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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 1 of 8

[Barbara]

Hit the light. Okay, now I actually am running.

[Tinsley]

Okay.

[Barbara]

When you came to James – you know, it would be nice of you to mention when
that was, when you actually came as Dean – what did the administration tell you
about what was expected at the college?

[Tinsley]

I came in the summer of nineteen seventy-two. The college had completed one
year of operation when I came. I can't say that the administration of Grand Valley
told me anything about what they wanted the college today. Let me just start this
again. It’s going to take me a little...

[Barbara]

Well, I'll adjust the shot.

[Tinsley]

Okay, it's going to take me a little bit to kind of warm up.

[Barbara]

I know, it always does.

[Tinsley]

It's like doing a practice interview.

[Barbara]

It is, so start again and take as many times as you want. I have an entire case of
tapes.

[Tinsley]

Okay.

[Barbara]

What was it like? What did the administration tell you? "Hi Adrian, here's what
you're supposed to do."

[Tinsley]

Well, I came to the college in nineteen seventy-two. And I can't say that the
administration told me anything about what they wanted the college to be. The
college had completed its first year of operation. I knew that Grand Valley was
beginning a cluster college operation and that William James was the third
college and that Grand Valley anticipated that there would be more colleges.
That the decision had been taken early in Grand Valley's life – in fact, it had been
a plan George Potter's, I believe – that instead of just growing bigger, because

�Grand Valley expected to grow significantly. Instead of just growing large, they
would develop a whole series of colleges and each would have its own mission
and its own curriculum. So, William James… I understood William James was to
be part of that. And I understood that there had been a task force to set up
William James chaired by Tom Cunningham. And I understood that what was
written in the task force document was what the administration wanted the
college to be and that was a career-oriented college. What I did not understand
was that even at the point at which I arrived at William James – in its second year
– there was some significant concern in the Grand Valley administration about
the direction that the two cluster colleges, Thomas Jefferson and William James,
were taking.
[Tinsley]

And, in fact, after I had been the Dean of William James for a year, the Vice
President to whom I reported, Bruce Loessin, said to me with a big smile: "Well
you've really done a good job – the college has survived! Most of us didn't think
that was going to happen!" And that was my first indication that there was any
question in anybody's mind that the college would survive.

[Barbara]

Two things about that I didn't understand. I don't understand who Potter is… you
made a reference.

[Tinsley]

Potter was, I believe, a Vice President for Academic Affairs at Grand Valley and
the first president of Grand Valley, James Zumberge… I don't know if it was
Potter or Zumberge that had the notion of developing a cluster of colleges. They
had that idea but didn't implement it. Don Lubbers was the president who caused
that to be implemented.

[Barbara]

Why… I mean, when Loessin said that to you, you must have said whatever
[Inaudible]. Why start a college and presume it's going to fail? I don't understand
it.

[Tinsley]

And reasonably enough you don't understand it. William James was supposed to
be a career-oriented college. When the first faculty were hired by Bruce Loessin,
he took pains to hire a faculty that came from the traditional liberal arts
disciplines and were very – not traditional – but very good faculty in the traditional
sense. They had good academic degrees. They were not interested in doing
career education in the sense that I think Grand Valley had in mind. I think Grand
Valley had in mind that William James would be what they later had to start
Kirkhof in order to get. So, there was a sense right from the beginning that they
were looking for a technical college and William James was becoming something
quite different from what they had in mind. But what can they expect, given the
faculty that they had hired to found the college?

[Barbara]

Turn this off for a second. Make sure this thing is running right. I get a certain

�amount of neuroses… paranoia, that's the word I'm looking for. Tell me… Ah!
Tell me… let’s get you in the shot.
[Tinsley]

Tell me, whoever you are.

[Barbara]

Okay. Tell me what the administration said… what did you observe? What was it
in total, you know, really meshing all kinds of things? What was going on when
you arrived? What kind of place was it?

[Tinsley]

It was struggling to be born when I arrived. It had been in operation for you a
year. It had had no planning time. It had been started just immediately, crack off
the bat. After that, the task force report had been completed; an acting dean had
been put in; the faculty had been brought in.

[Tinsely]

And they had no lead time, they were just told that you are open in September
and get your curriculum together. So, they were struggling that whole first year to
put together a first curriculum and hire a new staff. There was not much
opportunity to do anything other than run very hard to accomplish those tasks.
But my belief about the college… and I knew it pretty well because I interviewed
for its deanship before it started and then did not come at that time…had other
commitments and then came a year later. So, I had a chance to talk to Robert
Mayberry and Bruce Loessin that very first summer, and then again in the
interview process for the second year. What I observed were that the faculty that
were at the college took that planning document – the Cunningham Task Force
Report – very seriously. And they were about the business of trying to make that
happen. And I observed that the most compelling part of it – it certainly was to
me and I believe it was to the faculty – was the notion of good work. We had a lot
of words for that, you know. Vocation with a "V," career-oriented, the notion of
doing something useful in the world. And we struggled a lot because we didn't
want this college to be simply career-oriented, but we wanted to have utility to do
something useful in the world – to make social change – and there were a whole
bunch of ways of talking about that. But that's what I saw when I came… that
people were looking at the college to be and that people wanted the college to
be. Everybody came to the college with a critique of their own graduate
education because we were all young. So, we were very clear about what we
wanted the college not to be and, in fact, that was kind of a problem early on. We
kept defining ourselves in terms of what we didn't want to be. We didn't want to
have grades. We didn't want to have majors and disciplines. We didn't want to
have a sterile kind of research focus. So, everybody had their own critique and
everybody, I think, also had their own dream of what the perfect college would
be, what the perfect society would be. The piece of it that was in the public space
right from the beginning was making a difference in the world and that's what I
thought people wanted to do in the world.

�[Barbara]

Change the shot here.

[Tinsley]

Does the tape pick up your questions?

[Barbara]

Yes, but what I'll do is redub them because I'm off mic.

[Tinsley]

Okay, okay.

[Barbara]

You can hear them, but you have to strain to hear them.

[Tinsley]

Okay.

[Barbara]

So I get a chance to clean up my act.

[Barbara]

James operated as a sovereign state. You would agree?

[Tinsley]

Yes.

[Barbara]

Did we seize that sovereignty or was it given to us?

[Tinsley]

Neither really. We didn't seize it. Seizing implies some kind of resistance. I think
in the early years, the Grand Valley administration did not have a particular plan
as to how they thought the college should develop or indeed what they wanted
from it. We took a lot of freedom, but we didn't really have to fight them for it.

[Barbara]

If we can just stay in this shot. How did feminism infuse the college?

[Tinsley]

Well, feminism was extraordinarily important in the college. I think… you
obviously are going to have to edit this because I will get rolling in a little bit but
I'm not yet. I think feminism was probably one of the most important social forces
that operated in the college. It's an interesting mystery why the initial first eight
male faculty turned around and hired a number of strong women faculty and the
women dean. But that's in fact what happened. I said earlier that everybody
brought their own dream to the college. I think the women, in particular, brought a
feminist dream and you have to remember this was nineteen seventy-two, so
feminism was just really becoming a significant social force. And feminism
embraced both notions of, you know, gender equity and also notions about
organizational structure. There was a lot of talk in the feminist community at that
time about non-hierarchical decision making. About rotating authority. About
everybody taking turns doing the job so that everybody got a chance to do all the
jobs. A lot of talk about how you didn't want to specialize into male roles and
female roles or faculty roles and administrative roles, you know, to go by
extension. So, the whole philosophic context of radical feminism came into the
college as in many ways as the dream – or at least the strong interest – of a lot of

�the women faculty that came. And particularly as it related to, you know, malefemale relations and organizational structures. The men were coming in with the
same kind of a dream. They may have come to it through feminism per say or
they may have come to it through some other kind of social analysis. But there
was general agreement on what our politics and then for the social structure of
the college. So, I guess I would say feminism affected the college because there
were a lot of women there. I mean we were very unusual in that there were so
many women and that the women really were in positions of a good deal of
authority, respect, and influence – both formally and informally. Whether they
were program coordinates, or the Dean, or whether they were just strong faculty
who were “Weighty Friends” in the Quaker sense in the design of the curriculum.
Feminism, I think, influenced a lot of our early attempts and organizational
structures.
[Tinsely]

The whole governing structure, the coordinator's temporum, or the notion that we
would take turns doing the college's jobs. And I think it influenced the way we
treated each other. It influenced what kinds of interactions were acceptable in the
public space of college and, indeed, in people's home lives. And I think it was
interesting in that regard the ways they interacted with each other – the men and
women in college. We never fell into sex roles – or the kinds of gender-based,
sex-based teasing – that is real frequent in other situations. The place that
feminism didn't affect the college terribly strong was we never developed a very
strong Women's Studies program. I often felt as Dean, you know, I was really
remiss in the kinds of formal curricular or extracurricular things we could offer our
women students. I often saw women students come in, you know, if they’re first
in their family going to college, with very conventional aspirations and it was
possible for women students to go through this structure that was a college and
be a little untouched about what was going on. And I thought that was a real
weakness. And I think it came from the fact that the women were so busy in their
nontraditional roles - sort of running the college, developing the curriculum – that
there really weren't people to spare for developing the more usual Women's
Resource Center, Women's Studies program, and the like.

[Barbara]

I think to me, a question that follows that when we were interviewing faculty, we
went through these long interview processes – forty-eight-hour things – and we
always knew what we were looking for. What were we looking for?

[Tinsley]

Well, I think the easy answer to that is we were looking for people like ourselves.
But what did it mean to be like us? I think we were looking for some sort of real
evidence of commitment to social change. We were looking at people's politics.
We had political litmus tests and I think there's… you know, we shouldn't blink
that fact. I can remember interviewing a candidate for psychologist at one point –
a woman – and she was asked something that had to do with feminism and then
she responded that she didn't care to define herself; she didn't care to take on a

�label. It was very important to us that people we label that they have politics. So,
I think we were looking for that. I think we were looking for breadth. I think we
were looking for people that were interested in a lot of things. And I think we were
looking for people that weren't interested in sort of narrow, discipline based,
traditional academic interest. I think we found them kind of pompous and kind of
boring. We could know us when we saw us. But how you'd write that down on
paper it isn't really clear. Except we did know us when we saw us, and we were
anti-pomposity and we were pro-politics. But our politics had a very broad
definition. We were pretty inclusive in our politics, but we demanded that people
have politics, I believe.

[Barbara]

It’s coming up to the… conveniently this blinks at me when we’re running out of
tape.

[Tinsley]

Okay, okay.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 2 of 8

[Barbara]

And I'm rolling.

[Tinsley]

Okay.

[Barbara]

And I wanted to ask you: we refer to some mysterious beast called a “real
William James student.” What's a real William James student?

[Tinsley]

Well, again, you know, a real William James student – you knew one when you
saw one. We wanted students to take responsibility for their own education; we
painted it up on the walls in Lake Superior Hall… that wonderful cartoon of the
student we didn't want which was somebody having knowledge poured into his
head through a funnel. We wanted students to do it themselves. And so, a real
William James student was a person who knew what he or she wanted to learn
and took their own route in getting there.

[Barbara]

I just screwed up, Adrian; I just pulled the panhandle. Can you repeat the last
part?

[Tinsley]

Sure.

[Barbara]

I’m sorry.

[Tinsley]

A real William James student was a student who knew what he or she wanted to
learn and desired to take responsibility for learning it. Wanted to use the faculty
as resource people. Wanted to figure out how to learn and was willing to hustle
to, you know, really move their butt to get what they needed. Willing to go to a lot
of sources and use a lot of resources. Had some drive and motivation. I think in
the early days, the real William James student was somebody who was
specifically seeking an alternative education, who shared the views of the faculty.
In the areas, for example, of grading. That letter grading was at the root of all
evil. Who wanted the freedom to design their own way of studying things, who
wanted to do independent studies. And as those students became fewer and
fewer in number because we had many more those of in the early days of the
college, you know, then I think the real William James student became simply the
one with energy. The one who was self-initiating.

�[Barbara]

How did we teach them this?

[Tinsley]

I don't think we taught them to it, they came with us. They came with us.

[Barbara]

But there was a phenomenon of students who were lost for a year and then
turned it on.

[Tinsley]

Well, that's true. But I don't know how that happened. But you have to remember,
I was not in the classroom teaching the students so that I got to know the good
students and I got to know the problem students.

[Tinsely]

But I could not explain how that mystery actually happened in the classroom
because I wasn't there.

[Barbara]

Let me grab my notepad out of here. Oh, the rocking adds a nice comfortable
touch. We were profoundly egalitarian, and yet you were in a leadership role.
How does one lead a commune?

[Tinsley]

That is a very good question, and I must say what I learned about leadership in
that situation… that's probably the most important learning I took from the college
actually. I guess I'd answer that by saying I didn't go to William James; I didn't set
out to be the leader. I didn't know enough to know I was supposed to set out to
be the leader. And I think one of the things that is important about William James
and my contribution to it is that not only were all the faculty very young, I was
very young. I have never been a dean before. I didn't know, really, what deans
we're supposed to do. All of us made this college up out of we what we knew.
And all of us had a critique, but none of us really knew how to make the college
happen. I think it's important for the college that I did not arrived with an agenda.
I arrived responsive to the same social climate that everyone else was
responsive to. We had a variety of ideologies, a variety of critiques, but I didn't go
there saying "I am the Dean and this is my vision of alternative education". I think
that the role that I played… and I don't want to give the impression that I was the
colleges facilitator, because I don't view what I did in that way. But I think what I
did I think I had the gift of being able to understand what kind of vision for the
college motivated most of the people who were there. And they were very
different visions and I think my gift was to be able to find some common ground
among those visions that we could agree to and put that in the public space and
affirm it. And I think that – as I thought about in later years - I think that is
probably the quintessential quality of leadership. Pat Labone used to say to me
that what the dean should do is read the litany. She had a Catholic childhood and
there was some real truth to that. I often used to long to have a chapel and
William James that everyone was required to attend so the little inspirational
speeches could be made. I think it's important that an institution have that and I
think that I brought that to the college. And I think that I had the ability to bridge

�among the various kinds of faculty at the college. I think it was extraordinarily
important to success of the college that I could talk to heavy male synoptic types,
that I could talk that language and that I valued that. I think it was important that I
could talk to the women. And I think it was important that I could talk to the
people who brought professional skills into the college but more scared,
frustrated, and sometimes irritated at the quality of intellectual discourse that
went on because they felt insecure about participating in it. And I truly believed
there was room for everybody. And I think that I kind of could embody that. And I
think I also – in terms of leadership – was able to work with the college's peerpressure structure.
[Tinsely]

Because you can't tell people to do things and you can't make people do things,
and an administrator has to work with what's there. You can say "no" but you
can't make it happen. And so, the trick to it is to be able to mobilize the energy
that's there, give it some focus, and get people on the same wavelength. And the
college had very strong norms of behavior. I mean there was a lot of peer
pressure in the college that said, I believe, what faculty were supposed to do and
what they were not supposed to do. And I think I was able to work with that and I
think I was able to find some constructive channels for using people's energy.
Not always, but if there was a trick to operating as a leader in that kind of setting,
that's how I would describe it.

[Barbara]

But surely what you just described at the end of your answer would be true of
being an administrator at any college.

[Tinsley]

Yeah, it is, but it was more so at William James because we had a rhetoric about
– and said and really meant – that we were non-hierarchical. I think that's how
the whole critical issue format developed, which I think was a very healthy one
for the college. As inexperienced as I was – and I really was absolutely green
when I came to William James as Dean – and I remember, practically, the first
week that I was there we were drafting the governance document for the college.
And that was drafted by Robert and Inge and it was very elaborate, and it was
really a model for participatory form of governance that worked neither on
hierarchy nor Roberts Rules of Order, which was what we wanted. But even
though I was I very green and I looked at that and I said: "Wait a minute, the
Dean has responsibility beyond, simply in a consensus fashion, gathering the will
of the faculty and implementing it.” There are probably issues at the college that I
am responsible for and there are issues that the faculty is responsible for, and
yet we’re all responsible for all of this together – how can we sort that out? And
out of that came the notion of a critical issue. That most of the times we would all
be on the same wavelength about what we wanted to have happen. But because
we had different responsibilities and sat, in a sense, in different chairs, there
might be times when the college would want to do X, but I would know it couldn't.
It absolutely couldn't. And thus, was born, you know, the critical issue and the

�veto. An elaborate way of saying: "But the college says this and the Dean said
that, the Dean would say 'no.'" And then you'd go back and discuss it some
more. And you might still come out with yes and no but their would be ways so…
I didn't abrogate what was my real responsibility to make sure that in matters of
relating to the structure at Grand Valley, the college didn't harm itself. And that
the college at some basic level operated in the way it ought to: in trust from the
people of Michigan, through the Board of Control, you know, through the
President, and down to me. I had real, legal, responsibilities there.
[Tinsley]

And yet at the same time I was a member of the community and wanted to be
involved in the process of working out what the college was going to be and do.
Because I didn't know. So, I was both part of the process and outside of the
process.

[Barbara]

Presuming that some people are going to see this tape that have no direct
experience with James, would you care to give an example of a critical issue that
actually came up?

[Tinsley]

Yes. The critical issues came up around hiring issues and around money. And
two examples were: at one point the council voted to hire a faculty member and I
felt the decision was untenable, that it was made not because the person was the
best candidate, but because there were a great many…the person was known to
us, there were many personal feelings involved. And I felt it would be
irresponsible of me to let that decision go forward, so I vetoed it. Another issue
came when we had a very elaborate, as you will recall, salary administration
policy. And which I did not like, but never really interfered in because I felt that
was the faculty's business to determine. I did not approve of it. In one particular
year, it works to really the detriment of an older member of the faculty who was
going to end up with a less than a cost of living raises as a result of the operation
of this policy and I said "No, that would not be acceptable." There may have been
others that were more, you know, policy issues but I don't recall them. One of the
interesting things was that these issues arose very rarely because we have did
most of our work by persuading one another. It was very interesting; we were
frequently compared with Thomas Jefferson College because we were both
alternative colleges of sort of different kinds of stripes. I thought, and I think many
people agree, that there were very different leadership styles at the two colleges.
Thomas Jefferson was run by guru, a bearded, alternative education dean who
put his picture on the front of all the colleges brochures. And then, in fact, the
early brochures, you know, showed his face with his beard and the little legend
was: "This man runs a college." The faculty at Thomas Jefferson seem to be very
pleased to have a dean who would be their guru and who would not tell them
what to do exactly but would take care of them. That was basically what it
amounted to, would take care of them. And we had a model that was much more
political. Our model was: everybody had to understand how this works,

�everybody has to have an operator manual because we all have to understand
the political context we're working in order for to work, I guess. I don't want to
say, "We won't survive," because we didn't sit around thinking "Well, maybe it
won't survive." But we all had to understand it.

[Tinsely]

And I felt really strongly about that and I think most of the faculty felt strongly
about that. And I was not there to, you know, be there to take care of them, and
they were not there to be, you know, recipients of somebody's guruism. I think
that was real important as to how we worked. It was like a marriage, it really was.
People called me Adrian, but if they were really angry at me, they referred to me
as the Dean and I didn't like that, you know. I can recall saying: "I am not the
Dean!" or "I am Dean, but my name is Adrian!" So, there was, you know… I don't
quite know where I'm going with the rest of that answer but…

[Barbara]

Let me check on the tape. Ah, look there! See, I have this sixth sense.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 3 of 8

[Barbara]

There you go. There’s a good tape… [inaudible]. Okay, we’re a go. Just tell me,
just [inaudible] about the beginning.

[Tinsley]

Well, what I really remember about the beginning – although, of course, I didn't
realize it at the time – was we were all so young. I sometimes think about the
three older faculty who are in their fifties, who were hired because the initial core
faculty had some sense that we ought to have a spread of age and experience in
the college, which was an absolutely right instinct. But I wonder what it must
have felt like to Willard and Doris and Phyllis to arrive with this entire college that
was so very, very, very young. And I look at the pictures of us from those days,
and it's kind of interesting to see us. We were very concerned to build a sense of
community in the college and that expressed itself in a lot of ways. The first year,
I recall, the first fall that I was there we decided to go on a retreat together. And
we all packed up our camping gear and we went off. I can't even remember
where – somewhere on a river. I remember being out on a rowboat with Pat and
Inge and Romano. I remember that Robert wouldn't go because he didn't believe
in going camping. And I remember that Richard expressed the sentiments that he
would not know how to pack the right food and he was hooted down for the
sentiment and told that he would have to work like everyone else. We had the
phrase – which I'm sure many people have referred to – we wanted to integrate
our work and our lives. We wanted to be an intentional community. In some
ways, as the years went on, that wore a little thin as we realize that the
integrating our work and our lives meant basically abolishing our private lives.
And spouses were not always thrilled to be part this of intimate, intentional
community. But I remember the first fall… our way of doing business was typified
by the first fall. We had a confrontation. One of the students, a black student,
whose name I have forgotten… I may be putting two or three incidents together.
But there was some real criticism of how we were doing business. I believe it
came from a black student, although I have forgotten his name at the moment.
And to deal with that, we simply shut college down for a day and all got together
to talk about it. And that seemed to be the most reasonable thing in the world to
do. Toni Cena wrote a very moving statement which she read. I can remember
us all sitting around on the floor, talking earnestly about whatever these charges
were that had been brought, and how we can do better as a college, and how
students could take more of a hand in the college. And that seemed the most
natural way in the world to do business and very, very good. And we did a lot of

�that. I remember the first year we painted the walls of Lake Superior together and
that was very nice. And I can remember – or maybe it was the second year –
Rhonda was the Assistant Dean, and I can remember people painting mustaches
on me and Rhonda and taking pictures of us.
[Tinsley]

I had a good friend that I worked with in the Modern Language Association who
visited me in the first year and I brought her out to the college and showed her
around and she turned to me and says: "You can't fool me, Adrian. I know what a
college is; this is not a college; this is a summer camp." I always remembered
that because I took that as a compliment. There was a real attention to
community.

[Barbara]

Where did that attention come from? Where did that ethic come from?

[Tinsley]

Well, I think Robert, as he did so many things and gave it articulation. We were –
this is not Robert 's formulation – we were not to be alienated from our labor.
That's not Robert 's formulation; Robert would have talked about not being
cynical. Robert would have talked about, you know, controlling the conditions of
your work life so that they were human and met your human needs. They came
from the whole movement in the sixties to make work life more responsive to
human needs. And I think most of us had felt very alienated in our graduate kind
of experiences… had felt we were part of big faceless bureaucracies. It was also
a time in American history where there were an awful lot of communes. It was
right in the middle of the “back to the commune” movement. So, I think it came
from those places. And then once we were all there, is when it kind of took on a
life of its own. And I think was, probably for me, it was one of the very, very
appealing parts of the college. That it was not only a workplace, but it was a
place where you really were yourself, and you know, in a sort of a whole human
way.

[Barbara]

Some people I have talked to acted as though there were two William James
Colleges: the early one and the late one. Would you comment on that? With the
kinds of things you're talking about, how much of that persists? Or why did it
change if it changed to something other?

[Tinsley]

Yeah. Well, I like to like think it persisted. And for me, of course it persisted.

[Barbara]

Me, too.

[Tinsley]

So I don't have the sense of their being two colleges. The college changed in its
externals. The college change in some of the externals of its organization to
reflect demands that came about as Grand Valley put them on William James,
and as the State of Michigan put them on Grand Valley. I learned as I'd gotten
older a lot more about the kind of demands that come from the outside that mean

�you don't operate as free agent, if you're looking to the state for your money. And
as Grand Valley began to get its act together. You asked me earlier what Grand
Valley wanted from William James. Grand Valley didn't have its act together, they
didn't know how they were going to develop. As they began to get their act
together, they wanted William James to fit into their structure.
[Tinsely]

And so we began to have to do some things to suit Grand Valley. For example,
we always had a great deal of flack around the title of the course, "Uptight About
Writing" – it became symbolic of kind of conflict we were always in. The faculty
thought that the title absolutely expressed with that course was about. The Grand
Valley administration thought that that course title made William James look silly
and made Grand Valley look silly. We did a lot of changing of external things so
that Grand Valley didn't feel it was looking silly. Some of that was legitimate, I
think. So, my view was that what changed a lot was our way of fitting into the
bureaucracy. The student body changed, you know. That seemed very real to me
even though I was not, myself, in the classroom often. I taught maybe once a
year. I could tell the students were changing. And the students wanted different
things. And I think that's where the sense that there were two William James'
comes from. The later students came because we had an Arts and Media
program. They just wanted to learn what they, you know, were supposed to learn
so they can get jobs in arts and media. The kind of students that really wanted to
direct their own education, we had very few of them towards the end. So, I think
that was a real change. But for me the other stuff was superficial.

[Barbara]

I would argue, being in Arts and Media, some of the guys that just graduated and
the last people to graduate… I interviewed one of them, and he's typical, okay?
And pissed off because they took James away. And he articulates and
personifies something that is far more than just a hard nose, "I now have my
professional stuff and I'm going out in the world." He talks about being in
Steven's class before William James was closed and afterwards and the
difference in the other student. You know what I mean?

[Tinsley]

Yeah, oh yeah.

[Barbara]

I'm still not convinced it's just the students changed.

[Tinsley]

Well, it may not be. But my first answer to the question: I didn't feel there was an
early William James and a late William James. Perhaps there was in a sense that
we were younger earlier and it was fresher. We believed it was a good idea to all
go camping with one another. Probably after ten years, we didn't think it was a
good idea to all go camping with one another. But that's just sort of time passes
and, you know, life happens to you. I didn't think what was at the center of the
college changed much. I really didn't.

