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                    <text>HOMECOMING OF THE THREE FIRES

POWWOW
JUNE 15 - 16, 1991
PUBLIC WELCOME
COMSTOCK RIVERSIDE PARK
GRAND RAPIDS, MICHIGAN
Grand Entry: Saturday 1 :00 p.m. and 7:00 p.m.
Sunday 1 :00 p.m.

MASTER OF CEREMONIES
John Bailey

FOOD CONCESSIONS AND
TRADERS WELCOME

HOST DRUM
Shingue-sase

Fees: Food Booths: $50 and
$15 Annual County License
Arts &amp; Crafts Traders: $50

CASH PRIZES
DIRECTIONS: US 131 to Ann St. Exit, East to Monroe Ave. NE, North to
Park Entrance opposite M;ichigan Veterans' Facility
r

FOR INFORMATION: Call Chris, Loretta, or Jeff (616) 774-8331

~ - - Y - GrandRapids loler-Triba/Covncil
JJodtlze CityotGraodRapids

NODRUGSORALCOHOL
i

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                    <text>•

omeconun

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0

Grand Rapids, Michigan

Comstock Riverside Park

I

ee ires
Public Welqome

TRADITIONAL
Food, Concessions, and Traders by Invitation
Call 616/774-833 l • $55 Fee • May l Deadline

·

June 13 {9 14

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...

Master of Ceremonies
JOHN BAILEY

~}

Host Drum:
Skintones

Andre D'Artagnan

Veteran Dancer:
Frank Bush

Head Woman Dancer:
Pun kin Shananaquet

, :,~.,:,.:.:..···

I,
·=====,=,=====

!'

:;:

For Information: Monday through Friday ai
GRITC, c all 616/ 774-8331.
Sponsored by the Grand Rapids Inter-Tribal Council and the City of Grand Rapids • NO DRUGS OR ALCOHOL

�Grand Rapids Inter-Tribal Council
45 Lexington NW
Grand Rapids, MI 49504

Non-Profit Org.
U.S. Postage

PAID
Pem1it No. 690
Grand Rapids, MI

Grand Valley American Indian Lodge
Isaac Peters

2512 Union NE
Grand Rapids, Ml 49505

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Grand Valley American Indian Lodge
Ed Gillis
2512 Union NE
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                    <text>�HOMECOMING OF THE THREE FIRES POW WOW
sponsored by:
GRAND RAPIDS INTER-TRIBAL COUNCIL
and
THE CITY OF GRAND RAPIDS

1993 SCHEDULE OF EVENTS

SATURDAY, JUNE 12
6:30 am
9:30 am
1:00 pm

Blessing of the Ground
Breakfast (participants only)
Grand Entry
Flag Song
Invocation
Introductions
Veterans' Song
Inter-Tribal Dances
Specialty Dances
Tree Planting Ceremony
2:30 pm
Inter-Tribal Dances
Closing
5:00 pm
5:00-7:00 Dinner Break (participants only)
7 :00 pm
Grand Entry
Flag Song
Invocation
Veterans' Song
Inter-Tribal Dances
Specialty Dances
9:00 pm
Closing

SUNDAY, JUNE 13, 1993
9:30 am
1:00 pm

5:00 pm

Breakfast (participants only)
Grand Entry
Flag Song
Invocation
Veterans' Song
Inter-Tribal Dances
Specialty Dances
Give Away
Pow Wow Committee Thank You
Closing

lf you have any questions concerning the Pow Wow, contact a Pow Wow
Committee member, wearing a button with a red ribbon attached.
2

�Grand Rapids Inter-Tribal Council
-

45 Lexington , N.W ., Grand Rapids, Michigan 49504

--=

(616 ) 774 -8331

.FROM THE POW WOW COMMITTEE:

Grand Rapids Inter-Tribal Council and the Indian

community is proud that the Three Fires Pow Wow, co-sponsored
with the City of Grand Rapids, has become a major summer event
in this area. Last year over 20,000 spectators attended.

Moving the site of the Pow Wow to the Riverbend Pavillion
was positive as it is a much better site for such a cultural event.
This year's Pow Wow is dedicated to all those who have
followed the Pow Wow trail and who now walk in the Spirit world.
Last year at the close of the Pow Wow, Mr. Raymond Ramos
suffered a fatal heart attack. He and his family had spent the
weekend with us. Mr. Ramos will be honored at 2:30 pm on

Saturday with the planting of a cedar tree in his honor.
We are glad that you are part of the circle here today.

MEGWETCH!

The 1993 Pow Wow Committee

3

�POW WOW ETIQUETTE

Everyone is welcome at Pow Wows;
however, it is important to realize that the
dances are ceremonial as well as social events
and should be observed with respect.
1. During Grand Entry, Flag Songs, and
Honor Songs, please stand, remove hats, and
refrain from taking photographs.
2. Eagle feathers are especially sacred to
the American Indians. If an eagle feather falls
from a dancer's regalia, a special ceremony
will take place to retrieve it. When an eagle
feather is being retrieved from the dance
circle, please refrain from taking photographs.
3. Always ask permission before taking
photographs of dancers when they are outside
the dance circle. Also, please ask permission
before taking photos of drummers and their
drums.

4. The East entrance of the dance circle
is reserved for dancers. Spectators are asked
to refrain from congregating in this area.
5. The dance arena is for participants
only. The arena is blessed prior to the event.
In this respect, we ask spectators to consider
this sacred ground for the duration of the pow
wow. You may be invited to enter the dance
arena during the Inter-Tribal or Honor Dances.
6. The dancers' clothing is called
regalia, dance clothes, or dance outfit, not
"costumes."
7. The chairs immediately surrounding
the dance circle are for elders, dancers and
their families only.
8. If you have a question, ask a member
of the Pow Wow committee, designated by the
red ribbons attached to their button.

