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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 8 of 8

[Barbara]

The question is: what is the quality of the education that we were giving
students?

[Tinsley]

Okay, ready for me to go on that?

[Barbara]

Yep, anytime.

[Tinsley]

Okay. The issue of quality was a real one during the life of the college. I think
looking back, I would have to say that the quality of what we did was variable.
For the good students, what we gave them was breathtakingly good, I think. We
gave them access to superb faculty. We gave them access to sort of a panoply of
resources that they would not have gotten in a conventional undergraduate
education. The students that were less good could skate and that was a problem
– and I think we did have some students skate. It seems to me that the issue of
quality was very tied into the real ethos in the college on individual energy and
individual rights. I think the college always leaned towards wanting the individual
to express himself or herself. It was difficult in the college to get a clear sense of
institutional norms; at least, those norms could not be imposed easily by
administrators. They needed to develop in kind of a more organic fashion and I
think that was a problem sometimes. For example, in terms of our beliefs about
appropriate curriculum, appropriate grading standards, and the like. As the years
went on, I think we had a lot more homogeneity about those things. But part of
what I did as Dean was endlessly negotiate with faculty. There was no sense that
I had any divine right to set standards or, indeed, to set policy. It was a matter of
endless negotiation in a milieu where, as I said earlier, the ethos was on the
individual's right rather than the institution’s necessity. Looking back, I guess, as
Dean of the College, if there is an area where I should have paid more attention,
it is… no, let me stop that and you come back to this, okay.

[Barbara]

Let me change the shot, then you can do it. That's fine.

[Tinsley]

As the college matured, we began to get a curriculum we were pretty comfortable
with. I think there were still, probably, some issues around supervision of
internships and independent studies. There were still some course titles that
remained as symbolic battles between the faculty and the administration. I think
in another two, three, four years we would probably have been on a cycle of

�independent curricular reviews with outside consultants. In the end, in terms of
the curriculum itself, I felt very good about it. I felt it was a strong curriculum. In
terms of the standards of the college, in terms of what happened to individual
students, I think we probably always let students skate a bit too much. I think we
paid for that very heavily.
[Barbara]

Say that last sentence again because I screwed up. So just the last sentence: "In
the end..." is a good time to start.

[Tinsley]

In the end… about the curriculum?

[Barbara]

No, just in the end about individual students.

[Tinsley]

In the end, I think we always erred a bit on the side of putting out a hand to
individual students to help them through. And sometimes, in some places in the
college, we did that too much; we weren't tough enough. We paid for that, I think,
very, very heavily. That's something I won't do again; it was too costly for the
college.

[Barbara]

Finito?

[Tinsley]

Finito.

[Barbara]

Good.

[Tinsley]

I guess the last thing I'd like to say about the college – after having done some
thinking about it in connection with this taping – seems to me that most of us, or
all of us, brought to the college a desire that our work have real meaning; that our
work bring meaning into our lives; that our work perhaps be the significant source
of meaning in our lives. We wanted a kind of a texture in our work; a kind of
depth in our work. Clearly not some kind of situation where we did our work and
did home in our real lives outside of work. Our real lives – our most important
lives – were in our work in the college. Sometimes this provided some stress and
strain. We made demands that our work give meaning that I think aren't very
unusual in American work life. And I think for most of us, the experience of
having the college no longer present is that it's forced us to say: "In whatever
work life I'm in now, how can I make it have that kind of meaning for me?" That's
certainly true for me. One of the things that is very interesting to me as I look at
what the faculty are doing now – and because of my position, I knew the faculty
better than I knew most students – it seems to me that there's almost a little
explosion of good work going on: research, writing, work products coming out of
people that were on the William James faculty or interesting jobs. Almost as if
some of our energy that was being used to make the college work is going right
into creative work products. And I see that as coming out of this desire to find

�meaning in one's work that I think is so important and that I think was really
critical to us at the college. Sorry I trailed off on that.
[Barbara]

[Laughter] I'm tempted, I won't do it, I'm tempted…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 7 of 8

[Barbara]

Oh, I always ask you to do it when the cameras are warming up.

[Tinsley]

Alright. Okay, let’s see a piece of white paper in front of my…

[Barbara]

Okay, it’s all wound up. It's not in really great shape, truth be told. I kept it,
though, for some reason… must have something I'm supposed to do.

[Tinsley]

Yeah, you’re supposed to tell them how to allocate your TIAA and your CREF.

[Barbara]

Oh yes, I think I'll just let it set. Thank you. I didn't really plan on that saving me
anyway. Alright, we are almost good. Best thing about your experience at
James? Is that a meaningful question?

[Tinsley]

Oh, I think it is. It's like a psych quiz question, but, yeah, the best thing about it is
that it had meaning – it really had meaning – and it was important. You felt like
you were using your life for something useful. I've always liked Marge Piercy's
poem "To Be of Use." And you felt like, at James, you weren't just treading water,
you were doing something very, very useful. And that was the best thing about it.
And you were also doing it in the company of like-minded people who were
friends, and intimates, and you really had a family that you were doing it with. So,
I think those two things were the best. We weren't the only institution that was
doing this; there were other colleges like us. FIPSE, the grantmaking agency in
Washington, was very much like us. A lot of little enclaves of people doing this
kind of work and it seemed real and important.

[Barbara]

If you…

[Tinsley]

And it was! Sorry.

[Barbara]

I'm being a bad interviewer. I'm really listening to you. I am listening to you, but I
was thinking of the next question. Which is: if you had to sum up the nature of
William James College in just one sentence, what would it be?

[Tinsley]

Well, I actually frequently did have to sum up the nature of William James
College in just one sentence for a variety of public relations and mission
definition purposes. But I don't remember any of the sentences and I'm sure

�none of them were very real. William James was a place where people talked
about real things and did real work, and really loved each other.
[Barbara]

No two people have said anything resembling the same thing. They just go with
the strength of the college and its weakness. And no one has said “synoptic”
either. [Laughter]

[Barbara]

Okay, there is one question around in my head and it’s something that I wrote
down in the beginning. It has to do with power, and you sort of talked about it
when you talked about CAS and all that sort of stuff. Couldn't have we been more
political? Even though we were small, dammit, some small things survive
because they are so political, because they do their own PR so as well. Do you
have any feelings about that?

[Tinsley]

Well, let me think about it. I am myself a structuralist, and I believe the structure
of Grand Valley – not the structure of William James – worked against us. In the
back of my head is the nagging thought: "Suppose we really had been more like
them?" Because I don't think you can fudge that, because you can't go around
pretending to be like somebody when you're really not. Suppose we're really
more like them, and our values, and what we want to do, but our values were sort
of more like theirs, would it have helped? My honest answer is no, it probably
wouldn't have. Because, structurally, we just had a very difficult situation to deal
with. But that's from my perspective. I sure did everything I could. And so, you
know, maybe it's in my interest to not be able to think of anything else that could
have happened.

[Barbara]

Richard talks about a siege mentality being very useful to us, energizing us. To
go out more would have destroyed some of the energy that helped us work as
well together as we did.

[Tinsley]

Yeah, I don't think going out more on the Grand Valley campus would've helped
us a lot. I really don't. Because it would've been that painful work of trying to
make friends with CAS. And they didn't really want… it takes two to make friends,
it really does. If we would've been able to get outside into the local community
even more than we did – and we did a lot – that might have helped.

[Barbara]

Do you want to do it again, quickly, the story about… the story happened
because you were talking about how we could not… how this could not work,
how we were at a disadvantage. One example was losing computers, and you
made that bit by the anecdote of the day we lost computers. And if you want to
retell it using euphemisms, fine by me. [Laughter]

[Tinsley]

[Laughter] I don't think so, the point of the story comes from the cast of

�characters. But I will trust you not to use it on the tape.
[Barbara]

What about first part, when you talk about them being from Holland? Is that
okay?

[Tinsley]

I think.

[Barbara]

I think so, too.

[Tinsley]

I think it’s okay.

[Barbara]

Is there anything to say here? [Inaudible]

[Tinsley]

Oh golly, well there probably is, but I can't think of it at moment.

[Barbara]

It’s tiring at this point.

[Tinsley]

It is, it is tiring. No, I mean I would like to talk on about it for another ten hours,
but I don't have anything in particular at the moment.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 6 of 8

[Barbara]

Come on, camera! There you go. Nope, not yet. Sorry. I’m still getting in there, so
I don’t have your finger [in the shot] and you have an incorrect white balance.
Hey, you didn’t do it! There it goes. Alright. We’re actually rolling. We can go any
time.

[Tinsley]

Okay.

[Barbara]

We were talking about the legacy of the college as a partially conservative...

[Tinsley]

Okay. The legacy of the college… that's a really broad question. And I guess
what I'd say about that is that we were very early strugglers with some things that
now need to be struggled with less and are just a very normal part of the college
scene. The whole issue of professional programs, for example, we struggled
hard over that, both intellectually and personally within our college community.
And we were dealing with professional programs, I think, long before they
became such a very important feature of collegiate life. Nowadays it's a very rare
student who majors in anything other than a professional program. I think we
struggled with some issues around how you do liberal education in a professional
program context. I think we came to some really good solutions to that issue. And
that, you know, probably that hasn't filtered out as much into the larger
community as I wish it would. I think there are a lot of articles to be written there,
if everybody's looking for articles to write about the college. Because ninety
percent of the students who go to college major in professional programs now.
So, I think that's important. I think, for students, a lot of the things that we wanted
to do for students and with students exist in very mainstream colleges. You
know, all the way from independent study, to at least some credit no credit
grading, to certainly internships, to stress on projects related to community
needs. A lot of stuff that was very innovative when we did it is not particularly
innovative now and is pretty much an accepted thing now. So, I think we were
sort of the first wave of a lot of new stuff that was coming into higher education.
That kind of legacy certainly remains; what doesn't remain is a space, you know,
a local habitation in the name; a place where you can go to get something. I'm
not sure I how want to put this. Where you can go, where you don't have to worry
about what the meaning… I'm literally going to take this answer again. Let me
think about it a second. I've talked to some of the William James faculty the last
year or so, talked to Richard, to Margaret Proctor, to Barry. Barry, I think it was,

�has talked in an interesting way about what it means that the William James
faculty are mainstreamed now and they're part of the ordinary units at Grand
Valley. And they haven't just disappeared into those units. I mean, they have
begun, maybe this is grandiose, but they have begun a little bit to transform the
settings that they're in. I know, you know, some of the William James faculty are
doing that in the places where they are at Grand Valley. And what Barry said
about that was: "Well, you know, as long as we had each other to talk to you, we
didn't really have to talk to the other faculty." And we didn't very much. But the
place was poorer because we didn't. And that's right. So, there is some sense in
which I think Grand Valley as a whole is enriched by having William James
faculty in the mainstream. It's the same argument you might have if you were
talking about women's studies, you know.
[Tinsley]

To what extent do you want to have a special place that women can go and
totally deal with their own issues and one another, and deal with women's
courses? And to what extent do you want to say every course in the university
should contain topics of particular relevance to women and should address its
subject matter from the perspective of the new scholarship on women. What's
missing is that there is no place you can go to now where you go there, and you
know that all the people there share your values, and care about the same kinds
of things that you care about, and want to…

[Barbara]

Okay, [inaudible] we'll use the rest but [inaudible]. Okay?

[Tinsley]

Okay. No place you can really go where you know that everybody shares your
values and cares about what you care about. And I think having that space is
really important to our students and to our faculty.

[Barbara]

Why?

[Tinsley]

One answer is because it was there, and it was safe, and we didn't have to
create it every day. You had it. It gave you some identity. You didn't have to
always be creating it at all the time. It was a place where you could go, and it
gave you some identity because you shape it and it shapes you.

[Barbara]

But Barry said, in his interview, that… you know, he very much believes in this
notion of moving out into the mainstream, and that its working, and that in his
classes that he is still teaching in a Jamesian way. But he said: "Of course, I
don't know how long it's going to last. I don't know how long my energy can last
since it's not being infused anymore."

[Tinsley]

Yeah.

[Barbara]

Because that's what the places does.

�[Tinsley]

Yeah. If you concentrate the energy there and concentrate the people there, you
can go deeper, and you can replenish it. And that's what's missing because the
space isn't there. And I suppose all of us are looking to find some other similar
kinds of space out in our lives.

[Barbara]

Including the students?

[Tinsley]

Yeah.

[Barbara]

Would you put this in personal terms now. What does it mean to personally
spend the eight years you did, working very hard?

[Tinsley]

Well, I suppose… let me say what it meant to me professionally really first, rather
than talking first about what it meant personally. I went from William James to the
state… stop. Let me think about this another minute. I don't want to, you know,
falsely romanticize the period at William James; although, I personally do believe
it was a kind of Camelot. I do know that when I did go back and do administrative
work, I felt very strongly that I wasn't ready to go back to another campus. I
couldn't give my heart to another campus in the same way. And so, I took a job in
the central office of the state university system. And two things seem important to
me that I want to say. In Minnesota, I've been in a very mainstream
administrative situation. I work with seven separate state universities, with their
vice presidents, with their presidents, with strategic planning, with academic
policy. The people in that system are very good. They are very competent,
professionally. Minnesota, I would guess, is one of the very advanced states in
the union, in terms of not only its support for higher education, but the
professionalism with which their system is managed. And what I've learned is
that, although I work with an incredibly competent professional people,
professional values are not enough. The change for me was growing from a
place where, I mean heaven knows we did want to be competent, but there was
a real value beyond competence. There was a reason you wanted to be
competent. There was a reason you were doing what you were doing. So, by the
contrast that existed at William James, simply, the value of professional
competence is not enough. It doesn't keep you warm at night. It's too thin. I'm on
my way to go to Glassboro State College in New Jersey and I 'm now ready to be
back on the campus, and I am just really excited about going back to campus,
and, you know, and having a substantial leadership and management role on a
new campus now. But here's what I asked myself: I say, at William James,
everybody knew the meaning of what they were doing, so you could stand up
and so recite the litany, or you could have an external person to come in and
recite the litany and say this is what's important about what we're doing, this is
why it's important to work this hard, and this is why we're not cynical. Because
here's why we're doing what we're doing, and we really care about it. I go to

�Glassboro and I say, you know, what does the vice president do? The vice
president has got to find that thing that the institution is doing that's important and
put that in the public space and say: "This is what we're doing, and this is
important, and it's important that we're doing it and we're doing it well." And I
don't find it really easy to look at a Glassboro or at the state colleges in
Minnesota and say: "Here's what I can say about that. Here's why it's important
in the mid nineteen-eighties to be doing this." And I think that's a problem that we
are dealing with in higher education. It's hard to talk about why we're doing what
we're doing and why it's so important. And it's hard to get that into the public
space.

[Tinsley]

I remember when the colleges were about to be dissolved, and Robert said: "The
problem is that it's not that I don't want to work in CAS, I mean all those people
are fine, but I've got to have something I can believe in. I just can't work with
people who are cynical or who are apathetic." And so, what I'm saying is there
was no cynicism, or very little, or little apathy at William James. And how do you
find in a mainstream institution… how do you find, sort of, what you hang your
hat on for the meaning of it. And I think that's the question that we answered at
William James. And that's the question I want to try to answer now at a more
mainstream institution. I don't think finding that answers is going to be just real,
real easy.

[Barbara]

This is going off from that answer what we thought was important in James and
the reason that we would be energizing and uniting the kind of notions that we
had. Were they specific to the time? Are they not specific now? Why can't you
just take those notions to your new job?

[Tinsley]

No, they're not; they are specific to the time and let me talk a little bit about that
because I have thought a lot about this and I really believe it. In the midseventies, the agenda of the society was access and new opportunities. And it
was very important to open higher education up to women, and black people,
and minorities of all kinds, and older students, and people that hadn't been to
college before. And we put a lot of stress on that. And William James came out of
that milieu and that was very important to us. That is not a value in nineteen
eighty-five. In nineteen eighty-five, we talk about quality which is – depending on
how you look at it – is either a positive or negative from my perspective. I think
there is some genuinely good work being done under the rubric of upgrading
quality, but there's also some genuinely reactionary stuff being done under that
rubric. And the agenda for the institution is the economic development of its
region, science, and technology. The issues that the institutions are dealing with
are very different. In the mid-seventies, we had the federal government really
pushing access, really putting money into social services. Now we have science,
and math, and technology. I think there's no reason that we can't relate to this

�new agenda. But we haven't really thought about what it means for the values we
had in the seventies. So, I think the times are very, very different. And I think
that's why it's hard to find the spine of the institution in the eighties. I mean that's
what I learned from dealing with seven mainstream institutions in Minnesota and
the state legislature.
[Barbara]

Because my experience… I'm blinking again. My experience…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 5 of 8

[Barbara]

It’s meant to warm up [the camera].

[Tinsley]

Okay.

[Barbara]

Okay. We are balanced.

[Tinsley]

Okay.

[Barbara]

When you left…

[Tinsley]

When I left…

[Barbara]

Yeah. Did you think that we would…how long did you think we would survive?

[Tinsley]

When I left, I didn't think the college would not survive, but I thought it was
problematic. And the reason I thought that is that the college was getting smaller.
We were finding it more difficult to hold onto programs. I started thinking about
leaving in seventy-nine, actually the end of seventy-eight, and left in the summer
of nineteen eighty. And I left for two reasons. The compelling reason was I
needed a rest. I needed to find out who I was when I wasn't being the Dean. If I
could've gotten a year’s sabbatical, I probably would have stayed. And I
discussed that with Glenn and while he was not opposed to a sabbatical, he felt
that he couldn't spare the Dean for more than three months. And there was some
reason to that. In any case, I decided I would simply move it on. Another thing in
my thinking about that was that I did not see how Grand Valley could continue to
put the kind of money into administrative salaries it was putting into to run the
collegiate structure. I thought that the collegiate structure was getting marginal
from a financial perspective. If you think about what it cost to have at William
James, a Dean. We had – for most of our time – an Assistant Dean at least part
time. We ran the Records Office – Hank Mei's operation. We put money, you
know, modest amounts of money into Student Services – that was a lot of
overhead. If you counted that up that was probably a hundred thousand dollars a
year in the administration of William James College. We were smaller than many
departments. I mean, we were twenty-two, twenty-four faculty. If I looked at
Grand Valley – and you remember at Grand Valley at its peak was at six
collegiate units and by the time it ended was at four – that’s a lot of salaries and

�administrative overhead and that made me nervous. So, I thought that was
problematic about the college's survival and I was just tired. I thought I needed to
do something else. It's, you know, it was a long… I was Dean, what, eight years,
I guess. And that's a number of years of working very hard and cheerleading so I
needed a rest. When I left, I said to myself: "This is a window in the college’s
history. Right at this moment, I perceive us as very secure, nothing is threatening
us. It is time for me to leave and this is a good moment to leave," because I didn't
want to close the college – that was last thing I wanted to do. And so that’s kind
of why I decided to leave and when I decided to leave.
[Tinsley]

And at the time I decided to leave, I did not think we were in any danger, though I
was well aware of what the administration of those collegiate units was costing.
And I was also, by the way, well aware - and I haven't said this on this tape - you
know, if you think about it, the Deans of the two alternative colleges were
women. Women were pretty well represented at Grand Valley during the time I
was there. But we were running the alternative colleges and I said, and I
remember saying this, you know: "When we choose the next Dean, we have to
choose someone who's more like them. We have to try to get this embedded in
Grand Valley." So, I was not, you know, looking for another woman. I was hoping
that the college would get someone who could maybe do a better job than I had
of getting the college really embedded in the Grand Valley social structure. And
those were my thoughts as I left.

[Barbara]

It occurs to me that it in your last answer, you said there were two levels of
administration and you talked about Bruce Loessin. What kind of feedback did
you get from the other level?

[Tinsley]

You mean from Glenn or from Don.

[Barbara]

I don't know.

[Tinsley]

Oh, the second… once we started reporting to Glenn, I talked about getting
feedback about programs. Glenn certainly never said anything to me to suggest
anything other than he supported William James and he was working very hard
to understand William James. He found a lot of it incomprehensible, but I believe
he did work to understand it. And I believe as long as he thought it was
supportable, he worked to support it. That's not a very good answer.

[Barbara]

Okay, I understand. I was envisioning Lubbers.

[Tinsley]

Yeah. Let me talk a little bit about… you know, some question like: were there
any major threats to the college or…

[Barbara]

Yeah, what were they?

�[Tinsley]

You’ll remember that towards the end of the seventies, things starting to get –
financially – really tough in Michigan. And Grand Valley had to go through a
retrenchment and reallocation, and I believe that happened in seventy-nine. And
that was the first serious and significant threat to the college. And that one, we
came out of okay. And I guess I'd like to talk a little bit about that because I don't
think many colleges could handle that situation the way that we did.

[Tinsley]

The deans were not involved in making the decision to reduce and reallocate;
that was done at the level above us. We were simply brought together and told
Grand Valley was going to reduce and reallocate; that it was probably going to
cut Thomas Jefferson and that we had to prepare budgets. Well let me go back
because I want to get this accurate. I'm going to pick that up again. The deans
were brought together and told that Grand Valley was looking at a shortfall of
money that we were going to reduce and reallocate. And we were given targets.
We were given, I think, three levels of targets for cutting: the deepest, the middle,
and the lightest. And we were told to go home and figure out how to do that. To
go home to our college. Go home, it sounds like home, we go home and figure
out how we do that and come back prepared to meet those three levels of cuts.
And also, to figure out where the new money would be reallocated. The family
obviously didn't want to do that. I mean that is a very painful thing to do. But
when I went back to William James, and I remember that afternoon because I
went back on a Friday afternoon to say: "The news is we’re going to have to
reduce and reallocate; here are the levels we have to shoot for." I said, "How do
you want to do this? If you like, I'll just do it. If you like, you can. I am open to
suggestions; we'll do this any way you want to." And the faculty… it wasn't a
council meeting; it was just the faculty. We didn't take any votes, people just said:
"Look Adrian, let's make a committee of people that we all agree we trust and
then you guys just do it and come back and tell us what you've done, and we'll
tell you if it's okay." So, a committee was made of Robert and Barry and
Kathleen. The next morning at five in morning, the phone rang and my father was
dead. So, he died literally the next morning. And that committee came over and
we sat around my dining room table before I flew off to my father's funeral,
figuring out how to do this. And then that committee just sat down and figured
out, you know, what we could do and what they could live with. And we brought it
back to the college and nobody fetched, and nobody screamed, nobody said:
"Kill the administration." Everybody just said: "Well, you folks have done the best
you could, thanks." I was really amazed.

[Barbara]

What percentage cut did we lose?

[Tinsley]

I can't remember, but it was deep. It required a retrenching. I think in the end
three faculty. It was not clear if it was going to be five, four, or three, and my
memory is it in the end was three now. It wasn't clear, at that point, whether the

�cuts in Thomas Jefferson were going to be so deep that the college was going to
die as a result. And we had one meeting that was sort of the last critical incident
of my watch, as it were. We were all given to these nautical and military
metaphors. But I do think of it as my watch, and it was the last critical incident,
and I'm rather proud of it so I guess I want to tell it on this case.
[Tinsley]

The deans were all brought together in the Dean’s conference room and we
simply were to go around the table and talk about how we'd like to meet the
budget shortfall, and so I presented our plan, everybody did. It was very clear
that the senior administrators wanted to deal with the problem by merging
Thomas Jefferson and William James. And they thought that would take two
units, both of whom we're getting so small that they might be marginal, and
perhaps give them enough substance to be able to survive as a joint unit. I
thought that would be an absolute disaster. Just an absolute disaster. I thought
that although, indeed, the two of us we're both alternative colleges, and we both
had women deans, that didn't mean our operating philosophy is… our ideologies
as colleges were just so different. I could not see anything positive would come
of that. And I knew that it rested on me to prevent that from happening right that
moment. And I can remember taking a deep breath and remembering, and
knowing I had to get on my feet. I had to somehow get some height in the room
and to be able to speak with the kind of authority I wanted to speak with. And
there was a folding blackboard in that conference room which was closed and I
can remember getting up and very slowly walking to that thing, opening it up and
getting a piece of chalk and beginning to draw diagrams on the blackboard. And I
have no idea what I drew, but I was trying to get myself, you know, organized, to
make the pitch to show how different we were. So, I drew these diagrams and
delivered a little lecture about the differences between the two colleges. And
maybe talked for ten minutes, you know, as compellingly as I remember going
about anything. And when I finished there was a long silence. Nobody said
anything for about a minute and then Doug Kindschi – and I will be grateful to
him for this to this day – said: "You know, that's right. William James and Thomas
Jefferson are very different and if we put them together, we'll likely lose what's
good in William James." And that was it, you know, and then they passed on to
other topics. So things were tense during that last… that reduction. And then, of
course, there were further reductions to be had after Forrest had come on board
as Dean. So [Inaudible] started getting really tough in seventy-eight and seventynine.

[Barbara]

And that's the… you said, plural, the threats, buts that's what they did?

[Tinsley]

That was the most compelling one that I had to deal with.

[Barbara]

What about hostility from CAS all along, did we feel it? Did you feel it?

�[Tinsley]

Oh sure, sure, it was a real pain. I didn't feel it from my colleagues because, you
know, they weren't allowed to for one thing. And also, it was simply we were at a
level where we were kind of above that. But for the faculty it was very tough
because there was that constant grinding: "You're different, you're not as good.
We won't play with you. We don't have to. We're traditional, we're good." And it
was so ironic because our faculty was one of the finest in the country. I mean, we
didn't come from Michigan, we came from all over the United States. And we had
superb degrees from superb schools. And we had to put up with this kind of "Well
you're not good enough for us to let you, you know." We took all of CAS's
courses for credit. But CAS was always very picky. "Well, we might not take that,
it might not be up to our high standards." And so that was a constant problem for
us; and it's too bad. And it happens in all kinds of places that try to do this kind of
thing.

[Barbara]

That's true. What would it have taken for us to survive?

[Tinsley]

Well, I don't think we could've survived. And I have really given that a lot of
thought, obviously, because I've had to think: "Is there something I could have
done that would've made a difference for us." And here's why I don't think we
could've survived. It wasn't financial; although, as I indicated earlier, it was very
expensive to have four, or five, or six different deans. That was a problem, but
the reason we didn't survive wasn't because of money. And I think that was clear
when Grand Valley reorganized itself into schools or colleges. They didn't leave
faculty off, at that point, because the issue wasn't financial. The issue was
twofold. One, and they're both important, but the first issue was Grand Valley
was always fighting with itself. The problem could never be solved that the units
were competitive with one another. There was no way to make them stop fighting
each other. And particularly not if you're working in a political model. I often
thought, if the presidential just said: "There will be no more fighting. I won't have
it. The next complaint, the person will be fired." Maybe it would have stopped,
although I doubt it, because it is human nature. But it would have put the central
administration at a very autocratic position, saying: "CAS will do this, William
James will do that, and that's the end of it. I don't want to hear any more about it.”
And they didn't want to that do that. And I can't blame them. They would've come
off as tyrants, and they would not have won any friends with CAS, which was
much larger and more powerful a unit, just to kind of save us. But because they
didn't do that, everything was in a constant state of turmoil. And Grand Valley, in
the end, just couldn't afford that. We needed to pull together and put our energies
outside the institution, not with constant battles inside. And I believe that's the
reason that it couldn't work and that cluster colleges, in general, have a very hard
time working. I think, also, and I never used to believe Bruce Loessin about this,
but I think it gave Grand Valley a kind of weird image in the community. It's a very
conservative community. We always used to say that William James is really
lucky to be embedded in a community this conservative because it kind of… that

�Grand Valley protected this, really quite radical unit, in a very conservative
community. But even having the different collegiate units, in the end, was pretty
hard for Grand Valley.
[Tinsley]

It gave it a weird reputation and it couldn't afford that. And in the end, it needed to
get rid of it. So that's where I think we couldn't survive.

[Barbara]

Can you see that light? You're doing a good job knowing right when it ends.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 4 of 8

[Tinsley]

Yeah, test at the end.

[Barbara]

Question will be: [inaudible] the administration at Grand Valley, at various times,
would give you, sort of, “We're not completely happy – shape up” or “You're
doing very well – this is going to go on forever.” Did you get that kind of feedback
from [inaudible]?

[Tinsley]

Yeah.

[Barbara]

That's not phrased very well, is it? Do you know what I mean?

[Tinsley]

Yeah. It's another version of "What did the administration think was happening."

[Barbara]

Yeah. Okay, anytime you feel comfortable. Let me just double-check that we’re
rolling. Yeah, we are. What kind of feedback were you getting from the
administration?

[Tinsley]

It's interesting that I'm having a difficult time answering questions about feedback
from the administration at Grand Valley and there were really two parts to the
administration at Grand Valley. The first phase was during the period that I
reported to Bruce Loessin. And I might just say, parenthetically, that one of
wonderful things about being totally greenhorn, an inexperienced dean, and
being a woman and never having served in the army, I was told I reported to
Bruce Loessin. I guess the first year I reported to Harold Colbert; I had no clue
what it meant to report to somebody. I had no notion what the term meant or that
I was supposed to tell them what was going on in the college and that was what it
meant. But from the college’s second year, up until about nineteen seventyseven, I would guess, Grand Valley had a structure which differentiated where
the colleges reported. And William James and Thomas Jefferson reported to
Bruce Loessin and the other colleges reported to Glenn Niemeyer. That function
was split. In seventy-seven, or whenever the reorganization took place… it may
be seventy-seven, maybe seventy-eight. Let me start this answer again Barbara.
Okay.

[Barbara]

No harm.

�[Tinsley]

Let me think about it for a minute first. Okay, the question that you asked is what
kind of feedback, criticism, encouragement, direction that you got from the
administration of Grand Valley. There were really two administrations at Grand
Valley during the time that William James existed. During the first administration,
I reported – William James reported – to Bruce Loessin. Grand Valley had a
structure in which the vice presidents were all equal and they were all called the
Vice President of the College.