�[Barbara]

That makes two of us.

[Tinsley]

[Laughter]

[Barbara]

Where did the seminal ideas come from? We talk about feminism – and that's
really important – but how did William James actually… it seems like a miracle. I
don't understand how James suddenly, genuinely, infused the college…
something that had been dead for X number of years, you know.

[Tinsley]

I think it came from a really happy confluence of a lot of streams of thought and a
lot of things that were happening. I think we all acknowledge we were awfully
lucky to get the name "William James" and I don't think we thought that up. I
believe Tom Cunningham named the college, so we had that to work with. We
also had that very thoughtful document that the task force had put together,
which embodied a lot of the ideas of the late sixties but pointed forward in his
emphasis on careers. So, it gave us something we could kind of sink our teeth
into. I think we came from a lot of different intellectual places. We were just Godgiven lucky that it just worked together. Robert, for example, whom I knew the
best of anyone because I had known Robert – we had been graduate students
together at Cornell. Robert was very interested in the philosophic base the
college was working off. He cared passionately about not making what he used
to call invidious distinctions between the liberal arts and practical subjects.
Roberts was a person… it was very important to Robert to view himself as,
simultaneously, a philosopher and a practical man. From his philosophic side
came many of the ideas that carried the college forward. And then in the next
year also from Stephen. For me, I didn't come to it by reading philosophy. I came
to it by teaching at the University of Maryland in the English department. The
University of Maryland had, like, fifty thousand students on the College Park
campus. There were over one hundred faculty in the English department. And I
couldn't figure out what anyone was doing there. I used to look out over the rows
of parking lots and say: "I know why I'm here; I'm getting paid to be here. But why
are the students here?" I really didn't understand that. It was the late sixties and
early seventies. All of the students who were majoring in English were paralyzed,
they didn't know what to do with the lives, their degrees we're not going to fit
them to do anything, the Vietnam War was going on. The students I knew spent
most of their time smoking dope and being very scared. And really not knowing
how to interact with the world that was going to greet them when they left the
University of Maryland with a kind of a third-rate degree in English literature. For
me to come to a college that was going to put some emphasis on being able to
do in the world was really important. I mean I cared passionately about that and
when I was interviewed, the Grand Valley administration said to me: "Well you
have a PhD in English literature, what makes you think you can be the Dean of a
college that is practical?" And I said: "You just don't know how much I desire this.
This is the desire of my heart." And then I think feminism came in also, with its

�stress on theory and practice. I think a lot of people came to the college from an
ideologically feminist perspective wanting to combine those two.
[Tinsley]

So all that came together. And I don't want to say we were just lucky, but we
were living at a historic moment where it could come together.

[Barbara]

This comes from another question that I forgot to ask you. What is a male
synoptic heavy?

[Tinsley]

Oh, a male synoptic heavy? Well, that's the men in the college and it was
interesting how it did tend to divide on gender line.

[Barbara]

Oh damn. Adrian, I just moved the damn thing again.

[Tinsley]

Oh well, we'll do it again.

[Barbara]

Keep going anyway.

[Tinsley]

One of the tensions in the college was that a compelling interest in discussing the
philosophical base of the college seemed to divide along gender lines. It divided,
to some extent, on professionals versus the liberal arts line, but really it was on
gender lines. And there were a group of men that were perceived as the male
synoptic heavies, and they carried the flame of the sort of philosophic base of the
college. The women saw themselves, in many ways, more as the doers and
tended to rely, in many ways, more with the professional faculty. And yet those
two had to talk to one another. One of the tensions in the college had to do with
one's synoptic credentials. Only on a tape about William James College could
one talk with a straight face about one's synoptic credentials. But I can remember
at faculty retreat, prior to one of our years, in which we had facilitators come in to
get us going for the year. And that's what came out – that there seemed to be a
distinction between the philosophers, the synoptians – those who were seen as
guarding the flame of those who were appropriately liberal artsy and the others. It
was an interesting tension in the college and people felt very insecure about it.
The man who did not see themselves as the liberal arts heavies felt very
insecure about it, as did some of the women. The women in the college who
have those credentials to be synoptic heavies were sometimes impatient with it. I
felt that I could really relate to both sides, and those were the strengths. And that
the college needed both… because one of the things that gave the college power
was that it did have a concept – it really did – and that gave it enormous power.

[Barbara]

Concept of?

[Tinsley]

Theory and practice. And using theory and practice to make a difference in the
world.

�[Tinsely]

And we spread out from there – the concept got broader from there. But it had
that core concept.

[Barbara]

End of tape. Good answer.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 4 of 8

[Tinsley]

Yeah, test at the end.

[Barbara]

Question will be: [inaudible] the administration at Grand Valley, at various times,
would give you, sort of, “We're not completely happy – shape up” or “You're
doing very well – this is going to go on forever.” Did you get that kind of feedback
from [inaudible]?

[Tinsley]

Yeah.

[Barbara]

That's not phrased very well, is it? Do you know what I mean?

[Tinsley]

Yeah. It's another version of "What did the administration think was happening."

[Barbara]

Yeah. Okay, anytime you feel comfortable. Let me just double-check that we’re
rolling. Yeah, we are. What kind of feedback were you getting from the
administration?

[Tinsley]

It's interesting that I'm having a difficult time answering questions about feedback
from the administration at Grand Valley and there were really two parts to the
administration at Grand Valley. The first phase was during the period that I
reported to Bruce Loessin. And I might just say, parenthetically, that one of
wonderful things about being totally greenhorn, an inexperienced dean, and
being a woman and never having served in the army, I was told I reported to
Bruce Loessin. I guess the first year I reported to Harold Colbert; I had no clue
what it meant to report to somebody. I had no notion what the term meant or that
I was supposed to tell them what was going on in the college and that was what it
meant. But from the college’s second year, up until about nineteen seventyseven, I would guess, Grand Valley had a structure which differentiated where
the colleges reported. And William James and Thomas Jefferson reported to
Bruce Loessin and the other colleges reported to Glenn Niemeyer. That function
was split. In seventy-seven, or whenever the reorganization took place… it may
be seventy-seven, maybe seventy-eight. Let me start this answer again Barbara.
Okay.

[Barbara]

No harm.

�[Tinsley]

Let me think about it for a minute first. Okay, the question that you asked is what
kind of feedback, criticism, encouragement, direction that you got from the
administration of Grand Valley. There were really two administrations at Grand
Valley during the time that William James existed. During the first administration,
I reported – William James reported – to Bruce Loessin. Grand Valley had a
structure in which the vice presidents were all equal and they were all called the
Vice President of the College.

[Tinsley]

Bruce was, at that time, the vice president of the college William James and also
Thomas Jefferson reported to him. This is not just a bureaucratic thing of interest
to administrators. Bruce was responsible for William James and for Thomas
Jefferson and so he wanted us to do well, as well as he wanted us to do good
and fight evil. And he bent his fairly considerable energies to helping us do that
and to fighting our battles. You didn't ask if I had any mentor at Grand Valley; if I
ever did, it was Bruce. He was a kind of funny mentor, you know, a little short
guy. People used to laugh about little, short Bruce and his high heels. But he
looked out for William James because it was his – it reported to him. What I got
from him was: "You’ve got to make it so it looks like the other colleges. You can't
be out there looking weird. I don't want to change anything you're doing; I don't
want to change you. I think William James is great and I think you have the finest
faculty at Grand Valley, but you have to not look weird." And that was really, to
tell you the truth, that was right. Bruce was right about that. He would give me a
little pep talk about not looking weird. I'd go back; try to get us not to look weird.
But he helped us, you know? He would fight for us when we had clashes about
who was going to offer what or were we going to be able to get our name out in
advertising brochures. Bruce was there fighting for us. So, he had an interest in
us. And seventy-seven or seventy-eight… this was a bizarre structure at Grand
Valley with these deans, the vice presidents at the college and the academic
units reporting lines split. Don changed the reporting structure and Glenn
became the Vice President for Academic Affairs and all of the collegiate units
reported to Glenn. Now, you have to understand I'm not saying anything about
Glenn or Bruce personally; I'm talking about structure. The day that
reorganization came down, Bruce took me to lunch at the Matterhorn and he
said: "I just want you to know, that I've always been on your side, always before,
and I have really busted my ass to make sure William James got its fair share
and survived, and I've been your friend, but you need to know that I'm on the
other side now." And I said: "Right. I understand that. I appreciate your just
saying that upfront, you know? Thanks for everything Bruce." And in some ways,
I mean, you could say that was the beginning of the end. When the college is
reported to a different vice president, what it felt like was you had your very own
knight. When I needed something, I went to Bruce; CAS needed something, they
went to Glenn. Then Bruce and Glenn got into their suits of armor and rode out to
go like this to one another. And, you know, sometimes one won, sometimes the
other, but the Dean just kind of sat back, you know, and waited to see who was

�going to triumph. When all the units reported to Glenn, we had entered the era of
rational planning and the emphasis went to program. When the units reported up
different lines the emphasis was on, not program distinctiveness, but
distinctiveness of mission, distinctiveness of student body, distinctiveness ethos.

[Tinsley]

When all the students reported to the same vice president – and maybe this
would have been true whoever the vice president was. I'm suggesting that I think
a lot of the issues were structural; the issue then was which college will do what?
We'll have a rational plan, and programmatically, we'll differentiate
programmatically, you know. And I think people do have to understand that this
was not an individual decision that Glenn made because he was an individual; it
had to do with rational planning with the kind of accountability that he had placed
on him. Because we were entering a time of much tighter money and Grand
Valley couldn't really afford to have computer science programs in both places. It
was confusing, it was messy, and it was expensive. So that's the apologia. What
actually happened when we started reporting to Glenn was that the whole
emphasis went on programs and on new programs. What Glenn wanted from
Williams James was that it would develop new, sexy new programs that would
attract new students and that could give us a niche that we could occupy. And we
fiddled with a lot of things there, at one point, I mean, computers was our thing.
At another point it was going to be environmental science and planning; at
another point it was going to be social work. The problem that happened there…
rational planning might've worked as a model, but the units were of such a
different size and political power. We could make all the bargains we liked, we
can say "We'll do social work and you do nursing. We'll do arts and media and
you do fine arts." But every time a decision was made, we do this and they'll do
that, and what we were doing looked interesting or looked like it was drawing
students, then the other unit wanted to do it. And we didn't have it – I don't think it
was the political clout – we didn't have the size. There were too many faculty
angry that little William James got to do this and they didn't get to do it. And so
those faculty would go to Glenn or they would go to Don. And Grand Valley was
governed in a political way. It was and probably still is on the political model.
There are books written about styles of academic governance and you can have
the bureaucratic model, and you can have the hierarchical model, and you can
have the political model. And Grand Valley was governed in the political and that
meant that we couldn't keep our gains. So, the problem for us was that Glenn
would say: "Develop some new programs." And our tongues would hang out and
we'd say: "My god, we developed a whole new college. We've got zillions of
programs. We've got three programs per faculty member." You know? We need
to consolidate some programs; we need to grow some programs; we need to
develop; you know, we need to let some programs get bigger and stronger.
When we got good stuff, we'd lose it. We couldn't hang on to it.

�[Barbara]

Like what?

[Tinsley]

Like computers. I suppose that was a real good example.

[Tinsley]

The deal was, initially, when I went to the college that the math department
wanted to do computer science. Right at the beginning, the math department had
an opportunity to hire Ken Hunter and had refused to do it. And William James
had hired Ken Hunter. Ken had a genius for understanding how to teach the use
of computers in business and applied context. And that's what our students
wanted to learn. And he built a super program in that area. It was called
Administration and Information Management. Very strong in information
management. And it was very clear where the lines were. It was rational
planning. Mathematics Department did computer science and students who did
that went to graduate school and they became computer scientist and if you
wanted to be an information managing specialist and work in business in an
applied way, you went to William James. Along about the middle or end of the
seventies, it became clear that we were in a gold mine; we were sitting on a gold
mine. We were sitting on top and what everybody wanted to do. And the math
department began to want to do it. And the math department had a lot of political
power at Grand Valley. The lines were clear, you know, there was no question
about what the agreements were. But there was a lot of political issues, so Don
Lubbers set up a task force to look into the matter. And he hired a consultant who
came and spent a couple of months on the campus one summer looking into the
matter. And then he called a meeting and we all trooped into the President's
office to have the meeting at which we were going to decide what was going to
happen with computer science. And Don VanderJagt went in from the College of
Arts and Sciences; Bruce Klein at that point was already in the College of Arts
and Sciences or maybe he was with us, I can't remember this. The punchline of
the story was VanderJagt trooped with the Dutch guys from Holland and this area
and William James trooped in with the woman, the Jew, and the Martian. And I
thought: "I think I know how this is going to turn out." In the end, you know, I
suppose I should be careful putting that statement on this tape.

[Barbara]

Maybe you need to say that again.

[Tinsley]

Yes, probably… I will say that again.

[Barbara]

Why don't I change the shot… it's accurate, but I don't think you're really…
[Inaudible].

[Tinsley]

Yeah.

[Barbara]

Okay, let’s see. So, then William James trooped in. You can go from there.

�[Tinsley]

Yeah, so then William James trooped in with a fine program, but we didn't have
the political clout of the people that had been at Grand Valley for a very long time
and we're very close friends of Niemeyer and of Lubbers.

[Tinsley]

We were a smaller unit; we didn't have nearly the potential to make trouble for
Lubbers that CAS had to make trouble for Lubbers. So, somehow we ended up
losing out. Now the way in which we lost out was not that Don said: "I've thought
about this and on the face of it the College of Arts and Sciences is a bigger unit,
it has more students, it makes more sense for the program to be there." Don
said: "I've thought about it and it doesn't make sense for me to prevent the
College of Arts and Sciences from doing it. I'm not going to prevent them from
doing it. I certainly want you to keep doing it; you're doing a wonderful job. Let
many flowers bloom." And when you broke down the trade agreements and let
many flowers bloom, it was very hard for William James to compete. So that's
why it was very hard for us to hang onto students, because we were a smaller
unit. Now you might ask me, it might be good question to say: "Why was it hard
for William James to compete, you know, in an atmosphere that said 'let many
flowers bloom.'" And that's the real question. Because we were smaller, because
we were viewed as an alternative, because as the decade began to draw to a
close, people in large numbers began to be a little afraid. Maybe they always
were, but it was a little closer to the surface of their mind, they didn't want to go to
a school that was weird. So, if you wanted a real straight-line thing, like
computers in relation to business, and you had your choice of taking it at CAS or
in William James, chances were unless you were an unusual student, you would
take it at CAS. Because we really were an alternative to that. And yet it meant it
was hard for us to hold onto our programs if they took equipment because we
couldn't develop enough students. That was a rambling answer, but you can
maybe use parts of it.

[Barbara]

It's blinking at me anyway.

[Tinsley]

Okay.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 5 of 8

[Barbara]

It’s meant to warm up [the camera].

[Tinsley]

Okay.

[Barbara]

Okay. We are balanced.

[Tinsley]

Okay.

[Barbara]

When you left…

[Tinsley]

When I left…

[Barbara]

Yeah. Did you think that we would…how long did you think we would survive?

[Tinsley]

When I left, I didn't think the college would not survive, but I thought it was
problematic. And the reason I thought that is that the college was getting smaller.
We were finding it more difficult to hold onto programs. I started thinking about
leaving in seventy-nine, actually the end of seventy-eight, and left in the summer
of nineteen eighty. And I left for two reasons. The compelling reason was I
needed a rest. I needed to find out who I was when I wasn't being the Dean. If I
could've gotten a year’s sabbatical, I probably would have stayed. And I
discussed that with Glenn and while he was not opposed to a sabbatical, he felt
that he couldn't spare the Dean for more than three months. And there was some
reason to that. In any case, I decided I would simply move it on. Another thing in
my thinking about that was that I did not see how Grand Valley could continue to
put the kind of money into administrative salaries it was putting into to run the
collegiate structure. I thought that the collegiate structure was getting marginal
from a financial perspective. If you think about what it cost to have at William
James, a Dean. We had – for most of our time – an Assistant Dean at least part
time. We ran the Records Office – Hank Mei's operation. We put money, you
know, modest amounts of money into Student Services – that was a lot of
overhead. If you counted that up that was probably a hundred thousand dollars a
year in the administration of William James College. We were smaller than many
departments. I mean, we were twenty-two, twenty-four faculty. If I looked at
Grand Valley – and you remember at Grand Valley at its peak was at six
collegiate units and by the time it ended was at four – that’s a lot of salaries and

�administrative overhead and that made me nervous. So, I thought that was
problematic about the college's survival and I was just tired. I thought I needed to
do something else. It's, you know, it was a long… I was Dean, what, eight years,
I guess. And that's a number of years of working very hard and cheerleading so I
needed a rest. When I left, I said to myself: "This is a window in the college’s
history. Right at this moment, I perceive us as very secure, nothing is threatening
us. It is time for me to leave and this is a good moment to leave," because I didn't
want to close the college – that was last thing I wanted to do. And so that’s kind
of why I decided to leave and when I decided to leave.
[Tinsley]

And at the time I decided to leave, I did not think we were in any danger, though I
was well aware of what the administration of those collegiate units was costing.
And I was also, by the way, well aware - and I haven't said this on this tape - you
know, if you think about it, the Deans of the two alternative colleges were
women. Women were pretty well represented at Grand Valley during the time I
was there. But we were running the alternative colleges and I said, and I
remember saying this, you know: "When we choose the next Dean, we have to
choose someone who's more like them. We have to try to get this embedded in
Grand Valley." So, I was not, you know, looking for another woman. I was hoping
that the college would get someone who could maybe do a better job than I had
of getting the college really embedded in the Grand Valley social structure. And
those were my thoughts as I left.

[Barbara]

It occurs to me that it in your last answer, you said there were two levels of
administration and you talked about Bruce Loessin. What kind of feedback did
you get from the other level?

[Tinsley]

You mean from Glenn or from Don.

[Barbara]

I don't know.

[Tinsley]

Oh, the second… once we started reporting to Glenn, I talked about getting
feedback about programs. Glenn certainly never said anything to me to suggest
anything other than he supported William James and he was working very hard
to understand William James. He found a lot of it incomprehensible, but I believe
he did work to understand it. And I believe as long as he thought it was
supportable, he worked to support it. That's not a very good answer.

[Barbara]

Okay, I understand. I was envisioning Lubbers.

[Tinsley]

Yeah. Let me talk a little bit about… you know, some question like: were there
any major threats to the college or…

[Barbara]

Yeah, what were they?

�[Tinsley]

You’ll remember that towards the end of the seventies, things starting to get –
financially – really tough in Michigan. And Grand Valley had to go through a
retrenchment and reallocation, and I believe that happened in seventy-nine. And
that was the first serious and significant threat to the college. And that one, we
came out of okay. And I guess I'd like to talk a little bit about that because I don't
think many colleges could handle that situation the way that we did.

[Tinsley]

The deans were not involved in making the decision to reduce and reallocate;
that was done at the level above us. We were simply brought together and told
Grand Valley was going to reduce and reallocate; that it was probably going to
cut Thomas Jefferson and that we had to prepare budgets. Well let me go back
because I want to get this accurate. I'm going to pick that up again. The deans
were brought together and told that Grand Valley was looking at a shortfall of
money that we were going to reduce and reallocate. And we were given targets.
We were given, I think, three levels of targets for cutting: the deepest, the middle,
and the lightest. And we were told to go home and figure out how to do that. To
go home to our college. Go home, it sounds like home, we go home and figure
out how we do that and come back prepared to meet those three levels of cuts.
And also, to figure out where the new money would be reallocated. The family
obviously didn't want to do that. I mean that is a very painful thing to do. But
when I went back to William James, and I remember that afternoon because I
went back on a Friday afternoon to say: "The news is we’re going to have to
reduce and reallocate; here are the levels we have to shoot for." I said, "How do
you want to do this? If you like, I'll just do it. If you like, you can. I am open to
suggestions; we'll do this any way you want to." And the faculty… it wasn't a
council meeting; it was just the faculty. We didn't take any votes, people just said:
"Look Adrian, let's make a committee of people that we all agree we trust and
then you guys just do it and come back and tell us what you've done, and we'll
tell you if it's okay." So, a committee was made of Robert and Barry and
Kathleen. The next morning at five in morning, the phone rang and my father was
dead. So, he died literally the next morning. And that committee came over and
we sat around my dining room table before I flew off to my father's funeral,
figuring out how to do this. And then that committee just sat down and figured
out, you know, what we could do and what they could live with. And we brought it
back to the college and nobody fetched, and nobody screamed, nobody said:
"Kill the administration." Everybody just said: "Well, you folks have done the best
you could, thanks." I was really amazed.

[Barbara]

What percentage cut did we lose?

[Tinsley]

I can't remember, but it was deep. It required a retrenching. I think in the end
three faculty. It was not clear if it was going to be five, four, or three, and my
memory is it in the end was three now. It wasn't clear, at that point, whether the

�cuts in Thomas Jefferson were going to be so deep that the college was going to
die as a result. And we had one meeting that was sort of the last critical incident
of my watch, as it were. We were all given to these nautical and military
metaphors. But I do think of it as my watch, and it was the last critical incident,
and I'm rather proud of it so I guess I want to tell it on this case.
[Tinsley]

The deans were all brought together in the Dean’s conference room and we
simply were to go around the table and talk about how we'd like to meet the
budget shortfall, and so I presented our plan, everybody did. It was very clear
that the senior administrators wanted to deal with the problem by merging
Thomas Jefferson and William James. And they thought that would take two
units, both of whom we're getting so small that they might be marginal, and
perhaps give them enough substance to be able to survive as a joint unit. I
thought that would be an absolute disaster. Just an absolute disaster. I thought
that although, indeed, the two of us we're both alternative colleges, and we both
had women deans, that didn't mean our operating philosophy is… our ideologies
as colleges were just so different. I could not see anything positive would come
of that. And I knew that it rested on me to prevent that from happening right that
moment. And I can remember taking a deep breath and remembering, and
knowing I had to get on my feet. I had to somehow get some height in the room
and to be able to speak with the kind of authority I wanted to speak with. And
there was a folding blackboard in that conference room which was closed and I
can remember getting up and very slowly walking to that thing, opening it up and
getting a piece of chalk and beginning to draw diagrams on the blackboard. And I
have no idea what I drew, but I was trying to get myself, you know, organized, to
make the pitch to show how different we were. So, I drew these diagrams and
delivered a little lecture about the differences between the two colleges. And
maybe talked for ten minutes, you know, as compellingly as I remember going
about anything. And when I finished there was a long silence. Nobody said
anything for about a minute and then Doug Kindschi – and I will be grateful to
him for this to this day – said: "You know, that's right. William James and Thomas
Jefferson are very different and if we put them together, we'll likely lose what's
good in William James." And that was it, you know, and then they passed on to
other topics. So things were tense during that last… that reduction. And then, of
course, there were further reductions to be had after Forrest had come on board
as Dean. So [Inaudible] started getting really tough in seventy-eight and seventynine.

[Barbara]

And that's the… you said, plural, the threats, buts that's what they did?

[Tinsley]

That was the most compelling one that I had to deal with.

[Barbara]

What about hostility from CAS all along, did we feel it? Did you feel it?

�[Tinsley]

Oh sure, sure, it was a real pain. I didn't feel it from my colleagues because, you
know, they weren't allowed to for one thing. And also, it was simply we were at a
level where we were kind of above that. But for the faculty it was very tough
because there was that constant grinding: "You're different, you're not as good.
We won't play with you. We don't have to. We're traditional, we're good." And it
was so ironic because our faculty was one of the finest in the country. I mean, we
didn't come from Michigan, we came from all over the United States. And we had
superb degrees from superb schools. And we had to put up with this kind of "Well
you're not good enough for us to let you, you know." We took all of CAS's
courses for credit. But CAS was always very picky. "Well, we might not take that,
it might not be up to our high standards." And so that was a constant problem for
us; and it's too bad. And it happens in all kinds of places that try to do this kind of
thing.

[Barbara]

That's true. What would it have taken for us to survive?

[Tinsley]

Well, I don't think we could've survived. And I have really given that a lot of
thought, obviously, because I've had to think: "Is there something I could have
done that would've made a difference for us." And here's why I don't think we
could've survived. It wasn't financial; although, as I indicated earlier, it was very
expensive to have four, or five, or six different deans. That was a problem, but
the reason we didn't survive wasn't because of money. And I think that was clear
when Grand Valley reorganized itself into schools or colleges. They didn't leave
faculty off, at that point, because the issue wasn't financial. The issue was
twofold. One, and they're both important, but the first issue was Grand Valley
was always fighting with itself. The problem could never be solved that the units
were competitive with one another. There was no way to make them stop fighting
each other. And particularly not if you're working in a political model. I often
thought, if the presidential just said: "There will be no more fighting. I won't have
it. The next complaint, the person will be fired." Maybe it would have stopped,
although I doubt it, because it is human nature. But it would have put the central
administration at a very autocratic position, saying: "CAS will do this, William
James will do that, and that's the end of it. I don't want to hear any more about it.”
And they didn't want to that do that. And I can't blame them. They would've come
off as tyrants, and they would not have won any friends with CAS, which was
much larger and more powerful a unit, just to kind of save us. But because they
didn't do that, everything was in a constant state of turmoil. And Grand Valley, in
the end, just couldn't afford that. We needed to pull together and put our energies
outside the institution, not with constant battles inside. And I believe that's the
reason that it couldn't work and that cluster colleges, in general, have a very hard
time working. I think, also, and I never used to believe Bruce Loessin about this,
but I think it gave Grand Valley a kind of weird image in the community. It's a very
conservative community. We always used to say that William James is really
lucky to be embedded in a community this conservative because it kind of… that

�Grand Valley protected this, really quite radical unit, in a very conservative
community. But even having the different collegiate units, in the end, was pretty
hard for Grand Valley.
[Tinsley]

It gave it a weird reputation and it couldn't afford that. And in the end, it needed to
get rid of it. So that's where I think we couldn't survive.