4

�POWWOW HISTORY

The Pow Wow has historical, spiritual, and social
value to American Indian people. In addition to participating in the traditional dance and song, the people visit
with family and friends, and make new acquaintances.
Often it brings together families who may live apart
throughout the year. It is also a chance to demonstrate and
display artistic ability with the many arts and crafts
common to the Indian people.
Pow Wows are more than social events. They are a
time of learning and carrying on a rich cultural heritage.
The Pow Wow has also become a means of providing an
opportunity for cultural sharing with non-Indian people.
There is a spiritual significance in the dances, songs,
customs observed, and even in the preparations for the
event. The Pow Wow provides an opportunity for our
young to learn from our elders and carry on traditions.
In Michigan alone, numerous Pow Wows are hosted
by Indian groups and communities throughout the year.
Modern transportation has made it easier to travel from
place to place for these events. This has established intertribal friendships throughout the Great Lakes.
An important duty prior to the gathering is
blessing the grounds where the event will be held. This is
to insure that only good thoughts will occur there, and
everyone will have a good time. Once the ground is blessed
it is considered sacred, and everyone is asked to keep it as
clean as possible. No drugs or alcohol are allowed on the
Pow Wow grounds. Morning prayers are offered at a
sunrise service the morning of the event.
Traditional or Contest?
There are two types of Pow Wows. The contest or
competition Pow Wow is one in which there are cash prizes
offered for dancing. The dance contest is judged according
to certain criteria, with prizes awarded to dancers who
demonstrate the best ability in his/her particular style.
There are categories for different ages and styles of dance.
Traditional Pow Wows, such as ours, offer no
competition dancing. These events offer a variety of
dances for the participants, and often include strictly-forfun dances such as the two-step. This weekend, we will be
celebrating a naming ceremony for a small child, and a
tree-planting ceremony for someone who has passed into
the spirit world.

5

�The Drums &amp; Their Songs
The drum not only sets the tempo of songs and
dances at a Pow Wow, it is a very important symbol to
Indian people. The sound represents the heartbeat of our
people, our Mother Earth and our nations. The drums'
circular shape represents the unity the Indian people and
our oneness with the universe.
The traditional hide drum is made by stretching a
hide over a wood frame and lacing the two sides together.
The singers are able to control the pitch of the drum by
warming the hide near a small fire or in the sun. Another
commonly used drum is the bass drum. All drums are
treated with respect. Our elders say that when songs are
sung with these drums they are heard by the spirit world.
Each drum has a lead singer who leads off the songs
in his language. Each song has a special meaning or story
to the person who carries that song with them. Some
songs are very old, some are newly composed. While many
of them are of a serious nature, such as the veterans' song
and honor song, some are humorous and meant to cause a
smile, and help us to not take life so seriously. Singers are
expected to know a song for every type of dance. Songs are
carried by the singers in their memories and not written
down. You will often see a young boy sitting at the drum;
this is when training begins for learning and remembering
songs. Among Great Lakes Indians, women do not sit at
the drum, but they do sing with the drummers, Joining
them in certain songs.
Notice that the Pow Wow grounds are arranged in a
series of circles: the drums, the drummers, the singers, the
dancers, the dance area, and the traders. The circle is a
sacred symbol in our Indian ways.

I

6

�HEAD PARTICIPANTS

Head Pow Wow people are selected for their knowledge, skill, and
ability to carry out their tasks. It is a great honor to be selected to one of
these positions.
Master of Ceremonies: John Bailey
It is the responsibility of the MC to coordinate the Pow Wow activities
and keep events running smoothly. All announcements, information and
explanation of events are made by the MC. The MC must have knowledge of
all the songs, dances, customs, culture, tribes, and general information
about Pow Wows, as he is expected to explain all aspects of Pow Wow
activities during the event. He must be "on stage" for the entire Pow Wow.
Host Drum: Little Weasel Thunderchild Singers (Shingue-sase)
The Host Drum consists of five or more male singers. The Host Drum
leads off each of the Pow Wow's dance sessions with the Grand Entry Songs.
They also provide any specialty songs requested, and are ready and capable
of singing any song requested. A typical drum group may have a repertoire
of hundreds of songs.
Head Male Veteran Dancer: Simon Francis
Head Female Veteran Dancer: Josie Walters
The Head Veteran Dancer is one of the most important dancers in the
Pow Wow. He or she carries the eagle feather staff during Grand Entry, and
leads the rest of the dancers into the arena. The Head Veteran Dancer
represents all American Indians who have given their service and lives in
defense of our country.
Head Male Dancer: Tim Gibson
Head Female Dancer: Mon-ee Chivis
It is an honor to be chosen as a head dancer. Head dancers are chosen
for their extensive knowledge of the cultural meaning and purpose of Pow
Wows. Head dancers are very skilled in their style of dancing and set an
example of proper Pow Wow etiquette by upholding the traditions passed
down from our American Indian ancestors. The Head Male Dancer follows
the Head Veteran Dancer and the other flag bearers into the arena during
Grand Entry, and is expected to lead off, with the Head Female Dancer, all
Inter-Tribal and specialty dances throughout the Pow Wow.
Arena Director: Larry Peshaba
The Arena Director is often the busiest person at the Pow Wow. He
is responsible for coordinating everything which will ensure the dancing
proceeds smoothly. If any singer or dancer has a problem with an on-site
deficiency, the arena director makes every effort to remedy the situation.
He must make sure all the drummers and dancers have everything they
need to participate in the Pow Wow. He coordinates the Grand Entries and
specialty dances, and deals with anyone behaving inappropriately during the
dancing or in the arena.

7

�THE DANCES

American Indian dances are an expression of
thankfulness to the Great Spirit, as the people dance in a
sacred circle around the drums. The circle represents the
cycle of life, the moon, sun and earth. The drum arbor,
which is traditionally covered with cedar is in the center.
The drums are the heartbeat of the Pow Wow and of the
people who dance. Dancing is done in a community spirit.
It is a time when friends and relatives come together to
celebrate with each other. Over the years. the dances have
changed to reflect the growth of traditions. You will see
two styles of regalia on the dancers. The traditional
dancers use natural items and colors, with designs based
on nature: the fancy dancers use brighter, more eyecatching colors and materials.
Today a Pow Wow begins with the blessing of the
grounds and the Flag song. Indians have the same regard
for the Flag Song as for the National anthem. All people
are asked to stand and remove their hats as a sign of
respect for the veterans who have served their country.
The dance for the Flag Song is led by a male veteran. The
Indian people dance behind the veteran dancer in respect
for the elders and the flags of the Indian nations and the
United States.
Grand Entry:

The Grand Entry is the first dance of the Pow Wow.
The dancers will enter the dance circle from the east
entrance, usually in single file. The Eagle Staff and the
United States flag are carried at the head of the line. The
dancers at the front of the line have a place of honor,
respect, and responsibility. The dancers create a circle on
the outer perimeter of the dance area, representing the
sacred circle. Participants signal Grandfather and their
ancestors to witness this physical testimony of the continuation of traditional values.

