited few days left, they wouldn’t want to do any more amputations. They

21

�would try to get one of the other surgeons to do it and that was not just isolated, it was
like, “I don’t want to do this any more, it’s not why I became a physician. I don’t want to
spend time doing amputations”, so there’s a good example of what happens when you get
down near the end, among medical personnel.
Interviewer: Were there any certain precautions you had to take going into the
villages?
No, I didn’t go into the villages. 50:06

I didn’t ever come close to getting hit by a

rocket, but we all kind of just sort of hid out, you know we hid out. We kind of stayed in
our own area. We didn’t have a desire—of course I went to firebases, but we didn’t have
a desire to go out there, because it was pretty safe where we were.
Interviewer: Do you recall the day you left?
I’m a little hesitant to tell you what happened when I left, because up to this point I don’t
think anybody would say that I was unbalanced, but leaving Vietnam was an incredible
horror show, an incredible and horrific time for me. 51:03 I’ll sum it up in two minutes
and then we can finish our interview. I was supposed to go from Chu Lai to Da Nang and
from Da Nang to Cam Ranh Bay, everyone left from Cam Ranh Bay. I had to have my
201 file and the clever doctor that I was, I found out the sooner you sign into Cam Ranh
Bay, the sooner you leave the country, you don’t have to wait until your deros date, you
can leave early and boy that was exciting, and so exciting I didn’t, even hardly, want to
tell anybody else. So, I got all ready to go and I go over to get my 201 file and it’s not
there. It’s not there and I’ve been there for three hundred and sixth two days, how could
it not be there? That I remember all very well, “Don’t know”, “Well, find out”, and they
found out, “Well, it’s in Da Nang, it’s a company in Da Nang”, “Well, I’ve never been in

22

�a company in Da Nang”. 52:04 So, then I had the privilege to go the Adjutant General's
office and boy, whoever saw me, and fortunately it wasn’t Don, because he was in the
Adjutant General's office, in that same division, but it wasn’t him. Some officer had to
put up with me demanding why my 201 file had been misplaced. Finally the Adjutant
General of the division demanded, his medical company commander talk to the Adjutant
General and I made enough of a stink that I got to and he was not happy with me either,
but he had a helicopter go and get my 201 file. He brought it back, I got in the plane and
flew to Da Nang and the plane was overbooked. They take us off the plane and we sat in
the tarmac about eight hours until that plane went down to Cam Ranh Bay and came
back. Then we got on the plane in the dark, went down to Cam Ranh Bay and now the
time for signing in early is pretty much gone away, but that was nothing compared to the
next couple days. 53:02 My wallet fell out of my pants and I had no ID card for about
six hours total panic. I went in the same door to take my duffle bag and I was supposed
to hand my manifest in and go out the other door, but instead I went back out the same
door I came in, so now I didn’t have a seat on the plane. I went to the officers' club and
was sitting there, and the wallet was returned by a warrant officer, by the way. I’m
sitting there and this guy comes in and says, “Is there a Captain Lulenski here?” As soon
as he said that I looked at my briefcase and thought, “Oh no, you didn’t hand your
manifest in”. He comes over and I said, “I know why you’re here”, and he said,
“Captain, you do not have a seat on the plane”. I remember saying, “Just do something, I
mean, get me on the next plane”. 54:02 Well, before that happened, that night we were
all in the officers barracks and just to prove a point some sapper—some sappers came in
and they blew up one of those huge oil depots, storage depots like we had here on the

23

�island, St. Joe river, gigantic, blew it up, blew some of the officers in the building I was
in out of their bunks, and now the Cam Ranh Bay airport is closed and it’s on red alert.
Nobody’s going to get a new manifest, nobody’s going to get on a plane, no planes are
going to leave, and no planes are going to come in. That went on for two days,
everything was totally shut down and the explosion was—I can’t describe it, I mean, it
was like an atomic bomb and it was close, straight at the end of the runway. 55:02 So,
finally I did get some sergeant to go and take me and I got a new manifest. Now, I’m
kind of past my date that I was supposed to leave, I mean I’ve been there forever now,
but I’m gonna get on the plane and I go and get up on the stairs and this is the last thing
I’ll finish with. There’s a drug smelling dog there with some type of MP and he sees I’m
a Captain in the medical corps, its right here, and he said, “Captain, do you have and type
of drugs or illegal weapons?” I said, “I only have a prescription for sleep medicine from
one of my fellow medical officers”. He looked at it, it was a prescription, it was my
name, it was a benign sleep medicine, and he said, “You can put that in my hat and you
can get on the plane”. 56:01 I looked at him and I looked at the dog, looked at the plane
and I got on the plane. That was my last moment in Vietnam.
Interviewer: A memorable one and because of your delay, your family was
probably waiting for you to arrive, could you contact them?
No, when the base is on “red alert” you don’t contact anybody, and once you’re in the
plane you don’t contact anybody. I contacted them when I got to Tacoma, Washington.
Travis Air Force Base, it was Travis.

24

�Interviewer: Now you mentioned one friendship that you made and continued after
your service. Were you involved, or did you have a number of others you were in
contact with?
No, and that’s because of the nature of being there, but my friend Stan and I went to high
school together and I just had dinner with he and his wife, and my wife, about three days
ago. 57:01 We were very close before and stayed that way. I’ve never gone to a
reunion of the Americal Division, so I’ve never had the chance to see if any of the other
medical officers were interested. I maintained contact with two medical officers who
served with me for a while, but I guess I should call Dick Rose up , I think I should, but
now, you know, I’m thinking about going back to a reunion of the Americal, because
there were good people there, and we have some people here that were in the Americal
and they’re good people.
Interviewer: Now, did your medical experience in the service help guide you to your
current specialty?
I had to make a decision of a specialty to go into before I went into the military, but my
experience there solidified my dedication to being a surgeon, well my father was a
surgeon too. 58:03 He was a surgeon with the 82nd Airborne. He was fully trained and
I was kind of going down that path anyway, but I think it strengthened my personal desire
to be a surgeon. I was very impressed with the dedication of the medical officers. I was
overwhelmingly awed by the heroism and the dedication of the corpsmen, the medical
corpsmen combat medics. I guess it certainly has changed my view of nurses and people
that I work with that are in medicine, changed my attitude when I was in my training
because of the way those people acted and how long they worked. We had that Firebase

25

�Maryann overrun and there were a hundred and forty casualties, about half were killed
and the other half was wounded. 59:01 I went over and helped out for a while because
they needed every surgeon they could find to help, all the ones that were in charge of
specialties, even eye surgery, and those people like my father, they just kept on, they just
kept on twenty –four hours. I know they did—my father operated for seventy hours
behind German lines on D-Day, D-Day plus one, so I guess the military brings out the
best in a lot of people, certainly some of the doctors I know, it did.
Interviewer: Can you describe your arrival back in the states; did you have any
kind of re- indoctrination to normalcy then?
No, coming back to the states was just get out of your uniform as fast you could and hope
that you weren’t going to be attacked by some group, because you were a “hateful baby
killer”. 60:00
Interviewer: Were you afraid of that?
You bet, yup, and it was pretty much the same, there was not anybody gonna say,
“Welcome Home, you did a great job”. Stan, when he got to his assignment place, he
figured, you know, someone would say something—here’s a guy with Vietnamese
decorations for doing work in the hamlet and the Silver Star, the Bronze Star with V,
Bronze Star, this is a military hero and no one said anything. They said, “You’re going to
go to your next assignment at such and such”, and that’s kind of the way with me, they
said, “You’re going to Fort Carson Colorado”, and I said, “Okay”. So, it’s not too
surprising that when I left the service, I didn’t continue in the reserves. But, it was the
American public had turned so much against it by 1971. 1:01 You could just feel the

26

�coldness and the—actually it was worse than coldness, there was actually absolute hate—
didn’t want to be in the war.
Interviewer: Do you see any similarities between that and what we’re seeing today?
Yeah, we don’t have time for that hour, but I sure do, sure do, that nature of the warfare,
and the most recent thing is the taking away of many free fire zones, exactly the way it
was when I was there. You can see the enemy, but you can’t shoot the enemy.
Interviewer: Is there anything else you would like to talk about?
No, it’s been excellent and I want to congratulate you on an excellent job and if you
developed those questions yourself then you are a special person. 1:50
Interviewer: Thank you for coming.

27

�28

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548819">
                <text>LulenskiG1032V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548820">
                <text>Lulenski, Gary (Interview transcript and video), 2009</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548821">
                <text>Lulenski, Gary</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548822">
                <text>Dr. Gary Lulenski was an ‘obligatory volunteer' and held the rank of captain for the entirety of his service because of his previous medical schooling. He was stationed in Chu Lai, Vietnam as a Medical Company Commander for the Americal Division. Completed a large-scale drug survey which showed interesting trends. His service was from 1970-1971.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548823">
                <text>Massa, Richard (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548825">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548826">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548827">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548828">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548829">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548830">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548831">
                <text>United States. Army</text>
              </elementText>
              <elementText elementTextId="548832">
                <text>Vietnam War, 1961-1975--Personal narratives, American</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548833">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548834">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548835">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548839">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548840">
                <text>2009-11-19</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567698">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795996">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031288">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="40183" public="1" featured="0">
    <fileContainer>
      <file fileId="43969">
        <src>https://digitalcollections.library.gvsu.edu/files/original/debc283b1d6d6c220ee250fae8940a4b.pdf</src>
        <authentication>abe7d760d04aef035347762231a256ed</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="764562">
                    <text>�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="36">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="761921">
                  <text>Incunabula</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="765550">
                  <text>The term incunabula refers to books printed between 1450 and 1500, approximately the first fifty years following the invention, by Johann Gutenberg of Mainz, of printing from moveable type. Our collection includes over 200 volumes and numerous unbound leaves from books printed during this period.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="765551">
                  <text>1450/1500</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="765552">
                  <text>Incunabula Collection (DC-03)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="765553">
                  <text>&lt;a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en"&gt;No Copyright - United &lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="765554">
                  <text>Incunabula</text>
                </elementText>
                <elementText elementTextId="765747">
                  <text>Printing 1450-1500</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="765555">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="765556">
                  <text>DC-03</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="765557">
                  <text>application/pdf</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="765558">
                  <text>text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="765559">
                  <text>eng&#13;
it&#13;
la&#13;
nl &#13;
de</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764549">
                <text>Lumen animae [folium 167]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="764550">
                <text>DC-03_167Berengarius1482</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764551">
                <text>Berengarius de Landora</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764552">
                <text>One leaf from Lumen animae by Berengarius de Landora and edited by Matthias Farinator. Printed in Strassburg by the Printer of the 1481 "Legenda Aurea" on March 22, 1482.  Illustrated with red rubricated initials. [GW M16917; ISTC ib00341700]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="764553">
                <text>Strassburg: Printer of the 1481 "Legenda Aurea"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764554">
                <text>Incunabula</text>
              </elementText>
              <elementText elementTextId="764555">
                <text>Printing 1450-1500</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764556">
                <text>la</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764557">
                <text>&lt;a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en"&gt;No Copyright - United States&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764559">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="764560">
                <text>1482</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="764561">
                <text>Seidman Rare Books Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="792791">
                <text>Farinator, Matthias (editor)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="799361">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="39636" public="1" featured="0">
    <fileContainer>
      <file fileId="43206">
        <src>https://digitalcollections.library.gvsu.edu/files/original/f2471e88df568b62289dc51f7aa7f618.m4v</src>
        <authentication>ece03e03b052939b66d49da2782fd26f</authentication>
      </file>
      <file fileId="43207">
        <src>https://digitalcollections.library.gvsu.edu/files/original/50d3ebac9e0d6bc87dc57de3bc7abc11.pdf</src>
        <authentication>8a3293b19a66def9c8f2d57546a73185</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="755677">
                    <text>Grand Valley State University
Veterans' History Project
John Lund
Vietnam War
54 minutes 43 seconds
(00:00:12) Early Life
-Born in Cadillac, Michigan, in 1950
-Went through Cadillac's public schools
-Father was in the rubber business and worked as an automotive supplier
(00:01:00) Enlisting in the Army &amp; Vietnam War
-Parents couldn't pay for his college
-Saw the GI Bill as a chance to go to college
-Father served during World War II on a B-17 bomber
-Uncle served with the Marines in WWII, and uncle flew a P-51 Mustang in WWII
-Didn't know much about the Vietnam War
-Saw recruiting posters talking about travel and exciting opportunities
-Never saw any anti-war movements or anti-war sentiments in Cadillac
-In July 1969 he reported for basic training
-Had enlisted in the Army while in high school
-Went to Detroit in April or May 1969 for his physical
-Saw men trying to get out of getting drafted
-Faked incontinence, psychological instability, and other health problems
-Worked before going to basic training
(00:04:00) Basic Training
-Sent to Fort Knox, Kentucky, for basic training
-Remembers the drill sergeant being intimidating
-Wen through processing
-Had another physical and vaccinations
-Went on marches, low crawled under barbed wire, and had to go on the low bars before breakfast
-Broken down and rebuilt as a soldier
-Instilling psychological and physical discipline
-Went on forced marches during the day and at night
-Grew up spending time outdoors, so he adjusted well
-Recruits from the inner city had difficulty adjusting to the Army
-Some men didn't want to be there
-Basic training lasted eight to ten week
(00:06:47) Advanced Infantry Training
-After one week of leave he reported to Fort Polk, Louisiana, for advanced infantry training
-Traveled by bus to Fort Polk
-Had one overnight stay
-Fort Polk is located in the southwest corner of the state
-Received advanced infantry training and more weapons training
-Received Jungle Training
-Went through mock-up Vietnamese villages and learned counter-insurgency strategies
-Taught how to act if captured
-What to say, what not to say, and how to survive
-Taught some of the Vietnamese language and customs

�-Roughly a third of the trainers had served in Vietnam
-Some of them talked about their experiences
-Another eight to ten weeks of training
(00:09:07) Deployment to Vietnam
-Came home for two weeks
-Flew out of Detroit to Chicago, then up to Alaska, over to Japan
-From Japan flew to Cam Ranh Bay, South Vietnam
-Landed during the day
-Massive Air Force base
-First impression of Vietnam: hot and humid
-Took a shower and went through a briefing
-Stayed at Cam Ranh Bay for two or three days
-Waiting for his assignment
-Had orders to go north
(00:11:13) Assignment to 101st Airborne Division
-Flew north to Da Nang on a C-130, then taken by truck to Camp Sally
-Located off of Highway 1 near Camp Evans and north of Phu Bai
-Assigned to Recon in the 2nd Battalion, 501st Infantry Regiment, 101st Airborne Division
-Going on long range patrols
-Recon teams supported the 501st Infantry Regiment and the 506th Infantry Regiment
-Operating near the Laotian border
-Joined his team at a firebase
-Greeted by a sergeant
-Ranger and a down to earth man
-Tried to teach John the basics of surviving in Vietnam
(00:14:00) Recon Missions
-On call all the time
-Teams were sent out at night for their missions
-Sometimes sent as emergency responders if a unit was pinned down in the field
-Usually traveled on rivers
-Better to cover their tracks
-Ate freeze-dried food
-Better than the regular Army rations
-Usually operated as six man teams, including a medic
-Sometimes had a sniper operating with them
-Missions could last half of a day to two weeks depending on the nature of the mission
-First mission happened near Christmas 1969
-Operating near the top of the A Shau Valley
-Minimal enemy activity
-January to March 1970 noticed an increase in enemy activity
-Lost a team member in March 1970
-Operated in the jungle most of the time
-Saw black jaguars [leopards], spiders, monkeys, apes, land leeches, and snakes
-Kept their distance and never had to kill any larger animals
-Sent in to investigate signs of enemy activity
-Collect information without making contact then get out of the area
-Usually rappelled into areas as opposed to landing a helicopter in the jungle
-Used the jungle penetrator systems to punch through the triple canopy jungle
-Easiest way to extract wounded from the jungle

�-Sometimes when they got to a landing zone the North Vietnamese ambushed them
-Dropped off two to three kilometers from the patrol area
-Moved at night and hunkered down during the day
(00:18:33) Weapons &amp; Supplies
-Carried the M-16 assault rifle, CAR-15 carbine, shotguns, or sniper rifles
-Carried weapon of choice and as much ammunition as possible
-Traveled light so they could move fast
-Sometimes had to run from the enemy instead of engaging them
(00:19:22) Enemy Contact
-Tried to push through the jungle and avoided established trails
-Never cut their own trails
-Followed streams
-Avoiding the North Vietnamese
-North Vietnamese booby-trapped existing trails
-Knew of North Vietnamese troops that had been in South Vietnam for ten years
-Some of the North Vietnamese and Viet Cong had fought the French since the 1940s
-North Vietnamese were dedicated fighters
-Found underground bunker complexes, underground hospitals, and ammunition caches
-Some of the hospitals still had fresh blood and supplies
-Some of the bunker complexes still had enemy occupants
-Sometimes went in knowing there were North Vietnamese, sometimes just stumbled on them
-During the monsoon season enemy activity subsided
-Monsoons made it difficult for the helicopters
-Black Widow Squadron helicopters flew in any weather to drop off and extract soldiers
(00:22:26) Getting Wounded
-On April 23, 1970, he got wounded
-One week before they were operating near Firebase Ripcord
-Note: Firebase – artillery outpost usually accessed by helicopters; away from larger base
-Taking a lot of mortar and .51 caliber machine gun fire
-Trying to find the enemy positions so they could be destroyed
-They walked into an ambush
-Had to figure out the direction of the enemy fire
-Line company of infantry sent in to help John's recon team
-The sergeant was killed and he got wounded
-Helicopter pilots braved the enemy fire and flew in to evacuate them
(00:24:32) Recovering from Wound
-Flown to a field hospital in Da Nang
-Shot in the right hand and the neck while trying to get to cover
-Around the second or third week of May he was flown to the Air Force hospital in Cam Ranh Bay
-Hot food, nurses, and a room to himself
-Felt like being a civilian
-Spent three weeks there doing rehabilitation
(00:25:50) Battle of Firebase Ripcord
-Rejoined Recon with three new teams
-Two teams had been wiped out at Firebase Henderson while he was in the hopsital
nd
-2 Battalion of the 506th Infantry Regiment established Firebase Ripcord on March 12, 1970 [date of
first attempt—firebase actually set up starting April 11]
-Note: Firebase capable of destroying North Vietnamese supplies in the A Shau Valley
-Had been working in the A Shau Valley since January 1970

�-Got close to Firebase Ripcord during the first week of July 1970
-Friend was killed near Ripcord on July 9
-Working with Alpha and Bravo companies of the 2nd Battalion
-They had set out landmines, and nobody told the recon teams
-His friend walked into the minefield and set off one of the mines
-On July 14 they assaulted Hill 1000 with Alpha and Bravo companies
-Expected bird calls and animal noises in the jungle, but near Hill 1000 the jungle was silent
-Expected enemy resistance, but didn't expect as much resistance as they encountered
-North Vietnamese had the high ground and bunkers
-Seemingly endless supply of North Vietnamese troops
-Pinned down by mortar fire and rocket-propelled grenades
-Alpha and Bravo were losing men
-Retreated to the initial drop zone
-Bullets coming from everywhere
-South Vietnamese pilots in World War II planes provided close air support
-Good pilots
-Had more air support than artillery support
-Continued recon missions after July 14 and never participated in an assault again
-Heard the North Vietnamese bombardment of Firebase Ripcord
-Saw helicopters going to and leaving Ripcord
-Didn't know the state of the battle
-Collected some North Vietnamese documents during the battle, but never tapped into telephone lines
(00:33:29) Fall of Firebase Ripcord
-Heard about the plan to evacuate Firebase Ripcord
-Evacuation of the firebase began on July 22
-Last American personnel in the area left on July 23
-Once everyone had been evacuated B-52 bombers destroyed the base
-Sent to Camp Evans
-After Camp Evans they drove down to Phu Bai
-Passed through Hue en route
-First time seeing civilians
(00:34:37) Stationed at Firebase Bastogne
-Taken to Firebase Bastogne near Hue
-Firebase had a road leading to and away from it
-Most firebases relied on helicopters
-In the hills, but not in the A Shau Valley
-Lost some recon men during patrols in the area
(00:36:34) R&amp;R
-Had an R&amp;R at Eagle Beach in Vietnam
-Flown straight from the field to Eagle Beach, still had their weapons
-Supposed to be there for two or three days
-Swam and drank
-Line company got hit in the A Shau Valley
-Ordered to sober up to go save the trapped infantry
-Got one week of R&amp;R in Sydney, Australia
-Went to bars, spent money, and had interesting experiences
-Ran into a friend from Cadillac who was in the Air Force
-Not good to go back to Vietnam
(00:39:04) Stationed at Phu Bai

