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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ingrun (Inge) Lafleur
Date: 1984

[Lafleur]

A few weeks ago, Adrian Tinsley asked me to be a consultant for their general
education program at Glassboro, where she is now provost. And during my day's
activities we both noticed that a lot of my rhetoric and a lot of my behavior and
actions were really reminiscent of and greatly influenced by my days at William
James College, where I was a faculty member from nineteen seventy-two to
nineteen eighty. And in nineteen eighty I became Dean of General Studies at
Stockton State College in New Jersey. And now I'm Associate Vice President for
Academic Affairs at the State University of New York College at Plattsburgh,
which is a beautiful, magnificent campus in the Champlain Valley, near the
Adirondack Mountains and the Green Mountains of Vermont with Montreal
nearby. And it has a really exciting faculty and student body. And many of the
things that I do here are directly related to my work at William James. I remember
a lot about William James, and I remember some of the things that I do not use
anymore, but I also remember the things that I have carried with me since those
days and have become a part of me. I think our days at William James were very
intense. Everything seemed to be important, everything mattered, everything was
related to everything else. And it was very important to be trying out new things,
to have alternative perspectives, to be socially conscious. There was a sense of
the importance of community, of doing things together, of relating one's work,
and someone's life, and one's personal life, to one's work life and public life as
well. Some of these things, I guess, I have since discarded. For example, I no
longer think that everything matters. I tend to prioritize in order to concentrate
and conserve my resources. And that may be a function of being older. I have
also come to the conclusion that everybody does not have to be in on deciding
everything, but it's important for everyone to know and to help decide who
decides what. And I think I've got a more critical view of both the counterculture
days of the nineteen sixties and seventies, and also a more critical view of
socialism, although it is still one of the foundations of my beliefs and behavior. I
also wish that Grand Valley hadn't felt ambivalent about William James College. I
think that if Grand Valley had put William James on center stage that it, too – like
Evergreen State College or like Brown – would continue to be thriving because
some of the things that we did at William James are continuing at institutions
throughout the country. I do not think that it was necessary to close it down or
fold it into Grand Valley as a whole. I'd like to talk a little bit about some of the
things that I still use that remain with me from William James College. And I'd like
to focus on three things. First of all, I remember very well the phraseology that

�was repeated by people like Robert Mayberry and Stephen Rowe, and I don't
know where they got it, but the phrase that has really shaped a lot of my activities
is the one that went: "The liberal arts are practical and professional studies can
and should be pursued in a liberally educative manner.” Now, very often, at
William James, I think we did not focus in as much detail on technical knowledge
or assess our own performance. But I think we fostered an entrepreneurial spirit
and a creative spirit that really made it possible for students to do things when
they left us. The phrase, "The liberal arts are practical and professional studies
can be pursued in a liberally educative way," has been very useful to me at other
places where I have taught to show the faculty that they can work together in the
liberal arts, and in the professional and technical education, and that indeed
public higher education has a civic and a social mission. That the liberal arts are
not an ivory tower, that ideas have consequences. I remember team teaching
with Kenny Zapp and going through the ideas and the books in our courses and
Kenny always asking the students and Kenny and I asking each other, "So what?
Why are we studying this? What is the meaning of this? What are the
implications of this?" So, in other words, the liberal arts are practical. They have
an impression on us. And similarly, in looking at career education, we didn't look
upon it as simply technical training, but as preparing students for a variety of
careers and for an entire lifestyle. I think we wanted to provide ourselves and our
students with a real sense of context, of moral, ethical, and social context for
professional studies. So, I think this sense of relating the technical and career
areas to the liberal arts was extremely important and I think that we, as faculty
members, learned from each other. I learned about the design from Roz
Muskovitz and she and I discussed the sociological and ethical implications of
different kinds of designs. I learned about chemistry from various people who
taught that as well. So, in addition though to the relationship between the career
and liberal arts, what has remained with me and has shaped my working life and
my personal life is the feminism which developed at Grand Valley and at William
James College. I think feminism pervaded the entire ethos of the college and our
personal lives as well. In part, it was because of the times that we lived in the
nineteen seventies, but also in part it was because of the faculty and staff that we
hired. We hired… the people who founded William James hired a woman dean.
And back in nineteen seventy-two that was much more unusual than it is today.
And that gave a sense of strong leadership by a woman. We also hired a large
proportion of our faculty who were women and who are very strong and diverse
women. They were… not all necessarily call themselves feminists, but they were
present on the campus. And this sense really pervaded not just the women
faculty members, but I think the male faculty members, as well, the secretaries,
and the students. I think that this sense of feminism influenced our curriculum,
our student body, our sensibility, our values, and our behavior. And that feminism
really seem to be in harmony with a lot of the other things we were trying to do at
William James, and the kinds of values we were trying to propound have been
values that were… are not genetic certainly, but values that have been

�associated with women and feminism. And these values include a sense of
cooperation rather than competition. That is, we didn't have grades, we didn't
have rank for faculty, we didn't have tenure. A sense of emphasis on
conservation rather than exploitation. Conservation has been considered a
feminine or feminist value. And there was a great deal of emphasis on
environmental studies, for example. And thirdly, a sense of participation and
nurturance, rather than hierarchy or bureaucracy in informing our academic
community. And these were values of the college as a whole, but I think they
came in part out of the feminist movement of the nineteen seventies. We were
also influenced – that is, the feminism at William James – was also influenced by
people at Thomas Jefferson College. Although from our point of view – or from
my point of view – they tended to be more, what I called "cultural feminists." They
tended to be more flamboyant and focus on the cultural rather than the social
and political aspects. They had their Purple House, their temple in Grand Rapids,
they talked about the Goddess, they talked about mythology. However, we all
were influenced by each other and worked together to develop a Women's
Studies program. And wherever I have been since then, I have been associated
with women's studies programs. And I believe that some of the best things that
have happened – in scholarship in the last fifteen years and in education – are
things that have been related to the methods and processes of women's studies
and the women's movement. Finally, I think what I carry with me from William
James is really a wealth, a cornucopia of ideas, a power generator of ideas about
teaching and learning. A sense that we teach and learn from each other, and that
we teach students, and not just history, or chemistry, or subject matter. A sense
that we learn at the point of inquiry, that a course evolves because of the student
in it, because of the subject matter that happens to arise. A sense that the
curriculum evolves because of the way that people work together. I still have with
me this little pamphlet from the William James Synoptic Program which lists the
series of questions that we ask students to respond to. And even now, when I'm
trying to refine and develop the general education program at Plattsburg, I want
both students and faculty to focus on common questions. There are certain
things that seemed like daily bread and water to us at William James that are
considered new ideas in higher education today. And practices… some of the
very best things that we did at William James are still the best things that are
being put into practice in education today. It seems as if it were in response to
national reports on higher education, but we did back at William James. We were
the ones who insisted on active learning, as William James said, "No impression
without expression" – that you are not really learning unless you produce a
product. At Plattsburg, we are having… we are pursuing an emphasis on active
learning, on getting students and faculty to work in groups and pursue projects.
We are still continuing writing across the curriculum emphasizing the use of
writing in the middle of a particular class. We still emphasize advising as a form
of teaching. And the Living and Learning course we had at William James and
the milestones or ideas that some of the very best colleges are pursuing and

�trying to advise freshman and having special freshman seminars for them.
Interdisciplinary and team teaching are still at the cutting edge of higher
education. And finally, I would say what has remained with me is a sense, still, of
the interrelatedness of things. That everything is really learning and teaching.
The administrative work that I do is related to admissions, is related to teaching,
is related to the curriculum. The work that we do inside the classroom is related
to what happens in the dormitories, and concerts, and plays, and the co-ops, and
internships that students do. I think that William James College was really a
quintessentially American college. Part of one of the finest traditions of America.
And that is the tradition of pragmatism, of practical activity, and working together
with others. And William James also have an entrepreneurial spirit and
encourage people to be creative and to produce. We made a lot of mistakes, and
we were a little flaky, and we have changed a lot, but I think that all of us – the
students who went there (many of whom I'm still in touch with) and the faculty –
retain a sense of entrepreneurial spirit, a sense of creativity, an obligation to work
together in a community to create and make knowledge meaningful, and also a
commitment – a public commitment – to civic and social betterment. I think these
things still remain and I think they could have remained at William James College
had it been allowed to continue. And that's it for today folks! That's all I’ve got to
say.
[Videotape recording ends and begins again]
[Lafleur]

One of the things that was most important was all of us doing things together as
a community. Having common readings, usually related to a guest speaker, such
as Tilly Olson or Kenneth Bolding, or reading the works of Piaget and William
James together. This idea of a college theme and common readings is
something that other colleges are now trying as well. And that helped to create a
sense of community. I also remember the trips – the opportunities – that I got at
William James to take groups of students to Yugoslavia and have a integrated
experience of travel abroad. And I remember, as well, the last days of some of
the classes that I had when students would bring in their projects in a history
class or a media class. And then you would look at these projects, and then
several weeks later, or even a year later, you would see students in various
careers. You would see, for example, Mary Cramer, with her byline in the Grand
Rapids Press and now being an editor of the Ann Arbor News. I think, therefore,
that while the college no longer exists physically, in the lives of those of us who
are faculty and students who were there, that our thinking and our behavior was
very much shaped by it. And I think that the things that are happening in higher
education today and that will recur again when there are future reports on higher
education, that the things that we experimented with will continue to be ideas that
will help to make education worthwhile and meaningful. Because we always
answered that question: "So what?" and we tried to make it integral to our very
own lives and our work. Okay, that's it for now, can't think of any more to say.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Sanford Fried
Date: 1984
Part: 1 of 2

[Barbara]

The question is: a lot of people I talk with – students – did not have anything to
do with Council, or anything to do with governance, or were not involved in the
college. And you and Sheila [?] were, and I would like your evaluation of how
really important that was to the education.

[Fried]

Boy, I was just thinking about that whole thing. I was running through the Castro
question, and that whole statement, and in that phrase, you know, that you
weren't a part of the college. And I thought, wait a minute, there was a whole part
of this college that happened… was happening in Council and it was happening
in the committees. I try to remember all the committees that I was on…
everything from the Community Life committee that probably isn’t even around
anymore that died a long time ago, Academic Life and Faculty Review and all
that faculty hiring. And, you know, the leadership quality and the building
leadership quality in our students – it was never really discussed as an upfront
thing of what the college was about, but it was, and it was underlying, I mean, it
was obvious because there were what fifteen seats for students on the council,
right? And so, it was intentional that people were going to get involved but there
wasn't much of a dialogue of how that really integrates into your education and
how that really helps you when you get out. And I've done various things since
I’ve graduated that I’ve thought right back to my Council experiences, where
when I sat in that room, I tended to listen more than talk because it was the first
time I had ever been in that sort of a setting. But from going out from there, I've
been able to put those experiences into my head and into use and think about
how we did things at James and, in fact, I got a real concrete example of that,
too. At my current job, my yearly job evaluation off my Board of Directors, they do
a shitty job. They’ve just done such bad evaluations on me; I mean, you know,
I've gotten really upset with it and I think back on how we did evaluations the one
year that I was on Faculty Review and how we did some good evaluations then,
so that was one specific thing that really…

[Barbara]

How were their evaluations bad?

[Fried]

Oh, well, for one thing they were unfair. I don’t want to get into personal gripes
about the, you know, things about the job, but they were unfair and that it was an
unbalanced evaluation. Any good evaluation stresses positive and negative
aspects of your job performance. Okay. There wasn't enough information for the

�board to make statements on various things and they weren't able to go around
and collect the information. They chose not to go around and collect the
information in the way when we were reviewing if a faculty member… of course,
we look at all those crazy course evaluations that were done and then there was
a general sweep of data from the community at large. And so, it was a very
serious attempt made to get as much information from people and as much
opinion and fact from people because jobs were at stake; because raises were at
stake; it was an important thing to do. And in this last evaluation, I was so
disgusted I just I blasted the board for it, and it didn't endear me to them in any
way; it added to me wanting to get out of the job sooner and I’ve got two weeks
to go. [Laughter]
[Barbara]

Okay, okay. Because its curious how many people I’ve interviewed that have
said, of course, I didn’t have anything to do with Council, I just went on the bus
and came back home. And Council, to the ethos of the school from the faculty
point of view, was real important.

[Fried]

I think Council was real critical because, first of all, there's probably only a
handful of schools in the whole country, undergrad and graduate, where you can
actually… where you could have any access to any of that decision making,
okay. And so, in James it was just… it was part of the daily routine or the
biweekly routine, I think it was, and sure the committees got crazy, and they got
out of hand. But how many of us got into jobs that we are going to be having
committee time with? Surely almost everybody in Social Relations and almost
everybody in Arts and Media. Anybody who's doing any producing work, you’re
always on committees; you’re always doing meetings. So, you know, meetings
aren’t just a couple people sitting around – you’ve got to learn how to read those
meetings; you got to learn how those politics work. And they were working! They
were working the Skylight Room and plus I learned about good facilitating
watching Kenny Zapp and watching Pat [?]. They were some of the best, they
were very good facilitators. I tried to draft Kenny to do facilitating for the Co-op
while he was still in town here. It only worked once – too busy.

[Barbara]

Okay good, solid answer. I’m going to try going wide here [camera zooms out].

[Fried]

I’m glad you asked that because I was going to work it in anyway.

[Barbara]

Okay, then I want to go back to a question we didn’t talk about which is, oh yes,
you said James was half of your education. You’ve been out of school
approximately as long as you were in James, so tell me about how it was half
and what wasn’t there and all that.

[Fried]

Okay, should I do a little background on that now?

�[Barbara]

Sure.

[Fried]

Okay, let’s see. So, I attended James for approximately three years (seventyseven to eighty). Full-time, more than full-time in a lot of ways in Arts and Media.
And now I’ve been out from eighty to eighty-five, so it’s been like five years that
I've been a graduate and what I've done mostly in that time has been retail
management… had very little to do with Arts and Media. I’ve been doing
photography semiprofessionally and just to keep, you know, the skills sharp, but
the… oh, God, I just lost my train of thought.

[Barbara]

Don’t worry about it.

[Fried]

Okay.

[Barbara]

Okay, so that’s what you did in terms of your history. Now, how do you
characterize your education as having contributed to what you did after school?
After you got out of school?

[Fried]

Okay, the way the education I received and the experiences I received there
contributed towards what happened from nineteen eighty to eighty-five for me is
that, for one thing, there was a social ethics value that I came out with. Working
for a food cooperative was important to me because how food makes it way
around from farmer to plate is an important issue for me and I was involved with
co-ops before I came to William James, but I saw a greater opportunity to do
things that were important to me and my life and to be able to affect my
community a little bit. So, I took the steps of getting on the Board of Directors and
wound up being able to get a hired position through there, and it was at the time
that I thought, “Now I can try and put some of this stuff to work. I can try and put
some of these management principles that I heard of and read of and put them
into play.” And it was real gratifying for me when I could hire William James
people, too, of which I was able to hire a couple and it was always fun. And more
than that, it was also reminiscent of there’s now two experiences happening
here, and we can talk about the Jamesian way in which we would, you know, try
and sell bananas. Or try to do something in real specific context that was not
talked about in James. You know, retail was just not talked about in James; that
was not one of our areas. At least, it wasn't one of my areas. But, okay, so it
helped me to do… to work that side of my… kind of my life commitment of
service. You know, everyone has their way of service – if it’s a service to their
dollar or service to some community or other or some population and visually I
tried to make things happen there, too. I knew that the more exciting you can
make things be visually that it would draw people in. It would be… the
psychology is wonderful; it just keeps them in and then they don't know why. Of
course, that can be used the way it’s used in the grocery industry is really kind of
schlocky. I just tried to use it in the food co-op to make things exciting, to make

�them dynamic. And, of course, the idea of using video was gone through many
times, but for lots of reasons that just couldn’t happen, so I just let that one go.
But the other half of the education that I didn't receive was the management and
how to run a business. And I know those things were taught at James, but I
never would have taken them. That was not in my head when I was there; I was
learning to be a creative person in visual arts. That’s what I wanted to do, that’s
why I came there. And for me to be studying management principles would have
required a great leap for me and one that I was unable to do at that time. And,
also, one that was not impressed upon me as being an important one to do by
my peers, by my faculty and that. So, it came later. And I’m glad for the way it
came because I'm the kind of person I need application for that stuff. I can’t, you
know, learn about profit margins in a college context; it wouldn’t have done
anything for me. But when I sit there and look how much money we lost this last
month because the profit margin dropped all of a sudden it becomes more real.
So being able to apply the information really was important to me. And what I
maintained all through my education at James, once I really saw what was
happening there, the essence of it was that I was learning to be a learner. I was
learning to be a lifelong student and I think lots of other people had that same
thing. Those of us who really tried to get the most out of James got that… got the
ability to learn. And I taught myself just an incredible amount of things and gave
my… engendered the confidence in me to know that I don’t need a college to
keep on going with my education. It helps to have a community, you know, and
that community aspect of James I miss. I miss that sorely. And I wish that was
still around. And for me it is, in some ways; I still have a couple of friends that are
still around, and we talk but it's just so great to… I’ll just drift off, there’s a cut
right there anyway.
[Barbara]

Okay, okay. This is almost one, I’m not sure… I’m just trying to make sure I hear
you. In other words, the way you answered that, it was not that we were elitist,
it’s that, why didn’t you do business in school? In other words, you were
encouraged to, but it was available. Why didn't you do it?

[Fried]

Okay. Well, there was some, I think there was some elitism about doing business
in school. There was certainly for the art students, for the musicians, the media
people, the dancers, and that. You were there to learn your craft, and hopefully
you learned it enough - with enough of your own soul – that it could become art.
To study something like business seemed to be hypocritical but it really wasn’t
because it really does employ some of the same kinds of things in your mind and
in your creative person. There are…since I’ve done both now, I see the overlaps
and the overlaps are more than not. They are quite a bit. But we were better than
that, right? We didn’t have to spend that time studying business because we
were learning how to make statements about, you know, what was important to
us. But for the most part I felt a lot of people didn’t know what was important to
them. They were learning the craft, but they weren’t learning, they weren’t

�developing their own voice and what to say through it. So, being articulate isn’t
enough unless you have some ideas, right? And business skills were only
another way of looking at your ideas, it was just another perspective and I think
we suffered a bit, suffered quite a bit by ruling it out, by not saying that this was
an important thing for us to be doing because it’s just another way at looking at it.
You know we all had to do some science, we all had to do some math. And that’s
just another perspective of looking at the world; business is just another one of
those ways. And I know a lot of people in the media world who have gone out
and started studios here in town have mentioned that same sort of thing to me.
You know the business college came later, I had to go to JC, I had to go to
Davenport, or I just picked it up myself. Or I just lost a lot of money and I learned
how to do it right. That’s a tough way to do it, but you pay your tuition one way or
the other way, I guess.
[Barbara]

Good line. [Laughter]

[Fried]

That’s right. [Laughter]

[Barbara]

Sheila [?] just came, do you want to talk to her for a minute?

[Fried]

Okay.

[Barbara]

Alright, that was very good.

[Fried]

I left the college in a rage. And I was raging from actually one of my most
memorable experiences in that one – I won’t mention the faculty’s name – one
person, we’ll identify him as male, who I was talking to in the later part of my
senior year. I had even asked him to serve on my committee as far as seeing the
rest of my paperwork through and kind of giving me his blessings and just in the
course of conversation he said, “Well, what courses did you take with Stephen,
Stephen Rowe?” And I said, “I think I sat in on one of his courses, I don’t think I
took anything for credit though,” and he kind of knitted his brow and said, “Well,
let’s see you’re a media student. Did you take anything with Mayberry? With
Robert?” I said, “No, I never took any of Robert’s courses, but you know I
listened to him a lot in Council.” You couldn’t help that, you know, you did a lot of
listening. What about Richard Joanisse? Well, no, I didn’t take anything with
Richard either. And he just got this awful expression on his face and looked at
me with disgust and said, “You never attended this college!” And I’m not… I don’t
have violent tendencies but I could have at that moment because I was just so
mortally insulted after being such an involved student and I thought a very
responsible student for three years. And going through lots of stages of anger
after that and coming back to him and confronting him and saying you’re just
really unfair, really unfair, and you really angered me a lot by saying that and I’m
taking back my invitation to be on my graduation committee, I will get out of here

�without you. And then I thought about later on, I think years later, that comment
has haunted me for a long time, I can still feel anger. But since then, I thought
about them, the other experiences of being on Council, for example, being in the
student governance that James wasn’t strictly about anything but encompassing
the academic inquiry, the scholarly pursuits of the social issues which this faculty
was heavily invested into. And I thought, no way, you can’t do everything there,
you just can’t do it all. It would take you five years, six years, and I just didn’t
have that kind of time. But I learned my craft well, and I learned about leadership
in Council and I learned about working through committee process and that was
one of the strong things about what the college was about. So those experiences
I realized are very valuable to me and valuable, I think, to anyone else who was
in on them. That guy was just off base, he was just seeing things from his own
angle, his own perspective. And I think that that created a real split, too, among
the students and faculty. Because there were “us” and “them,” there were the
camera heads and the chemical fingers and those of us who spent our times in
the basements and over in the TV studios and there were those people who
spent most of times in the libraries and other places. Our libraries were just
different, you know, there’s lots of ways to do that. And I think that we were… it
was a real unstated… in some ways unstated division within the college. In some
ways it was antagonistic, I think the comment that I shared was “majorly
antagonistic.”
[Barbara]

Okay. I’m going to stop because I’m going to put a new tape in because I have
another question to ask you, one more, and I hate to have you start it.

[Fried]

Okay.

[Barbara]

You know?

[Fried]

Yeah. Do you want to set up another angle?

[Barbara]

I’m going to, yeah, I actually have dominated this tripod so I should be able to
change the shots slightly.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos and Stephen Rowe
Interviewee: Arend Lubbers
Date: 1984
Part: 3 of 3
[Conversation between President Lubbers and Professor Stephen Rowe]

[Rowe]

Was that characteristic of College IV as well as Thomas Jefferson and James?
The model was this distinction among and between units about pedagogy. You're
suggesting that underlining that there was a deeper distinction between the
traditional education and the experimental. Is that a fair understanding of what
you are saying?

[Lubbers]

Yeah, I think so, I think it was. The experimental education with its structures – its
evaluation structures and its curriculum – were just not acceptable or respected.
The College IV, later the Kirkhof experiment, I don't think that the ire of the faculty
in CAS was directed so much to that institution as it was to Thomas Jefferson
and then to William James. But I think the criticism by that time was, "Well, we
don't… this organizational structure is inefficient and there's no need for us to be
this way. And it would be so much better if we're offering similar kinds of
education." That is, I mean, we're offering English everywhere, languages. We
should be putting the faculty together and doing departments the traditional way
and have stronger departments. And so, there was not only the antagonism
directed toward the experimentalism of the institutions, and that was the great
part of it, but also toward the inefficiency. And then in the struggle for credits and
courses, who's going to get the students, and can we get them, or do they get
them?

[Rowe]

Did the traditionalism learn anything through contact with James and the other
colleges?

[Lubbers]

I don't know. I would, as I said, I think the heritage left is what I described, is the
way we are organized in professional disciplines and the liberal learning
disciplines together. I don't know to what degree people accept that, endorse it,
or grudgingly accept it. I don't know… that you'd have to take a vote of the faculty
to find out. But at least that's the heritage. I would say most of the faculty who
were opposed to the experimental colleges would probably say good riddance.
You know, I'm not sure that there is any cherishing of the past in any way. I think
this is about time that this was put aside. That's the way I view it. I haven't taken
any scientific surveys to know how people really feel.

�[Rowe]

Changing the subject a little, can you comment on legacy or heritage in relation
to the larger community? Perception of William James’ alumni or with the college
in the larger community?

[Lubbers]

You mean, how the larger community viewed the experimental colleges? Or?

[Rowe]

You're right, and its products, the students.

[Lubbers]

No, I really don't have anything to base a judgment on. I do think that the
community had a difficult time understanding our structure at that time.

[Rowe]

Grand Valley's?

[Lubbers]

Grand Valley's. And the public, generally, was not too sympathetic to the
experimentalism that went on here. Well, there are always exceptions and
pockets of people who liked it. But, I think, generally in this this area of the United
States, experimental education is not looked upon with great favor. And we
weren't looked upon with great favor for indulging in it. So far as graduates are
concerned, I don't know. Like you, I run across graduates of William James or
Thomas Jefferson, who are very… seem to be happy and pleased with what
they're doing and respected the education they received in those colleges. So,
there is that heritage, too; the heritage of the people who enjoyed and benefited
from it. I think, again, as I look back on the '70s – maybe period from seventy-one
to seventy-three or four – was the high watermark in terms of Thomas Jefferson
College. William James might be a little bit later than that – maybe seventy-five,
seventy-six – where both colleges had their best students, the largest number of
good students, and those people have done very well. And after that, there were
fewer good students attracted to that kind of education. And I don't regret having
done it. As a matter of fact, I think in a crucial stage and I believe there was
something happening to people, to young people, whether it was the Vietnam
War or what it was. But, from the late '60s into the '70s, well into the ‘70s. This is
a generation cut from a different cloth, I think. You know, in all of my experience,
they're different. And that kind of educational approach saved a lot of people a lot
of difficulty and agony. They would not have fit into the traditional mold. And they
did have places to go, other places in the country, too. But they had some places
to go here, and their older brothers and sisters and their younger brothers and
sisters have gone in the traditional route, but they were that group that needed it,
needed something different. And that was a great service to them.

[Rowe]

Here again, we're back to the term that emerges from this discussion, is really
basic, and that is: experimentalism, which so far has been characterized as this
certain kind of evaluation and this certain kind of flexible, if not loose, curriculum.
And now as a refuge, that seems in this whole discussion to be the one term that
needs one level deeper. Or can you say more about what this experimentalism is

�or was at its best? In some ways, all of the characterizations we have so far are
negative. Lack of evaluation, overly flexible curriculum, refuge from the society.
[Lubbers]

Well, of course.

[Rowe]

What is the positive?

[Lubbers]

The negative… the positive is the other side of the negative. These people who
flourished in that kind of environment were those people who flourished best
when there was no traditional curriculum and no traditional evaluation system.
They did flourish very well for a small period of time.

[Rowe]

Self-motivated was the term that you used earlier.

[Lubbers]

They were self-motivated, and they were in a state of rebellion, too. Now, if
you're rebelling, you have some idea about what you're rebelling against. But
then where do you channel your energy? What do you do with that energy that is
born out of rebellion? Where do you take yourself? Where do you take your body
and where do you take your mind and what do you do with it? If you have a place
to go where you can do some positive things, where you're not restricted by that
which you are rebelling against and you can find another object for your
attention, you're likely to not waste so much time.

[Rowe]

What was the object of attention?

[Lubbers]

The object of attention was the learning in these institutions. And they could take
themselves and go to a curriculum and work with some faculty members to do
what they wanted to do and move on.

[Rowe]

The study plans and riddling people to do what they want to do and become
entitled or empowered, except for individually, was certainly something that was
important to James.