Mens' Traditional Dance:
Acting out feats of bravery through dance, dancers
use story telling movements. They represent an older,
distinguished sector of the Pow Wow. Traditional dancers
may wear ribbon skirted regalia with beadwork, pieces of
hide, and a roach headdress of deer tail, porcupine quills
or horse-hair. Moving clockwise around the drum,
dancers may interpret animals with side-to-side movements of their heads. They may wear buckskin, a bustle, a
breast plate of bone and a roach.
What to watchfor: Most interesting is watching
the story line develop throughout the dance. Even with the
slow tempo, the rhythm must be in harmony with the
drum. Try to interpret each motion and compare the different ways dancers imitate the eagle, or the porcupine, or
other animals and birds.
Mens' Fancy Dance:
Today's mens' colorful Fancy Dance is based on
the traditional and Warrior Society dances. The dancer's
talent and skill is reflected in his footwork, body movements and his ability to stay in step with the drumbeat.

8

�What to watchfor. Following the rhythm of the
drum with the steps, the motion of the head and the flow of
the body are important elements in the Fancy Dance.
Since the steps are individual, the expression of the
emotion of the music and the change of pace from a slower
style to a faster beat are important. As in all Indian
dancing, the finish in exact time with the song ending is
significant.
Grass Dance:
Traditionally, people traveled and often made new
camps. Different tasks were given to those most suited for
them. The energy of young men made it natural for them
to help set up a dancing place. As the grass was very tall in
the days before the land was worked into farms, a group of
young men moved around the common area, and pushed
down the grass with their feet, pressing it again and again
until the area was more comfortable to move through.
Their movements recalled the wind restlessly swirling the
grass.
Originating on the northern plains, where men
wore crow or sweetgrass braided belts in the traditional
Grass Dance, today's dance is like the original because the
whole body is used to create free-flowing movements to a
slower drum beat than that of other men's dances. It may
come the closest of all to imitating the dances of old.
Because many of the movements come from the upper
torso, grass or yarn dancers exhibit a certain swaying
grace and abstract style.
What to watchfor: The motion of the bodies causes
the flowing regalia to move in a way reminiscent of the
long, blowing grass of the prairie. The dance is an expression of the harmony of the universe and is danced in
perfect time to the music, responding as the grass rises to
the motion of the wind.
Womens' Traditional Dance:
This dance of honor reflects the women in
American Indian society, including their roles as givers of
life, keepers of home and family, decision-makers, and
heads of households. Some dancers dance in one position
or area. Others move clockwise around the drum.
Although styles of dress vary, buckskin or cloth dresses
with ribbons and shells are often worn. Some carry a
shawl draped over one arm and hold a feather fan in the
other hand.
What to watchfor: Discipline is essential to the
slow, graceful movements of the dance. Dancing in perfect
harmony with the drum, while never breaking the sedate
spirit, is the essence of the dance. The clips and sways are
executed with no break in dignity.
Womens' Fancy Dance:
This dance is popular with young women today as a
competitive piece at Pow Wows. This style of dancing is
sometimes called fancy shawl. The dancer makes her
colorful shawl, worn over the shoulders, dance with her.
Creativity and smoothness are the keys to an outstanding
performance. It requires nimbleness to perform the fast
footwork, spins and leaps.
What to watchfor. Since each dancer has her own
individual style, the essence is how well the steps and
motions express and harmonize with the drums. Being in
time with the beat is important, as is the ability to end
the dance precisely.

9

�The Jingle Dress Dance:
At a time when there was widespread sickness and
weakness among the people, many were searching for a
way to restore the health of their community. One young
girl had a dream in which she saw how effective prayers
could be made. The next day she went to a wise grandmother, a medicine woman, who helped her with the
realization of her dream. They sewed onto a dress of
beautiful fabric many small cones of metal. Each one was
tied with a prayer. And when it was worn in the dance, the
dress made a jingling sound recalling the saying of constant prayer.
The Jingle Dress Dance is a dance of pride and
dignity, which allows a significant amount of individual
expression. The jingle dress is not only vexy colorful, but
it furnishes much of the musical accompaniment for the
dance. Made from snuff can tops, the jingles may be a
woman's answer to the bells on men's outfits. A jingle
dancer's movements are more confined and rigid than a
fancy or traditional dancer's. Hands are kept at the waist.
The jingle dress's tight fit allows the dancer limited
movement.
What tD watchfor: Dance steps and body
movement which are not in time to the music are easily
detected because of the music of the dress itself.. Pride and
grace are evident in the attitude of the dancers, and a
certain reverence is exhibited.
Veterans' Dance:
The Head Veteran Dancers lead off this dance. All
veterans are invited to join in this honor dance, which is a
special tribute to those who have served their countxy.
Inter-Tribal Dances:
The dances are sometimes called friendship dances
and are a chance for evexyone to join in the dancing. It is
not necessaxy to be dressed in regalia to participate. The
Master of Ceremonies will often announce the intertribals, and encourage the audience to join in.
The Give-Away:
In Indian culture, honor and prestige is not heaped
on the person who accumulates material goods selfishly.
The greatest respect is given to those who Give-Away their
personal wealth. This might be done to announce the
change in status for an individual, or more commonly, in
honor of a friend or relative. In either case, it is not the
value of the gifts that is important. What is important is
the gesture. The gesture illustrates the lack of selfishness
in the giver, and the giving of gifts has the effect of
strengthening and unifying bonds among the community.
The person who receives a gift is as honored as the person
who gives the gift. The Give-Away is a fitting climax for
the Pow Wow. It caps off a community celebration with a
present of friendship, unselfishness. and goodwill that
will never be forgotten.