�-Stationed at Phu Bai for the rest of his tour
-Given a hut and allowed to keep his weapon
-Didn't go on recon patrols while at Phu Bai
-Felt insecure at a larger base
-Worked in supply
-Stationed there for 2 ½ months
-Final duty station in Vietnam
(00:40:12) Morale &amp; Discipline Problems
-Didn't like Phu Bai due to morale problems
-No sense of camaraderie
-White and black soldiers self-segregated, and he didn't like that
-A lot of soldiers smoked weed
-He didn't, but he drank beer
-There were fights between black and white soldiers
-Didn't understand it, because they needed to focus on their mission
-Never saw heroin use at Phu Bai
(00:42:20) End of Tour
-Flew home via Tiger Airlines (chartered airliners for soldiers in Vietnam)
-Passengers cheered when they left Vietnamese airspace
-Landed at Seattle
-Greeted by protestors at the airport
-Protestors shouted insults at them and threw things at them
-Given 45 days of leave
(00:43:22) End of Service
-After his leave ended he drove from Cadillac to Fort Ord, California
-Arrived there in January 1971
-Didn't like the formality of the base
-He was a sergeant at the time
-Transferred to Fort Hunter Liggett, California
-Working with civilian personnel
-Testing laser weaponry
-Fascinated him
-Worked with Navy personnel
-Lived in Salinas, California, and stayed there until April 1971
-Not the best community for servicemen, but not the worst either
(00:45:36) Reflections on Vietnam
-Strong sense of camaraderie in recon
-Some good missions, and some bad missions
-Remembers a helicopter being shot down near their position
-Pilot survived and stayed with them in the field for a few days
-Sometimes crossed into Laos, but doesn't remember anything distinct about those occasions
-Recon team's call sign was ―Scorpio‖
-Supposed to change their call sign with every mission, but they liked the name
-Had a low chance of survival
-If you lived for one month you were considered an ―old timer‖
-All of the lieutenants were Rangers, and some of the sergeants were Rangers
(00:47:42) Life after the War
-Stayed with his parents
-Wouldn't sleep in his bed and had recurring nightmares

�-Didn't leave the house for a week
-Remembers being in downtown Cadillac and a car backfired
-Unconsciously reacted and dove to the ground
-Got a job working in the woods
-Eight hours a day working by himself
-Attended and graduated from Northwestern Michigan College in Traverse City
-Studied conservation
-Got into automotive rubber supply in Cadillac
-Went back to college in 1980 to study applied science – aviation
-Learned how to build a plane, and built a plane with his father
-Took a while to readjust to civilian life
-Had to focus on tasks to ignore the bad memories
-Stays away from anything that might trigger his trauma
(00:51:27) Reflections on Service
-Sense of camaraderie
-Taught him how to work with people
-Chance to see Vietnamese and Australian cultures
-Admired the Kit Carson Scouts, and even respected the North Vietnamese soldiers' dedication
-Also had a deep respect for the Republic of Korea soldiers
-Hopes the Kit Carson Scouts made it out of Vietnam before South Vietnam fell
-Note: Kit Carson Scouts were North Vietnamese troops that defected to South Vietnam
-Always got the best Kit Carson Scouts
(00:53:02) Vietnamese Civilians
-Had civilians at the base on Phu Bai
-Standoffish
-Gave haircuts to American troops
-Mostly kept to themselves and did their jobs
-Never stayed in civilian population centers
-Closest he got to that was passing through Hue
-Ordered not to shoot any water buffalo
-Spent most of his time on larger bases or firebases

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="755651">
                <text>LundJ1943V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755652">
                <text>Lund, John (Interview outline and video), 2016</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755654">
                <text>John Lund was born in Cadillac, Michigan, in 1950. In the spring of 1969 he enlisted in the Army, and after graduating from high school reported for duty in July 1969. He received Basic Training at Fort Knox, Kentucky, and then received Advanced Infantry Training at Fort Polk, Louisiana. He deployed to Vietnam in late 1969. At Camp Sally he was assigned to a Recon unit in the 2nd Battalion, of the 501st Infantry Regiment, in the 101st Airborne Division. In December 1969 he went on his first recon mission. From January through March 1970 he went on patrols in the A Shau Valley, and was wounded on April 23, 1970. After recovering he rejoined his recon unit and conducted patrols around Firebase Ripcord until its total evacuation on July 23, 1970. After the fall of Firebase Ripcord he went on recon missions around Firebase Bastogne until being reassigned to Phu Bai. His tour ended in late 1970, and in January 1971 he reported to Fort Ord, California. He completed his enlistment at Fort Hunter Liggett, California. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755655">
                <text>Lund, John</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755656">
                <text>Smither, James (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755657">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="755658">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="755659">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="755660">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="755661">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="755662">
                <text>Vietnam War, 1961-1975--Personal narratives, American</text>
              </elementText>
              <elementText elementTextId="755663">
                <text>United States. Army</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="755664">
                <text>&lt;a href="http://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755665">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="755666">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755669">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="755670">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="755676">
                <text>2016-08-07</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795708">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797741">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1032028">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="47633" public="1" featured="0">
    <fileContainer>
      <file fileId="52726">
        <src>https://digitalcollections.library.gvsu.edu/files/original/c6b702f058e55725f0132916a2681db7.jpg</src>
        <authentication>5aa12ee3e3939f7d5f7f69862e0b5324</authentication>
      </file>
    </fileContainer>
    <collection collectionId="56">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887512">
                  <text>Faces of Grand Valley</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887513">
                  <text>Grand Valley State University</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887514">
                  <text>University Communications</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887515">
                  <text>A non-comprehensive collection of photographs of Grand Valley faculty, staff, administrators, board members, friends, and alumni. Photos collected by University Communications for use in promotion and information sharing about Grand Valley with the wider community.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887516">
                  <text>1960s - 1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="887517">
                  <text>GV012-03. University Communications. Vita Files</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887518">
                  <text>In Copryight</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887519">
                  <text>Grand Valley State University</text>
                </elementText>
                <elementText elementTextId="887520">
                  <text>College administrators</text>
                </elementText>
                <elementText elementTextId="887521">
                  <text>College teachers</text>
                </elementText>
                <elementText elementTextId="887522">
                  <text>Colleges and universities -- Faculty</text>
                </elementText>
                <elementText elementTextId="887523">
                  <text>Michigan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="887524">
                  <text>Grand Valley State University. Special Collections and University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="887525">
                  <text>GV012-03</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887526">
                  <text>image/jpeg</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887527">
                  <text>Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887528">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="899744">
                <text>LundyJames_Photo1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899745">
                <text>Grand Valley State University. University Communications</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899746">
                <text>Lundy, James</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899747">
                <text>James Lundy, Psychology</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899748">
                <text>Grand Valley State University – History</text>
              </elementText>
              <elementText elementTextId="899749">
                <text>College teachers</text>
              </elementText>
              <elementText elementTextId="899750">
                <text>Universities and colleges – Faculty</text>
              </elementText>
              <elementText elementTextId="899751">
                <text>Michigan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="899752">
                <text>University Communications. Vita Files, 1968-2016 (GV012-03)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="899753">
                <text>Grand Valley State University. Special Collections and University Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899754">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899755">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899756">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899757">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="47634" public="1" featured="0">
    <fileContainer>
      <file fileId="52727">
        <src>https://digitalcollections.library.gvsu.edu/files/original/9a30bc48b55cb7031dbabba6d1880265.jpg</src>
        <authentication>943e228d6a2f29d209be2debdf25c1fb</authentication>
      </file>
    </fileContainer>
    <collection collectionId="56">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887512">
                  <text>Faces of Grand Valley</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887513">
                  <text>Grand Valley State University</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887514">
                  <text>University Communications</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887515">
                  <text>A non-comprehensive collection of photographs of Grand Valley faculty, staff, administrators, board members, friends, and alumni. Photos collected by University Communications for use in promotion and information sharing about Grand Valley with the wider community.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887516">
                  <text>1960s - 1990s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="887517">
                  <text>GV012-03. University Communications. Vita Files</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887518">
                  <text>In Copryight</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887519">
                  <text>Grand Valley State University</text>
                </elementText>
                <elementText elementTextId="887520">
                  <text>College administrators</text>
                </elementText>
                <elementText elementTextId="887521">
                  <text>College teachers</text>
                </elementText>
                <elementText elementTextId="887522">
                  <text>Colleges and universities -- Faculty</text>
                </elementText>
                <elementText elementTextId="887523">
                  <text>Michigan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="887524">
                  <text>Grand Valley State University. Special Collections and University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="887525">
                  <text>GV012-03</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887526">
                  <text>image/jpeg</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887527">
                  <text>Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="887528">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="899758">
                <text>LundyJames_Photo2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899759">
                <text>Grand Valley State University. University Communications</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899760">
                <text>Lundy, James</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899761">
                <text>James Lundy, Psychology</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899762">
                <text>Grand Valley State University – History</text>
              </elementText>
              <elementText elementTextId="899763">
                <text>College teachers</text>
              </elementText>
              <elementText elementTextId="899764">
                <text>Universities and colleges – Faculty</text>
              </elementText>
              <elementText elementTextId="899765">
                <text>Michigan</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="899766">
                <text>University Communications. Vita Files, 1968-2016 (GV012-03)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="899767">
                <text>Grand Valley State University. Special Collections and University Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899768">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899769">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899770">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="899771">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="40556" public="1" featured="0">
    <fileContainer>
      <file fileId="44330">
        <src>https://digitalcollections.library.gvsu.edu/files/original/6fc9b10ffced3c69bf75e3ab1cdf4abe.jpg</src>
        <authentication>d925e9185e54d7eaef9def6c1136e79c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="37">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770065">
                  <text>Oceana County Migrant Labor History Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770066">
                  <text>Shell-Weiss, Melanie</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770067">
                  <text>Collection contains images and documents digitized and collected through the project "Growing Community: A Century of Migration in Oceana County." This project was a collaboration between El Centro Hispano de Oceana, the Oceana County Historical and Genealogical Society, and Grand Valley State University funded by a Common Heritage grant from the United States National Endowment for the Humanities. The materials in this collection document the history of communities in Hart, Shelby, and Walkerville and explore themes of migration, labor, religion, family, belonging, national and cultural identities, regional, national, and international connections, and citizenship.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="770068">
                  <text>Oceana County (Mich.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="770069">
                  <text>Grand Valley State University. Kutsche Office of Local History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="770070">
                  <text>Grand Valley State University Libraries. Special Collections and University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770071">
                  <text>El Centro Hispano de Oceana; Oceana County Historical and Genealogical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="770072">
                  <text>Growing Community (NEH Common Heritage project)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="770073">
                  <text>DC-06</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770074">
                  <text>application/pdf</text>
                </elementText>
                <elementText elementTextId="775833">
                  <text>image/jpeg</text>
                </elementText>
                <elementText elementTextId="775834">
                  <text>audio/mp3</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770075">
                  <text>Text</text>
                </elementText>
                <elementText elementTextId="775835">
                  <text>Image</text>
                </elementText>
                <elementText elementTextId="775836">
                  <text>Sound recording</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770076">
                  <text>eng</text>
                </elementText>
                <elementText elementTextId="775837">
                  <text>spa</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770077">
                  <text>2016</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="771934">
                  <text>Oceana County (Mich.)</text>
                </elementText>
                <elementText elementTextId="775824">
                  <text>Hart (Mich.)</text>
                </elementText>
                <elementText elementTextId="775825">
                  <text>Shelby (Mich.)</text>
                </elementText>
                <elementText elementTextId="775826">
                  <text>Farms</text>
                </elementText>
                <elementText elementTextId="775827">
                  <text>Farmers</text>
                </elementText>
                <elementText elementTextId="775828">
                  <text>Migrant agricultural laborers</text>
                </elementText>
                <elementText elementTextId="775829">
                  <text>Hispanic Americans</text>
                </elementText>
                <elementText elementTextId="775830">
                  <text>Account books</text>
                </elementText>
                <elementText elementTextId="775831">
                  <text>Diaries</text>
                </elementText>
                <elementText elementTextId="775832">
                  <text>Oral history</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="771135">
                <text>DC-06_Oceana_Vasquez-Fidencio-001</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771136">
                <text>Vasquez family</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771137">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771138">
                <text>Lupe Vasquez and her godmother</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771139">
                <text>Photo of Fidencio Vasquez, Jr.'s mother, Lupe Vasquez (left), with her godmother.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="771140">
                <text>Vasquez, Fidencio Jr.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="771142">
                <text>Growing Community (NEH Common Heritage Project)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771143">
                <text>&lt;a href="http://rightsstatements.org/vocab/UND/1.0/"&gt;Copyright Undetermined&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771144">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771145">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771146">
                <text>Hispanic American women</text>
              </elementText>
              <elementText elementTextId="771147">
                <text>Migrant agricultural laborers</text>
              </elementText>
              <elementText elementTextId="771148">
                <text>United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1032296">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="40564" public="1" featured="0">
    <fileContainer>
      <file fileId="44339">
        <src>https://digitalcollections.library.gvsu.edu/files/original/e7f040e6d23bcdec8f695c4697b6f869.jpg</src>
        <authentication>b221431fd4f852ec78083af0b75527d7</authentication>
      </file>
    </fileContainer>
    <collection collectionId="37">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770065">
                  <text>Oceana County Migrant Labor History Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770066">
                  <text>Shell-Weiss, Melanie</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770067">
                  <text>Collection contains images and documents digitized and collected through the project "Growing Community: A Century of Migration in Oceana County." This project was a collaboration between El Centro Hispano de Oceana, the Oceana County Historical and Genealogical Society, and Grand Valley State University funded by a Common Heritage grant from the United States National Endowment for the Humanities. The materials in this collection document the history of communities in Hart, Shelby, and Walkerville and explore themes of migration, labor, religion, family, belonging, national and cultural identities, regional, national, and international connections, and citizenship.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="770068">
                  <text>Oceana County (Mich.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="770069">
                  <text>Grand Valley State University. Kutsche Office of Local History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="770070">
                  <text>Grand Valley State University Libraries. Special Collections and University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770071">
                  <text>El Centro Hispano de Oceana; Oceana County Historical and Genealogical Society</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="770072">
                  <text>Growing Community (NEH Common Heritage project)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="770073">
                  <text>DC-06</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770074">
                  <text>application/pdf</text>
                </elementText>
                <elementText elementTextId="775833">
                  <text>image/jpeg</text>
                </elementText>
                <elementText elementTextId="775834">
                  <text>audio/mp3</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770075">
                  <text>Text</text>
                </elementText>
                <elementText elementTextId="775835">
                  <text>Image</text>
                </elementText>
                <elementText elementTextId="775836">
                  <text>Sound recording</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770076">
                  <text>eng</text>
                </elementText>
                <elementText elementTextId="775837">
                  <text>spa</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="770077">
                  <text>2016</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="771934">
                  <text>Oceana County (Mich.)</text>
                </elementText>
                <elementText elementTextId="775824">
                  <text>Hart (Mich.)</text>
                </elementText>
                <elementText elementTextId="775825">
                  <text>Shelby (Mich.)</text>
                </elementText>
                <elementText elementTextId="775826">
                  <text>Farms</text>
                </elementText>
                <elementText elementTextId="775827">
                  <text>Farmers</text>
                </elementText>
                <elementText elementTextId="775828">
                  <text>Migrant agricultural laborers</text>
                </elementText>
                <elementText elementTextId="775829">
                  <text>Hispanic Americans</text>
                </elementText>
                <elementText elementTextId="775830">
                  <text>Account books</text>
                </elementText>
                <elementText elementTextId="775831">
                  <text>Diaries</text>
                </elementText>
                <elementText elementTextId="775832">
                  <text>Oral history</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="771254">
                <text>DC-06_Oceana_Vasquez-Fidencio-010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771255">
                <text>Vasquez family</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771256">
                <text>1966-08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771257">
                <text>Lupe Vasquez, August 1966</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771258">
                <text>Photo of Lupe Vasquez, taken shortly after the family's move into their new house on State Street in Hart, Michigan. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="771259">
                <text>Vasquez, Fidencio Jr.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="771261">
                <text>Growing Community (NEH Common Heritage Project)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771262">
                <text>&lt;a href="http://rightsstatements.org/vocab/UND/1.0/"&gt;Copyright Undetermined&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771263">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771264">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="771265">
                <text>Hart (Mich.)</text>
              </elementText>
              <elementText elementTextId="771266">
                <text>Hispanic American women</text>
              </elementText>
              <elementText elementTextId="771267">
                <text>Migrant agricultural laborers</text>
              </elementText>
              <elementText elementTextId="771268">
                <text>United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1032304">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29207" public="1" featured="0">
    <fileContainer>
      <file fileId="32087">
        <src>https://digitalcollections.library.gvsu.edu/files/original/775cebdf47f36282deae1147a73ca584.mp4</src>
        <authentication>c3ae25b7559a8b42e07156128a345830</authentication>
      </file>
      <file fileId="32088">
        <src>https://digitalcollections.library.gvsu.edu/files/original/f62c55732feaddd7b18096bf460de350.pdf</src>
        <authentication>49e90600927c29ca8e4465376a879a9e</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="549070">
                    <text>Grand Valley State University
Veterans History Project Interview
Alan Lust
(23:15)
(01:00) Background Information
• Served in the Air Force, 1971-1979
• He was born in Ohio and worked for a bus company that his uncle owned before joining
the service
• He worked there from the time he was 18 till he was 21 and does not recommend
working for anyone that you are related to
• He went to visit a Navy recruiter, but they were at lunch
• There was a Marines and Army recruiter, but he was not interested in those branches, so
he wound up at the Air Force recruitment building
(3:10) Travel
• Al traveled to an air base in Germany
• He was in Thailand for 6 months
• He spent 5 years working with bombers in North Carolina
• Al spent his last year of service in Korea
(3:50) Thailand
• They had heard that the Viet Cong were planning to attack their base
• They were mortared and shot at many times in Thailand and it was not fun at all
• Al was never too fearful because he never experienced heavy combat
• He worked with F-4s that carried many radar guided missiles
(7:30) Entertainment
• The men played a lot of cards
• They wrote letters back to their families and friends
• He never called the states because it cost about $9 per minute
• He was very stressed out and drank heavily, which he is not proud of
(11:00) Christmas in Thailand in 1972
• They spent Christmas loading bombs; it was not a good Christmas knowing that what you
were doing might kill many people
(13:45) The End of His Time in the Service
• Al left Korea and headed towards California
• He had decided that he wanted to go to college
• He was in North Carolina when the war ended and he thought it was all a huge waste;
there were so many deaths and we did not accomplish our goal

�(17:05) Al’s Career
• He wanted to go to college to become a Pastor
• Al worked on a mission dealing with the homeless for 16 years
• He was a rescue mission chaplain and a substance abuse counselor
(18:20) Looking Back
• Al believes that war is terrible and it is ironic because there are things that are worse than
war, such as “passiveness in the face of evil”
• He believes that was is necessary when power lies in the hands of someone evil
• He has gained much pride and satisfaction from his time spent in the service
• A military experience is very beneficial for any young man; it provides responsibility and
experience
• Al’s highest rank was E-5 and he was in the Air Force from 1971-79

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="549046">
                <text>LustJ_001A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549047">
                <text>Lust, Alan John (Interview outline and video), 2005</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549048">
                <text>Lust, Alan John</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549049">
                <text>Al Lust was born in Ohio in 1950 and enlisted in the United States Air Force in 1971.  Al served in Germany, Thailand, and Korea.  While in Thailand, Al worked on flight missions against the Viet Cong.  Al stated that he was mortared and shot at many times but never experienced any heavy combat.  After his time in the Air Force, Al worked on a mission dealing with the homeless for 16 years.  He also was a rescue mission chaplain and a substance abuse counselor.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549050">
                <text>McAlpine, John (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549052">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="549053">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="549054">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="549055">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="549056">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="549057">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="549058">
                <text>United States. Air Force</text>
              </elementText>
              <elementText elementTextId="549059">
                <text>Vietnam War, 1961-1975--Personal narratives, American</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549060">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549061">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549062">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="549063">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="549068">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="549069">
                <text>2005-05-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567706">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795176">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797226">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031296">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29200" public="1" featured="0">
    <fileContainer>
      <file fileId="32073">
        <src>https://digitalcollections.library.gvsu.edu/files/original/b74ec057d8d3a5e6495ba124071e4c92.mp4</src>
        <authentication>eeca720846c64a09cf727ba2e342099d</authentication>
      </file>
      <file fileId="32074">
        <src>https://digitalcollections.library.gvsu.edu/files/original/ec986f9ef610b89f2ac18f01dcd51a5f.pdf</src>
        <authentication>37c919ffdb2674088a68b02167ca92d0</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="548890">
                    <text>GrandValleyStateUniversity
Veterans History Project
World War II
Jay Lutke
(1:05:04)
Background Information (00:02)