[Barbara]

Can you see that light? You're doing a good job knowing right when it ends.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 6 of 8

[Barbara]

Come on, camera! There you go. Nope, not yet. Sorry. I’m still getting in there, so
I don’t have your finger [in the shot] and you have an incorrect white balance.
Hey, you didn’t do it! There it goes. Alright. We’re actually rolling. We can go any
time.

[Tinsley]

Okay.

[Barbara]

We were talking about the legacy of the college as a partially conservative...

[Tinsley]

Okay. The legacy of the college… that's a really broad question. And I guess
what I'd say about that is that we were very early strugglers with some things that
now need to be struggled with less and are just a very normal part of the college
scene. The whole issue of professional programs, for example, we struggled
hard over that, both intellectually and personally within our college community.
And we were dealing with professional programs, I think, long before they
became such a very important feature of collegiate life. Nowadays it's a very rare
student who majors in anything other than a professional program. I think we
struggled with some issues around how you do liberal education in a professional
program context. I think we came to some really good solutions to that issue. And
that, you know, probably that hasn't filtered out as much into the larger
community as I wish it would. I think there are a lot of articles to be written there,
if everybody's looking for articles to write about the college. Because ninety
percent of the students who go to college major in professional programs now.
So, I think that's important. I think, for students, a lot of the things that we wanted
to do for students and with students exist in very mainstream colleges. You
know, all the way from independent study, to at least some credit no credit
grading, to certainly internships, to stress on projects related to community
needs. A lot of stuff that was very innovative when we did it is not particularly
innovative now and is pretty much an accepted thing now. So, I think we were
sort of the first wave of a lot of new stuff that was coming into higher education.
That kind of legacy certainly remains; what doesn't remain is a space, you know,
a local habitation in the name; a place where you can go to get something. I'm
not sure I how want to put this. Where you can go, where you don't have to worry
about what the meaning… I'm literally going to take this answer again. Let me
think about it a second. I've talked to some of the William James faculty the last
year or so, talked to Richard, to Margaret Proctor, to Barry. Barry, I think it was,

�has talked in an interesting way about what it means that the William James
faculty are mainstreamed now and they're part of the ordinary units at Grand
Valley. And they haven't just disappeared into those units. I mean, they have
begun, maybe this is grandiose, but they have begun a little bit to transform the
settings that they're in. I know, you know, some of the William James faculty are
doing that in the places where they are at Grand Valley. And what Barry said
about that was: "Well, you know, as long as we had each other to talk to you, we
didn't really have to talk to the other faculty." And we didn't very much. But the
place was poorer because we didn't. And that's right. So, there is some sense in
which I think Grand Valley as a whole is enriched by having William James
faculty in the mainstream. It's the same argument you might have if you were
talking about women's studies, you know.
[Tinsley]

To what extent do you want to have a special place that women can go and
totally deal with their own issues and one another, and deal with women's
courses? And to what extent do you want to say every course in the university
should contain topics of particular relevance to women and should address its
subject matter from the perspective of the new scholarship on women. What's
missing is that there is no place you can go to now where you go there, and you
know that all the people there share your values, and care about the same kinds
of things that you care about, and want to…

[Barbara]

Okay, [inaudible] we'll use the rest but [inaudible]. Okay?

[Tinsley]

Okay. No place you can really go where you know that everybody shares your
values and cares about what you care about. And I think having that space is
really important to our students and to our faculty.

[Barbara]

Why?

[Tinsley]

One answer is because it was there, and it was safe, and we didn't have to
create it every day. You had it. It gave you some identity. You didn't have to
always be creating it at all the time. It was a place where you could go, and it
gave you some identity because you shape it and it shapes you.

[Barbara]

But Barry said, in his interview, that… you know, he very much believes in this
notion of moving out into the mainstream, and that its working, and that in his
classes that he is still teaching in a Jamesian way. But he said: "Of course, I
don't know how long it's going to last. I don't know how long my energy can last
since it's not being infused anymore."

[Tinsley]

Yeah.

[Barbara]

Because that's what the places does.

�[Tinsley]

Yeah. If you concentrate the energy there and concentrate the people there, you
can go deeper, and you can replenish it. And that's what's missing because the
space isn't there. And I suppose all of us are looking to find some other similar
kinds of space out in our lives.

[Barbara]

Including the students?

[Tinsley]

Yeah.

[Barbara]

Would you put this in personal terms now. What does it mean to personally
spend the eight years you did, working very hard?

[Tinsley]

Well, I suppose… let me say what it meant to me professionally really first, rather
than talking first about what it meant personally. I went from William James to the
state… stop. Let me think about this another minute. I don't want to, you know,
falsely romanticize the period at William James; although, I personally do believe
it was a kind of Camelot. I do know that when I did go back and do administrative
work, I felt very strongly that I wasn't ready to go back to another campus. I
couldn't give my heart to another campus in the same way. And so, I took a job in
the central office of the state university system. And two things seem important to
me that I want to say. In Minnesota, I've been in a very mainstream
administrative situation. I work with seven separate state universities, with their
vice presidents, with their presidents, with strategic planning, with academic
policy. The people in that system are very good. They are very competent,
professionally. Minnesota, I would guess, is one of the very advanced states in
the union, in terms of not only its support for higher education, but the
professionalism with which their system is managed. And what I've learned is
that, although I work with an incredibly competent professional people,
professional values are not enough. The change for me was growing from a
place where, I mean heaven knows we did want to be competent, but there was
a real value beyond competence. There was a reason you wanted to be
competent. There was a reason you were doing what you were doing. So, by the
contrast that existed at William James, simply, the value of professional
competence is not enough. It doesn't keep you warm at night. It's too thin. I'm on
my way to go to Glassboro State College in New Jersey and I 'm now ready to be
back on the campus, and I am just really excited about going back to campus,
and, you know, and having a substantial leadership and management role on a
new campus now. But here's what I asked myself: I say, at William James,
everybody knew the meaning of what they were doing, so you could stand up
and so recite the litany, or you could have an external person to come in and
recite the litany and say this is what's important about what we're doing, this is
why it's important to work this hard, and this is why we're not cynical. Because
here's why we're doing what we're doing, and we really care about it. I go to

�Glassboro and I say, you know, what does the vice president do? The vice
president has got to find that thing that the institution is doing that's important and
put that in the public space and say: "This is what we're doing, and this is
important, and it's important that we're doing it and we're doing it well." And I
don't find it really easy to look at a Glassboro or at the state colleges in
Minnesota and say: "Here's what I can say about that. Here's why it's important
in the mid nineteen-eighties to be doing this." And I think that's a problem that we
are dealing with in higher education. It's hard to talk about why we're doing what
we're doing and why it's so important. And it's hard to get that into the public
space.

[Tinsley]

I remember when the colleges were about to be dissolved, and Robert said: "The
problem is that it's not that I don't want to work in CAS, I mean all those people
are fine, but I've got to have something I can believe in. I just can't work with
people who are cynical or who are apathetic." And so, what I'm saying is there
was no cynicism, or very little, or little apathy at William James. And how do you
find in a mainstream institution… how do you find, sort of, what you hang your
hat on for the meaning of it. And I think that's the question that we answered at
William James. And that's the question I want to try to answer now at a more
mainstream institution. I don't think finding that answers is going to be just real,
real easy.

[Barbara]

This is going off from that answer what we thought was important in James and
the reason that we would be energizing and uniting the kind of notions that we
had. Were they specific to the time? Are they not specific now? Why can't you
just take those notions to your new job?

[Tinsley]

No, they're not; they are specific to the time and let me talk a little bit about that
because I have thought a lot about this and I really believe it. In the midseventies, the agenda of the society was access and new opportunities. And it
was very important to open higher education up to women, and black people,
and minorities of all kinds, and older students, and people that hadn't been to
college before. And we put a lot of stress on that. And William James came out of
that milieu and that was very important to us. That is not a value in nineteen
eighty-five. In nineteen eighty-five, we talk about quality which is – depending on
how you look at it – is either a positive or negative from my perspective. I think
there is some genuinely good work being done under the rubric of upgrading
quality, but there's also some genuinely reactionary stuff being done under that
rubric. And the agenda for the institution is the economic development of its
region, science, and technology. The issues that the institutions are dealing with
are very different. In the mid-seventies, we had the federal government really
pushing access, really putting money into social services. Now we have science,
and math, and technology. I think there's no reason that we can't relate to this

�new agenda. But we haven't really thought about what it means for the values we
had in the seventies. So, I think the times are very, very different. And I think
that's why it's hard to find the spine of the institution in the eighties. I mean that's
what I learned from dealing with seven mainstream institutions in Minnesota and
the state legislature.
[Barbara]

Because my experience… I'm blinking again. My experience…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 7 of 8

[Barbara]

Oh, I always ask you to do it when the cameras are warming up.

[Tinsley]

Alright. Okay, let’s see a piece of white paper in front of my…

[Barbara]

Okay, it’s all wound up. It's not in really great shape, truth be told. I kept it,
though, for some reason… must have something I'm supposed to do.

[Tinsley]

Yeah, you’re supposed to tell them how to allocate your TIAA and your CREF.

[Barbara]

Oh yes, I think I'll just let it set. Thank you. I didn't really plan on that saving me
anyway. Alright, we are almost good. Best thing about your experience at
James? Is that a meaningful question?

[Tinsley]

Oh, I think it is. It's like a psych quiz question, but, yeah, the best thing about it is
that it had meaning – it really had meaning – and it was important. You felt like
you were using your life for something useful. I've always liked Marge Piercy's
poem "To Be of Use." And you felt like, at James, you weren't just treading water,
you were doing something very, very useful. And that was the best thing about it.
And you were also doing it in the company of like-minded people who were
friends, and intimates, and you really had a family that you were doing it with. So,
I think those two things were the best. We weren't the only institution that was
doing this; there were other colleges like us. FIPSE, the grantmaking agency in
Washington, was very much like us. A lot of little enclaves of people doing this
kind of work and it seemed real and important.

[Barbara]

If you…

[Tinsley]

And it was! Sorry.

[Barbara]

I'm being a bad interviewer. I'm really listening to you. I am listening to you, but I
was thinking of the next question. Which is: if you had to sum up the nature of
William James College in just one sentence, what would it be?

[Tinsley]

Well, I actually frequently did have to sum up the nature of William James
College in just one sentence for a variety of public relations and mission
definition purposes. But I don't remember any of the sentences and I'm sure

�none of them were very real. William James was a place where people talked
about real things and did real work, and really loved each other.
[Barbara]

No two people have said anything resembling the same thing. They just go with
the strength of the college and its weakness. And no one has said “synoptic”
either. [Laughter]

[Barbara]

Okay, there is one question around in my head and it’s something that I wrote
down in the beginning. It has to do with power, and you sort of talked about it
when you talked about CAS and all that sort of stuff. Couldn't have we been more
political? Even though we were small, dammit, some small things survive
because they are so political, because they do their own PR so as well. Do you
have any feelings about that?

[Tinsley]

Well, let me think about it. I am myself a structuralist, and I believe the structure
of Grand Valley – not the structure of William James – worked against us. In the
back of my head is the nagging thought: "Suppose we really had been more like
them?" Because I don't think you can fudge that, because you can't go around
pretending to be like somebody when you're really not. Suppose we're really
more like them, and our values, and what we want to do, but our values were sort
of more like theirs, would it have helped? My honest answer is no, it probably
wouldn't have. Because, structurally, we just had a very difficult situation to deal
with. But that's from my perspective. I sure did everything I could. And so, you
know, maybe it's in my interest to not be able to think of anything else that could
have happened.

[Barbara]

Richard talks about a siege mentality being very useful to us, energizing us. To
go out more would have destroyed some of the energy that helped us work as
well together as we did.

[Tinsley]

Yeah, I don't think going out more on the Grand Valley campus would've helped
us a lot. I really don't. Because it would've been that painful work of trying to
make friends with CAS. And they didn't really want… it takes two to make friends,
it really does. If we would've been able to get outside into the local community
even more than we did – and we did a lot – that might have helped.

[Barbara]

Do you want to do it again, quickly, the story about… the story happened
because you were talking about how we could not… how this could not work,
how we were at a disadvantage. One example was losing computers, and you
made that bit by the anecdote of the day we lost computers. And if you want to
retell it using euphemisms, fine by me. [Laughter]

[Tinsley]

[Laughter] I don't think so, the point of the story comes from the cast of

�characters. But I will trust you not to use it on the tape.
[Barbara]

What about first part, when you talk about them being from Holland? Is that
okay?

[Tinsley]

I think.

[Barbara]

I think so, too.

[Tinsley]

I think it’s okay.

[Barbara]

Is there anything to say here? [Inaudible]

[Tinsley]

Oh golly, well there probably is, but I can't think of it at moment.

[Barbara]

It’s tiring at this point.

[Tinsley]

It is, it is tiring. No, I mean I would like to talk on about it for another ten hours,
but I don't have anything in particular at the moment.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 8 of 8

[Barbara]

The question is: what is the quality of the education that we were giving
students?

[Tinsley]

Okay, ready for me to go on that?

[Barbara]

Yep, anytime.

[Tinsley]

Okay. The issue of quality was a real one during the life of the college. I think
looking back, I would have to say that the quality of what we did was variable.
For the good students, what we gave them was breathtakingly good, I think. We
gave them access to superb faculty. We gave them access to sort of a panoply of
resources that they would not have gotten in a conventional undergraduate
education. The students that were less good could skate and that was a problem
– and I think we did have some students skate. It seems to me that the issue of
quality was very tied into the real ethos in the college on individual energy and
individual rights. I think the college always leaned towards wanting the individual
to express himself or herself. It was difficult in the college to get a clear sense of
institutional norms; at least, those norms could not be imposed easily by
administrators. They needed to develop in kind of a more organic fashion and I
think that was a problem sometimes. For example, in terms of our beliefs about
appropriate curriculum, appropriate grading standards, and the like. As the years
went on, I think we had a lot more homogeneity about those things. But part of
what I did as Dean was endlessly negotiate with faculty. There was no sense that
I had any divine right to set standards or, indeed, to set policy. It was a matter of
endless negotiation in a milieu where, as I said earlier, the ethos was on the
individual's right rather than the institution’s necessity. Looking back, I guess, as
Dean of the College, if there is an area where I should have paid more attention,
it is… no, let me stop that and you come back to this, okay.

[Barbara]

Let me change the shot, then you can do it. That's fine.

[Tinsley]

As the college matured, we began to get a curriculum we were pretty comfortable
with. I think there were still, probably, some issues around supervision of
internships and independent studies. There were still some course titles that
remained as symbolic battles between the faculty and the administration. I think
in another two, three, four years we would probably have been on a cycle of

�independent curricular reviews with outside consultants. In the end, in terms of
the curriculum itself, I felt very good about it. I felt it was a strong curriculum. In
terms of the standards of the college, in terms of what happened to individual
students, I think we probably always let students skate a bit too much. I think we
paid for that very heavily.
[Barbara]

Say that last sentence again because I screwed up. So just the last sentence: "In
the end..." is a good time to start.

[Tinsley]

In the end… about the curriculum?

[Barbara]

No, just in the end about individual students.

[Tinsley]

In the end, I think we always erred a bit on the side of putting out a hand to
individual students to help them through. And sometimes, in some places in the
college, we did that too much; we weren't tough enough. We paid for that, I think,
very, very heavily. That's something I won't do again; it was too costly for the
college.

[Barbara]

Finito?

[Tinsley]

Finito.

[Barbara]

Good.

[Tinsley]

I guess the last thing I'd like to say about the college – after having done some
thinking about it in connection with this taping – seems to me that most of us, or
all of us, brought to the college a desire that our work have real meaning; that our
work bring meaning into our lives; that our work perhaps be the significant source
of meaning in our lives. We wanted a kind of a texture in our work; a kind of
depth in our work. Clearly not some kind of situation where we did our work and
did home in our real lives outside of work. Our real lives – our most important
lives – were in our work in the college. Sometimes this provided some stress and
strain. We made demands that our work give meaning that I think aren't very
unusual in American work life. And I think for most of us, the experience of
having the college no longer present is that it's forced us to say: "In whatever
work life I'm in now, how can I make it have that kind of meaning for me?" That's
certainly true for me. One of the things that is very interesting to me as I look at
what the faculty are doing now – and because of my position, I knew the faculty
better than I knew most students – it seems to me that there's almost a little
explosion of good work going on: research, writing, work products coming out of
people that were on the William James faculty or interesting jobs. Almost as if
some of our energy that was being used to make the college work is going right
into creative work products. And I see that as coming out of this desire to find

�meaning in one's work that I think is so important and that I think was really
critical to us at the college. Sorry I trailed off on that.
[Barbara]

[Laughter] I'm tempted, I won't do it, I'm tempted…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos and Stephen Rowe
Interviewee: Arend Lubbers
Date: 1984
Part: 1 of 3
[Conversation between President Lubbers and Professor Stephen Rowe]

[Lubbers]

You can just… you’re going to just kind of edit and put comments in?

[Barbara]

And it should be very informal and if you say something you don't like you can
say: "I don't like that, let’s do that again." Okay?

[Lubbers]

Alright. Did you want to start with a question or?

[Rowe]

Yeah, it seems that the basic question would be that in the wake of rebellion and
confusion and break up of what some have called a “traditional model” of our
education in the late sixties, there was this period of so-called innovation and
Grand Valley, in that period, adopted the cluster college model. So, it seems to
me, the first question for you to characterize the deliberation within which Grand
Valley made that decision.

[Lubbers]

Well, of course, the college when it was established had a concept – or the
people who established it had a concept – of a cluster of colleges. As I remember
the original plan called for…

[Rowe]

This was sixty-three?

[Lubbers]

Yeah. Four colleges of fifteen hundred each. Thinking that that would be a nice
educational unit.

[Rowe]

This was Oxford inspired?

[Lubbers]

I don't really know. I’ve talked to Bill Seidman about it, but it's been such a long
time ago that I don't remember how it came about. I think that there were some
who felt fifteen hundred was a large enough group for a college and that if you
wanted to keep personal contact and tutoring, you had to keep it at that number.
No one did much planning about the time the first college reached fifteen
hundred. What do you do then? Do you start another college with the two
hundred more that you might have? So, it was an original concept, but it was not
one that was clearly thought out in detail. But when I arrived, there was the talk of
having this School of General Studies. And so that was in the works by the time I

�came here. And then I noticed the plan, of course, the original plan and thought
that this was a movement towards that objective.
[Rowe]

Did the alumni give the idea to get it more from the culture or from the original
plan? You suggest that it was the latter… or the former.

[Lubbers]

I don't know whether people like Dan Clock and Gil Davis was here. I assume
that you talked with Gil, maybe not, but Gil was here, and he might remember
more about the origin of that School of General Studies.

[Rowe]

That was seven… what was the date on that? Sixty-seven?

[Lubbers]

They were talking about it… I came in January of sixty-nine. And I know it went
into effect, I think, then in the fall of sixty-nine. And it's terrible how these things
kind of… the past blends together, and I can't remember the dates exactly. But I
know my own thoughts at that time were sympathetic to the original concept. And
I also felt that there probably were different ways to learn, and if we can establish
colleges with different pedagogical approaches and styles, that might be useful in
higher education rather than to take it on a number’s basis. In other words, you
have your first fifteen hundred and then you set up a parallel college with the next
fifteen hundred. I thought it would be more useful to students and higher
educational experimentation to establish the schools on the basis of pedagogy,
rather than the numbers.

[Rowe]

At what point did you or the college become aware of cluster college as
something distinct that we were doing, say, like Santa Cruz or other places that
were similar?

[Lubbers]

Well, really from the time I arrived in January of sixty-nine and saw the formation
of the School of General Studies, I was very much interested in the cluster
college concept and worked toward it. And then, of course, then the School of
General Studies became Thomas Jefferson College.

[Rowe]

Can you characterize the moment at which the College III task force was
founded. College III, of course, became William James.

[Lubbers]

William James. I recall a conversation that I had with Tom Cunningham about the
concept of a William James College.

[Rowe]

So named?

[Lubbers]

I don't remember calling it anything else or thinking about it.

[Rowe]

Seems likely.

�[Lubbers]

I do remember the ideas that I had at that time. I was very much interested in the
vocations of the future. What were they going to be? What were people going to
be doing with their lives? And concerned a bit about the narrow vocational
direction. And of course, we have many of these schools now that are
professional and choose a profession and educate for it. We're more into that.
But I was concerned about the narrowness and that there ought to be a place
where you educated for broad fields and that the approach to communications
was a very broad one, in my view anyway, and then we had the computers and
the social relations. And I can remember some of the literature in that period
pointing in directions… jobs are going to be in these general fields. And so, there
was that professional aspect of it, but a broader based professional approach.
And so that appealed to me a great deal. And how you educate for professions
and at the same time keep the liberal arts core was the part of the experiment
that I liked. And an attempt to bring a synthesis between the professional
approach and the traditional liberal learning approach.

[Rowe]

What was it about Tom's idea or James' philosophy that made the fit there,
between your thinking…?

[Lubbers]

I think it was the pragmatic approach. In other words, let's try to educate people
to do things that work, that function, that will serve them well. I think that was
probably it. But, again, you know, you have… such as William James College
and Thomas Jefferson College, in a sense, cut out of whole cloth. In other words,
you come at it with a strong sense of pedagogy. This is what it's going to be. And
then to see how it works out, and it never works out the way the plan calls for to
work out.

[Rowe]

How did James work out?

[Lubbers]

Well, some people, I think, were very well served by it. I think there's a problem in
the experimental education. I think that's been true throughout the country. Was
true throughout the country in the nineteen seventies, particularly late sixties into
seventies. Accompanying most of these experiments, of course, was a different
evaluation system. They didn't have the traditional A through F grading, nor the
traditional examination. And I have a feeling that one of great problems was
really quite simple: that experimental education never did work out a very good
evaluation system. And some people do not require evaluation, they just are selfmotivated. And I think that we saw a group of students – particularly in the middle
seventies – who were more inclined toward independent study and had the kind
of motivation to carry through a sensible educational program with the assistance
of faculty. But for the most part, and certainly on into the eighties, I think we find
people needing more traditional evaluation structures. They like to have "A’s,"
"B’s," "C’s," and "D’s," and as much as they don't like examinations, they need to

�have examinations. And I believe that what happens is that the standards begins
to be relaxed. And then a lot of students who are really not inclined to be
students pass through a system and are not evaluated.
[Rowe]

How is that problem with evaluation, which you associate with experimental
education, related to the basic model: integrating vocational and liberal? Is there
any connection? Is there some integral connection?

[Lubbers]

I don't think so. Are you asking whether that kind of a model for William James
required a different kind of evaluation system from the traditional one?

[Rowe]

Yeah. Well, you mention two things that seem separate: one, the basic pedagogy
and the philosophy of education, integrating liberal and career studies, and
secondly, the experimental orientation, which had this problem with evaluation. I
don't see what you say about how the two are connected.

[Lubbers]

They're not connected.

[Rowe]

So they just happened to…

[Lubbers]

They came together and one of the reasons I think that experimental colleges
have changed, closed, or merged is because they did not have a more traditional
evaluation system. I think that there would have been a better chance of William
James College surviving, if the evaluation system had been similar to the
evaluation system that was in the College of Arts and Sciences, which of course
was the more traditional evaluation system. I think that it would have been…
because a comment was made about people not liking William James College. I
think that's true. I think that a large number of people in the College of Arts and
Sciences did not think highly of William James College.

[Rowe]

Because?

[Lubbers]

Because they didn't believe that the quality of work was a college level. And
whether that evaluation is correct or not, that was the perception.

[Rowe]

And you're suggesting that perception was related more to the evaluation and
experimental orientation than it was to the basic pedagogy?

[Lubbers]

I'm saying that I think that is one of the contributing factors to it. And you know,
again, the curriculum was put together, somewhat as you go, and I think that was
probably another reason why people in the more traditional institution did not
respect William James College.

[Rowe]

In that sense it was experimental?

�[Lubbers]

I would say yeah. I would say it was in that respect. I wonder if there could have
been a more fixed curriculum, and also whether there could have been a more
traditional evaluation system, whether that might have made a significant
difference in the survival of all experimental colleges. I think this is a
characteristic of experimental colleges, and not a fixed curriculum, and not a
traditional evaluation system. It might have been possible to have a different
pedagogy, a different approach, and still have those two traditional elements.

[Rowe]

Or to not have those elements and have a different pedagogy. For example, TJC.
So, maybe the question is: was the pedagogy of TJC more consistent with the
experimental approach in evaluation and curriculum?

[Lubbers]

I don't know whether it was or not. But I do think that it's possible, a least I… this
is again, conjecture, but I think that some of the pedagogy of the experimental
colleges was valid, and is valid, but I don't think the systems that were used, or
the lack of system, served the experiments very well.

[Barbara]

Steve, we have to stop and change tape.

[Rowe]

Okay.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos and Stephen Rowe
Interviewee: Arend Lubbers
Date: 1984
Part: 2 of 3
[Conversation between President Lubbers and Professor Stephen Rowe]

[Rowe]

Could you comment on the connection there?