10

�HOMECOMINGOFTHETHREEFIRES
POW WOW COMMITTEE:

Debbie Muller
Pam Van Dyken
Hunter Genia
Jeff Justin
Rick Sprague

Loretta Antoine, Chair
Loretta E. Yount
Carolyn Ogilvie-Cohen
Alex Antoine

Christine Stone
Larry Peshaba
Levi A. Rickert
Laura Powers
Marcia Barber

Pow Wow Program cover collage design by Ktehael Kowalczyk.

Production coordination &amp; design assistance by PVD Artists &amp;OL
Program printed by The Printing Press.

1993 HOMECOMING POW WOW CO-SPONSORED BY:

GRAND RAPIDS INTER-TRIBAL COUNCIL
45 Lexington Avenue, NW
Grand Rapids, MI 49504
(616) 77 4-8331
Levi A. Rickert, Executive Director

•

A United

Wi.fw.-ruw

Incorporated since 1972, Grand Rapids Inter-Tribal Council has as its mission aiding}
and promoting the general welfare of the American Indian. Indian people serve on the
Board and staff and operate several programs, all of which intend to serve the whole JJRlr.BIIIL
Inter-Tribal respects the importance of including the extendedfamily in the providingJCDjf
services. As well as mainstream methods of human service, Inter-Tribal uses traditiorrml
methods of Indian culture. The main programs are: Mental Health Counseling; SubstaJ'llllle
Abuse Prevention; Senior Citizen Assistance; Publishing Native Literature. Inter-Triballs
Board and staff invite Indian people and all with a connection to the Indian world to calll
or to come to Grand Rapids Inter-Tribal Council.

and
TIIE CITY OF GRAND RAPIDS
Department of Parks &amp; Recreation
201 Market Avenue, SW
Grand Rapids, MI 49503
(616) 456-3216
11

�THE POW WOW COMMITTEE WISHES TO THANK
THE FOLLOWING INDIVIDUALS AND COMPANIES WHO HAVE
CONTRIBUTED TO MAKING TlllS POW WOW A SUCCESS:

�PLACE
STAMP
HERE

fA
-

I

Grand Rapids Inter-Tribal Council
45 Lexington, N.W.
Grand Rapids, Michigan 49504

�I WANT TO ASSIST THE AMERICAN INDIANS IN GRAND RAPIDS
Enclosed is my tax-deductible gift to the Grand Rapids Inter-Tribal Council
$_ _ _ _ _ _ _ __
Name _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Address_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
City _ _ __ ,_ _ _ State _ _ _ _ _ Zip_ __
Telephone (W) ____ _ __

(H) _ _ __

I

I would appreciate my donation used in the following area:
_ _ Young Eagles Program (youth group)
_ _ Elder Lunch Program
_ _ Substance Abuse Program
_ _ Michigan Indian Press
Turtle Talk Newsletter

Pow-wow Fund
Unrestricted General Fund

Make checks payable to Grand Rapids Inter-Tribal Council

Megwetch!

(Thank You!)

e

A Unitt'd \Vay Ag2nc1

�</text>
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                    <text>Grand Valley State University
Veterans History Project Interview
Name of War: World War II
Interviewee name: Wellington Francis Homminga
Length of Interview: (01:20:15)
Background (00:00:10)
Wellington Francis Homminga
Born in Cadillac, MI; April 7, 1923
Raised in Grand Rapids
32nd Division, 126th Infantry, Company I, 3rd Battalion; a machine gunner (00:01:35)
Started off in the National Guard
Training (00:02:02)
Went from Boston, Massachusetts to California for Cow Palace


One of the greatest train rides of his life

Arrived in San Francisco where they stayed at the Army Post for 3 or 4 days
Cow Palace was a giant arena, similar to a baseball stadium (00:03:50)


Slept in the bleachers; stayed there for two weeks

Homminga had been ordered to Europe, but was sent to San Francisco instead (00:05:12)


Didn’t know or even think about where he was going; considered it an adventure

One morning, was sent out to an unknown destination
Boarded the S.S. Lurline, a luxury ship converted into a troop ship
Sailed under the Golden Gate Bridge, where the waters become rough


Caused a lot of seasickness for others

Knew he was heading out into the South Pacific (00:07:30)


Sailed for three or four days

�

Crossed the Equator, King Neptune’s Ceremony (came down with the German measles
during this celebration)



After recovering, went up on deck only to see ships surrounding them

Was now a part of a convoy with hundreds of ships (7 days into the voyage) (00:08:27)
Off to the North, could see land, the Hawaiian Islands, but did not visit them (00:09:38)
Australia (00:10:06)
One week later, it was announced that they were going to Australia


Took three weeks to land in Adelaide, South Australia



Rode a train into Sandy Creek, a small village



Did this at night in complete secrecy

In Sandy Creek for two months (00:11:11)


Did training everyday



Everyone was given train passes into Adelaide one week in

When arriving in Adelaide, Homminga met a girl there who took him to meet her family in Port
Noarlunga (00:12:25)


Homminga used her home as a “base of operations” whenever he was in town

Training: rifle fire, rifle range, machine gun range, practice throwing hand grenades, “mock war”,
battle situations (00:14:40)
Brisbane (00:15:17)
After leaving, they went by train to Brisbane


In Australia, every state has a different gauge railroad, so they had to go through
Melbourne and Sydney to get to Brisbane

Jungle Training began in Brisbane (00:16:08)
Stayed in Fort Tambourine, in the Tambourine Mountains, a wooded area outside of Brisbane
Had to clear the area of gum trees and jungle to make camp


This was during July of 1941, Homminga was 18 years old (00:17:03)

�

Was 17 when he joined the National Guard; some of his group were only 16 years old
when they joined

For Jungle Warfare Training, they would be given compass readings after being put somewhere
in the middle of the jungle, only certain number of paces were allowed (00:17:34)


If done correctly, someone would be at the designated point to meet you



If done incorrectly, you would have to “wander the jungle all night long”