[Tinsley]

Bruce was, at that time, the vice president of the college William James and also
Thomas Jefferson reported to him. This is not just a bureaucratic thing of interest
to administrators. Bruce was responsible for William James and for Thomas
Jefferson and so he wanted us to do well, as well as he wanted us to do good
and fight evil. And he bent his fairly considerable energies to helping us do that
and to fighting our battles. You didn't ask if I had any mentor at Grand Valley; if I
ever did, it was Bruce. He was a kind of funny mentor, you know, a little short
guy. People used to laugh about little, short Bruce and his high heels. But he
looked out for William James because it was his – it reported to him. What I got
from him was: "You’ve got to make it so it looks like the other colleges. You can't
be out there looking weird. I don't want to change anything you're doing; I don't
want to change you. I think William James is great and I think you have the finest
faculty at Grand Valley, but you have to not look weird." And that was really, to
tell you the truth, that was right. Bruce was right about that. He would give me a
little pep talk about not looking weird. I'd go back; try to get us not to look weird.
But he helped us, you know? He would fight for us when we had clashes about
who was going to offer what or were we going to be able to get our name out in
advertising brochures. Bruce was there fighting for us. So, he had an interest in
us. And seventy-seven or seventy-eight… this was a bizarre structure at Grand
Valley with these deans, the vice presidents at the college and the academic
units reporting lines split. Don changed the reporting structure and Glenn
became the Vice President for Academic Affairs and all of the collegiate units
reported to Glenn. Now, you have to understand I'm not saying anything about
Glenn or Bruce personally; I'm talking about structure. The day that
reorganization came down, Bruce took me to lunch at the Matterhorn and he
said: "I just want you to know, that I've always been on your side, always before,
and I have really busted my ass to make sure William James got its fair share
and survived, and I've been your friend, but you need to know that I'm on the
other side now." And I said: "Right. I understand that. I appreciate your just
saying that upfront, you know? Thanks for everything Bruce." And in some ways,
I mean, you could say that was the beginning of the end. When the college is
reported to a different vice president, what it felt like was you had your very own
knight. When I needed something, I went to Bruce; CAS needed something, they
went to Glenn. Then Bruce and Glenn got into their suits of armor and rode out to
go like this to one another. And, you know, sometimes one won, sometimes the
other, but the Dean just kind of sat back, you know, and waited to see who was

�going to triumph. When all the units reported to Glenn, we had entered the era of
rational planning and the emphasis went to program. When the units reported up
different lines the emphasis was on, not program distinctiveness, but
distinctiveness of mission, distinctiveness of student body, distinctiveness ethos.

[Tinsley]

When all the students reported to the same vice president – and maybe this
would have been true whoever the vice president was. I'm suggesting that I think
a lot of the issues were structural; the issue then was which college will do what?
We'll have a rational plan, and programmatically, we'll differentiate
programmatically, you know. And I think people do have to understand that this
was not an individual decision that Glenn made because he was an individual; it
had to do with rational planning with the kind of accountability that he had placed
on him. Because we were entering a time of much tighter money and Grand
Valley couldn't really afford to have computer science programs in both places. It
was confusing, it was messy, and it was expensive. So that's the apologia. What
actually happened when we started reporting to Glenn was that the whole
emphasis went on programs and on new programs. What Glenn wanted from
Williams James was that it would develop new, sexy new programs that would
attract new students and that could give us a niche that we could occupy. And we
fiddled with a lot of things there, at one point, I mean, computers was our thing.
At another point it was going to be environmental science and planning; at
another point it was going to be social work. The problem that happened there…
rational planning might've worked as a model, but the units were of such a
different size and political power. We could make all the bargains we liked, we
can say "We'll do social work and you do nursing. We'll do arts and media and
you do fine arts." But every time a decision was made, we do this and they'll do
that, and what we were doing looked interesting or looked like it was drawing
students, then the other unit wanted to do it. And we didn't have it – I don't think it
was the political clout – we didn't have the size. There were too many faculty
angry that little William James got to do this and they didn't get to do it. And so
those faculty would go to Glenn or they would go to Don. And Grand Valley was
governed in a political way. It was and probably still is on the political model.
There are books written about styles of academic governance and you can have
the bureaucratic model, and you can have the hierarchical model, and you can
have the political model. And Grand Valley was governed in the political and that
meant that we couldn't keep our gains. So, the problem for us was that Glenn
would say: "Develop some new programs." And our tongues would hang out and
we'd say: "My god, we developed a whole new college. We've got zillions of
programs. We've got three programs per faculty member." You know? We need
to consolidate some programs; we need to grow some programs; we need to
develop; you know, we need to let some programs get bigger and stronger.
When we got good stuff, we'd lose it. We couldn't hang on to it.

�[Barbara]

Like what?

[Tinsley]

Like computers. I suppose that was a real good example.

[Tinsley]

The deal was, initially, when I went to the college that the math department
wanted to do computer science. Right at the beginning, the math department had
an opportunity to hire Ken Hunter and had refused to do it. And William James
had hired Ken Hunter. Ken had a genius for understanding how to teach the use
of computers in business and applied context. And that's what our students
wanted to learn. And he built a super program in that area. It was called
Administration and Information Management. Very strong in information
management. And it was very clear where the lines were. It was rational
planning. Mathematics Department did computer science and students who did
that went to graduate school and they became computer scientist and if you
wanted to be an information managing specialist and work in business in an
applied way, you went to William James. Along about the middle or end of the
seventies, it became clear that we were in a gold mine; we were sitting on a gold
mine. We were sitting on top and what everybody wanted to do. And the math
department began to want to do it. And the math department had a lot of political
power at Grand Valley. The lines were clear, you know, there was no question
about what the agreements were. But there was a lot of political issues, so Don
Lubbers set up a task force to look into the matter. And he hired a consultant who
came and spent a couple of months on the campus one summer looking into the
matter. And then he called a meeting and we all trooped into the President's
office to have the meeting at which we were going to decide what was going to
happen with computer science. And Don VanderJagt went in from the College of
Arts and Sciences; Bruce Klein at that point was already in the College of Arts
and Sciences or maybe he was with us, I can't remember this. The punchline of
the story was VanderJagt trooped with the Dutch guys from Holland and this area
and William James trooped in with the woman, the Jew, and the Martian. And I
thought: "I think I know how this is going to turn out." In the end, you know, I
suppose I should be careful putting that statement on this tape.

[Barbara]

Maybe you need to say that again.

[Tinsley]

Yes, probably… I will say that again.

[Barbara]

Why don't I change the shot… it's accurate, but I don't think you're really…
[Inaudible].

[Tinsley]

Yeah.

[Barbara]

Okay, let’s see. So, then William James trooped in. You can go from there.

�[Tinsley]

Yeah, so then William James trooped in with a fine program, but we didn't have
the political clout of the people that had been at Grand Valley for a very long time
and we're very close friends of Niemeyer and of Lubbers.

[Tinsley]

We were a smaller unit; we didn't have nearly the potential to make trouble for
Lubbers that CAS had to make trouble for Lubbers. So, somehow we ended up
losing out. Now the way in which we lost out was not that Don said: "I've thought
about this and on the face of it the College of Arts and Sciences is a bigger unit,
it has more students, it makes more sense for the program to be there." Don
said: "I've thought about it and it doesn't make sense for me to prevent the
College of Arts and Sciences from doing it. I'm not going to prevent them from
doing it. I certainly want you to keep doing it; you're doing a wonderful job. Let
many flowers bloom." And when you broke down the trade agreements and let
many flowers bloom, it was very hard for William James to compete. So that's
why it was very hard for us to hang onto students, because we were a smaller
unit. Now you might ask me, it might be good question to say: "Why was it hard
for William James to compete, you know, in an atmosphere that said 'let many
flowers bloom.'" And that's the real question. Because we were smaller, because
we were viewed as an alternative, because as the decade began to draw to a
close, people in large numbers began to be a little afraid. Maybe they always
were, but it was a little closer to the surface of their mind, they didn't want to go to
a school that was weird. So, if you wanted a real straight-line thing, like
computers in relation to business, and you had your choice of taking it at CAS or
in William James, chances were unless you were an unusual student, you would
take it at CAS. Because we really were an alternative to that. And yet it meant it
was hard for us to hold onto our programs if they took equipment because we
couldn't develop enough students. That was a rambling answer, but you can
maybe use parts of it.

[Barbara]

It's blinking at me anyway.

[Tinsley]

Okay.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 3 of 8

[Barbara]

There you go. There’s a good tape… [inaudible]. Okay, we’re a go. Just tell me,
just [inaudible] about the beginning.

[Tinsley]

Well, what I really remember about the beginning – although, of course, I didn't
realize it at the time – was we were all so young. I sometimes think about the
three older faculty who are in their fifties, who were hired because the initial core
faculty had some sense that we ought to have a spread of age and experience in
the college, which was an absolutely right instinct. But I wonder what it must
have felt like to Willard and Doris and Phyllis to arrive with this entire college that
was so very, very, very young. And I look at the pictures of us from those days,
and it's kind of interesting to see us. We were very concerned to build a sense of
community in the college and that expressed itself in a lot of ways. The first year,
I recall, the first fall that I was there we decided to go on a retreat together. And
we all packed up our camping gear and we went off. I can't even remember
where – somewhere on a river. I remember being out on a rowboat with Pat and
Inge and Romano. I remember that Robert wouldn't go because he didn't believe
in going camping. And I remember that Richard expressed the sentiments that he
would not know how to pack the right food and he was hooted down for the
sentiment and told that he would have to work like everyone else. We had the
phrase – which I'm sure many people have referred to – we wanted to integrate
our work and our lives. We wanted to be an intentional community. In some
ways, as the years went on, that wore a little thin as we realize that the
integrating our work and our lives meant basically abolishing our private lives.
And spouses were not always thrilled to be part this of intimate, intentional
community. But I remember the first fall… our way of doing business was typified
by the first fall. We had a confrontation. One of the students, a black student,
whose name I have forgotten… I may be putting two or three incidents together.
But there was some real criticism of how we were doing business. I believe it
came from a black student, although I have forgotten his name at the moment.
And to deal with that, we simply shut college down for a day and all got together
to talk about it. And that seemed to be the most reasonable thing in the world to
do. Toni Cena wrote a very moving statement which she read. I can remember
us all sitting around on the floor, talking earnestly about whatever these charges
were that had been brought, and how we can do better as a college, and how
students could take more of a hand in the college. And that seemed the most
natural way in the world to do business and very, very good. And we did a lot of

�that. I remember the first year we painted the walls of Lake Superior together and
that was very nice. And I can remember – or maybe it was the second year –
Rhonda was the Assistant Dean, and I can remember people painting mustaches
on me and Rhonda and taking pictures of us.
[Tinsley]

I had a good friend that I worked with in the Modern Language Association who
visited me in the first year and I brought her out to the college and showed her
around and she turned to me and says: "You can't fool me, Adrian. I know what a
college is; this is not a college; this is a summer camp." I always remembered
that because I took that as a compliment. There was a real attention to
community.

[Barbara]

Where did that attention come from? Where did that ethic come from?

[Tinsley]

Well, I think Robert, as he did so many things and gave it articulation. We were –
this is not Robert 's formulation – we were not to be alienated from our labor.
That's not Robert 's formulation; Robert would have talked about not being
cynical. Robert would have talked about, you know, controlling the conditions of
your work life so that they were human and met your human needs. They came
from the whole movement in the sixties to make work life more responsive to
human needs. And I think most of us had felt very alienated in our graduate kind
of experiences… had felt we were part of big faceless bureaucracies. It was also
a time in American history where there were an awful lot of communes. It was
right in the middle of the “back to the commune” movement. So, I think it came
from those places. And then once we were all there, is when it kind of took on a
life of its own. And I think was, probably for me, it was one of the very, very
appealing parts of the college. That it was not only a workplace, but it was a
place where you really were yourself, and you know, in a sort of a whole human
way.

[Barbara]

Some people I have talked to acted as though there were two William James
Colleges: the early one and the late one. Would you comment on that? With the
kinds of things you're talking about, how much of that persists? Or why did it
change if it changed to something other?

[Tinsley]

Yeah. Well, I like to like think it persisted. And for me, of course it persisted.

[Barbara]

Me, too.

[Tinsley]

So I don't have the sense of their being two colleges. The college changed in its
externals. The college change in some of the externals of its organization to
reflect demands that came about as Grand Valley put them on William James,
and as the State of Michigan put them on Grand Valley. I learned as I'd gotten
older a lot more about the kind of demands that come from the outside that mean

�you don't operate as free agent, if you're looking to the state for your money. And
as Grand Valley began to get its act together. You asked me earlier what Grand
Valley wanted from William James. Grand Valley didn't have its act together, they
didn't know how they were going to develop. As they began to get their act
together, they wanted William James to fit into their structure.
[Tinsely]

And so we began to have to do some things to suit Grand Valley. For example,
we always had a great deal of flack around the title of the course, "Uptight About
Writing" – it became symbolic of kind of conflict we were always in. The faculty
thought that the title absolutely expressed with that course was about. The Grand
Valley administration thought that that course title made William James look silly
and made Grand Valley look silly. We did a lot of changing of external things so
that Grand Valley didn't feel it was looking silly. Some of that was legitimate, I
think. So, my view was that what changed a lot was our way of fitting into the
bureaucracy. The student body changed, you know. That seemed very real to me
even though I was not, myself, in the classroom often. I taught maybe once a
year. I could tell the students were changing. And the students wanted different
things. And I think that's where the sense that there were two William James'
comes from. The later students came because we had an Arts and Media
program. They just wanted to learn what they, you know, were supposed to learn
so they can get jobs in arts and media. The kind of students that really wanted to
direct their own education, we had very few of them towards the end. So, I think
that was a real change. But for me the other stuff was superficial.

[Barbara]

I would argue, being in Arts and Media, some of the guys that just graduated and
the last people to graduate… I interviewed one of them, and he's typical, okay?
And pissed off because they took James away. And he articulates and
personifies something that is far more than just a hard nose, "I now have my
professional stuff and I'm going out in the world." He talks about being in
Steven's class before William James was closed and afterwards and the
difference in the other student. You know what I mean?

[Tinsley]

Yeah, oh yeah.

[Barbara]

I'm still not convinced it's just the students changed.

[Tinsley]

Well, it may not be. But my first answer to the question: I didn't feel there was an
early William James and a late William James. Perhaps there was in a sense that
we were younger earlier and it was fresher. We believed it was a good idea to all
go camping with one another. Probably after ten years, we didn't think it was a
good idea to all go camping with one another. But that's just sort of time passes
and, you know, life happens to you. I didn't think what was at the center of the
college changed much. I really didn't.

�[Barbara]

That makes two of us.

[Tinsley]

[Laughter]

[Barbara]

Where did the seminal ideas come from? We talk about feminism – and that's
really important – but how did William James actually… it seems like a miracle. I
don't understand how James suddenly, genuinely, infused the college…
something that had been dead for X number of years, you know.

[Tinsley]

I think it came from a really happy confluence of a lot of streams of thought and a
lot of things that were happening. I think we all acknowledge we were awfully
lucky to get the name "William James" and I don't think we thought that up. I
believe Tom Cunningham named the college, so we had that to work with. We
also had that very thoughtful document that the task force had put together,
which embodied a lot of the ideas of the late sixties but pointed forward in his
emphasis on careers. So, it gave us something we could kind of sink our teeth
into. I think we came from a lot of different intellectual places. We were just Godgiven lucky that it just worked together. Robert, for example, whom I knew the
best of anyone because I had known Robert – we had been graduate students
together at Cornell. Robert was very interested in the philosophic base the
college was working off. He cared passionately about not making what he used
to call invidious distinctions between the liberal arts and practical subjects.
Roberts was a person… it was very important to Robert to view himself as,
simultaneously, a philosopher and a practical man. From his philosophic side
came many of the ideas that carried the college forward. And then in the next
year also from Stephen. For me, I didn't come to it by reading philosophy. I came
to it by teaching at the University of Maryland in the English department. The
University of Maryland had, like, fifty thousand students on the College Park
campus. There were over one hundred faculty in the English department. And I
couldn't figure out what anyone was doing there. I used to look out over the rows
of parking lots and say: "I know why I'm here; I'm getting paid to be here. But why
are the students here?" I really didn't understand that. It was the late sixties and
early seventies. All of the students who were majoring in English were paralyzed,
they didn't know what to do with the lives, their degrees we're not going to fit
them to do anything, the Vietnam War was going on. The students I knew spent
most of their time smoking dope and being very scared. And really not knowing
how to interact with the world that was going to greet them when they left the
University of Maryland with a kind of a third-rate degree in English literature. For
me to come to a college that was going to put some emphasis on being able to
do in the world was really important. I mean I cared passionately about that and
when I was interviewed, the Grand Valley administration said to me: "Well you
have a PhD in English literature, what makes you think you can be the Dean of a
college that is practical?" And I said: "You just don't know how much I desire this.
This is the desire of my heart." And then I think feminism came in also, with its

�stress on theory and practice. I think a lot of people came to the college from an
ideologically feminist perspective wanting to combine those two.
[Tinsley]

So all that came together. And I don't want to say we were just lucky, but we
were living at a historic moment where it could come together.

[Barbara]

This comes from another question that I forgot to ask you. What is a male
synoptic heavy?

[Tinsley]

Oh, a male synoptic heavy? Well, that's the men in the college and it was
interesting how it did tend to divide on gender line.

[Barbara]

Oh damn. Adrian, I just moved the damn thing again.

[Tinsley]

Oh well, we'll do it again.

[Barbara]

Keep going anyway.

[Tinsley]

One of the tensions in the college was that a compelling interest in discussing the
philosophical base of the college seemed to divide along gender lines. It divided,
to some extent, on professionals versus the liberal arts line, but really it was on
gender lines. And there were a group of men that were perceived as the male
synoptic heavies, and they carried the flame of the sort of philosophic base of the
college. The women saw themselves, in many ways, more as the doers and
tended to rely, in many ways, more with the professional faculty. And yet those
two had to talk to one another. One of the tensions in the college had to do with
one's synoptic credentials. Only on a tape about William James College could
one talk with a straight face about one's synoptic credentials. But I can remember
at faculty retreat, prior to one of our years, in which we had facilitators come in to
get us going for the year. And that's what came out – that there seemed to be a
distinction between the philosophers, the synoptians – those who were seen as
guarding the flame of those who were appropriately liberal artsy and the others. It
was an interesting tension in the college and people felt very insecure about it.
The man who did not see themselves as the liberal arts heavies felt very
insecure about it, as did some of the women. The women in the college who
have those credentials to be synoptic heavies were sometimes impatient with it. I
felt that I could really relate to both sides, and those were the strengths. And that
the college needed both… because one of the things that gave the college power
was that it did have a concept – it really did – and that gave it enormous power.

[Barbara]

Concept of?

[Tinsley]

Theory and practice. And using theory and practice to make a difference in the
world.

�[Tinsely]

And we spread out from there – the concept got broader from there. But it had
that core concept.

[Barbara]

End of tape. Good answer.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 2 of 8

[Barbara]

And I'm rolling.

[Tinsley]

Okay.

[Barbara]

And I wanted to ask you: we refer to some mysterious beast called a “real
William James student.” What's a real William James student?

[Tinsley]

Well, again, you know, a real William James student – you knew one when you
saw one. We wanted students to take responsibility for their own education; we
painted it up on the walls in Lake Superior Hall… that wonderful cartoon of the
student we didn't want which was somebody having knowledge poured into his
head through a funnel. We wanted students to do it themselves. And so, a real
William James student was a person who knew what he or she wanted to learn
and took their own route in getting there.

[Barbara]

I just screwed up, Adrian; I just pulled the panhandle. Can you repeat the last
part?

[Tinsley]

Sure.

[Barbara]

I’m sorry.

[Tinsley]

A real William James student was a student who knew what he or she wanted to
learn and desired to take responsibility for learning it. Wanted to use the faculty
as resource people. Wanted to figure out how to learn and was willing to hustle
to, you know, really move their butt to get what they needed. Willing to go to a lot
of sources and use a lot of resources. Had some drive and motivation. I think in
the early days, the real William James student was somebody who was
specifically seeking an alternative education, who shared the views of the faculty.
In the areas, for example, of grading. That letter grading was at the root of all
evil. Who wanted the freedom to design their own way of studying things, who
wanted to do independent studies. And as those students became fewer and
fewer in number because we had many more those of in the early days of the
college, you know, then I think the real William James student became simply the
one with energy. The one who was self-initiating.

�[Barbara]

How did we teach them this?

[Tinsley]

I don't think we taught them to it, they came with us. They came with us.

[Barbara]

But there was a phenomenon of students who were lost for a year and then
turned it on.

[Tinsley]

Well, that's true. But I don't know how that happened. But you have to remember,
I was not in the classroom teaching the students so that I got to know the good
students and I got to know the problem students.

[Tinsely]

But I could not explain how that mystery actually happened in the classroom
because I wasn't there.

[Barbara]

Let me grab my notepad out of here. Oh, the rocking adds a nice comfortable
touch. We were profoundly egalitarian, and yet you were in a leadership role.
How does one lead a commune?

[Tinsley]

That is a very good question, and I must say what I learned about leadership in
that situation… that's probably the most important learning I took from the college
actually. I guess I'd answer that by saying I didn't go to William James; I didn't set
out to be the leader. I didn't know enough to know I was supposed to set out to
be the leader. And I think one of the things that is important about William James
and my contribution to it is that not only were all the faculty very young, I was
very young. I have never been a dean before. I didn't know, really, what deans
we're supposed to do. All of us made this college up out of we what we knew.
And all of us had a critique, but none of us really knew how to make the college
happen. I think it's important for the college that I did not arrived with an agenda.
I arrived responsive to the same social climate that everyone else was
responsive to. We had a variety of ideologies, a variety of critiques, but I didn't go
there saying "I am the Dean and this is my vision of alternative education". I think
that the role that I played… and I don't want to give the impression that I was the
colleges facilitator, because I don't view what I did in that way. But I think what I
did I think I had the gift of being able to understand what kind of vision for the
college motivated most of the people who were there. And they were very
different visions and I think my gift was to be able to find some common ground
among those visions that we could agree to and put that in the public space and
affirm it. And I think that – as I thought about in later years - I think that is
probably the quintessential quality of leadership. Pat Labone used to say to me
that what the dean should do is read the litany. She had a Catholic childhood and
there was some real truth to that. I often used to long to have a chapel and
William James that everyone was required to attend so the little inspirational
speeches could be made. I think it's important that an institution have that and I
think that I brought that to the college. And I think that I had the ability to bridge

�among the various kinds of faculty at the college. I think it was extraordinarily
important to success of the college that I could talk to heavy male synoptic types,
that I could talk that language and that I valued that. I think it was important that I
could talk to the women. And I think it was important that I could talk to the
people who brought professional skills into the college but more scared,
frustrated, and sometimes irritated at the quality of intellectual discourse that
went on because they felt insecure about participating in it. And I truly believed
there was room for everybody. And I think that I kind of could embody that. And I
think I also – in terms of leadership – was able to work with the college's peerpressure structure.
[Tinsely]

Because you can't tell people to do things and you can't make people do things,
and an administrator has to work with what's there. You can say "no" but you
can't make it happen. And so, the trick to it is to be able to mobilize the energy
that's there, give it some focus, and get people on the same wavelength. And the
college had very strong norms of behavior. I mean there was a lot of peer
pressure in the college that said, I believe, what faculty were supposed to do and
what they were not supposed to do. And I think I was able to work with that and I
think I was able to find some constructive channels for using people's energy.
Not always, but if there was a trick to operating as a leader in that kind of setting,
that's how I would describe it.

[Barbara]

But surely what you just described at the end of your answer would be true of
being an administrator at any college.

[Tinsley]

Yeah, it is, but it was more so at William James because we had a rhetoric about
– and said and really meant – that we were non-hierarchical. I think that's how
the whole critical issue format developed, which I think was a very healthy one
for the college. As inexperienced as I was – and I really was absolutely green
when I came to William James as Dean – and I remember, practically, the first
week that I was there we were drafting the governance document for the college.
And that was drafted by Robert and Inge and it was very elaborate, and it was
really a model for participatory form of governance that worked neither on
hierarchy nor Roberts Rules of Order, which was what we wanted. But even
though I was I very green and I looked at that and I said: "Wait a minute, the
Dean has responsibility beyond, simply in a consensus fashion, gathering the will
of the faculty and implementing it.” There are probably issues at the college that I
am responsible for and there are issues that the faculty is responsible for, and
yet we’re all responsible for all of this together – how can we sort that out? And
out of that came the notion of a critical issue. That most of the times we would all
be on the same wavelength about what we wanted to have happen. But because
we had different responsibilities and sat, in a sense, in different chairs, there
might be times when the college would want to do X, but I would know it couldn't.
It absolutely couldn't. And thus, was born, you know, the critical issue and the

�veto. An elaborate way of saying: "But the college says this and the Dean said
that, the Dean would say 'no.'" And then you'd go back and discuss it some
more. And you might still come out with yes and no but their would be ways so…
I didn't abrogate what was my real responsibility to make sure that in matters of
relating to the structure at Grand Valley, the college didn't harm itself. And that
the college at some basic level operated in the way it ought to: in trust from the
people of Michigan, through the Board of Control, you know, through the
President, and down to me. I had real, legal, responsibilities there.
[Tinsley]

And yet at the same time I was a member of the community and wanted to be
involved in the process of working out what the college was going to be and do.
Because I didn't know. So, I was both part of the process and outside of the
process.

[Barbara]

Presuming that some people are going to see this tape that have no direct
experience with James, would you care to give an example of a critical issue that
actually came up?

[Tinsley]

Yes. The critical issues came up around hiring issues and around money. And
two examples were: at one point the council voted to hire a faculty member and I
felt the decision was untenable, that it was made not because the person was the
best candidate, but because there were a great many…the person was known to
us, there were many personal feelings involved. And I felt it would be
irresponsible of me to let that decision go forward, so I vetoed it. Another issue
came when we had a very elaborate, as you will recall, salary administration
policy. And which I did not like, but never really interfered in because I felt that
was the faculty's business to determine. I did not approve of it. In one particular
year, it works to really the detriment of an older member of the faculty who was
going to end up with a less than a cost of living raises as a result of the operation
of this policy and I said "No, that would not be acceptable." There may have been
others that were more, you know, policy issues but I don't recall them. One of the
interesting things was that these issues arose very rarely because we have did
most of our work by persuading one another. It was very interesting; we were
frequently compared with Thomas Jefferson College because we were both
alternative colleges of sort of different kinds of stripes. I thought, and I think many
people agree, that there were very different leadership styles at the two colleges.
Thomas Jefferson was run by guru, a bearded, alternative education dean who
put his picture on the front of all the colleges brochures. And then, in fact, the
early brochures, you know, showed his face with his beard and the little legend
was: "This man runs a college." The faculty at Thomas Jefferson seem to be very
pleased to have a dean who would be their guru and who would not tell them
what to do exactly but would take care of them. That was basically what it
amounted to, would take care of them. And we had a model that was much more
political. Our model was: everybody had to understand how this works,

�everybody has to have an operator manual because we all have to understand
the political context we're working in order for to work, I guess. I don't want to
say, "We won't survive," because we didn't sit around thinking "Well, maybe it
won't survive." But we all had to understand it.

[Tinsely]

And I felt really strongly about that and I think most of the faculty felt strongly
about that. And I was not there to, you know, be there to take care of them, and
they were not there to be, you know, recipients of somebody's guruism. I think
that was real important as to how we worked. It was like a marriage, it really was.
People called me Adrian, but if they were really angry at me, they referred to me
as the Dean and I didn't like that, you know. I can recall saying: "I am not the
Dean!" or "I am Dean, but my name is Adrian!" So, there was, you know… I don't
quite know where I'm going with the rest of that answer but…

[Barbara]

Let me check on the tape. Ah, look there! See, I have this sixth sense.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Adrian Tinsley
Date: 1984
Part: 1 of 8

[Barbara]

Hit the light. Okay, now I actually am running.

[Tinsley]

Okay.

[Barbara]

When you came to James – you know, it would be nice of you to mention when
that was, when you actually came as Dean – what did the administration tell you
about what was expected at the college?

[Tinsley]

I came in the summer of nineteen seventy-two. The college had completed one
year of operation when I came. I can't say that the administration of Grand Valley
told me anything about what they wanted the college today. Let me just start this
again. It’s going to take me a little...

[Barbara]

Well, I'll adjust the shot.

[Tinsley]

Okay, it's going to take me a little bit to kind of warm up.

[Barbara]

I know, it always does.

[Tinsley]

It's like doing a practice interview.

[Barbara]

It is, so start again and take as many times as you want. I have an entire case of
tapes.

[Tinsley]

Okay.

[Barbara]

What was it like? What did the administration tell you? "Hi Adrian, here's what
you're supposed to do."

[Tinsley]

Well, I came to the college in nineteen seventy-two. And I can't say that the
administration told me anything about what they wanted the college to be. The
college had completed its first year of operation. I knew that Grand Valley was
beginning a cluster college operation and that William James was the third
college and that Grand Valley anticipated that there would be more colleges.
That the decision had been taken early in Grand Valley's life – in fact, it had been
a plan George Potter's, I believe – that instead of just growing bigger, because

�Grand Valley expected to grow significantly. Instead of just growing large, they
would develop a whole series of colleges and each would have its own mission
and its own curriculum. So, William James… I understood William James was to
be part of that. And I understood that there had been a task force to set up
William James chaired by Tom Cunningham. And I understood that what was
written in the task force document was what the administration wanted the
college to be and that was a career-oriented college. What I did not understand
was that even at the point at which I arrived at William James – in its second year
– there was some significant concern in the Grand Valley administration about
the direction that the two cluster colleges, Thomas Jefferson and William James,
were taking.
[Tinsley]

And, in fact, after I had been the Dean of William James for a year, the Vice
President to whom I reported, Bruce Loessin, said to me with a big smile: "Well
you've really done a good job – the college has survived! Most of us didn't think
that was going to happen!" And that was my first indication that there was any
question in anybody's mind that the college would survive.

[Barbara]

Two things about that I didn't understand. I don't understand who Potter is… you
made a reference.

[Tinsley]

Potter was, I believe, a Vice President for Academic Affairs at Grand Valley and
the first president of Grand Valley, James Zumberge… I don't know if it was
Potter or Zumberge that had the notion of developing a cluster of colleges. They
had that idea but didn't implement it. Don Lubbers was the president who caused
that to be implemented.

[Barbara]

Why… I mean, when Loessin said that to you, you must have said whatever
[Inaudible]. Why start a college and presume it's going to fail? I don't understand
it.

