3 24 26018 https://digitalcollections.library.gvsu.edu/files/original/3fb639ec3f2301478e984b11bb3422c4.jpg 541668f1cda8111b47e9ec07ebd061b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_B057-0023 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1961-07-11 Title A name given to the resource "The Pleasure of His Company" in Saugatuck Description An account of the resource Black and white photograph featuring the theatre production of "The Pleasure of His Company" at the Red Barn Theater in Saugatuck, Michigan on July 11, 1961. In the photograph, three gentleman performers and two lady performers can be seen wearing formal attire and having a conversation indoors. Photograph by Douglas R. Gilbert. Scanned from the negative. Subject The topic of the resource Saugatuck (Mich.) Community theater Black-and-white photography Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/80d5bd5aa1d7e7b82e5e4bd4942399b7.pdf 4cd99a17c00cf039d9cf3f5421f858dc PDF Text Text OFFICIAL .SOURCES said the blast was caused by a fire, but Western diplomats, speaking on condition of anonymity, said they had heard reports of a possible military coup attempt. Some embassies said they received anonymous telephone calls warning of a terrorist bombing shortly before the facility blew up. The explosions, which occurred during morning rush hour Sunday, sent missiles and grenades slamming into buildings, buses and cars. Also Sunday, eight people were killed in a fire at an arms factory near Lahore, 140 miles south of Islamabad, and three people were injured by a bomb that exploded in Karachi, 650 tor more 0001es. ::,uu unaccounted for were hundreds of people who lived close to the army ammo dump located where the two cities' boundaries meet. Prime Minister Mohammad Khan Junejo on Sunday ordered an investigation into the explosions. THERE HA VE been numerous explosions and bomb attacks in Pakistan during the past two years that have killed about 300 people and injured hundreds. The government frequently has blamed attacks ori agents of Afghanistan's communist government, which has denounced Pakistani support of Afghan rebels. But many bombings have occurred during violent demonstrations Islamabad, " said an emergency room doctor at the National Medical Institute on Sunday as he directed ambulances with a bullhorn. An unexploded missile was embedded at the entrance to the institute's children's ward. The initial explosion occurred at 9:55 a.m. ( 11 :55 p.m. EDT Saturday), shortly after the start of the Moslem work week. WITHIN MINUTES, hundreds of grenades and missiles took off. For the next 35 minutes, projectiles whizzed overhead, slamming into buildings and roads. Some scored direct hits on buses and cars. One rocket landed just out- Tic_k et sales open for Perlman concert By MARIANNE VAN EENENAAM Chronicle staff writer Tickets for the Sept. 24 solo recital by world-class violinist Itzhak Perlman will be available by phone or mail order only beginning today at Tickets Muskegon in the L.C. Walker Arena box office. The concert by the celebrated Israeli-born artist, who is generally recognized as the world's premier violinist, will mark the beginning of the eight-month local Jewish Centennial Celebration that will feature more than 50 additional programs and events. PERLMAN'S RECITALS traditionally are an informal gathering at which classics are counter-bal- anced with pops miniatures, along with commentary by the soloist. A 1980 Newsweek cover story said, "Perlman is the consummate master of the violin - exuberant, indomitable, with a love of playing that is irresistible." , '·When the Frauenthal Center wanted.to invite Itzhak Perlman to perform a solo recital in Muskegon, the Jewish Centennial Committee enthusiastically responded and ·decided to try to center the gala opening of the project around his performance," said Sylvia Kaufman, centennial committee chairwoman. "We wanted this concert to set Please see PERLMAN Paae 2A Please see BLAST Page 2A APPEARING ON the network 's "Today" program this morning, Nixon said that although Reagan has not been "a hands-on leader" in the Iran-Contra affair, he will be able to handle Soviet · leader Mikhail S. Gorbachev if push comes to shove at the summit in Moscow. "Ronald Reagan can certainly handle him as a heavyweight, provided Ronald Reagan has the kind of advice he as a leader should have as president of the United States, provided he is wellbriefed," Nixon said in the second Art competition sparks of funds, f arum to air c By MARIANNE VAN EENENAAM Chronicle staff writer Premier violinist ltzhak Perlman will perform at the Frauenthal Theater Seot. 24. The controversial 61st annual West Michigan Juried Art Competition and comments by its juror are drawing negative reaction from local art lovers, some of whom are withdrawing their financial contributions to the Muskegon Museum of Art. In response to the criticism, the museum is conducting a public forum Sunday to hear comments about the art show. MMA Director Al Kochka said he has heard much negative response to the Regional, and several museum supporters have shown their displeasure by withholding their financial contributions. THE REGIONAL is an annual show exhibiting. the works of West Michigan artists. Each year, a juror from outside the West Michigan area judges the entries and selects a variety of works to be displayed. Kochka and local art critic John Allen will conduct / • ' a public forum ; rium to discuss the strong react "Basically, tl1 whoever comes "I will say a litl then I will turn they want to tan THIS YEAR'! Marek, curator stitute of Art. r Van der Marek~ In his written Marek said mar "ended up on ti were eliminatec �.. . : • ' • •• • .. "' .,, • • ' • .. ' • • <J - • • ,; .... · ' THE MUSKEGON CHRONICLE. MONDAY, APRIL 11 elA :ompound, but there er and former minister of production and public works, Khaqan Abbasi, whose car was hit by a rocket. None ot the estimated 25,000 for,mp is located at eigners living in Islamabad was reported the capital 's border hurt. roops and riot police THE OFFICIAL Pakistani News Agency re;lamabad to seal off ported that eight people were killed and 12 in{ent panic . jured Sunday afternoon when a fire broke out ntified as a lawmak- in a small arm s manufacturing factory at Rana town near Lahore. The news agency did not say what caused the fire and gave no further details. Several hours later in Karachi a bomb exploded in the cargo section of the offices of Saudi Airlines, injuring three people. Police said three floors of the eight-story building in the heart of the port city were damaged . PERLMAN ... lA Continued from Page 1 A . really the tone for the 50 outstanding pro- sented by the Frauenthal Center grams that were to follow . It took for the Performing Arts, the many months of negotiation to get Howmet Fund and the Jewish CenCh r on,cle / JACK , him here for a Saturday night per- tennial Celebration Committee . formance , and we are excited that Special support also is being pro- Herbert and Frances Hierholzer stand in front of Hatto Pork with petitions signed by more than 400 residents the world's prominent violinist will vided by GTE . initiate our celebration," she said. The Frauenthal Center for the PERLMAN WILL be accompa- Performing Arts is one of 15 major nied at the recital by Samuel Sand- cultural, religious and educational ers, " a world-class musician in his organizations participating in the own right," Mrs. Kaufman said . celebration that marks the first 100 Sanders is one of America's lead- years of Jewish community life in ing collaborative artists who has Muskegon. · performed with eminent musiBy NANCY STIER , While the Hierholzers c TICKETS FOR the Perlman con- Chronicle staff writer cians such as Pinchas Zukerman, the northwest quadrant of Jacqueline DuPre, Yo-Yo Ma, cert are priced at $100, $45, $33 and GRAND HAVEN - Two Grand Haven for signatures on a i Jean-Pierre Rampa!, Jessye Nor- $18. The $100 ticket includes choice Haven senior citizens say they'll demanding that the city ta man, Beverly Sills and many oth- seats, dinner prior to the concert march into City Hall tonight with tion to maintain the park in ; ers. This season's schedule in- and a champagne/ dessert recep- more than 450 petition signatures rent state, city officials wor cludes a Japan tour for Perlman .tion following . in hopes of saving a park on the the problem in Washington, : and Sanders as well as many other Tickets are available by writing city's Northwest Side. U.S . Rep. Fred Upton, Rnational and international to Tickets Muskegon, L.C. Walker "We've never gotten into politics seph, set up a meeting in hh performances. Arena, 955 Fourth, Muskegon, before," said Herbert Hierholzer, about two weeks ago tha1 The performance will be pre- 49440, or by calling (616) 724-6767. explaining that he and his wife, Mayor Marjorie Boon all' Frances, are in their early 70s and Manager Larry Deetjen a 1 this is their first experience with to discuss with CSX officia the park could be saved. Mri circulating a petition . was in the nation's capit, THEIR OBJECTIVE is to pre- week to attend a conferenc SAN FRANCISCO< APl - A pro- quire the land from the st.ate, the posal to turn former federal prison state constitution would have to be serve Hatton Park on Jackson city officials also used that , Alcatraz Island into a casino changed to allow casino gambling, Street as the only remaining green a chance to do some federal in their immediate ing on the city's behalf. crapped out in a newspaper survey and numerous capital improve- space neighborhood . of San Francisco residents. ments would have to be made. "THE CITY and CSX dee REAGAN HAS made several comments indicating he believes had hi s former aides did nothing illegal such a and suggesting that he is favorabl y " 1999," inclined toward pardons. But his ith the official position on the subject rej other mains one of neutrality, according to White House spokesman Marlin signifi- Fitzwater. Nixon said that in the earl y ment of will be 1970s, he asked himself about partroops doning former advisers H .R. and John D. use it is Haldeman 1ion has Ehrlichman. ,untry it "I probably should have part troop doned them, " Nixon said. "I'm not ,bts Af- sure that the country would have govern- taken it at that time - it was a little stirred up , as you might imag1gain on ine. But, on the other hand, they nesday, had not done it for personal gain." ms for nday in THE FORMER president said Df the "personal gain" also was not a consideration in the Iran-Contra affair. nt, who On " Meet the Press," the former 1974 by president also was questioned , said about Attorney General Edwin If , "Did Ill and U.S.-lsrael iey did , Meese :enly or relations. roval of On Meese, who is under inves1 1 Grand Haven pai1 fights to save _p ar] Casino at Alcatraz? � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Temple B'nai Israel Collection Creator An entity primarily responsible for making the resource Temple B'nai Israel (Muskegon, Mich.) Description An account of the resource Collection of photographs, scrapbooks, programs, minutes, and other records of the Temple B'nai Israel in Muskegon, Michigan. The collection was created as part of the L'dor V'dor project directed by Dr. Marilyn Preston, and was supported by grants from the Kutsche Office of Local History and Michigan Humanities Council. Original materials were digitized by the University Libraries and returned to the synagogue. Source A related resource from which the described resource is derived Digital objects were contributed by Temple B'nai Israel as part of the L'dor V'dor project. Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Subject The topic of the resource Jews--United States Muskegon (Mich.) Scrapbooks Synagogues Women--Societies and clubs Minutes (Records) Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Preston, Marilyn Grand Valley State University. Special Collections and University Archives Relation A related resource L'dor V'dor (project) Identifier An unambiguous reference to the resource within a given context DC-08 Format The file format, physical medium, or dimensions of the resource Image Text Type The nature or genre of the resource image/jpeg application/pdf Language A language of the resource eng Date A point or period of time associated with an event in the lifecycle of the resource Circa 1920s-2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-08_The-Muskegon-Chronicle-Perlman-Concert Creator An entity primarily responsible for making the resource The Muskegon Chronicle Title A name given to the resource "Ticket sales open for Perlman concert" Description An account of the resource Newspaper clipping about the solo recital of Itzhak Perlman, an Israeli-born artist. Subject The topic of the resource Jews--United States Muskegon (Mich.) Community newspapers Community centers Perlman, Itzhak, 1945- Source A related resource from which the described resource is derived Digital file contributed by the B'nai Israel Temple as part of the L'dor V'dor project. Relation A related resource L'dor V'dor (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/df9dfd4f069cfc1640db50a753c56768.jpg 01d644be123deb0b1651dbd06479731a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert H. Merrill photographs Creator An entity primarily responsible for making the resource Merrill, Robert H., 1881-1955 Date A point or period of time associated with an event in the lifecycle of the resource 1909/1950 Source A related resource from which the described resource is derived Robert H. Merrill papers (RHC-222) Rights Information about rights held in and over the resource In Copyright Identifier An unambiguous reference to the resource within a given context RHC-222 Description An account of the resource Photographs, negatives, and lantern slides digitized from the papers of engineer and archaeologist Robert H. Merrill. A Grand Rapids native, Merrill held an accomplished career as a civil engineer. He founded the company Spooner & Merrill, which held offices in Grand Rapids and Chicago. From 1919-1921, Merrill lived in China, working as Assistant Principal Engineer on a reconstruction of the Grand Canal - the oldest and longest canal system in the world. Merrill became fascinated by archaeology, and among other projects, he traveled to the Uxmal Pyramids in Yucatan, Mexico, with a research expedition from Tulane University. Merrill's photo collection includes images of his travels and projects, friends and family. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Merrill_EastmanAlbum_3_1911-1915_029 Date A point or period of time associated with an event in the lifecycle of the resource 1913-08-03 Title A name given to the resource "Utopia" Description An account of the resource Black and white photograph of a utopia sign on a rocky cliff face near Alexandria Bay, New York. Taken by Robert Merrill, looking across the water. A house is visible perched on top of the rocks. Water damage is visible on the image, which was scanned from the negative. Subject The topic of the resource Alexandria Bay (N.Y.) Source A related resource from which the described resource is derived Robert H. Merrill papers (RHC-222) Rights Information about rights held in and over the resource In Copyright Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Creator An entity primarily responsible for making the resource Merrill, Robert H., 1881-1955 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/73323295ae73fffb35859d727bd4fd50.jpg dfc39154babbc39c60ae15f82b54544d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-Red-Misc-16 Date A point or period of time associated with an event in the lifecycle of the resource 1980 Title A name given to the resource "We've Got the Numbers" Description An account of the resource An advertisement for the 1980 Red Barn Theatre Music Carnival that includes the plot synopses of The Great American Backstage Musical, Tuscaloosa's Calling Me, but I'm Not Going, and Whispers on the Wind, which would all be performed during the festivals. It also includes information on dinner packages and other events that would occur during the festival. Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Community theater Source A related resource from which the described resource is derived Digital file collected by the Kutsche Office of Local History from the Saugatuck Douglas History Center for the Stories of Summer project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/35b9b21a675dee359147068530034dc5.jpg e6728ba82dcd6cf3bf80233f722ab223 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_H388-0006 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-16 Title A name given to the resource "Winnie the Pooh" Production at Judson Memorial Church Description An account of the resource Black and white photograph of the theater production, "Sing Ho for a Bear," an adaptation of "Winnie-the-Pooh" performed at Judson Memorial Church in New York City. In the photograph, the cast of characters are seen dancing and singing on a stage decorated as the Hundred Acre Wood. Scanned from the negative. Subject The topic of the resource Judson Memorial Church (New York, N.Y.) New York (N.Y.) Theater productions--New York (State)--New York Winnie-the-Pooh (Fictitious character) Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/c158863528b9f7fdee2a5d2e27f7a417.jpg fa4613fa9d420632df1dcbad6ca872a5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_H388-0008 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-16 Title A name given to the resource "Winnie the Pooh" Production at Judson Memorial Church Description An account of the resource Black and white photograph of the theater production, "Sing Ho for a Bear," an adaptation of "Winnie-the-Pooh" performed at Judson Memorial Church in New York City. In the photograph, the cast of characters are seen marching across a stage decorated as the Hundred Acre Wood. Scanned from the negative. Subject The topic of the resource Judson Memorial Church (New York, N.Y.) New York (N.Y.) Theater productions--New York (State)--New York Winnie-the-Pooh (Fictitious character) Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/8933d28127bf348a4e3516b3f70fbddf.jpg 6ed000956b66a09f7cb204a00e664682 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_H389-0021 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-16 Title A name given to the resource "Winnie the Pooh" Production at Judson Memorial Church Description An account of the resource Black and white photograph of the theater production, "Sing Ho for a Bear," an adaptation of "Winnie-the-Pooh" performed at Judson Memorial Church in New York City. In the photograph, the characters of Winnie-the-Pooh and Owl are seen having a conversation on a stage decorated as the Hundred Acre Wood, with a large stained glass window from the church hanging above them. Scanned from the negative. Subject The topic of the resource Judson Memorial Church (New York, N.Y.) New York (N.Y.) Theater productions--New York (State)--New York Winnie-the-Pooh (Fictitious character) Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/a83e99d7c9dedb8a0b8c65fa6ecca33d.jpg ab459d417709d283eb854673b32c298e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_H389-0025 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-16 Title A name given to the resource "Winnie the Pooh" Production at Judson Memorial Church Description An account of the resource Black and white photograph of the theater production, "Sing Ho for a Bear," an adaptation of "Winnie-the-Pooh" performed at Judson Memorial Church in New York City. In the photograph, the characters of Winnie-the-Pooh and Owl are seen having a conversation on a stage decorated as the Hundred Acre Wood, while the character of Rabbit stands by himself on the stage in the foreground. Scanned from the negative. Subject The topic of the resource Judson Memorial Church (New York, N.Y.) New York (N.Y.) Theater productions--New York (State)--New York Winnie-the-Pooh (Fictitious character) Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/bec8d07dd5dee5a7cd11e35d61891449.jpg c766950634666122c79425497d3835b4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_H389-0027 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-16 Title A name given to the resource "Winnie the Pooh" Production at Judson Memorial Church Description An account of the resource Black and white photograph of the theater production, "Sing Ho for a Bear," an adaptation of "Winnie-the-Pooh" performed at Judson Memorial Church in New York City. In the photograph, the characters of Winnie-the-Pooh and Piglet are seen holding a large balloon on stage while the character of Rabbit is talking to them nearby. Scanned from the negative. Subject The topic of the resource Judson Memorial Church (New York, N.Y.) New York (N.Y.) Theater productions--New York (State)--New York Winnie-the-Pooh (Fictitious character) Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/90bc3b9fb453f2c35517365537ee8cb6.jpg 7e3787e5af3e3c8d73fb5590e224589a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Douglas R. Gilbert Photographs Creator An entity primarily responsible for making the resource Gilbert, Douglas R., 1942-2023 Description An account of the resource Photographs scanned from negatives and transparencies from the Douglas R. Gilbert papers (RHC-183). Douglas R. Gilbert (b. 1942) is an American photographer from Michigan. He was born in Holland, Michigan and is the son of Russell W. and Carmen (Andree) Gilbert. Gilbert earned a B.A. in social sciences and art at Michigan State University in 1964, an M.S. in photography from the Institute of Design at Illinois Institute of Technology in 1972, and a M.S.W. from Salem State College in 1993. He is married to Barbara (McDonald) Gilbert, and has three daughters, Robyn, Rachel, and Anne. Gilbert took a serious interest in photography at the age of fourteen. In 1963 he joined the staff of Look magazine in New York as the second youngest photojournalist in the magazine's history. As a Look photographer from 1964 to 1966, he photographed folk musician Bob Dylan, the Newport Folk Festival, Simon and Garfunkel, the New York City Financial District, the children and facilities at the Manhattan School for Seriously Disturbed Children. From 1967 to 1969, Gilbert did several