Born in Michigan in May of 1918. (00:02)
Jay was inducted into the Army on May 1st (1943) just before his 27th [25th?] birthday. (00:12)
At the time of his draft, Jay was married and had 2 girls. (00:46)

Basic Training (1:35)






He attended basic training at Fort KnoxKentucky. (1:39)
Jay recalls having to carry 60 lb. packs up and down Misery Hill while at FortKnox. (2:05)
Jay and one of his friends from training would often go to Tennessee during the weekends. This
was without any passes. (2:50)
Overall Jay enjoyed his time in basic. He was in good physical shape at the time. (4:08)
Jay served in the 702nd Tank Battalion attached to the 8th Infantry Division in the 3rd Army. (5:00)

Voyage overseas (5:20)




Jay shipped out of New York. (5:20)
There some men who got sick on the way to Europe. Going back, however in November [1945?],
there were high swells that caused sea sickness. (5:47)
Jay arrived in SouthamptonEngland, in late summer of 1943. He soon moved to
LiverpoolEngland [possibly the other way around?] (7:16)

Service in ()











Though the men were taught all positions in a tank in training, Jay served specifically as a
gunner. (8:01)
Jay believed the differences between the German tanks and the American was like the
differences between a rifle and a BB gun. (8:55)
The Sherman tanks could outmaneuver the German tanks. (9:13)
Jay was brought to his company by truck. On the day of his arrival [in France?] the First Sergeant
had been killed. Jay was later assigned to do guard duty. (10:34)
Jay was with his company for approx. 1 week before he was assigned a tank. (11:30)
He spent much of his service in the countryside of France ultimately ending in Austria. (12:12)
For combat, the armored units led the way to push back the enemy forces leaving only pockets
of hostiles behind. Jay was assigned to clear out these pockets. (13:11)
The unit did take many casualties. (13:45)
While in Austria, Jay fraternized with a civilian and helped him get a meal. The man was
struggling to get enough to eat. (14:45)
While getting the man food, Jay’s company left without him. He got a ride with a jeep back to
his company. (16:22)

�

Description of the inside of a Sherman Tank. (17:40)

Action (18:38)










Jay once went on a night attack with no reconnaissance. The men traveled to a town they were
to take. But as the tank traveled, it got stuck against a tree on a hill. (18:42)
Jay had to disable all of the guns after the wreck. This means that the .30 and .50. caliber
machine guns needed to be removed from the tank. (20:16)
A flare was lit to signal the tank wreck. This in turn gave away the company’s position. The men
were then fired upon. (20:40)
After the men abandoned the tank, they needed to go back to it to recover several grease guns.
(21:50)
The men did encounter some German soldiers. They did not fire upon them as to not give away
their position. (22:15)
The men came to a clearing that they had to cross while taking fire. Jay ran across the field in a
zigzag motion to avoid being hit. (23:25)
On a different occasion, Jay’s unit pulled into a camp with barracks. The men were excited to get
a good night’s sleep. Instead the men had to serve guard. (25:13)
Jay had to clear pockets fairly regularly. This task was shared between another tank companies.
(28:04)
Jay did meet General George Patton while traveling through France. (30:34)

Life During Service (32:06)















During winter, the tanks got very cold. The hatches were almost always left open. Men did sleep
under the tank to keep warm. (32:11)
When there were no company cooks around, the men survived on C rations. these rations could
be best described as edible. (33:05)
As the end of the war approached, Jay did encounter some civilian resistance. (34:30)
Jay was wounded and was awarded the Purple Heart. (35:59)
While in Austria, Jay stayed with the tank while his fellow soldiers looted a castle. While
guarding the tank he spotted some deer and shot them. (36:30)
Jay was offered a goose dinner by some civilians he had met while traveling. (38:20)
Jay also tried fishing by dropping hand grenades in the deepest part of a creek. (36:00)
Jay was nearly court martialed after he shot some deer with the .50 caliber machine gun. (37:00)
While in town, Jay and several of his friends found a VW beetle. After riding it for a while, the
men were ordered to evacuate the vehicle and leave it. (42:00)
Jay’s officers were very highly respected. They acted less as officers and more alike the common
soldiers. This made them more relatable and thus amiable to the common man. (44:54)
The men were able to write to his family. (45:40)
The stress, particularly with dealing with the cold, was hard to take for Jay. (36:37)
The men were able to get a reasonable amount of sleep, despite having to serve 2 hours of
guard duty every night. (48:00)
Jay was able to make several close friendships while overseas. (50:43)

End of War and Service (51:54)


Many of the cities that Jay passed through in Germany were completely destroyed. (52:40)

�





For [after?] 6 months (from May 1945-November 1945) Jay lived in a Cigarette camp [camp near
the coast used for processing returning soldiers]. (53:34)
The men spent much of this time after the German surrender playing pickup ball games and
watching movies. (53:41)
The older generation of the German people was much more passive about the Americans
moving in than the younger ones. (54:10)
While voyaging home in November of 1945 the ship experienced 30 ft. swells. (56:17)
Jay was sent to FortMeade [Dix?] New Jersey once arriving in the U.S. where he was discharged.
He was given a ticked for a train back to Michigan. (57:42)

Life after Service (59:00)





Jay’s father, who worked as a builder, was anxious to get Jay back to work. He then began a
career in construction. (59:10)
His time in the service gave him lots of perspective on the topic of war. (1:00:00)
Jay is thankful for his service and was thankful that he remained safe. (1:02:16)
All together Jays’ service was approx. 2 years (May of 1943-November of 1945). (1:03:11)

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548866">
                <text>LutkeJ1085V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548867">
                <text>Lutke, Jay (Interview outline and video), 2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548868">
                <text>Lutke, Jay</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548869">
                <text>Jay Lutke, born in Michigan in May of 1918, served in the U.S. Army from approximately May 1943-Novmeber 1945 in Europe during World War II. After completing his basic training at Fort Knox Kentucky, Jay was assigned to the 702nd Tank Battalion attached to the 8th Infantry Division in the 3rd Army. Jay spent his service traveling through France and Austria clearing pockets of resistance, and remained in Austria and Germany for about six months after the German surrender.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548870">
                <text>Bolthouse, Marv (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548872">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548873">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548874">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548875">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548876">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548877">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548878">
                <text>United States. Army</text>
              </elementText>
              <elementText elementTextId="548879">
                <text>World War, 1939-1945--Personal narratives, American</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548880">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548881">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548882">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="548883">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548888">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548889">
                <text>2010-11-02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567699">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795169">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797219">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031289">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="48887" public="1" featured="0">
    <fileContainer>
      <file fileId="53720">
        <src>https://digitalcollections.library.gvsu.edu/files/original/01c8ade2d2aa658810e857ee0e39b9d7.mp4</src>
        <authentication>e46488a260b7a74ee3c51d663758950a</authentication>
      </file>
      <file fileId="53802">
        <src>https://digitalcollections.library.gvsu.edu/files/original/97edd028f5d50108a9344456848923ca.pdf</src>
        <authentication>cb41375c154e83b050a149ca0e10a923</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="920280">
                    <text>Lutz, John
Grand Valley State University
Veterans History Project Interview
Name of War: World War II
Interviewee’s Name: John Lutz
Length of Interview: (1:02:08)
Interviewed by: James Smither
Transcribed by: Maluhia Buhlman
Interviewer: “We’re talking today with John Lutz of Grosse Pointe Shores, Michigan and
the interviewer is James Smither of the Grand Valley State University Veterans History
Project. Okay John start us off with some background on yourself and to begin with, where
and when were you born?”

I was born in Brooklyn, New York on May the 24th, 1919. That puts me a little over 100 years
old.
Interviewer: “Alright, now did you live in Brooklyn or where did you live when you were a
kid?” (00:37)

When I was kid– Actually before Brooklyn my mother went down to Brooklyn to have her baby,
which was me, but actually my mother and father were living in the Bronx, New York at that
time. We were there for about four or five years and then moved to a house out in what they call
Queens, which is another borough of New York city and I stayed there until I went to college in–
I went to MIT in Cambridge, Massachusetts.
Interviewer: “Alright, now what was your family doing for a living, what kind of job did
your father have?”

My father was a manager of a textile company with headquarters in New York City and
manufacturing was done, I think it was Passaic, New Jersey.

�Lutz, John
Interviewer: “Okay, and where did you go to high school?”

I went to high school in Queens.
Interviewer: “Do you remember which high school you attended?”

Yeah, Newtown high school still in operation, I still bring it up occasionally on my computer to
see what’s going on there and things are still going just the way I left them.
Interviewer: “Alright, and what– When did you graduate?”
1936 and that’s when I went to college.
Interviewer: “Okay, so you were just 17 at that point?”

Yes. (2:15)
Interviewer: “Okay, alright and now did you finish a year early or did you just time it
right? Because normally graduate– You start college at 18 but you were still just 17,
anyway.”
I didn’t time it, it was just the way it came out.
Interviewer: “Okay, now why did you go to MIT?”

Well basically I guess it was I always wanted to be an engineer and I always wanted to go to the
toughest school and my advisor in high school would always ask the students where they want to
go, what they want to do, and when I mentioned to them that I wanted to go to MIT I can still
hear them laughing and their “Oh you’ll never get in there.” That kind of a thing, and actually I
graduated from Newtown high school in Queens with an extremely high grade average which got
me right into MIT without any further examinations.

�Lutz, John

Interviewer: “Okay, alright so you were good enough after all. Well was Newtown a good
high school as far as you can tell?”
Yes, at the time it was very good. It’s of course, like many inner cities– And that I’d consider
kind of inner city–
Interviewer: “It is now.”
The quality of education has, I think, deteriorated I don’t think the high school is quite as good as
it used to be.
Interviewer: “Okay, but you did well enough that MIT just went ahead and took you.
Okay, now and then when you got to MIT did you find that you were well prepared for the
classes or did you have to catch up?” (4:18)
No, I wasn’t well prepared but I had to really work at– Work very hard in order to keep up,
most– I would say a good percentage of the students that went to MIT went at least a year,
maybe two years, to another college and then transferred in. So they had quite a background
advantage over me, but I squeezed through.
Interviewer: “Okay, you got through, alright and what degree did you take?”
I think it was just a bachelor’s degree, basically in automotive engineering.
Interviewer: “Okay, alright and what year did you graduate?”

1940.
Interviewer: “Okay, and what did you do after you graduated?”

�Lutz, John
The funnest job I took was with a company down in Providence, Rhode Island called The
Universal Winding Company and they had quite a program for new graduates where they would
train them in all the different aspects of the manufacturing. We work in the machine shop, we
work in the drafting department, we work in the foundry, we do all sorts of– And the background
sounded good to me so I went down there until… Let’s see I’m just trying to figure out now
what happened then, this, that job was in Providence, Rhode Island and just about every weekend
I used to go up to Cambridge and see my old buddies and visit and so forth, and the word got
around up there that one of the professors that I had, his name was Carl Fenstrom, was appointed
the general manager of a newly formed shipyard sponsored by Newport News shipbuilding
company, which was in Newport News, Rhode Island but–
Interviewer: “Well Newport New is in Virginia.”

It was Virginia, but this ship yard was being built in Wilmington, North Carolina and when I
went down there to look at it the gentleman that was showing me around pointed to the empty
acreage down there and said “We’re gonna build a shipyard there and we’re gonna build liberty
ship because we’re gonna be getting in a war and we’ll need all the ships we can to get the
personnel and the war material over to Europe.” (7:40) So that sounded interesting and I stayed
down there for three years until I got a little antsy, I wanted to get involved in the war, not build
ships back home. So I went up to Raleigh, North Carolina and signed up at the Navy station up
there as an ensign, and they sent me to Princeton officer training school.
Interviewer: “Okay, I want to back up a little bit and fill in some of that time period.”

Sure.
Interviewer: “Alright, so were you already in North Carolina when Pearl Harbor
happened?”

Yes, I was, December the 7th I was there.

�Lutz, John
Interviewer: “And do you remember how you heard about Pearl Harbor?”

How I did?
Interviewer: “Yeah, how did you learn about it?”

Basically over the radio, yeah.
Interviewer: “Alright now yow were already– Now because of what you were doing you
were already aware of the possibility that we could get into the war cause they told you
that.”

Yeah.
Interviewer: “Now were you expecting a war with Japan or were you just thinking about
Europe?” (8:49)

Would you say that again?
Interviewer: “Were you expecting a war with Japan or were you mostly thinking about
Europe?”
I guess we were thinking of the entire picture, Europe, of course we had already– We hadn’t
been officially in the war with Europe but you know we were helping everybody over there,
certainly helping Great Britain and then I got– Then I wanted to get involved in that.
Interviewer: “So the job that you had basically gave you a deferment?”

Oh yes I had a deferment, yeah.
Interviewer: “Okay, stay there as long as you wanted to.”

�Lutz, John

Yes.
Interviewer: “Okay, now do you think it was still in 1943 when you signed up or would it
have been ‘44 before you actually went?”
I think I signed up in ‘43, at the end of ‘43 and I think I was called for active duty in ‘44, the
beginning of ‘44.
Interviewer: “Okay, and now take us back, so where did you do your Navy training? You
sign up as an ensign but then they have to train you don’t they?”

Yes, I went to officers training school in Princeton– Princeton, New Jersey, yeah.
Interviewer: “Okay, and what did that training consist of?”

Well we had to know all the aspects of navigation and all the other things that went along in
trying to become a, you know, satisfactory officer. (10:35)
Interviewer: “Alright, on a practical level I mean did they teach you– Were they teaching
you anything about seamanship and navigation, that kind of thing?”

Yes, absolutely.
Interviewer: “Alright, and then did they also– I mean the enlisted men when they come in
there’s a lot of emphasis on drill and discipline and all this kind of thing, did they do that
with the officer candidates?”

Well the officers all went to college and enlisted men went to naval training schools, one where
we went to finally pick up our crew was in Camp Bradford outside of Norfolk down in Virginia,
that’s where we put the crew together.

�Lutz, John

Interviewer: “Right, I guess I was asking if when they were training you as officers did they
do any of the spit and polish stuff that the enlisted men had to do, you know how you wore
your uniform, that kind of thing.”

Oh very much so.
Interviewer: “Okay, alright now when you finish– And how long did your training at
Princeton last?”

I think three months, yeah.
Interviewer: “Alright and then what did they do with you after you finished that?”

Well they sent us down to Camp Bradford down in Virginia. (12:10)
Interviewer: “And what were you doing there?”

Well we got out, we put on– Well they put our crew together. So we had the crew that was going
to be on an LST plus all the other officers that were going to be there, and we trained together.
Not only did we have like classroom studies but we had went out on LSTs out in the Chesapeake
Bay and practiced running the ship, until finally they send you on your own and we were
underway for– Well down the Mississippi river.
Interviewer: “Okay well that was when you got your own LST right?”

Yes, we got on a train at Camp Bradford and went to Seneca, Illinois where they were building
LSTs and then took it down the river Mississippi.
Interviewer: “Alright, now at this point what is your actual assignment on this ship? There
are several officers so what job do you have?”

�Lutz, John

I was the engineering officer cause I was the one– I had more engineering training than anybody
and some officers you know, and we had a gunnery officer, we had a navigation officer and we
had a general officer who was in charge of supplying the ship for example.
Interviewer: “Right okay, and so what does the engineering officer do?”
Well he personally doesn’t do anything, he tells all the guys what to do but our job was to keep
all the machinery running and because and LST’s basic function was to carry troops and
vehicles, tanks for example, and just go full speed ahead and ram them up on the beach, open the
big doors in front and disembark them.
Interviewer: “So you’re responsible for those kinds of– All the machinery and the doors
and all of that stuff.”

Everything, yes. (14:57)
Interviewer: “As well as the engines themselves?”

Oh yeah.
Interviewer: “Okay, alright now what do you remember about the trip down the
Mississippi?”

I guess getting the first taste of being down in the engine room and watching how things
operated, what had to be done to make sure they were doing in good shape, couldn’t afford any
breakdowns.
Interviewer: “Now what time of year were you on the Mississippi? I think you’ve got that I
guess in your chronology there.”

�Lutz, John
It’s probably on here.
Interviewer: “Yeah, so I guess you– So it looks like the end of October when you actually
started sailing.”

I guess October. October, 26th of October we started down yeah.
Interviewer: “Okay, alright do you remember if the– If you had to watch out for running
aground or anything since you were sailing in the fall?”
Yeah we weren’t allowed, and rightfully so, to navigate it ourselves. The Mississippi is a very
tricky river, got a lot of twists and turns, a lot of sand–
Interviewer: “Shoals.”

Shoals, so you have to take on a pilot, so a pilot stayed with us the whole time steering us down
the river. Well his particular section which he was most familiar with, then we get another pilot
to take the rest of the way until we go to New Orleans. (17:08)
Interviewer: “Okay, now were all of your crew new men or did you have some experienced
sailors with you?”

Oh I would say 90% of them were new, we had some guys that came from another ship but
basically putting the crew together most of them are brand new.
Interviewer: “Okay, alright and now you get down to New Orleans, do you get to go ashore
there or do you just go off to sea?”

No we had to store the ship up because going down the Mississippi we tried to keep the ship as
light as possible, I mean there were no guns on the ship, anything with any weight was removed.
Any of the dry goods or anything we had was taken off, the guns were taken off, the ammunition

�Lutz, John
was taken off. So when we were in New Orleans all that had to be put back on again, and then
when that was all done we went down– New Orleans is about, I guess, 50, 60 miles up the river,
so we had to go down the river into the gulf and we practiced steaming around the gulf in convoy
with some other LSTs, practicing landing on the beach, until everybody– Whoever was in charge
figured “Okay, you guys can do it by yourselves now.” And they sent us off to the South Pacific.
Interviewer: “Okay, now before you left for the South Pacific did they load up the LST
with all what you’re gonna take with you across the ocean?”

Yeah.
Interviewer: “Because on a shake down cruise you probably weren’t carrying a lot of
troops and extra equipment.”

Yes.
Interviewer: “Yeah, so you’d have to go back and get those and then leave.” (19:11)

Yeah.
Interviewer: “Right, okay now was there anything– Do you remember what you were
carrying as you crossed the Pacific, did you have any unusual cargo?”

Part of the unusual cargo was whole things telephone poles, we had a bunch of them on board.
Interviewer: “And then did you carry– Okay, I guess– So initially you go from New
Orleans, you go to the Panama Canal? Did you go through the Panama Canal?”

Yes, oh yes.
Interviewer: “Okay, alright and what do you remember about that?”

�Lutz, John

Well it was very interesting maneuvers going through the canal with the locks and everything,
filling them up with water and then emptying them in order to get over the ridges in the terrain.
Interviewer: “Okay, now did any of the crew get to go ashore at one end or the other?”

Oh yes, everybody got ashore and had a few days down there. I remember taking the train from
where we were docked on the Atlantic side, you could take a train and it could take you all the
way over to the Pacific side. It was an interesting little trip, it wasn’t a big trip, I don’t know 50
miles or something but it was very interesting.
Interviewer: “Alright, now did you have to worry about some of the men going into bars
and having that kind of thing?”
Well I think we always worry about them and you’re always pulling some of them out and you
have to go down the next morning and get them out of jail. (21:05)
Interviewer: “Now was that something a junior officer would do sometimes?”
No, they had MPs that are permanently stationed there, you know wherever there’s a bunch of
sailors around and even the officers, watching out for them that they don’t get in trouble.
Interviewer: “Alright, okay so you get to Panama and then from Panama what’s your next
stop?”

San Diego.
Interviewer: “Okay, and then did you load anything new at San Diego or was that just fuel
and food?”