[Tinsley]

And reasonably enough you don't understand it. William James was supposed to
be a career-oriented college. When the first faculty were hired by Bruce Loessin,
he took pains to hire a faculty that came from the traditional liberal arts
disciplines and were very – not traditional – but very good faculty in the traditional
sense. They had good academic degrees. They were not interested in doing
career education in the sense that I think Grand Valley had in mind. I think Grand
Valley had in mind that William James would be what they later had to start
Kirkhof in order to get. So, there was a sense right from the beginning that they
were looking for a technical college and William James was becoming something
quite different from what they had in mind. But what can they expect, given the
faculty that they had hired to found the college?

[Barbara]

Turn this off for a second. Make sure this thing is running right. I get a certain

�amount of neuroses… paranoia, that's the word I'm looking for. Tell me… Ah!
Tell me… let’s get you in the shot.
[Tinsley]

Tell me, whoever you are.

[Barbara]

Okay. Tell me what the administration said… what did you observe? What was it
in total, you know, really meshing all kinds of things? What was going on when
you arrived? What kind of place was it?

[Tinsley]

It was struggling to be born when I arrived. It had been in operation for you a
year. It had had no planning time. It had been started just immediately, crack off
the bat. After that, the task force report had been completed; an acting dean had
been put in; the faculty had been brought in.

[Tinsely]

And they had no lead time, they were just told that you are open in September
and get your curriculum together. So, they were struggling that whole first year to
put together a first curriculum and hire a new staff. There was not much
opportunity to do anything other than run very hard to accomplish those tasks.
But my belief about the college… and I knew it pretty well because I interviewed
for its deanship before it started and then did not come at that time…had other
commitments and then came a year later. So, I had a chance to talk to Robert
Mayberry and Bruce Loessin that very first summer, and then again in the
interview process for the second year. What I observed were that the faculty that
were at the college took that planning document – the Cunningham Task Force
Report – very seriously. And they were about the business of trying to make that
happen. And I observed that the most compelling part of it – it certainly was to
me and I believe it was to the faculty – was the notion of good work. We had a lot
of words for that, you know. Vocation with a "V," career-oriented, the notion of
doing something useful in the world. And we struggled a lot because we didn't
want this college to be simply career-oriented, but we wanted to have utility to do
something useful in the world – to make social change – and there were a whole
bunch of ways of talking about that. But that's what I saw when I came… that
people were looking at the college to be and that people wanted the college to
be. Everybody came to the college with a critique of their own graduate
education because we were all young. So, we were very clear about what we
wanted the college not to be and, in fact, that was kind of a problem early on. We
kept defining ourselves in terms of what we didn't want to be. We didn't want to
have grades. We didn't want to have majors and disciplines. We didn't want to
have a sterile kind of research focus. So, everybody had their own critique and
everybody, I think, also had their own dream of what the perfect college would
be, what the perfect society would be. The piece of it that was in the public space
right from the beginning was making a difference in the world and that's what I
thought people wanted to do in the world.

�[Barbara]

Change the shot here.

[Tinsley]

Does the tape pick up your questions?

[Barbara]

Yes, but what I'll do is redub them because I'm off mic.

[Tinsley]

Okay, okay.

[Barbara]

You can hear them, but you have to strain to hear them.

[Tinsley]

Okay.

[Barbara]

So I get a chance to clean up my act.

[Barbara]

James operated as a sovereign state. You would agree?

[Tinsley]

Yes.

[Barbara]

Did we seize that sovereignty or was it given to us?

[Tinsley]

Neither really. We didn't seize it. Seizing implies some kind of resistance. I think
in the early years, the Grand Valley administration did not have a particular plan
as to how they thought the college should develop or indeed what they wanted
from it. We took a lot of freedom, but we didn't really have to fight them for it.

[Barbara]

If we can just stay in this shot. How did feminism infuse the college?

[Tinsley]

Well, feminism was extraordinarily important in the college. I think… you
obviously are going to have to edit this because I will get rolling in a little bit but
I'm not yet. I think feminism was probably one of the most important social forces
that operated in the college. It's an interesting mystery why the initial first eight
male faculty turned around and hired a number of strong women faculty and the
women dean. But that's in fact what happened. I said earlier that everybody
brought their own dream to the college. I think the women, in particular, brought a
feminist dream and you have to remember this was nineteen seventy-two, so
feminism was just really becoming a significant social force. And feminism
embraced both notions of, you know, gender equity and also notions about
organizational structure. There was a lot of talk in the feminist community at that
time about non-hierarchical decision making. About rotating authority. About
everybody taking turns doing the job so that everybody got a chance to do all the
jobs. A lot of talk about how you didn't want to specialize into male roles and
female roles or faculty roles and administrative roles, you know, to go by
extension. So, the whole philosophic context of radical feminism came into the
college as in many ways as the dream – or at least the strong interest – of a lot of

�the women faculty that came. And particularly as it related to, you know, malefemale relations and organizational structures. The men were coming in with the
same kind of a dream. They may have come to it through feminism per say or
they may have come to it through some other kind of social analysis. But there
was general agreement on what our politics and then for the social structure of
the college. So, I guess I would say feminism affected the college because there
were a lot of women there. I mean we were very unusual in that there were so
many women and that the women really were in positions of a good deal of
authority, respect, and influence – both formally and informally. Whether they
were program coordinates, or the Dean, or whether they were just strong faculty
who were “Weighty Friends” in the Quaker sense in the design of the curriculum.
Feminism, I think, influenced a lot of our early attempts and organizational
structures.
[Tinsely]

The whole governing structure, the coordinator's temporum, or the notion that we
would take turns doing the college's jobs. And I think it influenced the way we
treated each other. It influenced what kinds of interactions were acceptable in the
public space of college and, indeed, in people's home lives. And I think it was
interesting in that regard the ways they interacted with each other – the men and
women in college. We never fell into sex roles – or the kinds of gender-based,
sex-based teasing – that is real frequent in other situations. The place that
feminism didn't affect the college terribly strong was we never developed a very
strong Women's Studies program. I often felt as Dean, you know, I was really
remiss in the kinds of formal curricular or extracurricular things we could offer our
women students. I often saw women students come in, you know, if they’re first
in their family going to college, with very conventional aspirations and it was
possible for women students to go through this structure that was a college and
be a little untouched about what was going on. And I thought that was a real
weakness. And I think it came from the fact that the women were so busy in their
nontraditional roles - sort of running the college, developing the curriculum – that
there really weren't people to spare for developing the more usual Women's
Resource Center, Women's Studies program, and the like.

[Barbara]

I think to me, a question that follows that when we were interviewing faculty, we
went through these long interview processes – forty-eight-hour things – and we
always knew what we were looking for. What were we looking for?

[Tinsley]

Well, I think the easy answer to that is we were looking for people like ourselves.
But what did it mean to be like us? I think we were looking for some sort of real
evidence of commitment to social change. We were looking at people's politics.
We had political litmus tests and I think there's… you know, we shouldn't blink
that fact. I can remember interviewing a candidate for psychologist at one point –
a woman – and she was asked something that had to do with feminism and then
she responded that she didn't care to define herself; she didn't care to take on a

�label. It was very important to us that people we label that they have politics. So,
I think we were looking for that. I think we were looking for breadth. I think we
were looking for people that were interested in a lot of things. And I think we were
looking for people that weren't interested in sort of narrow, discipline based,
traditional academic interest. I think we found them kind of pompous and kind of
boring. We could know us when we saw us. But how you'd write that down on
paper it isn't really clear. Except we did know us when we saw us, and we were
anti-pomposity and we were pro-politics. But our politics had a very broad
definition. We were pretty inclusive in our politics, but we demanded that people
have politics, I believe.

[Barbara]

It’s coming up to the… conveniently this blinks at me when we’re running out of
tape.

[Tinsley]

Okay, okay.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Ronald Poitras
Date: 1984
[Poitras]

How is Burns doing? Is he doing okay?

[Barbara]

[Inaudible]

[Poitras]

Good.

[Barbara]

[Inaudible]

[Poitras]

You're only teaching part-time though, right?

[Barbara]

[Inaudible]

[Poitras]

You’ve got to do it full time now?

[Barbara]

[Inaudible]

[Poitras]

Do you want to, or don't you want to know?

[Barbara]

[Inaudible]

[Poitras]

Walter! How about Walter? Is he coming around? Huh?

[Barbara]

I'll tell you all about it.

[Poitras]

Okay.

[Barbara]

Focus on your eye... [Inaudible].

[Poitras]

Okay.

[Barbara]

[Inaudible]

[Poitras]

Okay. Thank you.

[Barbara]

Anytime we can go.

[Poitras]

You want me to put this down? You going to start? You're asking questions?

�[Barbara]

I ask you a question.

[Poitras]

And I can answer them.

[Barbara]

If you had to sum up William James philosophy in a sentence or two, what would
you say?

[Poitras]

A sentence or two? I would say that the William James philosophy was teaching,
and that we were all teachers. Both the students and the faculty alike. I think
that's the biggest thing that we all receive from it. That's how I'd sum it up. Is that
too…?

[Barbara]

No, that's fine. I've not gotten the same answer from…

[Poitras]

Anyone.

[Barbara]

Which is fine. Which is fine. Okay, you were saying that you… If you were
special… [?] Projects? Is that why you came to the college? [Inaudible]

[Poitras]

No, I came to teach. I also had another opportunity to teach at Ohio State in the
graduate school. And I chose William James because I knew I would do more
than just planning. So, I came to William James because I could do more than
just planning. But what I did for William James, and what William James got for
me and Grand Valley was the projects I did. Because I continuously got reviews
on the presses, and TV, and newspapers, and that was the neat thing. But that's
not why I came to William James. I came to William James because I knew I can
do more than just planning and I did. Well, you and I team taught, Barbara. And
think I almost team taught with everyone at William James. Probably one of the
few that did. There aren't many people I didn't team teach with, almost everyone I
went through. Just I had a list when I got there. I went bang, bang, bang, bang,
and I went through everybody. And I learned, that was the whole idea, right? So,
I learned, I learned a lot. And that was one of the neat things. The projects, as I
saw it, for me were just a little icing on the cake. But it was very important to
William James for their survival. It was really important for professionalism. It was
important for our students, and important for Grand Valley. So, I did that just…
not because I wanted to do it so much, not because I think maybe is the best
teaching device (although I think it's good), but I did it as something extra for the
college. Just with all the Public Relations.

[Barbara]

It fascinates me that we all think of James and somehow recognize it for what it
was. How did we all come to understand James' philosophy? What is the
background that we all have?

[Poitras]

That's a tough question. That is a tough question, right? Well, I think when… see

�when I first read about the ad for William James, it talked about professional
planning. You know, in kind of a free environment. But those weren't the terms. It
insinuated it, implied that.
[Poitras]

So I said okay. I would like to see what a free environment is, and I think maybe
something to that effect even though the words are different probably for all of us.
Something to that effect probably attracted most of us. I mean maybe that's a
common thing. That we would not be tied down to a lot of the traditional things.
Like requirements for each class, and one class fitting the other. That we would
have a lot of freedom, and flexibility. And I think that's maybe the thing, the
common bond. A group of individuals you'll never find that, such a group again,
everybody was such an individual and that was a neat thing. I could walk through
the hall anyway, anytime, anyhow I wanted to. Anytime, and nobody would say a
thing-- one thing. Even though we were a community, but a community of
individuals that was a neat thing. And that was the success of it, right? Because
each person went out, and did their own thing and made a college very
successful. Primary aspect, you look at Robert and his ability to run CAS-- not
run it but at least part of that whole thing. And Steve with his strong academic
liberal arts background, and go to everybody. Then me with a lot of professional
things, and yourself a professional and academic background. Just looking those
things, each one of us unique, and then we could get together and struggle
through our councils together to try to mesh our ideas. But I think was that
freedom, just that freedom. In fact, I could walk through those halls and I was
famous for walking the halls, and I could say anything to anyone, and it wouldn't
upset them. Almost everyone. It wouldn't upset them. It didn't matter what I said
because they were too bogged…you know, involved with all the things that
they're doing, and they didn't care. You know they didn't take it. They weren't
paranoid like a lot of other professional settings and organizations.

[Barbara]

Do you think we made some critical mistakes?

[Poitras]

The critical mistake, and I don't know if it was our fault, the critical mistake was
we started taking in students that were more concerned with professionalism
than careerism that's concerned with the overall concept of William James. And I
don't think that's our fault because we're worrying about numbers, and so-- But
that's what led to the decline of the college as far as I'm concerned. We were
only concerned with professional career areas, and less concerned with the
ideas of the students. Not all of us, but generally that's what happened, and that's
what led to the fall the college. That was a real problem because look at all the
students that we have near the end compared to the students that way maybe
couple years earlier. They were just different times, neither good nor bad, just
different and I think that was a critical mistake. Let me give you a real good
example of that. So, I can just… have to defend this statement. A good example
would be, we'll say in the arts program. Not the media as much, but the arts

�program. They became known for certain type of art program. So, the admissions
office would send people to them that were interested only in art, and then they
would let them into the college.
[Poitras]

And that's true planning and other things, too. I just use art as an example. So,
the students came there interested in art as a career, but not interested in James
and the concept. Some certain lots were but many weren’t, and I think that's what
led to the decline of the college. That's my impression that was as far as I was in
the most critical error that we made.

[Barbara]

How else could we have—

[Poitras]

Yeah, well I don't know, see? So, that's… I'm saying I can blame us… because
following in [?] and all of the country following moment here [?] we had to have
students. So, I guess that's a compromise we made in the process I think that led
to the fault college because if we would've had the same students that we did in
the early years, I don't know, I think William James would still be there. I think
they would've given us as faculty [?] and the support that we went [?] and want to
be able to stand and fight for James and we just didn't have… it wasn't a mutual
thing, you know. The students gave us energy and we gave the students energy
and it worked real well but near the end it wasn't way. I'm not absolutely… gosh
[?] doesn't really need kids there you know. I know that just the career thing really
got us, and I think that it's too much of the career thing with all the other
components and I think that lead to the end. That was the year, as far as I'm
concerned.

[Barbara]

What you're teaching now, are you teaching the same lesson?

[Poitras]

Yes, in fact, I'm doing some graduate classes as well and I had a student to
graduate William James who works at the college who came and took my
graduate class, she goes: "Gosh, I like this class it’s just like William James."
Now that's easier doing a graduate level. I think in my undergraduate levels
(classes) they're a little different but I know that it's really hard. It's hard to make
that compromise and the bridge between giving grades and people that come in
there and then they have taken the of course after that. But I'm trying real hard to
be who I am when I am and I don't think I've changed too much.

[Barbara]

I want to talk about a thing that worked for you best in your years. If you were
telling somebody about the college and wanted to be very specific about
something, what story would you tell?

[Poitras]

I guess, I can think of two stories. One story might be just doing all the team
teaching. It was just such a beautiful experience for me. The other story would
have to be the projects I worked on with all the different students and they were

�really pretty fantastic and I guess the Prospect House was the biggest one that
we worked on. Trying to take an inner city house and making it self-sufficient in
the inner city and it took so much out of me and so much out of the students. But
to this day every one of those students are in well-paid professional positions.
[Poitras]

The ones that were a part of the key team that ran that thing, they all have big,
good careers. They all went to the best graduate schools; they all have well-paid
jobs. So, this really paid off for them and I was glad to see that the Prospect
House itself, as far as the costs were concerned, worked out. We managed to
get out of it before there was some problems with it. So, the cost was okay but as
an overall concept just didn't carry on as long as I wish it would've but that was
fine. The big thing, heck, I worked… I didn't sleep for I think two years. I worked
on that thing straight for two years, day and night, with all the students. About
thirty William James’ students and there must been a hundred involved through
different levels and, of course, you did things, too. But there was a core of about
thirty students that worked on that thing, and maybe even a real small core of
about ten that worked day and night on that thing, also. And I can't take any of
the credit; they have to take as much credit, and probably blame as I do.

[Barbara]

You didn't have anything beyond that did you?

[Poitras]

Well, a little bit, but not really – that was Rod Bailey's project. Really a good
project.

[Barbara]

If you were going to do it all over again, would you do it again?

[Poitras]

Oh yeah. The Prospect project?

[Barbara]

No, I meant James.

[Poitras]

Oh yeah, definitely. Definitely. Oh, God, yeah. Hey, I'm so sophisticated, I could
have never… I made leaps and bounds. You know, I can go to professional
organizations, which I do, the planning ones, urban planning organizations. I can
sit there and talk on anything. Hell, are you kidding? Of course, I’d do it again, it
was the best education I ever had.

[Barbara]

How?

[Poitras]

Just, well, just being able to teach the courses I wanted to teach, being team
teaching and teaching things outside my area. I mean, I came here thinking I was
going to teach… well no, I would've had to teach urban planning at Ohio State.
Here I taught urban planning, political science, I taught geography, I taught a
writing class. I taught myself …this isn't team teaching now. I taught some
philosophy classes about William James. Oh gosh I can go on and on. And as

�you know just to prepare for each one of those classes just took time, and time,
and time. So, I learned all sorts of things, and I became less narrow, I think. I
hate to use that. That sounds so much of a cliche, less narrow.
[Poitras]

But it provided me with a better background to teach the courses I'm now
teaching. It really broadened my education. Expanded my undergraduate
education enormously.

[Barbara]

Let’s stop the tape a second. Let’s repeat the question. What about burnout?

[Poitras]

Well, I think in some areas the projects have tired me out. Just doing those
professional projects is really difficult, especially with the different students that
we have because it takes a lot of initiative on the individual student’s part to do a
good project. So, I've been doing more… well, I was doing more [Inaudible] when
I was in William James. And I think that part maybe wiped me out a little bit. But
as far as burnout, as far as the college was concerned overall, uh-uh. The
feedback from some of those good students, it was a lot of energy they gave me
and it was a reciprocal thing. I think that was a really neat thing about William
James. Just having that ability to act with the students, get energy from them,
and return the energy. So, I never felt burnt out. I think we could've kept going.
You know some people say there's too many meetings, and I, you know, I don't
like a lot of meetings either but in a lot of ways it was good, and we found a lot of
information. One neat thing about Adrian, the dean that hired me, was that she
would always let us know everything that was going on and that was kind of neat.
So, those meetings I thought paid off and I didn't get too tired of them. Some
people thrived on them. So, I can't believe there could have been too much burn
out. I don't know where the burnout would have come from. Nah, I don’t think
burnout was an issue or question at all.

[Barbara]

Okay, okay, why don't you do the family stuff because I'm not sure what you
mean, so just do it.

[Poitras]

Yeah, well, I think some personal ways William James was really good for me
was because… in the following ways: (One) Not only could I do my thing but
Peggy helped me do a film with the college under Jan Zimmerman and there
were several faculty involved in that. That was a nice experience. My son, Walter
Wright, I had my son in his computer classes. That was always good. Moscovitch
is always [?] I need to advise my students… I mean my own family. So, on a
personal level, William James was good not only for me, you know, through my
work. But was also good for my family and their own growth. So, I think that
William James provided a lot of stuff professionally, but a lot of stuff personally
for all of us, too. And I look at other faculty people and often it was both spouses
were teaching at William James. And there was a lot of growth. So, it wasn't just
a separate thing. And it wasn't that… even though I mentioned earlier that were

�all free as individuals. There was that little, somewhat of a community, because
we'd all help one another. You mentioned in the hospital that one of the faculty
was there with you. And when my son was hurt his leg.
[Poitras]

I think almost everyone in James faculty went to the hospital and visited him,
when he got hit by a car. So almost all of them were there. So, it was kind of
neat. I think it’s a real personal experience that we all enjoy also.

[Barbara]

[Inaudible]

[Poitras]

One little note, one little mistake that we made, Barbara, was that we didn't work
close enough with our counterparts in CAS and I really made an attempt to do
that for William James and I team taught with several faculty in CAS so that we
can try to bridge the gap. And I think more faculty should've done that and I think
it would've helped our college immensely.

[Barbara]

Politically at the end? Or other ways?

[Poitras]

Everyway. I think politically we would've had more friends and more people
supporting us, and if we did put on a big fight, if we would have then we would've
had more support and I think that would have helped everyone.

[Barbara]

Should we have tried to fight?

[Poitras]

Oh yeah, yeah. I think we should have.

[Barbara]

I think so, too.

[Poitras]

Good.

[Barbara]

Why didn't we?

[Poitras]

My excuse is, I think, I didn't see any… who was going to fight. A lot of the
students weren't and I just didn't think it was there. I think maybe the time had
passed and it just wasn't there.

[Barbara]

Good, I'm glad that happened… [Inaudible].

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Tom Bell
Date: 1984

[Bell]

Here at the Network, the Amway Network, bringing to you live today, a
discussion. What was it you wanted to touch on?

[Suzanne]

[Inaudible]

[Bell]

What kind of things was it that, you know, we talked about the other day that
seems relevant to you?

[Suzanne]

Community.

[Bell]

Community? You wanted to talk about community. That's probably the most
difficult…

[Suzanne]

Why don't we warm up here for second [inaudible].

[Bell]

Okay. What do you want to talk about? Where do you want to start?

[Suzanne]

How have you used what you learned at William James in your life today?

[Bell]

Okay, that's a really good question. I'm using the things that I got out of William
James in ways that I probably didn't understand or didn't expect when I was in
school. I think like a lot of folks, when you reach a certain point of pursuing an
education in particular field where you're really paying all your attention to that
particular field and you sort of set aside as a matter of convenience or really in
the drive to obtain a degree, a goal to get out and do what it is you think you want
to do. And so that process for me, I think I put aside a lot of the things were being
talked about at William James. About process, about integration, about preparing
for change. I put those things out of my mind as being conscious focused items
and can try to get on with what I was there to learn. And oddly enough, the things
that were the most valuable to me from William James, were exactly the things
William James was trying to talk about. The aspects of integrating other
disciplines into your own chosen field of discipline. To look towards the future
with an eye to changing and accommodating change. Both social change and
personal change. And I think, now, that a lot of the things that I really was
pursuing and at the time with intensity, technical skills and job opportunities, are
really not that valuable to me now. The things that are valuable to me are the

�skills I've got that allow me to perceive the opportunities of change or the
indicators of the need for change. The comfort that I have with going to other
disciplines or actually always looking at other disciplines to see what it is that
they're doing that I might find useful in my own genre of activity. I think that skill
alone has probably made it worthwhile to spend time at William James. That has
allowed me to have a greater breadth of ability and conversation with people
doing other things. And that's terrifically valuable.
[Suzanne]

How was that enacted at William James?

[Bell]

I'm not sure I understand what you're saying.

[Suzanne]

How was the interdisciplinary thing that you are talking about, how did you see
that happening at William James. As a student, walking in there.

[Bell]

I think the whole idea of interdependent disciplines was, and is, a difficult concept
both to talk about in pragmatic ways and difficult to show unless you have a
particular problem right in front of you. In my case, some of the things that I found
really useful was… I was pursuing working in media realms with an eye towards
social applications, to use media, and video, and film for social change in
education and awareness. Which is, in a lot of times, becomes a very technical
endeavor. And the things that I found useful in terms of interdisciplinary kinds of
approaches to things. Let me back that up. The things I found useful in terms of
interdisciplinary… the things that I found useful in terms of interdependent
disciplines was developing the practice of looking at other disciplines like
engineering to see how they organized their thought processes. I found a lot of
things that engineers use, in terms of organizing projects and presentation
modes, to be very useful, both in terms of organizing my own thoughts and my
own projects, but also in terms of talking to technical people. It gave me the skill
to know that I can go in and talk to this group of people within their own jargon,
within their own realm, the paradigms that they're most comfortable with. That
was a tool that I might not have otherwise had, had I stayed working with visual
artist, or graphic artists, or writers, or musicians. And I'm sure that wouldn't have
been available to me. I think another example of that is the way that
environmentalists think about issues. In terms of taking an issue with a larger
scope and water pollution, air pollution, viewing that in terms of how it affects a
region, how it affect the whole nation, how it affects a neighboring nation, and
then taking that larger view and then being able to bring it right down to a specific
region of activity, a specific area that's contribute into it, or not contributing to it,
and examining those things. In essence, being able to jump from a macro view of
a situation to the micro aspects of it. Now that's a skill that has to be developed
within that realm that is also directly applicable to what I do. Again, it also gave
me the vernacular, as it were, of another discipline, so that when dealing with
people in another discipline, where you can start out with a common ground. And

�I think probably even more importantly than starting out a common ground is the
process of developing the ability to listen to other individuals, to other practices,
other disciplines. And any time you practice something like that you're going to
get better at listening to them. Let me start that over again. I think more than
being able to use the particular knowledge I've through the practice of… that's
not what I want to say either. I think the practice of looking to apply
interdisciplinary approaches to what you're doing, is probably immeasurably
valuable. It has given me a leg up in getting in on particular kinds of activities,
from the start. But also, it gives me a sense of comfort in dealing with awkward
situations, knowing that, you know, that I do have a skill that I've been working
with that is aimed at understanding other points of view, other applications, and
not only understanding, but doing it with an eagerness to say: "What can I get out
of this that's useful for me."
[Suzanne]

Do you remember [inaudible] students come in and had to go through this
transition period [inaudible]. Do you remember that?

[Bell]

Yeah, yeah.

[Suzanne]

Can you describe it?

[Bell]

Probably not. The transition period of coming into William James, of leaving a
conventional educational environment to getting into this alternative environment,
I think was really awkward for a lot of people. People just didn't catch on. People
didn't understand that you're responsible for your own process. You're
responsible for your own education. And that was an idea foreign to a lot of
students. Especially in the later years of William James. Now in the earlier years,
it was a whole different story. That was the reason the school was there. I mean
it was a reason a lot of those instructors, a lot of those professors, chose to be at
William James was because they wanted students who were going to assume
responsibility for their own educational process. I think that transition period of
going from a high school or perhaps some other college that was a very
structured, rigidly structured, environment into the William James environment
was awkward for a lot of people. It wasn't particularly awkward for me, it was
exciting for me, it was exactly what I wanted to do, and I wanted to get on with it.
I couldn't learn fast enough in William James. It was an exciting period, to have
the opportunity to jump into the kind of things that I wanted to do, at the pace that
I wanted to do it at, was exhilarating, and I couldn't get enough of it.

[Suzanne]

Can you describe it [inaudible] a little bit more?

[Bell]

What kind of things are you looking for? What would be useful for me to touch
on?

�[Suzanne]

What would be really useful if you said, in one line, actually you just said it.

[Bell]

No, I can say it again if it’s going to be for help for editing. As long are you're not
making me lie.

[Suzanne]

No, it’s what you said actually about the students changed. Just some of the
changes in here, real succinctly. Like the students changed. At first, they came
here they came here, they didn't have to have that transition and later they had to
make that transition and a lot of them couldn't and that was a problem.

[Bell]

I think making the transition from a conventional educational realm, whether it's
high school, or another college, to the environment William James was difficult
for a lot of people. The change in having the ownership of responsibility on the
student was both a hard one for some people to comprehend and apply more.

[Suzanne]

More specifically…

[Bell]

Not that succinct, huh?

[Suzanne]

More specifically, when the school first started, people were specifically looking
for that and they…

[Bell]

Oh, I see what you're saying.

[Suzanne]

How that transition, you think, was a problem.

[Bell]

Sure, sure. I think one of the unpleasant aspects for me about the experience of
William James was… no, I don't want to do that either, that's kind of putting it in a
negative tone. That's the way I feel, but when William James started, the
responsibility for an individual's education was on the student. And I think that's
why a lot of teachers were there. It was a different environment, a different way
to work. I would say almost all the students that I met in earlier years of William
James, that's why they were there, they wanted to shape their own educational
experience. Well, that changed as the time period changed. We got a new
generation of students and they just wanted to be handed the routine that they
could adopt or adapt themselves to, rather. And I think that was a real major
indicator that William James time as a college had come and gone.

[Suzanne]

Okay, now, community. Can you describe what the William James community
was? Just the other day… it was a network, a network. It wasn't being friends; it
wasn't all that.

[Bell]

I think one of the more nebulous parts of the William James experience has got
to be trying to describe that community. I think for the most part, the William

�James community only really exists between those students who caught on to
being self-responsible for the educational experience. And they aren't necessarily
the students who stayed in contact with each other on a social kind of basis, or
even perhaps in in the professional realm. And yet that community of
independent thinkers is a powerful one. Especially as students get further away
from their educational period, their time in college and find the need to make
contacts in other realms. That there is a network of people that exist because of
William James where the dialogue has- the tone of the dialogue, rather, has only
been established. It's one of being ready to think in alternative modes. But that
community is a very narrow one and I don't think all the students from William
James belong in that community, either by choice or just by being able to carry
on the dialogue. It's sort of a self-exclusive room.
[Suzanne]

Can you describe it? The other day you were talking about what it wasn't.
[Inaudible] It was great, there was this community there that was interdependent,
and it wasn't friends or whatever. Remember you were talking about.

[Bell]

Yeah, yeah, and I'm not so sure that I really made the point that I feel strongly
about come across. I think the community of William James College is very
unique one, in that it is made up of people who are posturing themselves or
placing themselves in the positions, intentionally, so they can discuss alternatives
in what they're involved with. Whether it be alternatives in environmental aspects,
or media aspects, or management. There is a basis for dialogue whose
foundation lies upon this desire to look at alternatives and see if they might not
be more appropriate. That's a very unique kind of community. It's a very exciting
kind of community. It's, I think, a very, very valuable kind of community that is
probably not going to happen again for a while. I think people are very much
attuned, nowadays, in this particular period of you know ten years or so, into
finding a status quo that works and to stick with it. Nonetheless, there is a
community of William James students who are getting older and stay in contact,
somewhat, and I just think that what makes that community valuable is that the
readiness to talk about alternatives is ever present. Did that get you where you
wanted to go to, Suzanne?

[Suzanne]

That was really good.

[Bell]

I'm not sure that the community that gets talked about, the William James
community, is really as valid as a lot of the discussion and rhetoric might lend it
to be. I think a lot of the rhetoric about that happens to come from hanger-oners.
I think the people who really engender the spirit of the William James community,
if there is such a thing, are those people who have taken the principles of
applying what you're involved with, with an interdependent view. That is to say
going into whatever activity you're involved with, with a view towards integrating
other disciplines, integrating other points of view so that you'll find the most

�appropriate way to apply yourself to a given challenge or situation. And I don't
think that gets shared by everybody who came out of William James.
[Suzanne]

What about the faculty? I mean with the student community, does that, with the
faculty?