shoots, including that of folk singer Janis Ian for Life magazine. After moving to Chicago, Illinois in 1969 to attend the Illinois Institute of Technology, Gilbert conducted notable photo shoots of business and political figure Lenore Romney, and pursued more personal and artistic photography, focusing on urban and rural landscapes in Illinois and Michigan. He then joined the faculty of Wheaton College, where he taught from 1972 to 1982. In 1993, Gilbert graduated from Salem State College, Massachusetts, with a Masters in Social Work, and later pursued a second career as a psychotherapist. Douglas Gilbert died in June 2023. Throughout his photography career, he pursued both freelance commercial work as well as artistic work. His art photography is characterized by its classic black-and-white format, and features people, places and objects shot great attention and sensitivity. Gilbert's works are held in the permanent collections of the Art Institute of Chicago, the High Museum of Art in Atlanta, The Norton Simon Museum in Pasadena, and the Grand Valley State University Art Galleries, as well as in numerous private and institutional collections. Date A point or period of time associated with an event in the lifecycle of the resource 1960-2011 Source A related resource from which the described resource is derived <a href="%E2%80%9Dhttps%3A//gvsu.lyrasistechnology.org/repositories/2/resources/783%E2%80%9D">Douglas R. Gilbert Papers (RHC-183)</a> Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Photographs Photography -- United States Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context RHC-183 Format The file format, physical medium, or dimensions of the resource Image Type The nature or genre of the resource image/jpeg Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-183_H392-0003 Creator An entity primarily responsible for making the resource Gilbert, Douglas R. Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-16 Title A name given to the resource "Winnie the Pooh" Production at Judson Memorial Church Description An account of the resource Black and white photograph of the theater production, "Sing Ho for a Bear," an adaptation of "Winnie-the-Pooh" performed at Judson Memorial Church in New York City. In the photograph, the characters of Tigger, Winnie-the-Pooh, Piglet, and Eeyore are seen performing on a stage decorated as the Hundred Acre Wood. Scanned from the negative. Subject The topic of the resource Judson Memorial Church (New York, N.Y.) New York (N.Y.) Theater productions--New York (State)--New York Winnie-the-Pooh (Fictitious character) Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/783">Douglas R. Gilbert papers (RHC-183)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960s Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/1ae325215a43384cc654a16d521769ff.pdf a2bc7911f02a521fd5042d1ff7493598 PDF Text Text WINNING THE EIGHT. In all rowing circles, w.hether college, otttside a.mateur or professional, the classic is the eig,ht-oared race. La.s t }·ear our Grand Rapids Bo,a t and Canoe ciub carried off the high point trophy in the Central Strates amateur rowing regatta on Grand r.iver, but to the insiders the massive silver cup was only a consolation. In a sunset fini,s h above the old Nor.bh Park bridge the Detroit eight, losing its lead to the locals ,vitl1 every stroke, had managed by a s cant length to pull out ahead. Wednesday, after a jrear's waiting and training, and still as a "junior" aggregation because it had not won a first, the local crew ca:pt ured the eigh t-oared race t.r om the Detroit Boat club in the Southwestern regatta at Peor•i a and then on Friday I\Ve11t into the senior eight event, the sum·m it of row ing ambition, and nosed out Detroit again . .q-,he l!ext day it repeated th1s triumph b)· "'· inning the senior eight in the Central 8taties regatta.' Gr·and Rapids' ·c rews have neither the financial backing nor the quipment which is possessed by the-ir leading op-_. ponenrts, particularly the Detroit and Chicago clubs, and their achievement • and that of the veteran Coach Cor'bett i~ the more notable for that reason. Their splendid figh t has broug'ht national ro·,,,.ing fame to this cit:r, and both .deserves and receives our congra.tulationiS. 1 1 1 MAKING LIGHT LAND PAY. W"'est and south of Michigan are great farming areas where heavy soils prevai1I, and e,"-ery year farmers selling out anc1 moving from .these regions to the light or sand soil disricts orf western a.nd northern Michigan m.a;ke the natural mista,ke of ap.p lying th-eir old methods, fail, return to Illinois and oth·er corn belt states, and -g ive Michigan an ~gricultural black eye. Under the sup,ervision of D. L . Hagerman and Raymond Holden the Pennsylvania railroad's experimental farn1 n-ear Hoiwa.rd City has b-een performing & -vitd piece of NMeat,oh Pl'Ovin.g tha.t ~ ' � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grand Rapids Boat and Canoe Club collection Creator An entity primarily responsible for making the resource Grand Rapids Boat and Canoe Club Description An account of the resource Scrapbooks of newsclippings, photographs, postcards, and ephemera of the Grand Rapids Boat and Canoe Club. Photos were taken at regattas on Reeds Lake; the Grand River; Peoria, Illinois; and in Chicago of club members, and events. Historical articles, reports of regatta events, and articles featuring members Charles McQuewan and Jack Corbett are included. Programs include the First Grand Regatta on Great Salt Lake 1888, and Peoria Rowing Festival, and banquet and music programs and the GR Log, a publication of the Grand Rapids Boat and Canoe Club. Materials from the Central States Amater Rowing Association, and the National Association of Amateur Oarsmen are also included. Date A point or period of time associated with an event in the lifecycle of the resource circa 1980s to 1940s Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/481">Grand Rapids Boat and Canoe Club scrapbooks, (RHC-54)</a> Subject The topic of the resource Grand Rapids (Mich.) Outdoor recreation Boats and boating Racing shells Publisher An entity responsible for making the resource available Grand Valley State University Libraries Identifier An unambiguous reference to the resource within a given context RHC-54 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-54_Ephemera-GRRC_F106 Creator An entity primarily responsible for making the resource unidentified Date A point or period of time associated with an event in the lifecycle of the resource no date Title A name given to the resource "Winning The Eight" Newspaper Clippind Description An account of the resource Newspaper clipping detailing th Grand Rapids Boat and Canoe Club's win over the Detroit Boat Club in the Southwestern Regatta at Peoria Lake. Contributor An entity responsible for making contributions to the resource Grand Rapids Rowing Club Subject The topic of the resource Grand Rapids (Mich.) Outdoor recreation Boats and boating Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/481">Grand Rapids Boat and Canoe Club scrapbooks (RHC-54)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">No Known Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/c011dd71ddaeb1ddd49cdb2701579a5b.pdf 82bdaef1bea6493656cdf922a20abe4b PDF Text Text Not everybody's doing it. The film ''(A)sexual'' follows a community that experiences no sexual attraction. Studies show that 1% of the population is asexual; but, in a society obsessed with sex, how do you deal with life as an outsider? This film grapples with this question, and the outcomes might surprise youl � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Sexuality and Gender Flyers Creator An entity primarily responsible for making the resource The Rainbow Resource Center Women and Gender Studies Department Women's Commission Gayle R. Davis Center for Women and Gender Equity Description An account of the resource Digitized posters, flyers, event notices, and other materials relating to gender expression and sexuality at Grand Valley State University, with materials spanning from 1974 to 2019. Date A point or period of time associated with an event in the lifecycle of the resource 1974/2019 Source A related resource from which the described resource is derived Digitized from collections at the Rainbow Resource Center (formerly the Milton E. Ford LGBT Resource Center), Women and Gender Studies Department, Women's Commission, and Gayle R. Davis Center for Women and Gender Equity. Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Gender identity Gender expression Sexual orientation Women's studies Queer theory Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context DC-09 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Language A language of the resource eng Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-09_SGF_LGBTQ_2013_Asexual-Film-Showing-Poster.pdf Date A point or period of time associated with an event in the lifecycle of the resource 2013-02-26 Title A name given to the resource (A)sexual Description An account of the resource Poster with a synopsis on film and viewing information, including the place, time and date. Subject The topic of the resource Sexual minorities Community centers Asexual people Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives Source A related resource from which the described resource is derived The Rainbow Resource Center Creator An entity primarily responsible for making the resource The Rainbow Resource Center https://digitalcollections.library.gvsu.edu/files/original/ab0e832950cbf1a7394580bc382ce63b.mp3 8bc41061a35f5e37e14c9525b8640f93 https://digitalcollections.library.gvsu.edu/files/original/8fba6ff5fe1e74c43a977489ae9fdc41.pdf fc82fcac7280e82a1946a763619b17c2 PDF Text Text 1+1+1=1 to the Higher Power Trinity Sunday Text: John 1:1,14,18; John 14:9; II Cor. 3:18 Richard A. Rhem Christ Community Church Spring Lake, Michigan Father’s Day, June 18, 2000 Transcription of the spoken sermon As the early Jesus movement moved into the early Catholic Church stage, the experience of Jesus moved out of the context of Israel geographically, but also spiritually, into an alien culture as far as Israel was concerned. It moved into a world dominated by Imperial Rome and marked by Greek culture, Greek thinking, Greek language, Greek philosophical ideas. And so, it was the task of those who were sent out by Jesus Christ to tell their experience, what they had experienced in him, in quite another context, quite another religious, cultural context, and that is always a difficult thing. To translate an experience is difficult, even when you are talking to those in your own language and your own environment. But, now to try to tell someone of a transforming experience in a totally different context to those who have had no share in your background, your spiritually traditioning - that, indeed, was a major task, and that was the task of that early Jesus movement. It was a movement Jewish to the core. The disciples were those who had been nurtured on the central tenet of the creed of Israel, "Hear, 0 Israel, the Lord our God is one." And now they had experienced in a transforming way that