�Lutz, John
That was pretty much– We were pretty much loaded up by that time and then from there we went
over to Hawaii. Now in Hawaii the biggest thing that happened there is we took another
amphibious landing craft, an LCT, and hoisted it and it was hoisted up on the main deck and we
carried that little landing craft all the way over to Okinawa actually where we had to tip the ship
over on it’s side and slide it off into the water.
Interviewer: “Because it’s an LCT it’s a flat bottomed craft with a ramp on the front–”

Yeah.
Interviewer: “But it can carry four vehicles or something or four tanks something like–”

Yeah, yeah.
Interviewer: “So it’s bigger than the little Higgins boats the men land in, so more
substantial landing craft but it’s not an ocean going craft.” (22:47)

No.
Interviewer: “So you were carrying it?”

Yeah.
Interviewer: “Okay, well–”

Well actually they did take them over the ocean individually too.
Interviewer: “Okay.”

Yeah.

�Lutz, John
Interviewer: “They’re probably not very fast.”

But it took a long time and it was a pretty rough ride I imagine, I never was on one.
Interviewer: “Right, okay you’ve got that kind of sitting right there in the middle of your
deck, now inside the ship did you have vehicles or– Cause I think there’s something here
about having LVTs on the tank deck and those are amphibious landing vehicles.”

Yeah, which one was it?
Interviewer: “The LVT.”
LVT yeah that’s the smaller one that would take maybe just only one.
Interviewer: “I think an LVT is a tracked vehicle, it’s like an amphibious tank almost but
carries men.” (23:42)

Yes.
Interviewer: “Okay, alright so you’ve got plenty of stuff and– So you leave Pearl Harbor
and we’ve got that and then you head across the Pacific from there so kind of late January
you leave.”

Yeah, down to the Solomon Islands.
Interviewer: “Okay, now in the process you cross the equator?”

Yes.
Interviewer: “Okay, did your ship have a ceremony for crossing the equator or did they not
do that?”

�Lutz, John

A ceremony?
Interviewer: “Yeah.”
Oh I’ll say.
Interviewer: “Can you describe the ceremony?”

Well I think if the Japanese had seen us with the shenanigans that went onboard the ship, they
would have surrendered right then and said “Those guys are crazy.” But oh they sprayed you
with different solutions like mustard or something like that, wash your mouth you with soapy
water, all the Halloween kind of stuff you know, and I know I had to put on some long
underwear– We carried long underwear by the way in case the LST was assigned to, say the
Aleutian Islands or something like that and I was given the long periscope so I could– Telescope,
and my job was trying the find the– What is it, the equator. (25:50) So my job was trying to find
that but I never did find it, but it was all those kinds of shenanigans and the flag that was flown
was a pirate’s flag, yeah. We would have scared anybody that saw us, wondering what’s going
on.
Interviewer: “Alright, now did the captain have to go through this too or had he been
across already?”

No, no, the captain and the executive officer was probably still up on the deck– In the
wheelhouse making sure we weren’t running into any other ships because we weren’t by
ourselves we were– I forget how many were with us but maybe a half a dozen LSCs.
Interviewer: “Okay, so you’re sailing in a convoy?”

Yes, and we got down to the Solomon Islands by then.

�Lutz, John
Interviewer: “Okay, and what happened once you got there?”

Once we got there we again did an awful lot of practicing with other LSC in getting ready for the
inevitable landings that were going to take place on the islands MacArthur’s goal was to proceed
to Japan with an island jumping process rather than take every island as he went up he was going
around the islands. So what we were doing, we were practicing and practicing and practicing
again until we finally loaded up with some Marines, I guess they were Marines at the time rather
than Army, and went up to another place in preparation for the–
Interviewer: “Yeah, Ulithi Atoll is what you’ve got listed here, Ulithi is in the Caroline
Islands.”

Ultihi.
Interviewer: “Yeah.” (27:56)

Yeah, Ulithi.
Interviewer: “Alright, that’s kind of an assembly point and now–”
Yes, very big atoll and a lot, a lot of ships could be anchored in there quite safely and that’s how
we were ready to go to Okinawa.
Interviewer: “Okay, now tell us about the trip to Okinawa. How large was the fleet around
you or what did you see?”

Oh it was a tremendously large fleet, I never saw any gathering of ships that was quite that large
and were getting ready for April the 1st and then we were– I think they called it Yellow Beach
One or something like that.
Interviewer: “So they’re listing Yellow Beach Two on the chronology here.”

�Lutz, John

There’s a two, yeah.
Interviewer: “Alright, and so what does your ship do, what does your LST do initially?”

What we did, in that particular case, we had big pontoons on the side of each side of the ship
which– Well first thing we do is, I guess get rid of that LCT, and then we dropped the pontoons
ff and the pontoons were tied stern to– You know, head on and then there’s bulldozers in the
front and they get as close to the beach with the pontoon as you could and then bulldozers would
make a ramp like up to these pontoons and if you had tanks the tanks would roll of, if you had
armored vehicles they would roll off.
Interviewer: “Alright, and you had your LVTs and your Marines to unload.”

Yes. (30:16)
Interviewer: “Okay, now on that first day did you get fired upon or see enemy aircraft or
was it quiet?”

No, it was quite quiet the first day and then later on the kamikazes then started coming over.
Interviewer: “Well after you unloaded the Marines and the LVTs and so forth, did you just
stay at Okinawa or did you go back and get more supplies and come back?”

No, we stayed there for a while so that we could– So if the need arose that we could take the
Marines off one section of the beach and go around the other end of the island, which we did to
another section and dump them off there so that we could go around the Japanese. So we kept
doing that for a month I guess it was and then we left there. We damaged our propeller at one
place when we were trying to get in on a beach and we ran the ship into a reef and bent several
blades I guess on the propeller and we couldn’t maintain full speed. We had to cut back on the
speed quite a bit to prevent some further damage to the internal combustion engines, which was

�Lutz, John
the same engine used in locomotives by the way, about 1,000 horsepower, so we had to go back,
I forget where we went after that.
Interviewer: “It says the Philippines.”

To the Philippines?
Interviewer: “To Leyte, yeah.”

And had to get into a dry dock and the, I guess the propellers were either exchanged or repaired,
in some way they were fixed.
Interviewer: “Alright, now before that you had been under attack by kamikazes.”

Yeah.
Interviewer: “Okay, can you describe what that was like or what happened to your ship?”
(32:34)

Well that was the most dangerous thing was the kamikazes and of course in the day time they
fired on them all the time and actually those LSTs can put up quite a wall of fire. If you can get a
whole bunch of them out there shooting at those airplanes you can knock quite a few of them out
of the sky and at nighttime when they came over we had what they call fog machines and you
put up a blanket of fog where you just, you hid in the fog. They couldn’t see you, you couldn’t
see them so you just sat there covered with a whole bunch of fog.
Interviewer: “Okay, so what did the Kamikazes do at that point, do they just drive into the
fog and hope to hit something?”
Well they were just dropping bombs down at that time I would imagine, I don’t imagine–

�Lutz, John
Interviewer: “Well a kamikaze was designed to go one direction and not actually land
anywhere. Now they had regular bombers as well, so they had regular aircraft, maybe
that’s what they used at night. So if you don’t remember much of kamikazes plunging into
the water at night–”

No.
Interviewer: “Then probably that was bombers they were using.”

No, no.
Interviewer: “Yeah, but the kamikazes were going to fly directly into your ship?”

Yes.
Interviewer: “Now how close did your ship get to being hit by a kamikaze?” (34:00)

Quite close, it was a Sid Lenger that his gun crew, he and Goldie as a matter of fact, were on the
gun crew that shot down a kamikaze that almost got us and I think as he was– As it was coming
towards us the pilot apparently was hit by something and pulled back just to check back on the
reaction from the gun and went up and over the ship actually or we wouldn’t be sitting here
talking because he would have come right into the side of the ship right where the engine room
was and right where John O. Lutz was.
Interviewer: “Okay, so as the engineering officer your job general quarter station would be
within the engine room?”

Yes.
Interviewer: “Okay, alright now did you ever observe kamikaze attacks from on deck or
were you always down below?”

�Lutz, John

No, once in a while when it seemed to be a little bit slowing down in the activity we would, a
couple at a time would go up and take a look around and then when it got a little more active
they scoot down the engine room again.
Interviewer: “Alright, okay so you kind of– So you’re off of Okinawa during April, you go
back to the Philippines to get repaired, now it looks like in your chronology here that
you’re there from 29th of April to the 23rd of June. So how did you spend your time in the
Philippines then, did you have duties on board ship or did you go ashore?”

A little of both I guess, I remember going ashore and the men went ashore. They had a little time
in Manila and a couple other– Couple of other islands there, Cebu was one, Mindanao was
another one, there was a few islands that we visited.
Interviewer: “Yeah, did you see much of the Filipino population or–” (36:40)

Yeah, they were going out about their business and– Just trying to think of where, I think things
were– I think the people tried to get as long as much, as best they could. In the villages and the
towns around there little shanties, little shacks were open for selling goods and fruits and
vegetables and things like that.
Interviewer: “And did they seem to like the Americans?”

Well I think they looked at us like their savior, you know after all it was either us or somebody.
Interviewer: “Yeah, or the Japanese.”
Right, and they didn’t have much love for the Japanese.
Interviewer: “Okay, now did you get to Manila yourself?”

�Lutz, John
Did I what?
Interviewer: “Did you go to Manila?”

Yes.
Interviewer: “Okay, and what did you see there?”

Oh a lot of the buildings were just in shambles really they were, as a result of our gunfire and the
Japanese gunfire. Japanese had– Was in charge there and then when they evacuated it they blew
up a lot of the buildings.
Interviewer: “Alright, so you have some time in the Philippines and then you load back up
again and so how do you spend the last month or so of the war? So kind of July of ‘45 into
August, were you moving supplies?” (38:37)

Well we were getting– We were really getting ready to go into Japan you know, the– I guess it
was on the schedule we had the next one until they dropped the atomic bomb.
Interviewer: “And do you remember hearing news of the bomb being dropped?”

Yeah it came in over the radio of course.
Interviewer: “Okay, and at the moment it happened did you understand what that meant
or was it really only when the Japanese surrender that you figure it out?”
I guess we didn’t realize how devastating something like that could be, the biggest thing in our
minds was the war was over, we were gonna go home, that was number one.
Interviewer: “So before that were you moving supplies around to get ready for the
invasion?”

�Lutz, John

Yes.
Interviewer: “Okay, alright now after the Japanese surrender now what does your LST
do?”

Well then our task became to get the Japanese soldiers back home, the quicker they went back
home, the less of a problem Japan would be. They could go to work, they could go back to
farming if they were farming, they can go back and try to rebuild some of the factories and they
wouldn’t be quite the burden then if we just left them alone. So I think it was a wise mood to get
as many as you could, get them back home, and that little booklet that I made there is one whole
trip from Palau, which was some islands down there in the South Pacific, taken home this whole
group of Japanese soldiers and depositing them outside Tokyo actually.
Interviewer: “Alright now in your chronology here that comes in December of ‘45 but
you’ve been to Japan already before that cause you went to Yokohama earlier, cause your
chronology says that you went to Manila at the end August, picked up the 118th engineer
combat battalion and took them to Yokohama.” (41:12)

Uh-huh, okay.
Interviewer: “Do you remember doing that?”
No, I don’t. Yeah and then we went up to another island called Hokkaido, we did that and took a
group up there and then from Hokkaido we got a little shore leave. The war was over by that
time and I took the train over to Sapporo, Sapporo by the way was headquarters for the winter
olympics at one time.
Interviewer: “Right, back in 1972 or some six or something like that.”
Yeah, you’re pretty much up on your stuff there.

�Lutz, John

Interviewer: “Well I’m old enough to remember that.”

Yeah.
Interviewer: “So I watched that one on television but yeah okay, so you– Now when you go
ashore in Japan how did the Japanese people behave towards you?”

I thought they did very good, we had some jeeps that we had confiscated along the way, we had
three jeeps on board the ship. We grabbed one to go for a little ride and I remember we were
going along, something happened to our jeep, they come running out of the house and fix it or
whatever it was, change a tire and– No they were very– When the Japanese emperor said “Stop
fighting” they stopped fighting right then and there and we could drive all over with no problems
at all. Went downtown Japan, downtown Tokyo, and went through several of the big stores that
was still operating. Most of Tokyo was destroyed by the fires, we used to drop incendiary bombs
on them, by far we killed more people that way than with– (43:35)
Interviewer: “The atomic bomb.”

Explosives, yeah.
Interviewer: “Did it surprise you at all that the Japanese were as friendly as they were?”

I guess it did, it really did because I really– They could have killed any one of us and nobody
really would’ve known it, only that we didn’t show up on the ship that night and I remember we–
On one little jeep expedition that we were driving around we put a couple cans of sardines in a
knapsack and so that if we got hungry along the way we could stop and eat, which we did, I think
there’s about two or three of us in a jeep and we sat down on a curb and opened up the sardines
we were eating, and the Japanese ladies in the house that was there came out with tea, served us
tea, didn’t know whether to take it or not but they were very, very courteous. You’ll find out

�Lutz, John
reading that little write up that I have there what a perfect gentleman the– I think he was a
colonel or a lieutenant colonel–
Interviewer: “The Japanese– The commander of the Japanese unit you were moving out.”

Right, what a perfect gentleman he was and kept his troops on board ship under control and
wrote a nice little letter there, which I got a copy of the original, thanking us for bringing them
home even though I think he said three of them died on the way, couldn’t put them all on the
tank deck, that was full, so a lot of them just had to stay up on the main deck and the food they
had was rice and you’ll see pictures there of our cooks with the help of their cooks scooping out
rice into the little containers.
Interviewer: “Alright, let’s talk a little bit more fully here about that last trip. So you go
down to Palau which is gonna pass the Philippines I guess, or south of there a little bit, and
Palau that larger set of islands, one of the islands in that area was Peleliu.” (46:17)

Yes it was.
Interviewer: “Where the Marines fought a very tough battle but the main island of Palau
itself I guess is where you went to and there was a Japanese unit there that had been the
garrison that was still there at the end of the war.”

Right.
Interviewer: “So your job was to take that home?”

Right.
Interviewer: “Okay, so just sort of take us through the sequence of events, the LST comes
into the harbor at Palau.”

�Lutz, John
Right.
Interviewer: “And then what happens?”

Well I guess nothing much, they all came down to the docks there and their officers, you know
directed them on board the ship, and you’ll see one of our guys there telling them, directing them
to go here, go there, and so forth and no problem at all and that’s the interesting thing, when they
said “Stop fighting.” They stopped fighting.
Interviewer: “What physical condition were they in, did they look healthy and well fed,
were they kind of thin?”
I guess I didn’t look too closely, at that time I was looking at other things but I would think that
one of the problems on those islands where they couldn’t get supplies from their own fleet would
be lack of food, although I don’t know why they didn’t fish. (47:38)
Interviewer: “Well they might have.”

They might have in addition to that but no they were just packing up their gear, folding blankets,
you can see them folding blankets and just going on board ship and one little space would be
they’d sit down there and I’d be there till they got home.
Interviewer: “Alright, now did any of them speak English?”

Not that I recall.
Interviewer: “Okay, and did you have anybody on board who spoke Japanese?”

No.
Interviewer: “Okay, so you just had to kind of communicate as best you could?”

�Lutz, John

Now I say anybody, the colonel did, the one in charge did, he did there was two of them that
were in charge actually and you can see his picture in there, he’s a very distinguished looking
guy and he spoke English, he may have even gone to school in the United States as a lot of them
did you know.
Interviewer: “Yeah, alright and then when you were taking them back up to Japan did you
have bad weather or–”

Yes, we did, we had– And I got some pictures of the bad weather we got there and everybody
got sick as usual, they more frequently than sailors who are more used to that than the land based
troops you know.
Interviewer: “Right, so when you first went to sea did you get seasick?”
I never got really seasick, no not really bad, I’d feel a little queasy but some guys got really
seasick and of course all they wanted to do was lie down. (49:34) Well if they lie down
somebody else has to take their watch so we wouldn’t allow that, no lying down the only thing
you could do is– And they did that quite often, is they take a gallon– A lot of the food came in
gallons, tomatoes would come in a gallon canister and we’d tie a gallon can with a string around
their neck so they’d have some place– We didn’t want it in the bilges you know or on the deck,
but after a few days of getting used to rolling around– There were a couple lessons, they were
either fooling or not, had to be transferred off on occasion, not that particular place but any other
place because they were just allergic to it they couldn’t stand it and of course we had a
pharmacist made on board ship and he’s the guy who used to dole out the shots and check
everybody to make sure they were alright, do what he could for them, he was even also trained to
do minor operations. The ward room which is the dining room for the officers had a big table on
it where we ate, course that became the operating table, we never had to use it thank goodness
but if someone had appendicitis he was at least trained to do something about [unintelligible].

�Lutz, John
Interviewer: “Now did the ship ever have any combat casualties, did anybody ever get hit
with shrapnel or bullets or things like that?”

No, they never did.
Interviewer: “Okay, so after you dropped off the Japanese prisoners, you get back to
Tokyo Bay, unload them, now what happens to you and the LST?”

To me?
Interviewer: “Yeah.”

We were just sitting in the harbor up there, I think we made one trip up to Otaru which was a
port near Hokkaido where you could get a train actually and go up to Sapporo and that’s about it.
Made one trip up there as I recall and just hung around the harbor a little bit, for a few days until
we got word that the Japanese merchant marine was gonna take it over. (52:22)
Interviewer: “Okay, so we’re helping rebuild Japan by giving them the LST.”

Yeah, they got the LST and our guys spent half the time switching gauges around trying to fool
them so they wouldn’t know what gauge to watch in the engine room, sort of nasty but–
Interviewer: “Yeah, okay so now from there do you get sent back home?”

Yes and I came right home.
Interviewer: “Okay, and how did you get home because your ship is still in Japan?”
Well yeah, let’s see now… I was– I asked my captain to give me a pass to discharge me right
there in Tokyo and I used that to go over to the airport and I bummed a ride home on a transport
that was going taking some Washington officials back to Washington actually and I got a ride all

�Lutz, John
the way to Midway, I guess it was Midway and then the next hop I got was the Philippines and
then from the Philippines I got another hop over to outside San Francisco, someplace over there,
I forget what the name of the airport was.
Interviewer: “Do you think you– So you went from Midway to the Philippines because
that’d be the wrong direction?”

No, I went to–
Interviewer: “Or did you go Philippines to Midway and then home?”
Yeah, Philippines– No I didn’t go to the Philippines, no I went to Midway right over, I think it
was from Tokyo to midway.
Interviewer: “That would make sense, yeah.” (54:37)

Midway to Hawaii, Hawaii over to San Francisco, some place over there and then from there to
Kansas, Olathe–
Interviewer: “Olathe, Kansas.”

Olathe, Kansas and from Kansas was the last hop I got and that landed in Washington, D.C,
yeah. In Washington, D.C, yeah where I took the train, where I took the train up to Philadelphia
because that’s where I was living at the time I went into the service.
Interviewer: “Okay, cause I guess I thought you had been working in North Carolina or
had they–”

No, I had been working at Baldwin locomotive works where we were making engines, actually
the same engine was made in these locomotive companies as appeared in a lot of these ships.

�Lutz, John
Interviewer: “Alright, okay so now that you’re out of the Navy, 1946.”
I’m out of the Navy.
Interviewer: “Now what do you do?”

I went to work at the Baldwin locomotive works, yeah I went back to them.
Interviewer: “Okay, and how long did you stay with them?”

Not too long because I had a job offer to go some place else to a company that offered me a chief
engineer job and we made piston rings which was in Philadelphia. Yeah, which was finally
acquired by Ex-Cell-O corporation, and Ex-Cell-O corporation was finally acquired by Textron
which is still– I guess they’re still active in the area here, the Detroit area, supplying parts to the
automobile company and that’s it, I retired from there. (57:30)
Interviewer: “Okay, now along the way though you stayed in the naval reserves when you
came out.”

Yes.
Interviewer: “Okay, and so what happens when the– After the Korean War starts?”

After what?
Interviewer: “When the Korean War starts.”

Oh yeah, well I was in the reserves of course and the reason you stayed in the reserves– I did it
for the money actually, I was young and had just got married and every dollar that you could
make was welcome. So basically I stayed in the reserve and but then when the war came, you
know they grabbed me and put me on the Adria.

�Lutz, John

Interviewer: “Okay, and what kind of ship was the Adria?”