[Lubbers]

Well, I'm just talking experimental education, you know, you can have many
different pedagogies. You can have colleges, or schools, or courses, that are
different from the traditional. You can have very different kinds of pedagogies.
There is not, in my definition, experimental education does not have a pedagogy.

[Rowe]

And yet so much of it fell into problems with evaluation and curriculum.

[Lubbers]

Right.

[Rowe]

Why was that do you suppose?

[Lubbers]

Well, I wonder if that was more the spirit of the times. In other words, when
people were ready to experiment, and wanted to experiment, and maybe
accompanying an experimental era is this desire for freedom and individualism.
In other words, an experiment is a breaking away, of doing something different
from the way most people are doing it. So, there is a freedom about that. I want
to break away and be free. Well, what do you want to be free of? You not only
want to be free of the traditional curriculum, you want to be free of the way it's
delivered.

[Rowe]

Or, as many people put it, they tend to be very clear about what they be free
from, but not very clear about free for.

[Lubbers]

So often, experimental education has so much rebellion built into it. And
rebellion, you know, finally has to be, I suppose, consummated. I mean you have
to have your rebellion, and be done, and move on. And so…

[Rowe]

How would we have that here?

[Lubbers]

Oh, I would say we had, again, that desire to be free of the usual constraints.
And that was built into William James College, as it was into Thomas Jefferson
College. And I don't think… and that led to a way of evaluating, or not evaluating

�very well, and it led to a way of putting a curriculum together perhaps in too
haphazard manner. But I think that here – and maybe in most universities – the
experiments that were tried were not accepted by an overwhelming majority of
the faculty. And I think that's a problem. It's almost insoluble. And it's a problem
that I think experimental education will always have, because if you set up a
freestanding experiment, that is very difficult. Most experiments need the
strength – at least the financial strength – of a traditional university or college.
Maybe Evergreen State is an exception to that and that's why I would like to see
them… see how they've done it. And at the same time, it's very hard to get a
large majority of the faculty to support the experiment, to really be enthusiastic
about it. If the majority of the faculty or if the CAS faculty, for instance, had a high
regard for William James College, it might have survived. Though, we were in a
real financial crunch and things had to happen. We couldn't afford to do some of
the things that we had done. So, the reorganization of the institution might have
taken place anyway, but certainly it was the financial crisis that triggered the
changes. But if there had been a high regard for what was going on at William
James College by the rest of the faculty, they might have fought to keep it.
Because they would look upon it as a distinguishing part of Grand Valley that
they liked, but that was not the case.
[Rowe]

What do you think they understood William James to be?

[Lubbers]

Just, low standards, low academic standards. And no comprehensive,
comprehendible curriculum.

[Rowe]

Did they understand the pedagogy or the basic approach?

[Lubbers]

I don't know whether they did or not. If they did, those who did might have
respected that to a certain degree but didn't feel that it was being carried out well
enough to save it.

[Rowe]

Some people noticed that the very first sign of trouble in William James was
when the nation, as a whole – “Change Magazine" identifies this as seventy-six –
became involved with the “New Vocationalism” was the term. So that everybody
suddenly became interested in integrating career and liberal education, even on
the campus as a whole.

[Lubbers]

Uh-huh.

[Rowe]

Some people reviewing the history of William James notice as early as seventysix we were, in some ways, co-opted by a much larger national movement.

[Lubbers]

Yeah.

�[Rowe]

Could you comment on that?

[Lubbers]

Well, I think co-opted and maybe that is one of the great values in William James
College: was that it was before its time in terms of philosophy. And I think that the
heritage that William James College has left to the campus as a whole, is
probably this integration… this attempt to integrate the professional and the
liberal learning. There's been the two tracks, of course, in education and the
synthesis between the two is essential. But as we are now organized with our
professional schools living intermixed in the divisions with the arts and sciences, I
think is a good illustration of what William James meant and has been that part of
the William James heritage that continues and is a major contribution to this
institution. Again, I think maybe faculty accept it, the ones that do accept it, not all
do, but the ones that do accept it, some will do it because they believe in it
philosophically, but many of the arts and sciences professors have had to face
the unpleasant reality for them that many of their students are majoring in
professions. And therefore, they have to live together with the faculty in the
professional fields. And for whatever reason, it's happened, and is happening,
whether the motive is high or low, I welcome it because it does mean that people
have to… educators have to live together and have to work out some of the
problems that exist between professional curriculum and an arts and sciences
curriculum.

[Rowe]

Do you have any frustration or concern about what developed as the
understanding of "career" in this new vocational movement? Some of us in
William James felt that the definition of career that developed was precisely the
more narrow form that you and others, at the founding, tried to avoid.

[Lubbers]

Well, I think that it has come to that. And I don't think that every student, or all
faculty, or every program, is narrowly career. The narrowly career programs can
exist side by side with the ones that are broader philosophically. And yet this
happens to be the day of the narrower career approach. But those things begin
to change some. Although we are facing a time when jobs are so specialized and
require such carefully honed talents that I wonder whether we're going to
continue to need places in our educational system where people are, in a sense,
trained but at a very high level. If you're going to be, well, on our campus for
instance… if you're going to be a physical therapist, you can't just take a general
major in health. There can't be a general health vocations major, and then
practice that profession.

[Rowe]

You still need the terminal bachelor’s degree which I suppose they may have to
assume. We've mentioned seventy-six as the time when the new vocationalism
became very popular in the country and on the campus, and the reorganization in
seventy-nine?

�[Lubbers]

It was after that wasn't it?

[Rowe]

Eighty?

[Lubbers]

Eighty, eighty?

[Barbara]

Eighty.

[Lubbers]

Was it nineteen eighty? Is it that long ago?

[Rowe]

Can you say anything about the lay of the land between seventy-six to eighty in
terms of what happened to William James, both internally and externally?

[Lubbers]

Well, I think that there was a growing problem for William James. Students – high
school students – were not quite so interested in experimental colleges, or they
were much more interested in the traditional educational institutions. And in the
more narrowly defined professional fields. And so, it was becoming a problem to
attract students. And I think that was a major reason, too, for the demise of the
institution finally. There just wasn't the student interest in it anymore and it was
declining. And, well, I think those of you who are on the faculty worked very hard
to recruit students and try to gain interest. And there were several older students
who liked the style of William James. And, maybe again, if the institution had
been well-respected, by all the faculty, it might have survived and became a real
haven for older adults. But, again, the financial crunch and the declining interest
of students in the eighteen-year-old group, or the high school group, and really
the lack of appreciation for William James by the faculty, and the financial
crunch. And I think you begin to put all those factors together. Often one factor
will not bring about the demise. But they were pretty strong factors bunched
together working against William James’ continuation. And I really don't see that
it could've survived, probably not even in good times. I'm not sure.

[Rowe]

Because of?

[Lubbers]

Because of the faculty really working against it.

[Rowe]

In terms of evaluation?

[Lubbers]

Yeah, I think so. The failure of the cluster college system to survive… I think,
really, the single factor that was maybe most important of all these clusters of
factors was the inability of faculty and students on one campus like this one to
ever have a real feeling that though they were a part of an experimental college
or they were part of the traditional college, they also were part of Grand Valley as
a whole. That never could be done. And I guess I did not foresee that at all at the
beginning. I never dreamed – and that was probably my own naiveté – that the

�competition between and amongst each of those colleges would be almost… or it
was really, more intense than our competition – Grand Valley's competition – with
other institutions outside. But I suppose, one should understand that possibility
and I don't know why didn't. Because in my experience, like probably yours and
everyone else's, we need to have our enemies close. And if we don't, we really
have… I've noticed, if you're with any kind of an organization, maybe within a
church. I've often enjoyed watching denominations; they fight internally more
than the enemy out there. And we were fighting ourselves all the time. And…
[Rowe]

The drift of things that I'm hearing from you is that the fight was primarily…

[Barbara]

I'm going to have to stop you. Finish your question…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos and Stephen Rowe
Interviewee: Arend Lubbers
Date: 1984
Part: 3 of 3
[Conversation between President Lubbers and Professor Stephen Rowe]

[Rowe]

Was that characteristic of College IV as well as Thomas Jefferson and James?
The model was this distinction among and between units about pedagogy. You're
suggesting that underlining that there was a deeper distinction between the
traditional education and the experimental. Is that a fair understanding of what
you are saying?

[Lubbers]

Yeah, I think so, I think it was. The experimental education with its structures – its
evaluation structures and its curriculum – were just not acceptable or respected.
The College IV, later the Kirkhof experiment, I don't think that the ire of the faculty
in CAS was directed so much to that institution as it was to Thomas Jefferson
and then to William James. But I think the criticism by that time was, "Well, we
don't… this organizational structure is inefficient and there's no need for us to be
this way. And it would be so much better if we're offering similar kinds of
education." That is, I mean, we're offering English everywhere, languages. We
should be putting the faculty together and doing departments the traditional way
and have stronger departments. And so, there was not only the antagonism
directed toward the experimentalism of the institutions, and that was the great
part of it, but also toward the inefficiency. And then in the struggle for credits and
courses, who's going to get the students, and can we get them, or do they get
them?

[Rowe]

Did the traditionalism learn anything through contact with James and the other
colleges?

[Lubbers]

I don't know. I would, as I said, I think the heritage left is what I described, is the
way we are organized in professional disciplines and the liberal learning
disciplines together. I don't know to what degree people accept that, endorse it,
or grudgingly accept it. I don't know… that you'd have to take a vote of the faculty
to find out. But at least that's the heritage. I would say most of the faculty who
were opposed to the experimental colleges would probably say good riddance.
You know, I'm not sure that there is any cherishing of the past in any way. I think
this is about time that this was put aside. That's the way I view it. I haven't taken
any scientific surveys to know how people really feel.

�[Rowe]

Changing the subject a little, can you comment on legacy or heritage in relation
to the larger community? Perception of William James’ alumni or with the college
in the larger community?

[Lubbers]

You mean, how the larger community viewed the experimental colleges? Or?

[Rowe]

You're right, and its products, the students.

[Lubbers]

No, I really don't have anything to base a judgment on. I do think that the
community had a difficult time understanding our structure at that time.

[Rowe]

Grand Valley's?

[Lubbers]

Grand Valley's. And the public, generally, was not too sympathetic to the
experimentalism that went on here. Well, there are always exceptions and
pockets of people who liked it. But, I think, generally in this this area of the United
States, experimental education is not looked upon with great favor. And we
weren't looked upon with great favor for indulging in it. So far as graduates are
concerned, I don't know. Like you, I run across graduates of William James or
Thomas Jefferson, who are very… seem to be happy and pleased with what
they're doing and respected the education they received in those colleges. So,
there is that heritage, too; the heritage of the people who enjoyed and benefited
from it. I think, again, as I look back on the '70s – maybe period from seventy-one
to seventy-three or four – was the high watermark in terms of Thomas Jefferson
College. William James might be a little bit later than that – maybe seventy-five,
seventy-six – where both colleges had their best students, the largest number of
good students, and those people have done very well. And after that, there were
fewer good students attracted to that kind of education. And I don't regret having
done it. As a matter of fact, I think in a crucial stage and I believe there was
something happening to people, to young people, whether it was the Vietnam
War or what it was. But, from the late '60s into the '70s, well into the ‘70s. This is
a generation cut from a different cloth, I think. You know, in all of my experience,
they're different. And that kind of educational approach saved a lot of people a lot
of difficulty and agony. They would not have fit into the traditional mold. And they
did have places to go, other places in the country, too. But they had some places
to go here, and their older brothers and sisters and their younger brothers and
sisters have gone in the traditional route, but they were that group that needed it,
needed something different. And that was a great service to them.

[Rowe]

Here again, we're back to the term that emerges from this discussion, is really
basic, and that is: experimentalism, which so far has been characterized as this
certain kind of evaluation and this certain kind of flexible, if not loose, curriculum.
And now as a refuge, that seems in this whole discussion to be the one term that
needs one level deeper. Or can you say more about what this experimentalism is

�or was at its best? In some ways, all of the characterizations we have so far are
negative. Lack of evaluation, overly flexible curriculum, refuge from the society.
[Lubbers]

Well, of course.

[Rowe]

What is the positive?

[Lubbers]

The negative… the positive is the other side of the negative. These people who
flourished in that kind of environment were those people who flourished best
when there was no traditional curriculum and no traditional evaluation system.
They did flourish very well for a small period of time.

[Rowe]

Self-motivated was the term that you used earlier.

[Lubbers]

They were self-motivated, and they were in a state of rebellion, too. Now, if
you're rebelling, you have some idea about what you're rebelling against. But
then where do you channel your energy? What do you do with that energy that is
born out of rebellion? Where do you take yourself? Where do you take your body
and where do you take your mind and what do you do with it? If you have a place
to go where you can do some positive things, where you're not restricted by that
which you are rebelling against and you can find another object for your
attention, you're likely to not waste so much time.

[Rowe]

What was the object of attention?

[Lubbers]

The object of attention was the learning in these institutions. And they could take
themselves and go to a curriculum and work with some faculty members to do
what they wanted to do and move on.

[Rowe]

The study plans and riddling people to do what they want to do and become
entitled or empowered, except for individually, was certainly something that was
important to James.

[Lubbers]

Yes, it was.

[Rowe]

Perhaps to all experimental education, I'm not sure.

[Lubbers]

I think it is to all, I think it characterized experimental education of that era – of
the late '60s and '70s.

[Rowe]

So this was basically a vision. This experimentalism was a vision of perhaps a
very modern vision or a revival of the very modern vision of the independence
and development of the individual person.

�[Lubbers]

Right. Yes, I think so.

[Rowe]

And what was the social or communal or cultural implication of that or was there
any? Was it merely individual, as so much of modernism has been in ways
problematic?

[Lubbers]

It may, I think, more individual than I thought it would be at the time.

[Rowe]

Then this is a question for me as well. What was the communal vision that
accompanied that individualism? What was it?

[Lubbers]

Oh, I think, again, a more egalitarian society where the hierarchies would no
longer exist, where there would be decision by consent of the group. I think there
was a lot of that at that particular time. And I don't know exactly why except,
again, a reaction against the Vietnam War and a government that was waging
war and not always telling the truth. And that became obvious and here you are
where power is. You know, power is far away from you and it's coming in on your
life from that distance that you can't get at. You can't get at it. You can't influence
it. And I think that at that particular time, the experimental education carried the
communal vision of "we're going to be small groups deciding our own destiny."
And we begin in our experimental college by governing our experimental college
that way.

[Rowe]

In retreat from or separate from the larger communal structures, not in a way that
would reform them?

[Lubbers]

No, I think the hope was that they would be reformed, that the experiments would
work, and that out of this would come a new age. And certainly, the campuses
would be democratized and that was a hope. But, we Americans, when we have
our objectives and hopes, and we usually solve our problems as quickly as
possible. And we're not… we usually think that our vision will become reality
within our lifetimes. And I think I'm finding out that when you do experiment, you
maybe make a small step towards realizing what you want and what you hold is
ideal and as desirable. But then you don't get there all at once and you don't get
there in one lifetime.

[Rowe]

Rats, well this is just getting started.

[End of Lubbers Interview]
[Start of Rowe Interview]

�William James College Interviews
GV016-16
Interviewer: Barbara Roos and Arend Lubbers
Interviewee: Stephen Rowe
Date: 1984
[Conversation between Professor Stephen Rowe and President Lubbers]

[Lubbers]

[Inaudible] everyone, there are no students here. I mean, some may come back
or their students, but really there's no student tradition anymore or there are no
students here who talk about William James or Thomas Jefferson.

[Rowe]

Or in the community, for that matter. This William James association about which
I was nagging you about this plaque and not letting them paint the wall, it ceased
to exist. I mean, they can't even get a damn plaque on the wall, you know. They
don't…

[Lubbers]

It's interesting. It is almost as though it hasn't happened. And as we go about our
daily business, as I go about my daily business, that which was so important in it
during the decade of the '70s, it's almost as though it never existed.

[Barbara]

Hey, could you ask a question… rephrase your question about the communal
side of James? That's one question I would like to have on camera. It was just in
this last part of the interview.

[Rowe]

If the college was… if the experimentalism was essentially about the
enhancement or development of individualism, what then was the communal…
the accompanying communal vision, if any? Anarchism, some sense of the
individual fully developed in such a way that he or she is able to be in community
in the way that their ancestors weren't?

[Lubbers]

Is egalitarianism more than…[Inaudible]?

[Rowe]

What does that mean?

[Lubbers]

People living equally and sharing equally, deciding the fate of their lives as
equally as possible?

[Rowe]

Yeah, but see, that's a term in the modern period like "freedom" that everybody
uses and that means different things. I would say basically in the modern
orientation, there's equality of sameness and equality of difference. In our best
moments, the communal vision that accompanied this particular sense of
individual development, at the best, argued for an equality of difference; at the

�worst moments, it became an equality of sameness. That makes sense, right?
[Lubbers]

Yeah, the right. Yeah, which then comes back on itself as individualism, doesn't
it? It's, in a sense, the equality of difference is really… it's a kind of individual who
"I have a right to be different and work out my destiny than say we have a right to
be different and work out our own destiny." But then it's every little we… it's kind
of like Protestantism that it breaks up finally because everyone has a right to be
what she or he wants it to be.

[Barbara]

I'm sorry, I know you want to follow this through, but I just have a certain amount
of tape. I need to ask one more question… ask some sort of intro question to the
notion of the cluster college. You asked very early in the first…

[Rowe]

An intro to what he said?

[Barbara]

Yeah.

[Rowe]

I'm trying to remember.

[Barbara]

Well, the answer is that [inaudible] had to do with the difficulties of that structure.

[Rowe]

Okay. Developing out of your and the founders of the college's notion of small
educational communities, Grand Valley became, in effect, a cluster college. What
were the difficulties that were related to that kind of model in itself? And how is
that different from the Oxford model of small communities? I think the answer to
that is at Oxford, the pedagogical differences developed sort of willy-nilly over a
long period of time. Whereas, here in America, in some ways we tried to make
them. Arend [Lubbers] wouldn't talk about the problem we're making at that point.

[Lubbers]

That’s true, well we took a single institution and broke it up into pieces and it
wasn't ready to be broken up into pieces. Whereas universities, many
universities, people came, they did their little thing, and the other people did their
little thing side by side. And then finally, it develops… a kind of unity evolves.

[Rowe]

A more organic rather than made.

[Barbara]

It's now eleven o'clock, okay?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Barry Castro
Date: 1984

[Barbara]

I told you that the students would be among the audience. Was there something
you want to be sure to say?

[Castro]

When I talk to my management classes now, management is a difficult field to
teach, in a way, because you've got lots of students who haven't ever been in a
managerial context, an ordinary one, haven't been in the industrial context, and
they get a bunch of management courses as part of a business curriculum. So,
your task is to find some experiential context that they can connect that
theoretical material to make it their own. And I like using classroom material for it.
One of the major management theories that we talk about is Douglas McGregor's
"Theory Y" notion of invoking participation loosely. McGregor argues that it's
necessary to assume a willingness to be involved, a willingness to work. That
there is no adversarial relationship between work and a firm [?]. And that given
that assumption, it will be ill-founded sometimes, but you will get much more
happening than if you don't. And it talks about the disastrous consequences of
beginning with the opposite assumption. And everybody affirms that, and people
read that stuff and they feel "Lord, it's just mom and apple pie, of course that's
true." And at around that point I asked them how many of them have heard of the
cluster colleges and William James, and Thomas Jefferson, and those places.
And it's recent enough so that many of them have. And I say that, you know, that
is really what we did, we were pushing on that kind of involvement, all the time,
and from ourselves, from students, students doing it to each other. It was what
made the place work. But looking at it from the outside, what do you know about
it? I guess that's the first thing I ask. And they say: "Well non-graded, one. And
two, easy." And we talk about the proclivity to define participative management
as soft management by people on the outside of it. So, the resistance you get to
any effort to manage in a way that involves subordinates in a way a firm really
works is people on outside giggling and saying: "Oh my! Just look at what they're
letting them get away with." And when they can find someone who is actually
getting away with something, there's a cause for real celebration there. And to
say that abstractly is nothing. But to point at the people in my class and say
"Look at what you folks are doing," with very little information. But your incentive
is so great to interpret what you've got, or to make up information that you don't
have, that kind of resistance to managerial innovation, to, I think, good
management, needs to be reckon with all the time. And it's the case in point that I
use. I think for students and faculty, we were made to order for them. Many of

�our students come to school… many students at places like Grand Valley come
to school having a notion that if it's hard, it's good, and if it's fun, there's
something wrong with it. So, the Board of Education in Grand Rapids, I think, last
week passing resolutions saying, "Everybody should have homework." And the
City High School, which prides itself on being a quality institution in Grand
Rapids, advertises itself as "two hours of homework a night," as if that was the
elixir, you know, that was the magic stuff that made it work. And they're onto
something about the sociology of your clientele that's right because the clientele
are so bound up in that notion that if you involve people, and you let them have
fun with it, you're somehow doing it wrong. You're not giving them the real stuff.
And I think that was very hard for us to overcome.
[Barbara]

Could we have overcome it, or did the administration have a responsibility to help
us overcome it? Where could this ever have been fought?

[Castro]

Well, public image-wise, I think we were in much, much better shape for fighting
it for the last few years. I think we got to know what we were doing much better.
And asking for public… the public has a notion that we're supposed to know what
we're doing from scratch. And that were supposed to come in and just do
something, all which has been invented, which in any field is absurd, no field I
think more absurd than in education. The standard item, the routine stuff, the
kinds of classes they are used to… know what they're doing, certainly know
better than we do. In my view, often knew less well, they inquired less
thoughtfully into what they were doing. The question doesn't come up for them,
and folks were… it would be hard to get folks willing to give us the time to be so
much above the mark, so they can begin to trust us even though we were out of
the ordinary. I don't think there's a lot the administration could have done about
that. My neighbors who say "Thomas James" were not reachable by the
administration. And they were sophisticated, nice people who like me and think
that it must've been a little bit okay because I was there. They don't mean to be
putting it down, but they can't get it straight.

[Barbara]

If you had to sum up what made James unique, very, very briefly, like two or
three sentences, what was the thing that was critical?

[Castro]

Keywords: ambition, involvement, tremendous seriousness about education, and
not being caught up in cynicism about careers and making it and looking for
things. We talked about vocation all the time, looking for real vocation, and the
students who are… I think profit most from the place, were most involved in it
and the faculty were most involved in it, had found the vocation there, which was
going to be with them the rest of their lives, as far as I can tell. And that seemed
enormously valuable to me.

[Barbara]

That's a wonderful execution. I think we’re running [Inaudible]… yeah,

�everything’s fine. Is there an answer… this may be too personal, in which case
let’s not treat it as a serious question. Can you phrase why you came to James
without laying on a whole biography? What was there in you that readied you for
an alternative setting? Why was traditional education not satisfactory?
[Castro]

Well, I came there… I read an article about it, actually, that just touched on it.
Mostly about Grand Valley in general, more about TJC, a little bit about James
and change. But I was taken enough with the ambition of what was going on here
to write Don Lubbers a letter saying I read this article about your place and I'm
interested. And Don passed it on to Adrian and I got invited out for an interview,
which was nice. I think the particularities of my own situation is there's nothing…
the only problem about personal is I don't know how generalizable it will be. I
taught with some very good people when I began teaching who were serious and
good about what they did. And I did a kind of extended apprenticeship with them.
A historian named Herb Gottman, a sociologist, people who became friends and
had been at it longer than me and were very good. And I got a sense that I was
going to college over again, only much better this time than I had gone the first
time. And that was wonderful, and I wanted to keep on doing that. That stayed
with me for a while. Then one of the people I taught with at that first institution got
to be dean of faculty at a new branch of CUNY that started in nineteen seventy.
And called me and asked if I wanted to organize a social science program there.
And it was a wonderful opportunity to invent from scratch an institution. And we
did a lot of things wrong in that invention. But I learned a lot at [Inaudible] which
was the name of this place at City University and wanted a place to use what I
had learned and going to an economics department to do micro, macro and an
occasional elective seemed very dreadful, yes. And when I came to James, I
think the first… immediately upon coming in, and meeting people, and getting
some sense of what the place was about. It was as if I had been here forever. I
recognized it and I don't know what folks’ reaction to it – my stance – was, but I
never entertained the possibility that they wouldn't hire me at all. I mean it was
mine and of course they'd… it belonged to me. And they did what they were
supposed to do, but it was very compelling.

[Barbara]

What would you say, again, not being very specific about current things, but in
teaching now… no, it's not a good question, forget it. I’m sorry. Stop for a
second. God, he’s looking gorgeous, isn’t he? Its fine, I'll cut through the other
stuff. Okay, that's the question we’re on.

[Castro]

Okay. I want to talk about…

[Unknown]

That side, yes. Like that, that's…

[Castro]

The difference between… I've been teaching the last couple years in a business
school environment and that seems on first vision… when I first understood that I

�would be going to a business school, that was, it certainly felt like it was going to
be a very alien environment, it was scary. It has not been an alien environment.
The internal dynamics of my classes seem very similar to what went on in
James. I am teaching in the same way and I feel that I am being responded to
well. In some ways, very well. I am more of a rare commodity teaching at a
school of business than I ever was at James. And folks could kind of nod their
head when I did what I did at James and they are hearing it all for the first time.
[Barbara]

Like what?