God, in their encounter with Jesus, a human, historical figure with whom they had walked and talked and shared the table of fellowship. In that human, historical figure they had encountered the God of Israel, the God of Moses, the God of Abraham and Isaac and Jacob. When they met God in Jesus, they didn't meet some other God. They didn't stop to say, "I wonder about my Judaism. I wonder now if I have to become something other." No, they were fully cognizant of that experience of Jesus being the experience of God, the only God they ever knew, they ever worshiped. The task was how to give expression to that, how to translate that into another context so that it could be understood. In order to do that, we always have to find some common meeting ground; we have to find something in common so that those to whom we are bringing a message or translating an experience can relate to it through some shared knowledge or experience. The Greek civilization, the © Grand Valley State University   �1+1+1= 1 to the Higher Power Richard A. Rhem Page 2   ancient world, those to whom they went were not irreligious. They were religious. There were Oriental, mystical religions, there was all the Greek mythology, there was certainly a religious context from which to try to find that which might help communicate their experience. Secondly, there was the whole Greek philosophical tradition. Philosophy was born of the Greeks centuries before. Someone has said all of Western civilization is a series of footnotes to Greek philosophy. So that Greek philosophy conceptually provided the intellectual, rational tools by which they attempted to translate that God experience. But, in the beginning, of course, it was the experience and they stammered and stuttered and tried to give expression to that which had transformed their lives, and we have the raw material of the eventual church dogma in the New Testament. The church dogma says, according to the title of this message, “1 + 1 + 1=1.” (One of my dear friends said to me yesterday, “You restructured religion; now are you starting on math?”) “1 + 1 + 1=1” because these were Jewish people and they could not begin to conceive of God other than one, but they had experienced God in Jesus, a human, historical figure, and once they had experienced God in Jesus, Jesus crucified was alive with them still, a powerful presence still with them in the Spirit. We find this in the documents of the New Testament. Paul was the earliest one to write. I love Second Corinthians 4:6. It has been a text for us. "We've seen the light of the knowledge of the glory of God in the face of Jesus Christ." That's how Paul said it. In the third chapter of that letter, he was defending his apostleship and he was saying, "Do you think I need letters of recommendation? I don't need letters of recommendation; you are my letters of recommendation; your transformed lives validate my gospel." And then he goes into a paragraph with Moses and the veil of Moses' face. I'm not going to get into all that, but he comes down to the end of the chapter and says, "But we, with unveiled face, beholding as in a mirror the Lord, are transformed by degrees into his likeness by the Spirit." The last paragraph of the third chapter says, "The Lord is the Spirit, and where the Spirit of the Lord is..." One might ask, "Does Lord refer to God? Or does Lord refer here to Jesus?" and one might find different commentators coming up with different answers. Those are a very confusing few statements because Paul is confused, because this great monotheist of the God of Israel is talking about God in a human face, and how does one do that? He says somehow or other by the Spirit in that face the glory of the Lord was shining, and then he talks about that face as the Lord, and he says, "As we gaze on that face, we become like that face, shaped like that one who was the shape of the heart of God," and he says all of this is through the Spirit of God. And so, Paul is trying to give expression to that experience that he had. He never encountered the historical Jesus, we don't believe, but he did have that visionary, mystical experience and this great champion of the God of Israel became the apostle of Jesus Christ as the incarnation of the God of Israel. © Grand Valley State University �1+1+1= 1 to the Higher Power Richard A. Rhem Page 3   This is what John says, as well. "In the beginning was the Word and the Word was with God, the Word was God." I like to translate that, "In the beginning was the intention, God's intention. In the beginning was the intention of God and in the fullness of time, the intention became flesh and dwelled among us, and we beheld his glory, the glory as of the only begotten Son of God." No one has ever seen God, but the Son has revealed God and, as John was telling the story of Jesus decades later, Jesus has that discussion with the disciples. Jesus is going to leave them. They know the way and all that, and finally Phillip says to him, "Just show us the Father and we'll stop bugging you," and he says, "Oh, really, Phillip? Have I been with you so long and you still don't get it? If you've seen me, you've seen the Father." Did Jesus say that? I doubt it. I don't think so. Wouldn't that be a bit off-putting, Jesus going around ringing a bell saying, "Here comes God. Just look at me, here comes God." That doesn't feel right to me. I think what we have in the Gospel of John is precisely the experience of finding God in Jesus. This is faith's affirmation. Jesus simply was that authentic human incarnation of the living God, and those who encountered God in Jesus tried every which way to bring to expression that which they had experienced, that which was the deep conviction of their lives, that Jesus was the intention of God in human flesh so that in order to communicate that, John has this beautiful discussion with the disciples in which Jesus says, "If you've seen me, you've seen the Father," which is the same thing that Paul was saying, "We've seen the light of the knowledge of the glory of God in the face of Jesus Christ." The New Testament is not a systematic document. Paul was not a systematic theologian, but all of that raw "stuff" eventually got gathered up because the Jesus movement, which was a Jewish movement, had to somehow or other come to understand its own experience. The God of Israel now, these monotheists had to reckon with, had been enfleshed in a human, historical figure who was crucified and yet present and powerful with them still so that they broke bread and remembered him and experienced him and went out to do his work in the same powerful fashion as when he was in the flesh. How do you figure? Well, eventually, of course, they had to give some account of that. Now, if they had been in India and Jesus had been an Indian and they had been Hindus, they wouldn't have had a problem. Cast the mold for another little image and put it on the shelf, because Hinduism is polytheistic and it believes in numerous historical manifestations of the Divine Mystery. That doesn't work for a Jew, because you can have not only no representation of God, but there is only one true God, Creator of all. But, to touch Jesus was to touch God! To look into Jesus' face was to see into the heart of God! How could it be? So, Jesus is God? But, Jesus is human. That was the problem of the nature of Christ; it consumed a couple of centuries. And if Jesus is God, and God is God, and the Spirit of God makes Jesus present now, now you have 1 + 1 + 1=1. How do you figure? © Grand Valley State University �1+1+1= 1 to the Higher Power Richard A. Rhem Page 4   We could ridicule the doctrine of the Trinity because that is what this eventually became, the dogma or the doctrine of the Trinity. We can ridicule it; we can be confused by it; we can be frustrated by it, but we have to know that some of the most brilliant minds, some of the most serious persons in that ancient world wrestled with this experience which they tried to translate into Greek conceptuality, and they knew they were up against a real problem. Augustine wrote a treatise on the Trinity and after it was over, he said, "We say these things not because we would say these things, but because we wouldn't be silent," trying to give some kind of word to experience. Eventually the Church formulated this doctrine of God the Father, God the Son, God the Holy Spirit, one God blest forever. 1 + 1+1=1. You see, it's not a problem as long as you are in the heat of the experience, the white heat of the experience of God, because the experience is enough to say I can't make logical sense of it, but I know. Then, once the experience gets translated into a formula and it becomes a dogma and then the dogma is used to catechize the next generation and the next generation, now we have a problem because there is no longer that white heat experience. Now it becomes an intellectual conundrum; it becomes a puzzle, and now you have creedal authority and a Church institution enforcing a creedal statement with those who may or may not have had the experience of God. Then you have orthodoxy which can be very, very killing if it lacks the experience. This sermon was born one day when an old veteran of the A.A. movement said to me, grousing about ministers and churches, which is his custom, and I suppose finding a sympathetic ear in me, he said, "I wish I could take all the community pastors down to an A.A. meeting and make them sit there and listen to people who really talk about God!" And I have had enough experience with the A.A. community in the past to feel that would be a very good move. So, I went back and went through some of the A.A. material again. I found reference to Ernest Kurtz who was here a few years ago. Ernest Kurtz wrote the definitive history of the A.A. movement, entitled Not God. This is what the human being has to learn Not God. I am not God. But, God is. That is, there is a Higher Power, and the AA. movement, in its steps, gives one the freedom to understand God in one's own way, not worried about dotting the I's or crossing the T's, but recognizing that God is, coming to an awareness that I am not my own, I have not created this whole phenomenon we call the world, I have not created my own life. All is gift, all is given, I am given and I am a part of that which is given, and there is a mystery that is beyond and beneath and above all that is. And in the A.A. movement, just call it the Higher Power. Call it anything you want to call it. Visualize it any way you want to visualize it. Use any kind of an image that will work. But it is the movement from I am not God to God is, and as the veterans of the A.A. movement say, if one can take that step, in other words, if one can come to an awareness that God is, that Ultimate Mystery of all things, and if one can trust that power to be gracious in the transformation of the human person, then one is on the way to health and healing. Then the doctrine of God may become refined. Then someday someone along that path may discover the © Grand Valley State University �1+1+1= 1 to the Higher Power Richard A. Rhem Page 5   face of Jesus, and in the face of Jesus, may see into