The Adria was a refrigerated cargo ship and that was one big ice box, you know and the job was
to go around the Atlantic. The furthest away we went was I guess down in– We went to Africa
and we went down to Trinidad was a base, Bermuda, Argentia which was up in Newfoundland,
picking up supplies in the Norfolk area, there’s a big naval supply depot in Norfolk. We pick up
the frozen goods and everything and take it up to whoever the next stop was.
Interviewer: “Yeah, did you go to Europe or just Africa and the Caribbean?”

No, we went to– Africa was like Casablanca.
Interviewer: “Okay so Morrocco.”

Yeah. (59:35)
Interviewer: “Okay, but you didn’t go to England or France or Italy?”

No, no, no.
Interviewer: “Alright, and what was your job on board that ship?”

Same thing, engineering officer.
Interviewer: “Okay, now were the other officers World War II veterans or were they
younger?”
Some were and some weren’t.
Interviewer: “Okay, alright and how long was your obligation to stay on that ship?”

�Lutz, John

Two years.
Interviewer: “Okay, and so what does your family do during those two years?”

What?
Interviewer: “What did your family do during those two years, did your wife just stay at
home and–”

Yeah.
Interviewer: “Okay, and did you have much contact while you were away?”
Oh yeah, well see the Adria’s headquarters was Norfolk, Newport News is in that area, that’s
where the big naval supply depot was but we would– We were tied up at the Norfolk Naval Base
quite a few times. (1:00:54) Yeah, quite a bit and I was in charge of– I guess I was the senior
watch officer, I used to assign watches, when officers stood and I always worked it out that I had
the weekends of because while their families were in Norfolk because a lot of them were Navy
men, my family was in Philadelphia and I used to leave Friday afternoon and don’t get back until
Sunday night, or Monday morning early. So I got home quite a bit then, put in my time until the
two years was up.
Interviewer: “Okay, now you stayed in the reserves after that?”

Yes.
Interviewer: “Okay now– So how long did you stay in?”

22 years.

�Lutz, John
Interviewer: “Okay, because like I said it had you retiring out in 1964.”

Yeah.
Interviewer: “Okay.”

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="919202">
                <text>LutzJ2326V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919203">
                <text>Lutz, John</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919204">
                <text>2019-08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919205">
                <text>Lutz, John (Interview transcript and video), 2019</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919206">
                <text>John Lutz was born on May 24, 1919 in Brooklyn, New York, and attended high school in Queens. He graduated high school in 1936 and went on to attend the Massachusetts Institute of Technology to become an engineer. In 1940, he earned his bachelor’s degree in automotive engineering and eventually went to work for the Newport News Shipbuilding Company in North Carolina. After three years Lutz wanted a more active role in the ongoing Second World War, so he traveled to Raleigh, North Carolina, where he enlisted into the Navy in late 1943. For Basic Training, he was transferred to Officers Training School in Princeton, New Jersey, for three months. He was then sent to Camp Bradford, Virginia, where he practiced operating in an LST (tank landing ship) crew as an Engineering Officer. From there, he and his crew shipped out to the South Pacific. When traveling through Hawaii, Lutz’s ship also took on the cargo of a smaller LCT (tank landing craft) which they transported to Okinawa. For the invasion of Okinawa, Lutz’s LST was outfitted with pontoons, which helped during the unloading of the LCT. Once all the men and gear the ship was carrying had made it ashore, kamikaze pilots became more of a threat as Lutz’s LST began transferring Marines between different beaches and landing points along the island’s coast. Despite a close encounter, his LST was never struck by a kamikaze pilot. While transferring troops to another beach, his ship struck a coral reef, damaging one of its propeller’s blades, and were forced to travel south to Leyte Gulf in the Philippines for repairs. After the Japanese surrender, his LST transferred troops and supplies into mainland Japan to help with the rebuilding process. His ship was also assigned to help transport a Japanese unit, originally stationed in Palau. Lutz was then discharged at Tokyo Bay and took a series of flights back to the United States. In 1946, he went to work for Baldwin Automotive Company and joined the Navy Reserves. After the outbreak of the Korean War, he was called up again and was assigned to the USS Adria. Lutz remained in the Navy reserves for 22 years before retiring in 1964.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919207">
                <text>Smither, James (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919208">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="919209">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="919210">
                <text>United States—History, Military</text>
              </elementText>
              <elementText elementTextId="919211">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="919212">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="919213">
                <text>Other veterans &amp; civilians—Personal narratives, American</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="919214">
                <text>Veterans History Project collection, (RHC-27)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="919215">
                <text>Grand Valley State University Libraries, Special Collections &amp; University Archives, 1 Campus Drive, Allendale, MI, 49401.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="919216">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919217">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919219">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="919220">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919221">
                <text>video/mp4</text>
              </elementText>
              <elementText elementTextId="985287">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="919222">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="45514" public="1" featured="0">
    <fileContainer>
      <file fileId="50636">
        <src>https://digitalcollections.library.gvsu.edu/files/original/d51fff9d26891ff91bb215d3ae533b73.mp4</src>
        <authentication>b3d023ad7ff143bfdb9e08e0a0f0eaec</authentication>
      </file>
      <file fileId="50695">
        <src>https://digitalcollections.library.gvsu.edu/files/original/825bae5642acd6952dc9e4882d16b2c9.pdf</src>
        <authentication>bd53195b8b7fe23ec394618a6495ddcf</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="868127">
                    <text>Grand Valley State University Veterans History Project
Oral History Interview
Veteran: Melchior Lux
Interviewed by James Smither
Transcribed by Sarah Schneider
(0:30) We’re talking today with Melchior Lux of Warren Michigan. He goes by “Mike” so
that’ll be what we’ll be calling him. The interviewer today is James Smither of the Grand
Valley State University Veteran’s Project. Ok, uh Mike give us a little bit of background,
um where and when were you born?
(0:47) I was born in 1935 in Filipowa, that used to be part of Backi Gracac, it’s Serbia now.
(1:00) Ok, Serbia. So what country was it part of when you were born?
(1:04) It was…When I was born, it was probably Hungarian. The Hungarians, they move back
and forth.
(1:15) Ok, but in Serbia were you in Yugoslavia?
(1:17) Yugoslavia, yeah, yeah.
(1:19) Ok, what year were you born?
(1:20) 1935.
(1:22) Ok, uh so you were born there and tell me a little about your family background.
(1:27) My family. Well my father had his own business. He…he was in the hemp business, my
mother and so was also my brother. My brother worked for my father.
(1:42) Ok, how old was your brother when you were born.
(1:45) 10.

�(1:47) Ok, so the Hemp business. So you made rope?
(1:50) Hemp. They made from the raw material, they made it. They worked it so they can make,
so they could spin ropes. So that’s uh … they had not machines, everything was done by hand.
(2:10) Ok, and what language were you speaking as a kid?
(2:11) German.
(2:13) Ok, so describe the town that you grew up in a little bit. What was that like?
(2:18) The town was just a, it was mostly farmers and people that worked for the farmers. There
was no other industry.
(2:30) Ok, and what ethnic group were they from?
(2:33) They were German, all German. 100%, the whole town was 100% German. It was one of
the, I don’t know if there were any other towns that were 100% German. Most the towns were,
the majority were Germans. They had Hungarians and Serbs. Usually the Serbs used to work for
the farmers. And that’s where a lot of heat came in after…in the Second World War.
(3:09) Ok, now back up a little bit. Do you know how long the German population had been
in that area?
(3:16) I’d say about 200 years.
(3:19) Ok, because there’s a period in time in the 18th century when the Austrians were
pushing the Ottoman-Turkish Empire back. And then how did the German population get
there, or why did they go?
(3:30) Pardon me?

�(3:31) Why did the Germans move there?
(3:33) They got promised like parcels of rent if they go there, if they worked rent or cultivated.
And that’s how that all started.
(3:47) So the area that you’re in is, ethnically, you have all these different groups and all
these different places?
(3:53) You have different towns have different ethnic background. Like, we had a town that’s
like two kilometers – I don’t know if it’s Southwest, East or North – they were mostly… those
were people who came out of Czechoslovakia. They spoke a different language; they spoke more
like Serbian. And then you had another town, they had people from Ukraine, from Russia. But,
the majority in the area was mostly Germans or Serbs.
(4:32) Ok, alright, so you’re born in 1935 um then in 1941 the Germans invade.
(4:40) They came in, yeah. They didn’t invade, they just marched in.
(4:44) Yeah, legally it’s still an invasion.
(4:47) Yeah. Most of like our people walk with the Germans naturally because we were German.
(4:55) Ok, now while you were, I mean I’m not sure how much you were aware of it I guess,
while the government was Yugoslavia, the Yugoslavian government was dominated by the
Serbs. How did the Yugoslavian government treat the Germans in the country?
(5:10) I couldn’t really tell. I was too little. But, like I told you before, we were actually like the
city hall was run by Hungary because Hungary and Germany they were allies at that time [after
the Germans took over Yugoslavia], so our city hall was actually run by the Hungarian

�government. Like the police, they were Hungarians. Everybody was scared of them. I remember
that as a kid, and through later when I grew up and my folks talked about it.
(5:49) Ok, now could the Hungarians speak German.
(5:53) I… everyone thought the official language in the city hall was like Hungarian at that time.
But, like the schools, was, we had German, but we had, it was mandatory that you take – I don’t
know if it was one hour or two hours – we had to speak Hungarian, we learned Hungarian words.
(6:18) Ok, so during that period, sort of during 1941, 42, 43, 44 while you were still living in
that town what was your daily life like?
(6:30) What the daily life? Kids were on their own because it was a poor area. All the grown-ups
had to work. We went to school, after school we played, when it was time for dinner you went
home because you know dinner was like at 5 or 6 o’clock, you had to be home.
(6:59) Ok, now did you have enough food?
(7:01) We had more food than we could uh, I told you there was like the breadbasket of
Yugoslavia. That area where I come from.
(7:14) Ok, because in sometimes the Germans might come and take a lot of the food away
or the Hungarians might.
(7:20) Not, not, not that time. That was all after the war was over. Then, well we had food, they
put us in the concentration camps and that’s when everything stopped.
(7:37) Ok, alright, now during the time then where you’re still living at home when the
Germans came through, do you remember seeing any kind of Nazi things like Swastika
flags?

�(7:50) Oh, yeah everybody had Swastika flags on their house. That’s, I told you, there was, but
there was mostly the rich people were against Hitler and the people, like my folks, the average
guy was for Hitler. Because, you know, it was better when he was in power that time.
(8:18) In what way was it better?
(8:20) Well, I guess economically. We had no idea, that is the propaganda machine, we all liked
Hitler as a kid. We all tried to join the Hitler Youth. You couldn’t join that until you were 10, but
we couldn’t wait until we were 10. We just never made it, I never made it ‘til I was 10.
(8:47) Ok, and why was the Hitler Youth attractive?
(8:52) Well, I guess…
(8:53) Like, the uniforms or
(8:56) Naturally the uniforms. We all got wooden guns. You know, like a carbine, like a rifle.
When the Americans used to fly down to Romania to bomb the oil fields, the whole sky was like
silver. Us kids used to go in the ditch and shoot, pretend to shoot the planes down.
(9:26) You saw yourselves as Germans?
(9:29) Yeah.
(9:30) And so, now you’re part of Germany, you’re allied with Germany so at that point as
a kid that was sort of natural.
(9:38) Right, exactly. That was the only language I ever spoke was German.
(9:45) Ok, now in your area was there any kind of Partisan activity?

�(9:52) Very little, but there was yeah. In fact we had like places we could only go so far because,
you know, when you go out of town we know points that was the end because I told you like two
kilometers away them people were for Tito, you know, and there were a lot of parties and
activities they used to captures kids and sometimes burn like a swastika in their face or in their
back. That happened. I didn’t see it, but, you know, we were told.
(10:35) Alright, now if you think back in that period before your family had to move out
are there other particular memories that stay with you?
(10:50) Not really, because, like I said, we grew up, all the kids, you grew up independent. You
know, you had basically, you know right from wrong, we were taught right from wrong. You
didn’t do anything bad because, you know, that just didn’t happen.
(11:14) Ok, did you have brothers and sisters who were close to your own age?
(11:17) No. My brother is 10 years older. He was in the German army. My sister was 9 years
older. She had to go to work.
(11:29) So, you really were by yourself?
(11:31) I was by… my father had his shop in the back, there was a building. So, if I did need
somebody, I would go to him, which I didn’t need to really. We just grew up and you got up in
the morning, you washed your face, put your own food on the table, ate, got dressed, and went to
school.
(11:57) Ok, alright. Now I guess at the end of 1944 things changed a little.
(12:03) Changed, once the Germans were out in October 1944, the Partisans came into town.
And then the rations started, like you got one box of matches for a month and the food was never

�rationed because everyone had plenty food. And they took all the radios away, the bicycles, the
jewelry. In the beginning it wasn’t so much, but after a month, like in the beginning of October
they came in, by the end of October they used to go in houses and just take what they want.
(12:58) Ok, now the Partisans were they Croatian? Were they Serbs?
(13:04) The Partisans mostly were people like Serbs that used to work for the farmers and now
they were not the helper, now they were they were the boss. So, that’s how it basically worked,
but, and then they also, well, half the town retreated with the Germans that fled back to
Germany. We were on the wagon already, but my sister didn’t want to go, she made a lot of fuss,
so my mother pulled out. My father was in the German army, so was my brother.
(13:48) Ok, at what point did your father have to join the German army?
(13:52) The beginning of ’44. Everybody had to join if you wanted to go out and hunt. They,
actually, they got a rifle and they got five…first they wore like guarding to town, because we had
like five factories that worked hemp and they started burning. And you know, the Partisans used
to come there and tried to light them up. So, they, first they wore like, uh, just like guards.
(14:28) Yeah, like police or security guards?
(14:30) Yeah and then in the middle of ’44, he had to join the German army just before they
retreated.
(14:40) Ok, so he retreated along with them, then?
(14:43) Well he was in the army. He got us, actually, he got us a wagon so we could go. His
commander gave him some, he probably lied to him, he gave him a wagon and told him, “Make
sure that your kids and your wife flee.” And we were, it was just like the 49ers go out west.

�That’s how they said like maybe 20 – 30 wagons and they all stayed together. They had one
leader, I guess.
(15:21) But in the end you didn’t go …
(15:23) We didn’t go, so that’s … then it got bad and they used to uh, my mother and my sister,
they used uh to go to work – everybody that was able to work – the Partisans would come and
they had to do, I don’t know exactly, they just took them out of town. Like my mother was in …
there was a German airfield where they had to go flatten it out because it got, they used a plough
and they had to level the ground off again. And my sister, I don’t know where she had to work,
they used to come home at night and right after Christmas they got a certain age group and they
told them that they had to come and form at the city hall and then they told them to go home and
bring fifteen days’ worth of food and clothes and then they took them and I don’t know where
they went. They ended up in Russia, of course we didn’t know it at that time. My sister was like
five years in Russia.
(16:45) In Russia?
(16:47) As a prisoner, yeah. There was like, Tito promised Russia for his work heads [camps?]
he had to send workers. So that was the where there was a certain age group. Like my cousin she
had two little babies, she had to leave them behind.
(17:13) Did they target ethnic Germans?
(17:16) That’s all there was, was Germans, yeah ethnic Germans. Matter of fact, if you had …
There were some Germans who had a slavish [Slavic] name and they had it a little better, but that
was only a few families. But, basically all the Germans in a certain age group, a certain
percentage, they just took out and shipped them to Russia.

�(17:50) Now, did you stay with your mother?
(17:53) I stayed with my mother then, and then a few weeks later my mother had to go. They
picked her up of course we didn’t know where she was, she just never came back home. She
ended up in a hard labor camp and so I was sleeping by myself in the house and I saw the
neighbors and I had my aunt she lived right next door to me. But, mostly I was by school friends
their parents, ate there and then by night I had to go home and sleep by myself. That’s the scary
part, that what I remember.
(18:40) Now how long did that go on?
(18:42) That went on for like two months. Then, on Good Friday ’45, I was in March. They came
and started in one end of the town and went house to house, like three Partisans or two Partisans,
and they came in if there was somebody in the house they could take whatever they want of
course you couldn’t take that and you have five minutes to leave. They started on the North end
and I lived on the South end. And, because there was a great big meadow, I could view houses
from my house and we all, the whole town, got put in the meadow with whatever you took along.
They kept us there all afternoon and then at night they put us two streets before the railroad
station. They put I don’t know how many people in each house, whatever it took and then the
following Saturday we were put in cattle wagons and we got shipped out to, it was a town we
called it a concentration camp, it was a town. You had like a regular bedroom, you had like
maybe ten people that are sleeping on the floor. They put straw in there and that’s how it was and
then you had one … there was one house there was like a kitchen and that’s where you picked up
your food and you got a coffee cup full of ground cole [cabbage] and water soup without salt,
without grease. And I went there with my aunt and my aunt had two little babies so I basically as
a ten year old, I actually was nine and a half, and I had to help her.

�(21:28) I think before you had mentioned that you had an aunt with two babies that you
said had to go away?
(21:34) Pardon me?
(21:35) Didn’t she … Did you have an aunt who was taken away along with your sister? Or
was that a different person?
(21:40) No, that was the two babies’ mother that got taken away. She was also in Russia, but she
died.
(21:49) Ok, so the babies are left with what is really their grandmother?
(21:51) With their grandmother, yes.
(21:53) That was your aunt?
(21:55) That was my aunt, yeah. And when they took us in the concentration camp I just, well
they took everybody you had no choice.
(22:07) Was this camp still in Yugoslavia?
(22:08) Yes.
(22:12) Were there Partisans guarding you?
(22:14) Yes, there were Partisans guarding the whole town. Each street they had soldiers; you
know big guns. That was day and night. There was no wire, but we used to sneak out at night and
go begging but that’s because the food was so bad.
(22:38) So, when you went begging where would you go?

�(22:40) We went to a city that was basically inhabited by Serbs and Hungarians and we’d sneak
out at like twelve o’clock at night because we know when the guards change and so on. We’d
walk, we’d go out of town and there were piles of straw from farmers and we’d crawl in their
until it got daylight and then we’d walk like 15 km, or like 10 miles something like that it’s a
little less than 10 miles.
(23:22) Ok, and then when you would beg would you try to go to Hungarian families?
(23:25) No, we’d go from house to house. The Hungarians were not too fond of the Germans but
the Serbs, the Serbian people, were good. I mean not everyone gave you something, but most
people gave you a little bit.
(23:48) Now, did you have the sense that most of the Serbs didn’t like the Partisans either?
(23:53) No, I wouldn’t know. I would not know because most of the Partisans came from … it
just was there were guys that used to be workers for the farms, there were stories going around,
they were really bad.
(24:14) So, it’s just a very difficult time and a very confusing time.
(24:20) But it was, we didn’t know. You know, as a kid you don’t know. Besides being hungry,
we all were hungry that’s why you went begging. Especially for my aunt who helped the little
kids. I mean, I called them little one was a year and a half the other was like three. So, every
little bit helped but I just stuck along.
(24:57) Now the Partisans, so they weren’t like taking roll every day? They weren’t
counting all the people every day?
(25:03) No, no, no.