[Castro]

Well, the purpose of this class is not information transmission, boom boom,
boom, boom, boom. What we’re up to is engaging your thinking and engaging
you in a conversation on the one hand with the literature, and on the other hand
with the experience, and getting you to see that conversation, and respond to it.
And getting smarter. I tell my students that the heart of management, the only
two real ingredients of management are being as smart as you can be and good
manners. And everything else is detail. It all follows from that. You need to listen
to people, and respect them, and you need to think about what you're listening to
as hard as you can. It fits in the context of liberal education much better than I
think most people either in the humanities or in business schools know. And I’ve
discovered a sense of mission about getting people both in the humanities and in
the business schools to recognize that. That business schools can be perfectly
viable milieus to teach well in. And I think a lot of what business schools are has
been a reaction to feeling nasty prejudice coming from humanities. And the kind
of thumbing of the nose back at them and turning up of our speakers, or ghetto
blasters, or whatever, and just letting it blare out. Because you guys expect us to
be doing that anyway, so we're going to let you have it. So, it's been fun to
discover that there was something real for me to do in this milieu. And fun also
that there were large numbers of students who were there, who I didn't need to
go scraping for them, there was support from the outside environment, we didn't
need to defend the business school’s right to exist, at all. I could go on to do the
work that I needed to do as a teacher, without needing to deflect my energies in
all sorts of ways that at James they got deflected. And that's been very exciting.
Students have been… they come to my office a lot. People are around, and
they're grateful for the kind of thing I've been pushing for. And I’ve very, very,
very little resistance. Actually, almost none that I know of… there may have been
some that's quiet. I miss the collegiality. I had Robert Mayberry next door to me
for ten years at James, and that was extraordinary and wonderful and I miss it.
But he's only across a short mall. This not having to worry about Alison
Bernstein's double preciousness has been very nice. I'm not in a precious milieu
now, I'm just in a business school. And if we can do the stuff we can do in that
kind of milieu, that's better. I don't think I could have gotten as good without
James, at all. I don't think we could have. I don't know that we can stay as good
without it, and I worry about that. And I worry about what's going to generate

�more faculty with those same commitments. And my sense is that we have to do
it. We have to keep on talking and wait until the next cosmic change happens,
right?
[Barbara]

Wonderful end to the show. Thank you! It was a good close.

[Videotape recording ends and begins again]
[Barbara]

Because also, like, everybody doesn't cover the same material, so it must be
clear that this isn't a real… I mean, people didn't get together and talk and
organize this. People's conversations do bypass each other a little bit, you know.

[Castro]

Are you going to get Adrian?

[Barbara]

Of course. She troubles me. Has she written you? She hasn't written me either.

[Castro]

She talked to me about three weeks ago.

[Barbara]

Oh really?

[Castro]

Where did I see her? Were we in Minneapolis?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Bruce Klein
Date: 1984

[Barbara]

… So, Bruce, those are the things I want to know.

[Klein]

So you want to know why I came to James?

[Barbara]

I wonder if I can do it on this shoulder. Yeah, why… you know what I mean, we’re
not into big biographies, we’re into what James was. So, when phrasing your
answer… you know what I mean? Hey, that looks nice. That looks nice. Now we
got you. Make sure we have you focused. There. Anytime you want to start
talking, you're really clear.

[Klein]

Okay. Why did I come to James? That's an interesting question. I think you have
to do a little biography: I was at Virginia Tech. for five years teaching and before
coming up here. And Virginia Tech. is like Michigan State and I didn't like that. I
didn't like the movement towards one hundred, two hundred, three-hundredperson lectures and movement away from when I started there. It was a very
personal place because I was the only faculty member. There were two of us.
And by the time I left there were twelve of us with a PhD program and all of what
that implied. And it's a long and funny story about how I got to James. I applied at
Thomas Jefferson because I felt that any college for advertising in "The New
Republic" couldn't be all bad. And they correctly sent me back a letter saying:
"We're not interested in you; however, we've sent your material over to William
James." And that was the year before William James… that was the year when
James was being founded. So, I actually applied to William James before it
existed. Ken Hunter was hired instead of me. And two years later – I think it was
two years later – the circle came around and I was added to the staff. And it was
really, in a lot of ways… coming to James was a reaction against a standard
mega-versity type education.

[Barbara]

Okay, let me shift here. Okay. Now would you like to talk about… I just did
something, sorry. Talk about the movement of computers.

[Klein]

Okay, I think…

[Barbara]

Let me change the shot just a little.

[Klein]

To talk about the movement of computers from James to CAS is… I think there
were two reasons. One had to do James itself. And that was the students we

�were attracting were less and less interested in a linear kind of thing that
computing implies. And at the exact same time, a very powerful person on the
Grand Valley campus, Don Vander Jack, saw finally that computing was going to
be a very important curricula item and waged a campaign to move it. And we
were vulnerable because of dying enrollments in that area.
[Barbara]

That's real clear. Okay. Let me just check focus here. Okay.

[Klein]

It was interesting. When I came, there was a core of about twenty students, I
think, from roughly the first year or two of James that were really interested in
computing. And when I left – or when it was suggested I apply for an open
position in CAS by the Provost, let’s put it that way – there were probably fewer
than ten.

[Barbara]

Because? Well, you already said.

[Klein]

I already said. I don't think we were attracting… I think the message of James
was not the thing that was going to attract students interested in computing. And
the students that were attracted to James were turned off by "you can't take the
fourth course until you've taken the first three." I think there was some real
problems with that.

[Barbara]

Real clear. From the position of both an insider and an outsider, I was never an
outsider, you know what I mean, for James…

[Klein]

Yeah.

[Barbara]

Would you care to comment on its final demise? I mean, could it have been
prevented? What should we have done differently?

[Klein]

I don't think anything could have been done, not in the context of Grand Valley.
Grand Valley was going to make itself look like every other college in the state.
Because I think, at that time, there were some serious enrollment patterns
though James was doing just fine. If you want to look at James vis-à-vis
Seidman, the enrollment in James was – to my recollection – just as good as the
enrollment in Seidman. But I think the powers that be wanted Grand Valley to
look like every other college in the state because they were taking enough flak
for not being like every other college in the state.

[Barbara]

If you were to sum up James – the key to what we were trying to do or were
doing – in a sentence, what would that sentence be?

[Klein]

Wow. That's a hard one, Barb. Well, something that my wife and I have been
talking about a lot lately – and that's growth. Personal and intellectual. And I think

�to my mind that's what James was more about than anything else.
[Barbara]

You're a great interviewee. You say it!

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Dahleen Menning
Date: 1984
Part: 1 of 2

[Menning]

Okay, it's hard for me to think back succinctly over almost nine years since we
began, since I came. I came, I think, the second year of William James. Actually,
it was the third technical year, but the first-year faculty weren't teaching and I was
hired the second year that faculty were teaching. So, I saw it pretty much from
the time it was a tiny, very tiny college to right up to the end. It kind of went
through a growth period and then had loss some students. And seemed like that
even though at the beginning we were struggling with so many things: places to
have classes, all kind of very basic functions of just getting the teaching job done.
There was a real excitement at that point to the students and the kinds of
interactions between the different individuals, the faculty and the students, and all
the parts that go into to making a college, that didn't sustain itself all the way to
the end, after nine / ten years. The memorable things from that early time,
besides having my office in a tiny basement, squalid place, was the real
independence and assertiveness of the students that would come to you and say
I want to do XYZ and here's how I'd like to do it and they had a plan. They
thought it all through. They were able to pretty much assess what they would
need to learn and how they would go about affecting this whole thing in their lives
and could see down the road and it was a very exciting thing to see that kind of
independent thinking. Now we had good dialogues and some bad dialogue. I
remember with students that used to argue, just for the sake of being
argumentative, about their projects, their particular work, their process, but most
of the time it was a really exciting, stimulating dialogue of growing and sharing,
and those are the times that I remember best with the most affection I think.
There was an exploring feeling amongst the faculty, as exploring feeling my
student and even when things didn't go well bureaucratically for some students,
often times they get hung up in the records office over procedures, those things
didn't seem to bother them. We'd roll with the punches, we'd go over and
straighten it out and sometimes even it was even funny and a bit humorous and
we all enjoyed that. It was part of the reaching out and exploring. The students
that I remember most clearly from that particular group were really wonderful
creative artists that I had in class, that in spite of the fact we didn't have a
traditional art program at that time, they seemed to grasp the necessary things
that were necessary to the art world, and they put them together and integrated
in with everything that was happening at William James and they wanted to be
part of the whole thing, and yet they could retain their independence as artists
and I found that very exciting and very mature and that is what I thought was the
ideal and I thought we lost that about sixth, seventh year, toward the very end.

�We didn't see students that exhibited that kind of independence. One that usually
sticks out in my mind took us through the whole art therapy program deal
because that was initiated by student who came into my office and planted her
feet and said: "I want to be our therapist and I think I can do it here. Can I do it
here? Here's how I'm going to do it." And I took a deep breath and said, “Well, it
looks like you can probably do it here. Let’s see if we can.”
[Menning]

And we actually put together an art therapy program for her that involved
internships and involve psychology courses, the art courses that she needed,
she had to take a few things over in the College of Arts and Sciences, but by in
large she put together a very strong personal program to study art therapy with
the resources that we had in the college. And that was my first real introduction
to internships because my particular persuasion in the arts is not an internship
related thing. In the fine arts there's not much you can do. You can't really
understand the painter. So, I had to go out and generate internship placements
and this student went out and she and I found them. We persuaded people to let
her try. It was a very ticklish situation because it involved working with people in
a clinical setting and she lived up to the promise. She was very mature, she
handled herself beautifully, and she set the pace and then right after her and I
have no idea how students seem to hear about it but they came out of the
woodwork and they found out that we were doing something with it and they want
to do it too and it wasn't very exciting thing and integrated the coursework from
the social sciences and from the fine arts and seem to be what the college was
about and that represented I think one of the nicest ideals. And we had a group
of students that went through, in the art therapy program, we didn't really have
one, but they devised their own programs, more or less, and most of the students
that I've kept track of have gone on to graduate school one way or another.
Some by taking time off to work locally in various social service agencies around
town, some of them rose to administrative positions in social service agencies
and went on to graduate school, some went right away. But they all seem to
make something of themselves and they all seem to use initially what they
decided they wanted to do in the context of William James College. And that
seem to be one of the shining examples for me and out of that discussion with a
student came the class that I was the most excited about in the end, as an
integrated thing, and that was the developmental art course that I taught initially, I
think with Willard Bradfield, and then I taught it on my own, changing and
developing and actually integrating practicum into that, plus studio experience,
plus theory and it was a very involved kind of course and the students came
through that course were clearly changed in their approach to things in life. And
that was what was really exciting to me. That that one course made a major
difference in those students in their entire life. They saw things differently, they
saw how they could affect change and people even if they were never going to
do it quite that way, even if they were never going to be in the classroom or if
they were never going to do art therapy, in particular. They all saw that there

�were methods for taking theory and then applying them and that if you learn
something and used it you could make something else happen and it was a very
powerful thing for me to see that happen, I think I learned a lot, and I change a lot
of my own teaching philosophy from that. It was a give and take situation with me
and the students.
[Menning]

They wanted something, ask if we can provide it, I was one of the providers, I
learned, developed my teaching ideas, developed a course to suit their needs,
they responded to the course they went on to do other work that was a
companion to that course and went on and graduated and did something
important. And that seemed to be a whole example of what the college was
supposed to be about. Then later on we tried to deal with this art therapy and
make it a "program" and we tried to pin it down because people got nervous
about it. People, you know, college, and people across campus because it had
clinical associations nervous that we wouldn't do it right or we'd damage
somebody and so on. And the whole thing got rather tight and everybody got into
it and then got out of it, and then we dropped it. But there were I guess three,
four years there where it seemed that we really were able to do something
important with students with the nucleus of the few classes, and a few faculty,
and a few student working together and learning and teaching each other. Now
that was one of the most memorable experiences that happened over a process
of several years. There were others I think that we're maybe a little less
outstanding in there William Jamesian-ness. There were students and classes in
just the art courses portion of the arts and media programs that I saw do actually
marvelous things and brought to class a personal integration of what they were
learning in the college but didn't have such a strong identification with any one
group of things and there were individual students that classes from other
individual faculty and have very good dialogues with those faculty and with me
and that we knew each other and had and shared that but it didn't happen in
such a programmatic way.

[Barbara]

Then what happened? That happened a lot and then what happened?

[Menning]

Well, it seem to me that about the fifth, sixth year the students changed quite a
bit in their independence, and they became less assertive and less self-directed
and didn't seem to want to struggle with why am I doing these things this way
and answering questions for themselves and they became more interested in the
how should I do it and their focus and classes changed radically. I felt a real
difference in their need for different teaching styles. Much more emphasis on
what needed to be done coming from the teacher. Much less willingness to
explore a personal route. More willingness to work hard sometimes I think, an
eager beaver attitude toward let's get the work done but you tell me what the
work is and the students initially were more interested in defining what the work
was. And so, my teaching style changed quite a bit. I noticed that my, well first of

�all, I start writing syllabi for courses, finally. Some of them are fairly loose syllabi.
Certainly, wouldn't pass muster to some of the things that end up writing now.
But nevertheless, I had to make a plan and follow through. I started to have to
have rules about attendance. One of the other things that happen I think was we
got a lot of bureaucratic nonsense laid on us that had to do with money. We had
to have more students in our classes.
[Menning]

And all of a sudden confronting thirty students in a studio class changed the
dynamics from when we have fifteen or eighteen. And it made a huge difference
in how you approach them as individuals. You couldn't talk to them at length and
so you had to treat them as groups. So that may have changed. And I think the
times changed. There wasn't as much interest in sympathy toward an
independent way of thinking and striking out on your own is there was initially. So
probably a whole bunch of influences put together changed it radically for me and
I found my interest the last two to three years, particularly the last two, it was very
hard to sustain my own interest in that the teaching became so different that I
started reverting back to more of a disciplinary approach in my own field more of
an art approach that sustained my independent interest because I had lost that
feeling of group. I think the faculty got a little large; was hard to maintain that
cohesiveness amongst faculty. Then we did lose some faculty as programs were
cut. But it seemed a little big at the end and I think maybe we outgrew what was
possible to do in that same sense.

[Barbara]

Okay, we are rolling.

[Menning]

Alright, as I've put a little bit of distance between the close of William James and
my own life, a number of things have passed through my mind as they have
everybody, I'm sure. But there were obviously more than one group within the
college, amongst the faculty, because there were different people coming from
different kinds of backgrounds that had different experiences and they tended to
cluster somewhat because it's only natural that you speak and commiserate with
people and have a similar background and a basic understanding in the same
way. And so, there were a group obviously that were centered around somewhat
the arts, or at least a more applied way of doing things, and sometimes they were
technological way, sometimes there are simply practical ways of getting things
done. And then there were people who did a lot of the thinking and the reading
and sometimes we didn't always agree and we tend to find a schism I think
between two point of view very often and how to approach different issues within
the college. And those are always interesting times for me, all the way through to
college, but in hindsight as I look back on that; I've thought about the fact that I
learned an enormous amount being a faculty member and this kind of college,
perhaps more than I contributed, although that isn't the right way to say it.

[Menning]

But I had to stretch and reached to learn from the frame of reference of others

�where they were coming from. I had to read some other books I had to look for
the philosophy and understanding of what we were about, and I didn't have a
similar thing to contribute in a way that seem to fit the discipline of the arts is kind
of a singular process and as I tried to enter that world again, the one thing that
has struck me and sometimes with a certain amount of anger and resentment
and then sometimes the feeling well we choose a life course and it takes is on a
route and then we accept what we getting and then we change back again sort of
a live and let live attitude. I oscillate between being somewhat angry and its okay
type of attitude that the growth that I experienced didn't take me down my
professional path very much. It took me in a sideways way where I learned an
awful lot of things. I read a lot of books, learn how to work with people that were
very different from myself, learn how to appreciate their values and what they
had to contribute. I'm not sure it was always mutual, and it took a ten-year hunk
out of my professional life in terms of my own growth as an artist. And now that
I'm reentering that world again, I find that frustrating, and sometimes threatening,
and the anger builds because I didn't maintain the contact with my field that I
wish I hadn't done in hindsight. It didn't seem important in the first few years. The
rush of building a college was very strong. The excitement of integrating the need
to talk a lot with other people and why we were going to do it this way and that
way and work out some systems and build these classes seemed so all
consuming that I lost personal side of my own goals. And then I began to find
them again, but I didn't have an easy access route to affecting those. I didn't
have a studio space. There was no academic support in the college for me to do
my thing. I noticed that in particular when it was time for me to take my
sabbatical, there was no money for me and the excuse was that I hadn't been
doing my thing and therefore I didn't get to have money to do my thing. It was
sort of like they haves got and the have nots didn't get, you know. And I felt
somewhat cheated because I had done all these things for the college, for
William James, the greater good, thousands of hours of countless committee
work. And yet there wasn't fifty dollars in the budget for my own artwork based on
the ground that I had and stay current. And I've thought about that and I thought
that was unfair to this day, but I wish that I had stayed current and in hindsight I
would have tried to find a way and maybe insisted on it. If there had been any
other way to do the college I think that would be the major thing I would like to
see change, would be to have some way that would insist that the faculty stayed
current part of their own field so that they didn't lose that. And that might have
retained the excitement for me, to bring that back into the college and into the
mix. Maybe I went dry. Maybe we all went dry. The times were definitely different
toward the end. But the initial excitement was lost, and when I came to the
college I was fresh from a large body of work, my own personal was high, I
wanted to share all that wonderful stuff with everybody. But then I wasn't doing it
and after four, five years of not doing it there's nothing left to share.
[Menning]

I think I had given all that was inside of me and then it got kind of flat and I really

�had to work to sustain it, and I guess that's for my teaching changed. The
students were changing. We were all changing and the times are changing. But I
would like to have done more with my work. I wish that the college had then
sustained our own professional work now. They arrange for studio spaces for the
College of Arts and Sciences Art faculty. That should have been done for the Arts
and Media faculty. That we should have been given studio spaces. The adequate
funding, recognition for work. That should've been done for everyone. We should
have been encouraged to go to conferences, exhibit our work, retain the
professional identity in our field. And that maybe would have made a major
difference. It might've been the difference between the college closing and I don't
know, there's so many intangibles there, but it certainly I think would have given
me a sense of self-worth that was starting to wane toward the end because
ourselves got so entangled up in the whole that was hard to find us. I had a hard
time finding me in the end. And I guess that's why my own interest started to lag
and that I started to seek way to find me again, which was to naturally revert
back to where I felt strong in the beginning was in my own field. And that's both
good and bad, you know there's not a clear-cut run answer to that. But now that
I'm back there I feel whole again. I still have things to share that I can share with
other people and like to do that. But somehow there was no balance at that time.
And maybe that was the one failing aspect of the whole endeavor was that we
went overboard trying to build this thing and then they maybe ten years wasn't
long enough for us to have the bounce back time and then to come back to the
middle and level off at some point. We got cut off for whatever reasons maybe a
little bit too soon.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Dahleen Menning
Date: 1984
Part: 2 of 2

[Barbara]

We are rolling. So nice. Such a nice shot. Anyway, we are rolling [Inaudible].

[Menning]

Okay, I thought a lot about whether or not we gave the students a quality
education. And I think we gave a lot of them very good education. I think we get a
lot of them a minimum education. But I'm not sure that that's different from any
other kind of college. And that’s the thing that I keep coming back to. And I think
about what we gave our students and I think about what I got from a very
important major university traditional education, although I didn't have a liberal
arts education, I had a very specialized art education but I had their traditional
distribution stuff. I also learned some intangible things from my university
situation that weren't planned, that taught me more than the things that were
planned. And I thought about that many times, that the things that had happened
to me, particularly as a graduate student, that were not supposed to be part of
the program but taught me coping skills that made it possible maybe for me to
even teach at a place like William James. And I think that we gave students a lot
of coping skills that were kind of side by side to coursework that they probably
drew and maybe continue to draw on more in some ways because life is like that
and the real world isn’t [?] a place as a university or campus settings. And so, I
think of students struggling to help organize the college, and early on particularly
struggling to fight for a course they wanted, struggling to argue their program
through, in some instances, and try to defend why it was worthwhile for them.
Those probably were good experiences for students. I think that we let some
through that were non-thinkers. But they get through every place, even Harvard
has some of those, I think, there's people I guess with a minimum they can do,
and manage to, you know, pass things at the minimum level. So, every place has
students that can do the least possible. We certainly had some. But I think that
we were a challenge to students, particularly when they came to graduate. I are
used to tease them, and still do, there's a few that are still finishing up this last
year, that just to get out was the real test. If they can get their program approved
and they can write about it intelligently that in spite of all. And that was sort of an
extracurricular academic activity. It wasn't part of a regular course in spite of the
fact we tried those various courses about building your program. I can't
remember what they're called now, so that obviously didn't stick in my mind that
well. But we did try to make students write something about their program and
the ones who really struggled with that I think learn some things that were
intangible that probably serve them well. And the fact that they had to get out
there and maybe generate their own internship, or they actually were part of

�council and that they learned how to argue a point and present their case and
hold their own against some fairly strong voices that were articulate. They
learned coping skills and how to work with people that were different from
themselves. And when I take a look at some of those former graduates, I think,
"Wow!"
[Menning]

Those people are doing well in the world and what is an education? And then we
start to talk about deep philosophical things. Is it a mere smattering in a
smorgasbord way of a certain amount of history, philosophy, English, all of those
things? Or is it really learning how to learn, and enjoying what you're learning,
and then in life you get around to it in turn as you begin to discover what you
want to learn. Which was part of the initial goal of the college was that you would
learn what you needed to learn. Well, we never really quite had time for that in
four years. It didn't seem that it was time to learn something and then discover
that what you needed to go forward you had to go back and learn this. That most
students needed to progress through much more quickly and in a more orderly
fashion. But that's how life is and that we all continue to learn things that seem
important to us because of what we bring to it at that time and I think that a lot of
those students that we graduated learned that. They learned that learning was
fun, that there was an exhilaration to learning, that it had work attached to it, on
occasion, for some people. And that was the value. And I think that because the
systems were very loose there were a lot of people who escaped. And we let
them escape and sometimes we had a few good arguments about some of them,
and there were tears in the hall, and a few loud voices and things over a few of
them. But those seem to be the exceptions. I think that by and large we gave a
good education to the majority of our students. I would say probably seventy
percent got probably a more personal considered education by teachers who
cared about them in person, rather than them as a group, who knew their names
personally, who can call their name in the hall when they met them going down a
hall, and they had a more personal interaction with all of your faculty than they
probably would have had in almost any other setting I can think of, other than a
few similar alternative colleges around the country, on our campus, and
elsewhere. That they had to maybe even confront the fact that we did know who
they were in class. They couldn't hide behind a number, or seat, or an alphabet
alphabetized row. That they were responsible and even though they didn't do
well sometimes and they knew they weren't doing well, they knew that we knew
it. It wasn't something they can escape exactly, so they had to own up. There
was a certain honesty and fessing up for what was accomplished or what wasn't
accomplished. And I think that was good. Even when we didn't somehow strike
the right number with the right personal time, because we didn't, clearly. And
toward the end I thought that the students, in general while they wanted to learn,
they had a different attitude about what learning was about. And the whole thing
changed quite radically there. Not just in the courses and in my own teaching, but
in my opinion, in the advertising and in the way that we set up the programs. We

�started to really pin the stuff down. What they had to study, some of which was
good and some of which wasn't. And I think in some cases it was good because
students needed that and in other cases it probably damaged a few. And so, I
think on both sides there were good things and bad things.
[Menning]

But I think certainly the education, in my opinion, would measure up to almost
anywhere, particularly for the student who grasped it for themselves took hold.

[Barbara]

If you had to sum up what made James in just a sentence or so…?

[Menning]

[Laughter] If I have to do anything in a sentence or so I'm sunk. When I think
about uniqueness, as a college, I guess independence is the word that keeps
reoccurring in my mind. Of all the good things that happened, the best thing
happened when people took things into their own hands and then did it. Now
both on the part of students and on the part of faculty that occasionally caused
some abrasion and some fireworks but things got done for that individual. And
the independence and then generated on the part of everyone built a better
person, in my opinion, and I keep thinking about that. Integration was another
one of the buzzwords that flew around a lot. But I like the idea that people took
initiative, and they did things on their own and they didn't always ask first if they
could, they just assumed that it was alright, and they went ahead and they tried
things. That wasn't a sentence or two but that's… I think that's what sticks.

[Barbara]

Okay [Inaudible].

[Menning]

I think one of the exhilarating things for me personally that I think contributed to a
good education to students and to all of the good things that came out of William
James was for me and my life was the first time that I had ever encountered a
whole batch, a lot, more than one or two professional women altogether
contributing to the whole in a way that really made a profound difference. In all of
my undergraduate years as I thought back, I had only encountered three women
faculty in the entire time none of which had a profound effect on my life. I didn't
happen to study under them because of their discipline wasn't my choice. So, I
only have them as a cursory experience. And I had never experienced a place
where women were major part of anything, and all of a sudden, and perhaps this
is where I got caught up for myself to, was a chance to actually do something
and believe that I could do it, and that no one else bothered to tell me I couldn't,
and nobody suggested that I couldn't. In fact, everybody said, "Well, of course
you can." And that was a very heady time, I think, I had enormous respect for the
professional expertise that all of those women faculty brought. And even thought
I didn't get to know all them well, some of them left shortly and went on other
things, there was a time there where you really felt that it was equal it was a
totally egalitarian time where everybody's ideas count equally. It didn't matter
who you were and it there was not an "old-boy" network that you somehow have

�to plug into first. And that was one of the most exciting times. And I think that
contributed to the students. The women students saw role models.
[Menning]

The men students saw that women were equals in this mix, and so they gave you
due respect. And the attitudes were different and I noticed that immediately. And
since the end of William James I have noticed a change away from that. Not in
my own particular setting as much as I have noticed that around campus and
other places, and I can see that that really is a very unusual situation. I think that
is one of the exciting things that came out of William James. It had that wonderful
sharing.