[Bell]

Yeah, yeah. Oh yeah. Yeah. I think one of the more powerful drawing aspects of
the early days at William James College was the faculty. I think this faculty was a
very special group of individuals with very powerful ideas looking, for a way to
apply these notions of interdependent educate… being personally responsible for
your own education, interdependent disciplines. Wait a second, I'm going to back
that up a little bit. I think for me, one of the things that drew me to William James
was the uniqueness of the faculty. There was a powerful collection of individuals
there, working with a lot of powerful ideas. And not all those ideas ever made it to
fruition, or perhaps made it to fruition in the successful sense that a lot of people
had hoped for. But nonetheless, there was a very powerful professorial
community there. Which drew to it, I think, the early William James community,
which was also a very powerful bunch of people in terms of energy, and
ambition, and vision, and vision, and discipline. And I think that that's one of the
things that set William James College apart and did make it unique. And for a
while, really fulfill its intent, that is, of providing an alternative environment to
acquire an education.

[Suzanne]

Good. I'd hate to ask you the same thing.

[Bell]

Fine, fine. If I'm not hitting where you need to go, please do that.

[Suzanne]

Yeah, do it for me again.

[Bell]

What is that you need to know about community?

[Suzanne]

What I need in the editing process [inaudible] is someone to give a concise, yet
excited, that there was this community there. You know, and you can say the
word community isn't quite right. Maybe a network.

[Bell]

Yeah, but see I don't think that was that much different from any other college.

[Suzanne]

You don't?

[Bell]

No, I don't think to the community that existed William James was any less
enthusiastic than the community that existed at Michigan State. I think the thing
that sets it apart is it's a pretty large collection of people, thinking in alternative
ways. And it just doesn't happen that you get alternative thinkers who gathered in
large groups very often. It's an exciting place to be in. To be in with a bunch of

�people… to be inside of a community that not only encourages alternative
thinking but pursues it. And beats it to death if it were to find ways to really come
out ahead of where you started at. Both in terms of your thinking, your
professional status, in your personal life. So, if there's a William James
community, it's one based upon pursuing alternative visions. And in a lot of ways,
it doesn't mean that it's a limited to the people who went the school at William
James. There are places that still apply a William James technique to learning.
And I think that those people are as much a part of that community as anybody
who was tuition paying person. I think the community of William James is much
larger than just the students and the faculty who participated in it. I think it's a
global thing. Actually it's a network process, where you begin… you go to a place
like William James to get involved in and expanding your processes of thinking.
Expanding your own visions of whatever it is you're involved with. And in that
process of doing so, you make contact, you make a network with other
individuals. And that's the community. That's the exciting part. I don't get that
sense of excitement, that sense of personal and professional value from people
who gone to other schools and who have established their own networks based
upon, you know, whatever their curriculum was. I think that there was something
unique about William James College which extends beyond the school, and that
is that group of independent thinkers.
[Suzanne]

Great [inaudible]. That was real good. What do you want to say, specifically?

[Bell]

What do I want to say specifically? I guess I can say, I think one of the more
powerful aspects of my experience that William James happens to come to be
one of anger rather. To have left the school feeling let down in the last two years
of my time there. And to feeling a sense of disappointment that it was waning.
The opportunity, the time of experimentation was slipping away. And I went to
William James for that opportunity, to indulge in this time of experimentation that
was, I think an outcrop of the sixties and a lot of social change that occurred. And
to have that slip away, it was sort of embittering, for a while, until almost by
surprised, I realized that I was really applying, in my daily activities, the form of
thought, the method of thinking, that William James College was working on. And
whenever that day arrived and I suddenly set up from my desk and I realized:
"It's working! It's working! It made it worthwhile to go to William James." Because
in spite of all the negatives that I had been focusing on, I got a wonderful kit of
tools to take with me from now on out.

[Suzanne]

Okay, that's good.

[Bell]

Okay. I know there's probably one last thing that… I think a lot of people in the
community surrounding the college, in West Michigan, business people, and a lot
of students in other colleges, tend to look at William James, and students, as
being unpractical, or air heads, or in most and a lot of times just in unpleasant

�ways. And I think that kind of perception comes out of the later years, which was
a result of it being a period of change. I think the very powerful time for William
James to exist occurred at the end of the sixties, or the early part of the
seventies, when there were a group of people, mostly Vietnam veterans, who
were wanting to go to school and were able take charge of their own educational
process and were looking for a place to do that in. And so, when you couple that
up with a faculty looking for a way to offer a different environment to learn in, it’s
a wonderful ready-made situation, which may not come along again for a long
time. It was for a while, the most appropriate place for a lot of people to be. And
when those people got their value out of the experience, when the professors got
their value, and it started becoming burnt out and moved on to other
opportunities, when students graduated and went on to apply what it was they
were pursuing, the need for the place to exist dissipated. And so, I think it's
probably appropriate, and it's very appropriate that William James ceased being.
And I hope that in the future, and given ten years when similar circumstance
arise, and it will happen, that those people at that time can say: "Oh look, they
did this at William James, and it was very powerful, and some things worked
really well, and some things didn't, and let's try it again based upon that." And I
think, probably, if nothing else, the important thing about the process at William
James was being attuned to change, being aware of the need for perceiving
other ways to approach what it is you're getting involved with. And if you do that,
you'll become aware just through the process of when it's appropriate to put
something down and move on something else. And so, William James leaving us
was ultimately appropriate.
[Suzanne]

Good.

[Bell]

Anything else?

[Suzanne]

Yeah. [Inaudible]

[Bell]

Let me try that again, alright? Let me shorten it up for you. I think the important
thing to keep in mind about William James is that it came into reality during a
time of terrific change and the kinds of things that it focused on were dealing with
that change, were dealing with the changes both in terms of changing
educational systems, changing social systems, and preparing yourself to be able
to change in the future. So, I think it's ultimately appropriate that when the
students who wanted that kind of education, when the teachers who are willing to
give themselves to that situation, decided to either move on or that they were all
through with the process, and then all new kind of students came in that weren't
looking for that educational opportunity, when all that happened, it was ultimately
appropriate that William James cease to be. Okay.

[Suzanne]

Great. About the community [inaudible]…

�[Bell]

No, fine, fine. If you're not getting what you need, let’s look for it.

[Suzanne]

We're getting it, I'm just thinking [inaudible]. You were talking about people
outside the community, and they looked at… I guess what I'm talking about it the
difference between people who are not part of the community…

[Bell]

Yeah.

[Suzanne]

Who are, I mean there's a major part of the world who aren't part of that
community. So, is that community practical?

[Bell]

Oh yeah. Yeah. With the William James community you mean?

[Suzanne]

Yeah.

[Bell]

I think a lot of people question whether or not the educational process at William
James provided people with practical tools. And I'd say absolutely yes. That
when William James students interface in a more conservative conventional
environment, there is no conflict per se. I mean we're just people, were working
together, and, you know, suits and ties are just another kind of uniform. And we
can all put on a uniform and for that little while people think it's all, you know,
everybody's in the same kind of army, or team, or whatever. And yet, a William
James student possesses a set of tools that makes him very versatile, or her,
very, very versatile. Those tools being looking to other disciplines for useful tools,
looking for other ways to integrate these other tools into your own application so
that you can further yourself and further your own profession, or whatever activity
it is you know you chosen to be involved with. So, no I don't think that people
fitting William James students have any trouble at all fitting into a conventional
industrial environment. As a matter fact, I think they have a leg up in the sense
that a lot of them are subversive to begin with and it gives them an environment
they can be subversive in and in a very practical way, and it sort of works out
better for everybody because employers benefit from people thinking you know
alternative ways, whether or not they're willing to accept the dialogue with that
person thinking in those ways. So yeah, I think people coming away from William
James, if they really caught on to what was going on there, have some very
practical skills.

[Suzanne]

But if…

[Bell]

But if…

[Suzanne]

But if people- one of the issues in this today is going to come out as if society
is…[?] wants people to just be able to [inaudible] one narrow job, everyday, don't

�question it, don't make drama. I mean, things are getting more and more
specialized and liberal education is going away, but William James was focusing
on that. Is that part of the reason for the change or going away of William
James? Is that one of the ways it was not successful because it was training
people for something society doesn't want?
[Bell]

Well, I think there's two issues in the question of the change of William James.
One issue is "Was William James successful?" Because, obviously, it went away
as a school. And I don't think that there's any conflict in when you say: "Yes
William James was a successful educational environment, and yes William
James went away as an educational institution." The point still remains is that it
was appropriate for a certain group of people at a certain time in history, and
when that time came and went, it was no longer appropriate. So, to hang on to
the school in order for it to adapt and to exist it would have had changed into an
environment that it wasn't intended to be to begin with. So much better that it just
went away altogether and rather than become some kind of hypocritical
institution. And this… what was in part of that?

[Suzanne]

The professional training people for something that [inaudible] might not miss or
really want.

[Bell]

Oh, oh, about….

[Suzanne]

That sort of thing [inaudible] .

[Bell]

Yeah, yeah, yeah. And it's true that the other influence that William James
suffered, you know it's demise was a result of…wait a second. Yeah, it's true that
another influence that William James had to deal with, had to contend with, was
the specialization of the job market. Was the increasing unattractiveness of a
liberal education. And I think it's just a temporary thing. I mean, historically it's
temporary. People get specialized, and learn about math, and science until we're
engineered to death and people say: "We need more artist!" And then we get so
many more artists until we suddenly realize: "Oh geez we're lagging in the
technological race, so we need more engineers." I think it's just an ongoing thing.
And I think that there's a lesson there to be learned from William James is
dialogues with what it was trying to do, and that it was attempting to integrate
these disciplines of creative disciplines, of creative art disciplines, the ways of
being creative, with engineering disciplines, so that you don't exclude any
activity. In fact, you include all activities, so that you actually integrate your
society, your… first off on a personal level, and then on a social level, in terms of
your society and workplaces you're involved with, so that what happens is that
you don't have these peaks and valleys. You have a more fulfilled individuals.
You have a healthier society in that it has the ability to adapt to the changes as
those changes come up instead of always playing catch up there. You're always

�looking to the situation in terms of what it needs to be appropriate for the
moment. And I think the only you get that is if you are integrated with multiple
disciplines. Okay?
[Suzanne]

Good. I want to ask you one more other thing. This is just something…

[Bell]

Fire away.

[Suzanne]

…that Barb is asking everybody to sum up, in just a few sentences or more, what
was William James? In a few words or more.

[Bell]

Yeah. Yeah.

[Suzanne]

[Inaudible]

[Bell]

How would I describe William James to somebody that didn't know anything
about it? I would say William James was a very exciting place to. That it was a
collection of tremendous thinkers, in terms of faculty. It was a collection of a
tremendous group of people, hungry for knowledge and hungry for a way to
pursue that knowledge in their own ground and in their own terms. And as a
result, it was a tremendous environment of experimentation that was very
exhilarating, and a wonderful place to be for that period of time.

[Suzanne]

I'm going to stop the tape and look through some notes, to see if there's anything
else [inaudible].

[Bell]

To see if there's any more questions, fine. Hi Vern!

[Suzanne]

This is going great.

[Bell]

Good!

[Suzanne]

You're still taped.

[Bell]

Thank you! One of the keys to William James was its structure, in that it was a
non-competitive structure, both non-competitive for students, in terms of not
having grades, and also non-competitive for the professors. No tenure and things
like that. And the dean wasn't some autonomous feudal lord. And the students
also had a say in terms of how the schools was run. The student council was
more than just an organizing fun committee for bands, and dances, and stuff. It
was a very powerful voice in the decisions that went on in William James. And
that made it for, again, a very unique environment.

[Suzanne]

That was great, can you say that…

�[Bell]

Even quicker?

[Suzanne]

No, with the point that it was intentionally structured that way, from the beginning.
It was thought through and built that way so that it could fit this kind of
environment.

[Bell]

Yeah, yeah. Sure, I can do that. Yeah, I think something that- that is important to
make note about William James is that it structure it's non-competitive structure,
where students weren't competitive, because there were no grades, and
professors were not competitive, there wasn't tenure, and the dean wasn't some
kind of feudal lord, as you find in other institutions. All that structure was
intentionally. It was a well thought out structure for creating the environment that
William James had. Is that what you need?

[Suzanne]

Good. Very Good.

[Bell]

Okay.

[Suzanne]

I'm going to stop it again. Why not just look at that sheet and see if there's
anything else you want to talk about?

[Bell]

These are things that need to be said?

[Unknown]

No, not necessarily.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Steven Laninga
Date: 1984

[Unknown]

People have their William James t-shirts.

[Laninga]

Is that right? You know, I never had a William James t-shirt.

[Unknown]

No?

[Laninga]

They don't make them in my size, so I never bought one. And it always bothered
me and I couldn't really be a part without a William James t-shirt. And then I
decided that was going to be my own little private experience: the William James
student without the badge. My own mark.

[Unknown]

Okay, let’s go from the top, your history, why you came to William James
College, kind of go over again what we just talked about.

[Laninga]

I started at William James in, I believe, the fall seventy-four, after two years of
Calvin College, here in Grand Rapids, and a year of stopping out and private
introspection. I bummed around a lot. The fall of seventy-four, I went back, intent
on studying photography at William James. And I was attracted to the rather
broad offerings of photographic training at the school, as it was clustered with the
other schools. And because of Willy Jay's lenient attitude towards students, I felt
that I could slip in and out of William James, and across to TJC, and over to the
regular school, to get all that I needed to study photography without having to
cope with the superstructure of a traditional liberal arts education undergraduate. So that was the reason I came out there, and my intention when I
arrived on campus. A couple of things happened when I got there. I met my
future wife about the first week and we really haven't been separate since. It's
been almost ten years now. That's very nice, and that's a little present from
William James to us, I think. I, also, after pursuing photographic chemistry, and
darkroom, and cinema, and a number of other photographic classes, began to
become aware of a greater, more profound aspect of the photographic image
making process. And that was what happens after pictures are viewed. What
goes on in the mind of the viewer? What goes on in the mind of the creator, and
how that is transmitted through this piece of material? So, I began to be
distracted by that whole topic area and ended up a good ways from where I
started when I wanted to be a photographer. And I became, instead, someone
who, mostly, thought, talked, and wrote about the process of communicating
through media. And my degree is still a media degree, a Bachelor of Science

�from William James. But a lot of my course work was really in the Social
Relations department at William James.
[Unknown]

Can you talk a little bit about the educational experience? What you did at
William James? How or what you perceived the college to be?

[Laninga]

Okay.

[Unknown]

[Inaudible] Something that it was?

[Laninga]

Well, I was a commuter student for the entire five years that I was at William
James. A part-time commuter student. I arrived on campus about five minutes
after I was supposed to have gotten there. And I would leave as soon as I had
done everything I came on campus to do, whether that was attend a class or
attend a class and go to the library for an hour, what have you. As a matter of
fact, I used the bus to get there, for a number of years. So, my experience of
William James is, perhaps, a little different than many William James alumnus in
that I was not really ever caught up in the community of William James. I had
almost a business relationship with the school. It was a transactional relationship.
Very, very clean in that respect. I would pay for the class, I would show up, I
would talk, I would think, I would write, we would interact, and I would leave. And
all the stuff that went on the Skylight Room, all the committees, and task forces,
and all the other stuff that I heard about and read about went right past me for a
very tumultuous and colorful five years. And I was almost as unrelated to it as the
people in Grand Rapids that only heard about it from associates. Still, in all my…
there are some things about William James that I think cannot be taken away in
that it was a school that was focused on the individual and permitted the
individual to find his or her education. That was what originally attracted me to
the school in the first place. And that part I really did take advantage of. I don't
think that the Skylight Room and all the goings on in there was necessarily what I
came to the school for the first place. I got what wanted out of school and the
school gave that to me and generous quantity. I pursued my own course, and I
came away fully satisfied with what I got. As I said, it was a transaction
relationship. And I came away a much better person for having been there.

[Unknown]

We talked a little bit about how the school dealt with failure. Can you say
something about that?

[Laninga]

William James had a pragmatic approach to education. And caught up in that is
an understanding that in order to achieve worthy goals, there are risks that must
be taken, and one of the clearest risks is the risk of failure. And failure was
always real at William James. It was something that everyone lived with, from the
lowliest new student, right on through the administrative offices. Everyone dealt
with failure on a daily basis around here because much was tried and only a

�portion of that was accomplished. And everyone understood the realities of
stalled projects and fizzled ideas. And I have since then come to understand that
one good idea is worth a hundred ones that seem to be good, and it's worth
weeding through a hundred possible ideas to come land on one good one. And
that means a lot of failure. That's ninety-nine failures. So, I probably… that's one
of the most valuable things I learned at William James. I'm not sure that that is so
readily accessible at other schools, where failure is completely different in its
meaning for undergraduates.
[Unknown]

Moving on to how do you think… what do you think William James was as an
experiment? Do you think it failed? Do you think, you know, we talked about not
being allowed to fail or something…?

[Laninga]

Let me say it again, William James, the experiment of William James College, did
not fail. I firmly believe that the experiment of William James College was not
permitted to succeed. The school is a part of the community around it, and it
serves the community, and the community is supposed to nourish and feed the
school. And the two of them grow together. That takes a long time, it takes
generations in most cases. This school was not permitted to grow for even a full
generation. There is no way of knowing what kind of contribution, ultimately, the
school could have made because it was not allowed time enough to bring its…
they're no longer students, they're almost children, to adulthood. It's alumni we're
not permitted to reach places visibility and influence in the community that are
typical of a situation where a school and a community have grown up together.
And that's really a tragic loss for this community, and obviously for the school,
and all of those of us who felt that it was an important place to keep around.

[Unknown]

In five years?

[Laninga]

I think that if the school had been permitted to live on for a few more years, four
or five years, that it would have to been impervious to any kind of administrative
reevaluation. It would not have been quite so easy to simply pull the plug on the
school that had fifteen years of roots in the community. I think by that time, there
would have been enough reason for the school to stay around, for it to stay on
and continue.

[Unknown]

What did survive the experiment?

[Laninga]

The people survived William James. And the people are scattered all over the
world, but there are a great many of us still in the West Michigan area. And the
school may be closed, and the books may all be scattered, and the files filed, but
what the school accomplished is still here, it's a living, it's breathing, and it's
making its presence felt every day, every year. And there's no telling what real
contribution was made, yet, because we're not finished yet.

�[Unknown]

Was there anything of the philosophy that survived? Do you think West Michigan
is now without a William James philosophy, entirely, because the school went
away?

[Laninga]

No, I think the philosophy preceded the school. I don't think that's something so
graded and timeless, and profound as that kind of… William James thought,
originally, is already eighty or ninety years old. And I don't think he was the first…
he may have been first to verbalize it, perhaps in English, but I don't think that the
philosophy is gone. I think it was here before the schools here, and maybe it will
return in another form for future. I'd like to think so. I know I would support any
effort along those lines because I still think it's the most humane way to educate
people.

[Unknown]

Excellent. Okay. This is Barbara's question: what is the essence of William
James?

[Laninga]

Define essence.

[Unknown]

That's just what she told me to ask you, so I have no idea.

[Laninga]

No more help than that. What is… what was the essence of William James?

[Unknown]

What do you feel was the essence?

[Laninga]

Well, I don't want to talk about failure again, but I think that the essence of what
we knew as William James was an agency. It was an agency available for those
who pursued, frankly, whatever they wish to pursue. I saw a number of students
out there pursuing something other than education. The school was big enough
to accommodate them. It was free enough to accommodate them and was
flexible enough to accommodate them. There were… part of the essential quality
of the freedom of that type of curriculum is that you must allow people to… how
can I say this is less than a blunt form? You must allow people to not do anything
at all. You must allow people to not contribute, to not participate. They've had
twenty years of a more structured regimen and built up all kinds of blocks and
obstacles to a direct link to the education process. And it takes time for people to
break down all those old barriers and realize and understand that nothing stands
between them and what it is they want to be and what they want to achieve but
themselves. So, all of these self-defeating habits, regimens, have to be cleared
away. And no one can do that for you. No one can come in and reorient you, you
have to do that for yourself. It worked for a great many of us. It didn't work for all
of us. And probably the essence of William James was willingness to allow
people to go their own way, whether that meant going out the door or not. A lot of
people drifted in and out of the school, and that's not wrong. That's exactly what

�the school was for.
[Unknown]

Great, beautiful. Alright one [inaudible] the tape. How was the William James
Association formed?

[Laninga]

William James Association was formed in the wake for William James and out of
the grief and the bitterness of the moment. A feeling a need to respond to this
administrative cruelty was expressed. And the only thing that not the only thing
but the thing that probably is most typical of that particular group of people, our
age group, our mentality, our culture, is collective action. We almost knee jerk
react to any kind of challenge in a collective manner. So, the Association was
originally formed as some notion of an influence group for the preservation of
some aspects of William James. And I think as that it's probably failed. But like I
said before, failure's a reality for our community. And something bigger than that,
I think, was realized by many people. That we’re all alive and well. We got
together, we saw each other, and felt of each other. We were fine. The school
was dead, we were fine and we knew that things are going to be okay.

[Unknown]

Crazy. Anything else you want to wrap up with?

[Laninga]

No, I think you've pretty well gotten it all on there.

[Unknown]

Alright. Thank you, Steve.

[Laninga]

You're welcome.

[Unknown]

It's going to be good.

[Laninga]

When do I see it?

[Unknown]

Well, I think there is going to be a…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard Paschke
Date: 1984
Part: 3 of 3

[Barbara]

Final question that we have here is… oh, I don't like the wide shot. We don’t
need the palm tree in the way. That's better. You were talking about James is
over, but you read in the newspaper stuff that suggests that James [inaudible].
Can you comment on that for a while?

[Paschke]

Well, it makes me angry. It’s always that saying, "You can't be a prophet in your
own lens," has always upset me. It just seems like you should be able to. It
makes me angry to see those articles now. I don't know quite why. Maybe to
think that I, you know, should have fought harder to keep it. I still have this sense
that if we had continued it right to the present moment, they'd kill it off and redo it
again from the beginning somehow. Just couldn't work. That it could be like it
was and then suddenly come into its own and be right. I don't have a sense of
that being able to happen. In some ways what we did at James, I think, is what
the good teachers all over in other kinds of schools have always done. Sort of,
maybe they might be thought to be eccentric in their department or sort of an
interesting person to have around, but there has always been people, I think,
who did the kinds of things that we did at James, they just didn't have whole
colleges to do it in. Whole department in colleges to do it in. I think it's right. I
mean part of me claps and says: "Well, I'm glad that people are finally realizing in
the national committees and task forces what's important." I'm glad that we did it.

[Barbara]

What are some of those things that are going to be reinvented?

[Paschke]

The idea of transdisciplinary approaches to, you know, take a problem, make a
course focus on a problem area rather than on a topic or a content area. And
then bring to bear whatever you need to bring to bear to solve the problem and
cross disciplinary lines in that way. I think people are reinventing those kind of
things. I just attended a meeting where they were trying to talk about how all the
behavioral sciences together could teach certain class courses and certain
problem issues. And I think that's important. The importance of critical thinking,
learning critical thinking, which is I think one thing that our students learned, a lot
of them. The better ones learned. Probably because you had to develop critical
thinking to figure out what was going on, sometimes, at the college. So, it was
already the real world in terms of problem solving a complicated organization.
But also, because people asked a lot of questions. There was a lot of the
Socratic, you know, method was used a lot in teaching. Asking questions, not

�having answers always. That kind of an approach to a liberal education, I think,
was important.
[Barbara]

To pick up something, I would appreciate it if you would say again what you said
in our pre-interview, just a sentence. You said something about that the founding
of the college, it was your impression, that what it was… [inaudible] a lot of us
were sixties people and we took that energy and directed it. I don't mean to put
words in your mouth, but could I please put words in your mouth, and would you
say something around those lines because no one else has?

[Paschke]

Well, when all of the faculty were in college, it was the sixties, largely. And there
was a kind of an energy then, I think, that had to do with the questioning, andand reacting, revolting, if you will, or whatever. A kind of an energy which was
still there in the seventies, for the faculty. And, you know, I think that they brought
that energy to bear on what they were doing, you know, in a different way than
they would have in the sixties, in a lot of cases. In some ways and sometimes not
so differently than they would have done in sixties. We had some sort of sit-ins
and protests, too. We would bring things to the central administration and what
not. I think the energy had to do with not accepting things as being finished and
in inevitable categories. Saying: "Hey, I'm a person. I'm just getting myself
together. I don't want to have a whole structure laid on me without having
anything to say about it." And so, the idea about equality, the emerging idea that
was I think was there already in the sixties, and certainly in the seventies, and
the feminist movement. Ideas in general about equality. The student should be
voting members of this committee, the student should have things to say, they're
people, too. A lot of our students were older than we were, coming back to
school. And there was that kind of a feeling of… it’s romanticizing it too much… I
think of Martin Luther King, and I think of Selma, and people holding hands, and
being passively aggressive, you know, and their protests and their certainty, and
being sort of a cloistered community that we were, and, you know, going against
the outside world, and being, sort of, flower children. Somebody went to a
wedding recently, I heard, of a William James student and described it as being
like the old days. And what the old days meant was the part of the sixties that
carried over into the seventies. Where they went out and picked wildflowers for
the bouquet, where people were into organic foods, and, you know, all that kind
of sort of natural, you know, corduroy, and whatever, flannel. I mean a lot of that
was a carryover from the sixties. And we looked a lot, I think, like people going to
college in the sixties and were now teaching and didn't change a lot. But I think
what the sixties tapped was a kind of a thing that's there in recent United States
during adolescence for everyone, at some point. They’re starting to say: "Who
am I, what can I be, what's out there?" You start reacting against established
institutions, you start trying to find a voice. And to find a whole faculty that, in
some ways, was going through its adolescence right in front of your very eyes
over a period of ten or fifteen years was unusual. And again, maybe it couldn't

�happen again today. You can't take a group of people in the eighties that went to
college in the seventies and have that same magic or charisma, a kind of a…
remind me, what is that mythological creature that has a lot of heads?
[Barbara]

Medusa, no. Hydra? A Hydra?

[Paschke]

Gorgon? Was that it? I don't know. Anyway, in some sense, it was always a
problem for our administrators, at least within the college for our dean, to really
feel like things were under control. Because it was like a group of people, again,
emerging from this equal, everyone should have a say, kind of mentality of the
sixties moving into the seventies. It was sort of a structure that went like this, it
wasn't hierarchical. It was more people at the same level trying to make
decisions, wanting to have something to say, thinking they had a right to have
something say to say. Made a heck of a time for somebody trying to administer
that. It was more like a band of people who were moving along, more or less, you
know, in the same direction. That seemed like a sixties kind of a thing to me. I
mean we had crowd mentalities and that kind of thing.

[Barbara]

So what you really see is some of the things that we were doing that are valuable
coming up in completely different contexts in different forms?

[Paschke]

Uh huh.

[Barbara]

There's a question that I ask everybody, I think you already answered it but I'm
going to ask you anyway. A one sentence answer, two sentences max, to you,
personally, the one key thing that was William James, that characterized William
James. In a word, in a sentence, two maximum.

[Paschke]

The man or the college?

[Barbara]

The college.

[Paschke]

Oh, personal freedom, whatever that means.

[Barbara]

Good.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard Paschke
Date: 1984
Part: 2 of 3

[Barbara]

Cameras warmed up yet, so you don't have to stand in an odd position while it
warms up.

[Paschke]

Okay.

[Barbara]

Okay. Check my focus. I like head shots, which gets risky because you can't cut
as well. Do you have one last comment on, like, our core that has to with
pedigrees?

[Paschke]

I don't know if it has to do with the sort of the sense of community and communal
thinking that was worked out in the first few years or if it has to do with the
people, but something that was at the core James, I think from the faculty point of
view, was the sense that you didn't have to be pedigreed in an area. The idea
that you could be curious if you want to learn. That if you were a professional
reader, if you ready for a living, you could read books, and you could talk to
people, and you could learn things, and teach about things that you hadn't had a
master’s degree in. That's sort of a unique notion that's not like that in many
other places in the world, I think. And somehow, we transcend the usual way in
which people get on one another's case about whether they're really prepared, or
whether they really ought to have a right to teach certain things, or talk about
certain things, from the front of classroom. And I think that's too bad. I think that
when I talked before about community or how the students and faculty fit or what
they had in common, I think the kind of curiosity the students have and the kind
of hunger for new material was a hunger that was promoted. That was allowed
and it was even promoted in the first five, six years of the college. People would
go off and you didn't have to talk about faculty development. People would go off
and prepare new courses on their own. You didn't have to set aside special time
to do it. If you look at the numbers of courses… the numbers of different things
that people taught, new preparations, it's incredible. It's a burnout kind of pace.
But it didn't feel like that to people. I think, certainly, not in the first five or six
years. Because it felt like they were doing what they wanted to do. The lid had
been taken off, somehow. They were able to explore and expand. And that was
really neat. And you don't find that in traditional departments. I'm going to
meetings now in which people are talking about how to do trans-disciplinary
teaching and whatnot. And you can't just get together a group of three people to
team teach a course and have that same sense of wanting to read, and the other

�person's part of the library, and wanting to have something to say about the
things that they teach, and you're wanting to learn about, and teach about.
[Barbara]

That's fine for us, but what did it do for the students?

[Paschke]

What it did for some students is provide a really rich culture in which to find
things out about themselves. Other students it blew away. Other students ran
away and went to more traditional forms of schooling that had more structure.
Identifiable traditional structure and expectations. And so, it didn't do the same
thing for everyone.

[Barbara]

Changing the shot. Nice shot. You had a career before you came to James.

[Paschke]

Right.

[Barbara]

And you still have a career today. James came and went, and we devoted
enormous amounts of time to it. How did that work in your whole life pattern?

[Paschke]

You mean how did I keep the same career?

[Barbara]

Yeah, if you did.