�(25:05) They just didn’t want you to leave?
(25:06) Matter of fact when we used to go back a lot of times they intercepted us so once they
had officers they had fifteen, twenty, intercepted. We used to go begging in groups of three or
four. You know, you get out all alone you know and then you meet each other at a certain point,
but when they used to intercept us, and then they made us sing Hitler songs. They all, most of
them could speak some German probably and then they beat us up. That was their sport.
(25:46) Ok, but they weren’t lining you up and shooting you or things like that?
(25:49) No, no, no.
(25:50) They just brought you back.
(25:52) They did only occasionally there was like probably what we thought what old people
maybe like twenty, twenty-five years old. When they caught them, they used to beat them up so
bad. I remember we got … once they put us in a cellar in a farmhouse there were thirty-nine
people in there and they put a hot kettle of oil in there. That was their thing. And they’d get
fumes and they’d lock up the basement - we call it cellar basement is what you got here - then in
the morning they let you out because once you get fresh air again, you almost fall over. Then the
older people, they had look in the sun for us kids, we were supposed to look in the sun too but
they didn’t beat us up, but they beat them. I’ve seen them when they beat people so bad. If you
look in the sun and you close your eyes, you can’t close your eyes they were watching. That
didn’t happen daily, that just happened at one experience I had. And a lot of times they
intercepted us just before you get into town, they took you to the main building. They had a big
cellar they’d lock us in sometimes for two, three days. You know, and then they’d come up once
they figured we were in for long enough they’d let us out and we’d go out the front door and

�back the back door because we knew where all the knapsacks were from when they took food
away from other people and you’d steal it and run and run to church. There was the church
across the street. You’d hide in there for a while and then when you’d think it was time … it was
like a game.
(28:12) Now, most of the time did you not get caught?
(28:17) Most of the time, I didn’t get caught.
(28:21) Now how long did you have to stay in that camp?
(28:24) I was like, I was there from like March to the 22nd of December ’46. In the meantime,
after about a year my mother escaped a hard labor camp and she came to our camp, but she was
with me and she wasn’t with me. Somehow there was another camp within the camp where they
had people who were able to work. I can see that out of her statement that, like I said, she
worked in that camp, she had to go to work.
(29:13) But would you ever get to see her or spend any time with her?
(29:16) I’d see her like sometimes in the morning really quick and sometimes at night and then I
don’t know where she went.
(29:28) So, mostly you’re still living with your aunt at this point?
(29:30) Yeah, I always lived with my aunt until my mother somehow there was maybe sixty to
one hundred people, they had to pay to a guy to take you across the border. We went from, we
escaped there and went to Hungary. And when we crossed the border there was a daily thing
where they, the Partisans, opened up with the machine guns and would just shoot. There was

�always a lot of dead people. We’d seen them, everyday they came with the wagons and you’d
see the legs hanging. I used to live on the main street by the cemetery, close to the cemetery.
(30:24) So, was your town close to the Hungarian border?
(30:28) The camp was, yeah. Actually, what was our town was supposed to be the concentration
camp. Originally, they brought people from other towns into our town. And then I don’t know
who made the decision to put the concentration camp closer to the Hungarian border. That was
our luck, because if they would’ve had it in our town and if we would’ve gotten the food that
they had there, we all would have died. They had daily eighty, sixty people die from
malnutrition.
(31:15) So, your mother did she have to bribe, is she paying someone to smuggle?
(31:21) She was paying, yeah. I don’t know where she got the money. They usually had jewelry,
or whatever they had left. Whatever or however she got it, I don’t know.
(31:34) Now, do you remember yourself getting out of the country?
(31:39) Yeah.
(31:39) What happened, what did you do it during the day or at night?
(31:41) At night. Yeah, I know when we crossed the border. When they started shooting. We all
got scared and I found my mother again and of course she would scream, and you’re scared. And
then we went in Hungary, well we didn’t know where to go we just kept walking. And we found,
they had isolated houses like between towns. Most of those were from farms. And there was
light, and we went in there and through sheer luck there was a man that was actually from our
town. He was the help. There was a cow and a calf. And he got us organized to go live with some

�Hungarian people for a week or so, my mother helped out because the farmer’s wife was sick.
And we got a little money and then eventually we started heading towards Germany. So, we
hopped a train, got to the train. We had a little money and you run out you had to get off and
kept walking, so you walked on to the next station. You basically walked close to the railroad
tracks because you knew that they went north.
(33:27) Now did you, Hungary at that point doesn’t have a border with Germany. Did you
go into Austria?
(33:33) Hungary had a border. Hungary had a border with Yugoslavia. Hungary had a border
with Austria. Yeah, we walked basically all of Hungary. I mean, we hopped trains, we walked.
Matter of fact when we crossed the border from Austria there was somehow, we got together
with another group and we were almost on the border and the Hungarian police started shooting.
No … I think it was the Hungarians, they started shouting for us to stop. They thought we were
Russian soldiers. Hungary was occupied by the Russians too and the Russian soldiers used to go
try to find women. I just know this from my mother, I couldn’t say that. And the Hungarians
thought that we were Russian. So, when they started shooting, they had to take us back, so they
took us back into town and they fed us really good and they treated us, the port police. And at
four o’clock in the morning they ordered us to get ready and took us to the Austrian border. And
so, it was the same thing. We walked basically through Austria, hopped trains, and you know
you get kicked off and we ended up in Vienna. And there was like a little camp where people
that was sort of like organized for people that were fleeing through. They’d get like a day or two
break. And we were there and from there we went to go North, we went to Linz, that’s in Austria
also and we were there like two weeks I think, and my mother got, that’s when my mother got
interviewed. She gave like a statement of what happened to her.

�(36:06) Ok, and so the document that you showed me before the interview, that was her
testimony? [a translated version of this document is attached to this file]
(36:10) Yes, that’s her testimony of what happened to her.
(36:14) Was she applying for refugee status?
(36:17) No.
(36:18) That was just for being allowed into Germany?
(36:21) We crossed a border every time, except when we got to see in Austria like when we got
out of Vienna, that was a Russian zone. So, we walked in the Russian zone. In order to go in like
Linz is a city in Austria that’s across the Danube, that was the American zone. My mother had a
picture, like a group picture, and the Russians gave us a passport to get across, but the Americans
didn’t want us so we … there was always like a group, like 10 – 20 people when I’m talking
because that’s how we, nobody went individual. So, when we got across the, we walked across
the Danube on the bridge. When we got there, on the American side, but they didn’t want to let
us through. And there was a trick as a kid you had to cry and so they felt sorry for us, so they let
my mother and myself go through, but the next group they didn’t let go through. They had to go
back, so the Russians took them actually. Then people were two weeks earlier in Germany than
we were. (37:52) We went to Linz, like I said, we stayed there a couple weeks. Then we went to
Passau, that’s a city in Germany. I had an uncle that lived close to that area, we had a destination
where we’d go. So, when we crossed the border from Austria into Germany, we laid there all
night in the woods until it got daylight and then we’d cross the border. And when we went, it
was a rainy day when we went. And the first guy we’d seen with a bicycle had a tarp over his
head was a border police. We asked him for directions to the railroad station. When he found out

�where we came from, he tried to put us back. There was, I cried again and he let us go and we
found the railroad station and when we walked up the steps, my mother – there were people
already from our hometown – she just happened to run into a person, she said “Your mother and
father are in the main waiting room.” My grandmother and my father were going to go to the
Red Cross in Passau to look for us. Nobody know from nobody where anybody is. That’s how I
met my father after two, after he was about two years. My grandmother she fled, she retreated
with the German army. We had no idea where she was and she, they all went to my uncle. And
so then my brother when he got released from the army that’s how we found each other.
(40:01) Now, but your sister was still off?
(40:07) We had no idea where my sister was. We didn’t find that out until 1948. They were
finally able to write, but we had no idea when she comes. Then at the end of 1949, I think,
Russia agreed to let most of them go, but there was a lot of them that perished.
(40:35) Now once you and your mother have made it to Passau and you now have met back
with your father and your grandmother, what does your family do at that point?
(40:45) Well, there is nothing… we had … well my father was just released from a Russian
prison. He was a Russian prisoner. He was released and he stayed with my grandmother. And
when we came, we had to look for someplace to live. So, the German government made
everybody give up a room. So, we lived by a farmer. He gave us our bedroom, living room, and
dining room. There was only one room, that’s how we slept was kitchen, bedroom, bathroom, I
mean, whatever.
(41:37) And did you work on the farm? Or did your father work there?

�(41:41) No. My father couldn’t work no more after the war. There was actually no work and we
stayed there, we got there in ’47 and we stayed there until ’49. And then there were so many
people from different countries, from Czechoslovakia, from Poland.
(42:11) Right, because a lot of ethnic Germans were kicked out of those countries.
(42:14) So, there were so many down that were in Bulgaria and they gave us an option if we
would move to the western part of Germany, they gave us a house, for nothing basically. But my
sister brought, my sister met her husband in Russia. He came, so she brought her boyfriend
along, but of course they got married, but they decided we’d take that offer. So, we went to the
western part of Germany. And there was no work either, there was a poor country and a poorer
area than we what we left. So, we were there for two years and then we left.
(43:07) And what area was that? Or what town?
(43:09) In the Eifel, by Bitburg. I don’t know if you’ve heard of it. Bitburg was in the news. And
I know my brother he worked on that airport, the big building, a big airport. The U.S. did that.
And so, we lived there and then there was, uh, my brother ended up in Augsburg, in between
Munich and Augsburg. There was a, what they did, the German government, gave people like us
the option to build houses for 1% interest with a 99-year mortgage. And that’s how my mother,
my parents, my grandparents, of course my grandparents went with us too, to Bitburg, and
everybody put their money together and they ended up building a house by Augsburg. My
brother did that with his wife and his in-laws. Then we went from Bitburg to Augsburg.
(44:32) Now, during this time when you’re in these different places in Germany did you go
back to school?
(44:39) I was done in school when I left Passau.

�(44:43) Ok, so you went to school in Passau?
(44:46) Yeah, and then … well I got out of school in ’48 and all I had to do was go to grade
school, I mean it’s like a grade school. I had to go with the farmers. Then there was also in
Passau the American army created a center for kids who couldn’t find apprenticeship, because to
find apprenticeship you had to have connections. They created a center for kids that volunteered
to come there if your education was as far as middle grade, so I was there they paid us the fee for
the railroad. They gave us the free card. That was a good experience actually.
(45:43) Alright, and did you get to know any of the Americans there?
(45:48) No, it was just created by the American Army. It was like a free thing, that was the first
time I’d seen a baseball bat and a glove. We didn’t know what to do with it, they tried to teach us
but none of us had any interest. We played soccer.
(46:10) And when you were in Bitburg did you work at all?
(46:13) No. I did actually I worked for a farmer for nothing, just for the food. And he was in the
woods at times and he used to track deers and wild boars. That’s the reason I worked for him,
because he took me along. So, we used to track wild boars and deers. For the one week the
American army would come and the next week the French and Austrians would come and they
gave us like eight bucks a day. There was lots, a lot of money for me … yeah and that’s all. Then
when I came back from Bitburg to Augsburg, we had each house had to put 1200 hours’ worth of
labor into the … you had to either work in the house or in the hut. I was the guy who got
appointed to that, because my brother was still in Bitburg and I came with my mother and stayed
with my brother. So, I did the work for basically us and my brother got credit for like I used to

�lay floors, wooden floors. I used to lay wooden floors, paint, stain, whatever there was. Like I
said, you got credit. So, many hours you got actually compensated.
(48:08) So, at this point are you kind of supporting your family?
(48:12) Pardon me?
(48:13) Are you supporting your family at this point?
(48:16) Not … well my, in a way I did without realizing it. I had nothing better, I had no … and
then like three months later I got an apprenticeship. Of course I was looking, we always were
looking for, to find something. So, I had finally gotten an apprenticeship and then I worked.
(48:40) And what kind of work?
(48:43) I was like uh, in the steel trade. You know, it’s like tool die. I would work anything, over
there you did anything and what we did, well you start at seven and you work ‘til five and then
the workers go home and you have to clean the machines and sweep the floor. So, I used to leave
the house at like six and come home six, seven at night every day with the bicycle. I was riding
like every day like fifteen kilometers you go with the bicycle and there was not a ten-speed bike,
it was just a regular bike.
(49:33) Now as time is passing, could you begin to see the German economy doing better?
Were there more jobs, or was it still pretty bad?
(49:43) Actually, when I was there it was ok, but it wasn’t too good. And I … like I said I started
an apprenticeship late. I started three years later than the average guy through moving and stuff.
So, I really had no money. I was like eighteen, nineteen. I got like a dollar and a half each week

�the first year and two dollars the second and three dollars the third. A week. And that’s it, but
that was common.
(50:26) Now, did the government provide any support for your family?
(50:31) Yes, my father couldn’t work. He got just like, he got like 120 marks a month. Which
was, well not enough to live but something. You had to … everybody, nobody got more, they all
got the same.
(50:53) Um, but did you complete the apprenticeship and get a job?
(50:57) I did my apprenticeship and then I went to work for a company that did like caterpillars.
They built buildings, they built bridges. It was all in the steel work, but when I graduated you
couldn’t work as a journeyman until you had your journeymen’s card. You had to go through a
test. I graduated in July and then the next test was not until October. And the place I worked, my
hourly wage would up a mark and eight pennies. So, I started at a shop in this steel firm there for
two mark and fifty cents, I started as a welder. So, I worked as a welder until I got my
journeymen’s card and then I was a welder, mechanic, whatever.
(52:04) Ok, now how is it then that you wound up coming to the United States?
(53:08) Well that was a funny thing. I went, I had a cousin that was the Uncle we met in Passau,
they moved to the US and my cousin was in the American, he came back as a GI, as a soldier
and he came to visit us, came to visit his grandma. So, he said when I get done with my
apprenticeship to come to US and well that didn’t appeal to me really. But I went to Munich to
some party and I came home and I had a bit too much to drink and so the next day my mother got
me out of bed and “I want to stay in bed.” She said. I went drinking and she came with a broom
stick and got me out. So, instead of going to work, I drove, I hopped a train to go back to Munich

�and I had to kill the day so I decided, I found the American Consulate so I went there and filled
out some paper. And I wrote my cousin a letter that day if he would sponsor me, not with the
intentions of coming and five months later, well a few months later they start doing background
checks on me and people would ask me what happened. I said, “I don’t know.” And then I found
out what that was and that started the yeah, I’m going to America. Well, when the time came I
really didn’t want to go because I had friends there and we had a good time, but since I had a big
mouth I had to. So, I came back, I mean I did go to America.
(54:27) So, what year did you get to America?
(54:30) In ’56. I couldn’t speak one work of English. And I started working for General Motors
as a tool and die maker and I just never liked it. I couldn’t speak the language, so I decided to
quit and my supervisor says “No, you don’t quit, you take a leave of absence.” Which I didn’t
want to do but I finally agreed. So, after eight months I went back home. Well, then times were
better in Germany, but I ran out of money, so I came back. Then, I got married and a year later, I
told my wife if you marry me we’re going to move back to Germany so we went back to
Germany in ’61 and things were not the same. Germany’s economy was in a boom, the people
all had cars now, they all had televisions, nobody socialized no more. So, the whole system
changed. In the beginning when nobody had a television, we all met in a beer garden. They had a
place where you played cards and we always had a good time and that was all gone.
(56:09) Now, was your wife American or German?
(56:12) American, but she was of German descent. Her parents were German.
(56:18) So, would you talk to each other in German most of the time?

�(56:21) That we did when my oldest daughter, she was that time like a year and a half. So, my
wife could speak that good, she spoke very good German. So, we spoke German, so the little one
could speak German when we get there. So, when we came back from Germany a lot of the
neighbor kids would laugh at that and she would come home and cry and the kids make fun of
her. So, that’s when we decided to speak English.
(56:57) Ok, and then did you wind up staying as a tool and die maker?
(57:02) Yeah, I worked 36 years for General Motors.
(57:07) Alright, well that makes for a really a very interesting story. Are there other things
when you think about the time you were living in Europe, whether in Germany or before
that, are there other things that stand out in your memory that you haven’t talked about
yet?
(57:23) Not really, I mean the hop from place to place was really not always exciting.
(57:36) Alright, well you’ve had a lot of experiences that a lot of people would have never
even thought would have happened.
(57:42) Well, that’s a good thing.
(57:44) Alright, well thank you very much for taking the time to share your story today.
(57:48) Thank you.

�Translation of affidavit given by Magdalena Lux when requesting permission to enter Germany
with her son, Melchior Lux.
Translated by Sarah Schneider

Factual Report from Magdalena Lux
Maiden name Haus, born on April 26th, 1907 in Backi Gracac, Mother of Melchior Lux, born
September 8th, 1935 in Backi Gracac, Bresowatzer street 17, currently traveling through Linz.
On the 21st of October in 1944 the first soldiers came to our town Backi Gracac. They did not
bother us the first day. On the 26th of October in 1944 the Russians came to our town. I cannot
say anything about them, because they only invaded our town and did not do anything to anyone.
Afterwards the soldiers began to raid. At first, they took clothes, linen, jewelry, furniture, and
gold.
On November 1st, 1944 the Partisans announced that all locals who own radios, bicycles, and
military items must be turned over to them. Those who did not comply were shot.
After November 1st, 1944 those who were fit to work had to work every day in Odzaci at the
city’s airfield in order to make it level. It was ploughed down during the evacuation of the
Germans.
On November 2nd, 1944 (All Souls’ Day) we did not go to work, instead we went to church. We
were also not asked by the soldiers to go to work either. While we were in the church, the
Russians came to the church to collect the workers who worked in Odzaci. The largest group of
the workers were in the church, the Russians chose to surround the church and shoot. After that
we left the church.
On November 11th, 1944 Mrs. Eichinger, born Eichinger, born in 1905 was shot by the soldiers
in front of the vicarage. It was announced before, that the previously mentioned person would be
shot and that the citizens must attend the execution. According to the testimony of my relatives,
who drove the woman who was shot to the cemetery, Mrs. Eichinger had survived. When they
told this to the soldiers, he was slapped, beaten with the butt of the weapon and commanded to
bury her. Before he laid her in the grave, he wanted to wrap her in a cloth, which the soldiers
prevented him from doing.
On November 25th it was announced, that all the men between sixteen and 60 years old needed to
report to the municipal office. From these men 85 were locked in the church and 240 drove to
Odzaci, from where we learned nothing more. The previous year in the fall, an airport in Odzaci
began running, at which one found many human corpses. We assumed that these were the
corpses from Backi Gracac.

�After November 25th, 1944 we had to go to Sombor to the airport for work. We did not receive
food or compensation for the work.
On the 27th and 28th of December in 1944 two carriages left our town for Russia. From our town
320 girls and women and 80 men were sent to Russia through these carriages. So, women were
sent to Russia and would be forcibly separated from their infants and the children had to leave
home without regard of who would take them.
In January 1945 every day we had to go to the field through the cold and snow in order to break
corn, corn leaves to cut, and so on. A group of us had to go to the hemp factory for work. Here,
children as young as seven and men as old as seventy would work. In the factory we would
receive taskwork. One person had to produce one cubic meter of Hemp. We were always told
that those who could not complete his work were sent to Siberia.
In February 1945 all children between the ages of 13 and 17 and their mothers had to go to
Sombor with brooms in order to sweep the streets. None of them returned.
On March 11th, 1945 the soldiers announced that all that are fit for work had to report. When we,
around 500 people, reported we traveled to Sombor. From this, I was assigned to Uprova
centralnog logora with 16 women from Backi Gracac. There we had to organize the Russian and
partisan soldiers’ bathrooms, rooms, and beds. We stayed here for three weeks. Our bedding here
was a small space where we had to sleep on the floor, other than that we were allowed scattered
straw. For food they gave us water soup in the morning. In the middle of the day and the evening
we were given soup with 20 dkg of corn bread.
On April 8th, 1945 we all had to line up. There was something around 1,000 people in the
courtyard. There the soldiers shot around us and threatened us: those who did not hand over all
of their money and jewelry would be shot. This lasted almost the entire day. Almost all of us
were desperate from fear. The men, of whom they could find with no money, they beat so
extensively, that skin from their head hung down.
On April 10th, 1945 nearly 500 men had to go to Osijek in order to build the city railroad track.
The men worked for 5 weeks. From the 500 men, only 150 men returned. Those who returned
told how they had to endure inhumane treatment and were beaten so terribly and that’s how
many of those who passed died. The rest of those who died were shot. Other statements from
those who returned were also terrible.
On May 5th, 1945 I arrived in Novi Sivac with 500 people. We had to walk the entire way,
around 30 km. Once we arrived in Sivac, we had to travel again, around 20 km, to a federal
estate. When we arrived, we would be given work and would work for 2 days in the fields. In the
night we would sleep under the trees. There was no space available for us and the soldiers who
accompanied us, we headed back to Sivac by foot. During these four days we did not receive
anything to eat.