[Barbara]

Start take.

[Menning]

I think probably the one really seriously negative thing that was a thorn in my side
all the way through was the tension between the two groups of faculty that I
alluded to a little bit earlier. The, I think, the Arts and Media faculty particularly as
a group, although didn't include all of them actually, but the people in that group
who made things and who are very pragmatically oriented, and then there were
other groups of people, the other body of faculty who tended to not make things
and didn't have that as their experience, but they read things and wrote things.
And we approach life differently. We approached organization differently. We
approach things differently. And I never ever felt the kind of respect from the
group of faculty that read and wrote things that I felt I should have an artist
person who made things. That came out a number of instances different tilts that
we had by and large. I think it affected how we resolved things in the college.
Those two groups would very often line up on different sides of the issue. We
could’ve almost expected to never agree on certain kinds of things. And
consequently, may have contributed to the ending of the college or may not
have. Tension is dynamic and wonderful in certain instances and then it's just
destructive and I think that it had its destructive moments and then it had some
dynamic excitement to it at that point. And so, it was both bad and good but we
didn't ever resolve how to be different together and I wish we had.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: David Rathbun
Date: 1984
[Barbara]

… talking about three things that stuck out in your mind.

[Rathbun]

Two or three things. I came to William James in 1981, so I didn't have much time
in William James. But my first recollection: my first council meeting. I sat down in
the skylight room with this group of people, most of whom I didn't know yet, and
during that meeting there was a debate between Robert Mayberry and Steven
Rowe in which the two men were arguing: Socrates versus Aristotle. And I
thought to myself: "My God! Someone still cares about this stuff." And I
remember going home and carrying on a good part of the evening about what an
incredible place this must be where faculty people, instead of sitting and
bickering about small, petty stuff, argued from real philosophic basis. What an
incredible place. That's one of my favorite memories of William James and one of
my earliest memories of William James. I also remember the ordeal of
interviewing for the position here. I think my first meeting was at eight o'clock with
Glenn Niemeyer and I talked to people the entire day and the entire evening and
finally finished with Forrest Armstrong at one thirty the next morning. Pretty
incredible ordeal. Makes a lot of sense as I got another place in retrospect.
Another real strong memory in my mind, and again it’s a fairly early meeting, was
in a PCC meeting in which we we're discussing the changes in the photographic
curriculum. And the facility needs through [?] needs. And I remember there was a
room in the basement which was in question about who ought to use it and
clearly the film and video people needed for room, clearly the photography
people needed the room. And Deanna and Barb said: "We will give up that room.
You need more than we do." And it was a kind of generosity again I had not
encountered at any other institution I had taught in. The ability to put aside one's
self-interest, one’s immediate needs, in the interest of the larger program. I was
impressed. I hadn't encountered that.

[Barbara]

Let me stop your train of thought slightly while I check everything because I
couldn't [inaudible]. Let me zoom in on you a little bit and then we go on. If it’s not
interrupting you too much, I would like to know why you think this was all so
different. Don't answer yet because I have to get the shot… Right now, I have the
shot.

[Rathbun]

Okay, in the past, at the Institute of Design, which is a pretty remarkable place.
decisions were made on the basis of politics. They were made on the basis of
narrowly defined self-interest. Your sense from beginning to end was that you
better be prepared to scramble and scrap for everything you were going to get for

�your program because nobody was going to give it to you. As a result, there was
an attitude and the feeling among the faculty of distrust, of suspicion, people
were constantly tailoring their behaviors and looking over the shoulders to make
sure the right people are watching and that the wrong people one right behind
them.
[Rathbun]

I don't recall ever sensing that at William James and I think for me it was one of
the extraordinary aspects of working with a group of people that were the faculty
and the last two years of William James. The sense that people really cared
about what somebody else was doing. That they wanted to share and making it
good. That they were willing to put time and energy and sometimes give up
things that they need is in order for something else good to happen. It was not
my experience at the Institute of Design it was a very different kind of faculty.
People who were not very generous particularly with the resources, or with their
time, with their giving to students even.

[Barbara]

But there must have been structural reasons for all this. What structural reasons
can you analyze?

[Rathbun]

Well, I think one of the things that made William James such a delightful place,
for faculty, was that it really was not a competitive environment in the sense that
we had to compete with each other to succeed either within our programs or
within the institution. The fact that we didn't have merit raises, the fact that the
review process was not punitive but was rather something that was intended to
help us understand each other and to grow with each other. The fact that we met
weekly in faculty meetings, that we knew each other and we knew what was
going on that we had some control over our destiny in this building. I think all
those were important aspects of that feeling of collegiality and community. That is
not that way in very many places. For me it was probably the most extraordinary
teaching experience I've had the two years that William James was here. The
freedom to dream, the freedom to pursue the dreams, the freedom to share your
dreams with colleagues, the willingness of colleagues to dream with you, to be a
little bit crazy at times when it was appropriate to be crazy. The sense that things
were possible, and it that was good to pursue those possibilities. It was a feeling
that pervaded this place. God knows it was no joy to come to council meetings
every Friday morning. There were a number of times I would prefer to be sailing
around the lake or something. But it was never really a problem to come to those
meetings because we were doing something. We were making decisions. We
were assuming the responsibility and we were doing a pretty damn good thing
with our programs.

[Barbara]

Let me change the [inaudible]. Wonderful, very clear. Very clear. Very Clear!
You're dark on one side your face but I like it. You know what I mean? It’s not
dark, I like the naturalness.

�[Rathbun]

Now, I'm not sure, maybe you should ask me some questions, if you want more
specific kinds of things.

[Barbara]

You were very specific then. I pushed a little on your work.

[Rathbun]

Because those are… that was the sort of thing I was thinking about saying was
those two events, the room generosity from you and Diana. I don't remember the
first one now. It’s a good thing you're taping this. And then just the sort of overall
sense of what an incredible thing this place was.

[Barbara]

There are two things that I'd like to ask on the basis of what you said already.
You said you taught very well and it’s not clear to me why one would teach
better. I can understand why one would be happier as an individual. But why
teach better?

[Rathbun]

If you think that being happy as an individual has nothing to do with teaching well
– it has everything in the world to do with teaching well. At the Institute of Design,
I never felt support particularly from colleagues or from the administration. That
began to chip away and erode my commitment to the place. The more times I
was worked over, the less excited I became, and the more I had to turn to purely
an internal discipline to keep things going well. And I did that, but it was not with
great effort. The feeling of support of collegiality, of sharing both a destiny and
also shaping that destiny was absolutely vital to feeling good about teaching and
being here and being with students.

[Barbara]

Were students different? We just have a different breed of students here.

[Rathbun]

Its apples and oranges. It's difficult to compare. We're talking on one hand about
a very expensive private school in Chicago that draws a national constituency of
generally wealthy and well-educated students. As opposed to a state college that
draws essentially from one area within the state. But the differences I think
ultimately are sort of superficial. They have remedies. The biggest difference was
simply one of experience and visual literacy Those kids in Chicago have seen a
lot and the kids initially here haven't seen very much. Even allusions to people as
like Edward Weston drew blank stares when I arrived here. It was changing. The
William James students were different in the sense that they were much more
aware of what they were up to with their educations, I think, for the most part. I
remember when, in the last year of William James, when there was all this
rumors and talk and almost every day brought a new scenario of what the
reorganization was going to be like. I remember that Provost Niemeyer appeared
at a student forum in the Campus Center and there were probably a couple of
hundred students who were there. It was interesting to me as I looked around the
room that good percentage, perhaps the majority of those students, were William

�James students and that the questions that were being asked the hard questions,
and the appropriate, questions were coming almost uniformly from William
James students. In that respect I think William James is doing something very
well for students, making them understand that they had responsibility for their
education.
[Rathbun]

That they had the right to ask questions and to expect answers about their
educational experience and about what was going on. And they were asking
pretty intelligent questions and Niemeyer wasn't entirely happy about that. He
squirmed a lot. He clearly wasn't pleased with some of the questions that were
being asked. But it occurred to me and watching that whole thing transpire: that if
really interested in an educational experience for students in which they
understand that they have control over their lives was working here, he should
have been tickled that those people were asking those kinds of questions,
because it meant that their education was working.

[Barbara]

Do you remember what they were asking?

[Rathbun]

I don't remember the specific questions, Barb, I just remember that during that
whole discussion the questions and seem to be right on the mark, that seem to
be the right questions that students ought to be asking, the William James
students were asking. And it was not entirely comfortable for the administration to
have to try to answer those questions. But it was precisely an indication of
success in the educational experiences that students were having here.

[Barbara]

Let me ask you this but let me change the shot and zoom. Woah, that's darker
zooming in. Okay, good. I want to ask you: this is all very well to talk about how
we taught them to ask the questions, but it didn't save us. What could have
saved us, or what was your experience in the process of closing James?

[Rathbun]

Well, it's all too easy in retrospect to understand that nothing could have saved
us, short of moving the school somewhere else. And it's hard for me to really
understand how all of that transpired Barb because I wasn't here during most of
William James. I had really sort of one good year and then the second year,
which was the last year of William James, everything was in turmoil and up in the
air. I seriously doubt that there was anything significant the faculty could have
done, or the students could have done. I think the decision was made, I think it
was simply a matter of how to implement the decision and dissolve the units. And
I think after that happened the degree to which there was hostility, it was like
someone turn on the tap, it was like packs of dogs were being held at bay and
suddenly been released and it seems so unnecessary.

[Barbara]

Tell me, that's too vague, I don't know what you mean.

�[Rathbun]

Well, the attempt in an early discussion in the School of Communications to
eradicate all evidence of William James having been in Lake Superior Hall. The
suggestion on the part of some faculty from a previous unit that the portrait of
William James be painted over with post-haste, with great haste. That's the right
way to say that.

[Rathbun]

The articles that appeared in the Lanthorn characterizing William James’
students and faculty as some sort of malcontents. Things which under a healthy
old division probably would not have been printed suddenly were popping up all
over the place. It seems clear to me that the decision was made and it was only a
matter of how to work it out with the least damage from their perspective.

[Barbara]

Do you see any organizational or other holdovers from James in the new
structure?

[Rathbun]

Well, I don't see very many and I'm so busy that it's hard for me to look very far
away. And I thinks that's one of the problems of the new structure. Certainly, we
don't have the kinds of collegial possibilities that we used to have. I think it's clear
that those holdovers or those instances where the William James philosophy
carries on are to be found in individuals, and mostly individuals that were in
James, although it is interesting that there are other faculty who continue to be
sympathetic and espouse certain ideas. And I'm not, again… because I wasn't a
part of William James from the beginning and for years and years and years, I
don't know whether I am really Jamesian in the sense of wearing a badge. I think
that I'm interested in intelligent educational experiences for students. I don't think
of myself as trying to teach them something. I think of myself as a fellow traveler
with them. I think of myself as someone who is growing with them, and what I try
to do is provide environments and experiences which hopefully allow the
students to learn something. And I think that maybe is a part of what William
James College was about at its best. I think it's just damn good teaching and I
think wherever people are teaching in that kind of way, where they understand
that they really are involved in this with students and perhaps at best what we
can do is try to create a series of experiences from which students can learn
something. And I think that's living. I think it continues to live. But I don't think
you're going to find it in any particular unit; I think your going to have to look at
individual people.

[Barbara]

I'm out of questions. Do you have anything else to say?

[Rathbun]

I don't think so. I mean, I can stop at this point.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Deanna Morse
Date: 1984
Part: 1 of 2

[Barbara]

Okay, if you would just start out, wherever you want, talking about the difference
of teaching at a conventional situation and teaching at William James.

[Morse]

Well, one thing for me is the observation about studying both places because I
studied at a conventional school and then I got my master’s degree from
Goddard. And for me the difference between the two was like night and day.
Because what I found in conventional school was that a lot of the emphasis is on
grades and how one would perform. And at Goddard a lot of the feeling was what
you can do with that… whatever the learning is. And I guess I've seen that at
Grand Valley, too. The most obvious thing for me is that when I give students…
after students turn in films, I write comments to them on their films, you know,
with long comments… a page or two. And what would happen at William James
is people would read my comments, and they would take it in, and they would
respond to it. And in grade situations, what I find, is that people immediately turn
to the last part of it, see what their grade is, and then factor all those comments,
you know, on the basis of what that letter grade was. And to me that's the least
important part of the learning. The important part is the feedback. But what I find
students do is they just look at the grade. And even some really good students in
this term, in fact, came to me and said: "Well it's getting near the end of the term
and I wonder how much, you know, how much my grade would go up if I redid
this project." And it's totally unimportant what the grade would go out. The real
important thing is how well they can do the project. But the incentive to do it well
seems to be not there in the graded system.

[Barbara]

But that's the opposite from what people who advocate grades… what most
people say. They say you have to have grades or else people won’t work.

[Morse]

No, I didn't think that was true at all. At James what happened was people
worked because then they enjoyed the work and it had nothing to do with how
you evaluated that work, in terms of A. B, C, D, or F. But they did the work until
they felt the work was right. And in the graded system I find people will say: "Well
I was only a C student in high school, so I don't have to do any better than a C
now." Or: "I was only a B student in high school, so I’m satisfied with a B." Or: "I
was only a D student in high school, I'm satisfied with a D." And then don't try to
make themselves better. And that for me has been the biggest frustration… is
moving back to grades.

�[Barbara]

Okay. What other differences in teaching are there that seem important? If there
are any… excuse me.

[Morse]

Besides the grades? The grades is the big one, for me. The other stuff… it's
harder for me because I always thought James' requirements of the milestone
were a little wacky anyway. And I never quite got a sense of what a student had
to do to complete their study plan. And I feel, hearing Richard, I feel part of the
difference is really a difference of a nontraditional school within a larger structure
versus a school that's nontraditional all the way through. I don't think those
questions come up at a place like Goddard or a place like Evergreen. But within
William James what happened was it seemed like people trying to sort of mold
the alternative ed. to make it fit into what people could see as parallel to
traditional requirements. So that part of it to me hasn't been a real difficulty. But
the grade/non-graded aspect has been the biggest one. And the fact that at
James the nature of the students were different. We got people that were older
and were coming back that really wanted to learn this area and now it just seems
like we're getting a lot of eighteen-year-olds that just want to go to college and
someone told them that film was interesting and they're studying it. And a lot of
that kind of thing.

[Barbara]

What would you say, in your experience at James, was the thing that was most
valuable to you or to, you know, the most valuable to the universe? What was the
best thing about being there?

[Morse]

Well, I think the feeling that you were participating in something that was looking
for answers, rather than just fitting into a structure that people accept as the norm
for no apparent reason for it. That's really for me… and there's no reason that we
should accept the fact that traditional education is the answer. It, you know, just a
thing… "Well, I did it, so other people should too" or something like that. It has
nothing to do with really questioning what students need to know or what
students need to learn. It just seems to me that traditional education is based on
tradition, basically. And it just sort of comes out of that need of knowledge.
Whereas at James what people were doing was saying: "Maybe there is a
different way to approach education, what would that way be?" And everyone
was sort of seeking that answer. And participating in that environment was the
most important overriding aspect of what made it special to me.

[Barbara]

I think that's a wonderful answer, because I agree with it; however, I wonder if
there's something… a specific manifestation of the kind of things we were doing
that you could also mention. That's an attitudinal one, and I agree – it’s basic –
but is there something we did in classes, or in council, or something, that you can
mention that you really miss now or that you think made things work? Because
you were in such a pragmatic place, it wasn't just attitude, things were worked

�out.
[Morse]

I don't know. I think it really, for me, it was just that sort of overriding attitude
which manifests itself in counsel and all the discussions. And I remember sitting
in rooms, and looking around, and saying: "People have such a variety of
attitudes and opinions about things. I can look at these people. I can see their
opinions, I can see their attitudes, I can see how they manifest, I can accept their
different viewpoints as all being valid.” And somehow, within this new system,
you don't have that same… it's not that same sort of flexibility towards accepting
that there are different approaches. That's really… it's very fundamental and
basic.

[Barbara]

Do you think we failed?

[Morse]

Oh no, no. And I get real angry when people say that the college was an
experiment because to me the sort of connotation of that is: if it is no longer
existing and it was an experiment, an experiment failed. And I just don't buy that
at all. And I always tend to jump on people or call in, you know, when people say
that it was an experiment and it failed and that's why it's no longer there. That
wasn't it at all anymore.

[Barbara]

Why isn't it any longer there?

[Morse]

I'm not totally sure why it wasn't there. In fact, when I came it seemed like the
college was on the verge of folding. I remember the first faculty meeting that I
came to, Adrian started the meeting by saying: "If we make it through the year,
we'll be glad." And I went up to Adrian at the break and I said: "If this is true, why
am I here?" You know? I mean why did I bother coming to school that's already
on the decline? And I guess… I don't know how many years. Let’s see, I've been
at Grand Valley five. It must have lasted about three years after that… after I
came.

[Barbara]

What year was that?

[Morse]

Seventy-nine when I came. When did it close?

[Barbara]

Eighty-one.

[Morse]

Eighty-one. So yeah, it was just two years. Not long.

[Barbara]

And that was supposedly the bad two years.

[Morse]

I think I missed the hay-day of the college and I think I did come in at the tail end
and the part when I came in was… I was hired in the week that they took

�computers and management out and all that stuff. And TJC was closed. The day
that I interviewed I think they announced that TJC would be closed, so I came at
a real down time for it. But I remember when I went back to Denver after the
interview, I knew that I would take the job if it was offered because I knew that
working in this place would be a once-in-a-lifetime type of opportunity. And, you
know, that was why I came.
[Barbara]

What was the thing that didn't work most, in your experience? What was the
worst thing?

[Morse]

At James?

[Barbara]

Yeah.

[Morse]

I had the most problem with study plans, and I always felt that there was some
sort of a hidden agenda to what would be expected on the study plans. And I
remember having many long debates with Barry Castro, and other people, about
why we just didn't articulate what we were looking for on study plans because it
seems like we were. And that was the biggest area of dissatisfaction for me with
students… was trying to help them design a study plan that I felt other people
would accept. That was my biggest problem.

[Barbara]

Why do you think they closed us?

[Morse]

I don't know. I think that… I'm not real sure. I don't think it was politically
advantageous for them to keep the college open because they had gotten a lot of
bad press in the community and people in the community didn't understand – not
so much with James but with TJC. And they put James, sort of, into the same
ballpark as TJC. It's alternative ed.; it doesn't make sense. We can't articulate it.
We can't say in one sentence what it is at the college, what it means. So, I think
that was probably why it was closed. But it's not totally clear to me why it was
closed. It's also, in some ways, not clear to me why it held on as long as it did.

[Barbara]

You came here and felt very comfortable here. Had you read a lot of William
James philosophy?

[Morse]

No, no I didn't know anything about William James.

[Barbara]

Why do you think you felt so comfortable here?

[Morse]

Well, I think that my own background in alternative ed. had the most to do with it.
What happened to me was that I went to an undergraduate school that was very
traditional and when I graduated with my bachelor's degree, I said that there was
no way that I would go on for, you know…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Deanna Morse
Date: 1984
Part: 2 of 2

[Morse]

So, you're going to ask me about the students?

[Barbara]

Yeah!

[Morse]

The qualities of the William James students that you don't see…?

[Barbara]

Or what kind of quality did we really appreciate in some of the people?

[Morse]

Well, I think one of the things about William James students was that they knew
why they were there – and they were there to learn. And my feeling is that some
of the students that are there now don't know exactly why they are except that it's
a transition point between college and something else… life elsewhere. The
qualities that I saw in people were sort of self-initiative, willing to follow things
through, willing to take risks, willingness to fail, and a desire to really do what it
took to get the job done. Which in many times meant a lot of work and a lot of
redoing. And I find that part of the grading systems, I think, is what keeps people
from being willing to do that. And I was really surprised… this term I used the
technique of giving people very low grades with the idea that they would then
redo their work to get the higher grades. And it surprised me that in several
cases people accepted their low grade and just stopped right there. They
accepted Ds, they accepted D minuses, they accepted C minuses and Fs. And
they just said: "Well that's what I'm used to getting in education." And, you know,
that's it and then didn't redo the work. Even with my constant prodding saying: "I
believe that you have something good there. It's worth redoing. I believe your
tape, you know, could use some re-editing, some restructuring." And still people
just said: "Well, I'll accept that grade." And I didn't hear that in James. In James it
seemed like people were more willing to continue redoing the work. Also, though,
I think part of it is the fact that students are juggling six or seven classes right
now, too. And what they're learning from education is…I don't think that they’re
real-life skills particularly. What people are learning is what they need to do to get
the minimum level grades in all of their classes and I really don't see where that
translates into real life and learning later on. I had the same kind experience in
my own undergraduate experience, and I don't see where that has taught me
anything in adult life. I mean, I don't have that kind of experience in jobs where I
go into a job and I say: "What's the minimum that I can do to get this paycheck?"
It's just not the way that it works in the real world. Yet, in education that's

�something that we teach our students is what you have to do to get the minimum
grades to get by. And the students at their own level – whether the minimum
grades are a B, an A, or a C – and they do whatever it takes to get to that level,
just to get by.
[Barbara]

How do you motivate them? What makes the miraculous change? Why don't they
just do the minimum to pass a pass/ fail system? Which is what we had. I mean
everybody always said that's what's wrong with a pass/fail system. They'll all just
do the minimum.

[Morse]

That just wasn't my experience that people would do the minimum. It seemed to
me that something about not labeling it as C, D, F, B, A… something about not
having that label ever put on it made people strive for excellence. And, also, in
the pass/fail system, you could require people to redo. And I guess you can in a
graded system, too, but somehow it doesn't seem to fit as well as it did in the
non-graded structure.

[Barbara]

What else… comes after a terrific interview question?

[Morse]

Well, the other thing that I guess I was saying before the tape ran out about my
own education… which I understand some of the students now, which is that you
do in an educational situation where you are in control of what you're doing. What
you get is this sort of a self-affirming kind of feeling that then makes you want to
work. And, for me, my graduate experience had that effect on me. Going to
Goddard college – which was a similar experience to James – where you were
able to define what it is that you felt was important to you, and then you had
guidance from an instructor that would lead you on some roads or some paths to
reaching whatever that goal was that you determine. Well, you feel then that you
are the person that's responsible for your education. And within the more
traditional educational structures it's hard to get that because instead it's more an
assembly line in a factory or something like that; where you're trying to tell people
I've packaged some information which I feel is important and you need to
process that information to get out of this course. It's a much different kind of
structure saying: "Come to the course, tell me what you feel like you need to do
in this course, and then I will help you facilitate being able to do that through
taking media production, or art, or whatever the course was.” And you can't just
do that… you can just teach that way in a traditional structure because the
students don't come with the same values and same expectations. If you try to
teach that way now students come in and say: "But I expect you to define what
the activities are, what the studies are for the course." And, of course, when I
define them they're a different set of activities than if they were defined
individually by the students, and their my priorities rather than the student
priorities.

�[Barbara]

It's a combination of two things. I think one is an almost Calvinistic sense that
there's sin, you know, that you can't trust people. Okay? In the conventional
educational. And also, the notion that the knowledge that's being imparted is real
knowledge, you know, in the most Biblical sense. "This is the truth, so you learn
it, kid." As versus saying: "This was the truth, but look at the mess the world is in.
Let's find out together what we can do better."

[Morse]

Right and the students come wanting to learn what that truth is. They want to
learn: "What are the things that I must know to get a job." Whereas what we
teach them are more strategies to facilitate them once they've decided what the
job is that they want to get. I mean it's sort of different… it seems in some ways
like it's the same, but it's not, for it. I mean if someone comes and they say: "I
want to learn media because I'm interested in working in the health care
professions." Then you teach the media to try to help and reach that goal. If
someone comes and says: "I want to learn media because my high school
teacher told me that it might be an interesting thing for me to do." It's just a
different… you know, you're talking on a whole different level of approach of
education. The students come with different expectations.

[Barbara]

Can you do an introduction of yourself using your name, please?

[Morse]

Well, yes. I'm Deanna Morse and I came to William James in 1979. And before
that I had done artist in the schools work for about four years and had gotten my
master’s degree through Goddard College – which is an alternative school in
Vermont – and had done commercial production work before them.

[Barbara]

Can you name the students that you feel the proudest of in all these years?

[Morse]

Well, it's hard to name just one. But some of the people that I feel good about are
some of the recent graduates that I've stayed in touch with like Susie Zach and
Maggie Anareno [?], who are people that are working commercially, locally, and
had a sense of questioning when they came into college and are still questioning,
somewhat, what they're doing working commercially in media. Some of our
current students have a lot of the same qualities and I still feel real good about
them so I don't mean to say that when James closed, you know, it's like a whole
different ballpark. I really don't see a total difference in terms of the number or the
quality of students. But it does seem to me that entering students are coming for
a different reason than they came when they were at James.