[Paschke]

Well, I don't think I did. I think I really changed careers pretty drastically. And
several times while I was here, although people probably didn't know about it.
One thing that's important is, I think, is that I think I am a pack rat. I really carry
around too much stuff with me because I'm afraid to lose some sense of history
and some place. I want to make sure I've got something in the drawer that
connects me to other parts of my life. I don't let go of things very easily. In one
sense, I think I like to explore a lot of and be curious a lot, but I need a really
solid base, like some sense of continuity, someplace in my life. And I guess my
identity as a psychologist was important to me and that way. That I maintain
some connection with the literature at the national and international level; that I
go to a few meetings now and then and be in touch with what people were doing.
That was probably driven by the sense of not wanting to be seen as a sham
either. The sense of how important it was to let other people know that we were
professional, that we did know what we were doing, we weren't just dabbling. So,
I did stay in touch with the literature, but I had a whole career in music. I didn't
really know what I was going to, you know, do. Where I would end up. I guess I
still don't. And that I made several readjustments in my career from a research
psychologist to sort of an applied psychologist, to a sort of environmental
psychologist. And then we hired people who really did that in a more pedigreed
way, certainly. And so, I sort of… I moved around. And as we hired different
faculty, I think what I did changed in response to where they were. And I still don't
feel finished yet. But I guess there is some sense in which I'm still a psychologist.

�[Barbara]

You were in or you interviewed in the CAS Psychology and then you went to
James for fourteen years. Come back to CAS…

[Paschke]

Psychology.

[Barbara]

…psychology, essentially, how did that work? How did it feel?

[Paschke]

Well, it was hard because after the first few months at William James I tended to
ignore my colleagues who were psychologists on the campus. Felt like they had
a very narrow visions because they were just being psychologists. And I didn't
really feel that I had a lot in common with them, a lot to talk about. It sounds
really egotistical to say, but it felt to me like I knew what they knew, plus I knew
some other things. I had been outside of psychology and so where it fitted into
other things. Coming back was hard because some of the same people are still
there that were in the first department. And I had to deal with being, sort of, a
snobbish kid, you know. Back fourteen years ago. But it's gone relatively well, I
think. Staying low-key, not trying to act like I know everything. And not bringing
my William James experience into what I'm doing now. Eventually, you know, the
dust has settled. Plus, I wasn't the only person that came into the Psychology
department now. There were three of us who came in from other units and we
sort of deluded, you know, the going medium there. It felt like a relief for a while,
to teach only a few courses, predictably the same courses every year. The same
courses every fall, same courses every spring. I've already started to get itchy
though. And I feel sort of constrained by the fact that in order to do a new course,
I would have to go through so much rigmarole. Not just think it out, not just know
what books I wanted, not just know what concept should be in the course, not
just be able to defend the course, but all the paper stuff that goes with it. The ego
stuff to goes with it. Making sure I'm not touching on someone's personal area of
expertise. That I've decided not to do that, I guess. And I've changed my reading,
my personal reading, still runs pretty freely around a lot of areas, and it just
doesn't show up in preparation for classes anymore. The adjustment wasn't
impossible. I do feel like I have to stay low-key in order to fit. Because in some
sense it feels… this is a terrible thing to say… in some sense, it feels like I've
been to, you know, to Jerusalem or something and come back and other people
haven't been, and I know some things that they don't know, but I can't tell.

[Barbara]

But isn't part of that being older than some of the colleagues? Or isn't it? I don't
know the department.

[Paschke]

No, the department is generally about my age.

[Barbara]

I have personally been accused by a student just this summer of having sold out.
"Where did James go? You guys were teaching us about being future-oriented

�and then the future came, and it wasn't any [inaudible] and went, “Hey! I'll take
my paycheck!'" Have you had that kind of experience or do you recognize it, or
do you think we sold out?
[Paschke]

No, I don't think we sold out. I think people tried really hard and they fought with
everything that they had. We were not people who had lived through corporate
mergers and things like that before. We didn't know how to do that. But I think
everyone tried to handle that in the best way that they knew how. I think it was
inevitable that James would be re-assimilated, you know, into the large college. I
think that started right from the beginning of the college. It's like the death of
James began as soon as the college was in place and people realized various
things. That they would like to have been in the thing that they created, but they
weren't. That the thing that they had created was sort of a thankless child that
almost immediately after its birth turned its back on its parents. Even stuck its
nose up in the air, I suppose, in some ways at the parents. That it was scary. It
broke traditional kinds of boundaries. That it did things that sort of like having a
rebellious teenager, I suppose, around. Sometimes the things that James did
embarrassed the parent, you know, entities. Sometimes they got to places first.
The parents: "Gee I wish I thought of that. Should've been doing that." But it was
a competition almost right away. And the fact that the college didn't do exactly
what its planners hoped it would do, made a kind of a chaffing kind of effect. You
can see if you looked, I think, back five, six years before the college change, the
reorganization changed everything. You could see a kind of inevitability. There
was a kind of, a natural progress leading toward the end. Actually, surprised me
that it lasted as long as it did with people fighting as hard as they and being as
clever as they were about, you know, dancing and getting out the way or
whatever because it was inevitable. It had to go down, I think, for the whole
college to live.

[Barbara]

You mean Grand Valley?

[Paschke]

Grand Valley as a whole, yeah.

[Barbara]

Why?

[Paschke]

Well, I guess for the reasons that I said. If it's true that people who were there
were there because they weren't quite finished, that they were always becoming
something and trying to figure out what they were going to be when they got big
and grew up and sort of finished up. They're always pushing the limits, testing
limits, asking questions, being provocative, being gadflies, whatever. Their job,
their sense of self, lead to keeping things in suspension. Sort of up in the air, sort
of thing going… people might go out in and they might march in Grand Rapids
with the placards or something, and embarrass people, write articles in the
newspaper, or do things that, you know, didn't quite fit. Their job wasn't to

�maintain complacency, and when you are the gadfly there's always the flyswatter
there, right. Eventually going to get that damn fly.
[Barbara]

Surely then, we did do a bad job of preparing our students for this inevitable end.

[Paschke]

Well, I think student cycling through, although some of ours were on longer
cycles than four years, certainly. The normal cycle for the student was shorter
than the faculty cycle, certainly, by the end. Faculty that have been there for
fourteen years or twelve years. I think there were, in the lifespan of the student,
there would be a time in which they would really discover what William James,
you know, was or what it was supposed to be. They couldn't really get it, always,
right at the beginning. But they would start to appreciate that by the time they
were in their junior year, I'd say, in a lot of cases. And they didn't want that to go
away. And I think some of the students who were so negative and feeling that the
faculty had been irresponsible about keeping the college alive, were, in a way,
being idealistic. In a way being selfish. Saying: "Keep this around for me at all
costs!" And in a way, it was contrary to the whole thing that James had, which
was to change. In some ways, for its whole period of time, we added people, we
added programs, we change programs around. We were responsive and it just
kept changing. There was a way in which there was a mystical golden era in
which that students didn't want to change, I think. That's part of it. But I think we
weren't very good. We didn't build the kinds of bridges that you would normally
build and to make sure that you come out with your piece of the pie in a mergerin a corporate merger. We didn't really know how to do that. But I think in the
sense of inevitability was obvious to a lot of people. There were people that left.
Everyone who came to William James on the faculty didn't stay the whole time.
People came and went. Some people would see the frustration, would see the
inevitability, I think, of the end. Even some people on the faculty would see that
you couldn't keep doing what we did during the time when everything in the
country got more conservative. Students were more serious about: "I, you know, I
want a job. I want a certain kind of paying job. I want certain kinds of courses."
There was a more of a rigid kind of feeling that wasn't there at the beginning.
That students wanted some different things. They wanted a kind of a tightening
up. And the more we went from being what we were toward being like what the
rest of the campus was like, I think the more threatening it was for the rest of the
campus some ways, too. I don't know, there's a lot of levels to that, I think, to try
to understand. I don't think I understand all of it myself. But I knew that I had the
feeling that the end was inevitable, and it was only because there were people
who were literally willing to throw themselves in front of the train at the eleventh
hour, like Robert Mayberry, that kept it going as long it did.

[Barbara]

Okay. Tape out.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard Paschke
Date: 1984
Part: 1 of 3

[Barbara]

You’re right at the beginning because you need to hold that in front of your face.
It's called white balancing; it gets the camera to read whites correctly. Okay,
you’re done. Yeah, that looks nice. If we could begin where we began before.
You were at James at the beginning, and how did we manage to not just use the
name William James like someone would use, you know, Woodrow Wilson High
School, but really to become Jamesian?

[Paschke]

Well, I think there were a number of things involved. One was that we had
already planned for us a synoptic lecture series with people that were so various
that all of us had to scuffle around, and read, and learn about these people, and
then we had to interact with these people. And it forced us outside of our training.
It really pushed us in all kinds of ways. So, I think in that way, by “Jamesian” it
means to have a hunger for knowledge and a non-departmentalized kind of a
style of thinking that just the synoptic lecture series forced us to do that. That's
how we started that first fall, with almost every other week having speakers come
in and talking to people from all over the country that we never would have talked
to before, I think. There were lots of incentives to break categories, to look at
things in a broad way, since we were given, what we thought, was a blank check
to create a college and do the best thing we could for a liberal arts, and sciences,
and liberal education. Again, I think that pushed people beyond themselves, to
broader perspectives. I don't know that everyone read William James, but
certainly a lot of us did. A lot of us reread William James, and went off and found
things to read, and were sharing articles and whatnot even about William James,
so that kind of feeling was in the air for a lot of people. Thinking about
community, I think back to the very first meetings that we had in the college
which we spent, I don't know, six to eight hours a day for several weeks, every
day, meeting [firetruck sirens] to work out everything.

[Barbara]

Why don't you start again?

[Paschke]

Thinking about community and the history of the development of the community
of William James, I think back to the original meetings when, I can't remember
when exactly, during a two- or three-week period, before the beginning of the fall
semester, the original faculty sat in a room, or various rooms, pretty much all
day. Six, eight hours a day, sometimes at evening meetings, working out
everything that had to be worked out for the college. We had to decide on

�grading policies, we had to decide on all that administrative stuff that people
usually have in place when they start teaching at a college. But we also had to
decide on how to implement a philosophy, which meant a lot of talks with one
another about how we saw things. Sort of at a less than… a higher level than a
paperwork level, but personally, philosophies of things. We literally, maybe this is
an incorrect recollection, but I think we didn't pay as much attention to the original
planning documents that were around as we should or we could have. I guess a
lot of things had been worked out in task forces and whatnot before we got there.
We pretty much redid all that stuff. Sat down and figured it all out and in that
process worked out a really close sense of community. And again, it may not be
an accurate recollection, but I think we got… by the time the classes started, we
started meeting with students, there was already a sense of community. We were
living, literally, in one another's hip pockets during that whole time. Working out
ways to talk to one another was very strange, you know. I had never talked to a
person who was as close to a Buddhist monk, I think, as Ken Hunter was. As
anyone I had ever seen, you know. To talk to a person who knew about all that
stuff and then try to figure out how to negotiate decisions with a person like that.
And someone like Robert Mayberry, who was so careful and so, you know,
articulate in the way he thought about things and spoke about things was a really
intense kind of experience. A sort of trial by fire for that…those first meetings
were sort of a rite of passage in the community. After that I think we insisted on it.
Our hiring included a lot of times where people would sit around and talk. I think
that's where the real interviewing went… not interviewing, but the real screening
went on to see how people handled themselves in answering questions, and how
they thought on their feet, and what they were like when they had a few beers in
them, and those kinds of things were real important. There was a real sense of
operating, intuitively, from something that was a sense of community. At level
though I think there really was a real community. At another level there wasn't
because some people lived in Grand Rapids and some people live in Grand
Haven and it was always a joke from the beginning that there was the Grand
Haven group and the other group. And the sense of community was really
obvious when, I think, people from either the Grand Haven group or the other
group would wonder why they weren't invited to a particular event or I mean it
was a sense of being left out after the first year. You lived together so intensively
so you had a sense of loss, almost. So, I'm not…how did it happen… the original
meetings, past the administrative meetings, started including students. We would
meet in Lake Huron Hall, with one hundred and thirty, or forty, or however many
students there were in the student body, and there were these big town
meetings, or whatever. And no one really seemed to be really self-conscious
about that. Everybody seemed to sense it was an opportunity to speak up, to
become known in the community, to have your voice heard, to work things out, to
be in on the ground floor. And so, it was a really big community by the time
September rolled around, I think, of a hundred and forty or a hundred and fifty
people. And again, that whole group of a hundred and fifty people meeting every

�two weeks for a synoptic lecture series, meeting with the speakers, meeting in
small groups exchanging ideas. There was just a lot of interaction. It would be, I
guess I've used that example before, but it would be like the kinds of survival
courses that they do for inner-city kids during the summer when they send them
out to the wilderness, and they have to learn how to live together and talk to one
another. And in some ways the rest of the campus was a wilderness. Not many
of us went out and explored very much and talk to other people very much to
think there was more than enough to do in trying to get to know those hundred
and forty, or so, people that were right around you.
[Barbara]

Okay, that's at the beginning, that's a good [Inaudible] answer, but when I came
in or when the students who had been interviewing came in, that was much after
the beginning, and the community was still so very strong. What were some of
the mechanisms for that intensity?

[Paschke]

Well, I think the way council meetings went on were a mechanism. People could
still, not a hundred and forty anymore, but anyone could come and could either
contribute to or tie up a whole group of people for hours and hours in discussion.
That kind of continuing discussion was almost an addiction to discussion. I think
in the hiring that went on, everyone had their eye on one another. Again, a sense
that the people who are being hired could talk. I think the word of mouth spread
quickly among students. There were students all over Grand Rapids are who
were looking for a place like that to emerge and then when they found out about
it would come in. And they were sort of prepped already for that kind of
community life and expectations of interacting and contributing. We drew very
heavily on students, I think, from the Grand Rapids area who had been around,
who had been in other kinds of school, who were just ready for something like
that to happen.

[Barbara]

Let me change that shot. Nice. When we were doing hiring, it was, indeed, an
interesting experience where you really pushed people, to pushed all of
ourselves, but it seemed as though we all understood what the criteria were for
somebody we would hire and somebody who wasn't right. What the hell were
those criteria because we never talked about them explicitly. We never drew up a
list.

[Paschke]

Well, when I think about it now, the closest experience I have today is when I'm
talking to someone that's seventeen or eighteen and I can understand what
they're saying, with the part of me that hasn't gotten to be forty yet, I guess. A
part the of me that wants to break the rules, that doesn't want things to go on
forever in a really conventional way, to have people tell me what I have to do.
There's a part of me that resonates, even now, with, you know, seventeen-year/
sixteen-year-olds. People who are going through searches for self-identity, going
through, sort of, a personal crisis, trying to figure out who they are and what their

�voice means. I think everyone that came here, students and faculty, felt that way.
It partly had to do with coming off of the sixties, and where people were, and that
kind of stuff was in the air. And you didn't want to go sit in at the U of M, but you
wanted to be given a little peace that you can call your own; make something out
of it that really counted, that really made a difference. Idealism, I guess. And I
think we looked at people, and people who are sort of dreamers, and idealists
who weren't afraid to have dreams… weren't so worried that they might not be
practical dreams. That's a weird mix. That's a weird mix to have people… well on
the one hand, we're all very pragmatic, I think, too. People could all do things that
were very practical but were dreamers and idealists, in a way, I guess. And I
think you could… we thought we could recognize that in other people. People
came in… I remember one person… people we would interview, we would look
at their style of writing, and their letters, or other applications, that was one thing.
But when they came in, when we talked to them, if they seemed to have scripts
that they were running out, that didn't seem to work. If they weren't really
listening to us. If they didn't seem excited by what we were doing, it was sort of a
self-centered approach. This a really neat thing we have going on here and if
you're not excited about it you probably are not going to work out very well here. I
think age has something to do with it because I can think of one person in
particular who when we interviewed, we felt was quite a bit older than the other
people and felt would not have the same kind of vision. I can remember going
through something with that person. When I look back on it now I realize that we
put one another on the spot in ways that people probably would be mortified by if
they were interviewing at Old Kent Bank or some other corporation. I mean, we
asked some very personal kinds of things. I don't mean like: "What kind of pillow
do you use when you sleep?" About like: "What do you really think about
whatever religion?" Those kinds of questions. The kinds of questions that, you
know, when you're seventeen and eighteen you might spend all night, sitting
someplace, you know, smoking, and having intense discussions about… those
kinds of things usually drop off when people get into their twenties and thirties.
And they didn't drop off for the people that were around James, it seemed like.
[Barbara]

Do you… when you check that tape, would you go on…I think, to me, the follow
up to that has something to do with: we recruited the kinds of students we were.
Is there any way to get to that from what we've just been talking about. The misfit
thing that you said. We were recruiting in our own image, not only faculty but
students, we were talking about before.

[Paschke]

But the image didn't have anything to do with how we looked, I guess, but had to
do with how we felt, maybe, or how we thought. And I do think the people that
came to William James saw it was sort of like California, you know, in the
eighteen-hundreds or something. You would come to William James, thinking
that you would have an impact on it. Somehow your voice would be heard.
Something about a whole bunch of individuals, together. The similarity had to do

�with this idealism, or hopefulness, whatever words you want to use there, I think.
Kind of a youthful idealism. I don't think that we saw sought it… because we
didn't screen students the same way we screened faculty. Students would apply,
and they did write letters and things, and people did read those letters, but I don't
think everyone knew each student came in so well when they were first coming in
as they knew the other faculty. But there was something just about the same
thinking that would draw students who are a lot like the people who were doing
the thinking. We were, in many ways, if you think about the teaching style.
People who had gone through educations in which they were one of two hundred
people sitting in a lecture hall we're now sitting in a circle on the floor with a
bunch of people. And if an administrative person were to walk by, they might not
be able to single out who the faculty person was in the group, because the age
differences weren't really that great. They seemed big to me then, but I realize
now the difference between a seventeen-year-old, or an eighteen-year-old, and a
twenty-five-year, or a twenty-six-year-old, were really not that great. And so, we
looked a lot like the students, I think, and dressed a lot like the students. We
didn't have uniforms. And certainly, talked and taught like the students, in lots of
ways. So, it was a kind of a situation in which there was a community with faculty
and among faculty and students.
[Barbara]

Would we then, even if they hadn't closed us, would the mere fact that we all got
older have diminished the community?

[Paschke]

I think it could of. I think maybe it did, in some ways. You know, I think maybe
you can't go back to that kind of thing as an older person. But I don't know. We
did bring in older people. We brought in Leo Hurwitz, who obviously had a big
age difference. And people understood him, and he seemed to understand the
students. They're talking on the same wavelength. Like there has to be a part of
you that didn't grow up as far as, you know, totally buying into a really narrow
vision. You had to be curious and want to explore, you know. And you would
sense that in other people. A person could come in who was thirty years older, I
think, and you could understand within a short time, within a paragraph, that they
knew what you were talking about. They have been there themselves, maybe
never gotten out of it, in some ways.

[Barbara]

We're running out of tape.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Scott Troost
Date: 1984

[Troost]

My year was the first year that we still had draft numbers, but it was the first year
that it was clear that no one was going to be drafted. The year before me…

[Unknown]

After the lottery?

[Troost]

Yeah. Well, we had a lottery. My year had a lottery as a class of seventy-two in
high school. We had the lottery but when we had a lottery everyone knew that it
was not going to make a difference. By that time Nixon declared the war was
going to be pretty much phased out. The class before me there had been people
that were drafted. So, when I was in high school, I assumed that I was going to
have to face that issue. My brother who was two years older than me had to go
through it. Ended up getting a deferral from a friend who was a psychiatrist who
just gave him a psychological deferral. And so that really shaped my mind as far
as…

[Unknown]

This goes on a theory that I have and that is that in the later sixties and early
seventies there was a greater need for alternative colleges because of all the
returning vets and [inaudible], you know, that weren't accepted at traditional
colleges at that time.

[Troost]

Yeah.

[Unknown]

Do you want to say anything on that?

[Troost]

I don’t know what… I'm real surprised about the whole anti-nuclear movement,
about people I meet that are younger who seem to have a lot of social concerns.
And yet they don't have anything like a Vietnam to galvanize them. So, I don't
know. Maybe there is still a population out there of kids that grow up that for
whatever reason don't accept the standards and need some place where they
can go and not feel like they're the odd ball. And because it seems like there is
still a significant group out there that have that feeling.

[Unknown]

Definitely a minority.

[Troost]

Definitely a minority. Though when you look at the… after the end of the Vietnam
War, a lot of people that were protesting ended up going back to the fold. The

�fact that the student population became Republican quite quickly, gave some
indication that for a lot of those people, it didn't stick. Whatever it was they were
feeling in the sixties, once Vietnam was over with, they went back to being pretty
much typical students.
[Unknown]

Yeah, the cause was [inaudible].

[Troost]

I remember I couldn't… I remember being so surprised to meet someone my age
who was racist. Because I thought to myself, "Well, that was something we
figured out." We figured out in the sixties that racism was bad. And so, anyone
my age should know that. I mean they went through all that, they should know
that they can't tell a racist joke and that's bad to do. And yet here they are doing
it. Where were they during that time? How come that didn't have the same effect
that it had on me.

[Unknown]

Yeah. Well and I'm twenty-six, and I'm probably the last generation, or near the
last generation that knew what was happening…

[Troost]

Oh yeah, you’re real close to being at the end of that.

[Unknown]

Yeah. And I think I’m one of the few “long hairs” that’s still left of that generation.

[Troost]

Well, now if you have long hair it's more indicative that you're conservative and
kind of a redneck. I mean, I'm scared of “long hairs” now. Like, ooh, watch out for
that guy, I'm sure he's violent.

[Unknown]

Okay, well let’s roll video.

[Troost]

Okay. Now you're going to be… were just going to be conversing?

[Unknown]

Yeah, it's the same thing. Just roll video. Is video rolling? Alright. I’m going to wait
a few seconds to get to the video. [Inaudible]

[Troost]

Okay.

[Unknown]

So, you studied Arts and Media also?

[Troost]

Well, I studied Arts and Media, I took some dance classes, I took one design
class. I just, I really literally sat down. All the milestone things they were just
phasing in when I was graduating and so I didn't have to do any of that while I
was at [William James]. I sat down in the last week and just juggled around all
the classes and thought, "Hey, I can get a double major here.” And so that's what
I did.

�[Unknown]

That's funny. You know, I got away with that, too. See, I never graduated.

[Troost]

So, you didn't have to…

[Unknown]

Well, I kept on not doing my milestone and they would either not ask me about it
or they would change the rules while I was still under it. "Well, you should have
done that four terms ago." Well, I didn't do it. "Well, don’t worry about that.”

[Troost]

Well, the greatest thing about Grand Valley was that because it was cluster
colleges, whenever there was a screw up, they always assumed they had
screwed up. Whenever I'd go into the records office and they would say, "Well,
we don't have that." Or when I was trying to get something, I'd say: "Well, it
should be there." They would say, "Well, we probably lost it." The assumed they
lost it. I was so shocked when I went to the University of Iowa where it's a
monolithic structure and so I went in and said, "Well, I already paid that." And
they said, "No, you didn’t." I said, "Well, can I get in anyway?" They said, "No,
you’ve got to pay right now." Where at Grand Valley it was, "Oh yeah, go ahead,
go ahead, you're in.”

[Unknown]

Okay, from the top. What drew you into William James College and West
Michigan and how did you get to there?

[Troost]

Well, I grew up in Oklahoma and went through high school and did the whole
thing there. I was a child during the sixties and the Vietnam thing. I had a draft
number, though I wasn't drafted. By that time the war was coming to a close. And
so, when I was out of high school, I was hot for experimental education. Also, the
schools I applied to had turned me down because I had been rebellious my
senior year and dropped all my grades. So, I wandered around for a while. I was
out in California in a small junior college out there. I went overseas on a program
called Experiment in International Living in Denmark. And while I was there, I met
a woman, Sally Norquist, who said: "Well, I'm going to a small experimental
college in West Michigan called 'Thomas Jefferson College.'" This was the first
time I heard about it, even though I had looked at literature about experimental
colleges. Never- the name of James never came up. But at that point, Thomas
Jefferson had a national reputation among a small group of people. It also was
attractive that it was a public institution and was quite cheap compared to a lot of
the other experimental colleges I investigated. And I said: "Well, that sounds
great." So, I followed her to Grand Rapids and set up household with her and
some other people and started taking classes at Thomas Jefferson. To find out
then that there was a cluster college there, several cluster colleges, one of which
was William James College. The first time I heard about William James was one
of my housemates, Paulette Rosen, came home and said that she just started
taking this class with this professor named Stephen Rowe, Ethical Problems and
Perspectives. And she thought it was the best class she had ever taken, that he

�was a wonderful professor. She also was in love with one of the other students in
the class, which made her even rave more about the class. And that whetted my
appetite to see what he was like. At that time, the classes I was taking at Thomas
Jefferson weren't that exciting to me. About that time the only thing I did at that
point was to sponsor a class myself in how to throw the Frisbee. Which fit in the
curriculum about as well as anything else fit in. I also did learn how to deliver a
baby in my Pregnancy and Birth class at Thomas Jefferson and if anyone ever
needs that help from me, I can perform that. So, there were a few things I
learned about how [?] shares in the work of some value but I started taking
classes with Stephen and found him just to be a wonderful professor, and loved
his ideas, and his conversation, and the way he conducted his class. I eventually
got hooked in with Barry Castro and had the same experience with him and I
found a little niche there. The thing that I remember when I first got to Grand
Valley was that someone said: "Well, you go to Thomas Jefferson College to get
your shit together and once you've got your shit together then you go to William
James." And that seemed to fit my experience also.
[Unknown]

So, how was William James different than Thomas Jefferson, in the people and
the classes and also from other traditional schools?

[Troost]

Well, the thing that- the main thing, the difference between Thomas Jefferson
and William James that I found was that the people at Thomas Jefferson seem to
be… the main mode there seem to be emotional. People were passionate about
this, about that, and it worked quite well for things like dance, and theater, and
other arts activities. But there was very little thought, there wasn't a lot of respect
for conversation, there was a lack of focus at Thomas Jefferson, or there was an
attempt to find focus that it never seemed they were able to find. And what I
found at William James was a celebration of ideas and thinking, at least in the
classes that I took the professors I took classes with. And the students seem to
be serious about studying, about thinking, about issues, about broader themes,
about being synoptic, to use the word that we all have to use at least once if were
William James alumnus. And the other thing I found that was… that the
difference between William James and more traditional schools I went to was
that I had always felt like an oddball or a rabble at the more traditional colleges.
And I didn't like that role. I would play it and I started… I wasn't taking myself as
seriously. And William James College was the first place that I could take myself
seriously and that other people would, too. And that I wasn't the oddball in the
class or the rebel in the class. I usually was probably one of the more
conservative people in the class. I could say things on my mind and not have
them laughed at or have to be defensive about them. And I love to talk. I love to
be in a classroom, and talk, and engage with people and it was a perfect place
for that. I found a little niche there. And I was not able to find that at other
colleges. And it seemed like William James was set up to allow people to find
niches. People that didn't fit in other places, they could come there and find a

�niche. And that's how I found it different.
[Unknown]

Okay. What of the education? Was it a good general education? A good liberal
education? How would you rate with other traditional colleges?

[Troost]

Well, I was a self-motivator. Once I find something that I enjoy, I usually work
quite hard at it. And so, I studied very hard at William James. I remember a class
I took during the College of Arts and Sciences, this is after a couple of years at
William James, and it was an Environmental Studies class, and it was one credit
class, and the professor was not going to be there one day, and it was a
discussion class. And he, by that point I had been the one that had been talking
most the time, and so he suggested that I'd be the moderator for the next class,
when he was going to be gone. And I showed up that day and no one else was
there. Once when the professor wasn't there that means there wasn't a class, in
their minds, even though they knew it was scheduled. And yet for me it was a lost
opportunity to talk more about the environment and what the issue was in the
class. And I found that kind of thinking and serious study was as rigorous as any
other place that I went. And was certainly for helping me to think creatively, it was
as good as education as I could find. Because other people that I met that would
come through traditional schools didn't do that. All they wanted to know was what
was expected of them and then that's what they would do. Now I didn't do that
very well, and I found that would be a problem later on as that once I got back
and I went to law school after Grand Valley, and it was back in traditional
structure that didn't work very well for me. The kind of stuff that I had learned at
William James.

[Unknown]

How is that education regarded at any other traditional?

[Troost]

Well, most people don't ask you or don't care too much where you've gone to
school. I went to University of Iowa Law School and they didn't know Grand
Valley from Adam. Or certainly never heard of William James College. So, it was
only after I told him, which I told him quite frequently that I had gone to the
experimental college, and that I had gone to William James College, that it was a
special place, and I wore my T-shirt, and I was having articles written by Stephen
and other professors that I was willing to hand out at the least provocation. So, I
made sure that people knew that I'd been to a different place, and that it was
unique, and that it had given me a whole different view of the world that they
should also have. I proselytize quite a bit when I first left William James. But I
found that most people didn't have a very clear conception of what that kind of
education would be like and it was business as usual for them. They were in law
school and there were more pressing matters to be worried about.

[Unknown]

I'd like you to say a little bit about the role of the educational community out there
in the support [inaudible]. A statement on that.

�[Troost]

In terms of the educational community of William…

[Unknown]

Of students, and how that was unique.

[Troost]

Well, I don't… in Grand Rapids it's rare that I don't meet someone that hasn't
been to William James. It seems like every time I meet someone in some field
either they were at Wayne James, or the person they're married to went to
William James. And there's an immediate sense of community there. Even
though we might… even though I usually don't know them. And I find that ironic
that I went to a school as small as William James and I know very few people
from Wayne James. I mentioned when we were talking before the tape started
that when I graduated in seventy-seven, I got to graduation and there was the
little room full of William James graduates and I didn't know a single student. I
had to introduce myself to everybody, and everybody had to introduce
themselves… they didn't know me. And here was a school that was, I think, sixhundred people and I had been there for two or three years, and I didn't know a
single person I graduated with. And yet there was that sense of then, and when I
meet people now, that there is a community of people and a support for, again,
for being a little bit different. And accepting that. And certainly, I think there are
certain values implied, usually more liberal. Though I'm sure that's not always the
case, but you can… you don't have to apologize about not voting for Reagan.
Things like that.

[Unknown]

Can we talk a little bit about… I'm taking off my notes right now.