[Lubbers]

Yes, it was.

[Rowe]

Perhaps to all experimental education, I'm not sure.

[Lubbers]

I think it is to all, I think it characterized experimental education of that era – of
the late '60s and '70s.

[Rowe]

So this was basically a vision. This experimentalism was a vision of perhaps a
very modern vision or a revival of the very modern vision of the independence
and development of the individual person.

�[Lubbers]

Right. Yes, I think so.

[Rowe]

And what was the social or communal or cultural implication of that or was there
any? Was it merely individual, as so much of modernism has been in ways
problematic?

[Lubbers]

It may, I think, more individual than I thought it would be at the time.

[Rowe]

Then this is a question for me as well. What was the communal vision that
accompanied that individualism? What was it?

[Lubbers]

Oh, I think, again, a more egalitarian society where the hierarchies would no
longer exist, where there would be decision by consent of the group. I think there
was a lot of that at that particular time. And I don't know exactly why except,
again, a reaction against the Vietnam War and a government that was waging
war and not always telling the truth. And that became obvious and here you are
where power is. You know, power is far away from you and it's coming in on your
life from that distance that you can't get at. You can't get at it. You can't influence
it. And I think that at that particular time, the experimental education carried the
communal vision of "we're going to be small groups deciding our own destiny."
And we begin in our experimental college by governing our experimental college
that way.

[Rowe]

In retreat from or separate from the larger communal structures, not in a way that
would reform them?

[Lubbers]

No, I think the hope was that they would be reformed, that the experiments would
work, and that out of this would come a new age. And certainly, the campuses
would be democratized and that was a hope. But, we Americans, when we have
our objectives and hopes, and we usually solve our problems as quickly as
possible. And we're not… we usually think that our vision will become reality
within our lifetimes. And I think I'm finding out that when you do experiment, you
maybe make a small step towards realizing what you want and what you hold is
ideal and as desirable. But then you don't get there all at once and you don't get
there in one lifetime.

[Rowe]

Rats, well this is just getting started.

[End of Lubbers Interview]
[Start of Rowe Interview]

�William James College Interviews
GV016-16
Interviewer: Barbara Roos and Arend Lubbers
Interviewee: Stephen Rowe
Date: 1984
[Conversation between Professor Stephen Rowe and President Lubbers]

[Lubbers]

[Inaudible] everyone, there are no students here. I mean, some may come back
or their students, but really there's no student tradition anymore or there are no
students here who talk about William James or Thomas Jefferson.

[Rowe]

Or in the community, for that matter. This William James association about which
I was nagging you about this plaque and not letting them paint the wall, it ceased
to exist. I mean, they can't even get a damn plaque on the wall, you know. They
don't…

[Lubbers]

It's interesting. It is almost as though it hasn't happened. And as we go about our
daily business, as I go about my daily business, that which was so important in it
during the decade of the '70s, it's almost as though it never existed.

[Barbara]

Hey, could you ask a question… rephrase your question about the communal
side of James? That's one question I would like to have on camera. It was just in
this last part of the interview.

[Rowe]

If the college was… if the experimentalism was essentially about the
enhancement or development of individualism, what then was the communal…
the accompanying communal vision, if any? Anarchism, some sense of the
individual fully developed in such a way that he or she is able to be in community
in the way that their ancestors weren't?

[Lubbers]

Is egalitarianism more than…[Inaudible]?

[Rowe]

What does that mean?

[Lubbers]

People living equally and sharing equally, deciding the fate of their lives as
equally as possible?

[Rowe]

Yeah, but see, that's a term in the modern period like "freedom" that everybody
uses and that means different things. I would say basically in the modern
orientation, there's equality of sameness and equality of difference. In our best
moments, the communal vision that accompanied this particular sense of
individual development, at the best, argued for an equality of difference; at the

�worst moments, it became an equality of sameness. That makes sense, right?
[Lubbers]

Yeah, the right. Yeah, which then comes back on itself as individualism, doesn't
it? It's, in a sense, the equality of difference is really… it's a kind of individual who
"I have a right to be different and work out my destiny than say we have a right to
be different and work out our own destiny." But then it's every little we… it's kind
of like Protestantism that it breaks up finally because everyone has a right to be
what she or he wants it to be.

[Barbara]

I'm sorry, I know you want to follow this through, but I just have a certain amount
of tape. I need to ask one more question… ask some sort of intro question to the
notion of the cluster college. You asked very early in the first…

[Rowe]

An intro to what he said?

[Barbara]

Yeah.

[Rowe]

I'm trying to remember.

[Barbara]

Well, the answer is that [inaudible] had to do with the difficulties of that structure.

[Rowe]

Okay. Developing out of your and the founders of the college's notion of small
educational communities, Grand Valley became, in effect, a cluster college. What
were the difficulties that were related to that kind of model in itself? And how is
that different from the Oxford model of small communities? I think the answer to
that is at Oxford, the pedagogical differences developed sort of willy-nilly over a
long period of time. Whereas, here in America, in some ways we tried to make
them. Arend [Lubbers] wouldn't talk about the problem we're making at that point.

[Lubbers]

That’s true, well we took a single institution and broke it up into pieces and it
wasn't ready to be broken up into pieces. Whereas universities, many
universities, people came, they did their little thing, and the other people did their
little thing side by side. And then finally, it develops… a kind of unity evolves.

[Rowe]

A more organic rather than made.

[Barbara]

It's now eleven o'clock, okay?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos and Stephen Rowe
Interviewee: Arend Lubbers
Date: 1984
Part: 2 of 3
[Conversation between President Lubbers and Professor Stephen Rowe]

[Rowe]

Could you comment on the connection there?

[Lubbers]

Well, I'm just talking experimental education, you know, you can have many
different pedagogies. You can have colleges, or schools, or courses, that are
different from the traditional. You can have very different kinds of pedagogies.
There is not, in my definition, experimental education does not have a pedagogy.

[Rowe]

And yet so much of it fell into problems with evaluation and curriculum.

[Lubbers]

Right.

[Rowe]

Why was that do you suppose?

[Lubbers]

Well, I wonder if that was more the spirit of the times. In other words, when
people were ready to experiment, and wanted to experiment, and maybe
accompanying an experimental era is this desire for freedom and individualism.
In other words, an experiment is a breaking away, of doing something different
from the way most people are doing it. So, there is a freedom about that. I want
to break away and be free. Well, what do you want to be free of? You not only
want to be free of the traditional curriculum, you want to be free of the way it's
delivered.

[Rowe]

Or, as many people put it, they tend to be very clear about what they be free
from, but not very clear about free for.

[Lubbers]

So often, experimental education has so much rebellion built into it. And
rebellion, you know, finally has to be, I suppose, consummated. I mean you have
to have your rebellion, and be done, and move on. And so…

[Rowe]

How would we have that here?

[Lubbers]

Oh, I would say we had, again, that desire to be free of the usual constraints.
And that was built into William James College, as it was into Thomas Jefferson
College. And I don't think… and that led to a way of evaluating, or not evaluating

�very well, and it led to a way of putting a curriculum together perhaps in too
haphazard manner. But I think that here – and maybe in most universities – the
experiments that were tried were not accepted by an overwhelming majority of
the faculty. And I think that's a problem. It's almost insoluble. And it's a problem
that I think experimental education will always have, because if you set up a
freestanding experiment, that is very difficult. Most experiments need the
strength – at least the financial strength – of a traditional university or college.
Maybe Evergreen State is an exception to that and that's why I would like to see
them… see how they've done it. And at the same time, it's very hard to get a
large majority of the faculty to support the experiment, to really be enthusiastic
about it. If the majority of the faculty or if the CAS faculty, for instance, had a high
regard for William James College, it might have survived. Though, we were in a
real financial crunch and things had to happen. We couldn't afford to do some of
the things that we had done. So, the reorganization of the institution might have
taken place anyway, but certainly it was the financial crisis that triggered the
changes. But if there had been a high regard for what was going on at William
James College by the rest of the faculty, they might have fought to keep it.
Because they would look upon it as a distinguishing part of Grand Valley that
they liked, but that was not the case.
[Rowe]

What do you think they understood William James to be?

[Lubbers]

Just, low standards, low academic standards. And no comprehensive,
comprehendible curriculum.

[Rowe]

Did they understand the pedagogy or the basic approach?

[Lubbers]

I don't know whether they did or not. If they did, those who did might have
respected that to a certain degree but didn't feel that it was being carried out well
enough to save it.

[Rowe]

Some people noticed that the very first sign of trouble in William James was
when the nation, as a whole – “Change Magazine" identifies this as seventy-six –
became involved with the “New Vocationalism” was the term. So that everybody
suddenly became interested in integrating career and liberal education, even on
the campus as a whole.

[Lubbers]

Uh-huh.

[Rowe]

Some people reviewing the history of William James notice as early as seventysix we were, in some ways, co-opted by a much larger national movement.

[Lubbers]

Yeah.

�[Rowe]

Could you comment on that?

[Lubbers]

Well, I think co-opted and maybe that is one of the great values in William James
College: was that it was before its time in terms of philosophy. And I think that the
heritage that William James College has left to the campus as a whole, is
probably this integration… this attempt to integrate the professional and the
liberal learning. There's been the two tracks, of course, in education and the
synthesis between the two is essential. But as we are now organized with our
professional schools living intermixed in the divisions with the arts and sciences, I
think is a good illustration of what William James meant and has been that part of
the William James heritage that continues and is a major contribution to this
institution. Again, I think maybe faculty accept it, the ones that do accept it, not all
do, but the ones that do accept it, some will do it because they believe in it
philosophically, but many of the arts and sciences professors have had to face
the unpleasant reality for them that many of their students are majoring in
professions. And therefore, they have to live together with the faculty in the
professional fields. And for whatever reason, it's happened, and is happening,
whether the motive is high or low, I welcome it because it does mean that people
have to… educators have to live together and have to work out some of the
problems that exist between professional curriculum and an arts and sciences
curriculum.

[Rowe]

Do you have any frustration or concern about what developed as the
understanding of "career" in this new vocational movement? Some of us in
William James felt that the definition of career that developed was precisely the
more narrow form that you and others, at the founding, tried to avoid.

[Lubbers]

Well, I think that it has come to that. And I don't think that every student, or all
faculty, or every program, is narrowly career. The narrowly career programs can
exist side by side with the ones that are broader philosophically. And yet this
happens to be the day of the narrower career approach. But those things begin
to change some. Although we are facing a time when jobs are so specialized and
require such carefully honed talents that I wonder whether we're going to
continue to need places in our educational system where people are, in a sense,
trained but at a very high level. If you're going to be, well, on our campus for
instance… if you're going to be a physical therapist, you can't just take a general
major in health. There can't be a general health vocations major, and then
practice that profession.

[Rowe]

You still need the terminal bachelor’s degree which I suppose they may have to
assume. We've mentioned seventy-six as the time when the new vocationalism
became very popular in the country and on the campus, and the reorganization in
seventy-nine?

�[Lubbers]

It was after that wasn't it?

[Rowe]

Eighty?

[Lubbers]

Eighty, eighty?

[Barbara]

Eighty.

[Lubbers]

Was it nineteen eighty? Is it that long ago?

[Rowe]

Can you say anything about the lay of the land between seventy-six to eighty in
terms of what happened to William James, both internally and externally?

[Lubbers]

Well, I think that there was a growing problem for William James. Students – high
school students – were not quite so interested in experimental colleges, or they
were much more interested in the traditional educational institutions. And in the
more narrowly defined professional fields. And so, it was becoming a problem to
attract students. And I think that was a major reason, too, for the demise of the
institution finally. There just wasn't the student interest in it anymore and it was
declining. And, well, I think those of you who are on the faculty worked very hard
to recruit students and try to gain interest. And there were several older students
who liked the style of William James. And, maybe again, if the institution had
been well-respected, by all the faculty, it might have survived and became a real
haven for older adults. But, again, the financial crunch and the declining interest
of students in the eighteen-year-old group, or the high school group, and really
the lack of appreciation for William James by the faculty, and the financial
crunch. And I think you begin to put all those factors together. Often one factor
will not bring about the demise. But they were pretty strong factors bunched
together working against William James’ continuation. And I really don't see that
it could've survived, probably not even in good times. I'm not sure.

[Rowe]

Because of?

[Lubbers]

Because of the faculty really working against it.

[Rowe]

In terms of evaluation?

[Lubbers]

Yeah, I think so. The failure of the cluster college system to survive… I think,
really, the single factor that was maybe most important of all these clusters of
factors was the inability of faculty and students on one campus like this one to
ever have a real feeling that though they were a part of an experimental college
or they were part of the traditional college, they also were part of Grand Valley as
a whole. That never could be done. And I guess I did not foresee that at all at the
beginning. I never dreamed – and that was probably my own naiveté – that the

�competition between and amongst each of those colleges would be almost… or it
was really, more intense than our competition – Grand Valley's competition – with
other institutions outside. But I suppose, one should understand that possibility
and I don't know why didn't. Because in my experience, like probably yours and
everyone else's, we need to have our enemies close. And if we don't, we really
have… I've noticed, if you're with any kind of an organization, maybe within a
church. I've often enjoyed watching denominations; they fight internally more
than the enemy out there. And we were fighting ourselves all the time. And…
[Rowe]

The drift of things that I'm hearing from you is that the fight was primarily…

[Barbara]

I'm going to have to stop you. Finish your question…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos and Stephen Rowe
Interviewee: Arend Lubbers
Date: 1984
Part: 1 of 3
[Conversation between President Lubbers and Professor Stephen Rowe]

[Lubbers]

You can just… you’re going to just kind of edit and put comments in?

[Barbara]

And it should be very informal and if you say something you don't like you can
say: "I don't like that, let’s do that again." Okay?

[Lubbers]

Alright. Did you want to start with a question or?

[Rowe]

Yeah, it seems that the basic question would be that in the wake of rebellion and
confusion and break up of what some have called a “traditional model” of our
education in the late sixties, there was this period of so-called innovation and
Grand Valley, in that period, adopted the cluster college model. So, it seems to
me, the first question for you to characterize the deliberation within which Grand
Valley made that decision.

[Lubbers]

Well, of course, the college when it was established had a concept – or the
people who established it had a concept – of a cluster of colleges. As I remember
the original plan called for…

[Rowe]

This was sixty-three?

[Lubbers]

Yeah. Four colleges of fifteen hundred each. Thinking that that would be a nice
educational unit.

[Rowe]

This was Oxford inspired?

[Lubbers]

I don't really know. I’ve talked to Bill Seidman about it, but it's been such a long
time ago that I don't remember how it came about. I think that there were some
who felt fifteen hundred was a large enough group for a college and that if you
wanted to keep personal contact and tutoring, you had to keep it at that number.
No one did much planning about the time the first college reached fifteen
hundred. What do you do then? Do you start another college with the two
hundred more that you might have? So, it was an original concept, but it was not
one that was clearly thought out in detail. But when I arrived, there was the talk of
having this School of General Studies. And so that was in the works by the time I

�came here. And then I noticed the plan, of course, the original plan and thought
that this was a movement towards that objective.
[Rowe]

Did the alumni give the idea to get it more from the culture or from the original
plan? You suggest that it was the latter… or the former.

[Lubbers]

I don't know whether people like Dan Clock and Gil Davis was here. I assume
that you talked with Gil, maybe not, but Gil was here, and he might remember
more about the origin of that School of General Studies.

[Rowe]

That was seven… what was the date on that? Sixty-seven?

[Lubbers]

They were talking about it… I came in January of sixty-nine. And I know it went
into effect, I think, then in the fall of sixty-nine. And it's terrible how these things
kind of… the past blends together, and I can't remember the dates exactly. But I
know my own thoughts at that time were sympathetic to the original concept. And
I also felt that there probably were different ways to learn, and if we can establish
colleges with different pedagogical approaches and styles, that might be useful in
higher education rather than to take it on a number’s basis. In other words, you
have your first fifteen hundred and then you set up a parallel college with the next
fifteen hundred. I thought it would be more useful to students and higher
educational experimentation to establish the schools on the basis of pedagogy,
rather than the numbers.

[Rowe]

At what point did you or the college become aware of cluster college as
something distinct that we were doing, say, like Santa Cruz or other places that
were similar?

[Lubbers]

Well, really from the time I arrived in January of sixty-nine and saw the formation
of the School of General Studies, I was very much interested in the cluster
college concept and worked toward it. And then, of course, then the School of
General Studies became Thomas Jefferson College.

[Rowe]

Can you characterize the moment at which the College III task force was
founded. College III, of course, became William James.

[Lubbers]

William James. I recall a conversation that I had with Tom Cunningham about the
concept of a William James College.

[Rowe]

So named?

[Lubbers]

I don't remember calling it anything else or thinking about it.

[Rowe]

Seems likely.

�[Lubbers]

I do remember the ideas that I had at that time. I was very much interested in the
vocations of the future. What were they going to be? What were people going to
be doing with their lives? And concerned a bit about the narrow vocational
direction. And of course, we have many of these schools now that are
professional and choose a profession and educate for it. We're more into that.
But I was concerned about the narrowness and that there ought to be a place
where you educated for broad fields and that the approach to communications
was a very broad one, in my view anyway, and then we had the computers and
the social relations. And I can remember some of the literature in that period
pointing in directions… jobs are going to be in these general fields. And so, there
was that professional aspect of it, but a broader based professional approach.
And so that appealed to me a great deal. And how you educate for professions
and at the same time keep the liberal arts core was the part of the experiment
that I liked. And an attempt to bring a synthesis between the professional
approach and the traditional liberal learning approach.

[Rowe]

What was it about Tom's idea or James' philosophy that made the fit there,
between your thinking…?

[Lubbers]

I think it was the pragmatic approach. In other words, let's try to educate people
to do things that work, that function, that will serve them well. I think that was
probably it. But, again, you know, you have… such as William James College
and Thomas Jefferson College, in a sense, cut out of whole cloth. In other words,
you come at it with a strong sense of pedagogy. This is what it's going to be. And
then to see how it works out, and it never works out the way the plan calls for to
work out.

[Rowe]

How did James work out?

[Lubbers]

Well, some people, I think, were very well served by it. I think there's a problem in
the experimental education. I think that's been true throughout the country. Was
true throughout the country in the nineteen seventies, particularly late sixties into
seventies. Accompanying most of these experiments, of course, was a different
evaluation system. They didn't have the traditional A through F grading, nor the
traditional examination. And I have a feeling that one of great problems was
really quite simple: that experimental education never did work out a very good
evaluation system. And some people do not require evaluation, they just are selfmotivated. And I think that we saw a group of students – particularly in the middle
seventies – who were more inclined toward independent study and had the kind
of motivation to carry through a sensible educational program with the assistance
of faculty. But for the most part, and certainly on into the eighties, I think we find
people needing more traditional evaluation structures. They like to have "A’s,"
"B’s," "C’s," and "D’s," and as much as they don't like examinations, they need to

�have examinations. And I believe that what happens is that the standards begins
to be relaxed. And then a lot of students who are really not inclined to be
students pass through a system and are not evaluated.
[Rowe]

How is that problem with evaluation, which you associate with experimental
education, related to the basic model: integrating vocational and liberal? Is there
any connection? Is there some integral connection?

[Lubbers]

I don't think so. Are you asking whether that kind of a model for William James
required a different kind of evaluation system from the traditional one?

[Rowe]

Yeah. Well, you mention two things that seem separate: one, the basic pedagogy
and the philosophy of education, integrating liberal and career studies, and
secondly, the experimental orientation, which had this problem with evaluation. I
don't see what you say about how the two are connected.

[Lubbers]

They're not connected.

[Rowe]

So they just happened to…

[Lubbers]

They came together and one of the reasons I think that experimental colleges
have changed, closed, or merged is because they did not have a more traditional
evaluation system. I think that there would have been a better chance of William
James College surviving, if the evaluation system had been similar to the
evaluation system that was in the College of Arts and Sciences, which of course
was the more traditional evaluation system. I think that it would have been…
because a comment was made about people not liking William James College. I
think that's true. I think that a large number of people in the College of Arts and
Sciences did not think highly of William James College.

[Rowe]

Because?

[Lubbers]

Because they didn't believe that the quality of work was a college level. And
whether that evaluation is correct or not, that was the perception.

[Rowe]

And you're suggesting that perception was related more to the evaluation and
experimental orientation than it was to the basic pedagogy?

[Lubbers]

I'm saying that I think that is one of the contributing factors to it. And you know,
again, the curriculum was put together, somewhat as you go, and I think that was
probably another reason why people in the more traditional institution did not
respect William James College.

[Rowe]

In that sense it was experimental?

�[Lubbers]

I would say yeah. I would say it was in that respect. I wonder if there could have
been a more fixed curriculum, and also whether there could have been a more
traditional evaluation system, whether that might have made a significant
difference in the survival of all experimental colleges. I think this is a
characteristic of experimental colleges, and not a fixed curriculum, and not a
traditional evaluation system. It might have been possible to have a different
pedagogy, a different approach, and still have those two traditional elements.

[Rowe]

Or to not have those elements and have a different pedagogy. For example, TJC.
So, maybe the question is: was the pedagogy of TJC more consistent with the
experimental approach in evaluation and curriculum?

[Lubbers]

I don't know whether it was or not. But I do think that it's possible, a least I… this
is again, conjecture, but I think that some of the pedagogy of the experimental
colleges was valid, and is valid, but I don't think the systems that were used, or
the lack of system, served the experiments very well.

[Barbara]

Steve, we have to stop and change tape.

[Rowe]

Okay.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Michael DeWilde
Date: 1984
Part: 1 of 2

[Barbara]

Anytime you want to start. You could talk about where your education failed you,
and where it worked for you, or whatever you want to talk about.

[DeWilde]

Maybe I should do a thumbnail sketch first and go from there. Yeah. My name is
Mike DeWilde, I was at Grand Valley… I was at William James from seventyseven to eighty-one and came originally to do Arts and Media. And took about
two classes with the Liberal Arts people and I never did get around to Arts and
Media. I've since gone on to do a couple of years of graduate work in Boston and
I’ve just come back visit.

[Barbara]

Are you sorry you went to James?

[DeWilde]

There were a number of interesting… it was a roller coaster ride and I tend to
view it more dispassionately now than I did when I was there, of course. But I
think I have a sort of love/hate relationship with it that when it worked, it worked
very, very well. And I felt that the collegiality that people talked about was
happening and was possible, and that it was very inclusive, and you could do
what you needed to do and you could do that with support. And when it was bad,
it was very bad and there was no such thing as collegiality, and that the rhetoric
was just that. Not just rhetoric but empty rhetoric, and that it was perhaps not
unlike Christianity in that it kept vision alive of something very grand, yet was
unable to structure itself in a way that could reach any sort of possible fulfillment.
So that it did some empowering and gave people some confidence, but when it
didn't work, all the empowering and confidence were not helpful because it
wasn't…you weren't being educated.

[Barbara]

Can you speak about it in terms of specific experiences? In other words, classes,
or tasks, or something, you know? What were the variables? When did it work
and when didn't it?

[DeWilde]

So long since I've thought about that. Trying to think of… I think for me, I ended
up doing a lot of independent study my last couple of years, with a couple of
different people. When I got here, I was very gung-ho, I did all the committees,
and history of the college, and what was William James about, and it was very
exciting and I was very involved. Through, I think a certain disillusionment with
perceiving the unable to do advance sort of work in classrooms and there wasn't

�the possibility. The kind of students that were filling classrooms, and this is the
classes I was taking my last couple of years here, it was just impossible to do
any sort of advanced work that faculty was teaching to, if not lowest common
denominator, then certainly a very common denominator. And that was very
frustrating, so I was doing a lot of independent study and working with a small
community of friends who were all looking beyond college to work or graduate
work and with two or three faculty people. And those were the relationships that I
really treasured. It was no longer so much the relationship with the school as an
institution as it was with those individual folks and spending a lot of time in
people's offices talking, you know, putting bibliographies together. And that sort
of thing became the focus of my education which once I got to [inaudible] and
Harvard, both worked for me and against me. I knew how to interact with those
people, I knew how to ask the right sorts of questions. I didn't have the kind of
basic nitty-gritty skills. I didn't have a lot of the broad general education that a lot
of my colleagues had. I didn't have CIV 101 and all that sort of thing that was
picked up through primary sources and through reading other revolutionaries and
counterculture people. And it was… so I think my perspective was somewhat
different. I found it very hard to find a community – I think, well, probably until I
got to Harvard – that was interested in broad questions, that was interested in the
underpinnings of an institution, that was interested in the assumptions upon
which institutions were based, that was at all interested in challenging
methodologies and pedagogies and it was very hard to fight that. I had a couple
of faculty people in graduate school who at times would yell at the classroom:
"This is religious education, why are you people allowing yourself be to graded?”
And of course, I was right there at the forefront, I said "Of course, you know,
that's absolutely ridiculous!" At the same time there was a resignation and I
wonder sometimes if it wasn't at James too, among the students, if not among
the faculty. That, well, we are playing a bit of the game, that you do get graded,
and money is important, and this is nice and its safe, and I can do what I want for
a while. But essentially what I need to get out of it is a career skill because my
performance and how much money I make is finally going to be of importance.
It's very hard in a few years in an alternative college isolated in western
Michigan, I think, to erase protestant, capitalist work ethics and all that sort of
thing. And I don't think there were enough students. I think William James worked
very well for a relatively few people. Because of the discipline involved and
because of the assumptions made about students, that students would take
responsibility for such a large part of education; because it was difficult to get the
faculty because of committees and meetings; because the place spent half of its
waking life defining itself. There was… if you weren't in class talking about
alternative education, then you were on a committee talking about alternative
education. And how to present yourself and what the image was. The changes
that took place in William James from – in the four years that I was there – are
not unlike the changes that I see in the skyline in Boston. They've taken what's…
it's charming, it's livable, it's old world… let's just say that about William James.

�But and it dumped a lot of concrete and steel on it and the changes have been
dramatic in a few short years. And William James got dumped on a lot in the…
when I was there. I think it existed one year after I left, as a separate entity. It got
dumped on by students who didn't understand alternative education, who weren't
interested in philosophy or the theory behind alternative education. It got dumped
on by burned out faculty. And it got dumped on by the institution. And there are
times that… that pissed me off an awful a lot at the time because I'm committed
to alternative education. I mean, I keep an eye out toward what Goddard is doing
and what Evergreen is doing, because that's important to me because I never
would've made it through college if it hadn't been for a place like William James. I
can survive at Harvard taking tests when I'm there – I’m not there right now, but
when I'm there, when I go. I can survive there because they're secure enough as
an institution to let people do different sorts of things. You can… you don't have
to do regurgitation. I mean they're not, for all the other nasty things you can say
about them, they're not insecure. There's an intellectual freedom there. Which
certainly gets interpreted and gets manifested differently than it did at William
James. But there's a kinship, nonetheless, I think. And if it's elitist, then it's elitist.
[Barbara]

Excuse me, can I ask you a question?

[DeWilde]

Yeah.