�When we arrived in Sivac we were received by the camp commandor, a Jew, who went down
every row and hit each person in the face with a riding whip. He then put us to work. In Sivac we
had to clean and furnish houses for the Greeks. 5,000 Greeks were coming from Germany to
Sivac. When the work was finished, we were to store the extra stock and the next day we would
sell it to the farmers. We worked by the farmers on the fields. Everyday the camp commander
would drive on the fields to see if we were actually working. He stayed wherever we worked and
let us come to the car. We had to stand still in front of the car and he would hit us in the face
with a riding whip. After he would say that was not all, because we Schwabiens did not deserve
any better. Those who did not work diligently, would receive beatings and it was always like that
for us. You all came to a camp where poisonous blows are. They must sting and bite you until
you’re dead. And a group of you came to a camp where wild and hungry animals who tear and
eat at you until you are all dead. For you, there is no mercy.
At the end of May, the partisans forced captive Ustasas [collaborators] through the city. The
captives must remain in front of the apartment of the camp commander. Then he came outside
and shot three of the Ustasas dead, is what I saw with my eyes. After, the partisans forced the
Ustasas towards Veprovac. Two Ustasas received the company of a Partisan. The colonists in
Sivac, children and women chased the group, they beat them and threw stones at the Ustasas.
In the camp in Sivac we were housed in a space with around 80 people. We had to sleep on the
floor. We could not spread any straw and received no blankets. We had to share 3kg of beans or
berries among 500 people daily and 1kg of flour for the preparation of the meal. We did not
receive salt or fat. We did not receive any medical attention. We had to work on Sundays and
holidays. We could not go to church because it was closed. The cemetery was destroyed. All
crosses and monuments were knocked over and the wooden cross was burnt. In the camp we
were full of vermin. We could not get water to wash and clean ourselves.
On the 27th of July 1945 we arrived at a camp in Sentivan. There we had to go to the Hemp
Factory to get work. By this work we were always forced and constantly beaten. I would once be
beaten at work, only because I wanted to wipe my nose. Since I had diarrhea and was often on
the side, I came away with only 7 sticks. From this I had two teeth knocked out and my nose was
broken. My facial skin had burst. The meals were the same as they were in Sivac. There was also
no medical treatment. The church was closed, the cemetery was destroyed like it was in Sivac.
On October 12th, 1945 I arrived in camp Gakovo. In Gakovo we were housed in private housing.
When we arrived, there were already camp inmates there. We would be housed in those spaces
of the camp inmates who died. There were no more windows or doors. The rooms were full of
vermin – what we were already used to from the other camps. In the morning there was ¼ l of
water soup, at lunch tainted barely soup that one, despite their giant hunger, could not eat. Most
of the camp inmates who ate the soup, died of the consequences. In the evening there was
alternate pea – or bean soup. Often one found no beans or peas in the soup. The food would be
prepared without salt or fat. The medical treatment was very poor. It was a camp inmate who

�was appointed as the doctor, who was very comfortable and who was not even examined. In any
case there were no drugs. We could not visit the church and the cemetery. Now and then on big
holidays we tried stealthy ways to get into the church. The majority of the time we would be
caught by Partisans, driven to the commander’s office and on the entire way beaten with the
gunstock. At the commander’s office they beat us women with the bull’s pizzle on the naked
bottom. After we would be locked in a basement for three days, where we received no food but
only beatings.
At Grakovo 100 parentless children came to the school Kanjiza and would be raised in
communism. One day 80 young boys without parents came from away from here. Where they
came from, we never learned.
Three women from Filipovo – Theresia Hönisch, born Harer, year 1912; Anna Pertschi, born
Gilich, year 1907, country women; Anna Hog, born Flatt, 48 years old – who all had young
children, which before the hunger wailed, that they must die, they had decided, to go begging.
On the way they would be caught by the Partisans and were battered in such a way, that
Hönisch’s spleen would break, and she would die as a result of this. Pertschi would lose her
kidney and in a day she is also dead. Hog dies also due to the beatings in the prison.
After Gakovo came also a large number of soldiers that were returning from Russian
confinement to the camp. They were so beaten every day, that many of them died. Many of them
had their eyes knocked out from the beatings. After the beatings they would be kept in the cellar.
But before they came to the cellar, they must stand on the stairs where they got a blow or a bump
with a riffle so that they would fall headfirst down the stairs. Due to this, the majority of them
would break ribs, legs, arms, etc. When one of them did not fall down the stairs as the Partisans
meant, they must again come to the stairs and begin again. While the unfortunate drop down the
stairs the Partisans laugh and it makes them jolly.
Us women in camp Gakovo must go out in the fields and cut brushwood as well as corn stalks
and pull the corn stubs out of the ground. Afterwards must we go back to the town – and in fact 4
women – and fetch a wagon. That we load up with brushwood or corn stalks and the corn stubs
and then pull the full wagon home. By this opportunity made it the Partisans great joy to hit and
abuse us. We had to pull the wagon there and back about 15 km.
In Gakovo in January and February 1948 died 60 to 80 people, once even 120, daily. The people
died due to scurvy, dysentery and Typhus, frostbite and mistreatment.
The number of camp inmates in Gakovo is unknown to me. The dead were carried out of the
houses onto the street. Every afternoon a manure wagon or wheelbarrow would drove there and
collected the bodies. These were thrown like a piece of wood onto the wagon and were brought
to a mass grave. In a mass grave there were 400 to 600 people.

�While I was in Gakovo, 6 women jumped from torment and hunger into a fire and one hanged
herself. The cellar was the housing that I was in, would often be used as a prison if the cellar of
the Partisan housing was over filled. Next to the cellar was a boiler house. Once, the Partisans
poured from a kettle boiling hot water on 37 caged men, women, and children in the cellar. From
this scalded 5 women and 7 children so badly, that they died from this mistreatment.
On December 20th, 1946 I had decided to go through with my child, what I indeed also
succeeded. I went with only 100 people over the border of Hungary from where I came to Linz.
I testify, that the above statement fully in accordance with the truth and I am always ready to
repeat my statements.
I testify the accuracy through my subsequent signature.
Linz, February 25th, 1947.
Magdalena Lux.

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="867268">
                <text>RHC-27_LuxM2285V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867269">
                <text>Lux, Melchior (Interview transcript and video), 2016</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867270">
                <text>2016-05-28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867271">
                <text>Melchior Lux was born in 1935 in Filipowa, an ethnic German community in Yugoslavia, in 1935. When the German military invaded in 1941, Lux and the Germanic townspeople welcomed the incoming soldiers. His brother joined the German Army and, later, his father was forced into the service in early 1944. When the Germans evacuated in October of 1944, along with his brother and father, Serbian partisans took over, instating rations on supplies, but not food. Lux's mother was forced to undergo manual labor for the partisans and his sister was sent to Russia as a forced laborer. The partisans frequently tortured, beat, and abused their German prisoners and local townspeople. Lux remained imprisoned in the town until December of 1946 when his mother paid a guide to help them escape and flee to Hungary. In the Soviet Zone of Occupation, he acquired a passport and was eventually permitted into the American Zone, settling into Passau where his uncle lived. He worked as a welder until he earned his Journeyman's Card and filed paperwork for emigration to the United States, leaving Germany in 1956.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867272">
                <text>Lux, Melchior</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867273">
                <text>Smither, James (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867274">
                <text>Other veterans &amp; civilians--Personal narratives, Yugoslavian</text>
              </elementText>
              <elementText elementTextId="867275">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="867276">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="867277">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="867278">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="867279">
                <text>Video recordings</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867280">
                <text>video/mp4</text>
              </elementText>
              <elementText elementTextId="867281">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867282">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="867283">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="867284">
                <text>Veterans History Project collection, RHC-27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867285">
                <text>&lt;a href="https://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="867286">
                <text>Grand Valley State University Libraries, Special Collections &amp; University Archives, 1 Campus Drive, Allendale, MI, 49401.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="867287">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="867288">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29201" public="1" featured="0">
    <fileContainer>
      <file fileId="32075">
        <src>https://digitalcollections.library.gvsu.edu/files/original/6abc21f0646e0fef5a8994bd2b4dbd18.mp4</src>
        <authentication>5ca809f491c476b57fd3bfa77833a6c4</authentication>
      </file>
      <file fileId="32076">
        <src>https://digitalcollections.library.gvsu.edu/files/original/8a90d4896d6972f4c6aefb95e44edf8d.pdf</src>
        <authentication>6164bdc45b8894c47f7676a353fb53c7</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="548917">
                    <text>Grand Valley State University
Veterans History Project Interview
Vietnam
Wayne Luznicky

Total Time – (01:17:00)

Background





He was born in Chicago, Illinois in 1947 (00:15)
His father was a machinist and his mother was a clerk in a local food store
He has an older and younger sister (00:29)
He attended Mark Twain Elementary School and Kelly High School (00:45)
o He left high school in 1964 and joined the Marines
 He wanted to join the Marines because they were the best (01:11)
 Joining the Marines was a way for him to escape issues in his
neighborhood and at home (01:17)

Enlistment/ Basic Training – (01:22)





He joined the Marines in October of 1964
Basic Training was in San Diego, California
o He went to the recruiting station in Chicago on the day he was supposed to
report and spent the whole day sitting around (01:46)
o He was put on a bus and taken to O’Hare International Airport and took
his first airplane ride of his life (02:08)
o When he exited in San Diego there was a Drill Sergeant in the terminal,
waiting for all of the recruits
o The recruits were told to “shut up, spit out the gum, put out the cigarettes,
and get in that vehicle over there” (02:32)
o They took a small truck to the base
 There were 10 men in his group
When they arrived, the recruits were told to quickly move and get to a certain
location (03:26)
o They stood at attention for roughly one hour before they were allowed to
go inside (03:50)
o Once they went inside there was a lot of screaming and yelling by other
Marines
o They had to take all of their civilian attire and “contraband” and send it
home (04:09)

�


















o They had two minutes to shower and shave (04:15)
 They received their “bucket issue”
 The bucket was used throughout all of training (04:45)
The soldiers then received their first pair of trousers, socks, belt, covers, and a
yellow sweatshirt
o The yellow let everyone know that you were new (05:17)
The soldiers were assigned to many busy tasks – cleaning floors, swabbing them,
running a floor buffer, etc.
They continued Police Call work (06:31)
He was then assigned to his platoon – he was assigned to Platoon 3001 Kilo
Company, 3rd Battalion, 2nd Recruiting Regiment (06:47)
o They were taught how to make their racks, square away their foot lockers,
and were able to shower
When soldiers first started marching, they had to link arms with the Private on
both sides (07:41)
o There was tape on the pavement that was set up at a thirty inch pace
(08:06)
They learned Marine Corps. history
o They spent roughly 1/3 of their time on Marine Corps. history (08:44)
 They learned the nomenclature and operation of the M14, first aid,
hygiene, different aspects of living in the field, and some other
things
The physical training included pushups, sit-ups, and squat thrusts every morning
(09:58)
o They would have to run, there was an obstacle course, confidence course,
bayonet training, and hand-to-hand combat training
o He was average when it came to the physical aspects of training (10:33)
 It was not difficult – the biggest problem he had was the rope
climb
 The Drill Instructor gave him some personal help (10:57)
There were some Marines that were overwhelmed by the training (11:16)
o They were put into a special squad – they remained with the platoon but
were put into a squad that had more time spent on physical conditioning
Every Marine graduated that he was there with (11:58)
Around the third week of Basic Training, he took his aptitude test (12:26)
The rifle range was three weeks long (12:46)
o The first week was familiarizing oneself with firing the rifle
o The second week was learning the different positions one could fire from
o The third week was snapping in (13:10)
 Snapping in is squeezing the trigger but not firing real ammo
He had been in training for three weeks before the rifle training
The last week of rifle training was qualification (14:11)
o They were supposed to qualify in the morning but there was a heavy fog –
they had a stand down and had to go through the qualification process
later in the day
o It was Christmas Eve of 1964

�











o They were allowed to have packages sent to them (14:49)
Because they did well in their qualification, the Drill Instructors allowed the
packages to be opened and everyone could partake in the goodies (15:25)
o Some held back from eating the goodies – there was always payback
o One Private received a box of cigars (15:56)
 The Drill Instructors made the non-smokers smoke the cigars
The soldiers had a nice cooked meal on Christmas (17:09)
o He did not want to partake again because he knew there would be payback
once again
o The following day, the Marines had to go four miles down the beach doing
Double Time (17:50)
 They had to go from Camp Pendleton to Camp Del Mar
There were seventy men in his training platoon (18:17)
When they returned to San Diego, California from rifle training, the Marines had
four more weeks of Basic Training (18:27)
o Basic Training totaled fourteen weeks
The first week back in San Diego was spent on Mess Duty
After that, there was more classroom work (18:54)
They were fitted for their uniforms as well
At this point, the Drill Instructors were not as harsh as they had previously been
There were two different physicals that they had to go through (19:36)
o The first was the standard pushups and other activities (19:41)
o The other was physical readiness testing
 He had to wear full field gear and do certain drills
 All of the events were timed and had to be done properly (20:40)
 His platoon did extremely well

ITR Training – (21:20)








After Basic Training, he had ITR (Infantry Training Regiment) (21:27)
ITR was at Camp Pendleton in San Onofre, California (21:32)
ITR training consisted of learning how to fire automatic weapons, having
demonstrations of the rocket launchers, the 60mm mortar, the M79 grenade
launcher, they threw hand grenades, learned about white phosphorous, smoke
grenades, they learned infantry tactics, etc.
o The M1 was used in the ITR (23:00)
o They all fired the BAR and the 50 Caliber
They learned how to ride in helicopters and deploy once they hit the ground
(23:28)
They participated in a war game (23:40)
o Operation Silver Lance
 He was a part of the aggressor force
The ITR was a six week program (24:00)

�














He, along with some other men, were told that they were going to report to Naval
Air Station in Memphis, Tennessee for Aviation Training
He was able to go home for a 20 day leave before reporting to Memphis (24:45)
At this point he was very aware of what was going on in Vietnam
o He was aware of Vietnam before he enlisted (25:20)
The first Marines landed in Da Nang, Vietnam when he was wrapping up his ITR
When he arrived in Memphis, he went to the receiving barracks (26:31)
o He spent a week there until he was put through a series of tests where he
was asked different questions
o They were able to express any preference for a job (26:58)
 Some of the jobs were aircraft mechanics, hydraulic mechanics,
sheet metal men, etc.
o He qualified for anything he wanted (27:49)
 He ended up choosing to be a mechanic (27:58)
 He wanted the chance to work with helicopters
The training to be a mechanic was roughly three months long
He was trained how to use a file, a drill, what the different manuals were, how to
be an aircrewman, and went through simulated jumps
o They were taught the different principles that aircraft operate on (26:33)
After the training he was certified as a general mechanic
He never trained on a specific type of aircraft (27:59)
He graduated in early August of 1965
He was assigned to the Marine Corps Air Station at Cherry Point, North Carolina
(30:25)
o He was assigned to the VMFA (Marine Fighter Attack Squadron) 323
 They were shipping out but it was decided that he would stay
behind (30:48)
o He then worked with the VMFA 513 (30:58)
He did regular maintenance and mechanic work at Cherry Point on the Phantom
F4B (31:30)

Specialized Vietnam Training – (31:40)





In January of 1966, word came that the military was looking for volunteers to go
to Vietnam (31:53)
o He jumped on it and volunteered
 It was where the action was and he wanted to see how he would
react to a combat zone (32:10)
He heard talk of Da Nang Air Base and the night that it was hit
o The weapons were locked up in the armory when they were hit (33:07)
He then went home on a short leave before reporting back at Camp Pendleton
(34:11)

�






o He went through another month of infantry training that was tailored for
Vietnam
o They watched movies of the atrocities that the Viet Cong committed
(34:44)
o They went through field problems
 One field problem was “Nightmare Alley” and it had all of the
booby traps that one could encounter in Vietnam
 There was a simulated POW (Prisoner Of War) (35:25)
 It was a SERE course (Survival, Escape, Resistance and
Evasion) (35:37)
 The simulated POW camp lasted three days (36:20)
When they were in the POW training camp, they had to find a way to get out
o The “enemy” had taken most of his equipment except for his can opener
and PFC Chevron (38:09)
o He and another Marine started scraping at a piece of wood that became
weak enough that they could set it on fire
o They were eventually cut loose (39:03)
While he was training for Vietnam, he never had any second thoughts about what
he was doing
The worst part was simulating an abandoned ship – they had to swim the length of
a swimming pool (39:32)
o By the time they were given there equipment, it was all waterlogged from
previous training
They then boarded an aircraft that stopped in Hawaii to refuel and eventually
landed in Okinawa (40:10)

Active Duty – First Tour – (40:37)








The Marines were processed in Okinawa
o They spent three days there drinking beer and waiting to be shipped out
o At this point they did not know where they were going to be shipped out
to (41:07)
 He just knew he was going as a replacement
When they left Okinawa, he looked out of his porthole and the engine was on fire
(41:51)
They switched aircrafts and then flew to Da Nang, Vietnam (42:01)
o They landed around noon
His first impression of Vietnam was that it was hot (42:20)
o He also noticed that Da Nang Air Base was very busy
They had noon chow before he processed and on his way to Chu Lai, Vietnam
(42:44)
o Chu Lai was thirty miles south of Da Nang
He had heard that Chu Lai was contested and not a secure area (43:08)
o The “bad guys” were taking pot shots and occasionally attacking the
airfield

�





















o When he got off the plane in Chu Lai he saw smoke rising everywhere – it
turned out that they were burning their sewage (43:35)
He was then assigned to VMA (Marine Attack Squadron) 214 (43:54)
o He was a mechanic on the E4 Skyhawk
Every day he would report and would work standard maintenance jobs (44:47)
The mechanics would also have to man the perimeter at some points as well
(45:11)
o It was typically every fourth night
o He was using an M14 and sometimes the M60 (45:25)
There were a couple of nights where they took fire on watch (46:36)
o They were mortared a couple of times
o The attacks were more harassment than anything else (47:02)
There were four Fixed Wing Squadrons and some helicopter units in Chu Lai
He remained in Chu Lai for his entire first tour (48:36)
He would sometimes have to fix battle damage done on aircraft
The morale of the unit when he was there was very high
His unit had Caucasian, black, Chicano, and oriental individuals (49:43)
There was a small PX, a club where soldiers could get beer, and a show where
movies were played
o The only time he went was when the TV show “Combat” was playing
(50:22)
 They were mortared in Chu Lai as the TV show played Germans
sending mortars against the Americans
He worked seven days a week (51:18)
He received his first R&amp;R at Christmas of 1966 and he spent it in Singapore
(52:07)
o Singapore was fantastic for him
o It was one of the cleanest cities in the East (52:13)
o He did not have a choice of anywhere else to go
o His R&amp;R was five days long
o It was not difficult for him to return to Vietnam (52:36)
He was in Vietnam for nine months before he received his first R&amp;R
When he returned to Vietnam there was no change in his attitude (53:22)
o There was high morale and they were proud of what they were doing
(53:30)
He finished out his tour in Chu Lai – he had enlisted into the Marines for four
years
In the process of returning home he processed out of Da Nang and the following
morning he flew to Okinawa
o He spent five days in Okinawa (54:09)
o He had to get his uniform ready to wear home
o He had lost a few pounds while in Vietnam (54:30)
He then flew from Okinawa on a civilian flight that went directly to Treasure
Island near San Francisco, California (55:12)

�





o After he processed through there he got on a plane to go home for thirty
days (55:29)
o He went home in May of 1967
When he was returning home the soldiers were told of anti-war protestors (55:46)
o They were told not to confront them
o They were told not to wear their uniform when they were home (55:57)
He was then assigned to back to Cherry Point, North Carolina
o He was assigned to the MAG 24, VMFA 531 – they flew the Phantoms
At Cherry Point, there were some other Vietnam veterans there (56:33)
o When he joined the Marines, there was still a high morale
o There were some that asked him of his opinions on the war (56:58)
o Some were nervous to go and others were eager to go (57:11)
He was at Cherry Point from late June of 1967 – late January of 1968 (57:32)

Active Duty – Second Tour – (57:37)














He then volunteered to go on a second tour of Vietnam
o Stateside duty was a pain to him (57:44)
 The inspections bothered him
 He was used to just doing his job
It was not difficult for him to get reassigned (58:32)
o One NCO told him that he could go to Vietnam if he signed the waivers
(58:45)
o At this point he was a Sergeant – E5 ranking
After he signed the waiver he went home for a few days before reporting to Camp
Pendleton (59:14)
His mother had anxieties about him going back
His friends at the time did not understand what he was doing
When he was back at Fort Pendleton, he had to repeat some of the training that he
had already done (59:57)
o Some of the training had changed
o There were a lot of night field problems (01:00:08)
o He fired the M16 for the first time
o The training curriculum was improved and had changed based on
experiences (01:02:13)
His first training was better than his second training (01:02:45)
The morale of the guys going through in his second training was normal but not
as high as the first time he went
Some of the soldiers were draftees (01:03:14)
o The draftees did not want to go
He then flew in a civilian aircraft to Okinawa – they stopped in Alaska to refuel
before going to Okinawa (01:03:58)
o He spent a couple of days in Okinawa before traveling to Da Nang,
Vietnam