No Artillery Training; worked with their own guns, dug fox holes, held “mock wars” (00:18:28)
The camp was like being dumped in the middle of a pine forest in which you had to make into
your home (00:19:23)


Dug their own latrines and wells, set-up kitchens and tents; like a Unit on its own



Weather was cool in the winter and, when they left Brisbane in the summer, it was hot

Port Moresby, New Guinea (00:21:00)
Stayed in Brisbane until the end of October, then was shipped off to New Guinea


Was not aware New Guinea was their destination at the time



Put on landing ships, LST’s, “Victory Ships”; all steel, loaded with 500lb bombs, trucks



10 ton cruiser in the back for the Australians to use when patrolling New Guinea border



Not allowed to be on the deck at night




One night, Homminga snuck up on deck to sleep between life boats, due to the
heat; next morning, it was one of the only things on the deck. A hurricane had hit
during the night which he was completely unaware of (00:22:24)

He went from a Private to a Corporal overnight (00:23:19)

Was on the ship about 10 days (00:23:41)


Pulled into the harbor of Port Moresby, New Guinea; full of ships that had sunk



Had been bombed by the Japanese

Brought to camp next to the ocean by trucks (00:24:16)


Completely different landscape to Brisbane; jungle, mountains, an airfield

�The Japanese would sometimes fly over and shoot (00:25:37)


First casualties happened because of this; Japanese were trying to bomb the air field but
overshot it and hit some men

There for three or four weeks doing Jungle Training (00:26:04)


One night, they attempted to get a man out from the trees, but it was actually a branch.
Had it riddled with bullets from machine guns



Had been told by Americans that the Japanese would climb trees and shoot from there
(00:27:09)

No contact with the Australian Soldiers
One morning, troops from E Company passed by their camp to go over the mountains
Two days later, his troop was flown over the mountains
Jungle (00:28:26)
Brisbane jungle was easier to navigate while New Guinea jungle was easy to get lost in


Never met any wildlife besides a 15ft. Rock Python



Saw a lot of natives who would bargain with them



Interacted with the natives with “sign language”



Did not encounter much Kunai Grass in Port Moresby until Buna (00:32:00)

Popondetta (00:32:10)
The flight over the mountains was 40 minutes long, landed in a cleared field of Kunai Grass


Was put on a trail called Popondetta-Pongani Trail near the village of Pongani



At noon started on the trail

Had on khaki uniforms, full field packs, helmets, ammunition, guns, rations; each man had a
sack of rice and corn beef at night and C-rations in the day (00:33:07)


C-rations: candy bar, instant coffee they would chew (because there was no hot water)

Trail made by the natives for traveling between Popondetta and Pongani (00:34:40)
Did not know where they were going, but knew they were going into combat (00:35:22)

�

Took 13 days of walking, did not hear any sounds of battle, no Japanese encountered

Reached the village of Popondetta where there were American Troops and some Australian
Troops (00:35:52)
Australians had captured one Japanese Soldier, they shot him and buried him (00:36:58)
Next morning, set out into the jungle and swamps (00:37:16)


Water was up to their knees or their chest; there for three of four days



Slept where they could, sometimes slept in the mangrove trees



Didn’t eat, no place to stop and prepare food, maybe eat some C-rations



Drank swamp water by putting chlorine tablets in their canteens



In the swamps for about week

Started running into the Japanese in the swamps (00:39:51)


Japanese would shell them with mortar and artillery fire



Once, while tending to his feet, Japanese opened fire; so Homminga ran barefoot



Jungle Rot- when you don’t take your shoes and socks off when walking in water you get
a disease that “rots” your skin off (00:40:43)

Went to a staging area where the troops gathered, a couple hundred (00:41:23)


There for three of four days, went on patrol and ran into some Japanese



Never took prisoners because it took five men to watch one prisoner



Never set up tents, always out in the open or in the swamps

Arrived at the Sanananda Road between Popondetta and Buna (00:42:46)


Capturing Buna was their mission



Drove into the road that was in the middle of a Japanese hospital

�

Flushed the Japanese out of there and used it as a base, there for 21 days



Acted as a road block behind Japanese lines to prevent supplies from crossing

The Japanese would try to cross over at night, but were shot by Homminga’s troop (00:43:54)


A couple times, they found a Japanese soldier in only their undershorts but they shot
them; may have been trying to surrender

One morning, 300 natives from Buna had come in, without being heard (00:45:07)


Japanese had taken their village, Buna



The natives were going to Popondetta

Australians had a contract with the natives that for every Japanese head they brought in, they
received $5 (00:45:41)


They had to make them start bringing ears, instead, because of so many heads being
brought in



There were some head hunting tribes in the mountains


Met some hunters that tried to make one soldier laugh so they could see his gold
teeth, the soldier was told not to do this because of the danger it posed (00:46:21)

On the 21st day of being on the trail, Australians relieved them (00:47:23)


Went back to staging area to be fed



Threw up most of the food because they hadn’t eaten in 21 days



Next morning, Homminga went to the first aid tent; had a fever of 104, Malaria

Recuperation (00:48:25)
Sent back to Port Moresby by plane
Malaria (00:48:32)
A disease transmitted by anopheles mosquito, which settles in your liver and kidney;
severe fever and chills; takes about 15 days of intensive care to treat it; will always have
it in your system (dormant)


Very disabling and everyone had it

�

Were given Quinine (old remedy) and Atabrine (can turn complexion yellow)
(49:40)



Eventually ran out of these supplies



Took a lot of troops out of commission, more than injuries



Couldn’t go back to the Med Station during those 21 days; when they could,
people with 5 consecutive days of 104 fever were sent to the hospital (00:50:47)

Homminga was sent to Port Moresby by plane from Popondetta (00:51:24)


Hadn’t bathed in a month until reaching the hospital



There for a week, then loaded on an A-20, Combat Bomber, to go to Townsville,
Australia (00:52:10)



During his weeklong convalescence, Homminga rested and ate “extremely good” food


He once sleepwalked into an ammunition dump, 2 miles away from the hospital;
was in the middle of an air raid, ambulance took him back