[Barbara]

You're going along beautifully, but you said, something I've heard from most
students, and I want you to explain it: "I wouldn't have survived at another
institution." What do you mean by that?

[DeWilde]

High school was a very, very bad experience. I was the editor the paper and had
to deal with lots of censorship issues. And I was not necessarily the part of a
clique. I was not the genius math type and science type and the people who are
on the four-year college prep program – I wasn't that. I wasn't among the people
who are going to be janitors, you know, for the rest my of life – that was clear.
But there seemed to be no place to go. There were some of us just in the middle,
and there wasn't anybody addressing people who are profoundly dissatisfied with
education but couldn't be shipped on one hand into vocational school, or shipped
into… you know, and that's [inaudible]. I don't mean to sound pejorative about
those but those were looked at pejoratively, certainly in the high school I was at.
But there was a certain number of people you had to get rid of, there were certain
people that were going to go on and do professional stuff, and then there were a
few of us who said: "Wait, the whole thing is wrong.” Your premise… start by
rejecting the premise and then have nowhere to go because there isn't anybody
there who's equipped with dealing with premises. So, I went to a community
college for a year and just looked through the catalog and anything that said
alternative or non-graded, I went to that. I had no idea what alternative meant or
any of that, but it certainly sounded right. If it was an alternative to what I had

�experienced so far then I had to go on and do that. And through them heard of
William James. And, I don't know, I had trouble with authority. I mean, there was
no way I was going to… I knew that I, you know, in a dorm situation, in a typical
college dorm where people are… I just didn't feel like I was interested in the
kinds of things that those folks were interested in. And that may again be elitist,
and I just have to plead guilty I suppose. But, doing tests and multiple choice,
and regurgitation and reading nothing but secondary sources, and all my
assumptions about what I would be doing at a major university, and getting lost in
shuffle, and that sort thing, was not all appealing. So that William James was a
beacon and when I read all the catalog and the rhetoric, you know… this place is
run by God, you know? That was the feeling from the catalog. Certainly, that
impression changed quickly, also. It's clear to me, without the freedom to pursue
the interests that I had, and without the support. That was most amazing thing to
me when I got here was that if you were serious, if you seem to be able to think
at all, people took you seriously. And people were tolerant, people were forgiving,
and supportive. And it all worked – especially faculty and students across the
board. When I first came here, I was absolutely astounded. People who had
been here for four years, and who knew far more than I did, were taking me
seriously when I talked. And this was the first time that had happened. So, I
began to take myself seriously and began to take your sources seriously, and
you begin to do more serious work. I think that's what made it possible for me to
not just survive through four years of college, but to cherish it. And I think that
even if it's not William James… and I say sometimes, I'm ambivalent about the
closing because I don't know when I left how many people it really was working
for. But the idea and the ideal seem to me absolutely necessary. Because I'm
sure that there are younger people, like myself, who, again, are outside the
clique, and outside the mainstream, and have fewer and fewer places to turn.
There are fewer William James; there are fewer alternatives altogether culturally.
Certainly, you can see it in Boston, as the crowd grows more homogeneous all
the time. And so, I don't know if I feel, at this point, more angry or sad. My
commitment, right now, is to… I'm working as a carpenter and there's a
commitment there. And when I go back to school my commitment is to my
graduate work. But I don't see myself shaking the William James. It's not like
giving that up, I've not become reactionary about it. I'm still committed, like I said
to that idea and that ideal. And even if it only works for relatively few, there have
to be options like that… that vision. Same way I feel about Christianity. You
know, even if it doesn't always work, that vision has to be kept alive. Because
that's an important part of who we are, it's an important part of Socratic method.
[Barbara]

Can I stop you for a minute because it’s about to run out of tape? That's totally
lovely. Would you go on for about another five minutes? Is that all right? Do you
feel that? I have a question.

[DeWilde]

Sure.

�[Barbara]

If my crew shows up. [Inaudible]

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Michael DeWilde
Date: 1984
Part: 2 of 2

[Barbara]

When you speak, you know, it all makes sense except it sort of doesn't because
you started out in one frame of mind and then changed to another by the end of
the tape. Do you have a comment on that? Did you feel a [inaudible] of anything?
Do you know what I mean?

[DeWilde]

I'm not sure, like I said, it's been a long time since I’ve thought articulately about
William James.

[Barbara]

Yeah.

[DeWilde]

What was your sense of the change?

[Barbara]

Well, I guess, I'm not really asking a question, don't worry about it. It's just that
when you started talking, over the process of twenty minutes, the school seemed
to have become more, well it did become [inaudible], but it also became more
valuable, in the way you were talking.

[DeWilde]

I think it… well, it was valuable and that's just the…

[Barbara]

I guess you can record anytime. Record anytime.

[DeWilde]

Say more.

[Barbara]

I was talking to them [inaudible]…

[DeWilde]

I guess, I really do feel a strong ambivalence about its continuation. That the
spirit, the [inaudible], the rhetoric which was prevalent, strong, and had
something to do with the practice of the place when I first got there, seem to be
diminishing and weakening and that was taking its toll on everybody. And it’s not
that the faculty were any less committed. I didn't sense that they were less
committed. I felt that there was just less understanding and less interest in
understanding what it was that the place was going to be about… what it was
about, what it had been about. But at the same time, feeling a strong
commitment to alternative education, to alternative pedagogies, and that I don't
know how you get back to that given this tenor of the times and all that.

�[Barbara]

Okay, I guess my real final question is something about… my presumption and
my personal program in life is that alternative education keeps cycling, and you
keep hopefully learning a little more each time and doing it better the next ten
years when it cycles up again and you get an opportunity to participate. Do you
have any views on what we could do better or what we did wrong? Or was it just
the tenor of the times? Which is so amorphous, it just frustrates me [inaudible].

[DeWilde]

[Laughter] Yeah. The tenor of the times was actually a bit before my time. I'm
more a child of the seventies, I suppose. So, I understand, you know, times being
tolerant of experimentation, alternativism and things like that. But I can't get a
handle on when people say this a gestation period or if people say, “Well it's
going around, it's coming around again.” I don't know what that means. It doesn't
make sense to me. I don't see that. I don’t see it coming around. It doesn't look
like it's coming around. I mean, perhaps it will. What it did well, it seemed to me,
was this [inaudible] attitude… was manifest an attitude of genuine commitment to
educating the individual as a whole. Educating the individual to be an individual.
To a commitment, not just to learning a lot – any number of disciplines – but to
be Socratic and to teach individuals about themselves. It sounds a little corny,
but I think when it worked and when it was doing… when William James was
being William James, it did that and people experienced that, and it was real.
You could see the consequences in the people you talked to; that you knew
when somebody was from William James and when they weren't.

[Barbara]

But what could it, in the next era, what could it better do? Because you’re also a
Grand Valley professor. You also didn’t get enough.

[DeWilde]

Well, I was…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Stephen Rowe
Date: 1984
Part: 2 of 2

[Barbara]

Alright. I guess the one thing we should really start talking about is if you could –
Oh, I would say, tell me one or two of the main thrusts of James's philosophy that
were manifested in the college.

[Rowe]

Okay. I think in terms of the college, the most important thing about James, as
tends to be the case with the other great figures in the twentieth century, is that
he wound up taking on the central cultural problem, which for some people is a
problem of ideal and actual. For other people, it's the problem – beginning with
Descartes – of the separation of mind and body. For others, it's fact and value.
And for James, it tended to be the problem of theory and practice. In other words,
there's fairly widespread agreement among the great figures in the twentieth
century that our culture is dichotomous or it had become unstuck in such a way
that you get two elements that are not related. An extreme expression of that, of
course, in our time is Heller's "Catch Twenty-Two.” Here's two choices, neither
works, pick one. Gregory Bateson's “Double Bind” – same idea. But for James,
the problem tended to be – or the manifestation of that deep problem tended to
be – in terms of theory and practice. Such that, he observed, that without
intervention, the situation would develop where your thinkers would drift to one
end of the room and create grand theories that were related to nothing real. And
your actors would drift to the other side and mindlessly act out whatever
procedure or undertaking was going. So that, again, all things being equal, and
there being no intervention, there tends to be this split between theory and
practice, or ideal and actual. And with William James College, we tried to take
that problem on. And hence the integration of theory and practice, stressing the
importance of internships, and the consequences of what one is learning on one
side, and the implications on the more technical side – or career-related side – at
the same time. Now there's more to be said about James, but it seems to me that
in an era of alternative education, many of the examples and instances of
alternative education – perhaps even on our campus – failed because they
lacked coherence or they failed to achieve sufficient intellectual discipline. And
they simply became schools of doing your own thing, which is what happens over
and over again with progressive education… a history for progressive education.
And we were most fortunate with William James College then that we had really
the discipline of a great thinker with whom we could be in dialogue. So, it seems
to me that with William James College we have at least three things. It's an
instance of alternative education, which in some ways is the same tradition as

�progressive education, which as I say fails over and over again because it lacks
discipline and coherence, and it devolves into a situation where people are
merely doing their own thing. Secondly, the college was a manifestation of the
human potential movement and, unfortunately, that movement in many respects
suffered the same fate as has progressive education, which is to say that it failed
to find sufficient articulation and hence in the worst forms became helter-skelter
or nearly do your own thing. And to me, the history of the modern period,
generally, I mean the whole of the modern period displays that problem, that
there's some great idea about the dignity of the individual and a certain kind of
relationship in which the individual can mature. But – and here I place most of the
blame on intellectuals – we have had an enormous difficulty finding the
articulation that can remind us and provide the appropriate forms of discipline for
that intuition about being human and the relationship between being fully human
and being in community. And as John Dewey, William James later colleague,
points out in many respects our failure has been fundamentally intellectual in that
philosophy has failed to serve its function of reminding us and pointing us to
those experiences and moments in which we are being fully human. And
unfortunately, so much of philosophy or thought generally became co-opted to
the superficial, mechanical, laissez-faire notions of both the individual and
community that they effectively were absent in terms of reminding us of the best.
So, in my view, William James College – as an expression of a period, as well as
an institution in itself – was an attempt to institutionalize the best of the modern
period, which is to say, again, a view of the maturity and fullness of the human
being that is not antithetical to community. That, in fact, depends on and leads to
a certain quality of relationship that is very difficult to give voice to in the
Cartesian mechanical, even hydraulic, modern vocabulary. Where the
assumption tends to be that if I do something for myself, that's necessarily at
someone else's expense. And if I do something for someone else that
necessarily involves sacrifice. There is, it seems to me, at the root of the modern
period a vision of individual and community related in something like what we
these days call synergy. That, again, is very difficult to articulate in intellectualist
either/or categories. And so, here with the human potential movement, and the
college as an expression of that, was a surfacing of the attempt to embody that
ideal. And it just happened that it was a fortunate circumstance in that the
namesake provided help on that, rather than as with so many alternative projects
– educational and otherwise – the intuition appeared, was healthy for a time, and
then the failure of articulation began to take its toll in terms of people drifting off
into who knows what. And so, it seems me the relationship and the really
continuous dialogue with James the figure throughout the period was most
deeply significant in terms of that issue of having discipline and a coherent view
of what we were doing that tended to center around the problem of theory and
practice and the integration of the two. But it really went deeper than that in terms
of the capacity to affirm both the individual and the communal dimensions
simultaneously and in a way where each is enhanced, rather than one being

�enhanced at the expense of the other.
[Barbara]

I'm going to stop the tape for a second.

[Rowe]

Okay. Molly, get lost. Go lie down.

[Barbara]

No, don't tell… tell her not to do that. [Inaudible] how we managed to just attempt
to engage in genuine conversation with James is just… what techniques were
important, as versus just having him has a figurehead or something, you know?

[Rowe]

Well, I think dialogue or conversation with vision in two particular ways. One in
the structure of the college itself, which hopefully on an ongoing basis with
students is alive. And it seems to me that the central elements of structure were
the organization of the curriculum not around the traditional disciplines, but
around problems and issues in the world. And secondly, the organization of
individual student work around individualized study plans and individualized
advising. Such that the student – him or herself – had to take responsibility for
their education. And a second kind of institutionalizing of dialogue was the
synoptic lecture program, in which we tried to emphasize the significance of
vision – James’ and others – and on an ongoing basis put the college in contact
with figures who are genuinely visionary. And then a related element was that we
saw the need to do some basic socialization with students in terms of an
introductory course that went through many incarnations. I think the longest one
was called “Living and Learning at William James College,” in which we studied
James. But from the students’ standpoint what's even more important is what we
enabled them to make the transition from a more passive orientation to education
to a more active mode. And in the context of that dealt with a Jamesian vision.
Hence got it into the college on an ongoing basis.

[Barbara]

Let me stop it again because I'd rather we talk about the questions than me
just… Can you comment on the phenomenon we agree that we’ve both seen,
that when students would come to the college they would have a real… there
would be an adaption period before they were really functioning. And yet when
they started to function within the college – function well – we always said there
was a James student. "Oh, that's a real James student." It wasn't that we taught
them how to behave, it’s like they recognized some process. They learned to
trust it. Can you just talk about that?

[Rowe]

Yeah, I think perhaps best in James' own terms, James and his…

[Barbara]

There we go. See I wasn't talking nicely to him. Okay, now open wide, woah!
[camera zooms out and refocuses on Rowe] Alright. Okay. There was similarity
in backgrounds for a lot of us that came to the college and there was sort of an
understanding between a lot of us, I think. Do you think that's the most important

�aspect to what you refer to as activism within the history of the college?
[Rowe]

Yeah, I think that our faculty tended to share a history in common. Now there
were all kinds of variations, but I think in the broad terms there was a common
history that goes something like the following: we were committed in the sixties to
social and political change within the system. At some point – sixty-eight, sixtynine, in that area – for most of us, there was a terrible realization and that is that
quote "change within the system," or social and political change in and of itself
does not get at the problem. For example, nineteen sixty-nine is when Pogo said:
"We've met the enemy and they are us." Nineteen sixty-nine is also the time at
which the Beatles sang: "You say you want a revolution; you better change your
mind instead." Or, to put it another way: there's a point, historically – in our
shared history – at which social and political change became impossible without
cultural change. In other words, social and political change by itself is rearranging
deck chairs on the Titanic, unless one can get to the deeper level of cultural
change. And whether it was through the consciousness movement, the women's
movement, the sensitivity movement, various ethnic-cultural movements, there
was a shared sense, again, that the changes that need to occur need to occur at
the level of transmission of cultural value. Deeper, underneath the social and
political, at the level of the value transmitting institutions: religion, family,
education. Hence, most of the faculty sharing that history came to education with
an understanding that education – if it's to work – is not simply about
enfranchising students that hadn't been enfranchised before, though that was
important. The fact that we were teaching at a public state institution that was
making education available to quote "the new student" – the student to whom
education had not been available before. That was a significant social and
political intention of the college. But at this deeper level, there tended to be this
shared concern that education could develop and facilitate the emergence of the
kind of value change that's necessary in order for the culture to heal. So, at that
deeper level there was a concern with value in the faculty and hence in the
college and value of a relatively specific sort. Now, there were times in the history
of the college when there were conflicts over articulation of the value. I can
remember intense conflict, for example, as between the feminists and the, say,
new culture/ new consciousness types. That became most vividly present, I think,
with the synoptic lecture with William Irwin Thompson. But the point is that, at
some… that the agreement upon which the faculty and hence the college was
founded, was an agreement deeper than the social and political level; it was an
agreement about the need for change at the cultural level. And that agreement
was not without its disagreements internal to it, but it seems to me significant that
we have that shared history, the activist zeal, and a sort of a loose consensus
about the need for cultural change. Good?

[Barbara]

Now can we pet the dog?

�[Rowe]

Oh Yeah! Hey Moll! Molly! Now the dog's asleep. Moll! Come on over here.
Come over here. We're going to pet the dog.

[Barbara]

What's going on? It’s suspicious. I don't believe you!

[Rowe]

Okay, here's where the guy pets his dog.

[Barbara]

Sit down, the way you were dear.

[Rowe]

Sit, Moll. That's good, there’s a nice dog.

[Barbara]

I promise you I won't use it unless I have to because its corny.

[Rowe]

Yes, it is corny. That's a nice dog.

[Barbara]

Alright that's enough petting the dog.

[Rowe]

Good. Alright, as you were.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Stephen Rowe
Date: 1984
Part: 1 of 2

[Barbara]

Okay, whenever you feel comfortable, if you could just comment on that notion of
students adapting to the college.

[Rowe]

Well, I think a theme that comes up again and again… perhaps the central theme
of progressive education hinges on the distinction between the active and the
passive mode. Now James' way of putting that was, I think, what he said in the
talks to teachers that he gave in Boston which is really his only sustained
statement about education. The center of that statement was something to the
effect that in education there's one maxim, and that is no impression without
expression. Now, the point is that education continuously runs the cycle of
impression and expression and that the problem with most of education is not
that it's wrong, but that it only runs half the cycle. In other words, it tests… it gives
the students a certain set of impressions and then tests to see if they've gotten
the impressions. Now, again, the point is not that that's entirely wrong, but that
runs only half the cycle. From James' standpoint, and from the standpoint of
progressive education generally, that is frequently called active as opposed to
passive education, one for every unit of impression there has to be some
expression. One has to do something with it. One has to do the kind of… engage
in the kind of doing that enables the student to come into possession of the
material. Not simply into the possession of the certificates that says that they
have temporarily gotten the impression. And there are empirical studies and point
out that that kind of learning, take the test, which certifies that you've gotten the
proper impressions. That kind of learning disappears very, very fast. I mean the
retention curve with that kind of learning, as compared to the more active
learning, shows the initial retention higher, but the curve drops off very rapidly.
Whereas in the more active mold, which is to say that impression has been
followed by expiration – in this case in writing, or internship kind of work, or what
we in the early days call project-oriented education – the retention initially is a
little lower, but it remains far after the test material has been forgotten. So, with
most of our students coming out of traditional high schools and colleges, they
have come to us frequently with some notion about what they want at the
college, but mostly habituated to this passive mode. And I think one of the basic
events that we see over and over again with students is this kind of crucial
moment of awakening to the more active mode. And so frequently – and
especially entering students – there will be this very distinct process of engaging
education in the more active that is initially perceived as frustrating and indeed it

�seems to me that to enable someone to make the transition from the passive to
the active mode, there is a certain amount of turbulence and frustration. In fact, a
good curriculum should induce a kind of frustration that leads to crossing over
this threshold. And it seems to me that the, quote, William James students – the
ones who are sort of self-evidently reflective of the college at its best – are those
who have made that transition and who are able to participate in this active mode
of learning. And I perhaps should say that one of the reasons for the demise of
the college was the difficulty, late in college, getting students to do that. The
influence of career, careerism, as well as the conservatives and the culture,
meant that more and more students were resistant to that process and more and
more were willing to defer to authority and to wish to be told. And the more
survival became the issue, and the more insecure people became, the more we
saw real resistance on the part of students to cross that threshold and enter into
the more active mode. But the point of contact, again, with William James was
the central statement: "No impression without expression." And when we worked
well, I think we continuously ran that whole cycle.
[Barbara]

Perfect!

[Rowe]

Good, good, good, good. Next question.

[Barbara]

Is this a useful question? I'm concerned… I'm sorry. Whenever you're ready to
go.

[Rowe]

Okay, I think that James the person is difficult to understand, William James
College was difficult to understand, and what both the college and the figure
representative are difficult to understand. But I don't mean it is difficult to
understand in the sense of being abstract, or many concepts, or it takes a great
effort in the intellectual sense. The difficulty in understanding, it seems to me, is
perceptual. It's a little bit like the faces and vases diagram that you get in
Psychology 101. In other words, the diagram shows that as you look at it one
way it's a vase and as you look at it another way it's two faces looking at each
other. It's a gestalt, it's a question of perceptual angle. Now James, the figure,
again I think is useful in understanding the college, James, another way to say
what the opposition was… the two parts of the culture, neither one of which was
sufficient, and the brilliance of the figure James… William James coming to a
third orientation that was sufficient. James needed to do philosophy. He needed
to make sense of things. He needed to understand life as one whole thing, and
the schools of thought they were available to him were both insufficient. On the
one side there was the German Idealism, which was precisely that theoretical
detachment and ivory tower construction of brand theories that don't relate to
anything real, on the one side. And on the other side, the reigning British
Empiricism, which was enormously superficial, which literally stood around on
street corners and counted things. Neither of those world views or perspectives

�he found adequate. And one way to explain his genius is that he met that
fundamental position, and move through it, and was able to construct a more
adequate philosophy. And I think from this standpoint the- a way to articulate that
is in terms of a statement he made its end of his career, when he said: "If this
culture is to achieve health and vitality, once again, we must turnover, lie face
down, and look into the thick of things." In other words, the traditional orientation
represented by the German Idealism tended to understand life by taking a
transcendent perspective out there. And that became very problematic in the
twentieth century. Nietzsche's famous "God is dead" is the most dramatic and
very confusing statement of that. That the way of understanding life through a
transcendent principle that's out there seemed to no longer work, going to eclipse
or be mysteriously absent, et cetera. The second orientation which we see
throughout the twentieth century, which corresponds to the British Empiricism,
more or less gives up on any larger sense of meaning or value and is happy to
count things and expresses itself and materialism and consumerism, et cetera.
Now this third orientation, which is not difficult to understand, again in the
conceptual or intellectual form, it's a matter of what James called "angle of
vision," of worldview, of perspective, of gestalt, involves an orientation to the
depth of the present and to the in here, rather than the out there. And that, it
seems to me, is the basic problem with understanding James the figure or James
the college. It's a problem of world view. It's a problem from the mental
perspective. It's a problem, not of rearranging concepts, but rather of stuff just
ever so slightly to the side and seeing everything in a slightly different way. Now
this is too complicated.
[Barbara]

No.

[Rowe]

No?

[Barbara]

But I'm going to stop and make sure we got it because… It's really whenever you
feel comfortable starting, just talking about where William James College fits into
the history of progressive education and/or the alternative education
efflorescence.

[Rowe]

Okay, well I think in some ways, it's very important that the college was founded
as it was in nineteen seventy-one to seventy-two, more or less on a cusp
between two distinct movements. On the one side, the alternative or innovative
education movement – roughly dating from, say, sixty-eight to seventy-one,
seventy-two, on our campus – to the demise of Thomas Jefferson College, which
was a fairly good example of that. And on the other hand, the career orientation,
which began, I think, about seventy-four. So, we were fortunate at James to have
had the experience really of some of the excesses and confusions of the
innovative education movement, on the one hand, and to have done some
serious thinking about vocation and career before the nation became obsessed

�with careerism in higher education. Now, it had occurred to me that at one point,
one way to understand William James College at its best was that we tried to
integrate elements of three distinct educational movements. There's the
traditional orientation, which in America came regarding critically by about sixtyeight. Then there's the innovative education movement, as I say, from sixty-eight
to seventy-one, and then the career education movement. It seems to me that
William James College, in some respects, can be understood as a synthesis of
the best elements of each of those three movements. And for each of those
movements there's a distinct coinage, or it's coin of the realm, or what passes
between people. In the traditional movement, the coinage tended to be quantities
of abstract knowledge and the innovative or alternative movement the coinage
tended to be richness of personal experience. And in the career the coinage
tended to be jobs and engagement with the world, primarily in terms of financial
success and career. It occurred to me at one point, that if you take each of the
three of those elements, the best of each of the three, you have a view of what
we were doing at William James College. I think, fundamentally, we were trying
to enable people to understand their commitments and to identify, develop, and
interact with their most basic commitments. The identification, corresponding to
the alternative innovative movement, where identifying what one is basically
committed to requires some degree of self-awareness and some capacity to
know what one's own experiences is. The development of one's commitment,
with appropriate resources – academically, historically, et cetera – corresponds,
it seems to me, to the best of the traditional education and the enactment of
one's commitments corresponds to the best of the career orientation. So, the
foundation of the college, as I say, on a cusp between the excesses of the
innovative or alternative movement on one side, and the superficiality of
careerism on the other, seems to me is very significant and fortunate fact about
the history of our college. Now I think something else should be said about the
ambitiousness of doing what we were trying to do. William James College, if
nothing else, was enormously ambitious. I remember a day in the mid-seventies
when I read in the "Chronicle of Higher Education," some private college in the
east – Bennington, I believe, it doesn't really matter - was having to go because
of financial difficulties from a student-faculty ratio eleven-to-one to fourteen-toone. At which point I practically expired of sheer exhaustion and realized the
ambitiousness of what we were trying to do at a ratio of about twenty-three-point
four-to-one. And in some ways, that fact, twenty-three-point-four-to-one is one of
the fundamental significant facts about the college. To try to do small classes,
individualized advising, internships, project-oriented education, all of that, at a
ratio of twenty-three-point-four-to-one, is an enormously ambitious undertaking.
And hence sustaining that for ten years is incredible. And we knew about burnout
and related matters but the fact we were able to sustain that for a decade seems,
to me, incredible. Now this isn't much about progressive education.
[Barbara]

Well, it's been a different answer.

�[Rowe]

Yeah. Yes, the college can be understood as a manifestation of the progressive
education movement. I think I've already spoken to that in the previous… Is there
another angle on that that you want?

[Barbara]

… comfortable. [?]

[Rowe]

Okay. Something needs to be said about this word "commitment." It seems to me
that one of the most significant studies of higher education in the period of
William James College was the famous William Perry book called "Forms of
Moral and Intellectual Development of the College Years" and what he really
pointed out, as a social scientist, is that higher education, when it works well,
enables the student to move through nine stages of developmental process
wherein they enter what he calls the commitment stage. Of the word itself,
"commitments," has been in some respects a cliché of that period, so that there
are understandings of the term "commitment" that are nearly clichéd. But Perry
points in a simpler form of his statement that the deep curriculum of the college
years involves the student moving through three stages: the absolutistic stage,
where they think that there's one right answer, black and white, right and wrong.
Secondly: the relativistic stage. Everything is relative in the sense of outer space.
I mean everything can become anything else. Pure protein is in flux, and so forth.
And if things go well, they emerge from that stage, and through that stage, into
the commitment stage, where they are able to commit themselves, both in terms
of beliefs about the cosmos or religion and philosophy, and in terms of particular
people and projects. So that term "commitment," indicating the culmination of a
crucial developmental process that Perry, and his successors, have argued was
the deep curriculum of the college years. I think is the way that I want to
understand that term and hence the significance… significance is a word I use
too much… the necessity to identify what students are really committed to and
provide them with the context and a curriculum through which to develop their
commitment in terms of awareness, perspectives, what the academy can do at
its best. And third: to at least have some experience with the enactment or
embodiment or living of that commitment into the world as we find.