[Troost]

Sure.

[Unknown]

Can you talk a little bit about the language.

[Troost]

Yeah, well that was one thing when I… a frustration I found when I left the
William James community was that we had developed a very specialized
language there, especially in the Social Relations group. I don't know… I don't
know about the other groups, whether they had their own language.

[Unknown]

I'm sure they did.

[Troost]

I'm sure they sure did. It just didn't translate. I remember giving a group of very
good friends at law school – who also seemed to share most of the values that I
shared - an article by Stephen. They didn't understand. They didn't… I mean they
literally couldn't understand what it was about. And for me it was… it summed up
my complete experience at William James. I could read that, or I can read that
article and it said exactly what I felt about the world. And yet for them it was
mishmash. And so, I had to try to figure out ways see to translate what I learned

�of William James, or just give it up entirely. I finally stopped talking about it
because I couldn't find ways to bridge that language gap. And it was also… the
other thing about the language that I learned William James was it was mostly a
language of ideas and thinking to the exclusion of emotions and that sort of thing.
Now I know that there were some other classes, I know Dick Gottlieb in Social
Work paid a lot of attention to that, but I'd never had any classes with Dick. And
so, for me, I had a whole language of ideas and I didn't have much language of
emotions. And that got me in trouble because I think I started assuming that
things that were happening to me had more to do with my thinking than with what
was going on emotionally with me. And as I later found out, that wasn't always
the case. The decision to going to law had a lot of emotional reasons. My father
wanted me to do it, my parents were getting divorced at the time, and I needed
some stability. There were lots of emotional things that were happening to me
when I made the decision to go to law school that I never talked about. And I was
able to, with ideas and thoughts, rationalize why I should go law school, when
really that was not the reason I was going. I was going because my father
wanted me to go and because I needed some stability in my life. Now I'm going
into theater, which seems to get much closer to my heart and what I should be
doing. But it took me a long time to realize like that. And I had to… I didn't learn
that at William James. I'm of the opinion now, thinking back to that age, that I
probably needed a lot more than just William James College at that point in my
life. I needed a therapist; I needed a vocational counselor. And I was under the
mistaken impression that I could get all of that at William James. And I think that
was probably a problem William James had is it held itself out to be more than it
should be, or could be. What I needed a teacher to say to me was: “That's
something you need to deal with a counselor, and I can't do it here for you." But
we had this idea that William James is a community. We could talk and deal with
all sorts of intimate issues. And maybe we could… maybe we were a bit more
ambitious than we should've been with that.
[Unknown]

Yeah, I've heard it criticized because of the fact that you develop, you know, a
surrogate family, more or less while you're in college. And the four years, and
you're out and back into your reality, as you know, is completely shaken up. Your
friends are gone, you know, everybody you can relate to. And the language
barrier. That kind of closure I think, do you think, perhaps that was one of the
things that didn't work for the college?

[Troost]

Well, the thing is… the thing that worked for me was the challenge to remain
alive and remain thinking. And to initiate thought for myself. And that's something
that has stayed with me as a strength for me. It sometimes trapped me. Like I
said, there were certain emotional things that I didn't have a handle on, and I trap
myself by my idea and my thinking. But at least I kept thinking and kept
questioning things. And that's something I still hang onto and it's something I
think I got from William James or least I got strengthened by William James. To

�feel like that was okay to think for myself and not accept what was going on, what
the status quo was. I was going to say something else, but I forget now.
[Unknown]

Why is that…

[Troost]

Oh! The community of… the community people. There was a whole group of us
that ended up moving out to Lake Michigan in Grand Haven for school year and it
was a wonderful and horrible experience. It was this whole idealism that we could
establish this community for ourselves and be self-sufficient. We even talked, at
a point, where maybe we didn't have to go into Grand Valley, we could just do
our education there among ourselves. And by the end of the year, we had come
apart at the seams. It had gotten quite incestuous. People went from one couple
group to another. I mean people… so and so and so and so split up, and then
these two people started sleeping together. And people started checking out,
emotionally. And it was a… it ended up being a very painful experience. Though
when we started it, we were full of idealism and we had some wonderful times
together. And it's an experience that still feels strong to me, that it is possible,
you know, in moments to find that kind of community among people. And so, I
still take that with me. I think in the end, I am still a committed idealist, even
though I have longer periods of cynicism now I have to weather. I think deep
down, my hunch is for most William James students, they didn't lose that. They
got a little more tempered by the society, maybe they’re a little more reluctant to
talk about it now, and they're certainly a little more cautious about jumping into
things. But deep down there's still that idealism that they have.

[Unknown]

Looking for things that perhaps didn't work and, you know, perhaps tie that in
with the demise of the college. You talked a little bit about early how you felt too
much was paid to, perhaps, the pragmatic rational attitudes than not to the
emotional attitude. And you also talked about how there's a [inaudible] that's
going to be made after the closing because William James…

[Troost]

Well, I remember when they announced the closing of Thomas Jefferson College
it certainly seemed that the trend was going away from a cluster college concept.
And that Lubbers, who initially seemed to embrace the idea, had lost his
enthusiasm for it and was starting to become convinced that there was a need to
make a more university type setting. And if that's the case, then William James
would've had to radically change to continue to exist within that university
structure. So that if a stand was to be made, it should've been made back when
they closed the first cluster college. Even though at that time I think Thomas
Jefferson College just had tremendous problems and had no educational
philosophy that was working and had not worked. But it also seemed that the die
was cast. And I'm sure everyone has their opinion about why they closed William
James College and mine is as valid or no more valid than anyone else's. But I
don't feel like we have much to do with that, that we had much power over that

�decision. I think once the decision was made at the higher levels that it was a
political decision that we couldn't have changed. We might've been able to make
more of a fuss about it or embarrassed Grand Valley more about it but my hunch
is that the trend towards a cluster college at Grand Valley had run its course and
was not going to be supporting any longer.
[Unknown]

We talked about the constitution of the William James student base. Too much
idealism, not enough idealism, too much rationalism, too much -isms

[Troost]

Too many -isms.

[Unknown]

Yeah. You know, I want to get a good picture of that because I think that was one
of the points that led to the demise that people were always reacting [inaudible]
perhaps emotional.

[Troost]

Well, for me, what worked for William James – and I suspect worked for most
William James students – is the relationship with the professors and the
classroom work they did. It seemed like people that were there found a
comfortable niche of two or three professors that they took most of their classes
from and of a subject matter that they studied. Beyond that, I'm not sure if the
institution worked for the student in any other way. I know they have the council
meetings, but I never figured out what they were talking about at council
meetings. I didn't go to very many. I was fairly antisocial in terms of the larger
structure at William James. I suspect that was the case for most William James
students. So that the power structure or what happened beyond the classroom
level was really left up, principally, to the administrators and the faculty. I don't
know enough about the politics of what happened among the faculty when things
were coming apart, to know what happened or didn't happen. Whether the faculty
could have taken certain stands or could have pressured certain people, I don't
know. It's beyond me. I think for the students, though, I never had a sense that
we had much to say about how William James worked, and certainly not about
how William James worked in the Grand Valley community… Grand Valley State
Colleges as a whole. The student I found there, like me, loved to talk. They were,
in some ways, pretty conservative folks. Thomas Jefferson College were just
wild. I mean, they were fun; they were wonderful. It was exactly the kind of
people you should be around for part of your little liberal education because they
really were willing to expand and try things that have never been tried. William
James students, on the other hand, though, we're much more willing to talk and
to think. And yet there was as basic conservatism, even though most of the
values we had and talked about were quite liberal. I think they came from a much
more conservative place in us. And certainly, for me I felt that way. I wasn't
radical or liberal because I had this expansive view of the world, it was because
certain things didn't make sense. I thought about the way our structure was… the
way our society was structured, and it didn't work right. And I thought: "Well,

�that's not right." I mean they came from thinking about these things. And that's a
fairly conservative type of view of the world, where you just see contradiction. It's
interesting, I found that in Denmark, which is usually considered a very liberal
country and very, you know, socialistic country, that the people there, basically,
were very, very conservative people. They just see things that don't make sense
and so they change that. And I had a sense in William James that was more the
way people thought. I admit that sometimes people seemed a little dull, but I
certainly didn't… I certainly liked… that was the place that I found for myself and I
liked, even though I kept playing Frisbee, and I had my hair long, and did all
those things. And I had… it was like a duality for me. I regretted that TJC didn't
work, but certainly found a home for myself at William James.
[Unknown]

Okay, got some wrap up questions here. We got most of them. Is there anything
else you want to throw out?

[Troost]

I don't think so.

[Unknown]

Okay. How would you describe William James to another person?

[Troost]

Oh, God. William James College to another person.

[Unknown]

Somebody that doesn't know about William James, and you're talking about it.

[Troost]

I would tell them it was a small college among a cluster of colleges near Grand
Rapids, Michigan, that had a very dedicated faculty. And that were dedicated to
thinking and liberal education, and that found a student body who are committed,
or willing to commit themselves to the same thing. And that attracted students,
and I suspect faculty, who have not fit in other places very well. And yet were not
radical in fundamental senses, but basically misunderstood or just needed a
place where they felt more comfortable and were among peers that they could
share things with. And that for a period of time there was created a community of
people who could talk and think in the way that they'd always felt. And it was a
worthwhile experiment. And it was probably an educational tool but that's still
needed. I don't think it was a product of the sixties, I think there was a viable
philosophy that was going on there that still can appeal to a certain segment of
kids graduating from high school. Kids that don't quite feel accepted, or have
different ideas, or want to seriously talk about the world and questions
fundamental things in the world. You know, I think William James was the perfect
place for that. The whole emphasis at William James about career education was
not so much the thing for me. I did an internship, I did all that sort of thing, that
was not as important to me as the whole celebration of ideas that I found at
William James.

[Unknown]

Okay, good. Okay, so [inaudible] question.

�[Troost]

Okay.

[Unknown]

What is the essence, you know, the bottom-line essence, using, you know, a
couple words, bottom line, the essence of William James College? You know,
take a minute to think.

[Troost]

Bottom line essence of William James College?

[Unknown]

You know, what was it? That's one of the big questions everybody asks. What
was William James, really?

[Troost]

Blue. I don't know I have to make a joke because it's an important question and I
can't think of anything to say about it. It, for me… I'm going to say…I'm going to
make… I'm going to do an intellectual answer. I wish I could come up with
emotional response to that and I can't. And it's unfortunate because I think I
could come up with a better answer if it was emotional. The intellectual thing I
was going to say was that it was the conversation was the essence. That I found
people to converse with for perhaps the first time in my education. And maybe
last time in my education. And that was liberating to me. That had a liberating
effect on me. The idea that I could converse with faculty and with other students
and have a true conversation in the broadest sense of the word was, for me, the
essence of William James College.

[Unknown]

Great. She's been telling everyone the response to the question [inaudible].

[Troost]

Yeah, I wish you… like I said, I wish I could come up with something that was
more from the heart, an image or something. I can't come up with an image.

[Unknown]

Well, maybe that wasn't the essence.

[Troost]

Whatever it is, it's the image, I mean when I think of William James I think of a
classroom. I think of either Stephen or Barry talking. A lot. Because they both
love to talk. And yet in a way that included the students. And talking about
fundamental things. And not being afraid to do that. Not being afraid to spend
time talking about very fundamental questions, and speculating about the world,
and being able to entertain any question and talk about it in a serious manner.
That's the image I have of William James College. I don't… the rest of it seems to
be blurry. That's why it's always embarrassing to me when people ask me about
William James because I like… I can't tell them about council meetings, I can't
tell them about what it was… what was happening in other niches in the in the
college. There's not many professors that I know. There's not many other
students that I know. I just know I know those classrooms and what happened in
those. And that there was something magical, for me, in those moments, in those

�classes. And Stephen and Barry and sometimes other professors, seemed to be
able to create a magic for me that just was explosive. I was in seventh heaven
when I discovered them. I thought: "This is education. I finally found education."
And I knew that it was there. I knew, in high school, and in the first colleges I
went to, I knew that that was not something that was happening, that could
happen. And when I found it, I went: "Aha! I was right all along." I suspected that
you could do this, this was possible to have a conversation like this. So that
was…
[Unknown]

Okay. Did you have class with [inaudible]?

[Troost]

No. Same way? Same kind of feeling?

[Unknown]

Yeah just real involved. He was the only person I saw…

[Troost]

He taught music, didn't he?

[Unknown]

Yeah. He's the only person I ever saw talk to everybody personally, and to the
whole class at the same time. Every time he talked, you thought he was talking to
you. Not at the blackboard, not at the class as a whole. It was just real good. The
instructors, I think that's the essence also.

[Troost]

Yeah. And maybe that's the best thing a college can offer people is a good core
of the professors that you can find one or more that you can use the mentor. And
maybe that's all William James really needed to have done. Maybe the other stuff
they tried to do was more ambitious than it needed to. I was not unhappy with my
education at all at William James, even though I kept suspecting I should be. I
kept thinking, you know, I'm not at council meetings, I should be there. I am not
really a William James student unless I'm doing all this synoptic stuff. But in fact I
was happy with the classes I was taking. And someone said: "That's all you need
to do." I was like: "This is great, I don't want to do anything else. I just want to
study with these people."

[Unknown]

Great. Anything else?

[Troost]

I can't think of anything.

[Unknown]

Okay. Good.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Margaret Proctor
Date: 1984
Part: 2 of 2

[Barbara]

Let’s get started. If you had to sum up the essence of William James College in a
sentence or two, what would you pull out of it?

[Proctor]

Well, there are two things really. I guess a liberal education for a practical world
and that doesn't really say it very well. I think the liberal education is extremely
important and for graduates I've talked to it was and it made them much broader
and better workers in the real world. And that combined with the – you might say
– more practical, real life education they got here was really what it's about. And
the two were not separate because the liberal fed into the practical. And the other
thing would be the sense of community. Which I think helped, well, more than
helped, it was part of the education and made them able to go out into the world
and be entitled, as Barry Castro used that term. I was going to talk about that
more in another question, though. But the sense of community.

[Barbara]

Have you had any feedback from people who have gone out in the world and
have been so disturbed by the lack of community out in the world that they’ve,
essentially, blown their education? Have you ever had that?

[Proctor]

No, I haven't. I keep hearing that that must happen. I haven't had that from
anybody.

[Barbara]

Would you talk about the liberal education aspect of James and the liberal
studies program now. Is that a direct outgrowth but what's the difference?

[Proctor]

It is a direct outgrowth. It really is. When we knew that James was going to
close… I was talking with Barry Castro in the hall, and he said, "Why don't we get
a bunch of people on campus – James people, but other people on campus –
who’d be interested in liberal studies." We had a liberal studies major, you see, at
the time he said, "Why can't we keep the liberal studies major going?" Well,
actually, I'm not sure he even said the major. We got together… let me back
here. Let me back up.

[Barbara]

Yeah. Start the question again.

[Proctor]

Okay.

�[Barbara]

Start it again.

[Proctor]

It is a direct outgrowth of James. Not of the liberal studies program, per se, but of
James. Let me start over again. I need to figure out how I'm going to start this. It
really is a direct outgrowth of the James idea of a liberal education. We had a
Liberal Studies major here already, but that wasn't the main thing. What
happened is by chance. Barry Castro and I started talking in the hall one day and
he said, 'Why don't we get together a liberal studies committee and keep liberal
studies – liberal education – going at Grand Valley. Not using just James people,
but other people on campus who support a broad liberal education." So, he came
up with some names out of what was going to be the divisions. And we said,
"Hey, yeah, Bill Balm. Hey, yeah, this person and that person. Hey, yeah." And
so, we just handpicked the committee. [Laughter] And I don't know how… that's
right, I chaired the liberal studies program here, so I happened to chair it. And we
called up the people and just said, "Do you want to meet?" And we met. I said,
"We want to keep this program going." They wanted to keep it going and we
started meeting. We had about fifteen people, twenty people. And it started to get
kind of official because it became clear after talking to Glenn that we could keep
the problem going. He did want to keep going. And so, the committee got cut
down in size for a while, and now it's back up to what it was because we decided
it was too small. But what happened, as it turns out, there's a lot of people at
Grand Valley – not the majority, but a lot of people – who really do want this kind
of education. And they were tucked in out there in the various departments and a
very fine bunch of people. I think if we tried to do it with only James people it
wouldn't have worked because it would've been seen as a James thing. And now
this thing is firmly in place. There's a William James synoptic speaker every year,
through the Liberal Studies program, there's Liberal Studies majors from all over
the campus. The various people in their departments kind of find people who
want to have a little broader education than just the narrow. And they take a
certain number of courses maybe in that major. But, for instance, in business.
Barry recruits them like crazy in business. A number of people who want to get
the business courses but don't want a very strict business major and have some
broader interests. He says, "Well, maybe a Liberal Studies major is the thing for
you." And they get an individualized program, and a very broad program, and
they get their business courses, too. And it's working. There's not tons of
students in it, but it's working, and the faculty are working together. It's going very
well.

[Barbara]

It sounds wonderful.

[Proctor]

Yeah, it is!

[Barbara]

I'm envious.

�[Proctor]

[Laughter] I made sure I stayed on the committee. I wouldn't let anybody kick me
off after Steve Rowe became chairman. It's one of the more… actually, I consider
it one of the most important things around here. I really am excited about it.

[Barbara]

Does this at all actually go into the discussion you wanted to have about study
plans?

[Proctor]

Yes. One thing that struck me at William James… the thing I was worried about
most with the breakup of William James was that the education of the students
would become very compartmentalized. And they would take a course in
sociology, and a course in history, and a course in mathematics, and they'd study
for the exam, and ten weeks later, two weeks later, it would be gone, and they'd
get out, and they wouldn't connect the things. And they would think that the
major, especially with the tone in the United States now, they would think the
major was the only important thing and the rest was just, kind of, you had to take
it. And you see as Liberal Studies [?], I had read an awful lot of study plans. And
after about a year of reading them I realized, too, you know, what a traditional
education looks like having had one, and knowing what the distribution
requirement was in CAS at the time. And I remember telling people at the time,
after about a year of reading study plans, I remember getting very excited saying,
"My golly, some people…" The idea is, maybe, that this college has too much
individualized instruction, people take what they want only, and they're too
narrow, and they take only subject courses in their major, very technical subjects
and they end up with too technical an education at William James. That's just not
true. And my estimate, you know, very rough, was that two thirds of the students
get a broader education than they would – a more interesting education, in terms
of the types of course they took – than they would let’s say in CAS, or a
traditional distribution where… because I actually looked at the number of credits
they were taking in Liberal Studies and at least two thirds of the cases they were
more beyond the requirement. Which was already higher, I think, than CAS. But
they didn't just take what they had to take, like, they knew they had, if they were
a media major, they didn't think: "Oh I have to take a course in sociology, so I'll
take media in society just to get by." They didn't do that. They would take,
maybe, two or three courses in sociology or resembling that, or something about
the Arab World, or a lot of totally unconnected things. And they would get… you
could tell they would get interested in these things and would pursue them for a
while. Several courses in other fields unrelated, supposedly, unrelated to their
own. And I got very excited in reading these study plans. I would say a third of
them were really good – that type I've been talking about. Another third were
better than the CAS equivalent. Another third were kind of just… they were the
ones who wanted to squeak by. So, you know, but I was impressed and I think
that was a loss that we don't have that anymore.

[Barbara]

I know you made a reference, just now, to the fact that you had quite a traditional

�education yourself. Let me just change the shot here, sorry. And I was wondering
how you came to be teaching at such an untraditional kind of place.
[Proctor]

Well [laughter] it was by accident. I met Robert Mayberry on a Greyhound bus
and there was only a window seat available, and Robert Mayberry doesn't like to
sit by the window I found out later. He doesn't like airplanes either. Anyway, there
was one window seat on the whole bus, and I asked if I could have it and the
gentleman next to me said, "Fine." So, he was reading a book on wines and I
was interested in that and I had pulled out an article on oral literature in Africa
and he kind of looked over my shoulder and he was interested in that. So, we got
talking and he said that he taught at Grand Valley and… actually he didn't say,
he said he taught at William James College. And I said, "Oh" and we got talking
about that and I was teaching in Chicago at the time. We got talking about black
English, which I been studying, and he said, Why don't you come up and talk to
us?" Because I had started to look for jobs in this area. And I said, "Fine." So, I
came up and talked and that was an informal interview, and then there was a
formal interview. And there I was. So, kind of by accident. I would've accepted a
traditional job in this area if it had come about. My husband was teaching at
Hope College at the time. I ended up here and I didn't have any problem coming
here, the teaching is the main thing to me. And the working with the students,
and some sense of community I wanted. I didn't want just isolation from
everybody. But I had no problem coming here; I didn't feel any problems. And
there was one thing that happened, I remember, in the interview. I remember
saying to Adrian at the time, that I would accept a job except that I wanted her to
realize that I wouldn't be here twenty-four hours a day, as some of the people
seem to be. That was a time I think of transition in the college where it had been
very intensive and people had been putting their whole lives into the college,
there were divorces, there were all kinds of problems. And I could see that in
some of the people that interviewed me, that they wanted that commitment and I
told her straight up front, "If you want to hire me, I won't make that. I will be here
the four or five days a week, but I have a family and I'm not going to mess that
up, and I don't want to anyway. It's not me to be." So that aspect. But then after I
came, people seemed to be, you might say, moving my right direction. I'm not
saying because of me, but there was a move away from the totally intensive,
twenty-four hour a day, seven day a week thing. That was the only thing that
might have kept me from taking the job. Once here I was very comfortable. I had
no… I think part of what made a difference, I think, in my own education –
probably in high school and in college, certainly in elementary school – I had a
sense of community with the people I was being educated with and with the
teachers. Not as much in graduate school, but certainly in college. And that's
what was important about William James. And I think wasn't as true in the larger
Grand Valley and in a lot of more traditional big schools. I had gone to a small
school and I wasn’t actually always part of the community of my small school, but
I knew it existed and in the long run I am. I think… well the other thing is more an

�answer to another question. I don't know if you want to get into that now,
Barbara.
[Barbara]

Well, I don't know what you are about to say. [Laughter]

[Proctor]

Well, okay, I'll get into it now and then we can do it over if you want. Where are
we here? I think the sense of community – well I mentioned it earlier – is one of
the things...

[Barbara]

Okay, start that over.

[Proctor]

Start that over. Okay. I think the sense of community – which I realized only after
a few years James – is extremely important to the education. Because Barry
Castro came up with a term for it, he came up with the term, "entitlement," where
students come in and instead of receiving an education from the professor…
[phone rings] I think I'll leave the phone… instead of receiving an education from
the professor, they… well, I'll answer it. It's bothering me, I can't go on. Margret
Proctor? Yes.

[Proctor]

Go ahead.

[Barbara]

Okay, let me make sure my framing… oh, it's still beautiful.

[Proctor]

Okay.

[Barbara]

Just go ahead.

[Proctor]

Well, anyway, how I happen… why I seem to fit in here, I think – or had no
problem, even came to like it much better than a traditional college – was the
sense of community. And I realized after about a year here that I had had that in
my education; a sense of community. And that, maybe, a lot of the students who
normally come to a school like Grand Valley don't because they're of a different
social class, different group, different… they're outsiders, they're not part of the of
the academic world, or even the professional world. And they're coming here to
receive an education from the professor and to go out and try and get a good job.
But what I had had in elementary school, and in high school, and in college… I
went to a small college, Wellesley College, it was a fairly small college. I wasn't
totally part of that Wellesley community, but I did afterwards, years afterwards, I
knew that it wasn't just the information and the courses I learned, but because
the professors there saw me as someone who would become like them. Not a
professor, necessarily, but was of their same group. Was an intellectual equal, or
almost anyway, something on the… where there was a real conversation going
on. And I had that in high school, pretty much in elementary school, I'd been part
of the group you might say. And after a while here and after having taught in

�Chicago, too, at a ghetto college, essentially, where that was not so true. Where
the faculty, though many tried, there wasn't a concerted effort by the faculty.
Although individuals tried, there wasn't a concerted effort by the faculty to make it
a place of community. But this place gave students the opportunity to become
part of the mainstream, you might say. The main… people who are going to go
out… and Barry Castro used the term “entitlement” or “entitled.” They would
become those who were expected. Yes, you are on an equal basis with us,
intellectually, at least you know you don't know as much, but you're learning, and
you will go out and do these things. You're becoming part almost of a different
social class. I think of it in class terms, actually. You're changing social class.
And I saw that in students and I’ve talked to them since graduation. And that did
happen very drastically with them. And I just know it wouldn't have happened
with a traditional education. They might have dropped out of it, they might've
stayed with it and gotten low level jobs and been bored. And many, many
students – the ones for whom this education was most successful – are the ones
who became part of the William James community. And with faculty and other
students, were changed – their lives were changed. They didn't just get courses
that taught them information, their lives were changed. And I hadn't had such a
drastic change in my own life because I was already part of that when I was born,
you might say, or the way I was brought up. But for them it was very moving. It
was a change. It was a change.
[Barbara]

I'm going to stop you for a minute because the tape will run out within the next
minute and I don't want to be in the middle of a…

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Sanford Fried
Date: 1984
Part: 2 of 2

[Barbara]

Yeah, but sometimes we were not as interdisciplinary as we thought we were.
And then when we were talking the other day in the co-op, we started talking
about the way the process of learning really worked was not so much that you
just took from everybody, but that you…something else. So, describe it.

[Fried]

Oh, how we took from the few, the mentor…the mentor thing?

[Barbara]

Yeah.

[Fried]

Well, one of the problems about what was good at James was that there were
many good people. And as you got over your, kind of, freshman fright, and
started to see what the value of the resources there were, you knew there were a
lot of people that you wanted to study with and then came the time problem, you
know? How long were you going to be an undergrad student? And it would take
you ten years to study with everybody. So, you gravitated towards those people
who were most important in your field, or who had the most to say to you, in
terms of your own human development. And I think that the mentor idea worked
real well in James. And I hope it works in other colleges. I'm not that familiar with
other colleges to know. But by going with mentors, of course, the problem is that
you sound like them, you start to look like them, you… in some cases you may
start living with them. And that just becomes awkward because then you’ve got to
go through this embryonic process to get rid of it, you know? And you’ve got to
shed it and become your own. You know, I was affected by that because I was
affected by some people who aren’t there anymore. They were there at the time.
And it affected me good, and it affected me real harshly, as well. And I had a lot
of things to go through with that, personally. I think interdisciplinary… in the
interdisciplinary method that we would like to talk about there, at James, we
couldn't always do it the way the catalog listed it. It always looked so good in a
catalog, and all those people in those pictures always looked so interested, you
know? And I still find myself looking at those pictures now and then and thinking:
"Gee that would have been a great place to go to, I wish I went." [Laughter] But it
was happening for us, in our own way, you know? After about my first year, when
I started to realize what was going on there. I always maintain that this college
works best for the people who do their bit to get out what they want to get out of
it. And if you're passive, your education is passive. In the way of getting a
crossbreeding of disciplines – that won't happen for passive student, you know?

�Or a passive individual. That only happens to people who are going to say: “I
demand that because I refuse to work through life any other way. I refuse for my
career to be in a very strict mode." And that wasn't all of us, you know, that didn't
work for all of us that way. Some people, you know, James wasn't for everybody.
We all knew that. And in the same way, some people who were employed there
– the faculty – weren’t for everybody as well. You had to have good direction to
get the interdisciplinary aspects. And when it didn't work, maybe it was advising,
maybe it was your own, you know, your own pursuits, your own motivations that
it didn't work for. I don't know, I guess I'm not being clear for you, as to what…
[Barbara]

You're saying things, they're not coming out linearly.

[Fried]

Yeah.

[Barbara]

They're coming out tick, tick, tick, which is why I wanted some kind of [Inaudible].
The sentences are clear and well formed, and then they go off, and then they
come back.

[Fried]

Yeah.

[Barbara]

That's how you're talking. That's alright, I accept that.

[Fried]

That's how I'm thinking of it, too.

[Barbara]

Yeah. No, that's alright.

[Fried]

Floating through me in images. Let’s see, some of the beauties of the
interdisciplinary approach, though – there are some of those. And I've seen those
most graphically by not working in my field, by working in retail. And I'm seeing
things that require you to be – of course, it’s also the uniqueness of my job – but
require you to be a social activist, to get people to think about things in a larger
context and not just such an “I” centered context but in the world center. And
then to be narrow about it, too, and to be very managerial. Which may be unfair
to call it narrow, but in some ways I think it's a real narrow way of defining stuff. If
you didn't take advantage of the interdisciplinary, if you didn't take advantage of
the people who are talking that way and the readings, then I don't know how it
would happen. That kind of stuff didn't seem to happen by osmosis. It really
seems like it had to happen through thinking under fire and being challenged.
The challenge is what worked well. I still seem to be going around like that.

[Barbara]

Its alright. Briefly…see, I thought Isaac would be up and I was going to plant him
in your lap and say: okay, big dilemma for all of us at this stage of our life is what
kind of education do you want for your children?

�[Fried]

Boy. Yeah, I want to talk about that; I thought about that. You know, being that
Sheila [?], my wife, is a James grad, too, and now we have a two-year-old – I’d
love to show you him but he's asleep. We think about what's, you know, what's in
store for him, educationally. At this stage, we don't do things like get him into twoyear-old swim and that kind of thing. I have friends who do that; I think it's really
wrong. But certainly the…I don't want to say, “hands on approach,” that phrase
seems to have been ground into nonexistence anymore. But being able to
embrace your education and embrace your experiences by touching them –
literally touching them – is such an important learning tool for me. And when I
teach somebody a new job at the co-op, I use that to teach them (one of the
things I brought with me from Allendale). And with my own son, I want him to be
able to grasp it that way. Because he seems like that kind of a kid. He has
enough of me in him that way. That's how he's going to learn. There's real
parental dilemmas in things like in kindergarten or public school / private school,
you know? You want the best quality education for him or is it important that he
be with all types. I'm sure every parent sees this, you know, deals with those
things all the time. And we all come to different decisions on that.

[Barbara]

What should his college be like?