�













o He then went to Chu Lai, Vietnam where he was assigned to the VMFA
323 and worked on Phantoms (01:04:16)
Chu Lai was much larger than the previous time he had been there
o He got there in April of 1968 (01:04:46)
As soon as they landed, blacks and whites were separated because they had
learned that Dr. Martin Luther King Jr. had been assassinated (01:05:03)
o He does not believe that the majority of the black Marines enjoyed getting
the news as separate from the white soldiers
o He did not recognize any segregation between the Marines
The morale changed at that point (01:05:56)
o On the second trip, many of the men just wanted to get their tour over – on
the first trip, many felt as though they were cavaliers (01:05:54)
In Chu Lai he volunteered to do a thirty day stand on perimeter duty
o He was with the Army on the perimeter (01:07:13)
 It was some distance from the Air Base
o The Americal Division that he worked with were very professional
(01:08:01)
 He believes that 7th Marine Regiment did a better job than the
Americal Division
On his second tour the enemy’s ordinance changed – they were shooting rockets
instead of the occasional mortar rounds (01:08:42)
o There was some counter-fire that occurred (01:09:10
 There was one night where they hit the enlisted men’s club
 The soldiers were sitting in an open area drinking beer when they
saw an aircraft coming in to bomb – they saw a secondary
explosion and celebrated
His second tour finished in late October of 1968 (01:11:14)
He spent just over six months on his second tour
The process of coming home from his second tour was the same as the first time
o The one difference was, when returning from Okinawa, he flew to Marine
Corps Air Station El Toro near Irvine, California (01:11:48)
 There were quite a few of the soldiers that were getting off there
There was an attempt to get the men to reenlist (01:12:12)

After the Service – (01:12:18)







The LAPD and Los Angeles Sheriffs Department were at El Toro, trying to
recruit the soldiers (01:12:19)
He spent a week in El Toro getting civilized (01:12:36)
He then received his physical and processed out
He received the same advice about anti-war protestors after his second tour
(01:13:20)
He had one encounter with war protestors in downtown Chicago, Illinois roughly
one month after being home
When he returned home, he spent two weeks relaxing (01:14:22)

�






He then got a job with a finance company (01:14:34)
He then decided to go and become a police officer and joined the Chicago Police
Force
o He worked there for five years (01:14:50)
After he worked as a police offer, he worked at a factory as a supervisor
(01:15:34)
o He eventually began working as a machinist
He went back to school and took some classes
His family had vacationed in Hesperia, Michigan (01:16:21)
o They had a small cottage there
He was divorced and he met his wife in Hesperia – she was living in Grand
Rapids, Michigan

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548891">
                <text>LuznickyW1462V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548892">
                <text>Luznicky, Wayne (Interview outline and video), 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548893">
                <text>Luznicky, Wayne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548894">
                <text>Wayne Luznicky was born in Chicago, Illinois in 1947. He joined the Marines in October of 1964 and took his Basic Training in San Diego and infantry training Camp Pendleton, California. He then went to Memphis, Tennessee, for aviation mechanic training, and was assigned to Cherry Point, North Carolina where he worked on Phantom F4B. In January of 1966, Wayne volunteered to go to Vietnam. He was stationed at the Air Base at Chu Lai. After his first tour of Vietnam, and spending some time at Cherry Point, North Carolina, he volunteered for a second tour, and was again at Chu Lai from April to October of 1968.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548895">
                <text>McGregor, Michael (Interviewer)</text>
              </elementText>
              <elementText elementTextId="548896">
                <text> Kentwood Historic Preservation Commission (Kentwood, Mich.)</text>
              </elementText>
              <elementText elementTextId="548897">
                <text> WKTV</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548899">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548900">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548901">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548902">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548903">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548904">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548905">
                <text>United States. Marine Corps</text>
              </elementText>
              <elementText elementTextId="548906">
                <text>Vietnam War, 1961-1975--Personal narratives, American</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548907">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548908">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548909">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="548910">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548915">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548916">
                <text>2012-11-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567700">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795170">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797220">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031290">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="2578" public="1" featured="1">
    <fileContainer>
      <file fileId="3180">
        <src>https://digitalcollections.library.gvsu.edu/files/original/92656361f566232699ffe17f1a8df2f9.pdf</src>
        <authentication>e65ad8769c32e0e6b7bbe46e37a4eecb</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="42542">
                    <text>··.: ,-·.

-·-·.;-

.

~ :=~ti_.~_.,__x.;:?_i:=_._, r
--

~

_.,_

--

·-:.:.:..___ _

: ~..::./;.~~~~~-~-

_

~-:· .

.

-

;~4.~i.~!~{~.. ..
~"'!.:.f~::-:-:---- ~..-

�EDITOR: E. V• Gillis
COUNCIL DRUM NEl'fS

2512 Union Ave.N.E.
Grand Rapids,Mio,49505

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="2">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2567">
                  <text>Native American Publication Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21986">
                  <text>Native Americans&#13;
</text>
                </elementText>
                <elementText elementTextId="765560">
                  <text>Indians of North America</text>
                </elementText>
                <elementText elementTextId="765561">
                  <text>Anthropology</text>
                </elementText>
                <elementText elementTextId="765562">
                  <text>Indians of North America -- Michigan -- Periodicals</text>
                </elementText>
                <elementText elementTextId="765563">
                  <text>Michigan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21987">
                  <text>Selected digital surrogates of published and unpublished materials from the Edward V. Gillis Native American publication collection dealing with different aspects of human culture and anthropology, with an emphasis on Native American people, events, organizations, and activities in Michigan. Includes newsletters, event programs, flyers, posters and other printed materials.&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21988">
                  <text>Gillis, Edward V.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="21989">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/446"&gt;Edward V. Gillis Native American Publication Collection (RHC-14)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21990">
                  <text>2017-02-21</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21991">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="21992">
                  <text>Gi-gikinomaage-min Project (Kutsche Office of Local History)&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21993">
                  <text>application/pdf&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21994">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="21995">
                  <text>Text</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="21996">
                  <text>RHC-14&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="21997">
                  <text>1958-2000&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="400411">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="62">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="571576">
              <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/446"&gt;Edward V. Gillis Native American publication collection, RHC-14&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="42529">
                <text>RHC-14_council-drum_ILL</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42530">
                <text>Lyle James Illustration</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42531">
                <text>Lyle James Illustration from an unknown issue of Council Drum News by the Grand Valley American Indian Lodge collected by Edward Gillis included as part of his Native American publication collection.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42532">
                <text>Grand Valley American Indian Lodge</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42533">
                <text>1984</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42535">
                <text>Indians of North America -- Michigan -- Periodicals</text>
              </elementText>
              <elementText elementTextId="42536">
                <text>Indians of North America</text>
              </elementText>
              <elementText elementTextId="42537">
                <text>Michigan</text>
              </elementText>
              <elementText elementTextId="42538">
                <text>Michigan -- Grand Rapids</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42539">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42540">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="42541">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="29202" public="1" featured="0">
    <fileContainer>
      <file fileId="32077">
        <src>https://digitalcollections.library.gvsu.edu/files/original/8fa4452548bbcc332216ea398af2a34b.mp4</src>
        <authentication>df5a0c88582e08cae64e8b371412a5ea</authentication>
      </file>
      <file fileId="32078">
        <src>https://digitalcollections.library.gvsu.edu/files/original/e27b95708164ee664ede2ff6d9ac5a31.pdf</src>
        <authentication>c67e8c8e99c00f937819dc8ad82c222e</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="52">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="548942">
                    <text>Grand Valley State University
Veterans History Project
Elbert Lyles
(36:30)

Back ground information (00:09)













Born May 10th, 1920 in Mississippi. He grew up in the area. (00:10)
His mother worked as a maid and housekeeper. (00:30)
He was an only child. (00:53)
He completed school through the 10th grade.(approx 1936) (1:03)
He went to segregated schools. (1:15)
In 1936 he got a job working on an ice truck delivering blocks of ice.
The blocks of ice weighted about 300 pounds but they were cut into 60 5-pound blocks. (2:30)
He did this work until he began working in a cotton seed plant. (3:15)
In the late 30s before Pearl Harbor he had no idea of what was going on in Europe. (4:05)
He recalls hearing about Pearl Harbor on the radio in 1941. (4:27)
He didn’t have a drive to join the military after Pearl Harbor, however, his friends did. Soon after
they left, Elbert decided that he might as well join too in 1942. (4:55)
After enlisting he was sent to Fort Knox, Kentucky in 1942. (5:55)

Basic training (6:00)















He arrived at Fort Knox via bus. (6:08)
When arriving, he was assigned clothes as well as a barracks. (approx. 30 per barracks.) (6:33)
He was trained separately from the white soldiers. (7:09)
There were several black officers training him including a black Lieutenant. (7:17)
The training consisted of exercise, weapons training, and military discipline. (7:46)
He thought it was easy to adjust to military discipline. (8:30)
He believed that he was treated fairly and that the white officers treated him fairly as well.
(9:11)
He received no special training after completing basic. (9:40)
He was sent to the port he would ship out of from via train. (10:07)
He sailed to Africa in a large navy ship. He recalls that the boat trip made the men sick. (10:50)
They were approx. 200-300 men on the ship and they were free to move around. (11:17)
He sailed in a convoy that traveled in a zigzag pattern. (11:40)
There was a U-boat sighted when traveling to Europe but it was eventually chassed off. (12:10)
He arrived in Oran, Algeria. (12:52)

Service in Africa (12:55)(1942-1943)

�










The men were loaded up on truck after arriving and driven to camps. (13:04)
Here he served as a cook for an engineer battalion. (13:10)
He was given a little bit of training for being a cook after he was assigned this title. (13:34)
He cooked for the entire unit. (14:07)
The cooks slept with the other men. (14:29)
For sleep the men mostly slept in houses aside from tents (14:42)
The soldiers he was with were constructing facilities and roads to set up a camp. (15:05)
He saw a lot of native Arabs. It was very easy for him and other men to associate with them and
trade. (15:45)
The men were not allowed into town or villages unless given a pass. (16:50)
He moved place to place within North Africa. He stayed in North Africa for a relatively short
amount of time. Approx. 6 months. (17:06)

Service in Italy (17:50)(1943-1944)




















After serving 6 months in North Africa he was sent to Sicily and Italy. (17:55)
The men arrived in Italy from North Africa through Naples. (18:10)
The battalion served delivering things to front as well as making repairs to roads and facilities.
(18:38)
While most men were about the same age as Elbert, there were a few that were 5-10 years
older than him. These were mostly enlisted men. (19:02)
The men cooked day on day off. If it was his day on he had to wake up earlier than the other
soldiers. (19:20)
At times the men had fresh food. However most of it was canned. (19:55)
When he had a day on cooking, he was required to work essentially all day. (20:46)
When given a day off, he spent his time around camp, using a pass to town, or sleeping. (21:07)
When the men went to town they typically drank. He didn’t notice the Italians treating the
Americans poorly. (21:19)
Segregation was a new idea to the Italians. The White soldiers would tell the Italian civilians that
the black soldiers were monkeys with long tails. (21:58)
Some Italians could speak English. When they talked to soldiers they just wanted to know what
was going on and why they were there. (22:37)
While in Italy the men were sent up to the front briefly but then taken back to their position.
(23:32)
The Germans would occasionally bomb the places where he and his battalion were building. His
Battalion did take casualties. (24:09)
They were never close enough to come under fire by artillery. (25:25)
While in Italy he was there for 3 years and 2 months. (26:16)
He was given the chance to visit Rome. Here he was sent in a group by truck. (27:03)
They stayed in Rome over night and they were given a place to stay. (27:59)
2 men in his battalion from Chicago got into a fight and one ended up killing the other. (29:37)
He and his mother wrote to each other often. (30:09)

�The German surrender. (30:57)





His camp was very excited about the surrender, hoping they would go home. (31:01)
Because the weather on the way back was nicer, he did not get seasick. (31:45)
He believes he arrived in Boston. (32:35)
After arriving in the U.S. he was sent to a camp before he was discharged. (probably Fort
Knox.)(32:50)

Life after service (33:25)








After returning back he returned to the cotton seed plant where he worked before he enlisted
because they had to guarantee him his job back when he returned. (33:30)
He then received a job working in a hotel in Grand Rapids, Michigan. (33:48)
This job was arranged by his uncle who already resided in Michigan. (34:01)
After working at the hotel he began working at a furniture factory in Grand Rapids. (34:34)
He got married after service and has 1 daughter. (35:00)
He doesn’t believe he gained very much experience form his military service. He does not know
if it was worth doing. (35:34)
He disliked being away from his family and friends. (36:12)

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="30">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="496643">
                  <text>Veterans History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565780">
                  <text>Grand Valley State University. History Department</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565781">
                  <text>The Library of Congress established the Veterans History Project in 2001 to collect memories, accounts, and documents of U.S. war veterans from World War II and the Korean War, Vietnam War, and conflicts in the Middle East and elsewhere, and to preserve these stories for future generations. The GVSU History Department interviews are part of this work-in-progress, and may contain videos and audio recordings, transcripts and interview outlines, and related documents and photographs.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="565782">
                  <text>1914-</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565783">
                  <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565784">
                  <text>Afghan War, 2001--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765929">
                  <text>Iran Hostage Crisis, 1979-1981--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765930">
                  <text>Korean War, 1950-1953--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765931">
                  <text>Michigan--History, Military</text>
                </elementText>
                <elementText elementTextId="765932">
                  <text>Oral history</text>
                </elementText>
                <elementText elementTextId="765933">
                  <text>Persian Gulf War, 1991--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765934">
                  <text>United States--History, Military</text>
                </elementText>
                <elementText elementTextId="765935">
                  <text>United States. Air Force</text>
                </elementText>
                <elementText elementTextId="765936">
                  <text>United States. Army</text>
                </elementText>
                <elementText elementTextId="765937">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="765938">
                  <text>Veterans</text>
                </elementText>
                <elementText elementTextId="765939">
                  <text>Video recordings</text>
                </elementText>
                <elementText elementTextId="765940">
                  <text>Vietnam War, 1961-1975--Personal narratives, American</text>
                </elementText>
                <elementText elementTextId="765941">
                  <text>World War, 1939-1945--Personal narratives, American</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="565785">
                  <text>Grand Valley State University. University Libraries. Special Collections &amp; University Archives</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565786">
                  <text>Smither, James&#13;
Boring, Frank</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="565787">
                  <text>Veterans History Project (U.S.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="565788">
                  <text>RHC-27</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="565789">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="565790">
                  <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project interviews (RHC-27)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="4">
      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="548918">
                <text>LylesE1184V</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548919">
                <text>Lyles, Elbert (Interview outline and video), 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548920">
                <text>Lyles, Elbert</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548921">
                <text>Elbert Lyles was born in Mississippi in 1920. After leaving school in 1936, he worked as an iceman and in a cottonseed plant. He enlisted in the Army in 1942 and served in both North Africa and Italy in an all black engineer battalion. During his time in service, he served as a cook for his battalion who had the task of delivering supplies to the front and setting up more permanent camps. In this interview, Elbert gives an overview of what his cook duties entailed and how being an African American affected his military service.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548922">
                <text>Smither, James (Interviewer)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548924">
                <text>Oral history</text>
              </elementText>
              <elementText elementTextId="548925">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
              <elementText elementTextId="548926">
                <text>United States--History, Military</text>
              </elementText>
              <elementText elementTextId="548927">
                <text>Michigan--History, Military</text>
              </elementText>
              <elementText elementTextId="548928">
                <text>Veterans</text>
              </elementText>
              <elementText elementTextId="548929">
                <text>Video recordings</text>
              </elementText>
              <elementText elementTextId="548930">
                <text>World War, 1939-1945--Personal narratives, American</text>
              </elementText>
              <elementText elementTextId="548931">
                <text>United States. Army</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548932">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548933">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548934">
                <text>Moving Image</text>
              </elementText>
              <elementText elementTextId="548935">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="548940">
                <text>Veterans History Project (U.S.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="548941">
                <text>2011-08-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="567701">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="795171">
                <text>application/pdf</text>
              </elementText>
              <elementText elementTextId="797221">
                <text>video/mp4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1031291">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="55604" public="1" featured="0">
    <fileContainer>
      <file fileId="59788">
        <src>https://digitalcollections.library.gvsu.edu/files/original/64f40f01331471a966d2da3dbcc4d9bd.jpg</src>
        <authentication>42b79818d1bda97bad6051b3bf61f8e0</authentication>
      </file>
    </fileContainer>
    <collection collectionId="43">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832653">
                  <text>Douglas R. Gilbert Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832654">
                  <text>Gilbert, Douglas R., 1942-2023</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832655">
                  <text>Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183).&#13;
&#13;
Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. &#13;
&#13;
Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections.&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832656">
                  <text>1960-2011</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="832657">
                  <text>&lt;a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D"&gt;Douglas R. Gilbert Papers (RHC-183)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832658">
                  <text>In Copyright</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832659">
                  <text>Photographs</text>
                </elementText>
                <elementText elementTextId="832660">
                  <text>Photography -- United States</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="832661">
                  <text>Grand Valley State University. University Libraries. Special Collections and University Archives.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="832662">
                  <text>RHC-183</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832663">
                  <text>Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832664">
                  <text>image/jpeg</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832665">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1022330">
                <text>RHC-183_M221-0017</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022331">
                <text>Gilbert, Douglas R.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022332">
                <text>1972-06/1972-08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022333">
                <text>Lynmouth, Devon, England</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022334">
                <text>Black and white photograph of the River Lyn flowing through the village of Lynmouth, located in Devon, England, on the northern coast of Exmoor National Park. Scanned from the negative.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022335">
                <text>Rivers--England--Devon</text>
              </elementText>
              <elementText elementTextId="1022336">
                <text>Lynmouth (England)</text>
              </elementText>
              <elementText elementTextId="1022337">
                <text>Devon (England)</text>
              </elementText>
              <elementText elementTextId="1022338">
                <text>Exmoor National Park (England)</text>
              </elementText>
              <elementText elementTextId="1022339">
                <text>Black-and-white photography</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1022340">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783"&gt;Douglas R. Gilbert papers (RHC-183)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022342">
                <text>&lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022343">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022344">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="1022345">
                <text>1970s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1038962">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="55605" public="1" featured="0">
    <fileContainer>
      <file fileId="59789">
        <src>https://digitalcollections.library.gvsu.edu/files/original/d66a3305b14efacded215f446ae53111.jpg</src>
        <authentication>f154273bdfe7a4c70da95d316e34af8e</authentication>
      </file>
    </fileContainer>
    <collection collectionId="43">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832653">
                  <text>Douglas R. Gilbert Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832654">
                  <text>Gilbert, Douglas R., 1942-2023</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832655">
                  <text>Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183).&#13;
&#13;
Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. &#13;
&#13;
Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections.&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832656">
                  <text>1960-2011</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="832657">
                  <text>&lt;a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D"&gt;Douglas R. Gilbert Papers (RHC-183)&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832658">
                  <text>In Copyright</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832659">
                  <text>Photographs</text>
                </elementText>
                <elementText elementTextId="832660">
                  <text>Photography -- United States</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="832661">
                  <text>Grand Valley State University. University Libraries. Special Collections and University Archives.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="832662">
                  <text>RHC-183</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832663">
                  <text>Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832664">
                  <text>image/jpeg</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="832665">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="1022346">
                <text>RHC-183_M221-0022</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022347">
                <text>Gilbert, Douglas R.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022348">
                <text>1972-06/1972-08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022349">
                <text>Lynmouth, Devon, England</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022350">
                <text>Black and white photograph of the River Lyn flowing through the village of Lynmouth, located in Devon, England, on the northern coast of Exmoor National Park. Scanned from the negative.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022351">
                <text>Rivers--England--Devon</text>
              </elementText>
              <elementText elementTextId="1022352">
                <text>Lynmouth (England)</text>
              </elementText>
              <elementText elementTextId="1022353">
                <text>Devon (England)</text>
              </elementText>
              <elementText elementTextId="1022354">
                <text>Exmoor National Park (England)</text>
              </elementText>
              <elementText elementTextId="1022355">
                <text>Black-and-white photography</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="1022356">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783"&gt;Douglas R. Gilbert papers (RHC-183)&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022358">
                <text>&lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;In Copyright&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022359">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1022360">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="1022361">
                <text>1970s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1038963">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