[Barbara]

What I just asked you about coping with the changes that happened…

[Rowe]

Okay, the future-oriented part of it, it seems to me, was in some ways a sham. Or
a reflection of the society perceiving, I guess, the general term is rapid social
change, so not a sham but a cliché. I think that at a deeper level there was
significance to future-oriented and this is a quality that tends to be present in
alternative education, generally. And that is the emphasis, the realization that
education involves two elements. It involves a substance and a process. And
another way to say what the problem with tradition, much of what traditional
education is that it concentrates entirely on the substance and doesn't attend to

�the process of learning. To emphasize the process of learning is to emphasize
the importance of learning how to learn, quite independent of what the particular
subject matter or substance is that the student is being required to master. So
that many people in the present… in fact, many of the reports on higher
education that we're seeing now – especially the Bell report, for example, and the
American Association of Colleges report – emphasize the importance of a
student learning how to learn as an essential part of the experience with higher
education. So, it seems to me that at its best, what the future-oriented meant was
attention to the process and to enabling the student to learn how to learn. At its
worst it was a cliché…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Deanna Morse
Date: 1984
Part: 2 of 2

[Morse]

So, you're going to ask me about the students?

[Barbara]

Yeah!

[Morse]

The qualities of the William James students that you don't see…?

[Barbara]

Or what kind of quality did we really appreciate in some of the people?

[Morse]

Well, I think one of the things about William James students was that they knew
why they were there – and they were there to learn. And my feeling is that some
of the students that are there now don't know exactly why they are except that it's
a transition point between college and something else… life elsewhere. The
qualities that I saw in people were sort of self-initiative, willing to follow things
through, willing to take risks, willingness to fail, and a desire to really do what it
took to get the job done. Which in many times meant a lot of work and a lot of
redoing. And I find that part of the grading systems, I think, is what keeps people
from being willing to do that. And I was really surprised… this term I used the
technique of giving people very low grades with the idea that they would then
redo their work to get the higher grades. And it surprised me that in several
cases people accepted their low grade and just stopped right there. They
accepted Ds, they accepted D minuses, they accepted C minuses and Fs. And
they just said: "Well that's what I'm used to getting in education." And, you know,
that's it and then didn't redo the work. Even with my constant prodding saying: "I
believe that you have something good there. It's worth redoing. I believe your
tape, you know, could use some re-editing, some restructuring." And still people
just said: "Well, I'll accept that grade." And I didn't hear that in James. In James it
seemed like people were more willing to continue redoing the work. Also, though,
I think part of it is the fact that students are juggling six or seven classes right
now, too. And what they're learning from education is…I don't think that they’re
real-life skills particularly. What people are learning is what they need to do to get
the minimum level grades in all of their classes and I really don't see where that
translates into real life and learning later on. I had the same kind experience in
my own undergraduate experience, and I don't see where that has taught me
anything in adult life. I mean, I don't have that kind of experience in jobs where I
go into a job and I say: "What's the minimum that I can do to get this paycheck?"
It's just not the way that it works in the real world. Yet, in education that's

�something that we teach our students is what you have to do to get the minimum
grades to get by. And the students at their own level – whether the minimum
grades are a B, an A, or a C – and they do whatever it takes to get to that level,
just to get by.
[Barbara]

How do you motivate them? What makes the miraculous change? Why don't they
just do the minimum to pass a pass/ fail system? Which is what we had. I mean
everybody always said that's what's wrong with a pass/fail system. They'll all just
do the minimum.

[Morse]

That just wasn't my experience that people would do the minimum. It seemed to
me that something about not labeling it as C, D, F, B, A… something about not
having that label ever put on it made people strive for excellence. And, also, in
the pass/fail system, you could require people to redo. And I guess you can in a
graded system, too, but somehow it doesn't seem to fit as well as it did in the
non-graded structure.

[Barbara]

What else… comes after a terrific interview question?

[Morse]

Well, the other thing that I guess I was saying before the tape ran out about my
own education… which I understand some of the students now, which is that you
do in an educational situation where you are in control of what you're doing. What
you get is this sort of a self-affirming kind of feeling that then makes you want to
work. And, for me, my graduate experience had that effect on me. Going to
Goddard college – which was a similar experience to James – where you were
able to define what it is that you felt was important to you, and then you had
guidance from an instructor that would lead you on some roads or some paths to
reaching whatever that goal was that you determine. Well, you feel then that you
are the person that's responsible for your education. And within the more
traditional educational structures it's hard to get that because instead it's more an
assembly line in a factory or something like that; where you're trying to tell people
I've packaged some information which I feel is important and you need to
process that information to get out of this course. It's a much different kind of
structure saying: "Come to the course, tell me what you feel like you need to do
in this course, and then I will help you facilitate being able to do that through
taking media production, or art, or whatever the course was.” And you can't just
do that… you can just teach that way in a traditional structure because the
students don't come with the same values and same expectations. If you try to
teach that way now students come in and say: "But I expect you to define what
the activities are, what the studies are for the course." And, of course, when I
define them they're a different set of activities than if they were defined
individually by the students, and their my priorities rather than the student
priorities.

�[Barbara]

It's a combination of two things. I think one is an almost Calvinistic sense that
there's sin, you know, that you can't trust people. Okay? In the conventional
educational. And also, the notion that the knowledge that's being imparted is real
knowledge, you know, in the most Biblical sense. "This is the truth, so you learn
it, kid." As versus saying: "This was the truth, but look at the mess the world is in.
Let's find out together what we can do better."

[Morse]

Right and the students come wanting to learn what that truth is. They want to
learn: "What are the things that I must know to get a job." Whereas what we
teach them are more strategies to facilitate them once they've decided what the
job is that they want to get. I mean it's sort of different… it seems in some ways
like it's the same, but it's not, for it. I mean if someone comes and they say: "I
want to learn media because I'm interested in working in the health care
professions." Then you teach the media to try to help and reach that goal. If
someone comes and says: "I want to learn media because my high school
teacher told me that it might be an interesting thing for me to do." It's just a
different… you know, you're talking on a whole different level of approach of
education. The students come with different expectations.

[Barbara]

Can you do an introduction of yourself using your name, please?

[Morse]

Well, yes. I'm Deanna Morse and I came to William James in 1979. And before
that I had done artist in the schools work for about four years and had gotten my
master’s degree through Goddard College – which is an alternative school in
Vermont – and had done commercial production work before them.

[Barbara]

Can you name the students that you feel the proudest of in all these years?

[Morse]

Well, it's hard to name just one. But some of the people that I feel good about are
some of the recent graduates that I've stayed in touch with like Susie Zach and
Maggie Anareno [?], who are people that are working commercially, locally, and
had a sense of questioning when they came into college and are still questioning,
somewhat, what they're doing working commercially in media. Some of our
current students have a lot of the same qualities and I still feel real good about
them so I don't mean to say that when James closed, you know, it's like a whole
different ballpark. I really don't see a total difference in terms of the number or the
quality of students. But it does seem to me that entering students are coming for
a different reason than they came when they were at James.

[Barbara]

I can think of just one more question right now. When I was interviewing Rose
Willey, she was talking about… she almost got accusatory and she stopped
herself. She said: "The school… one of the explicit goals of the school was to be
change oriented. Future oriented. When real change came, and they tried to
close us down, what did you have, what did you have to teach us?" Do you feel,

�like, guilty because we didn't save the school?
[Morse]

Oh, no. I thought that at the time the college was threatened, the discussions
around the college were really interesting and also reflected the nature of the
college a lot. I remember endless council meetings that we had at that time
where there was discussion of Dick Gottlieb, and some other people, about
moving the college downtown, off campus, you know, this kind of thing. And
there was also, I remember, we had faculty workshops where we talked about
how we would teach using some of the William James philosophies within the
new system. You know that kind of thing. And so, I know that the students
probably felt much differently about it than the instructors. And, also, I think in
some ways and students… I guess the one thing I do feel guilty about is that it
seems to me that at that time some of the instructors, myself included, saw the
change with somewhat of a sense of relief because at least it meant that we
would be moving into what we perceived to be as stable environment. And that
we wouldn't be spending our lives feeling threatened at all times and feeling on
the defensive at all times. And I think some of the students were responding with
anger towards faculty. And I felt a bit like I was one of the people that was
justifiably hit with that anger at that time. Because I just felt that the continued
threats were not worth it, at that point. It seemed to make more sense just to
have the college be closed.

[Barbara]

Do you have anything?

[Inaudible]

Check back in.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Bruce Klein
Date: 1984

[Barbara]

… So, Bruce, those are the things I want to know.

[Klein]

So you want to know why I came to James?

[Barbara]

I wonder if I can do it on this shoulder. Yeah, why… you know what I mean, we’re
not into big biographies, we’re into what James was. So, when phrasing your
answer… you know what I mean? Hey, that looks nice. That looks nice. Now we
got you. Make sure we have you focused. There. Anytime you want to start
talking, you're really clear.

[Klein]

Okay. Why did I come to James? That's an interesting question. I think you have
to do a little biography: I was at Virginia Tech. for five years teaching and before
coming up here. And Virginia Tech. is like Michigan State and I didn't like that. I
didn't like the movement towards one hundred, two hundred, three-hundredperson lectures and movement away from when I started there. It was a very
personal place because I was the only faculty member. There were two of us.
And by the time I left there were twelve of us with a PhD program and all of what
that implied. And it's a long and funny story about how I got to James. I applied at
Thomas Jefferson because I felt that any college for advertising in "The New
Republic" couldn't be all bad. And they correctly sent me back a letter saying:
"We're not interested in you; however, we've sent your material over to William
James." And that was the year before William James… that was the year when
James was being founded. So, I actually applied to William James before it
existed. Ken Hunter was hired instead of me. And two years later – I think it was
two years later – the circle came around and I was added to the staff. And it was
really, in a lot of ways… coming to James was a reaction against a standard
mega-versity type education.

[Barbara]

Okay, let me shift here. Okay. Now would you like to talk about… I just did
something, sorry. Talk about the movement of computers.

[Klein]

Okay, I think…

[Barbara]

Let me change the shot just a little.

[Klein]

To talk about the movement of computers from James to CAS is… I think there
were two reasons. One had to do James itself. And that was the students we

�were attracting were less and less interested in a linear kind of thing that
computing implies. And at the exact same time, a very powerful person on the
Grand Valley campus, Don Vander Jack, saw finally that computing was going to
be a very important curricula item and waged a campaign to move it. And we
were vulnerable because of dying enrollments in that area.
[Barbara]

That's real clear. Okay. Let me just check focus here. Okay.

[Klein]

It was interesting. When I came, there was a core of about twenty students, I
think, from roughly the first year or two of James that were really interested in
computing. And when I left – or when it was suggested I apply for an open
position in CAS by the Provost, let’s put it that way – there were probably fewer
than ten.

[Barbara]

Because? Well, you already said.

[Klein]

I already said. I don't think we were attracting… I think the message of James
was not the thing that was going to attract students interested in computing. And
the students that were attracted to James were turned off by "you can't take the
fourth course until you've taken the first three." I think there was some real
problems with that.

[Barbara]

Real clear. From the position of both an insider and an outsider, I was never an
outsider, you know what I mean, for James…

[Klein]

Yeah.

[Barbara]

Would you care to comment on its final demise? I mean, could it have been
prevented? What should we have done differently?

[Klein]

I don't think anything could have been done, not in the context of Grand Valley.
Grand Valley was going to make itself look like every other college in the state.
Because I think, at that time, there were some serious enrollment patterns
though James was doing just fine. If you want to look at James vis-à-vis
Seidman, the enrollment in James was – to my recollection – just as good as the
enrollment in Seidman. But I think the powers that be wanted Grand Valley to
look like every other college in the state because they were taking enough flak
for not being like every other college in the state.

[Barbara]

If you were to sum up James – the key to what we were trying to do or were
doing – in a sentence, what would that sentence be?

[Klein]

Wow. That's a hard one, Barb. Well, something that my wife and I have been
talking about a lot lately – and that's growth. Personal and intellectual. And I think

�to my mind that's what James was more about than anything else.
[Barbara]

You're a great interviewee. You say it!

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Deanna Morse
Date: 1984
Part: 1 of 2

[Barbara]

Okay, if you would just start out, wherever you want, talking about the difference
of teaching at a conventional situation and teaching at William James.

[Morse]

Well, one thing for me is the observation about studying both places because I
studied at a conventional school and then I got my master’s degree from
Goddard. And for me the difference between the two was like night and day.
Because what I found in conventional school was that a lot of the emphasis is on
grades and how one would perform. And at Goddard a lot of the feeling was what
you can do with that… whatever the learning is. And I guess I've seen that at
Grand Valley, too. The most obvious thing for me is that when I give students…
after students turn in films, I write comments to them on their films, you know,
with long comments… a page or two. And what would happen at William James
is people would read my comments, and they would take it in, and they would
respond to it. And in grade situations, what I find, is that people immediately turn
to the last part of it, see what their grade is, and then factor all those comments,
you know, on the basis of what that letter grade was. And to me that's the least
important part of the learning. The important part is the feedback. But what I find
students do is they just look at the grade. And even some really good students in
this term, in fact, came to me and said: "Well it's getting near the end of the term
and I wonder how much, you know, how much my grade would go up if I redid
this project." And it's totally unimportant what the grade would go out. The real
important thing is how well they can do the project. But the incentive to do it well
seems to be not there in the graded system.

[Barbara]

But that's the opposite from what people who advocate grades… what most
people say. They say you have to have grades or else people won’t work.

[Morse]

No, I didn't think that was true at all. At James what happened was people
worked because then they enjoyed the work and it had nothing to do with how
you evaluated that work, in terms of A. B, C, D, or F. But they did the work until
they felt the work was right. And in the graded system I find people will say: "Well
I was only a C student in high school, so I don't have to do any better than a C
now." Or: "I was only a B student in high school, so I’m satisfied with a B." Or: "I
was only a D student in high school, I'm satisfied with a D." And then don't try to
make themselves better. And that for me has been the biggest frustration… is
moving back to grades.

�[Barbara]

Okay. What other differences in teaching are there that seem important? If there
are any… excuse me.

[Morse]

Besides the grades? The grades is the big one, for me. The other stuff… it's
harder for me because I always thought James' requirements of the milestone
were a little wacky anyway. And I never quite got a sense of what a student had
to do to complete their study plan. And I feel, hearing Richard, I feel part of the
difference is really a difference of a nontraditional school within a larger structure
versus a school that's nontraditional all the way through. I don't think those
questions come up at a place like Goddard or a place like Evergreen. But within
William James what happened was it seemed like people trying to sort of mold
the alternative ed. to make it fit into what people could see as parallel to
traditional requirements. So that part of it to me hasn't been a real difficulty. But
the grade/non-graded aspect has been the biggest one. And the fact that at
James the nature of the students were different. We got people that were older
and were coming back that really wanted to learn this area and now it just seems
like we're getting a lot of eighteen-year-olds that just want to go to college and
someone told them that film was interesting and they're studying it. And a lot of
that kind of thing.

[Barbara]

What would you say, in your experience at James, was the thing that was most
valuable to you or to, you know, the most valuable to the universe? What was the
best thing about being there?

[Morse]

Well, I think the feeling that you were participating in something that was looking
for answers, rather than just fitting into a structure that people accept as the norm
for no apparent reason for it. That's really for me… and there's no reason that we
should accept the fact that traditional education is the answer. It, you know, just a
thing… "Well, I did it, so other people should too" or something like that. It has
nothing to do with really questioning what students need to know or what
students need to learn. It just seems to me that traditional education is based on
tradition, basically. And it just sort of comes out of that need of knowledge.
Whereas at James what people were doing was saying: "Maybe there is a
different way to approach education, what would that way be?" And everyone
was sort of seeking that answer. And participating in that environment was the
most important overriding aspect of what made it special to me.

[Barbara]

I think that's a wonderful answer, because I agree with it; however, I wonder if
there's something… a specific manifestation of the kind of things we were doing
that you could also mention. That's an attitudinal one, and I agree – it’s basic –
but is there something we did in classes, or in council, or something, that you can
mention that you really miss now or that you think made things work? Because
you were in such a pragmatic place, it wasn't just attitude, things were worked

�out.
[Morse]

I don't know. I think it really, for me, it was just that sort of overriding attitude
which manifests itself in counsel and all the discussions. And I remember sitting
in rooms, and looking around, and saying: "People have such a variety of
attitudes and opinions about things. I can look at these people. I can see their
opinions, I can see their attitudes, I can see how they manifest, I can accept their
different viewpoints as all being valid.” And somehow, within this new system,
you don't have that same… it's not that same sort of flexibility towards accepting
that there are different approaches. That's really… it's very fundamental and
basic.

[Barbara]

Do you think we failed?

[Morse]

Oh no, no. And I get real angry when people say that the college was an
experiment because to me the sort of connotation of that is: if it is no longer
existing and it was an experiment, an experiment failed. And I just don't buy that
at all. And I always tend to jump on people or call in, you know, when people say
that it was an experiment and it failed and that's why it's no longer there. That
wasn't it at all anymore.

[Barbara]

Why isn't it any longer there?

[Morse]

I'm not totally sure why it wasn't there. In fact, when I came it seemed like the
college was on the verge of folding. I remember the first faculty meeting that I
came to, Adrian started the meeting by saying: "If we make it through the year,
we'll be glad." And I went up to Adrian at the break and I said: "If this is true, why
am I here?" You know? I mean why did I bother coming to school that's already
on the decline? And I guess… I don't know how many years. Let’s see, I've been
at Grand Valley five. It must have lasted about three years after that… after I
came.

[Barbara]

What year was that?

[Morse]

Seventy-nine when I came. When did it close?

[Barbara]

Eighty-one.

[Morse]

Eighty-one. So yeah, it was just two years. Not long.

[Barbara]

And that was supposedly the bad two years.

[Morse]

I think I missed the hay-day of the college and I think I did come in at the tail end
and the part when I came in was… I was hired in the week that they took

�computers and management out and all that stuff. And TJC was closed. The day
that I interviewed I think they announced that TJC would be closed, so I came at
a real down time for it. But I remember when I went back to Denver after the
interview, I knew that I would take the job if it was offered because I knew that
working in this place would be a once-in-a-lifetime type of opportunity. And, you
know, that was why I came.
[Barbara]

What was the thing that didn't work most, in your experience? What was the
worst thing?

[Morse]

At James?

[Barbara]

Yeah.

[Morse]

I had the most problem with study plans, and I always felt that there was some
sort of a hidden agenda to what would be expected on the study plans. And I
remember having many long debates with Barry Castro, and other people, about
why we just didn't articulate what we were looking for on study plans because it
seems like we were. And that was the biggest area of dissatisfaction for me with
students… was trying to help them design a study plan that I felt other people
would accept. That was my biggest problem.

[Barbara]

Why do you think they closed us?

[Morse]

I don't know. I think that… I'm not real sure. I don't think it was politically
advantageous for them to keep the college open because they had gotten a lot of
bad press in the community and people in the community didn't understand – not
so much with James but with TJC. And they put James, sort of, into the same
ballpark as TJC. It's alternative ed.; it doesn't make sense. We can't articulate it.
We can't say in one sentence what it is at the college, what it means. So, I think
that was probably why it was closed. But it's not totally clear to me why it was
closed. It's also, in some ways, not clear to me why it held on as long as it did.

[Barbara]

You came here and felt very comfortable here. Had you read a lot of William
James philosophy?

[Morse]

No, no I didn't know anything about William James.

[Barbara]

Why do you think you felt so comfortable here?

[Morse]

Well, I think that my own background in alternative ed. had the most to do with it.
What happened to me was that I went to an undergraduate school that was very
traditional and when I graduated with my bachelor's degree, I said that there was
no way that I would go on for, you know…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard Joanisse
Date: 1984
Part: 2 of 2

[Barbara]

We have everything. Don't you think Gerb?

[Unknown]

Yeah. We're pretty sure.

[Barbara]

When I say, "Don't you think Gerb," you know what that means?

[Joanisse]

Check the damn thing over.

[Barbara]

Make sure it doesn't screw up.

[Joanisse]

You are what is called the sous chef. That means he's just, what, a little guy in
this thing right?

[Barbara]

No, no, no. He is wonderful.

[Unknown]

Alright now we're not talking about me.

[Joanisse]

We're not talking about him, were talking about his position. Don't confuse Gerb
and his position.

[Barbara]

Anyway, Richard, we're going to start talking. What is the differences in teaching
in the current system and teaching at James?

[Joanisse]

Well, I think that when I first came to the new college I was sort of, I think,
catered to a little bit. I was made the chairperson of the senate and put on a lot of
committees and things. And I said, "Well if I'm in the new system, what I should
really try to do is to get acquainted with everyone and to try to involve people in
the governance of the college." And at the Dean 's request, I went and met most
of the faculty and I sent them a memo and I had him send a memo out – a
threatening memo – the second time around. Because the first time nobody
showed up for any meetings. The most we ever had of a faculty of something
between seventy and eighty was fifteen people who turned out. So, I went
around and I started to talk to people and asked them why. And most people feel
in the division, I think, that you shouldn't really involve yourself in any of those
kind of things. They're not seen as a chance to involve yourself or to have a say
in how colleges ought to be governed. They're always seen as obstacles to your

�freedom, in some ways. They're a pain in the ass to do them, they don't bring
anything back, it's all a farce anyhow, nothing really happens, it's a waste of
energy.

[Joanisse]

The key, I think, to understanding how they feel is that in some sense they’re
never really included. There is an invitation for them to attend things, but the
decisions that are made are never their decisions. And that was so true when I
went over there. The Social Thought and Public Affairs, which I'm a part of,
picked a particular person to represent them, overwhelmingly, and then
submitted first and second name. The second person I believe got three votes,
the first person, I think, got twelve. The Dean overturned the decision, and when
someone asked him why he said: "I didn't say that these proceedings meant
anything." And so, somebody who was leaving turned to me and said: "You think
I'm going to go to one of your stupid meetings? This is the way things work over
here." I think the real difference there is I think that William James, for the very
first year that I arrived and we were building up the college, we made it clear to
everyone, as well as to ourselves, that the college would be governed by us. I
think we created the structural conditions for participation of everyone. And so
that everyone had a voice and everyone was listening. And I think that's what is
embodied in the council itself. And the Dean certainly, as the head of the college,
can always overturn the decision. But if you remember that we had a particular
way of making the Dean… if a Dean wanted to overturn a decision, remember
what we would do is say to her… she had to say that it was… a what? A great
event or something or other. And, I don't know, it was forcing her again to say
that something that happened was extraordinaire and therefore she was going to
intervene. I can only think maybe two or three times in at least the first ten years
of the college where such an occurrence to place.

[Barbara]

Do you remember any?

[Joanisse]

I think the decision of Burt Brower was sort of a bad decision and the Dean used
her power there in appointing people, I think more than anything else. And some
policy decisions… Adrian felt that she knew more information and she would
work on people on a very intimate level. Which is, I think, the way that William
James worked. And I'm not suggesting William James wasn't coercive at that
level either. You couldn't, you know, use people intimately as well as you can use
them sometimes bureaucratically. But I think that what William James did have,
and something which this place lacks, is that people got used to the notion that
they actually have an input and that they, in some sense, were not required to
participate, but that participating was, in effect, one of the responsibilities that we
had. And it was a responsibility that most people and William James accepted.
And that most of the major decisions of the college took place in the council,
openly, where people could say anything they wanted to say. I've been in this

�unit a year and a half and nobody says anything in public. So, there is no public
discourse whatsoever here. There are private statements made about people
behind their backs, but people will not say in front of anyone. So, when we have
had meetings, the meetings have come to naught. I never felt that kind of
cynicism at William James. And I never felt that in William James, even at the
end when William James was changing drastically, it seems to me, and the
council wasn't as representative as it was in the past, it was nothing compared to
the situation that I'm in now.
[Barbara]

So what can you as an individual really do when you're put in a structure that
doesn't give you any opportunity to be responsible? What do you do?

[Joanisse]

Well, very little. I think that I've tried to have an effect on this college. I mean, my
metric at William James is to bring people together. And I'm now with the Dean
on a book club and…

[Barbara]

What's that?

[Joanisse]

A book club is where people come together who are interested in reading
something. I'm also the person who invites guests so we have a committee for
intellectual ideas and I invite various faculty people to give speeches. But the
sense of the community is not there. These are all individual endeavors. At some
institutional level, we're trying to create a sense of community, but the experience
isn't there. What we're trying to do is to create an experience, but I'm very
skeptical of what's happening here.

[Barbara]

Teaching, how is teaching different?

[Joanisse]

Well, there are grades. I mean, you have more students and the students are no
better or worse. I think that the students are not in there because they want to be.
Let’s start there. The caliber of the students are not that different, but students in
William James took a course because they wanted to take it. Very seldom did
they feel coerced, in some ways, to have to take a course. Most of the things that
I teach now almost, without exception, are to meet general education
requirements. Out of a hundred students I taught in social problems last year, not
one of those students is a student majoring in sociology. Not one. So that means
that in effect I'm teaching students because they have been told they have to
take something. And I think that makes an enormous difference. I never have a
student come to my office unless there's a question about a grade. My office has
never been used; I've never been used by a student.

[Barbara]

Never?

[Joanisse]

No, not in the general education. I'm not talking about students who might be in

�sociological theory or something like that. But of these students, I can't name any
student who's come to me and simply said: "I'd like to talk to you about
sociology." I think part of the problem there is that general education courses are
considered, by most students, to be irrelevant anyhow. But that experience you
would've gotten at William James… you would have gotten the curious student
who might've been interested in what you were talking about, or in ideas, and
that you don't get. I'm not suggesting that these students are interested in that in
their own field, but by the time, you know, when we get them, they're not
interested in those things.
[Barbara]

You said that you were thinking of writing a paper but didn't tell me what about.

[Joanisse]

Well, the one thing that I find impossible to explain to anybody is what William
James was. And I always had this sort of paper on the phenomenology of William
James. In other words, phenomenology is always after the question of meaning.
And I was trying to say to people: "What does it mean to be in William James?
And what was William James?" But I was asking the question from the fact that
nobody I've ever talked to who is not a member of William James ever
understood what William James is. Now that's terrifying because that's almost
like being in a cult and trying to tell people who don't understand what a cult is
experiencing. And I don't think we were a cult. I don't think there was anything
hidden or mysterious about what we did and therefore it's scary to me. I can
understand why people who are on communes, who want to hide from the
outside world, and whose experience it seems to me and the kind of beliefs they
have may be, in some sense, different from the outside world. But we were
offering a traditional state institution in the same environment, no more than ten
feet from anybody else; we publicized what we were doing and yet I have never
met an outsider… let me give you an example. Jock Bliss and I were in a
meeting – Jock Bliss is the director of public relations Grand Valley. When the
demise of William James was imminent, he said to me: "I don't understand why
you're so upset Richard, if you are such a good teacher you should be able to be
a good teacher any place. Isn't William James just really a matter of style." And
now, I wasn't offended. I just… something clicked again. I said: "My God here it is
again." I mean we were a school about, in some sense, communication; a
substantial part of what we do and nobody understands what it is that we're
doing. So, it was at that point I said I should write a paper really titled something
like "The Phenomenology of William James; or Distortions of Communication"
and try and see what is it about what we were doing that was distorted? Why did
people perceive… I'll give you a second example. Carl [inaudible]… don't ever
use these names… [?] said to me one day: "I never could understand why you
people work so damn hard, but now I figured it out." He said, "you had,"…
"because, Christ, if you didn't you weren't going to survive." And I says: "That’s
what it was all about, Carl." I said: "I mean we really… we had to do it." He said:
"Yep, I just had to do it." You know, so everybody had some kind of sense of it.