the heart of God and all of its wonder and all of its beauty, because Jesus is the face that gives form to the Mystery. And then one may feel some tingle in one's pinkie, and that would be because there is a connection, because it is not the ancient One, period, but the ancient One who is present in the Spirit. After all, that's all that Trinity Sunday is trying to say - that God is, and that God is for us, that God is focused in the face of that gracious one full of mercy and available to us through the Spirit of God or the Spirit of Christ or the Holy Spirit, or whatever you want to call it, because, you see, finally God is not about giving us a theological exam, and coming to worship is not about a rational discussion of the conceptual framework of the ontological Trinity, thank you very much. We come here in our deep grief and brokenness and our great joy and celebration, when the diagnosis is cancer, when the last week has left us bereft of our most beloved, when we launch our youth, bundle our babies, and experience the deepest dimensions of human experience. It is then that God is that which gives us hope, that is what sustains us and keeps us, that infinite and inexhaustible ground of our being, that overshadowing presence, because you see, it's 1 +1 + 1 = 1 to the Higher Power. Image it as you will, but I suggest you'll go a long time before you'll find a more beautiful image than that etched in the face of Jesus, and we, beholding as in a mirror that image, we with unveiled face beholding that image, miracle of miracles, are shaped into that image. We begin to take on the likeness. And so, you know, the historical Jesus is no more, but the Spirit who is affecting that transformation is yet still, and though I cannot see his face, I can see your face, and in your face, I see his face which is the picture of the heart of God, God, who is good. That's all Trinity is all about -1 + 1 + 1 = 1 to the Higher Power. © Grand Valley State University � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard A. Rhem Collection Description An account of the resource Text and sound recordings of the sermons, prayers, services, and articles of Richard Rhem, pastor emeritus of Christ Community Church in Spring Lake, Michigan, where he served for 37 years. Starting in the mid 1980's, Rhem began to question some of the traditional Christian dogma that he had been espousing from the pulpit. That questioning was a first step in a long and interesting spiritual journey, one that he openly shared with his congregation. His journey is important, in part because it is reflective of the questioning, the yearnings, and the gradual revision of beliefs that many persons in this part of the century have experienced and continue to experience. It is important also because of the affirming and inclusive way his questioning was done and his thinking evolved. His sermons and other written and spoken materials together document the steps in his journey as it took a turn in 1985, yet continued to revolve around the framework and liturgies of the Christian calendar. Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Religion Interfaith worship Sermons Sound Recordings Creator An entity primarily responsible for making the resource Rhem, Richard A. Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/514">Richard A. Rhem papers (KII-01)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Contributor An entity responsible for making contributions to the resource Kaufman Interfaith Institute Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Language A language of the resource English Type The nature or genre of the resource Sound Text Identifier An unambiguous reference to the resource within a given context KII-01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-2014 Format The file format, physical medium, or dimensions of the resource audio/mp3 text/pdf Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Event Trinity Sunday, Pentecost II Scripture Text John 1:1, 14, 18, John 14:9, II Corinthians 3:18 Location The location of the interview Christ Community Church, Spring Lake, MI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context KII-01_RA-0-20000618 Date A point or period of time associated with an event in the lifecycle of the resource 2000-06-18 Title A name given to the resource 1 + 1 + 1 = 1 to the Higher Power Creator An entity primarily responsible for making the resource Richard A. Rhem Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Subject The topic of the resource Clergy--Michigan Reformed Church in America Christ Community Church (Spring Lake, Mich.) Sermons Relation A related resource Richard A. Rhem - An Archive of Sermons, Prayers, Talks and Stories: http://richardrhem.org/ Language A language of the resource eng Type The nature or genre of the resource Sound Text Format The file format, physical medium, or dimensions of the resource audio/mp3 application/pdf Description An account of the resource A sermon given by Richard A. Rhem (Dick) on June 18, 2000 entitled "1 + 1 + 1 = 1 to the Higher Power", on the occasion of Trinity Sunday, Pentecost II, at Christ Community Church, Spring Lake, MI. Scripture references: John 1:1, 14, 18, John 14:9, II Corinthians 3:18. Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives Divine Intention Father's Day Jesus Movement Spirit https://digitalcollections.library.gvsu.edu/files/original/e193f4d60d11c5f609d8a56eb30a6142.pdf d93affb85c5225cb6d5f6048ad452c4e PDF Text Text Wednesday, October 18th 6 - 9 pm @ Creston Brewe~ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Sexuality and Gender Flyers Creator An entity primarily responsible for making the resource The Rainbow Resource Center Women and Gender Studies Department Women's Commission Gayle R. Davis Center for Women and Gender Equity Description An account of the resource Digitized posters, flyers, event notices, and other materials relating to gender expression and sexuality at Grand Valley State University, with materials spanning from 1974 to 2019. Date A point or period of time associated with an event in the lifecycle of the resource 1974/2019 Source A related resource from which the described resource is derived Digitized from collections at the Rainbow Resource Center (formerly the Milton E. Ford LGBT Resource Center), Women and Gender Studies Department, Women's Commission, and Gayle R. Davis Center for Women and Gender Equity. Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Gender identity Gender expression Sexual orientation Women's studies Queer theory Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context DC-09 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Language A language of the resource eng Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-09_SGF_LGBTQ_2017_Save-the-Dates-10-Year-Anniversary.pdf Date A point or period of time associated with an event in the lifecycle of the resource 2017-10-17/2017-10-18 Title A name given to the resource 10 Year Anniversary Celebration Description An account of the resource Invitation to two events in celebration of the center's 10 year anniversary at both the Allendale and Pew Campuses. Subject The topic of the resource Sexual minorities Community centers Gay pride celebrations Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives Source A related resource from which the described resource is derived The Rainbow Resource Center Creator An entity primarily responsible for making the resource The Rainbow Resource Center https://digitalcollections.library.gvsu.edu/files/original/1322f210241914cf360c088b3cfe19ea.jpg b8e018bf71a50d34054301514e779832 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summers in Saugatuck-Douglas Collection Creator An entity primarily responsible for making the resource Grand Valley State University. Kutsche Office of Local History Description An account of the resource Collection contains images and documents digitized and collected through the project "Stories of Summer," supported by a National Endowment for the Humanities Common Heritage Grant. The collection aims to document the twin lakeshore communities of Saugatuck and Douglas, Michigan, as they transformed through the state's bustling tourism industry and acceptance of minorities. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910s-2010s Source A related resource from which the described resource is derived Various Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Subject The topic of the resource Michigan Saugatuck (Mich.) Douglas (Mich.) Michigan, Lake Allegan County (Mich.) Beaches Sand dunes Outdoor recreation Publisher An entity responsible for making the resource available Grand Valley State University Libraries. Allendale, Michigan Contributor An entity responsible for making contributions to the resource Saugatuck-Douglas History Center Identifier An unambiguous reference to the resource within a given context Stories of Summer (Common Heritage project) Format The file format, physical medium, or dimensions of the resource image/jpeg application/pdf Type The nature or genre of the resource Image Text Language A language of the resource English Date A point or period of time associated with an event in the lifecycle of the resource 2018 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-07_SD-Heuchan_2018_09_24_11_36_27_002 Title A name given to the resource 109 Lakeshore Drive Description An account of the resource A scan of two photos stacked on top of each other that is labeled “109 Lakeshore Dr.” The top image is of an enclosed porch or sunroom with various patio furniture. The second is a taken down the hallway from what appears to be the dining room of the house. Subject The topic of the resource Michigan Saugatuck (Mich.) Allegan County (Mich.) Beaches Outdoor recreation Families Children Source A related resource from which the described resource is derived Digital file collected by the Kutsche Office of History as part of the Stories of Summer Project. Relation A related resource Stories of Summer (project) Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/UND/1.0/">Copyright Undetermined</a> Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/28ab83221d863b006c4289d06c8bac5b.pdf 5649d3ceda070d402e12274fe2222e19 PDF Text Text Grand Valley State University Women's Center 10th Anniversary Speaker Series: Educators and Activists for Gender Justice GAIL GRIFFIN, PH.D, BOBBIE AUSUBEL The Events of October: Murder-Suicide on a Small Campus Leading e Bold Life. That Takes Ovanes Reading and Open Mic Thursday, October 6, 2011 6:00pm 2250 Kirkhof Center Monday, December 5, 2011 6:00pm Cook DeWitt Center Gail Gnfl1n, PhD. Is Parlet D1st1ngu1shed Professor of English at Bobbi Ausubel Is a contributor 10 the Thal Takes OVBnes book, Kalamazoo College. Her most recent book of nonfrct1on, The co-p!aywnght of the That Takes Ovanas (TTOl play and artistic Events of October Murder-Suicide on a Small Campus. chromcles director of 1he organrzatIon. She leads no women's the impact on the campus community when a student shot his empowerment events all across the US. and internationally, formergIrllriend and then himself in 1999. Gail has taught mcludmg