Flight in the bomber took about two hours, flew extremely low to avoid detection (00:54:08)


Flew so low that the water from the ocean hit the plane’s nose

Loaded onto trains upon arrival, ended up in Brisbane (00:54:52)


Taken to the hospital to treat his Malaria; still had a fever, also developed sores on his
full back (since the road block on the Sanananda Road)

Got hold of a doctor in Brisbane who biopsied a sore on his side (00:56:04)


Diagnosis: had larvae, similar to the dog and cat tapeworm, colonizing causing the sores



Doctor decided to freeze them off his back, sprayed twice a day; was really painful



Took two weeks to get rid of the sores



Played cards, ran a cigarette store one day during his recovery

Coolangatta (01:00:00)

�Was in the hospital for about one month
Sent to Coolangatta, near Brisbane, on the coast; a small village with a rest camp


The camp had soldiers from the Red Arrow Division who were recuperating



Homminga swam often until spotting sharks in the reef when whale watching



Would go into the village to “romance” the girls

Coolangatta now-a-days is very populated with many attraction, then, it was mainly beaches and
houses; lots for $25 per acre
After Coolangatta, he was sent back to his outfit in Camp Cable (01:02:46)
There for a couple weeks then was sent to Newcastle to train for beach landing (01:03:02)


The first night, Homminga had an attack of Malaria so he was put in the Navy hospital

Sent to a hospital in Sydney by truck from Newcastle, then flew from there (01:03:30)


Had a temp. of 103; avg. temp., when afflicted with Malaria, is 104 or 105



In Sydney for about one month then was sent back to the U.S.


Was given Atabrine to treat his Malaria, but no Quinine (01:05:05)



Australian soldiers had Malaria, too; especially those in New Guinea



Could go out into town; more like a recover center



Lost a lot of weight in New Guinea, 180lbs.-106lbs (01:06:27)



Had been in New Guinea from late October to early January, celebrated Christmas there

U.S. (01:07:11)
Sent back to United States through Brisbane to board the S.S. Mauretania


Had made his own hammock, learned from a sailor onboard

Took about two weeks, then landed in Panama and went through the Panama Canal (01:08:41)

�Had to dock on the Atlantic side of the canal, Panama City, because of German Subs in the Gulf
of Mexico


Stayed in the hospital there for three weeks, still had bouts of Malaria



Couldn’t go out on pass, but could go on tours during this time (01:10:01)



Got to see many churches; saw the Church of the Golden Altar

Went back through the Canal up to San Francisco (01:11:05)


Went to Letterman General Hospital



Was given quite a greeting and celebration



At the hospital for three or four days

Sent to a hospital in Temple, Texas (01:11:55)


Went back home, in Michigan, for Christmas by train



Had been gone for about three years and six months (01:12:35)





Parents were glad and excited, had six siblings, as well



Never met his two younger brothers

Went back to the hospital after two weeks (01:14:32)

Went to a rehab center in Waco, Texas then was assigned to 99th Division, in Company A 393rd
Infantry (01:14:45)


His clothes didn’t arrive with him



There for two weeks



Was a part of the K.P. (Kitchen Police)



His captain came back from the South Pacific and wanted to put Homminga in a Training
Cadre but he had another attack of Malaria (01:16:10)

�

Had applied for the Air Corps to get out of the Infantry (01:16:58)

Had gone back to the hospital
Was given the choice of transferring into the Air Corps or a discharge; chose to be discharged
(01:17:28)


Waited 24 hours to be discharged, went by bus



After arriving home, Homminga met his wife in May; proposed on the first date

Will always remember and have dreams of what he did during the war (01:19:23)

�</text>
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                    <text>•

ii

•

•

"' •

Homo for the Holidays
It can be challenging to navigate
a trip hoine for the holiday break
after being "out" at college.
Join us for a holiday ineal
and encourageinent along -with other students
-who have already taken this journey.

LGBT Resource Center
1161 Kirkhof Center

Friday,
December 9th
at noon ·

�</text>
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                    <text>Grand Valley State University
Veterans' History Project
Ernest Homrich
World War II-Postwar
44 minutes 43 seconds
(00:00:11) Early Life
-Born at his family's home in Alpine Township, Michigan on April 13, 1925
-Grew up on the farm there
-Second-to-last child in the family
-Family was able to keep the farm during the Great Depression
-Had enough food, but had to ration it
-Father had a stroke
-Bedridden for 15 years
-Ernest and his brother had to run the farm
-Milked the cows in the morning
-Fed animals and did chores at night
-Stayed in school until the 11th grade
-Went to school off and on
-Took Fridays off and went fishing
-Mother was a great help in taking care of the farm and Mr. Homrich after he had his stroke
-Father lived to be 75 years old
-Had his stroke when he was 60 years old
-Ernest was 15 years old at the time
-Grew produce and raised animals they could sell
(00:03:58) Start of the War
-Driving in the car when he heard on the radio that Pearl Harbor had been bombed
-Paid attention to the news coming out of Europe and Asia before Pearl Harbor
-No one in his family was in the military when the war began
-He was 16 years old when the United States entered the war
(00:05:04) Getting Drafted
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-Deferred for a while because he worked on the farm
-When he got drafted his younger brother took over the farm
-Got drafted in late 1944 after being deferred twice
-Went to Detroit for a draft physical when he first registered for the draft
(00:06:42) Basic Training
-Went to Chicago
-Sent to an Army base in Texarkana/northeast Texas
-Went there by train
-Ride was smoky and there was soot everywhere
-Stopped along the way to let other trains pass
-Took quite a while to go from Chicago to Texas
-Went on hikes during basic training
-High emphasis on discipline
-Whatever your superiors told you to do, you did
-Men that couldn't keep up with the training were discharged
-Because he grew up doing farm work he was in good shape and kept up with the training