�And even Chris, one time, said to me: "You people really couldn't do all the
things you claimed. You really didn't teach all the stuff and know that stuff, did
you?" And I said: "You know, if you do one thing for ten years, you can be the
best at it." But I said: "For ten years, what your reward is, is to do things with
other people and to learn what other people are doing." I said: "You can be very
good at that." And I said that… so I stood back: There's another miss… but these
are… this person's my friend. This person taught at a school that was,
presumably, in some sense, alternative too. But the bottom line of coming for
Chris was: "I just don't really believe you people were about what you claimed
you were about." And so, it was from that misunderstanding… and I'm not saying
in effect that we were what we said we were, in the sense of what we were
publicly to people print. But the point is – in some sense – whatever we thought
we were, and what we are to each other when we speak to each other about
what we were, no outsiders have ever understood. And so, there’s something
wrong someplace. And I thought it would be marvelous to write a paper about
what it was.
[Barbara]

What do you think it was?

[Joanisse]

Well, I think in part – if I start with the negatives from our own side – I think in
some sense in order to be successful, we had to isolate ourselves in some ways.
To immerse ourselves in our own interpersonal relation, we have no friends
outside of William James… most of us. As a good example, all of our intimate
relationships were with people [?]… that's still true for most of us even now after
two years. If we had a party, most of us would’ve invited people from that college.
So, it was very difficult for us to know, in some sense, what was going on
outside. I think at an institutional level, we were very open about what we were
doing. I think that at an interpersonal level, we were very close and we liked each
other a lot and we had no energy leftover for anybody else. At an institutional
level, we were just willing to please anyone about what we were doing and
publicize anything. I think what we thought is that people would actually be
concerned and read about it and understand it. And I don't think most people
read it and I don't think most people perceived exactly what we were doing. And I
don't think the problem, necessarily, was the way we were saying it.

[Barbara]

Do you think that part of it could be so much of the thing was experience –
experiential – and then we put an intellectual, verbal gloss on it for other people.
But what James was really about… which is why we would throw students into it,
and they would flounder for a while, and then they would start experiencing and
being active, and then they would understand. But it was an experience that they
had to go through. So, when you just write the stuff down or verbalize it to other
people, that experiment component is missing and they're never going to
understand it.

�[Joanisse]

These are people who don't hold much to these kinds of experiences. And
certainly, these are people who have not had the kind of experience that you're
trying to articulate.

[Barbara]

I know… that's what I'm saying. They can't understand. It's interesting, the
Jacque Barzun book on James that I'm reading now says there was a certain
group of people, always, you could count on year after year that just didn't
understand James. Could not understand the English words that he was writing
down. Did not know what he was talking about.

[Joanisse]

I also, I just didn't want to leave this out. I do think that in the first ten years of the
college… I want to make some distinctions: certainly, all the time Adrian Tinsley
was the Dean, I think, most of us had an incredible commitment to teaching. And
lots of the evidence indicates that schools are different. The thing that makes him
different is the kind of commitment and motivation you have in your faculty. The
real keys is to try and figure out how that commitment and motivation was tied to
structural variables. What did the college do, in some sense, to enhance that
commitment, to reward people for being highly motivated? And it seems to me
that goes back to what we started with and most people felt it was their
institution. And that the experiences that they had had, in the institution, had
some kind of effect on the outcome of what they were doing. So, one was talking
about pedagogical interest or one's philosophical concerns. One could go to
one's colleagues and talk about these kind of things, and raise them as an issue
in the council. And we did that, it seems to me, constantly. And realized that what
one was talking about was not bullshit; that it would have an effect. That some
decision would come out of this. That some policy, it seems to me, would be
initiated. That's not true at a place where we're at now and think only a fool would
think it is.

[Barbara]

It's not true for us and it's not true for the students.

[Joanisse]

No.

[Barbara]

Similarly, yeah, I asked you this before. I phrased it badly but were we
responsible for the closing of James or how were we responsible?

[Joanisse]

No, I don't think we were responsible. If you look across the country, there are no
alternative schools that are still open. Evergreen would be an exception, but you
know Santa Cruz is no longer an alternative. None of the other schools that were
alternative when we started exist. I think that in some ways we are as much a
victim of the changing economic situation and the changing historical
understanding of education. And as a broader thing, at a more local level, I think
Grand Valley simply got to the point where it no longer felt that it could deal with
the confusion that the alternative colleges produced. So, you're looking here

�more, it seems to me, at public… an attempt to develop a public image where
people would no longer be confused about Grand Valley. I never met anybody
who ever understood at the administration or in admissions what Grand Valley
was about. So I think that there had been enormous pressure in the last four or
five years before the closing of the colleges to get one college. Both from the
faculty in a large unit and from the administration. And with the closing of
Thomas Jefferson, I just think that it was inevitable that William James would
close. So, whether or not William James was successful or not I think is
irrelevant. The only way that it could've been… there was no way I think it could
have remained open, regardless of how successful it was. If it had more
students, if its students had been successful outside. I don't think it was any
criteria that one could use to point to and say: "Oh it's a successful institution,
let's keep it." That's why I said before, I don't think it was failing. It wasn't on the
basis of its failure that it was closed. It was on the basis, it seems to me, of
outside forces. And certain kinds of the inside forces that felt this is an excellent
opportunity to get rid of this cluster that seemed to drive everybody mad. And the
minute it closed everyone came up to me who worked in admissions – because I
was a Representative of Admissions at William James – and said: "Boy! Now it's
going to be easy to explain what this is all about." So, I think there were a lot of
people who wanted the colleges closed, who had no animosity towards the
colleges. And lots of people who wanted the colleges closed because they never
understood with the colleges were about.
[Barbara]

Interesting. Interesting. Why don't we stop and check, okay? That's also
interesting when you're talking about the whole notion of pluralism.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard Joanisse
Date: 1984
Part: 1 of 2

[Barbara]

So, I don't know if this is something someone can answer off the top of their
head. If you were trying to prioritize what was the most… the most valuable thing
that James was? If you are prioritizing… is there a way you can prioritize or was
it such a unity one could not draw out?

[Joanisse]

Well, I think maybe there were two or three things… I may end up only saying
one or two. I think the commitment to teaching… and you know everybody says
they're committed to teaching, but I mean teaching is a way of life at the expense
of everything else. And I guess at that point it would be if you did research, if you
were interested in furthering your career, you really were going to put that on the
side. I remember my adviser telling me when I came from Chicago, he said:
"Richard, they'll eat you up there and you'll never be big league." And I think, you
know, it took me a couple years to understand what he meant, but I think that in
the first three or four years I was here, I certainly was working fifteen hours a day
and loving every minute of it. And it's like you immersed yourself in it and I think
after a while when you didn't have to work as hard… when you weren't building
the institution, the commitment to teaching, it seems to me, was still there. But it
wasn't a commitment at the individual level alone, and that's the real distinction
we have to keep bringing up. You can only create that kind of commitment by
institutionalizing it. You do that by having colleagues who are equally committed
and motivated, by rewarding them for that and for creating those conditions that
we talked about before that allow people to participate and to help to evolve what
a college is all about and commit themselves to a particular kind of philosophies.
All of that meshed together, allows commitment to keep on going. If you go to the
institution I'm in now, they say: "You always have good teachers." And what
they're saying is there's always individual people. Like cream rises to the top who
will always be there, and the rest of the people are sort of like, you know, they're
mediocre or they won't do it. And I think at William James we just said that's
baloney. We can bring people in who might, in some sense be individually
motivated, who might have the kind of characteristics that were looking for. But it
was a gamble with most people we hired. But if we got them in William James,
we believed that what we were doing at William James would transform the
person.

[Barbara]

That sounds religious!

�[Joanisse]

Well, there was a religious kind of experience at William James, I think. In the
sense that, especially in the notion, it seems to me, of community. But I think that
when you come to the place where I'm at now, it's always back to individuals. It’s
always back to some people are motivated, some more highly motivated, and
you rewarded that person for being motivated.

[Joanisse]

You don't create a kind of sense that maybe what you ought to be doing, you
ought to be doing together. In fact, what you do in this institution is you created
just the adverse. What you create here is the condition for the separation of
individuals, who begin to see themselves as in a deeply atomized situation where
whatever they're going to do, they're going to do solely for themselves. And
they'll be paid for that either through money, or prestige, power, or influence,
whatever it is. And they have no connection to anyone else. And I think that
implicitly or explicitly the institution has, in some sense, agreed to that. I think it's
more a kind of implicit contract. Where at William James we invited people in and
said: "Look what we want from you is openness, a receptivity or something, to
what we're trying to do. If you don't like it then you certainly are free to leave, but
what we do here we do together. And, you know, we do try to create committees,
and we can try to create organization, and we do try to structure the college in a
certain way. But you are in the person, it seems to me, through a lengthy
conversation that we've had over the years in which continually evolves and
change. You are part of that." And I think for most people, an example of
someone coming in later would be like Deanna Morris or somebody like that.
That's real… that was a really important experience and those people were able
to change, and accept what we were trying to do, and accept, it seems to me,
willingly. It wasn't, I don't think, coercion on people. There's a coerced notion of
community. What we used to call, remember, jokingly people would say: "Did you
want to do this?" And we would say: "This is called voluntary coercion," or
something. And I think that at some point… that happens a lot in what you might
call religious communities. People are constantly being coerced. I don't think that
was true, necessarily, at William James. I think that we actually could see that
worked. And worked hard to create those kind of conditions that would continue
to make it work. And I think that we did end up producing something, we did have
a student who is intelligent… we did have students, as some people have said to
us on the outside, who are inquisitive and creative. Our students seemed, at
least as teachers, to be good. And I think I always measured my students from
what they came to me as and what they left us as. And I always thought that they
left us better persons and better students.

[Barbara]

Who was this adviser and how could he sense this was going to happen to you? I
don't understand. Remember you had this adviser that said they were going to
eat you alive?

[Joanisse]

Well my adviser was at a research institute, University of Chicago, and at that

�time when I was at Chicago it was rated number one, I think. He just thought that
if you go to a small school, and you just spend so much time teaching, that you
really can't produce the research that would be essential for you to make your
name. And that in a very hard, highly competitive academic situation like that,
you would start falling further and further behind. Of course, that wasn't a
concern of ours then and it wasn't a concern of the college. And that's what I
mean by the college never produced any pressure on us. And never saw us as
trying; in some sense, in this case we were very close to Marx. In some ways
both in Rousseau, and Hegel, and Marx there's a notion that there's no
distinction between the state and the individual. We came as close, in some
points in the college, to really believe that we were William James College. And
therefore, the decisions we made were not being made by somebody else and I
think that was very important for us. And certainly, some people can think that we
fooled ourselves and I think I can be critical… I can come back and say “wait a
minute.” But I think for certain moments in the college, I think that we really didn't
only believe that – I think it was true. And I think that makes an incredible
difference in what you're doing. There's no separation then from what was
administrative and what was teaching. They were both, in some sense, they were
as close as you could possibly get them. That doesn't mean to say there weren't
tense situations or disagreements and it certainly wasn't true the council ran
smoothly all the time. But I think, on the whole, I think that the feeling that this
was a college that was whole in some sense, at least that's what we’ve just been
talking about. I think for some of us that there was a real strong feeling that that
was the case.
[Barbara]

[Clapping] Beautiful sound… that was good.

[Joanisse]

I didn't think of that until just now, but I was thinking – Marx tries to make this
point and so does Rousseau - that when you're talking about… how can you
have a state have power and you know what Marx says, “Well, the state is you,”
you know, I mean there is no alienation. If the state were to represent the
working class, blah blah blah, all that stuff like that. Then you figure at some
moments at William James, if you move away from individuals and make the
connection between the institutional processes, like committee work, and
governance documents, and the collective kind of representation that we had.
You put all of that together… you come as close as you possibly can but there
wasn't any separation. And you get into the unit that we’re in now and that's all
you feel is separation. It's very difficult then to turn to somebody and say: "What
kind of experience did you have?" Because the experience, you see, was not
existential alone. It was both a socially produced phenomenon and an existential
kind of commitment brought together.

�[Joanisse]

That was the real thing about William James… that it created through structural
arrangements, through its committees, through its working with the Dean,
through its understanding of what it was trying to be – I mean its pedagogical
statements, it's philosophical purposes – and through the council a set of
relationships that solidified the motivational and existential commitments that
were perhaps already there. And if they weren't there, this certainly brought them
out. And it’s that connection, it seems to me, that we always have to understand
at William James. I think – and I'm trying to reflect back – I think that's an
important thing. You know it's one thing to say you have good people, it's another
thing to say that, you know, that you don't need… there's no place for that to be
collectively representative. We did have a collective place that things could be
represented. And we have damn near committees for everything; I mean we
weren't left off. And I think, in the end, that thing we talked about before – that the
belief that what we did in these committees and in this council were actually what
we were. I mean, there was a product produced. And the product, in some
sense, it's a product of a set of ideas, or a matter of policy, or changing
understanding of the relationships between students and faculty. That was it! It
wasn't going to be something going to somebody else. This is very important
because if it did, it wasn't our fault. And this is a very important point to
understand about why, perhaps, William James, was so close. Once we had
made these decisions collectively, if the central administration decided not to
accept them, then fuck them, you see! They weren't us anyhow. So, we had this
enormous protection, it was wonderful. I mean, if you think of it in those terms
there was an internal dialectic but also an external dialectic in away. So, we
could really come up feeling wonderful even when we were defeated. And
sometimes I've always wondered – when I'm in very pessimistic moods –
whether our success was not condition on the fact that this outside world outside
Grand Valley and that they were always sort of out there and they were different
than us; they were our enemy and “they just didn't understand us.” And that
certainly - it seemed to me in some sense, just in structural terms – helped us to
be what we were. But I don't think it's what we… I don't want to get creative as
well, but it certainly lend, you know, a little push for us to keep that kind of
closeness in. But my point was that when we collectively agree upon something,
and decision was made, it went out. And then the Central Administration could
say: "We don't accept this." But see, what we had done is… we had made a
decision as a college… had agreed on it. So, we could come back and mourn,
collectively, as a college for their stupidity, for misunderstanding, or the fact that
they were conservative, or whatever. And it's a wonderful situation because we
could never lose.

[Barbara]

Until we lost.

�[Joanisse]

Until we lost! Lost almost everything. I didn't like William James the last two or
three years, though.

[Barbara]

I was going to ask you about that because Rose said you were talking about that.

[Joanisse]

I didn't think that… I lost my spirit really. You think back to the old days, you
know, Bob Carow's office down the corner. Man would come and went by like a
bird, you know. You'd say: "Hey Bob! Want to talk for a minute?" He'd say: "Oh
sure." You'd start talking, he'd say: "Oooohhhh too heavy, Joanisse, too heavy.
I'm not into that. See you later!" But the real distinction, I think, was when some
of us started to see that the Dean was a dean, in the sort of a classic sense of
the word, and whose interest we're certainly not the same as ours. And his
interests on very few occasions even overlap with ours. Then it became
apparent, I think to substantial numbers in the college, that we had lost
everything. And at that point, just began to see it really as a kind of a job. And I
really had mixed feelings about the closing then because I didn't think it was
going to be able to stay the same; I don't think we could've gotten anybody in
after having this person. And I'm not suggesting he's a bad dean or anything. I'm
just say his understanding – with the Central Administration – as to what to
college should be, was no longer the understanding of what the college was. And
at that point it seemed to me the last two- or three-years William James was not
the college that it used to be. And that may seem like a minor point, but if the
point we were talking about before has any meaning at all… that in a sense wemost of us believed that we were collectively doing something. The minute that
was there was that cleavage… the minute there was that separation and that
distance, then I think there was an enormous amount of distrust. And that was
the first time we began to see real factualism in William James. People, for
instance, who began to do things on their own, or who wanted to leave William
James, or who wanted to go into the College of Arts and Sciences, or people
who saw that the Dean's decisions were more important or more pragmatic, or in
the long run were better than the decisions of other people. And so, you begin to
feel some real open animosity and…

[Barbara]

[Inaudible]

[Joanisse]

But I think once that it happened, I was…

[Radio turns on from off screen]
[Barbara]

This will not do.

[Joanisse]

We should be close to finished though.

[Barbara]

Yeah, we are. This is not reasonable. This is not reasonable! [Speaking off

�screen to another person]
[Unknown]

Where did that radio come from?

[Barbara]

But you're right, we are almost done. That was just brilliant. If, see… if you have
an answer to this, and if we don't – we’ll stop. If you were going to do it all over
again, one of those stupid questions… not the last few years, the good ten
years…

[Joanisse]

You mean at my age, right now?

[Barbara]

Nay. I don't mean it literally. Is there something that you can see that was like a
critical lack or critical imbalance? Something, with hindsight, that should have
been in James that wasn't?

[Joanisse]

Jeez, that's a hard question. In William James… no, I think we did very well. I
don't think we were perfect, by any stretch of the imagination. I could go, you
know, do an hour of criticism and stuff like that. But I think, given the kind of
students we had, given the kind of location that we were at…

[Barbara]

What kind of student…?

[Joanisse]

We had, basically, lower middle class and working-class students. We do not
have students who go to Grinnell or to Oberland. We don't have schools like at
the new School for Social Research, which is very much like what we are, but
who students are perhaps, score-wise and that, hundreds of points beyond ours,
who don't have problems in writing and conceptualization who are, you know…
and who have the support state-wise of the institution. I don't think from the very
beginning of this college…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Krystal Miller
Date: 1984

[Barbara]

How did this happen? It still sounds like magic.

[Miller]

We talked a lot about power and taking your own power. We talk about authority;
authority coming from the word author, and who is the author? And that you give
people power or you take power yourself. And thinking about how you used your
own personal power. We talked a lot about ourselves – it wasn't just educational.
It was something that was out there, away from us. It was something that was
within us and that you had to look at who you were and what did you want? What
were your emotional needs? And it wasn't just, you know, facts and dates that
were somehow removed from us. We were involved in the world and could
create change and that change came from individual. That the old grassroots
movement, which is a phrase from the sixties and seventies, but you can't really
go out there and make the world change. What you can do is change yourself
and be honest and deal with people and try to be honest and then that change
can create change in other people sometimes. I mean you can't force it, but by
doing your own thing that's one person changing and if every person works on
their own self then that creates a change that is more powerful than the political
revolution.

[Barbara]

But how did this happen in courses? I don't understand.

[Miller]

Sometimes it always didn't happen in the classroom. Sometimes it happened
when you were talking to people afterwards because the conversation seldom
ended right in the classroom. Sometimes it happens when you are at home
alone. And that if you kept thinking that… we talked about if you kept thinking
change was everybody else and not you that you weren't doing it, you were just
intellectualizing about it. I don't know.

[Barbara]

That's fine. I didn't want to cut you short. I had a real sense of real
communication during all this part, you know.

[Miller]

I'm trying to think about how that happened in classes though. It happened with
students questioning each other.

[Barbara]

Say that again.

�[Miller]

Sometimes having one student question each other in classes… if you were
saying something that other people didn't understand or didn't think was quite
real – it’s not like you – they jumped on you or anything. But you were questioned
and asked directly: "Why do you think that? Why do you feel that? What does it
have to do with what we're talking about?" And you weren't supposed to remain
just intellectual, you know. All of you was involved in the classes. That's the word
engaged again - that hands on, that looking at something and pulling it apart and
looking at the different pieces. Peeling an onion layer by layer and that things just
aren't facts and dates. We talked about spirit of the times. What were everyday
people doing at that time? How do they think? What did they want? What did
they do? And we just looked at the world more like that, than like "On this date in
history the Declaration of Independence was signed." You know, how did it
happen? Who lead that? What was their thought? Who were they personally?
And that just made it so much more interesting and you learn so much more that
way. I mean, we weren't psychoanalyzing each other in class or tearing each
other a part – it wasn't that. I mean, sometimes there were some confrontations. I
mean it's like sometimes people would get angry, or excited, or happy, you know.
It was there was such an air of excitement in those classrooms sometimes. You
know it's not like every day, it was just the most exciting thing in the world there.
But it happened so often. And I have developed a lot of really good friends
through schools that I still have. We have similar ideas. We weren't programmed
to think a certain way. We were just programmed to think about what we thought.
And to keep working and growing. Growth and change is exciting. It’s scary
sometimes, but it's also very exciting and you know. One of my favorite sayings
is change is scary but consider the alternative. I don't…

[Barbara]

Let me check focus.

[Miller]

I remember there were some folks… some students that seemed really
frustrated, and anxious, and didn't quite get William James College because
nobody told them what to do. They didn't tell them who they had to be, how they
had to do it. Part of William James was figuring that out yourself. What you
wanted. How we wanted to do something. Your own ideas, the internships, the
projects. And that's hard for people who have been always told what to do, when,
where, and how. Especially in an educational or institutional setting. To reach
into themselves and to look within. I mean that's, I think, one of the biggest
problems in this culture is that we're so removed from ourselves, and from
feelings, and how do we want to do things. And I think there were some people
that were real angry or intimidated because they were scared to do that and
needed to be told what to do. And I think William James hard for them. There
were a lot of other people that were so excited at finally being allowed to put their
hands on something and do it themselves and to think! When a lot of times
questions were frowned upon in classes; it was an interruption, it was
insubordinate somehow. And I never felt like that at William James. That the

�more questions, even if they seem sort of silly sometimes, some of the most
incredible discussions came out of the smallest questions. So, you know maybe
William James wasn't the right school for some people.

[Miller]

But part of the reason why I'm angry that it's not still there is that there are a lot of
people out there starving to be able to learn that way and to be involved… to
have their personal self involved in the education and not just sitting in a
classroom writing notes and taking a test with multiple questions. So, that's some
of how we learned how to think or how to be. Just by the probing, keep looking
and keep trying. And if it doesn't make sense, maybe there's a reason why it
doesn't make sense. That there are seldom simple answers. One of the things
that’s been hard for me since leaving William James is that questioning part of
me that says: "But why?" Or if it doesn't work, then let’s change it or trying to
change it is sometimes very scary to the people that I work with. That the
questioning, the "Well, let’s make it better!" is just intimidating to people who are
lazy or scared to death of change. And you can become the bad guy because
they're intimidated and not ever used to seeing change as exciting and
something that makes life and work interesting – the growth. And people are
scared to death to grow. And when you work in a world that is scared of that it
sometimes makes it difficult for you. It's very frustrating to be seen as the bad
guy; to be shut out, to be fired sometimes. And you were the strange person, not
them – they’re comfortable.

[Barbara]

So, was William James education lacking because we didn't learn how to cope
with that dissonance?

[Miller]

No, I think I've learned how to cope with it, but that doesn't mean that it's never
painful, or hurtful, or frustrating. You know, life isn't always easy, and we learned
that and learned to deal with it. But that doesn't mean you don't feel the weight
sometimes.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ginny Gordon
Date: 1984
Part: 2 of 2

[Barbara]

Anyways, so you were talking about community and how… what the quality of
community, I guess, you were talking about. Talk about it some more.

[Gordon]

Well, it was really unusual to have a large group of people to sit together and
discuss things intellectually, respect each other, and make things move. I mean
and they were very reasonable about things. You go in there with an opinion and
you'd listen to, you know, three or four people talk and you come out and you'd
get a much broader idea, a broader sense of the way a college should go there.
The decisions weren't made by one person in an office. They were made by a
group of people and nobody had more control than anybody else. I suppose
legally the Dean could throw out a decision, but I don't think that ever happened.
I think that they voted on it and usually there was a large majority at the end of
maybe an hour or two-hour communal discussion of a problem or situation most
of the time people came out being more dedicated to the decision and how it
affected the whole community, rather than how it would affect themselves
personally. And I think that was one of the real successes of the college.

[Barbara]

It seems as though a very important decision made early on was to hire Adrian.
Do you remember anything about her hiring? I mean we didn't talk about this; I
just wonder if you did.

[Gordon]

Yes, she had been considered the year before and I can't remember whether she
turned the decision down or not. But then the next year she was reconsidered
and asked to be hired and was hired. She did come here, I believe, for an
interview in the beginning, but had another commitment that she needed to
finish. And then the second year she was reconsidered, came back for an
interview, and was hired. And that was the second year, too, of the college, I
believe, when she was hired. Dick Paschke was the chairperson of the Dean
search committee. I remember that and there were hundreds of applications for
that position. Yeah, Robert Toft I think was one of those two… uh-huh. Yeah.
And he was subsequently hired for college four, which became Kirkoff College.

[Barbara]

You brought community up several times and so have I. How did community
contribute to the quality of education? Community’s nice but what does it have to
do with education?

�[Gordon]

Well for one thing, one of the things that the community talked about was the
courses that we're going to be taught. You know, so that affected their education:
number one. Number two: it kept people here. They didn't just come and take a
class and leave. They stayed here. This was like a second home to many people.
They would come in the morning and they had their discussions that were
informal, as well as formal. They talked about your classes; I mean, education
was the main topic of conversation. Another thing that I think that should be
mentioned is the political awareness that William James instilled on the students.
It wasn't just a question of coming in and getting an education, it was how they
could affect the outside world. They were also very much aware of the Woman's
Movement, of the Vietnam War, of all the political things that were happening
around the world.

[Barbara]

Okay, I hear what you're saying. Then when these people went out to get jobs or
– you yourself, because you were a James student – go to a place where there
wasn't community or there's less community where it's very hard to be politically
active. Isn't it sort of like the education was aiming us one way and the society
another and therefore the wrong kind of education?

[Gordon]

Well, no because we have to have… it would make it even more strong. It would
be even more important to have a political awareness so that you could try to
keep other people politically aware who didn't have a political awareness. I can't
see that an education does anybody much good other than just earning a living,
period, you know. It doesn't help humanity any, that's for sure. So…

[Barbara]

Anything else? Great answers!

[Gordon]

Oh well, I don't know, I guess that kind of covers it in a nutshell. Yeah.

[Barbara]

Good answers, too.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ginny Gordon
Date: 1984
Part: 1 of 2

[Barbara]

First question being: you were here at the very beginning.

[Gordon]

Uh huh.

[Barbara]

I just want you to talk about what it was like at the very beginning in terms of
starting from scratch.

[Gordon]

Okay. Well, did you want me to talk about how there was the founding
committee. They wanted to add another college. They were into the cluster
college concept and they were going to be five cluster colleges. There was
College of Arts and Sciences, which they were going to get a name, but they
never did. And then Thomas Jefferson, which was well established. And then
college three, which became William James College…

[Barbara]

How did you get faculty for William James College?