[Fried]

What should his college be like? His college should be the world for a time.
Nobody should go to college right out of high school. And I didn't and I learned a
lot by traveling for that time. I strongly encourage Isaac to travel. He's alreadywell, he's already been to Canada, his second country, several times, okay? And
he travels well, and as he gets older and more empathic and more cognitive, he's
going to travel more. And he's going to learn about that. And he's going to learn
the way of bringing in lots of experience to teach him about the world. He's going
to learn that books, and instructed journeying through books, is a very valuable
way to learn. But he's also going to learn that it’s not the only way to learn. But it
sure helps to have a mix. It sure helps to be able to have everything around there
and be able to sit back with friends, in a comfortable environment, and talk about
how these things are mixing together, and how it makes you feel, and how it
makes you think, and how it makes you react. We did that James, you know. We
had that time, and that social part of the college was real important, real
important to me, to be able to integrate that.

[Barbara]

You said you were having visual images. What, you know, if I say: sum up James
in a visual image, what is it?

[Fried]

Oh, Mona, the dog. Remember Mona? [Laughter] The best visual image for
James is a round building in a square frame. [Laughter] It's just so perfect, you
know, because we were, you know, we were so traditional on the outside. We
tried to look that way, but yet when you get inside, and you couldn't find those
corners, you couldn't find where the dust hid, you couldn't find, you know, your

�easy way around the things. And that damn building was a maze. It was always a
maze; you never really knew what end you're coming out on. And I guess, you
know, you could say that about the education to some degree if you wanted to.
But I thought the building was perfect, you know. It couldn't have been any better
for that college, I suppose, unless it was one long hallway that always had
windings within it, too. Other images of things at James… I don't know. I
remember people bustling a lot and I'm not sure if they were bustling because
they were busy or if they were bustling because they were just overwhelmed with
a lot of different things. And maybe not busyness, but just sorting. Lots of sorting
that went on. We sorted for a long time in there and hopefully for a long time
afterwards, too. And certainly, what would happen with James closing, a lot of us
started to get more emotion involved with it, you know? Either saying "good
riddance" or saying, you know, “how can the bastards do that?" And I went
through the latter for a long time and was real angry about it. And even didn't
even see the value of this tape for a long time and thought it's stirring things up
too much. And the college can't be reconstructed, hopefully somebody can be
motivated by it, either a student or somebody who comes into contact with it in
some way to try and do something like that when it's appropriate in a setting
where it can be protected and nurtured. But, you know, the college brought me
across the state to come here and wound up making this my home for other
reasons. But, you know, I wouldn't recommend that people do that now. I
wouldn't recommend that people come across to Grand Valley because aside
from the few good people that are left that are teaching, I don't know if the
college is that different than a lot of other places, and it's a long schlep just to be
in the cornfields or downtown if they wind up downtown in the near future.
[Barbara]

That was a great answer, that was an absolutely terrific answer. I'm just going to
stop this for a second. Finish the analogy, the round and the square is a…?

[Fried]

Okay. The round and the square is, of course, is that round peg in a square hole.
T.J.C. [Thomas Jefferson College] was the same way, though they seem to be a
little more vocal about it. And, you know, I don't remember about Lake Michigan
Hall. I think Lake Michigan probably was the same way, too. So, what started out
as some designer's idea became a real fitting analogy for what was going on in
the building.

[Barbara]

Terrific! [Laughter]

[Fried]

That's a cut.

[Barbara]

That was a wonderful take.

[Barbara]

Okay, let’s start. Okay, go.

�[Fried]

Okay. It was almost like the outside of the building was almost a buffer. In that
when I worked with you, Barbara, and I was in your office all the time, and you
had an exterior office, and the damn thing was never heated and was always
cold. And it was almost as if they take the hearty people, the people that wanted
to be in view, you know, and put them out there, and face the library, and face
the campus center, and face the tour buses and those things. And so much, but
so much was hidden. And there were things that went on in the core of that
building that I, you know, kind of media experiments I don't want to talk about.
But they were great. I mean it was really exciting stuff that happened, I'm sure. I
hope it goes on today. I don't know if it does, but I hope it does. You know, I will
always remember that painting of James, too, that painting right in… I never
remember which entrance it was, but that double stairway, you know. And it was
the painting, the logo that was on our T-shirts, and probably on the letterhead, if I
remember. And I still have my T-shirt, you know. The gray ones, not the new
ones, the gray ones with the brown. That was the important one to have, I felt.
That was the official card. But whenever I see any of James’ books around here
or I see them in a bookstore or something, you know, I always flash to the face.
And I don't think I've seen any photographs of him. I don't remember seeing any.
But I almost don't want to because he was this ethereal spirit, in more ways than
one, around the college. And being there as a visual student, that embodiment
was comforting after a while, after it became home. It was real comforting to see
it, you know, done that way.

[Barbara]

What are we going to do for cutaways?

[Fried]

I don't know.

[Barbara]

I'll probably shoot your hands, which is so draggy, but I don't know what else to
do? What else can I do?

[Fried]

Yeah, hands are good. Not my shoes. You don't want my shoes.

[Barbara]

You better talk about something because it's weird to do hands. Tell me about…

[Fried]

Let me tell you about… I know what I'm going to tell you about! I'm going to tell
you about my first videotape. Okay? Want me to take the mic off?

[Barbara]

No, just keep it… unless you want to say something you don't want…

[Fried]

No, no it's nothing like that because my first… I get real graphic describing that.
But, well you remember Kim Bemen [?], okay? Kim, back a few years ago. In that
first Video One class we had to do a tape, it was a self-portrait. And at the time, I
didn't have a car, and I was hitchhiking to Detroit a lot, going back to family and,
you know, trying to ease through that transition of leaving the family-stead. And

�so, for my tape I set up a camera in the AV studio with one light on me, two
seats, and I did a monologue with his imaginary driver as I hitchhiked on the way
back to Detroit. And it just so happens that I had some sixteen-millimeter footage
of birthday parties, old birthday parties and that. And I ran that, and we did a fade
onto the screen and put some of that onto the tape. The tape is gone, I don't
know where it was. It was real crude, and it was just totally spontaneous, and it
just worked really well. I was real pleased with it. Kim was there when we taped it
and she was really surprised that anybody was going to do something like that.
And it came off real well. Does this…[inaudible]?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Margaret Proctor
Date: 1984
Part: 1 of 2

[Barbara]

Is there any way we can talk about that briefly? When did we close the college?

[Proctor]

Now wait a minute, though. See I didn't have this information on the funeral and
the commune now. Is that being brought in some other way?

[Barbara]

Yeah, yeah. I was… okay I want to ask a different question then. When we
closed the college…

[Proctor]

Yeah

[Barbara]

When the college closed, some people have said that we – the faculty – should
have fought the closing. Do you agree with that?

[Proctor]

I don't know, I think we fought it. I don't know, if… I went to the President, other
people went individually, maybe we should have done something as a group. I
don't think it would've made any difference. I think we did fight it. I mean, I don't
know. We sent off… we tried as best we could to work, you might say, somewhat
within the system to change it. I remember Robert, we had a whole about a tenpage memo to whatever committee it was on campus trying to explain why the
new divisional structure wasn't good. I think we talked to people, there was
lobbying going on. I don't know that they could've done much more.

[Barbara]

Let's stop and I just want to take the tape. If you were going to join another
alternative college modeled on what William James was, is there anything based
on the experiences that you've had here that's central – that you would like, that
you think should be done differently – to give a better education experience? In
other words, is there some way we were weak that we should've been remedied?
Do you think? Is there anything?

[Proctor]

Sometimes – here’s my traditional background showing – there wasn't enough
rigor in the courses. I don't know how you get at that, though, without making
standard requirements. I'm not sure you can get at it. I think it's an atmosphere
created in the faculty. And I think things were getting better over time. I think
there was more of that at the beginning, and I think things were getting better. I
think that faculty has to have a sense among themselves, not just individually,
but as a group that we're going to require this, and this, and this. And I think by

�the time the college closed we were as a group. There might have been a few
that weren't, but we were. That was the main thing I saw that was a problem, and
about solved itself by the time the college closed. I can't think of anything else
major that is worth mentioning.
[Barbara]

Can you talk a little bit of the flip side of that? What was most valuable in the
James experience? What- what worked best?

[Proctor]

What worked best? Designing your own study plan, I would say. Maybe because
I saw all those study plans. And see, a lot of the students we had were rebellious.
And a lot of students are rebellious now I bet still, only they're keeping it down
more and so they just don't learn as much. They sit in the courses, and they go
through routine, and they get C’s or B’s or something, but anyway that's another
issue maybe. And I don't think they would have gone to college or they would
have learned as much, certainly, if they had to take Sociology 101, okay? Now,
at William James they didn't have to take Sociology 101, they had to… they knew
that they had to have something to educate them broadly about people in the
world, and people outside their own little narrow group. So that seemed more
reasonable to them. It wasn't Sociology 101, and they worked with their adviser,
and they came up with the course, and they got in the course, and they really
enjoyed it. "Oh, this is interesting,” they would say to themselves. And they had
chosen the course in consultation with the adviser, but they had really chosen it.
So, then they'd say, "Oh this is interesting" and they get into the course, and they
learn the stuff. They were really got excited about it and they'd read about it
outside the course. I want to say one thing in here. I think there may be an
impression that there's very few kind of "super William James students" who did
beautifully and maybe the majority kind of just squeaked by and had a mediocre
education. I don't think so. I think this experience of really making their own
education and doing well is true for more than half the students. Of really going
beyond what they had to do and learning more than they would. I’ve said that in
other contexts, but it wasn't just a few super students that gave an image to the
college of this thing – it was a lot of students. Again, I came across this in the
study plan. Study plan after study plan, I would read like this and oh courses in
the Arab world and they took a Shakespeare course here, and they were, I don't
know, a computer major here, they had a Shake… oh my golly! And they chose
these on their own and it was very impressive. Yeah, I think you asked me what
worked well. I think I answered that already. Let me see if I can…

[Barbara]

I'm unhappy with… Probably the earlier part is alright, but that little clicking
means it might not come across the head smoothly. Yeah, it fixed it. I fixed it!

[Proctor]

Yay!

[Barbara]

Okay, let’s do rigor. [Laughter]

�[Proctor]

You better ask me the question, or I won't be able to answer. [Laughter]

[Barbara]

If we could recreate William James tomorrow, what…was there anything that we
should do differently this time around?

[Proctor]

Well, I think that we did pretty… I think by the time the college closed we were
just about where we wanted to be. I wouldn't say perfect, but in the earlier…
when I first came, I think that we didn't have enough rigor in some of the courses.
There wasn’t enough… I think we were liable… right on everybody whether they
liked… you know, everybody could say that the… let me start the whole thing
over! I did better the first time. Goddamn it! Why is it when you say something
first and then you try and say it again you can't get it? Anyway, I think some of
the courses should have had more rigor. I think we were liable to that criticism
and sometimes that was justified. There wasn't required of the students so they
could get through without learning very much in some courses. No, the idea that
students can take whatever they want, do whatever they want, and I don't think
that necessarily produces a good education. And that was more a stereotype of
us than it was the truth. I think that wasn’t as true by the time the college closed. I
think what it takes is the… I don't think you can enforce it. I mean, you can say:
"All the faculty members have to give two exams every term or three papers."
And what's that going to produce? The faculty member doesn't have to grade the
exams or look at the papers, and they can be hogwash. You can't enforce that in
that way. I think it has to be a feeling among the faculty – in the community of
faculty – that we're going to have hard requirements and courses. Certain
requirements and courses, and a lot of rigor in the courses. And I think if you
have that it'll work. And if you don't have it, even if you have all these other
requirements or assume that everybody's going to give exams and all, then that's
not going to work either. But I think by the time the college closed we had that, I
think, with very few exceptions. I mean, there were a few courses here and there,
but the fact that… and that changed in the years I was here. Faculty were getting
a sense of we'd maybe allowed students, I would say, actually allowed students
too much freedom to do only what they wanted in the classes and found that they
aren't learning enough and now we're tightening up, and we're saying, "No,
you've got to do more work in this class, or you don't get credit for the class." And
I think by the time… yeah, anyway.

[Barbara]

What about the other question? I have managed to absolutely space out. Let’s
see if I can remember where I was. What was it?

[Proctor]

My memory is going.

[Barbara]

Oh, damn? Where did it go?

�[Proctor]

What should we have done differently? No. Oh, Barbara, this is terrible. Don't tell
me your memory is going.

[Barbara]

Oh! Fighting, fighting, fighting!

[Proctor]

Oh, thank you! Should we have fought more. I think the faculty did fight. I went to
see the President about it, I made an appointment with the President. And a lot of
people did that. I know, I found out later that many had done that. We had that
long thing Robert Mayberry mostly drafted. Ten-page thing to the committee on
why the reorganization was not good, and why we should have the individual
colleges. And we did fight, you know, in an organized group way. We didn't go
marching around. I don't think that would've been any more effective. I don't… I
think it just would of alienated us from people. I think, frankly, Robert and a few
others were in… if anybody was going to persuade other faculty administrators, it
was going to be Robert and a few others in their way. And they did the best they
could. And they fought the whole way, in their way, which was the way that was
going to work – if anything was going to work – and it didn’t work. And I think we
fought as much as we could.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Barry Castro
Date: 1984

[Barbara]

I told you that the students would be among the audience. Was there something
you want to be sure to say?

[Castro]

When I talk to my management classes now, management is a difficult field to
teach, in a way, because you've got lots of students who haven't ever been in a
managerial context, an ordinary one, haven't been in the industrial context, and
they get a bunch of management courses as part of a business curriculum. So,
your task is to find some experiential context that they can connect that
theoretical material to make it their own. And I like using classroom material for it.
One of the major management theories that we talk about is Douglas McGregor's
"Theory Y" notion of invoking participation loosely. McGregor argues that it's
necessary to assume a willingness to be involved, a willingness to work. That
there is no adversarial relationship between work and a firm [?]. And that given
that assumption, it will be ill-founded sometimes, but you will get much more
happening than if you don't. And it talks about the disastrous consequences of
beginning with the opposite assumption. And everybody affirms that, and people
read that stuff and they feel "Lord, it's just mom and apple pie, of course that's
true." And at around that point I asked them how many of them have heard of the
cluster colleges and William James, and Thomas Jefferson, and those places.
And it's recent enough so that many of them have. And I say that, you know, that
is really what we did, we were pushing on that kind of involvement, all the time,
and from ourselves, from students, students doing it to each other. It was what
made the place work. But looking at it from the outside, what do you know about
it? I guess that's the first thing I ask. And they say: "Well non-graded, one. And
two, easy." And we talk about the proclivity to define participative management
as soft management by people on the outside of it. So, the resistance you get to
any effort to manage in a way that involves subordinates in a way a firm really
works is people on outside giggling and saying: "Oh my! Just look at what they're
letting them get away with." And when they can find someone who is actually
getting away with something, there's a cause for real celebration there. And to
say that abstractly is nothing. But to point at the people in my class and say
"Look at what you folks are doing," with very little information. But your incentive
is so great to interpret what you've got, or to make up information that you don't
have, that kind of resistance to managerial innovation, to, I think, good
management, needs to be reckon with all the time. And it's the case in point that I
use. I think for students and faculty, we were made to order for them. Many of

�our students come to school… many students at places like Grand Valley come
to school having a notion that if it's hard, it's good, and if it's fun, there's
something wrong with it. So, the Board of Education in Grand Rapids, I think, last
week passing resolutions saying, "Everybody should have homework." And the
City High School, which prides itself on being a quality institution in Grand
Rapids, advertises itself as "two hours of homework a night," as if that was the
elixir, you know, that was the magic stuff that made it work. And they're onto
something about the sociology of your clientele that's right because the clientele
are so bound up in that notion that if you involve people, and you let them have
fun with it, you're somehow doing it wrong. You're not giving them the real stuff.
And I think that was very hard for us to overcome.
[Barbara]

Could we have overcome it, or did the administration have a responsibility to help
us overcome it? Where could this ever have been fought?

[Castro]

Well, public image-wise, I think we were in much, much better shape for fighting
it for the last few years. I think we got to know what we were doing much better.
And asking for public… the public has a notion that we're supposed to know what
we're doing from scratch. And that were supposed to come in and just do
something, all which has been invented, which in any field is absurd, no field I
think more absurd than in education. The standard item, the routine stuff, the
kinds of classes they are used to… know what they're doing, certainly know
better than we do. In my view, often knew less well, they inquired less
thoughtfully into what they were doing. The question doesn't come up for them,
and folks were… it would be hard to get folks willing to give us the time to be so
much above the mark, so they can begin to trust us even though we were out of
the ordinary. I don't think there's a lot the administration could have done about
that. My neighbors who say "Thomas James" were not reachable by the
administration. And they were sophisticated, nice people who like me and think
that it must've been a little bit okay because I was there. They don't mean to be
putting it down, but they can't get it straight.

[Barbara]

If you had to sum up what made James unique, very, very briefly, like two or
three sentences, what was the thing that was critical?

[Castro]

Keywords: ambition, involvement, tremendous seriousness about education, and
not being caught up in cynicism about careers and making it and looking for
things. We talked about vocation all the time, looking for real vocation, and the
students who are… I think profit most from the place, were most involved in it
and the faculty were most involved in it, had found the vocation there, which was
going to be with them the rest of their lives, as far as I can tell. And that seemed
enormously valuable to me.

[Barbara]

That's a wonderful execution. I think we’re running [Inaudible]… yeah,

�everything’s fine. Is there an answer… this may be too personal, in which case
let’s not treat it as a serious question. Can you phrase why you came to James
without laying on a whole biography? What was there in you that readied you for
an alternative setting? Why was traditional education not satisfactory?
[Castro]

Well, I came there… I read an article about it, actually, that just touched on it.
Mostly about Grand Valley in general, more about TJC, a little bit about James
and change. But I was taken enough with the ambition of what was going on here
to write Don Lubbers a letter saying I read this article about your place and I'm
interested. And Don passed it on to Adrian and I got invited out for an interview,
which was nice. I think the particularities of my own situation is there's nothing…
the only problem about personal is I don't know how generalizable it will be. I
taught with some very good people when I began teaching who were serious and
good about what they did. And I did a kind of extended apprenticeship with them.
A historian named Herb Gottman, a sociologist, people who became friends and
had been at it longer than me and were very good. And I got a sense that I was
going to college over again, only much better this time than I had gone the first
time. And that was wonderful, and I wanted to keep on doing that. That stayed
with me for a while. Then one of the people I taught with at that first institution got
to be dean of faculty at a new branch of CUNY that started in nineteen seventy.
And called me and asked if I wanted to organize a social science program there.
And it was a wonderful opportunity to invent from scratch an institution. And we
did a lot of things wrong in that invention. But I learned a lot at [Inaudible] which
was the name of this place at City University and wanted a place to use what I
had learned and going to an economics department to do micro, macro and an
occasional elective seemed very dreadful, yes. And when I came to James, I
think the first… immediately upon coming in, and meeting people, and getting
some sense of what the place was about. It was as if I had been here forever. I
recognized it and I don't know what folks’ reaction to it – my stance – was, but I
never entertained the possibility that they wouldn't hire me at all. I mean it was
mine and of course they'd… it belonged to me. And they did what they were
supposed to do, but it was very compelling.

[Barbara]

What would you say, again, not being very specific about current things, but in
teaching now… no, it's not a good question, forget it. I’m sorry. Stop for a
second. God, he’s looking gorgeous, isn’t he? Its fine, I'll cut through the other
stuff. Okay, that's the question we’re on.

[Castro]

Okay. I want to talk about…

[Unknown]

That side, yes. Like that, that's…

[Castro]

The difference between… I've been teaching the last couple years in a business
school environment and that seems on first vision… when I first understood that I

�would be going to a business school, that was, it certainly felt like it was going to
be a very alien environment, it was scary. It has not been an alien environment.
The internal dynamics of my classes seem very similar to what went on in
James. I am teaching in the same way and I feel that I am being responded to
well. In some ways, very well. I am more of a rare commodity teaching at a
school of business than I ever was at James. And folks could kind of nod their
head when I did what I did at James and they are hearing it all for the first time.
[Barbara]

Like what?

[Castro]

Well, the purpose of this class is not information transmission, boom boom,
boom, boom, boom. What we’re up to is engaging your thinking and engaging
you in a conversation on the one hand with the literature, and on the other hand
with the experience, and getting you to see that conversation, and respond to it.
And getting smarter. I tell my students that the heart of management, the only
two real ingredients of management are being as smart as you can be and good
manners. And everything else is detail. It all follows from that. You need to listen
to people, and respect them, and you need to think about what you're listening to
as hard as you can. It fits in the context of liberal education much better than I
think most people either in the humanities or in business schools know. And I’ve
discovered a sense of mission about getting people both in the humanities and in
the business schools to recognize that. That business schools can be perfectly
viable milieus to teach well in. And I think a lot of what business schools are has
been a reaction to feeling nasty prejudice coming from humanities. And the kind
of thumbing of the nose back at them and turning up of our speakers, or ghetto
blasters, or whatever, and just letting it blare out. Because you guys expect us to
be doing that anyway, so we're going to let you have it. So, it's been fun to
discover that there was something real for me to do in this milieu. And fun also
that there were large numbers of students who were there, who I didn't need to
go scraping for them, there was support from the outside environment, we didn't
need to defend the business school’s right to exist, at all. I could go on to do the
work that I needed to do as a teacher, without needing to deflect my energies in
all sorts of ways that at James they got deflected. And that's been very exciting.
Students have been… they come to my office a lot. People are around, and
they're grateful for the kind of thing I've been pushing for. And I’ve very, very,
very little resistance. Actually, almost none that I know of… there may have been
some that's quiet. I miss the collegiality. I had Robert Mayberry next door to me
for ten years at James, and that was extraordinary and wonderful and I miss it.
But he's only across a short mall. This not having to worry about Alison
Bernstein's double preciousness has been very nice. I'm not in a precious milieu
now, I'm just in a business school. And if we can do the stuff we can do in that
kind of milieu, that's better. I don't think I could have gotten as good without
James, at all. I don't think we could have. I don't know that we can stay as good
without it, and I worry about that. And I worry about what's going to generate

�more faculty with those same commitments. And my sense is that we have to do
it. We have to keep on talking and wait until the next cosmic change happens,
right?
[Barbara]

Wonderful end to the show. Thank you! It was a good close.

[Videotape recording ends and begins again]
[Barbara]

Because also, like, everybody doesn't cover the same material, so it must be
clear that this isn't a real… I mean, people didn't get together and talk and
organize this. People's conversations do bypass each other a little bit, you know.

[Castro]

Are you going to get Adrian?

[Barbara]

Of course. She troubles me. Has she written you? She hasn't written me either.

[Castro]

She talked to me about three weeks ago.

[Barbara]

Oh really?

[Castro]

Where did I see her? Were we in Minneapolis?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard (Dick) Gottlieb
Date: 1984
Part: 2 of 2

[Barbara]

Something about the… you like teaching, so talk to me a little tiny bit about the
teaching process and how it was Jamesian and how it wasn't…

[Gottlieb]

Oh, God.

[Barbara]

I'm getting criticism but there was positive because you miss it, and you haven't
said why. You haven't really said why. That's it.

[Gottlieb]

Each class was an attempt to create something. I'm not an academician, I'm a
therapist, and I would try to come into class hoping something would happen,
without planning for something to happen. And I would have a general sense of
what we were covering. Maybe, by the time I was there four years, I was even
doing outlines for the term, with probably twenty or twenty-five lines to cover the
description of the term. And sometimes I would even follow the outlines and I
would sort of have a general sense of what going on… what I was trying to cover.
But I would not read lectures, or write lectures, or anything. I would try to respond
to the material as it generated in class and I got better at that. That's a clinical
skill, too, and it helped me practice development of creative interaction, each
class. And the students who were there during that loved it, and learned a lot,
and are good clinicians, some of them now. And there are people… I guess, I get
some confirmation about the quality of my teaching in that there are some people
now who are well past their master’s now doing work in the local area, and all of
the ones I find disgustingly horrible in their work are the people who had terrible
problems in my classes. And I smile a lot about that, that seems right. And the
ones who are lovely and helpful, didn't… or didn’t have prolonged trouble in my
class.

[Julie]

You…

[Gottlieb]

What?

[Julie]

Loved you.

[Gottlieb]

Yeah or loved me. Okay, the only other thing I want to say is that I think that
having a William James College in Western Michigan in the seventies and
eighties was a mistake from the beginning. Interesting notion and interesting

�experiment but idiotic. The idea that it would last even ten years, seems to me,
was incredible and it should've just been moved to the east coast and allowed to
grow. It certainly could not survive here. Ever. Only if it stayed small and
manageable. And if it stayed small and unmanageable or large, I think it was
doomed. And I think that was true from the beginning.
[Barbara]

Do you think we should have put up a fight, though?

[Gottlieb]

A fight? For what?

[Julie]

Yes, you did.

[Gottlieb]

For what? What kind of fight? What do you mean?

[Julie]

Do you think the students should be raising hell?

[Gottlieb]

Oh, the students, yes, but when you say "we" I think faculty. Yes, I think the
students should have burned down the damn campus. But they didn't and that's
why we closed. Students will get what they want, and they did, and they do. And
so now Grand Valley is more populous than it ever was before. They have more
students than they know what to do with. They're rich, they're happy, they're fat,
they're ridiculous, they're horrible. And there's still good faculty there, teaching
good courses to good students, but there's not that magic combination that was
there before.

[Barbara]

Julie, you have to say something because we have you… he's talking to you and
if we don't see you, it’s absolutely ridiculous.

[Gottlieb]

If you excuse me, I'm going to him.

[Unknown]

Mosquito on your left leg. Good shot.

[Barbara]

That’s a good shot.

[Unknown]

You can tell she's loving it.

[Julie]

I'm not… [laughter].

[Unknown]

I know.

[Barbara]

You’re going to ask the second question. I’m going to ask the first one. You know
her very best. You know what to ask her.

[Gottlieb]

Oh, okay.

�[Julie]

Well, you said I should say something about the essence of William James.

[Barbara]

Yes, I would like to hear it.

[Julie]

It makes me sad to think about it. I think, for me, the essence of William James
was the people. The sense of community and learning, of people coming at
things from different directions, and with different vocabularies, and coming to a
common understanding. And that's what felt real important.

[Barbara]

Stop playing with the microphone cord!

[Everyone]

[Laughter]

[Barbara]

[Inaudible] Dick, do you have a question?

[Gottlieb]

How did you feel about… how do you fell about the way you were made part of
the community, or not made part of the community?

[Barbara]

As an adjunct.

[Gottlieb]

As an adjunct faculty.

[Barbara]

Good question!

[Gottlieb]

Thank you.

[Julie]

It varied. It seemed that there were some people who were committed to not
seeing me as a part of the college. But, generally, it seemed like I could be there,
as much as I was willing to work to be there. And I felt accepted by the students.
I felt like it could be my school, too.

[Barbara]

Were you accepted by the institution?

[Julie]

No, I don't think so.

[Barbara]

Because?

[Julie]

I don't know. It was always difficult for me to tell how much of that was me being
reluctant to fully enter in, and how much of that really was the institution not
being real welcoming. And… yeah, I don't know, I'm…

[Barbara]

I have one more question, which might draw a blank, but I'm going to ask it.
Talking to Stephen, it's so clear that William James College really did embody the

�philosophy of William James. Did you catch… how did catch that philosophy? Did
you study James when you came? In other words, there was something that
made the college work, which indeed embodied James's philosophy. I'm trying to
figure out how we all learned it so fast when we didn't read James.
[Julie]

I don't know. What I think of when you ask the question is that we were asked
before we interviewed, each of us, to write a statement of our teaching
philosophy. And we did that knowing nothing about what the college was about.
And it was a perfect match and that just felt real nice. It's like we discovered
William James College and William James College discovered, or collected,
people who already had that sense of William James philosophy within them.

[Barbara]

Indeed. The selection process was very important. It really was. It was absolutely
critical.

[Julie]

We came to William James and we loved the faculty. When we came for that first
interview, and it felt wonderful to be with those people.

[Barbara]

Perhaps we can stop so that we can let that stuff [Inaudible].

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Richard (Dick) Gottlieb
Date: 1984
Part: 1 of 2

[Gottlieb]

Here we are being informal, yes.

[Barbara]

Are we still rolling?

[Unknown]

Yes.

[Julie]

Um yeah, I was just wondering Barb…

[Barbara]

Okay, just a minute.

[Unknown]

Stop tape.

[Julie]

Of the kind of subject matter that you were teaching and not having this power
to…

[Gottlieb]

Yeah, let’s see if she asks about that.

[Barbara]

Well, I am asking. Yes, please tell me what you guys are saying.

[Gottlieb]

Yeah. Teaching therapeutic process in a college classroom leads to certain kinds
of reactions in students, lots of powerful reactions in students. And as long as
there was institutional support for that to happen, as long as a student who would
be upset by the material that is talked about in class, like, if we're talking about
psychosis and a student either has a relative or they themselves have been
severely disturbed, it brings it out. And as long as you have institutional support,
you can teach it, and the student goes through that experience of stress, and
realizes that they can survive and still learn about this material and not have to
be crazy. If there isn't institutional support, then you get, yeah, you get crazy
reactions. You get the craziness acted out. And I don't know if examples are a
good idea, but probably not.

[Barbara]

Well, could you tell me what you mean by institutional support, because it just
sounds like…

[Gottlieb]

Well, if a student is upset by something that happens in class and they talk to
other faculty or they talk to the administration of the college and the message

�they get is: "That's a serious issue, take it to the faculty and work it out.” I'm here,
you want me to help, fine. But that's a serious educational question, take it back
to your faculty. But if what they get is, "Oh, God, that sounds horrible! Write that
down and complain about it," then what you have is students demanding to be
comfortable in class and my experience is that teaching psychology or
psychotherapy – specifically psychotherapy – you can't be comfortable and learn.
You just can't be comfortable. The process of psychotherapy, even at the
bachelor level, teaching psychotherapy is teaching something that will be
bringing on stress if its ever practiced and to teach it in a stress-free environment
is impossible, in my view.
[Barbara]

So, you did… you were able to teach it with institution support for a while?

[Gottlieb]

Yep, for long while. And when that changed was when the deans changed. There
was not a sudden shift, it was a shift that flowed. It flowed in the direction away
from support of faculty, in my experience, in the direction of making students
experience Chevrolet-like. Acceptable to a wide range of students and… let me
finish my thought. Acceptable to a wide range of students and not bothering
anybody ever. And the sparkle went out in my view of the college at that point.
What Julie? What? What?