[Barbara]

I can think of just one more question right now. When I was interviewing Rose
Willey, she was talking about… she almost got accusatory and she stopped
herself. She said: "The school… one of the explicit goals of the school was to be
change oriented. Future oriented. When real change came, and they tried to
close us down, what did you have, what did you have to teach us?" Do you feel,

�like, guilty because we didn't save the school?
[Morse]

Oh, no. I thought that at the time the college was threatened, the discussions
around the college were really interesting and also reflected the nature of the
college a lot. I remember endless council meetings that we had at that time
where there was discussion of Dick Gottlieb, and some other people, about
moving the college downtown, off campus, you know, this kind of thing. And
there was also, I remember, we had faculty workshops where we talked about
how we would teach using some of the William James philosophies within the
new system. You know that kind of thing. And so, I know that the students
probably felt much differently about it than the instructors. And, also, I think in
some ways and students… I guess the one thing I do feel guilty about is that it
seems to me that at that time some of the instructors, myself included, saw the
change with somewhat of a sense of relief because at least it meant that we
would be moving into what we perceived to be as stable environment. And that
we wouldn't be spending our lives feeling threatened at all times and feeling on
the defensive at all times. And I think some of the students were responding with
anger towards faculty. And I felt a bit like I was one of the people that was
justifiably hit with that anger at that time. Because I just felt that the continued
threats were not worth it, at that point. It seemed to make more sense just to
have the college be closed.

[Barbara]

Do you have anything?

[Inaudible]

Check back in.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Forrest Armstrong
Date: 1984
Part: 1 of 3

[Barbara]

Not as many students as I would like to, but everybody from the faculty and…
What kind of description that tells you what kind of vibes about the place did you
get from others?

[Armstong]

Did I get from others?

[Barbara]

From others. Not what you observed, but what kinds of things were you told
about the college?

[Armstrong]

Okay.

[Barbara]

Anytime you're comfortable.

[Armstrong]

Oh, you're running?

[Barbara]

Yeah.

[Armstrong]

Okay. I think the image that I got when I came was of a place where there were a
fair number of good people, people who were viewed favorably across campus,
but who, genuinely, were not well understood in the kind of thing they had
chosen to put their lives to. The college was not at all well understood. There was
the shared perception that there was nothing of coherence that one might call
general education. The synoptic program was not seen to be a program. The
concept was, I think, not well understood. The grading system was a major
problem. And I think, increasingly, the college became known more by its failures
than by its successes. I think there was a sense that there was a fatal fascination
of moth for a flame. And the college with its perceived lack of structure, perceived
lack of rigor – collectively, though not individually – and lack of grading system as
understood by the rest of the world, was attracting people for the wrong reasons.
Yet, there was attention, I think, because many people on campus could point to
individuals at the college and say: "There's a very bright, very dedicated, very
capable, very attractive, colleague." But somehow collectively it didn't work that
way.

[Barbara]

Okay. Can you be specific about certain things that you were told to change? If
that's a proper question.

�[Armstrong]

I don't think I was told to change anything. I think I came, probably, with an
implicit mandate that things needed to be better organized, that things needed to
be tightened up, if you will. There was the budget fiasco of the previous year,
where the budget had been overspent and we were, actually, in nineteen eighty
debited by over half of the amount that was overspent the year before.

[Barbara]

How much?

[Armstrong]

I'm going to say six thousand was debited and the overrun was twelve thousand
out of a CSSM of sixty. Maybe not close enough for government work even. I
think there was the sense that a number of things had – at least in the near term
– been left unattended. I wasn't here then; I don't really know what that meant.
But there were a number of things that were of the standard organizational sort:
things that needed to be done on time and things needed to be done
comprehensively. In the sense, I believe, those had not been done that way in
the past. I think Zumberge presumed, appropriately, that that's something I could
do. But that's the tail, not the dog. Another thing I think that was probably not well
understood was the extent of which the curriculum changed in a relatively fluid
manner. Not as fluid as TJC's had been, apparently, but far more so than CAS's.
And I think there was some lack of understanding about how that could keep
going on. Why people didn't think it through, get it straight, and then more or less
stay with it once they had gotten it that way. One of the issues – I don't how long
it had been an issue, but it was certainly and issue when I came – was the need
for the institution to run as many course descriptions and the time schedule each
semester as it was doing. And that was attributed largely to James's insistence
that it be that way.

[Barbara]

Okay. We've been talking about other people's perceptions, what were your
perceptions of the college when you actually came and started administrating?

[Armstrong]

My perception of the college was that it had a lot of good people who are very
seriously invested in the college. That there was a real openness to seeing
students as significant participants in the process, which is immensely valuable,
and it helps set the tone for a lot of other things that could happen. I think I also
saw that there was a real openness to ideas. People were used to working with
ideas of others; they were open to that. There was a kind of collegiality that was
important here, and it's something that I think I value especially and is one of the
many things I found that was attractive that led me to come. I think that I also
found that there was probably a mismatch between perceptions of people in the
college about what it was and what it actually was, especially in the nature of the
student body. And my sense is that the perceptions of people in the college –
faculty – probably were formed maybe five years before I came, when the
student body was largely social relations students, and probably largely made up

�of students who were here for what we all came to say were the right reasons.
They understood… they were attracted to the college because of this educational
philosophy, because of the myriad ways they could grow within that philosophy,
because of all very positive things. And, indeed, many of the students I met when
I came for my interview, I later learned were of that sort just exiting the college. I
think, though, probably beginning about seventy-eight, the student balance
changed fairly abruptly. They changed from social relations students to arts and
media students and – not because of that, but I think in addition to that – more
and more came for what might not have been the right reasons. People running
from a perception of the structure and the rigor that they would find in some other
place to a place where they could do their own thing, and everything was okay.
That was never the perception of the faculty, collectively, but I think it was of
more and more students. And I think over time, those students made an impact
on the whole campus's perception of the college. And also had something to do
with the nature of the discourse in classes. I think that was one of the things that
we didn't anticipate and had hurt us in the long run.
[Barbara]

Very clear. What was your impression of the quality of education that we were
delivering or that was being absorbed (if those are two different things) when you
arrived? The quality of the education?

[Armstrong]

I think, in general, it was quite high. I think it was, probably, more ambitious than
an increasingly large percentage of the students were able to handle. One of the
things that I remember vividly is the sense of people saying: "It's not working the
way it used to. We used to be able to do certain kinds of things and we can't do
them now." I looked at the numbers, and the distribution to students, and so forth,
and it seemed relatively clear to me why that might be. But for people who had
evolved through the change from seventy-four to eighty, the changes were
gradual and relatively imperceptible in any moment of time. The difference
between what had been done in the education and vocation class, whence came
the idea for milestone, and what was done in milestone is, I think, dramatic. And
it's probably a symbol of the changes that had come upon us without our
understanding it.

[Barbara]

Good. You must have been in show business.

[Armstrong]

I'm sorry?

[Barbara]

You're very crisp, I was teasing you.

[Armstrong]

Oh [Laughter].

[Barbara]

I was saying you must have been in show business. I'm sorry. What was your
agenda? You didn't get to be [inaudible] for very long, but what was your agenda

�for that, probably, year and a half, wasn't that it?
[Armstrong]

Twenty-nine days after I came, the state’s fiscal crisis was announced. And so
whatever it was that might have been, I think, was really abrogated before even a
month had past. I was really very interested in James, in part, because I had
spent twelve years in a different interdisciplinary setting, and I was quite
interested to get some perspective on what I had been doing. Some perspective
on interdisciplinary teaching, interdisciplinary collaboration. I was also very
interested to see an entirely different approach to the integration of general and
liberal education with a major. Green Bay had had a core program; I had been
centrally responsible for devising, and teaching in it, and revising it when it
happened toward the end. Green Bay, in many respects, was much more tightly
controlled. The whole thing was to be interdisciplinary, but there were many more
strictures. Students would all have to do this, all have to do that, all have to
something else. A very different approach toward achieving what I saw as some
common objectives was the one taken here, and I wanted to get some
perspective on that. One of the things I did not anticipate – but came to
appreciate tremendously and learn a great deal from – is James's way of doing
things. I think, probably, the central institution in the college, was council. And I
had not understood – even intellectually, much less come to appreciate fully –
the importance of council, nor the way it worked; nor the kind of respect for the
ideas of others and concern for avoiding a rush to closure that I found here.
That's one of the many things I think I got from James, was to learn something
from that. One of my disappointments was that I did not find here – in those
twenty-nine days, at least – I didn't really find the kind of collective attention to
epistemology and to the intellectual underpinnings of the interdisciplinary
enterprise that I had hoped. I think, frankly, that was a weakness. And I think that
there were enough people who thought interdisciplinary just meant doing
whatever one wanted, without taking a hard look at it. That disappointed me a bit.
There was a lot of openness to ideas and there was a lot of sharing at some
levels. And on a one-to-one basis, one could go a long way there. But,
interestingly, in the collective endeavor, people backed away from doing some of
the hard questioning, which I think is a natural outgrowth of the process and
ought to be valued… ought to have been valued. But in my experience, at least
beginning in nineteen eighty, wasn't always. I don't quite have a theory for why
that was, but it was one of the strange things that I came to think about, and still
think about, in trying to make sense out of what James was and what it offers us
now.

[Barbara]

What I think of when you talk about that is Walter because I really feel that Walter
was open to that and Walter tried to get people to converse with him in the way
that you're speaking of, and people backed off.

[Armstrong]

I think that's true. I think he did, and he was certainly one of the truly broad,

�fascinating, interestingly educated persons I've met. He didn't get very far in the
public discourse, and I don't know why. I came at a time, which was I think at the
tail end of the discussion I couldn't chair in about visual literacy, and apparently,
he had been central to that in seventy-eight and seventy-nine. My sense was
that, to a certain extent, he'd used up some of his credits, if you will, in that
discussion. I don't know why, but that was more of a closed topic than an open
one with most people when I got out here. I don't know why.
[Barbara]

I don't know why either. I know we're heading towards the end of the first tape,
even though I can't see my light, so let me just ask you… here I'll even…

[Armstrong]

Among the problems that were identified: the colleges unwillingness to collect the
student fees it assessed, the colleges willingness to Xerox things at college
expense, and violate copyright to give them to students, saving students the cost
of buying the book, the willingness to pick up faculty that had been denied tenure
in another unit of the college, the wholesale granting of credit (or so it was said)
for life experience in a couple of instances early on in the experiment with that
which lead, I understand, to the decision not to do so at Grand Valley anywhere.
And then, of course, the lack of tenure, the lack of a grading system that was
understandable by the rest of the college. And also, the perceived lack of any
clear relationship between the major and general ed. Synoptic simply meant
anything that you wanted to the uninitiated outside the college. All of those, I
think, created an atmosphere of misunderstanding.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Forrest Armstrong
Date: 1984
Part: 2 of 3

[Barbara]

Could you please sum up what you felt was the distinctive core of James in a
sentence.

[Armstrong]

I think that the distinctive idea had to do with working with students individually,
helping them see the relationship between their own efforts and the impact those
ideas and efforts would have on society. I think the essence of the operation of
the college was council, with a profound respect for other people, for hearing
ideas on the merits, for looking things up one side and down the other, and for
drawing people out for playing what Peter Elbow called the “believing game”
rather than the “doubting game.” Immensely important, immensely powerful and
made a lot of the good things in the college happen.

[Barbara]

Good.

[Barbara]

Anytime.

[Armstrong]

Looking back on it, if I had it to do over again, I think I probably would have
accelerated the timetable for some things I tried to do. I don't think I would have
changed them; I would simply have gotten to them immediately. In the second
year, in the beginning of the second year, I proposed an agenda of, I believe,
fourteen different items – things that the college needed to attend to. Almost all
those we did work on, and I think almost all of them, in one form or another, were
received favorably, which I think is a testimony of the power of people to look at
with open eyes and ideas that were not necessarily the same as the ones they
had been working with. We should've done it the first year, not the second. I
remember vividly that we had a retreat in January of eighty-two. We had a retreat
at Kirkhof House. And one of the things I did at that time was read to people the
statement I had just gotten earlier that day from the President, about the charge
to the committee to, you know, attend to overlap and duplication – things of that
sort. At that time… in that meeting, on our agenda was things like a change in
the grading system, and some other modifications which, I think, possibly could
have made a difference had they been in place during the nineteen eighty,
eighty-one academic year. Eighty, eighty-one was a bizarre time. I was never
here, really, during the normal time, except those first twenty-nine days. But, if
we had made some changes then – that I personally think were called for – it’s
conceivable to me, I think it is unlikely, but I think there's probably five to ten

�percent probability that it might have worked out a little differently. That's not a
high probability of success, but those are the kinds of things that I think would
have been taken seriously. I know the changes we made during the eighty-one,
eighty-two academic year were taken seriously by the people across campus.
They looked at us in a little different way as a result. And I think that if we had
attended to the grading system which, in many respects, was the central, most
visible thing about us that people were then taking shots at. Conceivably, we
might have done it. Conceivably we might have had a different outcome. Not
probably, but least conceivably.
[Armstrong]

In retrospect, it is easy to say that I really should have proposed a number of
things earlier. I didn't do it because I really wanted to take that first year and get
to know the college more fully than I could possibly have known it coming in a
fresh. I really didn't want to just bring in ideas and say: "I've got answers and
here they are." I intuited that there was something of great value here, and one of
the reasons I came was that I wanted to learn, and I understood that I could learn
a number of things here. Learning means you talk to people, you ask questions,
you listen. You don't simply come in with your bag of tricks and say, “Here they
are, we gotta do them." And I did – I learned a lot. And that's one of the
immensely important things for me about the experience. That would have been
changed – for me, and I think for the college – had I come in with a whole
agenda in nineteen eighty. On the other hand, in retrospect, maybe something
else could have happened as a result.

[Barbara]

Fascinating.

[Barbara]

Let’s give it a shot.

[Armstrong]

One of the interesting things about the federation – I think probably one of
reasons it came into being initially – was that the several colleges presented
multiple opportunities for innovation, multiple pathways. And during that heady
growth period of the seventies, there were ultimately five different places where a
good idea could be found, where a good idea could be nurtured and grow and
develop. And I think it was always in the eyes of the people in central
administration at that time, that if there were a good idea, it would be
appropriated by other units across campus, and the whole institution would be
stronger as a result. The decision to reorganize then in nineteen eighty-two, I
think, was also informed by that understanding. The decision to create a
divisional structure happened to end up with the same number of divisions as
there then were colleges. I think that was probably accidental; probably had more
to do with the structure of knowledge with the traditional three domains, and the
existence of Seidman, which was a foregone conclusion to continue pretty much
as it had been. But that also offered then multiple pathways for innovation;
multiple structures through which people could work. All smaller structures than

�what would’ve happened had there been just one large monolithic organization. I
think probably people had learned that if there are somewhat smaller
organizational structures and somewhat more of them, maybe it's more likely that
ideas will surface and flourish.
[Barbara]

How are you feeling?

[Armstrong]

Okay.

[Armstrong]

I sometimes wonder what the future of the college would have been had we had
more time. One of the things that has always perplexed me has been the relative
disparity between some of the things that were valued publicly – that were
certainly central to the theory behind the college – and the kinds of things we
would have wanted our students to do, and some the decision-making processes
within it. There seemed to me to be a hard time for people collectively to engage
hard decisions. The idea that the choice of Adrian's successor was left to tie.
Where, repeatedly, people who had chosen to abstain from the voting passed the
decision to Zumberge. The decision at the time in nineteen-eighty when we had
to reduce staff… that faculty could have been collectively, centrally, involved in
that, but chose not to be… before the fact, at least. The difficulty so many people
had with giving no credits, even though the giving of an incomplete, more than
ninety percent of the time, was tantamount to giving a no credit, because they all
lapsed to no credit. There was some, in some sense, a reluctance to grapple
publicly, as council should have caused, with certain kinds of hard decisions.
There was a strain of thought in the college that said one of the things I value
about it is the opportunity to do things… do my own thing, really, without the kind
of real, shared scrutiny that in theory is called for. And that always has perplexed
me. It seems to be out of character with the rest of the institution. But I think it
was something that did not augur well for the future. I don't know why it was.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Forrest Armstrong
Date: 1984
Part: 3 of 3

[Barbara]

What's your guess… what's your estimate of the… how much of the feelings that
the way that Zumberge saw us was because we were really straight up, and how
much was it that we just made them uncomfortable because of our style?

[Armstrong]

Hard question to answer. I really don't think that the system, collectively, was out
to get the college. I say that because there were so many instances when it could
have done so, and yet did not. When TJC was killed, before I came, that would
also have been a time to change the system, to get rid of James, too. In the fall
of nineteen eighty, when the budget problems were severe, when we had a
financial emergency, when we laid off faculty, we did so across the institution, not
simply by lopping off one of the small colleges, which would've been the easy
way to go, and which had some champions. The reorganization that took place
would not have taken the shape it ultimately did if there had not been some
serious, profound respect for things that the college offered, including both ideas
and people. I do think, though, that there are some things that happened that
created a climate of, at least, misunderstanding and sometimes of distrust on
campus. I think that the idea, of course, was that from the beginning the
institution would be made up of collegiate societies which would share,
profoundly, even though they, in each case, had some distinguishing
differentiating element. My sense is that never really happened, that the
formation of the federation took place after a sizable number of faculty had been
hired at the institution. And largely, as a way to promote innovation and
differences. It's almost as if the small colleges as they were formed were islands
for misfit toys, for people who didn't like what was then the dominant mode could
go and do their own thing. I think this led, at least, James to define itself in very
negative terms. Basically, in opposition to the dominant mode of thought in
higher education at that time. And seldom was the college able to find something
that was positive that it could define itself as being, without seeing that same
positive element picked up, subsequently, in other places on campus. The
attempt to integrate career and liberal education, which certainly marked this
college from its beginnings, ultimately was picked up by only other colleges, too.
So, it didn't differentiate in a meaningful, obvious way to people who were
relatively naïve observers. What William James was that CAS or Kirkhof was not,
each in its own way. So, many people here when I came in nineteen eighty
defined themselves in opposition to something else. That was a clear problem. It
was that we were different than they are, hence, better; rather than we are

�different in particular ways that present particular advantages. I think that was
exacerbated, too, by the series of decisions… style-type decisions. And also,
because in the hiring process, we didn't always go for both "ands." We didn't look
for people who had the credentials and who could fit into any college on campus,
but who, for special reasons, also had dimensions that made them especially
good for James. That process I think began with the first faculty appointments
and probably proceeded all the way through. That obviously didn't help the
college in the eyes of the rest of the campus. There also being no intellectual life
that tied the institution together, where the intellectual life was around the
exterior, the rim of the doughnut, but not anything in the center of the doughnut,
meant that people basically defined themselves in opposition to others on
campus, rather than as something powerful, and positive, and unique that had its
own contribution to make. I think that was a major problem in the air when I
came, and I sometimes am amazed that the several opportunities to kill the
college outright never led to that result. There were certainly days when I feared
it would.
[Barbara]

Was there any sense that there was simple prejudice against us as versus us
screwing up.

[Armstrong]

I'm sorry, simple prejudice…?

[Barbara]

Simple prejudice just against our style, our politics?

[Armstrong]

I suspect that didn't help. I suspect it didn't help, but I think politics in a broad
sense… I don't think that it had to do with necessarily support for or opposition to
any particular ism but perhaps an orientation that was slightly less controlled,
less modulated, less considered, than people perceived academe ought to be,
perhaps.

[Barbara]

I moved something here and then asked you to start talking. I don't know how we
phrased it before, but talk about your mini history of what happened when they
decided they had to do something, regardless of the organization, at what point
was it decided we would kill…?

[Armstrong]

Well, there was concern expressed, I think, always from the time in fall of
nineteen eighty, when the budget collapse struck us, how the institution was
going to respond. And the decision at that time was to prune selectively, if you
will, across campus rather than simply lopping off a college or two. Subsequently,
we had a series of budget cuts. That was only the beginning, not the end. And at
each point, the problem loomed large enough that, potentially, one could have
said, "We will simply cut off a college." That was never done, and I think that was
of real consequence. I think people understood… people intuited, perhaps more
than they understood, that there was something of value in the college. My sense

�is that in the fall of nineteen eighty-one, I believe, the pressure began to build to
do something more consequential than simply pruning here and there. And in the
early part of January of nineteen eighty-two, the President's proposal that we
conduct a study to eliminate unnecessary overlap and duplication said, I think, to
the people who wanted to get rid of the collegiate system that, potentially, that
was an acceptable alternative. The process moved fairly quickly at that point and
by, as I recall, the beginning of March, there was a report from Curriculum
Committee. And there was a time, before the decision had actually reached the
Academic Senate, the President called a campus-wide meeting and endorsed a
particular plan, which is the one that, in essence, that we have today. That plan
took apart the old system. It didn't simply lop off James or Kirkhof. It didn't simply
keep a traditional college and create then a professional college. It did, I think,
much of what we in James were trying to do in some important ways. It extended
the effort to integrate the liberal and the professional programs, to pull them
together, to find some synergy there across the entire institution so that we now
have four academic divisions, each of which has both professional and liberal
arts programs in it. Certainly, that was not the way much of the rest of the world
was organized, and that's an idea and that came directly from James, and people
saw that and valued it. Interdisciplinarity, as a term, was – and I think probably
still is – not a favorable one on campus. I think people react negatively to the
term interdisciplinarity and yet I'm intrigued to see the number of people who are
coming to me and looking for ways to accomplish exactly those opportunities. As
faculty members, as researchers, as teachers – they are looking for that
opportunity to work with others from different disciplines around common ideas.
They just don't call it interdisciplinarity, but there is an interesting, growing
interest on campus in precisely that sort of thing. The new General Ed program
with the categories that are not owned by any single division is, I think, as explicit
as one needs to get in the recognition that there are things that the divisions can
share around common ideas that are important to all of us. The other thing I think
that's important is that the new General Ed program says that there is something
that we all share. We are interdependent. It's not that one division does
something for its students and another division does something for its students.
We are all interdependent. I think, too, that's something they got from James that
they saw to be of value. Probably not at as high a level of articulateness as one
might have hoped. But nonetheless it was there, and it was an appreciation, it
was valued, and it was saved.
[Barbara]

Duplication then was not, really, a serious problem?

[Armstrong]

I have never thought so. If one has full classes – so what, you know? We now
offer fourteen sections of Philosophy 101. Every year, they're all full. If we offered
seven of Philosophy 101 in one college, seven in another college, and they're all
full, [inaudible]. I think that was really an excuse, an opportunity. I don't believe
that we really did save anything of consequence that way. What we did do – and

�I think it was high time that we did – was combine faculty in larger programs. By
the time there had been cuts over time, in the last… seventy-eight, seventy-nine,
eighty, eighty-one, there were lots of programs on campus that were staffed with
very few faculty. Lots of one person programs. That's probably not good, and the
reorganization allowed us to bring together people into larger critical masses of
faculty. And I think probably strengthen programs for students, too. I think that
was a step forward. I think that needed to be done, regardless of the
organizational structure in which it were accomplished.
[Barbara]

There are people who say on tape, more than one people… "more than one
people." [Laughter] The administration was going to close us; they knew it within
the first couple of years. Was that your experience? Did they know they were
going to close us at the point when they started talking of duplication in the
organization?

[Armstrong]

I'm sorry, they knew they were going to do it within the first couple of years of
what? Of the founding of the college?

[Barbara]

Yes.

[Armstrong]

That's very hard for me to imagine, but it's also a long time before I came.

[Barbara]

But, I mean, in terms of your experience when you were in the middle of the
reorganization, talking duplication, did you have a sense they were looking for an
excuse to close the college?

[Armstrong]

No, I think… I think actually the opposite. It seems to me, looking back on it, that
there were all sorts of opportunities for them to have closed the college they did
not take. When they chose to kill TJC, that was a wrenching decision from the
institution. I understand that. But having made the decision to do that, one could
have, I think, at the same time, passed a different resolution which is to kill the
federation concept entirely. They didn't do that. When in nineteen eighty then
Adrian resigned and they needed to replace the dean, that was another
opportunity which they did not take to kill the college. And that was a convenient
opportunity. In the fall of nineteen eighty, when the budget deficit was so severe
and so sudden, that was an opportunity to solve the problem and ruffle almost no
feathers on campus by simply lopping off one or two small colleges. James first
choice and then Kirkhof second choice, I would guess, to solve the budget
problem. Didn't happen! In nineteen eighty-two, when the opportunity came for
reorganization, when it was pretty clear that there was going to be a
reorganization, the only question was what shape it would take. Again, that was
the opportunity; that was the obvious, easy answer and it wasn't taken. That says
to me, that people with the long knives were not out. That there was, perhaps, a
latent appreciation, but at some levels a profound appreciation for that which we

�were trying to accomplish and had made some headway on that people didn't
want to lose. Didn't understand it well but didn't think it ought to be lost either.
[Barbara]

It's blinking at me.

[Armstrong]

Okay.

[Barbara]

We have one more question, I think. I think you've done the legacy, don’t you?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ginny Gordon
Date: 1984
Part: 1 of 2

[Barbara]

First question being: you were here at the very beginning.

[Gordon]

Uh huh.

[Barbara]

I just want you to talk about what it was like at the very beginning in terms of
starting from scratch.

[Gordon]

Okay. Well, did you want me to talk about how there was the founding
committee. They wanted to add another college. They were into the cluster
college concept and they were going to be five cluster colleges. There was
College of Arts and Sciences, which they were going to get a name, but they
never did. And then Thomas Jefferson, which was well established. And then
college three, which became William James College…

[Barbara]

How did you get faculty for William James College?