[Gordon]

Well, there was the original committee that was Tom Cunningham, Bruce
Loessin [?]… there were about seven people on that and some faculty members
from CAS that were on that committee. And they advertised and the first person
that they hired was Ken Hunter. They hired Robert Mayberry that year, Richard
Joanisse, Dick Paschke, John Mactavish from CAS, Dan Clock who was in TJC
(he was halftime CA, halftime William James). So, there was John, Richard, Dick,
Dan Clock, Ken Hunter, who else? There were five and a half people that first…
Robert Mayberry! Okay, and they came in early August. They all came here.
They started quite early. And then they met and got the groundwork… the
schedule all made out that was published. Of course, then we were on terms, so
classes didn't start till the end of September. Our first two students were Theresa
Paul and Tyree Anderson, and they also worked on the committee. So, then
there was me, five and half faculty, Bruce Loessin [?] and Tyree and Terry Paul.
And the schedule was made up of about probably, I don't know, fifteen or
seventeen classes and admissions office recruited a hundred-and-fifty-two
students that first year.

[Barbara]

What were you promising them that they would come to a new school?

[Gordon]

They were looking for an alternative education. They all had the real pioneer

�spirit. Those first-year students, by the way, have been quite successful in the
world. Most of them have gone to graduate school. Dick Wilson, do you
remember him? Well, he was in that original hundred-and-fifty-two. So, we
started out with a very small, selective, close knit, and we had all the first floor of
Lake Superior Hall. So, we had our own turf. And we met often between classes;
we had like a coffee room and everybody would sit around and quite often after
classes.
[Gordon]

Formally, we had one or two council meetings a week and informally there was
always a lot going on.

[Barbara]

Who went to council meetings?

[Gordon]

Everybody went to council meetings. We had to have them in thirty-four-thirty-six
with the door open; they were usually packed, and they were always open to
everybody.

[Barbara]

What did you talk about?

[Gordon]

We talked about adding new classes, what we were going to add, what the
needs were; the purchases usually were made on a sort of, more or less, a
communal basis. Governance document was written then. So, there was nothing
when anybody came and we had no government, no structure, nothing. And
everybody… they all had a hand in creating their own institution or organization
from scratch. They didn't inherit any rules.

[Barbara]

Well, did the faculty have more say than the students in creating this?

[Gordon]

Well, in a sense in that they certainly couldn't teach something that the faculty
there weren't capable of teaching. I mean within the capability of the faculty, yes.
But the original programs where the administrative and management, arts and
media, social relations, pretty much environmental studies, and then of course
the synaptic program. Those were all that was established prior to the hiring of
the faculty.

[Barbara]

But you say that this whole…

[Gordon]

The way that the college was going to move… was established, I mean, that was
that they can decide they were going to go into economics or something.

[Barbara]

But the alternative nature of the college was set up by the entire community, is
that what you're saying?

[Gordon]

No, that was… No, the grading/no grading…the grading system was set up by

�the administration. By the original committee they were not going to have grades.
They were going to have honors credit or no credit. They did drop the honors the
second year in or second or third – it must have been the third year. And that
was a communal decision we did.
[Barbara]

When did representation come in? Because by the time I got to James not
everybody was on a council. You had…

[Gordon]

Well, that was all how the governance document was written during the first and
second year. So, that was where representation came in. It was a whole
community, and then they decided how they wanted to rule themselves or govern
themselves. So, the governance document was hacked out, changed a million
times over during the course of the first, I would say, two years. What year did
you come in?

[Barbara]

Oh, seventy-five, something like that. Seventy-five, seventy-six.

[Gordon]

Oh, okay. And it was pretty much established when you came in?

[Barbara]

Okay, how did…

[Unknown]

Hollywood!

[Gordon]

Yeah.

[Barbara]

How did the James philosophy get imbrued in all this? How did this happen?
Was it… did Mayberry lecture or something or how did the community get built
here? What were the ethics of the community? How did everybody learn to work
together?

[Gordon]

Well, let’s see. Well, I don't know.

[Barbara]

Okay, that one's going to go. Do you need Ginny right now? Is that why you
came in? Do you need me to stop?

[Unknown]

Oh, I'm just waiting…

[Gordon]

No, it's okay. I was just… I didn't really understand your question. I really don't
know what you're driving at, it seems sort of a…

[Barbara]

Why don't you talk about what you were saying before we started about the hiring
thing. Where you were getting so many applications. As you could be very
selective.

�[Gordon]

Okay. There were… the first year, there were 2,500 applications. They had
advertised in, you know, I would imagine several academic magazines.
Whatever. They advertise in New York Times, places like that. And there were
2,500 applications. So, the faculty could be very selective on who they wanted to
pick.

[Barbara]

What kind of criteria were they using?

[Barbara]

You were in on a lot of it because it was kind of your decision.

[Gordon]

Well, I think they were looking for people that were, first of all, interested in
alternative education. Secondly, who fit into the categories of the programs that
William James was offering. And then also, they were looking for people with a
very strong background in academia. People who are activists. People who
weren't from the traditional background, you know. Like Lafleur. And they were
looking for women. They definitely had a dedication to hiring women. So that's
kind of, you know.

[Barbara]

This is getting at the community thing again.

[Gordon]

Okay.

[Barbara]

You've been a secretary here. When you were at James, you participated in
decision making.

[Barbara]

In what ways did you participate in decision making?

[Gordon]

Well, I was on the council as an elected member for about two years. And also, I
had the voting privileges of hiring. We voted at the end on who we were going to
hire. They would bring two or three people here per position and then hack it all
out for better or for worse. And I had… all the secretaries had voting rights on
faculty hiring. And the council members, of course, where the ones that had
voting rights on other things.

[Barbara]

Okay. In the years that you've been here, you've seen a lot go on. I wonder if you
think we've made certain mistakes at James. What mistakes did we make at the
college? What should we have done better?

[Gordon]

Well, I think the only thing that I think could've been a little… I think it could've
been a little more disciplined. Not structured in a sense, like exams, or grades, or
anything. But I think that some of the faculty were a little too lenient about
student’s participation in the class and work that was required. I got my degree
from William James. Totally – I took all my courses in William James. So, I was a
student here, as well as working here, so I can speak from a classroom as a

�student as well as a worker. I think that some of the students fell into the cracks
because they had a view that this sort of cavalier attitude, "It really doesn't matter
if we don't go to class. It doesn't matter if we don't get the work in on time. We
still love each other, and I'm a real good friend of professor, you know, so and so,
and so therefore I don't have a problem."
[Gordon]

And I think that some of them are still not being able to cope and are still trying to
get a degree that started before I did.

[Barbara]

And you would be the one to know that because…

[Gordon]

I found as a student that was serious… class I found it very disruptive to
students. I had a real hard time with those that would show up occasionally in
class and then try to participate as if they've always been there and they didn't
even know what the textbooks were. So, that was a problem I had as student. I
think that could've been a little loss… sort of, chummy with the students where it
wasn't important. Because it was important.

[Barbara]

What did we do right Ginny? What was the…

[Gordon]

Well, I think that the level of education was just incredible. think the wide range of
classes was phenomenal. I think that the faculty were absolutely superior. I mean
they came from the very best schools in the country themselves. They were all
very brilliant. The ones that have left, have gone and have been hired by first-rate
schools. They weren't ordinary faculty; they were extraordinary. And they brought
with them a wealth of culture, education, knowledge. They were all so
interdisciplinary. They didn't have one discipline where nothing they taught was
nothing but history, they taught nothing but English or they could teach numerous
amounts of subjects – each faculty. That was another thing that they looked for.
Interdisciplinary! That’s the keyword. And that's something that I missed, in the
beginning, when we were talking… is that they were, first of all, hired on how
much they could teach. And they could… most of them, like Engie, could teach
five or six different disciplines. It was incredible. And they brought all that
knowledge to each class. That was the main thing. You don't find that at all
anymore. So, I don't think I could have gotten a better education anyplace. I feel
real fortunate, you know. And if there were a few flakes that fell by the wayside –
so what, you know? I mean the ones that came out of it… the opportunity for a
superior education was there if you chose to get it. Yeah.

[Barbara]

Good answer. You wanted to talk about why you think some of the faculty
wanted to come here. Because of the area?

[Gordon]

Oh, I think first of all, they came here because it gave them the opportunity to
create something where they could use all their talents. You know, where they

�weren't hired as a quote like Engie hired as a history professor. Period. Where
she taught nothing but history. I think they were all looking for that. They all had
the pioneer spirit; starting something totally on the ground floor. And it seems like
they came from areas where, being close to the lake, having the choice of living
in the city or in the country, on the lake, was real important to them, you know.
It's kind of like going out to the Colorado mountains or something. I mean it was a
pioneer spirit here to come here where things weren't established either. And
they lived in Grand Rapids, they lived in Allendale, and they lived in Grand Haven
– which are worlds apart as far as the environment goes, you know. I always feel
like I've driven 500 miles from the difference between Grand Rapids and in
Grand Haven, you know.
[Barbara]

I was talking to somebody who moved…

[Gordon]

Yeah! So, you had that choice that I would find very attractive coming here from,
say, New York city or you know.

[Barbara]

Ginny, here's a question I ask people, and I never ask it in advance. I want an
answer in a sentence or two: if you had to sum up the core of William James,
what was distinctive about William James? Very briefly. One thing. What was it?

[Gordon]

Mainly doing, in your profession, what you enjoy doing. You know, mixing your
avocation and your vocation into one, or getting it as close to it. Developing your
avocation. Not getting an education for the sake of a job, per se. We all have to
earn a living but not just, you know, engulfing your entire life.

[Barbara]

Great.

[Gordon]

You know I was sorry. I really got nervous when Alex was in here. It just shut me
right off.

[Barbara]

I know, me too. It draws all the… he just comes in…

[Gordon]

Well he was standing there and listening and all of a sudden…

[Barbara]

I was mad at him because he knows what's going on and he knows it's
distracting, so he walks in, does this, went over there. He didn't have to do that.

[Gordon]

I know it. So, I'm sorry that…

[Barbara]

No…

[Gordon]

I don't even remember what the question was now, but I…

�[Barbara]

What you did was you said: "I can't answer it." Which was the honest response,
and we went on.

[Gordon]

Yeah, okay.

[Barbara]

You gave some very good answers. One thing that is so neat is that I ask
everyone that question about what was the core of William James, say it in a
sentence, at the end of an interview. No two people have said the same thing. I
just love it.

[Gordon]

Oh, yeah, yeah.

[Barbara]

And it’s so William James-y. See. We weren't programmed, there wasn't one
thing to hold on to. I've recognized every answer and none of it seemed off the
wall.

[Gordon]

Um-hum, uh-huh.

[Barbara]

You know, but it's all been different. I just love it. I'm going to run this sequence…

[Gordon]

Oh, that's neat.

[Barbara]

Of people answering it. Isn't that nice?

[Gordon]

Oh! That's… yeah! That's the way to do it! Yes! Yeah, yeah.

[Barbara]

It really works. I just love your answer, you know?

[Gordon]

Good! Good! Good.

[Barbara]

I think you did real well. Please think for minute what else you would want to say.
You know what I mean?

[Gordon]

Um-hum.

[Barbara]

Sometimes I walk away and then we go: "What we really should have said
was...."

[Gordon]

Yeah, I know it.

[Barbara]

So just take a second. I think it's a great interview okay.

[Gordon]

Well, let me just mull a couple things around.

�[Barbara]

Keep talking.

[Gordon]

I think that's one of the biggest things that is missed now, but it's also because of
the times – it’s not just Grand Valley, it's not just because William James isn't
here – is that there's no feeling of community anymore. There might be within
small little… like your little film group or you know, your little… but as far as your
feeling community with the historians, you could never. I mean, what do you say
to those people? Or that… I mean, you know it's nothing but…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Linda Rogers
Date: 1984

[Rogers]

I only went there because of the Women's Studies program and a friend of mine
was going there. And so, I really knew nothing about William James, whatsoever,
until I got there and got in my first class.

[Barbara]

And then what did you find out? [Inaudible]

[Rogers]

Well, the first thing I realized is that even though… because I was in the class, it
was Social Economics with Berry Castro, and I felt stupid. I felt like I didn't say
anything and just sat there, and all these older people around, and I was the
youngest person in the class, obviously. But my first realization was that I am
important, and I have an opinion, and I have an eighteen-year-old’s opinion, and
that is important to the class. Just as the forty-year-old over there, her opinion is
just as valid as mine. And all the different perspectives, the age, the different
ages was scary at first, but it was something I had to go through and was great
for my self-esteem. I realized that I'm important and I have something to say. And
people would listen and integrate it. That was probably my first whiff of William
James. And then immediately after that was the no grade. And I didn't know what
to think of that when I first got there, but then I sort of… it changed me. I realize
that I was doing my education for myself and no one else. You know I had to be
truthful with myself because credit meant only, you know, an understanding
between myself and a professor and it didn't project anything to my parents, or
my friends, or my colleagues. It just said credit and I knew what that meant. So,
that just sort of helped me to get a grip on my whole education, basically. And
that whatever I was going to do, it depended on me, basically, to get what I
wanted out of it. And I that was a radical change from high school, very radical.
Didn't improve my studentship, actually.

[Barbara]

Then what happened? So, there you are at the College of Liberal Studies and
you get a sense of the [Inaudible] education and it seems to be working. Then
what happened?

[Rogers]

Then I got a little bit more courageous. Started taking… I felt a little bit more
confident when I took on a new professor. And I started meeting the different
professors and realizing that I liked everything about the school. I liked the
people, liked my professors; I really was enjoying college and I'd been really
apprehensive about it. Then I realized that my professors were my equals. That
they were not something godly or so far above me that I had to think lesser of

�myself – that came soon after. You know just sort of that repertoire that you… I
had with my professors. It was just another great development.
[Rogers]

I've been interested in WIB ever since I had been a freshman because I knew
about it when the paper had come out – it was a real good issue. And I saw the
women in the skylight room folding them, and stapling them, and putting the
addresses on and I'm like: "I wonder how they got into that and how they all knew
each other." And at the time I was still feeling like a girl and I hadn't, you know,
totally realized that I was a woman, and I probably wasn't. So, I was anxious
about… I wanted to dive into it and get involved and be a part of that, but I didn't
recognize my womanhood yet, so I was a little shy about doing that. And finally, I
got to know some of the women that were involved in it and they were leaving
and they're like: "Linda you have to do it, you have to carry on because everyone
else is gone." And so here I was in charge of the whole thing and I had no idea
what I was doing. But by that time, I knew I was a woman… I had a lot more faith
in myself and issues at hand. I was more up on the women's issues that needed
to be focused on in the paper. So, yeah, WIB was a big part of my sort of
extracurricular but at the same time it had everything to do with what I was
learning in classes.

[Barbara]

Did you find any time conflict between the structure of James and Women's
Issues? Was it a difference in support structure; was it policy structure?

[Rogers]

Well, I think it was very supportive at William James. It was supportive. The way
we were looked upon at WIB, was sort of, from the people that were not directly
involved with James, we were sort of looked at the same way as some… the
perspective was a little bit more radical or whatever. I don't mean to use that
word, but different and alternative and so I think in the same way that WIB was
threatening, James was the same sort of threatening feeling that people got. And
I think that's probably why I was brought or dove into the WIB stuff immediately
after James was gone because it filled that gap.

[Barbara]

Okay, tell me how you lived through the changes through your organization.
What happened in your organization?

[Rogers]

I lost a lot of contact with – probably was my own fault – with professors. I mean,
it was still students around and I knew that I didn't need four walls to keep that
comradery and that community feeling. You know, I could still see someone and
know that feeling was there, and the mutual understandings were there. But at
that point I withdrew from my professors and I couldn't really do it from my fellow
students - because they're my friends – but mostly the profs. And so, there was a
good year – well maybe not a year, but a couple of semesters – where I didn't
drop in and visit. I just sort of felt like, I don't know, there was some static there.
Probably resentfulness at myself and them – for everybody – for just letting it

�happen.
[Rogers]

And I finally did go talk to some, you know, some favorites or close ones that I've
become very good friends with. "How do we do this? How do we get through?"
And not like I wanted an answer but "What are you doing?" Just, you know, little
support… a mini support group. Yeah, I kept going and it was a good opportunity
for me to, at that point, go out into the outer parts of Grand Valley and meet new
professors and new students.

[Barbara]

Did you feel any static going back into a conventional classroom?

[Rogers]

At first – yes. There were a couple of teachers that I liked at my first meeting with
them. But the other way, their grading system and how they… I went up to one
professor and I went to his office and said: "What is a grading system? What do
you… how do you grade? How do you know what grades are? Somebody's got
to tell me because it's been a couple years since." And I never really knew in
junior high what it meant anyway. So, he explained it to me, and I didn't agree
with it. And that was all I could do is just not agree. And I had to just fall back on
what I learned at the beginning when I went to James… was that I know what I've
learned and that's what's important and if he doesn't think the same thing and if
he decides to give me such and such a grade then that's fine, but I still have to
be strong and know that what I did was worthwhile.

[Barbara]

Do you think that there was something we should have done that we didn't do
that would have [Inaudible]? By “we” I mean the faculty or… you know.

[Rogers]

Like after the closing…?

[Barbara]

No.

[Rogers]

Beforehand?

[Barbara]

How did they screw up that they managed to close us?

[Rogers]

That's a big one. I know the time that there were students that we were trying to
get student representation on a larger scale and more official level, then we could
of all gone in there [Inaudible] said no. But we… in some way, I knew that wasn't
going to work. And I just felt like it was being sat on by this big thing and I
couldn't push it up, whether I had all my friends around me helping me or not.
There wasn't a whole lot I could do about it and that is not a good attitude. That
was probably why I feel so bad about the whole thing is because no one really
tried even though, you know… I sort of just knew before I even tried that my
trying wasn't going to work. But I don't know that though. I can't know that.

�[Barbara]

It’s a bad lesson, isn't it?

[Rogers]

Yeah, yeah, yeah.

[Barbara]

That's how I feel about it. It's a bad lesson.

[Rogers]

And… I don't know. I don't know.

[Barbara]

John ask her something.

[John]

Okay. Well [Inaudible], if William James was considered an experiment, do you
think that it failed in its mission?

[Rogers]

No.

[John]

Do you think the whole experience has or what you experienced at the end?

[Rogers]

I knew that the school itself wasn't a failure and that as an experiment it was
not… that the potential for it to just go on and on. I could have… I mean, if there
was, you know, no outside forces demanding its end and eating it up with their
other interests like athletics or whatever – that was another issue. But the school
itself was a successful experiment.

[John]

Could you characterize the kind of student that was supporting James and also
perhaps how that characterization changed as it started to reorganize and then
compare that to the kind of student who was in other parts of the college?

[Rogers]

Yeah.

[John]

You said earlier that some of the qualities aren't there.

[Rogers]

Yeah. Well, I don't know if it was a result. I think it's… see I was not drawn to
James because I knew of it. And probably there were many like myself but I think
in general they were open-minded and willing to listen to all those different points
of view. And that was something I learned at William James, you know, that was
a quality and a philosophy that was necessary to survive there and to get the
best of it that you could. And I know that there's a lot of open-minded people in
the world and you don't necessarily have to be a James student to know what
that's like, but that was one quality that I noticed in everyone that went to James.
And it was less that the farther and further you got away from it, you just couldn't
trust for that to be there.

[Rogers]

You know it might be there and it may not be there, but you couldn't count on it
being there. And if you were to go into a class after the closing of James… I went

�into a class and I didn't know anyone, and I didn't know the professor and I just
had to sit down and carry on. It wasn't a whole lot different. It was always a
challenge, you know, at James and just going out into the new world of Grand
Valley. And I guess that was expected of you eventually at James; for you to
integrate into Grand Valley. And so that was going to be a step anyway, whether
the school closed or not. So, I didn't go out there with probably… I could've gone
out there with a lot more confidence if I had James standing behind me. But with
it closed I just had to carry on. It took a lot of strength and took a lot of courage to
just continue being what you were and what you learned and trying to use the
James philosophies in the class and use as many as you could in as many ways
that you could.
[John]

William James College was very well recognized in the method of it using
internships and placements for training. You were in Social Relations and got an
internship and a job that would help you. Can you tell something about that? It
probably worked well for you.

[Rogers]

It worked well. It was ideal. I had this… the way, ideally, is it could work that you
got an internship, and it could possibly turn into a job, and it did for myself when I
started a Domestic Crisis Center. And it was ideal also because probably half the
staff at the Domestic Crisis Center was William James already. And so, I felt –
even at my job – I felt a connectedness with James. And after it closed, you
know, people were still around. It was real nice and it was absolutely necessary.
And the whole theory behind going from school into the actual job placement
while you're still in school, it just rounded me out like that. It just rounded me…
it's really nice.

[John]

Okay, here's the closer – it’s what we ask everybody. Think about this a second
and answer: What was the essence of William James College?

[Barbara]

In a sentence or two.

[Rogers]

The essence… the first thing that comes to my mind is friendship. I felt loved. I
wasn't just at a school that was, you know, we were all learning, going into premed or something like that. We all knew each other, we all respected each other,
but there was love.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Robert Mayberry
Date: 1984
Part: 2 of 2

[Barbara]

I'd like to talk about how critical the not giving grades was to the process.

[Mayberry]

I think that it was essential and after a certain amount of time, those of us whose
ideas were maybe stereotype as the most radical to begin with became known as
old curmudgeons really because I personally would not rely it on the grade
question. We had requests from students to have a certain number of courses
optionally graded at James and so on. But I think that it was really essential that
it be ungraded for several reasons. Dealing with the question of work seemed to
me that what we were after was the notion of vocation. That is that people did
things with their lives that they felt called to do and therefore loved to do. That it
was genuine work worth doing and for its sake. And it seemed to me that working
for grades, which not so much maybe grades as the keeping of a grade point
average, the normal accompaniment of the grading system is the grade point
average. Working for the grade point average is a standard barrier to the student
actually experiencing in their own soul, as Plato would say, what it is like to work
for the sake of the thing being done rather than for the external reward and
competitive ranking. For the same reason that I oppose grades, I oppose merit
raises, by the way, and I was very glad that we did not have merit raises in
William James for a lot of reasons. But the same – or very similar –
considerations come from the liberal education side. That is to say, liberal
education is studying a subject for its own sake and studying it in such a way that
one becomes the master of it in a sense and being a free human being in relation
to that subject. That it possesses a power of judgment and has not learned
something by routine and has not learned something just by the rules, but knows
how to do it and, again, it is worth doing, it is worth studying, it is worth knowing
for its own sake. Whether that subject is to be a useful subject or one of the
classical liberal arts subjects, which incidentally have their own usefulness, from
my point of view. That's another subject. But from the two directions – from the
liberal side and from the vocational side - it seems to me very important that we
not have grades. And my experience now that we've switched back to the
grading system (and I'm sure my colleagues who did not go through this
transition will find it very mysterious for me to say this), but I really think it was
possible to operate with higher genuine standards in an ungraded system
because there was never an inhibition on the teacher, say in the conference or in
responding to a paper or project. There was never an inhibition about being
genuinely critical, and you knew, and the students knew that if you got into a

�discussion of that assessment, it was a genuine assessment, and one was not
arguing about the grade that was going to be attached to the paper. One could
stick to the intellectual questions of the assessment in a way that I find confused
and troubled, and I would almost say corrupted by the imposition of the graded
situation now that I am to try and discuss these problems with students in the
new system. I think we had better criticism and better standards from that point of
view.
[Mayberry]

I think it's true that people who depended upon coercion to work, could slip by a
certain distance in the ungraded situation and they were not – because it
would've been a contradiction and a hypocrisy – punished by the low grade for
doing. But that to me does not represent the absence of standards. That
represents the people that we were not within a good time able to reach to
convince of a better attitude toward education. And I think it was the risk we had
to take to avoid lying to ourselves and to students about what was really
important that some students took advantage – took undo advantage – of that
system.

[Barbara]

But a Clover says: "They do now."

[Mayberry]

Yes, they do now.

[Barbara]

People slip through now like crazy.

[Mayberry]

There definitely was doing it under the grading system. And maybe it’s harder to
reach those students under the grading system. Because you haven't really
tackled – and no one is collectively attempting to tackle – the question of what
the truer motivation ought to be: to study and to work.

[Barbara]

I have to stop this because I'm going to shut the door. Okay.

[Mayberry]

I think there was a change in the student generations, which my recollection is
from about nineteen seventy-four. And it goes back to the polarity question and
how someone who is attempting to articulate a synthesis not usually made is
perceived or not perceived, but I think it is a rough generalization. In the period
seventy-one through seventy-four, the opening years, we were chosen by
students who saw us as what was then called alternative education, and they
had a degree of commitment to that and they accepted because of that
commitment what we said was important about having meaningful work to do. It's
kind of like you had to convince them, in those days, that they needed a major.
Along about seventy-four, the term career education, which we had been
employing, you see, all along, we were career and liberal education from the very
beginning, that was all he said. And alternative education being a version of
liberal education that people perceived as offering. All of a sudden in seventy-

�four, because I think their official policy change of some kind under the Nixon
administration, which I'm forgetting the details of, but career education suddenly
became a national theme and a national policy. But again, without the synthesis
with liberal education. So that suddenly we got students who saw the career side
of our programs very clearly – that’s what they wanted. And those students had
to be convinced that some of the alternative education systems, like
ungradedness, were important in the way that the previous students had to have
been convinced that really taking seriously, doing meaningful work, was
important.
[Mayberry]

In each case, what it meant was there was a transition into our kind of education
that, again, maybe we did not take consciously enough the need for doing with all
our students or did not put into place systematic ways of making that transition.
Though, I think most faculty were very much aware of the need for it to happen
and did it in their own way and after a while you heard from students that that
transition was being made – that their attitudes were changing. The force of
personal example maybe on faculty and already established student's part… did
that work for us that we had not consciously worked out. But it was one of the
real tragedies, I think, in the loss of the collegiate system that people who deal
with the questions we dealt with now kind of have to do it alone. There was a
support structure for it to be done, there was reinforcement, there was
discussion, there was an atmosphere, there was a life that helped to be done and
it did not leave the individual teacher out on a market research-oriented limb if
trying to deal with some of these deeper issues.

[Barbara]

Robert, if you had to - and you have to because I'm asking – in a sentence or
two, very briefly, what was the essence of William James College?

[Mayberry]

I don't know if I can do it in a sentence anymore. Well, there was an
experience… there's many essences. There was an experience that was
recurrent – that’s certainly one of them – and it's an issue we haven't talked
about earlier, except very, very tangentially. But the professionalization of
academia meant the departmentalization of the university. Students here came to
a place that didn't have departments, and therefore where all faculty felt, at least,
some imperative to try to deal with general questions and with education and its
moral context. Students would come and they would say to visitors: "I can't
believe it but the thing I studied in that class turns up in all my other classes. It's
like magic!" And you know we never did consciously sit down and say: "Now I'm
going to do this today in mine, so you do that in yours." It happened because that
discussion began to thrive across the lines. That's at least one of the essences.

[Barbara]

That's super. Nobody said that clearly to date. No one… you are the first to say
that.