in Latin America, Africa and As,a., She uses the TTO literature, wrrting. and women's studies at Kalamazoo College since 1977, and has won the college's awards for excellence in bothteachmgandscholarsh1p model of empowerment m India and elong the Nepal·lndia border to help women and girls in prostItutIon, Includmg those that have beenforced1ntothesexslavetrede.Bobbiwasaleaderinthe Second Wave of the Women's Movement; she is featured In the book Feminists Who Changed America She brings with her the MARTA L. SANCHEZ unique perspective of someone who was active In the evolution Surv1vor, Author, Advocate & Visual Artist /a component of Take Back The NtghtJ of the U S. women's movement over the last few decades ANALOUISE KEATING, PH.D. Womanist Spmtua/ Activism • We nesaay, Marc"Fi1'4 4:00pm 2250 Kirkhof Center visual artist from Panama. A former rape cnsIs center advocate, she Is a graduate of Spelman College 12000). and the UnIversIty of Virginia School of Law (2005). Her autob1ograph1cal pam11ngs capture her Journey from victim of sexual violence to survivor. Her AnaLou1se Keating Is Associate Professor of Women's Studies at artwork and presentations have been featured rn Austria, Croatia, Texas Woman's Urnvers1ty where she teaches courses on U.S Honduras, Panama, Trinidad, and across the United States. As a women of color. femm,st epistemolog1es, feminist theories. and dynamic mtematIonal speaker, her creative activism provides a Gloria Anzaldua, She received her Master"s and Ph.D. in Literature bndge between communities and support resources. To view from the University of Illinois. She wrote a companion book in more of her work vIsIt: www.poetryandan.org response to The Bridge Called My Back: Radical Wntmgs by Women of Color by Gloria Anzaldua. She also worked closely with Gloria Anwldua In developing her feminist philosophies JASON LAKER, PH.D, Men& Masculinities Tuesday, November 8, 2011 4:00pm 2250 Kirkhof Center Jason Laker, Ph.D. Is Full Professor w1th1n the Connie L. Lune College of Education at San Jose State UnIvers1ty, where he prev1ouslyservedastheV1ce President for Student Affairs. He1sa In her presentation AnaLou1se will exam the sp1rituahty through a gendered lens while exploring the faith development process as it relatestosoc1aljustice Co-sponsored by Center For Women In Transmon. College Swdent Affairs Leadership. Counseling & Career Development Csnrer, Dean of Students Offrce, Eyes Wrda Open Srudent Orgamzatron. Office of Inclusion & Equrty. Office of Mvlricultura/ Affairs. TR/OTA Student Orgamzation, and Women & Gender Studies The GVSU Women·s Center is committed lo a policy of equal frequentpresenter,consultant.andwnteronthesub1ectotmen's 1ssuesanddevelopment,includingtherecenttext(w1thDr. Tracy access ro our programs. fac11//ies, and services Our goal rs 10 Davis). Masculinities in Higher Education 12011. Routledge!; and ensure that persons with drsab1l/1Ies will nor be denied equal Canadian Pars{)flctives on Man and Masculinities, due out m access to Women·s Canter resources If you requrre add1t1onel November, 2011 from Oxford University Press. He has chaired ass,stance. please contact us by eel/mg 616·331-2748 or em111/mg ACPA's Standing Committee for Men and was the founding chair vvomenctr@gvsu.edu of NASPA's Men and Masculinities Knowledge Community - - www.gvsu.edu/women_cen @ -- - GRANDVALLEY SrATEUNtvERsITY, Wo:.n N s CENTER � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Sexuality and Gender Flyers Creator An entity primarily responsible for making the resource The Rainbow Resource Center Women and Gender Studies Department Women's Commission Gayle R. Davis Center for Women and Gender Equity Description An account of the resource Digitized posters, flyers, event notices, and other materials relating to gender expression and sexuality at Grand Valley State University, with materials spanning from 1974 to 2019. Date A point or period of time associated with an event in the lifecycle of the resource 1974/2019 Source A related resource from which the described resource is derived Digitized from collections at the Rainbow Resource Center (formerly the Milton E. Ford LGBT Resource Center), Women and Gender Studies Department, Women's Commission, and Gayle R. Davis Center for Women and Gender Equity. Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Gender identity Gender expression Sexual orientation Women's studies Queer theory Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context DC-09 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Language A language of the resource eng Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-09_SGF_WGS_2011_10thAnniversarySpeakerSeries_Poster.pdf Creator An entity primarily responsible for making the resource Women's Center Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-06/2012-03-14 Title A name given to the resource 10th Anniversary Speaker Series: Educators and Activists for Gender Justice Description An account of the resource Poster with list of speakers for the 10th anniversary celebration of the Women's Center. Included with the list are pictures and a synopsis of both speakers and their topics, as well as the locations, times and dates of each presentation. Subject The topic of the resource Community centers Anniversaries Source A related resource from which the described resource is derived Gayle R. Davis Center for Women and Gender Equity Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/3c308456f81817b9cd05127197eb01c9.pdf 60c2fe8d3867723a1288d7f6a2de9ffe PDF Text Text 1o annua th aRT RecepTion September 22, 2011 1-3 pm 1201 Kirkhof Center wc».mrs~lN'l'B The Women's cremermissk>n'.is tQ,a,eate tl'l8ningrulft~rning abe>ut women and gender and to atbocatefor:gender;Jus~ through the education, engagement, and empowerment .of·women:students and the greater GVSU community. · . · · •, . . Artists Include: Oulcee Boehm Tea Cup and Saucer Com,2011 . . . America has a relationship wlthwtn. Ftdffl its native peoples tJP through the current Industrial prdductton,ofiood, tom has been constant. It has been used, misused, amh'adicaffy.altered during this history into what it is-today. Cur~tly, many~ple's relationship to· the way corn isiJrE>Wn is becoming cloudy as . . . ~ farming . increases. Contradktory to the SlOtlon of mass pioduttk>rt and vague growing methods are my-,own experieo~s with stnitl farming, where the relationshiptofood is very per.sonat Teas are social gatherings (particularly feminine), typit~ laced with personal stories, politics and community, aUcemered around a cup and saucer frc)mwhich to sip. The cups and saucers are often .<fainty, handled with care, and can be passed down from one.ge~tion to the next. This piece-combines both the historital role.dw®:l$1<s:lea~ and a concern for the relationshiPrr\clOYJ>eopte1)ayet~ h~ food rs · grown. · Monica Johnstone �color, and a type of ~rcelain jar. This quilt explores that evolution from the natural through the screen (literal and figurative} to associations in human culture. Hand dyed, sprayed and painted silk and cotton, commercially available cotton fabric, traditional applique, dimensional applique, and reverse applique; hand quilted including Kanji script for "ginger". Darlene Kaczmarczyk Untitled from the Life Size and Other Lies Series Durachrome Print, 2007 for this series, I constructe,d a room sealed to the c;hild's kitchen set (fortuitously named "life Size") to evoke a claustrophobic quality for the models that don't fit; echoing the real life response of women performing sisyphean domestic chores. Have the three women depicted in the photograph evolved beyond the manipulations they seem to be performing on their miniature versions in the dollhouse? Darlene Kaczmarczyk Water Fitness Instructor from the Apron Women Series Chromogenic Print, 2007 for this series, I photographed women over 40 at work wearing the non-functional aprons that were worn for entertaining in the 1950's. If the "dressy" apron was emblematic of the housewife status 50 years ago, does this slightly surreal juxtaposition invite thoughts of how far we've come, or how much further we need to go? Have we evolved from the happy housewjfe? Rachel Kauff Of 1000 Senses (I and II) Intaglio, Body Print, 2011 _ "Of 1000 Senses" is a meditation on the body's.memory of land and place. Each mark recalls the rhythms of footstep and breath - reminders of the thinness of our skin and the fragile separation between our flesh and the flesh of the world. Most of all, it represents a re-acquaintance with and adaptation to the environment - an evolution in the truest sense, choosing change over progress. Hankondo Sibalwa Masai Pendl1 2011 t This pJece was motivated by the history I learned about the Masai and t~eir nomadic lifestyle. They treasure their beads as a form of beauty. With time, their displays have evolved to a more contemporary look but at the same time keeping with tradition. Elizabeth Uitvlugt The Constraint Watercolor/Ink, 2011 . Many problems wittf the treatment of women have had to do with an imposed set of rules and expectations from an outside source. This painting shows, through symbolic forms, that there have been changes and progress for women's rights, but women are still operating within these constraints. Barbara Williams The Awakening Oil on Board, 2010 & SelfPollution OH on Board, 2010 I see my work as the power struggle women face in society: the visual ...embodiment of gender roles. "The Awakening• and "Self Pollution" play with the idea of girls' growth towards woman~ood and the im~act of cultural changes that surround the transformation. The Juxtaposition·of phaUic objects surrounding the-female figure is threatening in nature and represents an unseen mate presence. Using thtanalogy of 1950 feminine stereotypes, my work represents modem day feminism, one whetethe problem with no name is unseen and ignored yet is still present in the daily lives of women. ( � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Sexuality and Gender Flyers Creator An entity primarily responsible for making the resource The Rainbow Resource Center Women and Gender Studies Department Women's Commission Gayle R. Davis Center for Women and Gender Equity Description An account of the resource Digitized posters, flyers, event notices, and other materials relating to gender expression and sexuality at Grand Valley State University, with materials spanning from 1974 to 2019. Date A point or period of time associated with an event in the lifecycle of the resource 1974/2019 Source A related resource from which the described resource is derived Digitized from collections at the Rainbow Resource Center (formerly the Milton E. Ford LGBT Resource Center), Women and Gender Studies Department, Women's Commission, and Gayle R. Davis Center for Women and Gender Equity. Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Gender identity Gender expression Sexual orientation Women's studies Queer theory Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context DC-09 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Language A language of the resource eng Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-09_SGF_2011_10th-Annual-Art-Reception.pdf Creator An entity primarily responsible for making the resource Women's Center Date A point or period of time associated with an event in the lifecycle of the resource 2011-09-22 Title A name given to the resource 10th Annual Art Reception Description An account of the resource Two sided flyer detailing several women artists whose art will be featured at an art reception. Subject The topic of the resource Community centers Women Women in art Source A related resource from which the described resource is derived Women's Center Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/f1381d667beed3a3743b104c057c25a4.jpg efc4f7521157a0ffa17417eb3772ceee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robert H. Merrill photographs Creator An entity primarily responsible for making the resource Merrill, Robert H., 1881-1955 Date A point or period of time associated with an event in the lifecycle of the resource 1909/1950 Source A related resource from which the described resource is derived Robert H. Merrill papers (RHC-222) Rights Information about rights held in and over the resource In Copyright Identifier An unambiguous reference to the resource within a given context RHC-222 Description An account of the resource Photographs, negatives, and lantern slides digitized from the papers of engineer and archaeologist Robert H. Merrill. A Grand Rapids native, Merrill held an accomplished career as a civil engineer. He founded the company Spooner & Merrill, which held offices in Grand Rapids and Chicago. From 1919-1921, Merrill lived in China, working as Assistant Principal Engineer on a reconstruction of the Grand Canal - the oldest and longest canal system in the world. Merrill became fascinated by archaeology, and among other projects, he traveled to the Uxmal Pyramids in Yucatan, Mexico, with a research expedition from Tulane University. Merrill's photo collection includes images of his travels and projects, friends and family. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Merrill_ProcessFilm_P_369 Date A point or period of time associated with an event in the lifecycle of the resource 1946-07-20 Title A name given to the resource 1111 Jefferson, Grand Rapids Description An account of the resource Black and white photograph of a two-story house at 1111 Jefferson Avenue SE, Grand Rapids, Michigan. Subject The topic of the resource Grand Rapids (Mich.) Buildings Source A related resource from which the described resource is derived Robert H. Merrill papers (RHC-222) Rights Information about rights held in and over the resource In Copyright Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Creator An entity primarily responsible for making the resource Merrill, Robert H., 1881-1955 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/59d69bb7b99038d8b702d4536323bf8f.pdf 702c7a88473a40f14b9baab34cb8104f PDF Text Text Entry forms can be found on our website or in the Women's Center: 1 The Women s Center is currently accepting submissions. All submissions must be received by Friday April 20 at 2pm. Kirkhof Center gvsu.edu/women_ . cen/ 1201 For more info: Email: womenctr@gvsu.edu Phone: (616) 331-2748 Notification will be sent out on April 20th, 2012 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GVSU Sexuality and Gender Flyers Creator An entity primarily responsible for making the resource The Rainbow Resource Center Women and Gender Studies Department Women's Commission Gayle R. Davis Center for Women and Gender Equity Description An account of the resource Digitized posters, flyers, event notices, and other materials relating to gender expression and sexuality at Grand Valley State University, with materials spanning from 1974 to 2019. Date A point or period of time associated with an event in the lifecycle of the resource 1974/2019 Source A related resource from which the described resource is derived Digitized from collections at the Rainbow Resource Center (formerly the Milton E. Ford LGBT Resource Center), Women and Gender Studies Department, Women's Commission, and Gayle R. Davis Center for Women and Gender Equity. Rights Information about rights held in and over the resource In Copyright Subject The topic of the resource Gender identity Gender expression Sexual orientation Women's studies Queer theory Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections and University Archives. Identifier An unambiguous reference to the resource within a given context DC-09 Format The file format, physical medium, or dimensions of the resource application/pdf Type The nature or genre of the resource Text Language A language of the resource eng Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context DC-09_SGF_2012_11th-Annual-Call-for-Art.pdf Creator An entity primarily responsible for making the resource Women's Center Date A point or period of time associated with an event in the lifecycle of the resource 2012-04-20 Title A name given to the resource 11th Annual Call for Art Description An account of the resource Flyer asking for entries for the Call for Art event. Subject The topic of the resource Community centers Art Source A related resource from which the described resource is derived Women's Center Rights Information about rights held in and over the resource application/pdf Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/156ec3810bf1537e1a80831bb0e38a0c.jpg 9f9b4b1e6b0faa274ad6aedbd9628294 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Honors Institute for Young Scientists (HIFYS) Scrapbook Subject The topic of the resource Science--Study and teaching East Grand Rapids (Mich.) Grand Rapids (Mich.) University of Michigan Description An account of the resource The Honors Institute for Young Scientists provided a competitive scholarship to an advanced summer educational program in science and math for high school juniors and seniors in the Grand Rapids, Michigan area. It expanded to include approximately 12 states by 1962. In 1966, Grand Valley State College took over the program, changing its name to the Honors Institute for Young Scholars. The scrapbook includes articles and photographs of the Honors Institute for Young Scientists (HIFYS) in Grand Rapids. Creator An entity primarily responsible for making the resource Honors Institute for Young Scientists Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/465">Honors Institute for Young Scientists (RHC-38)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives. Date A point or period of time associated with an event in the lifecycle of the resource 2017-03-28 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC-NC/1.0/?language=en">In Copyright - Non-Commercial Use Permitted</a> Format The file format, physical medium, or dimensions of the resource image/jpg Language A language of the resource eng Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context RHC-38 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1958-1966 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Source <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/465">Honors Institute for Young Scientists (HIFYS) scrapbook, RHC-38</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-38_HIFYS65 Title A name given to the resource 12 states send students to the Institute Subject The topic of the resource Honors Institute for Young Scholars Honors Institute for Young Scientists East Grand Rapids (Mich.) Grand Rapids (Mich.) Grand Valley State College Science--Study and teaching University of Michigan Science Description An account of the resource 12 states send students to the Institute, article in the Grand Rapids Press, June 7, 1962. Creator An entity primarily responsible for making the resource Honors Institute for Young Scientists Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC-NC/1.0/?language=en">In Copyright - Non-Commercial Use Permitted</a> Date A point or period of time associated with an event in the lifecycle of the resource 1966 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image https://digitalcollections.library.gvsu.edu/files/original/6331fc51689a351c372ccbd7082aa4a3.jpg 93d77c3b283424a938259d9f026ab821 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ronald Oakes collection Creator An entity primarily responsible for making the resource Oakes, Ronald Description An account of the resource Collection of photographs by Ronald Oakes, who served in the U.S. Marine Corps during the Vietnam War, and in the U.S. National Guard in the Iraq War. Date A point or period of time associated with an event in the lifecycle of the resource 1968/2005 Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/628">Ronald Oakes Vietnam and Iraq war photographs (RHC-80)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Subject The topic of the resource Iraq War, 2003-2011 Vietnam War, 1961-1975 Veterans Photographs Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Relation A related resource Veterans History Project interviews, RHC-27 Identifier An unambiguous reference to the resource within a given context RHC-80 Language A language of the resource eng Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-80_Oakes-Vietnam-Scan-080728-0018 Title A name given to the resource 122 mm rockets captured in the rocket belt south of Da Nang Subject The topic of the resource Vietnam War, 1961-1975 United States--History, Military Marine Corps Military life Soldiers Photographs Description An account of the resource Da Nang, Spring 1968. 122 mm rockets captured in the rocket belt south of Da Nang transported on a mule motorized cart to Camp Dong Son. Creator An entity primarily responsible for making the resource Oakes, Ronald Relation A related resource 1968 Type The nature or genre of the resource Image Source A related resource from which the described resource is derived Ronald Oakes Vietnam and Iraq photographs (RHC-80) Veterans History Project interviews, RHC-27 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Vietnam War Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/InC/1.0/?language=en">In Copyright</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Date A point or period of time associated with an event in the lifecycle of the resource 1968 Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/bb34410c5640d15f83b0c899a76949be.jpg 4d1b0b3683d27411328c157ee3398910 https://digitalcollections.library.gvsu.edu/files/original/856c9fe724bccda1fe22cd05ecf45f7c.jpg 06b678de6f62196bd3fa622b0190f67a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War and Slavery Collection Subject The topic of the resource United States--History--Civil War, 1861-1865 Slavery--United States African Americans United States--Politics and government--19th century Description An account of the resource A selection of correspondence, diaries, official documents, photographs related to the American Civil War and to the institution of slavery, collected by Harvey E. Lemmen. The collection includes a selection of documents from ten states related to the ownership of slaves and abolition, correspondence and documents of soldiers who fought in the war and from family members and officials, diaries and letters of individuals, and a collection of mailing envelopes decorated with patriotic imagery. Creator An entity primarily responsible for making the resource Lemmen, Harvey E. Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/472">Civil War and Slavery Collection (RHC-45)<br /></a><a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/470">John Bennitt Diaries and Correspondence (RHC-43)<br /></a><a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/471">Nathan Sargent Papers (RHC-44)<br /></a><a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/478">Theodore Peticolas Diary (RHC-51)<br /></a><a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/476">Civil War Patriotic Envelopes Collection (RHC-51)<br /></a><a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/479">Whitely Read Diary (RHC-52)</a> Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Special Collections & University Archives Date A point or period of time associated with an event in the lifecycle of the resource 1804-1897 Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Format The file format, physical medium, or dimensions of the resource image/jpg; application/pdf Language A language of the resource eng Type The nature or genre of the resource Image; Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1804-1897 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1776 patriotic design Description An account of the resource Design shows 1776 and patriotic symbols with "The Old Continentals In ragged regimentals Faltered not." Design in blue and red on white envelope. Identifier An unambiguous reference to the resource within a given context RHC-49_PE022 Language A language of the resource eng Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/page/NoC-US/1.0/?language=en">No Copyright - United States</a> Type The nature or genre of the resource Image Subject The topic of the resource United States--History--Civil War, 1861-1865 Postal service--United States--History Covers (Philatety)--United States--History Patriotic envelopes Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/476">Civil War patriotic envelopes, (RHC-49)</a> Format The file format, physical medium, or dimensions of the resource image/jpeg Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/ec011a64b21967b643e25c2fe65f71cd.pdf 353dd03f325fa8119ab7e4c34f090669 PDF Text Text uuua au _rnu aunt January 27t 1910 .. • rrB!i 1 all nt . , • • - - ..- -- s ~ •• ------ ,,.. - - r • �•• \ ,. • Jrngram. • - - - Invocation Rev. Russell H. Bready - DINNER .' . - Three Minutes ..Address . ,. . # • =· .. , ,.t . . . . •• .. ~·.. ,........ • ·""' ,· .,- - ~eport of Treasurer . .-:-'• ,. . . ,)' Violin Solo .. - - . .. .. C. A. McConnell - - Burleigh Hudson - - George Clark - - - Frank Welton • - - W. H. Eastman - G. E. Fitch - • - .. Reports· of Committees . •. . . Vocal Solo ·, • J. R. Taylor, President Joseph W. Putnam, Secretary Reading of Minutes of Last Meeting, # .,, • • - . • • - A Little .,' Jolly'' .. - " ~ . ·'- Election Special Business High Spots on Flat ~iver Ten Days on the Manistee (Illustrated) Return Trip to 40° Lat. , . . .. . �• • ' \ :!l.enu Dish Water Equator Temperature • Served with Dog Biscuit Sea Weed Green Puckers from lOo Lat. Razor Billed Auk Cool, - ed Blubber Gravy Cached Corn • unknown vintage Spuds, Heated Pem mican, served cold, Peary Style Ship Biscuit, Polar Bear Grease Nuts Dipped in Brine ... •• 90° North - f- · • Thawed Icicles Chicory with Condensed Milk Gum Drops on root Torches • not insured Don't Use Your Lunch Hooks- Harpoon and Skinning Knife at Each Plate JOHN DORF, Chef • • • �• • : .. • � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grand Rapids Boat and Canoe Club collection Creator An entity primarily responsible for making the resource Grand Rapids Boat and Canoe Club Description An account of the resource Scrapbooks of newsclippings, photographs, postcards, and ephemera of the Grand Rapids Boat and Canoe Club. Photos were taken at regattas on Reeds Lake; the Grand River; Peoria, Illinois; and in Chicago of club members, and events. Historical articles, reports of regatta events, and articles featuring members Charles McQuewan and Jack Corbett are included. Programs include the First Grand Regatta on Great Salt Lake 1888, and Peoria Rowing Festival, and banquet and music programs and the GR Log, a publication of the Grand Rapids Boat and Canoe Club. Materials from the Central States Amater Rowing Association, and the National Association of Amateur Oarsmen are also included. Date A point or period of time associated with an event in the lifecycle of the resource circa 1980s to 1940s Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/481">Grand Rapids Boat and Canoe Club scrapbooks, (RHC-54)</a> Subject The topic of the resource Grand Rapids (Mich.) Outdoor recreation Boats and boating Racing shells Publisher An entity responsible for making the resource available Grand Valley State University Libraries Identifier An unambiguous reference to the resource within a given context RHC-54 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-54_Ephemera-GRRC_E02 Creator An entity primarily responsible for making the resource Grand Rapids Boat and Canoe Club Date A point or period of time associated with an event in the lifecycle of the resource 1910-01-27 Title A name given to the resource 1910 Annual Meeting and Banquet Program and Menu Description An account of the resource Program and menu for the Banquet of the Grand Rapids Boat and Canoe Club at Press Hall, with an image of the club building on the back cover. Contributor An entity responsible for making contributions to the resource Grand Rapids Rowing Club Subject The topic of the resource Grand Rapids (Mich.) Outdoor recreation Boats and boating Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/481">Grand Rapids Boat and Canoe Club scrapbooks (RHC-54)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">No Known Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives https://digitalcollections.library.gvsu.edu/files/original/1f16af1b76c6b83a3503418b699de312.pdf fc287941c7913f49c2fb1182b68f7eb7 PDF Text Text ... • ANNUAL BANQUErr GR ND R .PIDS BO T & C OE CLUB . PRESS HALL THURSDA EVENING JANUAR . 26. 1911 • �• Toastmaster Selection . • .. Blue Points on Half Shell Rev. Alfred W. Wishart • • • • • • • • • Celery (a) Rowing • Starter Morris Mann . . Ten Eyck and Courtney ' (c) In the' Good Old Summer Time. Cranberry Jelly . Report of Treasurer • . C. A. McConnell (d) Tennis w. A. Larned B. C. Wright and Veal Loaf Cold Ham . Boone and Crockett • ' Reading of Minutes of Last Meeting Jos. W. Putnam, Secretary Quartette Membership (b) Escalloped Potatoes Past, Present and Future of the Club • J. R. Taylor, President , Wafers Roast Turkey with Dressing Membership • • Rev. Alfred W. Wishart • • Boat Club Hobbies . • • • Song---•• What's the Matter With Father?'' DINNER Song---America • Frank vVel ton • •• Canoeing in the Temagami Country'' -•-Illustrated . . . Ernest W. Dewey Cream of Tomato Soup Olives • • Song---''Any Little Girl That's a Nice Little Girl•• . • • • , Membership Address . . . • •• Canoeing on the Taquamenaw''---Illustrated George Fitch enu Invocation • • (e) Dancing. ({) Swimming . Daniels and Miss Kellerman Salted Nuts {g) Wrest!ing . Gotch and Hackenschmidt Reports of Committees Neapolita11 lee Cream (h) Fishing . Election • • . 01. Damfamle • • (i) Music---Cor11et Solo Assorted Cake Special Business Miss 0. U. Alnoer Bottled Spring Water CoHee (j) Hand Ball • . (k) Base Ball • • Local Experts • Ty Cobb, llans Wagner . and Chief Meyers Cigars (1) Camping . Stewart Edward White and Jack London • Election Returns. Selection . • • • • • • • . Quartette GOOD NIGHT • • ... TULLER'S ORCHESTRA �I I .,. •• If l ~ ,,. ' '' .,••• "" •' ' t.•• .... :'~' .. • I•' ••• • .' t "\ • •I ,: ,(' I • ...: { ... " ....... 'i • '-'-~:.~. I Q /t .. \ •, • I v.~ 2 . rt ,. VJ • ,;J 7 -rr It .) 0 0 . • ~ I' en :) _J 0 w 0 z <( 0 . • l: 0 z ~2.-· 0 ~<(a: . . <(./) a.r '1) 0.,0 . a:~ 34:t~~ ' ({"" ) •• I ~ 0 a: o· • ._J c.,CDoz z <t:' (/) a: t • , 0 -a.. I I • ... • •• • f I J-.. • .<{ a: f---------..-----.- --- ' I I C Q :z . <( ~· • • .a:. 0 t J, --J - 0 0 - • ..J (D I :) I a. I •• • l 0 l • {} I ,. ' ·- (~ _, •• -!.. ,• l.,)I 1~.:.. ·-..... • • '': ,: : t • . 11: "~~ .. ~ Cl ~ I '-.: I I / . . .' .. ~------ I I c':) . t • • t ' 1 ! •• • ., . ,.~ " ~ 1t inIa. ..•I ': t~;l o;; • ,' • • .. ..• • ; i: Ii. ~ :I'( I' • •.. •"' !I) l l' � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Grand Rapids Boat and Canoe Club collection Creator An entity primarily responsible for making the resource Grand Rapids Boat and Canoe Club Description An account of the resource Scrapbooks of newsclippings, photographs, postcards, and ephemera of the Grand Rapids Boat and Canoe Club. Photos were taken at regattas on Reeds Lake; the Grand River; Peoria, Illinois; and in Chicago of club members, and events. Historical articles, reports of regatta events, and articles featuring members Charles McQuewan and Jack Corbett are included. Programs include the First Grand Regatta on Great Salt Lake 1888, and Peoria Rowing Festival, and banquet and music programs and the GR Log, a publication of the Grand Rapids Boat and Canoe Club. Materials from the Central States Amater Rowing Association, and the National Association of Amateur Oarsmen are also included. Date A point or period of time associated with an event in the lifecycle of the resource circa 1980s to 1940s Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/481">Grand Rapids Boat and Canoe Club scrapbooks, (RHC-54)</a> Subject The topic of the resource Grand Rapids (Mich.) Outdoor recreation Boats and boating Racing shells Publisher An entity responsible for making the resource available Grand Valley State University Libraries Identifier An unambiguous reference to the resource within a given context RHC-54 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RHC-54_Ephemera-GRRC_E06 Creator An entity primarily responsible for making the resource Grand Rapids Boat and Canoe Club Date A point or period of time associated with an event in the lifecycle of the resource 1911-01-26 Title A name given to the resource 1911 Annual Meeting and Banquet Program and Menu Description An account of the resource Program and menu for the Banquet of the Grand Rapids Boat and Canoe Club at Press Hall, with a map of the club on the back cover. Contributor An entity responsible for making contributions to the resource Grand Rapids Rowing Club Subject The topic of the resource Grand Rapids (Mich.) Outdoor recreation Boats and boating Source A related resource from which the described resource is derived <a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/481">Grand Rapids Boat and Canoe Club scrapbooks (RHC-54)</a> Rights Information about rights held in and over the resource <a href="http://rightsstatements.org/vocab/NKC/1.0/">No Known Copyright</a> Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource application/pdf Language A language of the resource eng Publisher An entity responsible for making the resource available Grand Valley State University. University Libraries. Lemmen Library and Archives