�-Received rifle and grenade training
-One time a sergeant dropped a live grenade
-Obviously, everyone ran away
-Fortunately, the grenade didn't explode
-Thought that that was the end of his life
-Had a little rifle experience from bird hunting on the farm
-Trained with men from all over the United States
-Didn't receive any specialized training
-Felt sorry for the men that couldn't do the training
-Men that couldn't adjust were discharged, recycled, or transferred
-Training lasted 17 weeks
(00�:12:17) Deployment
-After basic training received a leave home
-Reported to San Francisco
-Didn't spend too long there
-Boarded a troopship
-1700 men on the ship
-Had to share bunks
-Didn't know where they were going
-Stopped in Pearl Harbor because of boiler trouble
-Remembers the song “Sentimental Journey” playing as they left
-A lot of men got seasick
(00:15:54) Stop in Pearl Harbor
-Broke convoy to stop in Pearl Harbor because the ship's boiler needed repair
-Stayed in Pearl Harbor for a month
-Spent the time in Pearl Harbor with training
-Fed pineapple and all of the men got “GI Trot” (diarrhea)
-Limited outhouses, so some men had to defecate in the open
-Next day they got up early
-Men were still sick, so they were given a pill to alleviate the illness
-Went out for a drill
-He spent the entire day in an outhouse
-Went into town once or twice
-Found an old Japanese motorcycle
-Pearl Harbor had been cleaned up
-Saw the sunken ships left in the harbor
(00:18:50) Arrival at Okinawa &amp; End of the War
-Sailed to Okinawa alone
-Went in a straight line
-Trying to catch up with the convoy
-Dropped anchor away from Okinawa
-Preparing for the invasion of Japan
-All of a sudden, the war ended
-Off of Okinawa for a week then the atomic bombs were dropped on Japan
(00:20:48) Supply work in Inchon, Korea
-Went to Inchon, Korea
-Had to sleep in a partially built building
-Given a cot and blankets for sleeping
-Went out every morning with the high tide and came back in at night with the tide

�-Used a Landing Ship Medium (LSM) to go to the ship to bring supplies to shore
-Supervised Korean workers
-Had to watch them closely
-Had problems with them stealing beer
-Had pretty good living conditions and had pretty good food
-Found abandoned, one-man Japanese submarines
-Note: possibly kaiten suicide torpedoes
-Crudely built and made of recycled metal and wood scaffolding
-Japanese had a lot of old American cars being used for scrap metal
-About 40 acres of old cars
-No Japanese soldiers left in Korea
-Found a lot of Japanese rifles
-Dumped them in the nearby river
-Got his hand hurt
-Two of his nails were ripped out of his hand by a winch
-Unloaded trucks, tires, and lumber from the ship
-Material prepared for the invasion of Japan
-Burned any material they didn't need
-Some soldiers sold the material to the Koreans
(00:28:00) Hospital Stay in Inchon
-After hurting his hand he went to a hospital in Inchon
-Spent 45 days in the hospital
-One of nurses baked a cake for him
-He was mobile, so he could walk around
(00:29:04) Working with Amphibious Engineer Unit
-Set traps to catch rats
-Caught a few, but not very many
-Collected wood for burning in the officers' rooms
(00:29:57) PX work in Korea
-Reassigned to work in a post exchange (PX)
-Note: Army general store
-Worked in the PX for nearly a year
-Had to make sure nobody stole anything
-Slept with his M1 carbine to ward off thieves
-Koreans mostly wanted to steal cigarettes, but would steal anything
-Only American soldiers were allowed into the PX
-Went out to dumps to get rid of spoiled food
-Korean civilians tried to get the rotten food
-Had to beat back Koreans and fill in the pits of food so they didn't get the bad food
-Never wanted to see that again
(00:32:45) Korean Civilians
-Koreans lived in straw huts
-There were open ditches that the Koreans used as toilets
-Rice farmers went to the ditch to get human waste to fertilize their crop
(00:34:25) Contact with Home
-It was a long time before he got any mail from home
-Sent money home
-Mother saved it for him
-Had a quite a bit of money saved up by time he got home

�(00:35:15) Coming Home Pt. 1
-Went home with a group of men from different units
-Pulled into Seattle
-Delayed and put into barracks
-Selected to clean out mess cars
-Had to wait because his records were lost
-Sent to Chicago
-Still couldn't find his records
-Sent home for a couple weeks of leave
-Reported back to Chicago and got discharged
(00:37:10) Life after the Army
-Worked on a farm for one season
-Worked for 75 cents an hour then got raised to $1 an hour
-Worked in a shop for 95 cents an hour
-Married in 1952
-Stayed on the farm, but worked other jobs
-Younger brother hauled coal to the veterans' home
(00:39:57) Reflections on Service
-Learned discipline and how to follow orders
-Learned a lot in Korea
-Snow in Korea was the same as Michigan though
-Shocked that Inchon never experienced a major fire due to all of the straw and wooden buildings
-Saw a lot and learned a lot during his time in the Army
(00:41:53) Downtime in Korea
-Visited Seoul
-Got cold showers
-Luxury because they didn't get showers in Inchon
-Went to Seoul quite often
-More built up than Inchon
-Drank a little sake
-Tried 190 proof alcohol
-Cut it with sugar and water to dilute it
(00:44:03) Coming Home Pt. 2
-Fed really well upon his arrival in Seattle
-Given whatever food he wanted

�</text>
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                    <text>Grand Valley State University
Veterans History Project Interview
Leo Homrich
World War II
Total Time: 1:02:00
Childhood and Pre-Enlistment (0:00:12)
•
•
•
•

Born in Wyoming, MI in January, 1925
Wanted to join the army at 17, but his father would not let him.
Father was a farmer
Drafted into the Army at 18, but this time he didn’t want to go.