�[Mayberry]

Do you remember when the people for accreditation came and so forth? I think
we were in at least one of those committees together when students said that
and they never said that to us before and they said it to the…

[Barbara]

Alright, we need some kind of a comment about the fact that our curriculum…

[Mayberry]

I think that goes back to two things. I think it goes back again to what it was that
we meant by liberal education. And it goes back to what was that original impetus
toward what was then called relevance. The liberal education part I think is this:
the old American liberal, small liberal arts college, on a religious foundation. And
I have to say I went to that kind of college, so I was probably thoroughly inculcate
it in it. But it took as the specific mission of undergraduate education a thing that
in the early nineteen century was called mental disciple. The idea was you study
what were then very classical parts of the curriculum – like logic, rhetoric, and
grammar – because they were arts, disciplines, art in synonymous terms, worth
knowing. And that lead to the capacity of judgment that I referred to earlier. When
the university got reorganized again, and professionalized again, and
departmentalized again, I think we ended up with a much more content oriented
definition of what liberal education is. It's stuff… it's some of the things that come
in some of the packages. It’s a stuff definition, it’s a content definition and not an
arts definition of liberal education. And we were saying, I think, that you could
vary the stuff some, you could vary the content some. Particularly if there were
students who were demanding that liberal education connect with the things that
were vital concern to their lives. And you could, nevertheless, hope that out of
different kinds of stuff – sometimes in unrecognizable packages – you could still
get to the important questions about art, and judgment, and discipline, and
thinking, and criticism, and self-direction. That you didn't have to have all of those
packages be the packages out of which the issues of great concern could be
drawn. You can't have no content. Again, the dichotomizing tendency made
people think that if we were stressing the art then we would do without content.
You can't have no content. But the idea was that the content could vary and that
we would be clever enough to see, in the old-fashioned terms, the mental
discipline problems that may arise from quite a variety of content. Nor did our
content ever vary to the extent that TJC's did. On this campus, I think maybe we
were misperceived somewhat because we had involving parts of the curriculum
and another part that was quite steady. Well I think the reason that it was allowed
to vary was that we saw the demand for relevancy as a legitimate one on the part
of students and we saw the possibility of getting the classical arts issues out of
various content and not just out of the packages that have recently been
packaged. I mean in the last fifty, sixty years the packages have been invented
that everybody says are traditional…

[Barbara]

Alright I'm sorry, just a false start. Please go ahead. Please do it again.

�[Mayberry]

Oh, you’re restarting.

[Barbara]

Yeah.

[Mayberry]

Another essence thing occurs to me and that is, I guess, if I look back at what
really typified James for me, as a family member, it was that when we discussed
things in our council – let’s say grading policy or some action to be taken or some
decision to be made. People sat around and related the things they were
studying and they were teaching to the issues under question. You could also
call that, I guess, the matter of relevancy on the faculty level as well as on the
student level. That was a real example, it seems to me, on the part of faculty to
students that what we study is directly related to the questions of our life and
without that example and with the more or less general refusal, usually, of people
to let that happen and university discussions, I don't know where the students
can get that connection. It was a lived connection, very exciting.

[Barbara]

Thank you.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Robert Mayberry
Date: 1984
Part: 1 of 2

[Barbara]

I really want you to start by talking about our placement – our historical
placement – the sense of continuity before and after James. Where did we come
from?

[Mayberry]

I would say – which maybe I was not all clear about the time and may or not be
all clear about now – but it seems to me that William James College came from
two long run movements. The one called Progressive Education, which is really
founded by the pragmatic philosophers, especially Dewey, but James played a
role in that beforehand and what's called the General Education movement. And
both of these are movements that responded to quite major reorganization of
American education that occurred, more or less, in the eighteen-eighties and
eighteen-nineties – in other words, relatively recently and the grandest historical
scheme of things – but a reorganization that in effect replaced the traditional
American college, which had as its purpose the education of undergraduates,
primarily the liberal education of undergraduates for citizenly roles by the
research university on the German Model. And among other things the
replacement of the MA (which was the traditional teaching degree coming down
from the middle ages from England) by the PhD, which was the research degree
in the German university. So once the new university – which Johns Hopkins was
a pioneer – had effectively consolidated its control in the places where the old
colleges like Harvard and Yale were and smaller colleges also came under some
pressure to imitate this new model, the functions were kind of left over and
undone that used to be specifically undergraduate functions because things – the
curriculum especially and departmentalization, which had followed upon this free
organization – had kind of taken away the general and liberal education
functions. So there began to be a persistent appearance of movements every – I
don't know the sequency of it, but every decade or so – to try and get a general
education back. On a Deweyan side, or the progressive side, I think there was
also the sense that for democracy, specifically, liberal education ought to have
direct relevance to what people do and of course the citizenly role is again
involved, but to their work lives. Along about the middle of the nineteenth century,
you had kind of a really strict interpretation – our purist interpretation – of the old
classical liberal ideal. That sort of gradually made the idea become that liberal
education, by definition, was something useless; that if it could be put to use, you
were maybe corrupting the liberal education part of it. And I think progressive
education tried to deal with the elimination of the sort of class bias of that

�uselessness idea. To get the liberal ideals reattached to the things that someone
seeking education in a democratic context would need and to get critical thinking
applied, even to occupational concerns.
[Mayberry]

So, if you take those two movements, kind of converging, and not everybody who
came to James certainly aware of those two movements. Nevertheless, we were
precipitated, I think, into our attachment to them by being named for William
James because when we read William James and try to take William James
seriously and were led to the other pragmatic philosophers, like Dewey and
Whitehead, we find these two questions – the question of how to relate
specialization and generality and how to relate liberal education and occupation –
dealt with very centrally and the tradition that, almost by accident, we had been
placed.

[Barbara]

[Inaudible] I'm curious… excuse me, I didn't mean to cut you off. Were you still
completing a thought?

[Mayberry]

Well, after those two – which are long run patterns converging – seems to me the
immediate impetus (and this was probably more on people's minds who came
here) was the demand that students had in the period, let's say, sixty-eight
through seventy-one. That their chief concern - meaning the war – be somehow
meaningfully addressed as, indeed, I would say it ought to have been by the
materials, even the classical materials of college education; that room be made
for the student and be able to meet in the curriculum a sense that curriculum
could help the student deal with this overwhelming moral and political problem
outside the classroom. And teachers who had wanted to respond to students
making that demand and had found themselves blocked by the then highly
specialized, highly departmentalized, highly research-oriented university, were
looking for a place that they could do some practical work in the reform of
education. Which the plural system here – the college system – seemed to offer.
So, you take those two long run movements and that short run immediate
concern, and I think that's where we came from.

[Barbara]

Let me check the [Inaudible] and I'm keeping it running. I want to ask you, as an
appropriate question, to ask you. But why does it cycle? [Laughter] In other
words: forget about how often it cycles. Why do we have some [Inaudible]? Why
did we have to be…? I don't mean specifically James. Why does it have to be a
cycle, why is there [Inaudible]?

[Mayberry]

Well, I mean, that's a huge question and I don't know any better than anybody
else, but I have some glimmers of ideas. The reorganization of the university was
also the professionalization of the faculty and professions, in general, guard their
own prerogative. And since that professionalization became effective,
movements to reform the university and the colleges themselves are apt to be

�viewed as, I think, as threatening to the professional structure of things which can
be praised by a defender of it.
[Mayberry]

By saying that it's threatening to scholarship and research and all those good
things that no one really means to attack. So, I think you have a very entrenched
set of structures, habits, interests, and powers that's very, very hard to change. I
think it's notoriously conservative. On the elementary and secondary level there
was a book by Roland Barthes on open education, which is a movement that
more or less corresponds to the James movement on a college level. The
opening sentence of his book is something like this: "We do not have in the
United States, as they do in France, a Centralized Ministry of Education, but we
might as well have." I mean it’s a very brilliant sentence of that sort. Because if
you take this power structure and social structure and habit structure, I mean, it
gets to be unconscious. There's no conspiracy involved. But if you add to that
probably the increased market responsiveness of education overtime, you have a
pressure for education to be uniform. So that I think the problem remains
unsolved, despite repeated attempts to solve it. And every time the perception
dawns again that the problem isn't solved – mainly in general education and the
relevance of education to life - that we're not getting that solved, you have some
new resurgence of the movement to try to deal with it. And there was a third thing
I wanted to add there that now I can't think of, besides market responsiveness.

[Barbara]

[Inaudible] You know I'll cut this part out.

[Mayberry]

I really can't. I think it got swept away in a parenthesis somewhere. It might come
back okay.

[Barbara]

Okay, I thought that was very, very clear. I mean what you had said was very
clear. My second big question was… stop the deck. I'm still… we’re rolling.

[Mayberry]

So, if you've got that institutional inertia – leaving problems perpetually unsolved,
which occasionally call forth somebody who wants to solve them – and you have
increased market responsiveness, the question would be: “What is there about
market responsiveness that leads to uniformity?” And I think that is something
like competition or something like supply and demand. You tend to converge
towards products, toward commodities, and education almost becomes a
commodity in that context… that there are like products or commodities that have
already succeeded. So, I think we fell under some pressure recently, as the times
got harder, to do a kind of education that was recognizably the kind that was in
demand. The trouble being, of course, that you can never get a demand
recorded for a commodity that isn't offered. But there got to be a real sense that
Grand Valley ought to be made more like other places. That was operating not
just at Grand Valley by the way, but around the country. And so, we entered a
cycle of one of the periodic cycles of reaction to the reformers.

�[Mayberry]

The third thing as to why it should be cyclical is really much more mysterious to
me because I used to think it was American culture that tended to be polarized,
but it may be Western culture or some people might say it's the human condition,
but somehow, we tend to be oppositional. That whole business of reform or
stasis becomes a debate rather than a multi-side discussion and so if one side is
in the ascendancy, the other side is out and there really isn't anybody in the
business of looking for the synthesis that you inquired about.

[Barbara]

And each other.

[Mayberry]

I think that when we started in seventy-one, and we were not the first college in
the cluster, in fact it was said, well that's tricky. It was said of us that by being the
third we had truly made it a cluster. But at the same time, we had perceived that
we were coming into a matter that had been settled. There were to the multiple
colleges here and that that was, in that sense, the constitution and we could
therefore appeal as constitutional to a value like plurality, and the provision of
choice to students, and the creation of really distinct approaches to education on
the part of faculty. We could appeal to those things as values that were shared.
And it is important, I think, from that point of you to remember that a
commonness that we did share – unrecognized by almost all participants maybe
in the whole thing, but a commonness that we did share, at least with the original
CAS faculty – was of being educational innovators and experimenters. They
came here to provide an alternative to education such as was offered in the
region. Number one: public, because most of the other education off the junior
college level is under private auspices. And number two: they were also deeply
concerned to recover the liberal education mission for undergraduates. In any
case, as long as times were good, the appeal to plurality often worked in context
of discussion. That is people [Inaudible] of governance. People were willing, in a
way, to adopt a live and let live attitude. Though, as I say, the deeper foundation
of why we might have all been committed to that I think went unknown to the
participants. Which was really too bad because that might've made the crisis
work differently. I think it was also really too bad on the level of public discussion,
too, the administration felt that they had set in motion a kind of competitive game,
if you will, among these colleges for the sake of promoting enrollment. And from
their point of view, anything could persist in the cluster as long as enrollment
figures paid off. But their hands-offness was not so much the constitutional live
and let live as the above the frayness; seeing people compete with one another
and congratulating them when they did well and calling them on it when they did
poorly. So, on that level, I think, had we but known some work had not been
done to really make the constitution acceptable to everyone.

�[Mayberry]

And on this other concealed level, there were conversations we didn't know we
ought to be having with fellow educational reformers because we were locked in
competitive debate. We thought with CAS as the local representative of the kind
of institution we'd all come from elsewhere and which we wish to provide an
alternative. So, the common ground was not present and when times became
bad, the depths of the hostility in certain quarters toward the whole cluster idea –
which had been bidding its time to express itself – emerged to a degree, I think,
that shocked all of us. I think we did not know the degree of hostility to the very
idea of multiple colleges. Which wasn't so much directed with any particularity at
William James, it was just directed at the sense that the original mission of Grand
Valley had been lost. And, of course, William James was easy to see in that
context as one of the waves of professionalism, professional education, which
was – from the point of view, again, of the old-time folks here – a grave
compromise with the liberal ideal in education. They were just as much upset, of
course, with the growth of professional schools and CAS itself as they had been
with the growth of anything like William James. And, again, didn't know that
James had as much quarrel with a segregated professional education as it did
with the segregated liberal education. The notion of the synthesis that we were
working on to try and make professional education liberal and liberal education
practical – that crossing of the lines was pretty much invisible to people. And I'm
not sure that's our fault. That particular segment of the problem I'm not sure is
our fault. There again, I think, is where you do run into the problem of the cultural
matrix more broadly in which you're trying to present an idea that just is plain
hard to see, as clear as you try to articulate it. The dichotomy of liberal and
professional is so strongly built into the inertial structure of education, elsewhere
people maybe may not even hear the words that you're uttering, clear as you
might make them. And I think we made them very clear from time to time –
conspicuously clear. Students understand it better than probably either our
colleagues or our administration did.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Kate Noone
Date: 1984

[Barbara]

All were doing now is just like a little test recording. But I want to ask you why
you chose James?

[Noone]

I went to William James because of the people that were there and the type of
education that was available to me, for me, at James. I didn't come to Grand
Valley to go to James. I came to Grand Rapids and ended up at Grand Valley to
finish my education and wasn't aware that James was there until a couple
semesters at CAS and heard about James, met some people at James, and
decided to go over there and check out classes there. What was nice about
James is it wasn't a type of situation where you sat and listen to someone talk,
and you sat still and you sat quiet, and you were obedient and sat there and
listened to them, and then it was two weeks later you spit out what they said on a
piece of paper called the test and then you somehow got graded for that
performance. I was real dissatisfied with that kind of education. I never did it very
well either. It was a difficult thing for me to do. When I was at James it felt a lot
freer to do other things.

[Barbara]

Just continue from where you were.

[Noone]

Okay. The type of education at William James, for me, worked for me a whole lot
better because of the different… yeah, there was a lot of opportunity to think and
to think about what you were doing – what I was doing and James. In classrooms
it was a matter of going in and listening to somebody speak and writing things
down and kind of daydreaming, doodling on the paper. James, you couldn't get
away with that. Couldn't get away with not participating. I think one of my first
experience is that James was a class that I had and the teacher wanted us to
read a book and read it by a certain day. I didn't read the book. I didn't think I had
to; that was kind of education that I was used to having – where the teacher told
you to do something, you really didn't do it, and just kind of went in, took the test,
and always somehow did pretty well on it. But I didn't read and I came into the
class real unprepared and it was real obvious and it felt real awkward. I felt like I
was really missing out on something. It was like the first time that I think that I
really understood what William James was about. Because I didn't read that, I
didn't know what was going on – I wasn't learning, I wasn't being helpful to
anyone else in the class, and I wasn't being helpful to myself at all. And that
really had a big impact on me. I thought about that a lot and I thought about how
that all worked and what was different at William James and that was what

�prompted me to take classes there and to be involved at James.
[Barbara]

That's great, I think we got this all… [Inaudible].

[Noone]

Okay. What did you ask me?

[Barbara]

The incident that we care about is… you didn't do the reading.

[Noone]

Right. The first time that I really learned what William James was about was I
was in the class and I was supposed to read a book by a certain day. I didn't read
it. I never did – I never thought I had to. In traditional schools in my entire
educational upbringing, it's like you didn't really have to do that kind of stuff. You
just kind of went in and got a feel for what the teacher wanted, and you gave it to
them, and you got a grade. I didn't read the book and I came to class, and I was
real unprepared and it was real obvious to myself and other people in the class.
And I felt like I was missing something – a lot. I felt like I was not getting…
anything. I wasn't getting anything, and other people were getting a lot. And I
think it was my first realization about education at William James and what that
was about, and how that was different from my previous years of education. I felt
awkward and I felt like I really needed to do something if I was going to get
anything out of my education and learn anything, and I felt like I had a lot to learn
and William James was there, and it had a lot to offer in terms of different kinds
of things that I needed to learn at that time.

[Barbara]

If you had to summarize what the core of the philosophy at James – if you just
had to name one thing, in a sentence or two – what was the most important
thing?

[Noone]

James worked on the basis that you were solely responsible for your education
and no one was going to do it for you. There were no “A’s” or “B’s” or any kind of
grading system – that’s more than a sentence to say. To say there wasn't that “A”
or “B” grade system, to say at the end of the semester: "This is what you've
achieved." What you achieved at the end of the semester was to your
knowledge, and what you worked for, and your paper and your, you know, what
you worked on with your projects, your milestone. That's what you achieved and
that was solely your responsibility. If you didn't do it nobody cared or that was
your responsibility. And I think that had a real impact on me. That had a very,
very strong impact on me. So, I think in terms of the goals of James, I think was
to make people solely responsible for their education. That's not to say that you
didn't do it with other people, and that you didn't work on it with other people, and
that there weren't other people around to help. But you needed to find those
people, you needed to talk to those people, and we need to find people that
wanted to work with you on projects and whatnot, and I think that it didn't mean at
all that you needed to do it by yourself. It was a nice community to work and

�learn with people.
[Barbara]

This sounds like nirvana. Surely… don't start answering yet because I have to
focus.

[Noone]

Okay.

[Barbara]

This makes it sound like nirvana, surely there were some faults.

[Noone]

I think, yeah, there were some faults. I think it took a while to get acclimated to
what was expected and what it was that I wanted. I mean, it was suddenly this
responsibility and that things felt pretty wide open, but it took me a while to figure
out what it was that I really wanted. So, that was a little difficult. But I'm not sure
that was a fault. I mean, it made me work and it made me think. It also made me
use teachers in the way I’ve never used teachers before, like going in and
saying: "What's going on here, and I didn't understand this, and what's this
about." So, it made me use the teachers a lot more rather than going to the
teaching and saying: "Well I wasn't in class today because I had a doctor's
appointment," and you really weren't, but you just weren't there, you know. That
kind of authoritarian kind of thing. It was not that type of relationship with
teachers. So, in terms of what was a big disadvantage or for James' fault: it
would’ve been nice to have maybe a little bit of a broader spectrum of classes. I
think maybe some administrative things maybe weren't there that would've
helped facilitate some things a little better. But I can't really think of anything else.

[Barbara]

Can I show you what we've done so far?

[Noone]

The film?

[Barbara]

Start tape.

[Noone]

Is it started?

[Barbara]

It's started.

[Noone]

What's not so good about… I think back at it now and it all looks just really
wonderful. But I think if you would've interviewed me at the time when I was
taking classes, I was incredibly frustrated. At times it was hard – there was a lot
of things going on. It was just a difficult thing. Sometimes it was very frustrating…
it was a very frustrating way to learn because there was a lot to be learned and
there was a lot going on and you had to structure things yourself and make sure
things got done to have you on timelines and stuff. It was real frustrating.

[Noone]

There were times I just was, you know, thinking that it might have been nice

�sitting, doodling on a page, listening to some person – verbally, you know – talk
up to a classroom. So, I think that there were some frustrating things about it, but
I look back at it now and it just seems like wonderful.
[Barbara]

Why?

[Noone]

Why?

[Barbara]

Wait, wait, let me check the focus, okay.

[Noone]

Okay. I didn't like that.

[Barbara]

I thought you did it better before. Maybe we should do it again.

[Noone]

Okay.

[Barbara]

Let me focus. Focus, focus, focus. There she is.

[Noone]

Okay. Do you want me to do it again?

[Barbara]

Sure.

[Noone]

Okay.

[Barbara]

Anytime.

[Noone]

Okay, it's hard to think about… what was frustrating about my educational at
William James. I know there were some things that weren't so wonderful at
James and I think if you would've interviewed when I was taking classes at
James there were lots of times I was real frustrated and I wanted some times for
someone just to say: "You should know this, learn it and that's that” and it wasn't
that simple. It was a frustrating way to learn, in some ways, but it stuck. And
that's something that I can't really say about all previous education settings – that
things didn't stick, it didn't integrate. I mean, it was a painful process sometimes
and it was difficult, and I was coming out of class and feeling like your head was
spinning a little bit and not sure what had taken place or, you know, trying to
integrate it all. And I think that was very frustrating for me at times. But I look
back at it now and it feels like it was just wonderful and I wish I was back at
James and back taking classes. It was a nice community. I made a lot of
contacts, you met a lot of people, there was always something to talk about.

[Noone]

And I think that [is important] … especially when you're at kind of a mainstream
America – not going to school and working and kind of out in the real world. And
that is something that's lacking, in terms of people coming together for a common

�kind of principles and ethics and whatnot in terms of education and learning and
knowledge. I think that's missing in a lot of my experiences in the real world.
[Barbara]

Do you feel that your education equipped you for employment?

[Noone]

Yeah, it did. It definitely equipped me for employment. I think what it did, though,
was that it made me pretty selective and pretty knowledgeable about what kinds
of work was okay and what kinds of work wasn't. And I think I didn't go into my
field with blinders on, just knowing book knowledge. I came out knowing a whole
lot of other things that were real helpful to me, in terms of my education. It helps
me a lot. I was fortunate enough to get a job in my field – social work, social
relations field – before I even finished school at an agency that hired William
James students. It was full of a lot of William James students and it was full of a
lot of people who thought real seriously about what they did and how they
worked with clients and what that was about. And it wasn't anything that was ever
taken for granted that you knew; it was always something that was in process.
And that was very helpful to get hired into that agency. It was good and I think
James helped me do that. I'm not sure I would have ever gotten a job at that
agency had I not gone to James and sought those kinds of things out at James. I
understood what the process was about, so that was nice.

[Barbara]

Good answer. Good, clear answer. Did your education equip you to get a job?

[Noone]

Yes, I was fortunate enough to be able to continue learning through work and the
job that I got when I was pretty much finished with school. Social relations / social
work is one of my majors – what I focused on school – and I got hired into an
agency that hired and liked and sought out William James students because they
understood what working with clients was about; they understood that it was a
continual process; that you never, you know, knew and you can sit back and
easy-chair and pretend like you know it all because you never do. It's a
continuous process and I was fortunate enough to get hired into an agency and
stayed there for quite a while. And it was nice; it was real good. It was being able
to continue learning. And I think that's – in terms of my profession and in terms of
my work – that’s what I want to do, is continue learning. So, I was fortunate to do
that one life after William James… are you filming this now? Life after William
James. How it's been difficult to integrate some into the general marketplace, in
terms of my profession.

[Noone]

I have found it very frustrating. I feel like I was real sheltered in the agency that I
worked in for four years. And I think learning the kinds of things that I've learned
– the things that I feel that are incredibly valuable in terms of my profession – are
pretty meaningless, in some ways, to other people and in the field. And I think
that's been real frustrating. I wonder sometimes and William James was nice
because it was a community to grow with and to learn with. And how do I fill

�those needs now? What do I do about that? And I've done pretty well; I still have
people around me that I’ve grown with and I learned with and I have that kind of
contact and that kind of connection with and I hope I always will. And I think I will.
But it was kind of nice William James provided those people. I went there and
they were there. Now it's, again, taking responsibility and making sure that those
people are in my life now. And they're not so accessible as they were when I was
in college, and I hate to think it's because that kind of thought, and that kind of
ethics, and those kinds of ways of thinking about process and whatnot, is
becoming obsolete with maybe younger generations. Or just becoming more
difficult to find people who think like that. But community was rich, and nice, and
was good.
[Barbara]

You talk about the way we think and the ethics and stuff, but what do you mean?

[Noone]

In terms of social work, in terms of being at James – for me, my education was
thinking a lot about how I was going to work with people and how effective I was
going to be. And it wasn't anything I can read in a book and learn that that's what
this is, you know, and have it integrate. It was not that simple. It was thinking
about a lot, it was doing it a lot, it was having the experience doing it. It was
whether that was role-playing or having interactions with, you know, fellow
students or whatever that was. It wasn't just simply sitting down and reading it, it
was doing it and I think in the workplace it's the same thing. You can't just take
for granted that things are just going to come to you or that you automatically
know things. Every situation is different and needs to be thought about. And
there's a process going on with almost every situation that needs to be thought
about and not taken just for granted. So, I think in terms of ethics and knowing
things… that wasn't so clear was it? Sum it up? To kind of sum it up, James was
good while I was there. I still feel like it was good for me. It taught me what I
wanted and what I didn't want, in terms of my field and my profession. It taught
me what was good and what wasn't good. That was, I think, a lot of what it did in
terms of how it still feels for me now. Also taught me how to use other people real
well. And that one… I think that's essential and that was good, too.

[Barbara]

Did it handicap you that you had two or three professors is all?

[Noone]

I think it would've been nicer. I mean, maybe that just comes from traditional
schools – we have a whole lot of different professors you can pick and choose
from. I was pleased with my professors. I think sometimes it would've been nice
to have a little bit more of a variety of different professors and not have just two
or three. But it would've been different to have more. I think sometimes it
would've maybe been nicer to have a little bit more of a variety.

[Barbara]

We have just a little bit of tape. You guys go stand behind Kate, would you? And
then we'll know what those little coughs and thing are. You can just-you can just

�beat it. Okay, there's one.
[Noone]

There's one! There's Jamie.

[Barbara]

See if you can get on the other side.

[Noone]

There's Jamie.

[Barbara]

Okay. Poor Jimmy, move so I can see you.

[Noone]

Move so you can… there. Okay. There's Jamie.

[Barbara]

There's Jamie. Okay. Jessica why don't you come around on that side, too,
because there's not enough light on that side and I want to be able to see your
face really well, on the tape. There you go. Now you both show up. I'm going to
run out of tape in a minute, but I want to get a shot of you now. [Laughter]

[Noone]

Do you have anything to say? Here's the microphone.

[Jamie]

Doot doot!

[Jessica]

Aww, thanks. Put it on me!

[Noone]

Put it on you, huh?

[Barbara]

We’re going to run out of tape in just a second.

[Noone]

It’s on you. So how was it being quiet for so long?

[Jessica]

I hated it.

[Jamie]

[Coughs on mic]

[Jessica]

Don't cough on it!

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: John MacTavish
Date: 1984
Part: 3 of 3

[Barbara]

Why don't you just start by saying how you ever got associated with an
alternative college?

[MacTavish]

I was a junior member of the Geology Department at the College of Arts and
Sciences and I was involved in administrative aspects of faculty and faculty life
on the campus, and, for whatever reasons, he never told me… the President
elected to put me on a committee with nine or ten other people to design a new
college. And we spent a year going through the rigmarole of “what's our focus,
what's our emphasis, when do we want to start?” All the things that no one ever
even conceived would be necessary but had to be gone through. And at the end
of that time, we started looking for faculty and I applied, and my application went
through along with everybody else's. They interviewed me and I was hired as one
of the… I don't know what the word is -- pioneer faculty? And at that point, the
next fall we were off and running.

[Barbara]

I have two questions out of that. One question is: why, how on earth, could it be
that only one year is given to planning a college? I mean, it's not like opening a
Dairy Queen.