[Barbara]

If you want to say something, say it loudly so the mic picks it up.

[Julie]

Well, it seems like a reflection of a conflict in the society, generally, about who
should be doing what kind of work. People were saying that this kind of material
shouldn't be taught on the bachelor level at all, but we’re reaching students now
doing treatment throughout the city and facilities that hire bachelor level people to
work directly with clients who are severely disturbed, but they're…

[Gottlieb]

Do you want me to say that? Or something about it?

[Barbara]

Yeah, use it.

[Gottlieb]

Okay. That's disgusting.

[Barbara]

That time we got it.

[Gottlieb]

Well, what you were just saying is whether or not it's legitimate to be teaching
bachelor level people about psychotherapy and I think our experience in the last
ten years in mental health indicates that it clearly is because bachelor level
people provide therapeutic services all over. And increasingly do so.

[Barbara]

So why the change? Was it a decision on somebody's part or was it personalities
or what?

�[Gottlieb]

No, I don't think it was personalities or a decision about whether or not to
support. I think it was a decision at high administrative levels on the campus, that
it was time Grand Valley State Colleges (newly called College) shall henceforth
not piss anybody off. And I think at all levels of teaching that philosophy infected
us. William James, I don't think, raised people's anxieties terribly much as a
college, except people who were bothered by what seemed to be the enjoyment
people had in their mission. And I think that kind of anxiety was untenable in the
new Grand Valley, which was a place where nobody was supposed to be tense
about anything. Everybody should be kind of copacetic. And they had undone
Thomas Jefferson, and they had undone any sense of accomplishment –
experimental accomplishment – on the campus. And everybody was trying to
look as gray as possible so that nobody would take them out of the picture. And
William James couldn't quite look gray enough and I think that's why it was
closed.

[Barbara]

Um…

[Gottlieb]

So what I've just outlined is a kind of progression from the question I had to face
there in teaching courses which encouraged nervousness to a college which
encouraged nervousness. And there were advantages to being at William James
and there were disadvantages to being at James and there were advantages to
being in my class and disadvantages. And I think that in the five years I worked
there until there was this shift I'm describing, I think I was getting to be a much
better teacher. I think in the two years following that shift, I think I got to be a
much worse teacher.

[Barbara]

That's my experience, okay. That's parallel to it exactly. Some people have said
on tape that there were certain turning points in the history of the college which
made it have to be closed and that one of the turning points was losing social
work. Would you comment on that?

[Gottlieb]

Losing social work? When I was hired, I was asked to be the Director of the
Social Work program and there were a lot of people at CAS… thank you Rich…
a lot of people at CAS who were teaching in social work. So, I made the proposal
that there should be co-chair with CAS, instead of just myself, and put that
together and a woman, Ann Johnson [?] (she has long since disappeared) from
CAS, and I became co-chair. The following term was shifted to CAS because that
was seen as clearly duplicating services, somehow, that there were co-chair
running the program. And or the following year, I guess, that was moved to CAS.
The effect on the school, I thought, was minimal, actually. Professional
education, as defined in the program, then moved to CAS, was limited and, I
thought, bankrupt.

�[Julie]

We lost a lot of students because of the move.

[Gottlieb]

Yeah, but losing students isn't what caused the end of William James College.

[Julie]

No, not the end of William James College.

[Gottlieb]

That's what I'm commenting on. I don't think that Social Work going to the
College of Arts and Sciences was at all a turning point for the school. I think we
developed a social work curriculum within William James College that was really
fine and…

[Julie]

The students didn't go to it?

[Gottlieb]

The students went to it! I don't know why you think students didn't go to it, my
classes were filled. All of them, all the time.

[Julie]

Until the end?

[Gottlieb]

Julie, Social Work went to CAS in nineteen seventy-nine. Okay? We're talking
two different stages here. When social work went to CAS, we sat up our own
social work program, students came to it, it was fine; worked beautifully. The
problem was that we were then being disallowed to be teaching some of the
courses because that was, again, duplication. It was not simple to… it wasn't
simple enough somehow to have two colleges teaching courses that had the
same… somewhat similar content, anyway. And our students were being told not
to take courses at William James. They were being told to take courses at CAS.
It was not moving of the social work program; it was, I think, again, the
administrative response which told students that William James was not the
place to get their education. They were telling students who were currently
enrolled, and they were telling incoming students. Just… testimonials don't mean
diddley squat, but one student who came to me and said: "I came to the
admissions office. I asked for a school that didn't give grades, I asked for a
school that had a community in it, I asked for a school where you individually set
up your own curriculum, and they sent me to CAS." And that was going on all
over the place. I think movement of Social Work was symptomatic of that. I don't
think it mattered… made any difference.

[Barbara]

I ask you to please summarize the essence of William James college very briefly.
Like one or two sentences.

[Gottlieb]

Bob Burns, Robert Mayberry, Stephen Rowe, Margaret Proctor, Barry Castro, Wil
Walko, et cetera, et cetera, et cetera.

[Barbara]

Okay, no two people – I ask this question to everyone – no two people have

�given anything remotely resembling the same answer, which is wonderful.
Whether it be… [Inaudible]. Why did you come to James? I don't mean your
personal history; I mean, what was there for you?
[Gottlieb]

Julie and I were invited to interview. They wanted social workers. We were living
in Detroit, and what we saw when we came here was a group of people… one of
the people who interviewed us had his zipper down, couldn't uh…[laughter] and
we found a group of people who were excited about something and I was
working in a hospital at the time. Julie was not working, but we were both
committed to the provision of services, and here was an opportunity to impact
other people who might be providing service in the future. And I think we just got
very excited by the kind of contagious quality of the place. What it had to offer
us? A chance to do something meaningful.

[Barbara]

What do you miss?

[Gottlieb]

The most amazing thing is what I don't miss… about the campus. It's the only
place I've ever been in – only physical environment I've ever been in – where
after seven years (that's a long time), I had no attachment to the physical
environment at all. Nothing. There wasn't a corner that I remembered fondly, or a
stairwell that I remember sitting on. The place was so well designed as to be
totally unattachable. It was wonderful, it was a marvelous place. What do I miss?
I miss teaching. And so I don't exactly miss the students, I don't exactly miss the
faculty, and I don't exactly miss classes but I miss teaching and that's all part of
that. I liked teaching, and so that feels like a real loss. I still see a lot of people
who were the faculty, and I still see a lot of people, actually, who were the
students. Or people who might have been students. It was a quiet community.
That's all I miss. A lot of things I don't miss. The sense of deterioration, the sense
of being co-opted, piece by piece. A little chunk here, a little number there. Let's
just change that rule. Let's just move that piece of… I hated it. You agree?

[Barbara]

Let us stop for a minute.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Forrest Armstrong
Date: 1984
Part: 3 of 3

[Barbara]

What's your guess… what's your estimate of the… how much of the feelings that
the way that Zumberge saw us was because we were really straight up, and how
much was it that we just made them uncomfortable because of our style?

[Armstrong]

Hard question to answer. I really don't think that the system, collectively, was out
to get the college. I say that because there were so many instances when it could
have done so, and yet did not. When TJC was killed, before I came, that would
also have been a time to change the system, to get rid of James, too. In the fall
of nineteen eighty, when the budget problems were severe, when we had a
financial emergency, when we laid off faculty, we did so across the institution, not
simply by lopping off one of the small colleges, which would've been the easy
way to go, and which had some champions. The reorganization that took place
would not have taken the shape it ultimately did if there had not been some
serious, profound respect for things that the college offered, including both ideas
and people. I do think, though, that there are some things that happened that
created a climate of, at least, misunderstanding and sometimes of distrust on
campus. I think that the idea, of course, was that from the beginning the
institution would be made up of collegiate societies which would share,
profoundly, even though they, in each case, had some distinguishing
differentiating element. My sense is that never really happened, that the
formation of the federation took place after a sizable number of faculty had been
hired at the institution. And largely, as a way to promote innovation and
differences. It's almost as if the small colleges as they were formed were islands
for misfit toys, for people who didn't like what was then the dominant mode could
go and do their own thing. I think this led, at least, James to define itself in very
negative terms. Basically, in opposition to the dominant mode of thought in
higher education at that time. And seldom was the college able to find something
that was positive that it could define itself as being, without seeing that same
positive element picked up, subsequently, in other places on campus. The
attempt to integrate career and liberal education, which certainly marked this
college from its beginnings, ultimately was picked up by only other colleges, too.
So, it didn't differentiate in a meaningful, obvious way to people who were
relatively naïve observers. What William James was that CAS or Kirkhof was not,
each in its own way. So, many people here when I came in nineteen eighty
defined themselves in opposition to something else. That was a clear problem. It
was that we were different than they are, hence, better; rather than we are

�different in particular ways that present particular advantages. I think that was
exacerbated, too, by the series of decisions… style-type decisions. And also,
because in the hiring process, we didn't always go for both "ands." We didn't look
for people who had the credentials and who could fit into any college on campus,
but who, for special reasons, also had dimensions that made them especially
good for James. That process I think began with the first faculty appointments
and probably proceeded all the way through. That obviously didn't help the
college in the eyes of the rest of the campus. There also being no intellectual life
that tied the institution together, where the intellectual life was around the
exterior, the rim of the doughnut, but not anything in the center of the doughnut,
meant that people basically defined themselves in opposition to others on
campus, rather than as something powerful, and positive, and unique that had its
own contribution to make. I think that was a major problem in the air when I
came, and I sometimes am amazed that the several opportunities to kill the
college outright never led to that result. There were certainly days when I feared
it would.
[Barbara]

Was there any sense that there was simple prejudice against us as versus us
screwing up.

[Armstrong]

I'm sorry, simple prejudice…?

[Barbara]

Simple prejudice just against our style, our politics?

[Armstrong]

I suspect that didn't help. I suspect it didn't help, but I think politics in a broad
sense… I don't think that it had to do with necessarily support for or opposition to
any particular ism but perhaps an orientation that was slightly less controlled,
less modulated, less considered, than people perceived academe ought to be,
perhaps.

[Barbara]

I moved something here and then asked you to start talking. I don't know how we
phrased it before, but talk about your mini history of what happened when they
decided they had to do something, regardless of the organization, at what point
was it decided we would kill…?

[Armstrong]

Well, there was concern expressed, I think, always from the time in fall of
nineteen eighty, when the budget collapse struck us, how the institution was
going to respond. And the decision at that time was to prune selectively, if you
will, across campus rather than simply lopping off a college or two. Subsequently,
we had a series of budget cuts. That was only the beginning, not the end. And at
each point, the problem loomed large enough that, potentially, one could have
said, "We will simply cut off a college." That was never done, and I think that was
of real consequence. I think people understood… people intuited, perhaps more
than they understood, that there was something of value in the college. My sense

�is that in the fall of nineteen eighty-one, I believe, the pressure began to build to
do something more consequential than simply pruning here and there. And in the
early part of January of nineteen eighty-two, the President's proposal that we
conduct a study to eliminate unnecessary overlap and duplication said, I think, to
the people who wanted to get rid of the collegiate system that, potentially, that
was an acceptable alternative. The process moved fairly quickly at that point and
by, as I recall, the beginning of March, there was a report from Curriculum
Committee. And there was a time, before the decision had actually reached the
Academic Senate, the President called a campus-wide meeting and endorsed a
particular plan, which is the one that, in essence, that we have today. That plan
took apart the old system. It didn't simply lop off James or Kirkhof. It didn't simply
keep a traditional college and create then a professional college. It did, I think,
much of what we in James were trying to do in some important ways. It extended
the effort to integrate the liberal and the professional programs, to pull them
together, to find some synergy there across the entire institution so that we now
have four academic divisions, each of which has both professional and liberal
arts programs in it. Certainly, that was not the way much of the rest of the world
was organized, and that's an idea and that came directly from James, and people
saw that and valued it. Interdisciplinarity, as a term, was – and I think probably
still is – not a favorable one on campus. I think people react negatively to the
term interdisciplinarity and yet I'm intrigued to see the number of people who are
coming to me and looking for ways to accomplish exactly those opportunities. As
faculty members, as researchers, as teachers – they are looking for that
opportunity to work with others from different disciplines around common ideas.
They just don't call it interdisciplinarity, but there is an interesting, growing
interest on campus in precisely that sort of thing. The new General Ed program
with the categories that are not owned by any single division is, I think, as explicit
as one needs to get in the recognition that there are things that the divisions can
share around common ideas that are important to all of us. The other thing I think
that's important is that the new General Ed program says that there is something
that we all share. We are interdependent. It's not that one division does
something for its students and another division does something for its students.
We are all interdependent. I think, too, that's something they got from James that
they saw to be of value. Probably not at as high a level of articulateness as one
might have hoped. But nonetheless it was there, and it was an appreciation, it
was valued, and it was saved.
[Barbara]

Duplication then was not, really, a serious problem?

[Armstrong]

I have never thought so. If one has full classes – so what, you know? We now
offer fourteen sections of Philosophy 101. Every year, they're all full. If we offered
seven of Philosophy 101 in one college, seven in another college, and they're all
full, [inaudible]. I think that was really an excuse, an opportunity. I don't believe
that we really did save anything of consequence that way. What we did do – and

�I think it was high time that we did – was combine faculty in larger programs. By
the time there had been cuts over time, in the last… seventy-eight, seventy-nine,
eighty, eighty-one, there were lots of programs on campus that were staffed with
very few faculty. Lots of one person programs. That's probably not good, and the
reorganization allowed us to bring together people into larger critical masses of
faculty. And I think probably strengthen programs for students, too. I think that
was a step forward. I think that needed to be done, regardless of the
organizational structure in which it were accomplished.
[Barbara]

There are people who say on tape, more than one people… "more than one
people." [Laughter] The administration was going to close us; they knew it within
the first couple of years. Was that your experience? Did they know they were
going to close us at the point when they started talking of duplication in the
organization?

[Armstrong]

I'm sorry, they knew they were going to do it within the first couple of years of
what? Of the founding of the college?

[Barbara]

Yes.

[Armstrong]

That's very hard for me to imagine, but it's also a long time before I came.

[Barbara]

But, I mean, in terms of your experience when you were in the middle of the
reorganization, talking duplication, did you have a sense they were looking for an
excuse to close the college?

[Armstrong]

No, I think… I think actually the opposite. It seems to me, looking back on it, that
there were all sorts of opportunities for them to have closed the college they did
not take. When they chose to kill TJC, that was a wrenching decision from the
institution. I understand that. But having made the decision to do that, one could
have, I think, at the same time, passed a different resolution which is to kill the
federation concept entirely. They didn't do that. When in nineteen eighty then
Adrian resigned and they needed to replace the dean, that was another
opportunity which they did not take to kill the college. And that was a convenient
opportunity. In the fall of nineteen eighty, when the budget deficit was so severe
and so sudden, that was an opportunity to solve the problem and ruffle almost no
feathers on campus by simply lopping off one or two small colleges. James first
choice and then Kirkhof second choice, I would guess, to solve the budget
problem. Didn't happen! In nineteen eighty-two, when the opportunity came for
reorganization, when it was pretty clear that there was going to be a
reorganization, the only question was what shape it would take. Again, that was
the opportunity; that was the obvious, easy answer and it wasn't taken. That says
to me, that people with the long knives were not out. That there was, perhaps, a
latent appreciation, but at some levels a profound appreciation for that which we

�were trying to accomplish and had made some headway on that people didn't
want to lose. Didn't understand it well but didn't think it ought to be lost either.
[Barbara]

It's blinking at me.

[Armstrong]

Okay.

[Barbara]

We have one more question, I think. I think you've done the legacy, don’t you?

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Forrest Armstrong
Date: 1984
Part: 2 of 3

[Barbara]

Could you please sum up what you felt was the distinctive core of James in a
sentence.

[Armstrong]

I think that the distinctive idea had to do with working with students individually,
helping them see the relationship between their own efforts and the impact those
ideas and efforts would have on society. I think the essence of the operation of
the college was council, with a profound respect for other people, for hearing
ideas on the merits, for looking things up one side and down the other, and for
drawing people out for playing what Peter Elbow called the “believing game”
rather than the “doubting game.” Immensely important, immensely powerful and
made a lot of the good things in the college happen.

[Barbara]

Good.

[Barbara]

Anytime.

[Armstrong]

Looking back on it, if I had it to do over again, I think I probably would have
accelerated the timetable for some things I tried to do. I don't think I would have
changed them; I would simply have gotten to them immediately. In the second
year, in the beginning of the second year, I proposed an agenda of, I believe,
fourteen different items – things that the college needed to attend to. Almost all
those we did work on, and I think almost all of them, in one form or another, were
received favorably, which I think is a testimony of the power of people to look at
with open eyes and ideas that were not necessarily the same as the ones they
had been working with. We should've done it the first year, not the second. I
remember vividly that we had a retreat in January of eighty-two. We had a retreat
at Kirkhof House. And one of the things I did at that time was read to people the
statement I had just gotten earlier that day from the President, about the charge
to the committee to, you know, attend to overlap and duplication – things of that
sort. At that time… in that meeting, on our agenda was things like a change in
the grading system, and some other modifications which, I think, possibly could
have made a difference had they been in place during the nineteen eighty,
eighty-one academic year. Eighty, eighty-one was a bizarre time. I was never
here, really, during the normal time, except those first twenty-nine days. But, if
we had made some changes then – that I personally think were called for – it’s
conceivable to me, I think it is unlikely, but I think there's probably five to ten

�percent probability that it might have worked out a little differently. That's not a
high probability of success, but those are the kinds of things that I think would
have been taken seriously. I know the changes we made during the eighty-one,
eighty-two academic year were taken seriously by the people across campus.
They looked at us in a little different way as a result. And I think that if we had
attended to the grading system which, in many respects, was the central, most
visible thing about us that people were then taking shots at. Conceivably, we
might have done it. Conceivably we might have had a different outcome. Not
probably, but least conceivably.
[Armstrong]

In retrospect, it is easy to say that I really should have proposed a number of
things earlier. I didn't do it because I really wanted to take that first year and get
to know the college more fully than I could possibly have known it coming in a
fresh. I really didn't want to just bring in ideas and say: "I've got answers and
here they are." I intuited that there was something of great value here, and one of
the reasons I came was that I wanted to learn, and I understood that I could learn
a number of things here. Learning means you talk to people, you ask questions,
you listen. You don't simply come in with your bag of tricks and say, “Here they
are, we gotta do them." And I did – I learned a lot. And that's one of the
immensely important things for me about the experience. That would have been
changed – for me, and I think for the college – had I come in with a whole
agenda in nineteen eighty. On the other hand, in retrospect, maybe something
else could have happened as a result.

[Barbara]

Fascinating.

[Barbara]

Let’s give it a shot.

[Armstrong]

One of the interesting things about the federation – I think probably one of
reasons it came into being initially – was that the several colleges presented
multiple opportunities for innovation, multiple pathways. And during that heady
growth period of the seventies, there were ultimately five different places where a
good idea could be found, where a good idea could be nurtured and grow and
develop. And I think it was always in the eyes of the people in central
administration at that time, that if there were a good idea, it would be
appropriated by other units across campus, and the whole institution would be
stronger as a result. The decision to reorganize then in nineteen eighty-two, I
think, was also informed by that understanding. The decision to create a
divisional structure happened to end up with the same number of divisions as
there then were colleges. I think that was probably accidental; probably had more
to do with the structure of knowledge with the traditional three domains, and the
existence of Seidman, which was a foregone conclusion to continue pretty much
as it had been. But that also offered then multiple pathways for innovation;
multiple structures through which people could work. All smaller structures than

�what would’ve happened had there been just one large monolithic organization. I
think probably people had learned that if there are somewhat smaller
organizational structures and somewhat more of them, maybe it's more likely that
ideas will surface and flourish.
[Barbara]

How are you feeling?

[Armstrong]

Okay.

[Armstrong]

I sometimes wonder what the future of the college would have been had we had
more time. One of the things that has always perplexed me has been the relative
disparity between some of the things that were valued publicly – that were
certainly central to the theory behind the college – and the kinds of things we
would have wanted our students to do, and some the decision-making processes
within it. There seemed to me to be a hard time for people collectively to engage
hard decisions. The idea that the choice of Adrian's successor was left to tie.
Where, repeatedly, people who had chosen to abstain from the voting passed the
decision to Zumberge. The decision at the time in nineteen-eighty when we had
to reduce staff… that faculty could have been collectively, centrally, involved in
that, but chose not to be… before the fact, at least. The difficulty so many people
had with giving no credits, even though the giving of an incomplete, more than
ninety percent of the time, was tantamount to giving a no credit, because they all
lapsed to no credit. There was some, in some sense, a reluctance to grapple
publicly, as council should have caused, with certain kinds of hard decisions.
There was a strain of thought in the college that said one of the things I value
about it is the opportunity to do things… do my own thing, really, without the kind
of real, shared scrutiny that in theory is called for. And that always has perplexed
me. It seems to be out of character with the rest of the institution. But I think it
was something that did not augur well for the future. I don't know why it was.

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                    <text>William James College Interviews
GV016-16
Interviewer: Barbara Roos
Interviewee: Forrest Armstrong
Date: 1984
Part: 1 of 3

[Barbara]

Not as many students as I would like to, but everybody from the faculty and…
What kind of description that tells you what kind of vibes about the place did you
get from others?

[Armstong]

Did I get from others?

[Barbara]

From others. Not what you observed, but what kinds of things were you told
about the college?

[Armstrong]

Okay.

[Barbara]

Anytime you're comfortable.

[Armstrong]

Oh, you're running?

[Barbara]

Yeah.

[Armstrong]

Okay. I think the image that I got when I came was of a place where there were a
fair number of good people, people who were viewed favorably across campus,
but who, genuinely, were not well understood in the kind of thing they had
chosen to put their lives to. The college was not at all well understood. There was
the shared perception that there was nothing of coherence that one might call
general education. The synoptic program was not seen to be a program. The
concept was, I think, not well understood. The grading system was a major
problem. And I think, increasingly, the college became known more by its failures
than by its successes. I think there was a sense that there was a fatal fascination
of moth for a flame. And the college with its perceived lack of structure, perceived
lack of rigor – collectively, though not individually – and lack of grading system as
understood by the rest of the world, was attracting people for the wrong reasons.
Yet, there was attention, I think, because many people on campus could point to
individuals at the college and say: "There's a very bright, very dedicated, very
capable, very attractive, colleague." But somehow collectively it didn't work that
way.

[Barbara]

Okay. Can you be specific about certain things that you were told to change? If
that's a proper question.

�[Armstrong]

I don't think I was told to change anything. I think I came, probably, with an
implicit mandate that things needed to be better organized, that things needed to
be tightened up, if you will. There was the budget fiasco of the previous year,
where the budget had been overspent and we were, actually, in nineteen eighty
debited by over half of the amount that was overspent the year before.

[Barbara]

How much?

[Armstrong]

I'm going to say six thousand was debited and the overrun was twelve thousand
out of a CSSM of sixty. Maybe not close enough for government work even. I
think there was the sense that a number of things had – at least in the near term
– been left unattended. I wasn't here then; I don't really know what that meant.
But there were a number of things that were of the standard organizational sort:
things that needed to be done on time and things needed to be done
comprehensively. In the sense, I believe, those had not been done that way in
the past. I think Zumberge presumed, appropriately, that that's something I could
do. But that's the tail, not the dog. Another thing I think that was probably not well
understood was the extent of which the curriculum changed in a relatively fluid
manner. Not as fluid as TJC's had been, apparently, but far more so than CAS's.
And I think there was some lack of understanding about how that could keep
going on. Why people didn't think it through, get it straight, and then more or less
stay with it once they had gotten it that way. One of the issues – I don't how long
it had been an issue, but it was certainly and issue when I came – was the need
for the institution to run as many course descriptions and the time schedule each
semester as it was doing. And that was attributed largely to James's insistence
that it be that way.

[Barbara]

Okay. We've been talking about other people's perceptions, what were your
perceptions of the college when you actually came and started administrating?

[Armstrong]

My perception of the college was that it had a lot of good people who are very
seriously invested in the college. That there was a real openness to seeing
students as significant participants in the process, which is immensely valuable,
and it helps set the tone for a lot of other things that could happen. I think I also
saw that there was a real openness to ideas. People were used to working with
ideas of others; they were open to that. There was a kind of collegiality that was
important here, and it's something that I think I value especially and is one of the
many things I found that was attractive that led me to come. I think that I also
found that there was probably a mismatch between perceptions of people in the
college about what it was and what it actually was, especially in the nature of the
student body. And my sense is that the perceptions of people in the college –
faculty – probably were formed maybe five years before I came, when the
student body was largely social relations students, and probably largely made up

�of students who were here for what we all came to say were the right reasons.
They understood… they were attracted to the college because of this educational
philosophy, because of the myriad ways they could grow within that philosophy,
because of all very positive things. And, indeed, many of the students I met when
I came for my interview, I later learned were of that sort just exiting the college. I
think, though, probably beginning about seventy-eight, the student balance
changed fairly abruptly. They changed from social relations students to arts and
media students and – not because of that, but I think in addition to that – more
and more came for what might not have been the right reasons. People running
from a perception of the structure and the rigor that they would find in some other
place to a place where they could do their own thing, and everything was okay.
That was never the perception of the faculty, collectively, but I think it was of
more and more students. And I think over time, those students made an impact
on the whole campus's perception of the college. And also had something to do
with the nature of the discourse in classes. I think that was one of the things that
we didn't anticipate and had hurt us in the long run.
[Barbara]

Very clear. What was your impression of the quality of education that we were
delivering or that was being absorbed (if those are two different things) when you
arrived? The quality of the education?

[Armstrong]

I think, in general, it was quite high. I think it was, probably, more ambitious than
an increasingly large percentage of the students were able to handle. One of the
things that I remember vividly is the sense of people saying: "It's not working the
way it used to. We used to be able to do certain kinds of things and we can't do
them now." I looked at the numbers, and the distribution to students, and so forth,
and it seemed relatively clear to me why that might be. But for people who had
evolved through the change from seventy-four to eighty, the changes were
gradual and relatively imperceptible in any moment of time. The difference
between what had been done in the education and vocation class, whence came
the idea for milestone, and what was done in milestone is, I think, dramatic. And
it's probably a symbol of the changes that had come upon us without our
understanding it.

[Barbara]

Good. You must have been in show business.

[Armstrong]

I'm sorry?

[Barbara]

You're very crisp, I was teasing you.

[Armstrong]

Oh [Laughter].

[Barbara]

I was saying you must have been in show business. I'm sorry. What was your
agenda? You didn't get to be [inaudible] for very long, but what was your agenda

�for that, probably, year and a half, wasn't that it?
[Armstrong]

Twenty-nine days after I came, the state’s fiscal crisis was announced. And so
whatever it was that might have been, I think, was really abrogated before even a
month had past. I was really very interested in James, in part, because I had
spent twelve years in a different interdisciplinary setting, and I was quite
interested to get some perspective on what I had been doing. Some perspective
on interdisciplinary teaching, interdisciplinary collaboration. I was also very
interested to see an entirely different approach to the integration of general and
liberal education with a major. Green Bay had had a core program; I had been
centrally responsible for devising, and teaching in it, and revising it when it
happened toward the end. Green Bay, in many respects, was much more tightly
controlled. The whole thing was to be interdisciplinary, but there were many more
strictures. Students would all have to do this, all have to do that, all have to
something else. A very different approach toward achieving what I saw as some
common objectives was the one taken here, and I wanted to get some
perspective on that. One of the things I did not anticipate – but came to
appreciate tremendously and learn a great deal from – is James's way of doing
things. I think, probably, the central institution in the college, was council. And I
had not understood – even intellectually, much less come to appreciate fully –
the importance of council, nor the way it worked; nor the kind of respect for the
ideas of others and concern for avoiding a rush to closure that I found here.
That's one of the many things I think I got from James, was to learn something
from that. One of my disappointments was that I did not find here – in those
twenty-nine days, at least – I didn't really find the kind of collective attention to
epistemology and to the intellectual underpinnings of the interdisciplinary
enterprise that I had hoped. I think, frankly, that was a weakness. And I think that
there were enough people who thought interdisciplinary just meant doing
whatever one wanted, without taking a hard look at it. That disappointed me a bit.
There was a lot of openness to ideas and there was a lot of sharing at some
levels. And on a one-to-one basis, one could go a long way there. But,
interestingly, in the collective endeavor, people backed away from doing some of
the hard questioning, which I think is a natural outgrowth of the process and
ought to be valued… ought to have been valued. But in my experience, at least
beginning in nineteen eighty, wasn't always. I don't quite have a theory for why
that was, but it was one of the strange things that I came to think about, and still
think about, in trying to make sense out of what James was and what it offers us
now.

[Barbara]

What I think of when you talk about that is Walter because I really feel that Walter
was open to that and Walter tried to get people to converse with him in the way
that you're speaking of, and people backed off.

[Armstrong]

I think that's true. I think he did, and he was certainly one of the truly broad,

�fascinating, interestingly educated persons I've met. He didn't get very far in the
public discourse, and I don't know why. I came at a time, which was I think at the
tail end of the discussion I couldn't chair in about visual literacy, and apparently,
he had been central to that in seventy-eight and seventy-nine. My sense was
that, to a certain extent, he'd used up some of his credits, if you will, in that
discussion. I don't know why, but that was more of a closed topic than an open
one with most people when I got out here. I don't know why.
[Barbara]

I don't know why either. I know we're heading towards the end of the first tape,
even though I can't see my light, so let me just ask you… here I'll even…

[Armstrong]

Among the problems that were identified: the colleges unwillingness to collect the
student fees it assessed, the colleges willingness to Xerox things at college
expense, and violate copyright to give them to students, saving students the cost
of buying the book, the willingness to pick up faculty that had been denied tenure
in another unit of the college, the wholesale granting of credit (or so it was said)
for life experience in a couple of instances early on in the experiment with that
which lead, I understand, to the decision not to do so at Grand Valley anywhere.
And then, of course, the lack of tenure, the lack of a grading system that was
understandable by the rest of the college. And also, the perceived lack of any
clear relationship between the major and general ed. Synoptic simply meant
anything that you wanted to the uninitiated outside the college. All of those, I
think, created an atmosphere of misunderstanding.

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