[Gordon]

Well, there was the original committee that was Tom Cunningham, Bruce
Loessin [?]… there were about seven people on that and some faculty members
from CAS that were on that committee. And they advertised and the first person
that they hired was Ken Hunter. They hired Robert Mayberry that year, Richard
Joanisse, Dick Paschke, John Mactavish from CAS, Dan Clock who was in TJC
(he was halftime CA, halftime William James). So, there was John, Richard, Dick,
Dan Clock, Ken Hunter, who else? There were five and a half people that first…
Robert Mayberry! Okay, and they came in early August. They all came here.
They started quite early. And then they met and got the groundwork… the
schedule all made out that was published. Of course, then we were on terms, so
classes didn't start till the end of September. Our first two students were Theresa
Paul and Tyree Anderson, and they also worked on the committee. So, then
there was me, five and half faculty, Bruce Loessin [?] and Tyree and Terry Paul.
And the schedule was made up of about probably, I don't know, fifteen or
seventeen classes and admissions office recruited a hundred-and-fifty-two
students that first year.

[Barbara]

What were you promising them that they would come to a new school?

[Gordon]

They were looking for an alternative education. They all had the real pioneer

�spirit. Those first-year students, by the way, have been quite successful in the
world. Most of them have gone to graduate school. Dick Wilson, do you
remember him? Well, he was in that original hundred-and-fifty-two. So, we
started out with a very small, selective, close knit, and we had all the first floor of
Lake Superior Hall. So, we had our own turf. And we met often between classes;
we had like a coffee room and everybody would sit around and quite often after
classes.
[Gordon]

Formally, we had one or two council meetings a week and informally there was
always a lot going on.

[Barbara]

Who went to council meetings?

[Gordon]

Everybody went to council meetings. We had to have them in thirty-four-thirty-six
with the door open; they were usually packed, and they were always open to
everybody.

[Barbara]

What did you talk about?

[Gordon]

We talked about adding new classes, what we were going to add, what the
needs were; the purchases usually were made on a sort of, more or less, a
communal basis. Governance document was written then. So, there was nothing
when anybody came and we had no government, no structure, nothing. And
everybody… they all had a hand in creating their own institution or organization
from scratch. They didn't inherit any rules.

[Barbara]

Well, did the faculty have more say than the students in creating this?

[Gordon]

Well, in a sense in that they certainly couldn't teach something that the faculty
there weren't capable of teaching. I mean within the capability of the faculty, yes.
But the original programs where the administrative and management, arts and
media, social relations, pretty much environmental studies, and then of course
the synaptic program. Those were all that was established prior to the hiring of
the faculty.

[Barbara]

But you say that this whole…

[Gordon]

The way that the college was going to move… was established, I mean, that was
that they can decide they were going to go into economics or something.

[Barbara]

But the alternative nature of the college was set up by the entire community, is
that what you're saying?

[Gordon]

No, that was… No, the grading/no grading…the grading system was set up by

�the administration. By the original committee they were not going to have grades.
They were going to have honors credit or no credit. They did drop the honors the
second year in or second or third – it must have been the third year. And that
was a communal decision we did.
[Barbara]

When did representation come in? Because by the time I got to James not
everybody was on a council. You had…

[Gordon]

Well, that was all how the governance document was written during the first and
second year. So, that was where representation came in. It was a whole
community, and then they decided how they wanted to rule themselves or govern
themselves. So, the governance document was hacked out, changed a million
times over during the course of the first, I would say, two years. What year did
you come in?

[Barbara]

Oh, seventy-five, something like that. Seventy-five, seventy-six.

[Gordon]

Oh, okay. And it was pretty much established when you came in?

[Barbara]

Okay, how did…

[Unknown]

Hollywood!

[Gordon]

Yeah.

[Barbara]

How did the James philosophy get imbrued in all this? How did this happen?
Was it… did Mayberry lecture or something or how did the community get built
here? What were the ethics of the community? How did everybody learn to work
together?

[Gordon]

Well, let’s see. Well, I don't know.

[Barbara]

Okay, that one's going to go. Do you need Ginny right now? Is that why you
came in? Do you need me to stop?

[Unknown]

Oh, I'm just waiting…

[Gordon]

No, it's okay. I was just… I didn't really understand your question. I really don't
know what you're driving at, it seems sort of a…

[Barbara]

Why don't you talk about what you were saying before we started about the hiring
thing. Where you were getting so many applications. As you could be very
selective.

�[Gordon]

Okay. There were… the first year, there were 2,500 applications. They had
advertised in, you know, I would imagine several academic magazines.
Whatever. They advertise in New York Times, places like that. And there were
2,500 applications. So, the faculty could be very selective on who they wanted to
pick.

[Barbara]

What kind of criteria were they using?

[Barbara]

You were in on a lot of it because it was kind of your decision.

[Gordon]

Well, I think they were looking for people that were, first of all, interested in
alternative education. Secondly, who fit into the categories of the programs that
William James was offering. And then also, they were looking for people with a
very strong background in academia. People who are activists. People who
weren't from the traditional background, you know. Like Lafleur. And they were
looking for women. They definitely had a dedication to hiring women. So that's
kind of, you know.

[Barbara]

This is getting at the community thing again.

[Gordon]

Okay.

[Barbara]

You've been a secretary here. When you were at James, you participated in
decision making.

[Barbara]

In what ways did you participate in decision making?

[Gordon]

Well, I was on the council as an elected member for about two years. And also, I
had the voting privileges of hiring. We voted at the end on who we were going to
hire. They would bring two or three people here per position and then hack it all
out for better or for worse. And I had… all the secretaries had voting rights on
faculty hiring. And the council members, of course, where the ones that had
voting rights on other things.

[Barbara]

Okay. In the years that you've been here, you've seen a lot go on. I wonder if you
think we've made certain mistakes at James. What mistakes did we make at the
college? What should we have done better?

[Gordon]

Well, I think the only thing that I think could've been a little… I think it could've
been a little more disciplined. Not structured in a sense, like exams, or grades, or
anything. But I think that some of the faculty were a little too lenient about
student’s participation in the class and work that was required. I got my degree
from William James. Totally – I took all my courses in William James. So, I was a
student here, as well as working here, so I can speak from a classroom as a

�student as well as a worker. I think that some of the students fell into the cracks
because they had a view that this sort of cavalier attitude, "It really doesn't matter
if we don't go to class. It doesn't matter if we don't get the work in on time. We
still love each other, and I'm a real good friend of professor, you know, so and so,
and so therefore I don't have a problem."
[Gordon]

And I think that some of them are still not being able to cope and are still trying to
get a degree that started before I did.

[Barbara]

And you would be the one to know that because…

[Gordon]

I found as a student that was serious… class I found it very disruptive to
students. I had a real hard time with those that would show up occasionally in
class and then try to participate as if they've always been there and they didn't
even know what the textbooks were. So, that was a problem I had as student. I
think that could've been a little loss… sort of, chummy with the students where it
wasn't important. Because it was important.

[Barbara]

What did we do right Ginny? What was the…

[Gordon]

Well, I think that the level of education was just incredible. think the wide range of
classes was phenomenal. I think that the faculty were absolutely superior. I mean
they came from the very best schools in the country themselves. They were all
very brilliant. The ones that have left, have gone and have been hired by first-rate
schools. They weren't ordinary faculty; they were extraordinary. And they brought
with them a wealth of culture, education, knowledge. They were all so
interdisciplinary. They didn't have one discipline where nothing they taught was
nothing but history, they taught nothing but English or they could teach numerous
amounts of subjects – each faculty. That was another thing that they looked for.
Interdisciplinary! That’s the keyword. And that's something that I missed, in the
beginning, when we were talking… is that they were, first of all, hired on how
much they could teach. And they could… most of them, like Engie, could teach
five or six different disciplines. It was incredible. And they brought all that
knowledge to each class. That was the main thing. You don't find that at all
anymore. So, I don't think I could have gotten a better education anyplace. I feel
real fortunate, you know. And if there were a few flakes that fell by the wayside –
so what, you know? I mean the ones that came out of it… the opportunity for a
superior education was there if you chose to get it. Yeah.

[Barbara]

Good answer. You wanted to talk about why you think some of the faculty
wanted to come here. Because of the area?

[Gordon]

Oh, I think first of all, they came here because it gave them the opportunity to
create something where they could use all their talents. You know, where they

�weren't hired as a quote like Engie hired as a history professor. Period. Where
she taught nothing but history. I think they were all looking for that. They all had
the pioneer spirit; starting something totally on the ground floor. And it seems like
they came from areas where, being close to the lake, having the choice of living
in the city or in the country, on the lake, was real important to them, you know.
It's kind of like going out to the Colorado mountains or something. I mean it was a
pioneer spirit here to come here where things weren't established either. And
they lived in Grand Rapids, they lived in Allendale, and they lived in Grand Haven
– which are worlds apart as far as the environment goes, you know. I always feel
like I've driven 500 miles from the difference between Grand Rapids and in
Grand Haven, you know.
[Barbara]

I was talking to somebody who moved…

[Gordon]

Yeah! So, you had that choice that I would find very attractive coming here from,
say, New York city or you know.

[Barbara]

Ginny, here's a question I ask people, and I never ask it in advance. I want an
answer in a sentence or two: if you had to sum up the core of William James,
what was distinctive about William James? Very briefly. One thing. What was it?

[Gordon]

Mainly doing, in your profession, what you enjoy doing. You know, mixing your
avocation and your vocation into one, or getting it as close to it. Developing your
avocation. Not getting an education for the sake of a job, per se. We all have to
earn a living but not just, you know, engulfing your entire life.

[Barbara]

Great.

[Gordon]

You know I was sorry. I really got nervous when Alex was in here. It just shut me
right off.

[Barbara]

I know, me too. It draws all the… he just comes in…

[Gordon]

Well he was standing there and listening and all of a sudden…

[Barbara]

I was mad at him because he knows what's going on and he knows it's
distracting, so he walks in, does this, went over there. He didn't have to do that.

[Gordon]

I know it. So, I'm sorry that…

[Barbara]

No…

[Gordon]

I don't even remember what the question was now, but I…

�[Barbara]

What you did was you said: "I can't answer it." Which was the honest response,
and we went on.

[Gordon]

Yeah, okay.

[Barbara]

You gave some very good answers. One thing that is so neat is that I ask
everyone that question about what was the core of William James, say it in a
sentence, at the end of an interview. No two people have said the same thing. I
just love it.

[Gordon]

Oh, yeah, yeah.

[Barbara]

And it’s so William James-y. See. We weren't programmed, there wasn't one
thing to hold on to. I've recognized every answer and none of it seemed off the
wall.

[Gordon]

Um-hum, uh-huh.

[Barbara]

You know, but it's all been different. I just love it. I'm going to run this sequence…

[Gordon]

Oh, that's neat.

[Barbara]

Of people answering it. Isn't that nice?

[Gordon]

Oh! That's… yeah! That's the way to do it! Yes! Yeah, yeah.

[Barbara]

It really works. I just love your answer, you know?

[Gordon]

Good! Good! Good.

[Barbara]

I think you did real well. Please think for minute what else you would want to say.
You know what I mean?

[Gordon]

Um-hum.

[Barbara]

Sometimes I walk away and then we go: "What we really should have said
was...."

[Gordon]

Yeah, I know it.

[Barbara]

So just take a second. I think it's a great interview okay.

[Gordon]

Well, let me just mull a couple things around.

�[Barbara]

Keep talking.

[Gordon]

I think that's one of the biggest things that is missed now, but it's also because of
the times – it’s not just Grand Valley, it's not just because William James isn't
here – is that there's no feeling of community anymore. There might be within
small little… like your little film group or you know, your little… but as far as your
feeling community with the historians, you could never. I mean, what do you say
to those people? Or that… I mean, you know it's nothing but…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ginny Gordon
Date: 1984
Part: 2 of 2

[Barbara]

Anyways, so you were talking about community and how… what the quality of
community, I guess, you were talking about. Talk about it some more.

[Gordon]

Well, it was really unusual to have a large group of people to sit together and
discuss things intellectually, respect each other, and make things move. I mean
and they were very reasonable about things. You go in there with an opinion and
you'd listen to, you know, three or four people talk and you come out and you'd
get a much broader idea, a broader sense of the way a college should go there.
The decisions weren't made by one person in an office. They were made by a
group of people and nobody had more control than anybody else. I suppose
legally the Dean could throw out a decision, but I don't think that ever happened.
I think that they voted on it and usually there was a large majority at the end of
maybe an hour or two-hour communal discussion of a problem or situation most
of the time people came out being more dedicated to the decision and how it
affected the whole community, rather than how it would affect themselves
personally. And I think that was one of the real successes of the college.

[Barbara]

It seems as though a very important decision made early on was to hire Adrian.
Do you remember anything about her hiring? I mean we didn't talk about this; I
just wonder if you did.

[Gordon]

Yes, she had been considered the year before and I can't remember whether she
turned the decision down or not. But then the next year she was reconsidered
and asked to be hired and was hired. She did come here, I believe, for an
interview in the beginning, but had another commitment that she needed to
finish. And then the second year she was reconsidered, came back for an
interview, and was hired. And that was the second year, too, of the college, I
believe, when she was hired. Dick Paschke was the chairperson of the Dean
search committee. I remember that and there were hundreds of applications for
that position. Yeah, Robert Toft I think was one of those two… uh-huh. Yeah.
And he was subsequently hired for college four, which became Kirkoff College.

[Barbara]

You brought community up several times and so have I. How did community
contribute to the quality of education? Community’s nice but what does it have to
do with education?

�[Gordon]

Well for one thing, one of the things that the community talked about was the
courses that we're going to be taught. You know, so that affected their education:
number one. Number two: it kept people here. They didn't just come and take a
class and leave. They stayed here. This was like a second home to many people.
They would come in the morning and they had their discussions that were
informal, as well as formal. They talked about your classes; I mean, education
was the main topic of conversation. Another thing that I think that should be
mentioned is the political awareness that William James instilled on the students.
It wasn't just a question of coming in and getting an education, it was how they
could affect the outside world. They were also very much aware of the Woman's
Movement, of the Vietnam War, of all the political things that were happening
around the world.

[Barbara]

Okay, I hear what you're saying. Then when these people went out to get jobs or
– you yourself, because you were a James student – go to a place where there
wasn't community or there's less community where it's very hard to be politically
active. Isn't it sort of like the education was aiming us one way and the society
another and therefore the wrong kind of education?

[Gordon]

Well, no because we have to have… it would make it even more strong. It would
be even more important to have a political awareness so that you could try to
keep other people politically aware who didn't have a political awareness. I can't
see that an education does anybody much good other than just earning a living,
period, you know. It doesn't help humanity any, that's for sure. So…

[Barbara]

Anything else? Great answers!

[Gordon]

Oh well, I don't know, I guess that kind of covers it in a nutshell. Yeah.

[Barbara]

Good answers, too.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ingrun (Inge) Lafleur
Date: 1984

[Lafleur]

A few weeks ago, Adrian Tinsley asked me to be a consultant for their general
education program at Glassboro, where she is now provost. And during my day's
activities we both noticed that a lot of my rhetoric and a lot of my behavior and
actions were really reminiscent of and greatly influenced by my days at William
James College, where I was a faculty member from nineteen seventy-two to
nineteen eighty. And in nineteen eighty I became Dean of General Studies at
Stockton State College in New Jersey. And now I'm Associate Vice President for
Academic Affairs at the State University of New York College at Plattsburgh,
which is a beautiful, magnificent campus in the Champlain Valley, near the
Adirondack Mountains and the Green Mountains of Vermont with Montreal
nearby. And it has a really exciting faculty and student body. And many of the
things that I do here are directly related to my work at William James. I remember
a lot about William James, and I remember some of the things that I do not use
anymore, but I also remember the things that I have carried with me since those
days and have become a part of me. I think our days at William James were very
intense. Everything seemed to be important, everything mattered, everything was
related to everything else. And it was very important to be trying out new things,
to have alternative perspectives, to be socially conscious. There was a sense of
the importance of community, of doing things together, of relating one's work,
and someone's life, and one's personal life, to one's work life and public life as
well. Some of these things, I guess, I have since discarded. For example, I no
longer think that everything matters. I tend to prioritize in order to concentrate
and conserve my resources. And that may be a function of being older. I have
also come to the conclusion that everybody does not have to be in on deciding
everything, but it's important for everyone to know and to help decide who
decides what. And I think I've got a more critical view of both the counterculture
days of the nineteen sixties and seventies, and also a more critical view of
socialism, although it is still one of the foundations of my beliefs and behavior. I
also wish that Grand Valley hadn't felt ambivalent about William James College. I
think that if Grand Valley had put William James on center stage that it, too – like
Evergreen State College or like Brown – would continue to be thriving because
some of the things that we did at William James are continuing at institutions
throughout the country. I do not think that it was necessary to close it down or
fold it into Grand Valley as a whole. I'd like to talk a little bit about some of the
things that I still use that remain with me from William James College. And I'd like
to focus on three things. First of all, I remember very well the phraseology that

�was repeated by people like Robert Mayberry and Stephen Rowe, and I don't
know where they got it, but the phrase that has really shaped a lot of my activities
is the one that went: "The liberal arts are practical and professional studies can
and should be pursued in a liberally educative manner.” Now, very often, at
William James, I think we did not focus in as much detail on technical knowledge
or assess our own performance. But I think we fostered an entrepreneurial spirit
and a creative spirit that really made it possible for students to do things when
they left us. The phrase, "The liberal arts are practical and professional studies
can be pursued in a liberally educative way," has been very useful to me at other
places where I have taught to show the faculty that they can work together in the
liberal arts, and in the professional and technical education, and that indeed
public higher education has a civic and a social mission. That the liberal arts are
not an ivory tower, that ideas have consequences. I remember team teaching
with Kenny Zapp and going through the ideas and the books in our courses and
Kenny always asking the students and Kenny and I asking each other, "So what?
Why are we studying this? What is the meaning of this? What are the
implications of this?" So, in other words, the liberal arts are practical. They have
an impression on us. And similarly, in looking at career education, we didn't look
upon it as simply technical training, but as preparing students for a variety of
careers and for an entire lifestyle. I think we wanted to provide ourselves and our
students with a real sense of context, of moral, ethical, and social context for
professional studies. So, I think this sense of relating the technical and career
areas to the liberal arts was extremely important and I think that we, as faculty
members, learned from each other. I learned about the design from Roz
Muskovitz and she and I discussed the sociological and ethical implications of
different kinds of designs. I learned about chemistry from various people who
taught that as well. So, in addition though to the relationship between the career
and liberal arts, what has remained with me and has shaped my working life and
my personal life is the feminism which developed at Grand Valley and at William
James College. I think feminism pervaded the entire ethos of the college and our
personal lives as well. In part, it was because of the times that we lived in the
nineteen seventies, but also in part it was because of the faculty and staff that we
hired. We hired… the people who founded William James hired a woman dean.
And back in nineteen seventy-two that was much more unusual than it is today.
And that gave a sense of strong leadership by a woman. We also hired a large
proportion of our faculty who were women and who are very strong and diverse
women. They were… not all necessarily call themselves feminists, but they were
present on the campus. And this sense really pervaded not just the women
faculty members, but I think the male faculty members, as well, the secretaries,
and the students. I think that this sense of feminism influenced our curriculum,
our student body, our sensibility, our values, and our behavior. And that feminism
really seem to be in harmony with a lot of the other things we were trying to do at
William James, and the kinds of values we were trying to propound have been
values that were… are not genetic certainly, but values that have been

�associated with women and feminism. And these values include a sense of
cooperation rather than competition. That is, we didn't have grades, we didn't
have rank for faculty, we didn't have tenure. A sense of emphasis on
conservation rather than exploitation. Conservation has been considered a
feminine or feminist value. And there was a great deal of emphasis on
environmental studies, for example. And thirdly, a sense of participation and
nurturance, rather than hierarchy or bureaucracy in informing our academic
community. And these were values of the college as a whole, but I think they
came in part out of the feminist movement of the nineteen seventies. We were
also influenced – that is, the feminism at William James – was also influenced by
people at Thomas Jefferson College. Although from our point of view – or from
my point of view – they tended to be more, what I called "cultural feminists." They
tended to be more flamboyant and focus on the cultural rather than the social
and political aspects. They had their Purple House, their temple in Grand Rapids,
they talked about the Goddess, they talked about mythology. However, we all
were influenced by each other and worked together to develop a Women's
Studies program. And wherever I have been since then, I have been associated
with women's studies programs. And I believe that some of the best things that
have happened – in scholarship in the last fifteen years and in education – are
things that have been related to the methods and processes of women's studies
and the women's movement. Finally, I think what I carry with me from William
James is really a wealth, a cornucopia of ideas, a power generator of ideas about
teaching and learning. A sense that we teach and learn from each other, and that
we teach students, and not just history, or chemistry, or subject matter. A sense
that we learn at the point of inquiry, that a course evolves because of the student
in it, because of the subject matter that happens to arise. A sense that the
curriculum evolves because of the way that people work together. I still have with
me this little pamphlet from the William James Synoptic Program which lists the
series of questions that we ask students to respond to. And even now, when I'm
trying to refine and develop the general education program at Plattsburg, I want
both students and faculty to focus on common questions. There are certain
things that seemed like daily bread and water to us at William James that are
considered new ideas in higher education today. And practices… some of the
very best things that we did at William James are still the best things that are
being put into practice in education today. It seems as if it were in response to
national reports on higher education, but we did back at William James. We were
the ones who insisted on active learning, as William James said, "No impression
without expression" – that you are not really learning unless you produce a
product. At Plattsburg, we are having… we are pursuing an emphasis on active
learning, on getting students and faculty to work in groups and pursue projects.
We are still continuing writing across the curriculum emphasizing the use of
writing in the middle of a particular class. We still emphasize advising as a form
of teaching. And the Living and Learning course we had at William James and
the milestones or ideas that some of the very best colleges are pursuing and

�trying to advise freshman and having special freshman seminars for them.
Interdisciplinary and team teaching are still at the cutting edge of higher
education. And finally, I would say what has remained with me is a sense, still, of
the interrelatedness of things. That everything is really learning and teaching.
The administrative work that I do is related to admissions, is related to teaching,
is related to the curriculum. The work that we do inside the classroom is related
to what happens in the dormitories, and concerts, and plays, and the co-ops, and
internships that students do. I think that William James College was really a
quintessentially American college. Part of one of the finest traditions of America.
And that is the tradition of pragmatism, of practical activity, and working together
with others. And William James also have an entrepreneurial spirit and
encourage people to be creative and to produce. We made a lot of mistakes, and
we were a little flaky, and we have changed a lot, but I think that all of us – the
students who went there (many of whom I'm still in touch with) and the faculty –
retain a sense of entrepreneurial spirit, a sense of creativity, an obligation to work
together in a community to create and make knowledge meaningful, and also a
commitment – a public commitment – to civic and social betterment. I think these
things still remain and I think they could have remained at William James College
had it been allowed to continue. And that's it for today folks! That's all I’ve got to
say.
[Videotape recording ends and begins again]
[Lafleur]

One of the things that was most important was all of us doing things together as
a community. Having common readings, usually related to a guest speaker, such
as Tilly Olson or Kenneth Bolding, or reading the works of Piaget and William
James together. This idea of a college theme and common readings is
something that other colleges are now trying as well. And that helped to create a
sense of community. I also remember the trips – the opportunities – that I got at
William James to take groups of students to Yugoslavia and have a integrated
experience of travel abroad. And I remember, as well, the last days of some of
the classes that I had when students would bring in their projects in a history
class or a media class. And then you would look at these projects, and then
several weeks later, or even a year later, you would see students in various
careers. You would see, for example, Mary Cramer, with her byline in the Grand
Rapids Press and now being an editor of the Ann Arbor News. I think, therefore,
that while the college no longer exists physically, in the lives of those of us who
are faculty and students who were there, that our thinking and our behavior was
very much shaped by it. And I think that the things that are happening in higher
education today and that will recur again when there are future reports on higher
education, that the things that we experimented with will continue to be ideas that
will help to make education worthwhile and meaningful. Because we always
answered that question: "So what?" and we tried to make it integral to our very
own lives and our work. Okay, that's it for now, can't think of any more to say.

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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Interview with Ingrun "Inge" Lafleur by Barbara Roos, documenting the history of Grand Valley State's William James College. William James College was the third baccalaureate degree granting college for Grand Valley. It was originally designed to be an interdisciplinary, non-departmentalized college consisting of concentration programs, rather than majors. The college opened in 1971 and was discontinued in 1983 during a reorganization of Grand Valley State. Inge Lafleur was a faculty member of William James College and in this interview she discusses the importance of the college in her life experience, how the feminist ethos of the college shaped her personal and professional life, and the wealth of ideas about teaching and learning that she carries with her as a result of being a part of the William James community. This interview is part 1 of 1 for Inge Lafleur.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="862928">
                <text>Roos, Barbara (Interviewer)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="862929">
                <text>Grand Valley State University</text>
              </elementText>
              <elementText elementTextId="862930">
                <text>Michigan</text>
              </elementText>
              <elementText elementTextId="862931">
                <text>Universities and colleges</text>
              </elementText>
              <elementText elementTextId="862932">
                <text>Oral histories</text>
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              <elementText elementTextId="862933">
                <text>Feminism</text>
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              <elementText elementTextId="862934">
                <text>Alternative education</text>
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              <elementText elementTextId="862935">
                <text>Women in higher education</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="862936">
                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/69"&gt;William James College faculty and student interviews (GV016-16)&lt;/a&gt;</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="862938">
                <text>&lt;a href="http://rightsstatements.org/page/InC/1.0/?language=en"&gt;In Copyright&lt;/a&gt;</text>
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          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Moving Image</text>
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              <elementText elementTextId="862940">
                <text>Text</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="862941">
                <text>video/mp4</text>
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              <elementText elementTextId="862942">
                <text>application/pdf</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="862943">
                <text>eng</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="1034140">
                <text>Grand Valley State University. University Libraries. Lemmen Library and Archives</text>
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            </elementTextContainer>
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