[MacTavish]

There was some experience on campus for Thomas Jefferson and one of the
original scenarios for Grand Valley was a series of Liberal Arts colleges with the
maximum size of fifteen hundred students. And the original scenario was all
those colleges would be the same and the small size would be what would help
the learning in the educational process. When Thomas Jefferson came along it
did not fit that mold, but they still wanted to keep one college from dominating the
campus and they needed - because of the growth - they needed another college
rapidly. We had - I don't remember the exact numbers - but several hundred
students immediately and we only had five faculty members, but we were
interviewing and hiring as fast as we could.

[Barbara]

The James philosophy when we got there - which was maybe four years after
school started - seemed so clear and so finished. I mean, we were always
haggling about it, but it was a clear focus.

[Barbara]

How do you develop that clear of a… at what point did that clear focus get
developed?

�[MacTavish]

[Laughter] That's your perception maybe, but there wasn't a clear focus in the
sense that it was something that was polished and finished and going. It was
never finished; it was never polished.

[MacTavish]

We had - in the very beginning - a lot of arguments over the gross emphasis of
the college. Whether it should be a college of sociology. Should it have any
science at all? And Will Walco and myself - being the two scientifically oriented
members of that committee - were fighting for broad spectrum liberal education.
And then the question arose: do you try to include all science? And how do you
differentiate yourself from CAS? And there was some nervousness from the
College of Arts and Sciences people for fear of competition over students and
one of the ways we got around that was to emphasize the environmental
emphasis - the environmental approach - to our science. And in fact, at one point
they even had an agreement drawn up that William James would do no
laboratory science, in effect because that was impinging upon the biologists and
chemists and the geologists, and so forth. So, for a long time during that first
year, we didn't even know what direction we were going. We landed with the
William James philosophy fairly quickly in terms of approach to education, but we
didn't know always what we were going to do. Now if you asked me what that
approach is, I'll tell you to talk to each individual and he'll give you his ideas
because that's how fluid it was. And when we start out with five faculty the first
year, and double that the second year, and double it again the third year the
philosophy changes every year because we were so democratic it drove us nuts.
In fact, there were people pushing for Quaker approach (a hundred percent or
nothing). And so, you start with five and end up with twelve months later and it's
a totally different philosophy, but not different. It turned out it was a function of
the people that were there.

[Barbara]

How would you characterize the core of what James pretty much was?
[Laughter]

[MacTavish]

[Laughter] We were very naive. We invented the wheel more than once. We tried
to set up an educational setting in which the students could learn. We tried to
avoid the stereotype college education that we - many of us, most of us - had
gone through: a faculty member giving you the rules in front of a thousand
students and you giving them back on the exam. We wanted to set up an
educational setting where students had a chance to learn, where they had a
chance to learn on their own or with somebody, guided by somebody in groups,
but in a sense… it's not working right. I'll think of it in a second.

[Barbara]

Okay, you don't have to hurry.

[MacTavish]

We wanted the people that were there, in the setting - whether be a classroom or

�wherever - to treat themselves as a group of people trying to discover something.
The faculty member at times was thought of as the chief learner in a situation
where there were a bunch of learners.
[MacTavish]

We almost got in trouble with that at one point when we had our Piaget
conference because the decision was everybody should teach a section of the
discussion groups that were associated with the Piaget conference. I taught a
section of Piaget. I didn't know anything about the Piaget going in there. I have
almost no formal training in psychology or sociology - a little bit of undergraduate
stuff in both, but not a whole lot - but the situation was such that we made that
fact known. The students signed up for that class, signed up for it knowing that I
was learning it the same day or the day before they were learning it - we
emphasized that when we started the class. The students wanted that - the ones
that sat in in my class - and we had a full classroom of students that were
interested in trying to learn about Piaget in that way. It worked. I still have
students occasionally, fifteen years later, that I see in the local area, that talk
about that class because they really got what they were looking for out of the
class and it was apparently one of the few times in their college career that they
were able to do that.
And we had innumerable meetings over philosophy of education, grading
systems, pass/fail, credit/no credit, credit/no credit honors, what does honors
mean? Does that mean A-C-F? We went around and around like I perceived
virtually every other experimental college at that time doing. We didn't think of
ourselves as experimental. We didn't think of ourselves as an experiment which
was going to run and then they were going to take it apart and dissect it and see
whether or not it worked. We saw ourselves as an alternative which was a
permanent fixture, and it was for over ten years on a campus. But it did change
every year. The bigger we got, the more bureaucratically ossified we tended to
get, the more difficult it was for people to branch out and try things, when in the
early years we could. I figured it out just before I left that in the approximately ten
years I was there, I taught forty-seven different courses. Almost every one of
them several times and in every case, I had to design a course from beginning to
end. And my level of involvement was - after about the first five years - probably
atypically low because I was burning out. I did burn out. A lot of people were
doing more than I was and we are all putting in eighty-hour weeks.

[Barbara]

Going back to the very beginning, when you applied… it sounds, from your
description, that it was nuts. Like the committee… it was so much to decide and
everything. What would attract you from a predictable position, such as Geology
Department at CAS, to something like this?

[MacTavish]

Well, the Geology Department of CAS, I don't want to pick on them because they
are very much like other science departments in many state schools around the

�country.
[MacTavish]

But it's the kind of a situation where you know what you're going to teach this
term, next term, two years from now, five years from now. The only thing that is
different is: do we change a laboratory exercise? Do I upgrade the book to
another book? Do I get a different collection of specimens and for the laboratory?
In the three years that I was there, the third year I was designing the William
James College, the second year I designed an Earth Science major because
they didn't have one up to that point. But I sat back, and I said: "Is this really what
I want to do for thirty years?" And the answer was no. And that's one of the
reasons I got involved in campus administrative work. That's one of the reasons I
got involved in William James. It's one of the reasons I got involved later in
elective governments and that kind of thing. Because I can't do the same thing all
the time. I go nuts. So, we had a situation in which we had to hire a staff, recruit
students, to a place that had never been. And then once those students got there
and that staff got there, we had a couple of weeks to get to know each other and
set up a curriculum and bring the students on and give them their orientation and
start the whole thing. And boom, we were into recruiting staff the size of our staff,
including the Dean, in either the first year or the second year… fog sets in after
fifteen. We were looking for a Dean and faculty members, and we got over
eleven thousand applications. And we used to sit at a round table and feed the
applications in and there were usually six people at a table - three faculty and
three students - and if the application got three black balls by the time we got
around the table, it was thrown out at the third black ball, and everything that got
around the table without three black balls was then looked at again. And by
springtime, we were interviewing two faculty candidates a week and the
interviews were two days long - all day, both days, with a very heavy dinner and
party in the middle. And in some cases that party went on till two a.m. because
we felt that we had to get through the academic crap – or through the
administrative tie or whatever the person had – to find out who he really was.
And at times we didn't get there until two or three o'clock in the morning. And so
here we are interviewing two or three people a week, doing our classes, and at
the same time trying to recruit as many students as we had in existence. And
that's why we're doing eighty-hour weeks.

[Barbara]

That's neat. Do you remember anything… I know I found in these notes that you
went to some meeting in Ann Arbor, some big meeting with lots of
representatives from other alternative or experimental schools. Can you tell me
anything about the general movement at that time?

[MacTavish]

That one isn't real clear to me. I know I went to Redlands and did the same thing
and…

[Unknown]

Excuse me, were running out of tape.

�[Barbara]

Okay, we’ve got to put another… Just thought there might be something you
remember.

[MacTavish]

Yeah – No, I've done that two or three places. Redlands is the one I most
remember because it turned out we were doing what a lot of people were saying
to do… what it amounted to. People couldn't believe it.

[Barbara]

Okay, we'll save that.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: John MacTavish
Date: 1984
Part: 2 of 3

[Barbara]

Are you rolling?

[MacTavish]

Yeah.

[Barbara]

Steven?

[MacTavish]

Yeah.

[Barbara]

Why don't you tell me about other, you know, what you know about…?

[MacTavish]

Well, I personally went to two or three conferences, but we were so busy doing
things and we had so much to do that we didn't, at least, I didn't go to very many.
I remember the Redlands conference. People were talking about their
experimental program here or their experimental program there. And frequently it
was just a few students inside of a department that were trying things; there were
almost no one out there doing what we were doing. And the people, frankly,
found it unbelievable that we were able to do this because that was even beyond
what they were fantasizing being able to do: to have the backing of a college
behind you to turn you relatively loose. And I can remember when the plan for
William James was approved by the faculty council. The thing that put it over the
back, over the top, was I think it was Dewey Heininga [?] that stood up and said,
"there's a time when you have to cut the child free and let them do it," or words to
that effect, because the faculty were wanting to put all kinds of strings and "we'll
check on them next year and kill them if they don't do well" and this kind of thing.
And I believe it was Dewey [?] that finally stood up and said, "We've got to give
them a chance. We've got to let them do their thing and we've got to not have
control over them." And that was almost the last thing that was said before it was
okayed as a separate academic unit, but we were spending so much time
actually doing what other people wanted to fantasize about that we didn't have
time to go around and tell people what we were doing. Although the word did get
out and it never ceases to amaze me the way that students found us, similar to
the ways they found Thomas Jefferson, because somehow there was a student
connection out there with high schools and so forth that I never knew about when
I was a high school. Of course, I don't think anything like that existed back in the
'50s when I was in high school. If it had I wouldn't have noticed.

�[Barbara]

John, but that didn't go on because our enrollment was down.

[MacTavish]

That's true. And I honestly don't remember why that happened. Eventually, we
got up to over seven hundred and then they started back down again. And I think
that at the point when you're seven hundred, then you're dealing with an
institutional size that we didn't have in the beginning. And I'm not blaming the
decline on that. It could easily have been economic. It could have been changes
in the general cultural pattern in the United States. It could have been a lot of
things. The '60s were gone, but it also could have been the fact that William
James was at that point starting to be a large, standard type of institution, even
though we did an awful lot of things that weren't. But there ends up being a level
of bureaucracy that is necessarily just to function that the students were arguing
with, participating in, and fighting against all at the same time. And I honestly
don't know why they started back down. A lot of the faculty were starting to
reevaluate their time commitments. I know I did. Some of our best faculty left.
Well, if I name names, they all think those are the best and the others aren't. But
we did have a fairly high faculty turnover. Eventually, people started hiring faculty
for different reasons than they were originally hired in the beginning. They were
hiring people to fill out levels of... or areas of expertise. They were hiring a
person because he happened to fit as an intern specialist, or we needed a
biologist. And the primary concern was a concern different from the original.
Sure, in the beginning we needed a writer, and we needed a scientist and we
needed a sociologist and a psychologist and so forth. But people were looked at
as much for their secondary and tertiary interests as they were for their original
interests because we knew that people had to be eclectic, broadly interesting,
broadly interested. The person that you could describe as a graduate school
teacher in a discipline spending eighty hours a week in the laboratory studyingI'll pick Paschke's rats as an example because Paschke doesn't fit the mold, but
they spend their life studying the behavior patterns of rats. That isn't the kind of
faculty member we needed in William James. We needed somebody who if he's
a geologist, he's willing to tackle Piaget. If he's a writer, he's willing to try and
analyze wines or the scientific basis for the difference in the way wine plants
grow. And so, he ends up studying geography for a term. We needed people with
the kind of interest and nerve to leave their disciplines. And that was phrase keys
for me. One of our big problems is a lot of people felt like they were leaving their
discipline when they came to William James. I did as an invertebrate
paleontologist. I haven't done a whole lot since I joined William James and the
rest of the academic world labeled you when you did that because those were
lost years, if you tried to come back. Dick Paschke is one of the few people that
were able to not have that happen to him, but many of the rest of us had that
happen to us. In some ways, it's good; in some ways, it's bad. I don't think I ever
want to go back to being a paleontologist again. On the other hand, I spent
fifteen years of my life learning to be one, but it gave me and got me where I
wanted to be at that time. And that got me somewhere else and so forth down

�the road. Where do we go from here?
[Barbara]

Let's stop for one second. [Inaudible]

[MacTavish]

We looked for people that were compatible with ourselves and with what we
thought William James should be. And that includes not just me who hired on,
but that includes the Dan Clocks and the Woodys and the rest of the people on
that committee. The Will Walkos, who knew he wasn't going to be in William
James and wasn't for years, and then situations changed, and he came over. But
we look for people who had what we thought William James needed in terms of
educational philosophy and outlook.

[Barbara]

It's real hard to pin this down in my mind. I keep thinking, you're just not telling
me what this magic thing was that made everyone understand what you were
aiming for.

[MacTavish]

No, we did not analyze what we were looking for and we did not- Well, let me say
it two ways. We did not sit down and say, "This is the kind of psychological profile
we want. This is the kind of credentials we want." In fact, there was a move at
one point to kind of look past credentials once a minimum level was established.
We did, however, spend long hours haranguing each other with why we're
interested in this person or this type of person. And when you spend thirty or forty
hours a week, in addition to your regular job, discussing who you should hire, you
tend to, as a group, reach a consensus. And they were consensus decisions. We
didn't try to say we have to have a person with this particular leaning. We have to
have a position for so-and-so. We tried to fight that. In fact, we wanted synoptic
positions and everything. But we did look for educational philosophies and we
didn't spell out in advance, "This is the cardinal philosophy." Mayberry has his
cardinal philosophy; Zapp had his cardinal philosophy; I had my cardinal
philosophy. And in a way, they were all the same with different edges and then in
another way, they were all different, but the edges overlapped. So that we could
out of the five or six thousand applications, we could find six or eight that made
sense for everybody.

[Barbara]

You know, that's kind of hard to imagine.

[MacTavish]

Well, I think it was in the sense that there was a magic there. There was a feeling
amongst this group that never knew each other before; in a period of two weeks,
we were old friends.

[Barbara]

This is the committee?

[MacTavish]

No, this is the original faculty. The committee was never a group of old friends,
but that's another story. The orientation occurred and the faculty started, and we

�spent so much- we lived together. I mean, our wives saw less of us than
[Inaudible]
[Barbara]

Really explain- Oh, I know it's about money. They didn't see why the hell you
should come here when the money was so low.

[MacTavish]

Well, that was another thing William James did is they took away all the rewards
for teaching. They took away the merit pay. They took away the titles. They took
away everything. And the only reward you got was internal. Well, that's fine for a
few people, but not for a lot of people. And people tended to grump after a while,
even though they participated in the original decision to do that. We took away all
the external rewards, which is not good, I don't think.

[Barbara]

But it's like what we did with the students. We said, "We're not going to reward
you with an 'A.' We're going to reward you with an internal accomplishment." It's
going to be pure.

[MacTavish]

Yeah, it's going to be pure. Well, pure works in the Land of Oz, but it doesn't
always work in real life because there are so many other pressures involved.
When you go to a professional meeting, you say, "Oh, I'm a member of the
faculty." Everybody else says, "I'm associate professor, full professor, assistant
professor, instructor." And there's some kind of pecking order that's known.
When you say you're a member of the faculty, that means you could be anything
from a dean on down to undergraduate instructor, you know.

[Barbara]

Well, what we've gotten into here, and we didn't finish the other thing. I'm asking
everyone what critical steps were taken or not taken or what critical weaknesses
were there or whatever that contributed to the closing? Surely there was more
than one thing that contributed to closing the place down.

[MacTavish]

Well, I wasn't there for the final closing. I was there for, I guess, what you would
call the downhill, at least a large part of it. There were several things, I think, that
were involved. And one of them is individual burnout or pullback because of the
amount of work involved. Another is the change in the general direction or
orientation of the college. It lost a lot of its freewheeling-ness and it became very
much more rigid in terms of curriculum, in terms of faculty teaching patterns. We
ended up with departments. They were interdisciplinary departments, but there
were departments, nonetheless. I think also there were some real political and
sociological problems that people experienced in what some people were calling
the "Women's Club." We, in some cases, either made offers or hired people. The
faculty didn't do it. A certain clique of people did it and they did it on grounds that
were not traditional William James grounds. I'd rather not tape some of those
things. But Inge got into a lot of trouble in that group setting and some of the
other people did, too. I did for a variety of reasons and I don't think that helped

�the college at all. Plus, there always was, in the eyes of some of the traditional
faculty members on campus, the feeling that faculty members in that college,
namely William James, were slumming in some way because they were not
disciplinarians in the traditional sense of disciplines. That combined with some
initial inabilities in the administrative level. She was learning a lot after she got
here and she got much, much better. But for the first few years, she had some
problems that tended to contribute to the point where once she was doing a
pretty darn good job of it, some people had stopped listening. And there was a
general conservativeness that was occurring, especially in this region and then in
the college. We never did get to the point where there were a group of equal
colleges. And then the fiscal crisis hit the state of Michigan and that was a
disaster for William James because the argument was made and very difficult to
fight that being a group of colleges was costing us money. What they did is they
eliminated all the colleges except the ones that they couldn't get rid of for political
reasons like the School of Business, but they kept all the administrators. And if
you look at the faculty, if you look at the ratios between students and faculties
and secretaries and administrators, you'll see, over a period of years, you'll see
that administration level people were being added at a much, much faster rate
than everybody else. And when it came to time for cuts, the faculty members
were cut disproportionately to the administrators, so that made the ratios even
worse. And in addition to that, the faculty members were cut in some cases in
ways or places that were political in nature, rather than having to deal with how
many students they had and so forth. And I'm not speaking about myself in that
situation, although I was one of the ones who was cut. So that there were a
bunch of pressures on William James near the end that were political, social,
psychological. It was a long story. I don't think the faculty got the break in terms
of the break from the heavy workload that they should have gotten to be able to
maintain it continuously for years, after years.
[Barbara]

That's answering the next question I was going to say. I was going to say, the
flipside of what I asked you is: in positive terms, what could have been done
differently? Looking at this as an experimental school and saying…

[Steve]

Thirty seconds about until tape end.

[Barbara]

Alright, well, get the other tape in. Okay. Is there an answer to the positive?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: John MacTavish
Date: 1984
Part: 1 of 3

[Barbara]

…saying is, the conclusion to be drawn, it seems as though one keeps on with
the Geology lectures of three hundred and fifty students and a true/false exam,
when you close these places down and there's no discussion.

[MacTavish]

But that's where the college makes its money. You stick three thousand students
in the classroom and fill… and then spend the time with the teaching assistants.
That's where they make their money.

[Unidentified] Sit up so he doesn't [inaudible].
[Barbara]

Yes, dear. What can we learn from the James thing though? I mean, it's like it's
closed so it never existed.

[MacTavish]

Okay. James got more of a chance than almost any of the other colleges that I
can think of, with some possible exceptions on the west coast. In the sense that
we really were given a budget, we were really were cut free to make our own
mistakes, we were given a considerable amount of support administratively, but
we never reached a point where we were an equal amongst equals in terms of
faculty perception of faculty, in terms of student perception of student, in terms of
administrative perception of the unit. We never reached that original ideal of
Grand Valley, of having a group of equal colleges. Thomas Jefferson, in a way,
unfortunately started that by having their problems with courses in Zen Buddhism
that started a wall and that kind of thing. And so, we were constantly fighting man
image. At the same time, the easy way to fight that image is to show that we're
like CAS which we weren't also. And so we ran around in circles fighting that
image. I think that one possibility, as I mentioned, was that maybe permanent
appointments aren't the answer. But as soon as I say that I think about certain
faculty members that are still at the college that still could be in that kind of a
setting and probably would prefer to be in the kind of a setting. And maybe on a
permanent basis. Because if you think about it in terms of short-term
appointments, you're saying things like: "Well, I'll take three years off of my life's
work and I'll play in this college." And that doesn't accomplish what you want to
do either. So, I think what you have to have is a setting in which you are an equal
amongst equals. And given that then it's the game of equal but separate. The
South played it the South Africans play it. And it's extremely difficult to be honest
about. It might be that you can't do that and have the two units side by side or
commingle. It may be that you have to have a separate campus. Because the

�perception is always that's the way we grew up, that's the kind of educational
system we went through, that's the kind we trained. And what we want to do is
not a rebellion from that but is something different from that. And it's looked at as
either a rebellion or playing around.
[MacTavish]

Eventually you will come back to the fold and he will teach your five hundred
student lecture class, and you'll have your laboratory spread over the week, and
you will do your twelve hours in committee assignment, and you will be available
to answer students questions in office hours, and you go home and sail your boat
or whatever. Treat it as a job, and that's not what people wanted to do.
Unfortunately, the one that's the best, that is a person that commits themselves
so totally, that they screw up the rest of their lives.

[Barbara]

Do you value your experience at James?

[MacTavish]

Oh, definitely.

[Barbara]

Why? Because, again, it sounds so crazy when you talk about it.

[MacTavish]

Well, it is crazy, but it's crazy in the same way that a lot of endeavors are started.
It doesn't matter whether it's a marriage, or whether it's starting a business,
(which I've also done) or starting college, or whatever. You have a tremendous
flush of excitement at the beginning, you don't care that you're working eighty or
ninety hours a week. But that's a pace you can't maintain and to shift to a
maintainable pace is extremely difficult. And still keep the intensity of feeling and
the intensity of dedication to an ideal or set of ideals, that's extremely difficult to
do. Doesn't matter whether it's a marriage, or job, or whatever.

[Barbara]

I really only have two things in mind and there both really short. One is that I just
remembered you told me in the halls, or some place, sitting there with
applications or something.

[MacTavish]

Oh in the first year there were only… started out with about five faculty members.
The Dean was Ken Venderbush, and he was also the Dean of Students. And that
meant he had a full-time job as Dean of Students, but he was also assigned halftime as our [?] and he has no real commitment to us. So, what he would do is he
would work his regular job and then he would come over to his office at William
James, which would be 4:00 or 4:30 or 5:00 or 5:30 in the afternoon and that
would be the only time we'd see him. He was also dying of a brain tumor at the
time, which we didn't-- no one knew about. But what it meant was that Jenny
Gordon, as his secretary, and the person who ran the office, and myself, who
was some kind of an administrative assistant without title or pay or anything like
that, end up making the decisions that ran the college on a daily basis. So, Jenny
and I would sit down and do the things that a Dean, or an Assistant Dean, or

�Administrative Assistant, whatever, would do. And that's how the college ran that
first year. And other people jumped in and did their thing, and we just got it
together.
[Barbara]

Did you guys read James?

[MacTavish]

No.

[Barbara]

Because it's remarkable, neither did I. I'm just reading him now. How remarkably
the college echoes what you can read in James.

[MacTavish]

Some of the faculty members did, and some of the members of the committee
did. And that translated itself through hundreds of hours of conversation. I read
selected parts of James, but I can't say I sat down and read the whole book. Or
you know we got stacks of books from James; everybody got their little package
of little red books. And some us read the appropriate parts, some of us just
participated in that first seminar on James. And some of the stuff that came out in
the first semester was stuff that we weren't interested in. James wasn't going to
be that way. William James College wasn't going to be that way. And so, what
happened was the people that were really interested in the philosophy sat down
in group meetings with us and your discussions, cocktail parties, dinner
meetings, whatever, and just translated what they had read the into a living
reality and then we argued back and forth about it and it worked out to be James.

[Barbara]

I do have one more. I remember we were both on SPACK. Do you remember
SPACK?

[MacTavish]

S-P, ah, yes-yes-yes. I can't remember what it stood for, but I remember SPACK.

[Barbara]

No, I can't remember what it stood for either. But I remember we had terrible,
terrible arguments. I don't mean you, and I mean SPACK there were terrible
arguments. Can you remember back then and translate what kind of frustration
went on then? Because I think it’s a key in a very pragmatic way to some of the
tensions.

[MacTavish]

Well, when we got larger – second, or third, or fourth year – to the point we have
double a couple times and we were up to fifteen or twenty faculty members, the
faculty couldn't hold the tight cohesiveness anymore. And that's when we got into
terrible arguments about grading. I can remember… what was his name? T.C.?
The student that stood up and was hollering in one of those group meetings. And
the tension was… you could feel it. I ended up in the hospital that day. It turned
out to be hypertension attack, the only time in my life I've ever had any problems
like that. They hauled me off in an ambulance. But it was so vivid, and the
commitment was so close to the surface, and the people were so fervent about

�their personal beliefs, and they were dumping them right out there on table.
[MacTavish]

About how you grade, about how you conduct a classroom, about what William
James should be. And the students were right in there along with everyone else,
they were considered as much a member of the community as anybody. And it
got fairly vicious at times because groups tended to appear. I know when we
were down to the wire on faculty, on choosing team, I think it boiled down to Ken
Venderbush and Adrian. And there were some terrible arguments because of
perceived differences in philosophy and differences in administrative style,
administrative experience, et cetera that we went around, and round, and round,
and they were not situations where people were pulling any punches. We were
expected to say what we meant, we were expected to participate, and we were
expected not to hold a grudge. You know, we were being honest. And it is very
difficult to be honest for years, and years, and years. But we were.

[Barbara]

Herb, do you have any questions?

[Herb]

That was a great ending.

[Barbara]

I know. Is there something else you want to talk about?

[MacTavish]

Oh jeez. Not really, I'll probably think of something tomorrow.

[Barbara]

Well, I always think of something the next day. I was like, "why didn't I ask him?"
– you know? Because we got more tape. It's in there.

[MacTavish]

Oh. We played all kinds of games; I don't know whether it's important or not. But
when that college- that building was originally designed, it was designed with four
suites of offices. And each one of those suites contained six offices.

[Barbara]

Just start there [Inaudible].

[MacTavish]

Oh. Six offices and the administrative area, the secretarial area. And if you think
back about those offices, every one of those offices is different. One has two
windows, one is big with one window, and there's a couple of real small ones with
no windows, and so forth. They were designed that way by Mr. George Potter,
who was a system president, vice president, and then finally, interim president for
a year, so the faculty could have something to fight over. And they did, and we
did. And it got to the point, at one point, where we made a policy where
everybody had to move every year. After a while I got nuts, but it was an attempt
to break that, another attempt, to break that hierarchy of top faculty, middle
faculty, and low faculty. The beginners always got that little windowless office the
first year and then I got to move around and move up. We even went around one
year and painted the whole inside the building.

�[MacTavish]

I remember one faculty member put up a picture of the of head Gandhi right
outside of his office on the wall, so he could look out the office to see Gandhi's
head. Another faculty put a little person with a wood screw his navel and the
students put pictures on the wall. And some of it was very, very good. And that
led to bring in a commercial artist, who did superb graphics on all the walls with
the students. And that was one of those builders of community that we worked
very hard to find builders of community. The original synaptic programs, the
Piaget program where this little naive college, in what, its second year, or
whatever, pulled off the world Piaget conference. You know, we didn't… we're
like the G.E. engineer who didn't know it wasn't possible to frost inside of a light
bulb. You know we just went up and did it. And there was a lot of those kinds of
things that happened that'll never leaving because I don't even always
remember, neither do the other guys, unless they sit around and have a beer and
reminisce, which almost never happens anymore. Aren't many of us left in this
area. That's the only thing I could think of off the top of my head.

[Barbara]

That's really great because we have… I'm almost sure we can get illustrated stuff
for the painting.

[MacTavish]

Yeah.

[Barbara]

And I have a painting.

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