Training and Deployment(0:04:40)
• Completed basic training at Camp Robinson, AR.
• Went then to Camp Fanning in Tyler, TX where he completed advanced basic
training.
• During basic, they wore World War I style legging uniforms.
• He was trained to carry the Browning Automatic Rifle.
• He was trained as a replacement, and he was supposed to go to Europe.
• He was then allowed leave, and then after leave reported to Maryland and then to
Camp Shanks, NY. Was at Camp Shanks for a couple of weeks.
• He was sent to the harbor, and then was sent to the harbor, however he was taken
off the ship and away from all of the men that he trained with.
• He sat around for a further couple of weeks, then was put on a ship in New York
for the Pacific.
Active Duty (0:19:18)
•
•
•
•
•
•
•
•
•
•

He was transported on a converted cattle ship through the Panama Canal.
He slept a lot during the crossing, and the weather was rough at times.
They went across in a very small convoy.
(0:23:40) He landed in New Caledonia after 43 days on the ship.
Was in New Caledonia for training in jungle fighting. He also worked for a time
as an orderly of sorts for his platoon leader.
He was assigned with training units at this time.
(0:26:50) Was shipped to New Guinea from New Caledonia.
He was an Infantryman with the 43rd Division. While in New Guinea he went on
patrols and was under sniper fire quite often.
(0:29:44) He got Malaria and Dengue Fever in New Guinea, and was sent to a
field hospital to recover.
They patrolled in the Jungle for the most part.

�• (0:31:40) Mentions incident in which Indian soldiers, who had been captured by
the Japanese at Singapore and were put into the Japanese army, came into their
lines and surrendered.
• After his sickness he rejoined his unit while they were in the Philippines.
• (0:34:35) He was involved in fighting in the Philippines, and he got wounded
there.
• (0:37:30) His unit landed at Lingayen Gulf, taking the beachhead.
• He was wounded by a shell that exploded and gave him a shrapnel wound in the
legs and back. He was in the hospital for this for about 2 months.
• (0:41:40) They liberated Clark Field in the Philippines, which was where the
Japanese kept American prisoners.
• Had some interaction with the local population.
• Was in the Philippines for the end of the War.
• After the war ended, he was sent home but he was not fully discharged until
December 1945.
• Earned three bronze stars for his service.
• He also worked as a radio man during his service in the Philippines.
• He only fired his BAR if it was necessary.
• Their unit took very few prisoners, but he did have to guard some of the prisoners.
• (0:57:40) Even after the war ended they were still doing some fighting in the
Philippines, but for the most part the Filipinos took care of that duty
• Also spent some time in New Zealand.
Post War (0:58:05)
•
•

Developed a case of malaria when he got back from the Philippines.
Worked in a factory upon his return.

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                <text>Leo Homrich served in the Army during World War II. He was born in 1925 to a family of farmers, and was drafted into the Army at 18. After training, he was shipped to the Pacific, where he served in New Guinea and the Philippines. He worked as a both a radio man and as an operator of the Browning Automatic Rifle while he was in the Pacific theatre.</text>
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                <text>&lt;a href="https://gvsu.lyrasistechnology.org/repositories/2/resources/455"&gt;Veterans History Project Collection, (RHC-27)&lt;/a&gt;</text>
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                    <text>����</text>
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                    <text>Houston, Texas
Nov. 15th, 1867
Friend,
Lt. or Copr. T. H. S. Payne recd. a letter from you a short time since. I had the pleasure
of reading it.
Am very glad to hear that you are prospering and cinerely hope you will continue to do
so.
I am well and enjoying good times for a Soldier &amp; I expect to be mustered as 1st Sr[?] Co
“H” 37” Ills. the [?] of this week if nothing happens. We have more than a few
promotions of late and I suppose you know them as well as I but[?] I will tell you as you
may not

�know is Capt Co “A” Stut rt [?] St. Hines 1st Lt Co “B” and no[now?] Capt. T.H.S.
Payne is Capt. Co “G” and Sgt. Rose of Co. “E” 1st Lt. Merau[?] &amp; Eastworkts[?] Co.
“D” Day and Manger Co “E” although Day is commissioned as Mjr. Kewutley[?] is
mustered as Mjr. R Kennicott was mustered as Col but the muster was revoked. Javeman
and Cronk[?] Co. F [?] 1st Lt and Nurse Capt. Co “G.” Lt Merrill[?] and Myself Co “H”
Capt Kennicott and Sgt. Stone Co I and [?] and Orderly Sgt. Co. “K” [?] changing sent
there.
I am surprised to hear of your being in favor of negro suffrage. I do not think there is one
man in the 37” Ills who would vote for it and know I would not. I could buy a thousand

�votes in every state with twenty Dollars no equality with me
I should like to hear from you first rate and when you write please tell me whether a
soldiers discharge is good for any thing [?] [?] was given at the time of his reenlistment if
so I will get mine it never has been made yet Sowles[?] Dolps[?] and all send regards anf
best wishes.
Please write soon. There is not a stamp in the city of Houston that I can get therefore
excuse me for franking.
Yours respectively
C.W. Morrill
Hon E.B. Payne
Chicago Ills.

�</text>
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                <text>Hon. E. B. Payne from Wells C. Morrill</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Morrill, Wells C.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>United States. Army. Illinois Infantry Regiment, 37th (1861-1866)</text>
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                <text>Suffrage</text>
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                <text>Houston (Tex.)</text>
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          <element elementId="41">
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                <text>Letter from Civil War soldier Wells C. Morrill to friend E. B. Payne with an account of promotions in Co. H of the Illinois 37th Infantry, and his negative reaction to negro suffrage.</text>
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                    <text>Grand Valley State University
Veterans History Project
Marvin Honderd
(00:45:18)
(00:25) Background Information
•
•
•
•
•
•
•

Marv was born in Byron Center, Michigan and still lives there today
His father was a furniture/cabinet maker in Grand Rapids, Michigan
During WWII Marv was too young and his father was too old to be drafted
Marv graduated from high school in 1945 and went to Calvin College in Grand Rapids
for 2 years
He took pre-med classes and then transferred to Ferris State University when he decided
that he wanted to be a pharmacist
Marv dropped out of school after a while and went to work at the furniture factory with
his father for three years
Marv felt that he would soon be drafted and did not want to be drafted into the Army, so
he enlisted in the Air Force

(4:10) Basic Training in Texas
• Marv had basic training for 6 weeks and then went to radio school in Illinois
• After going through radio school, there was no room for advancement so Marv went
through basic training a second time
• He was then sent to Columbus, Mississippi for flight training
• He was sent to the very deep South and it was a very different environment
• They sometimes trained through cotton fields and pastures
• Marv would go to ground school in the morning and flew in the afternoons
• He spent 6 months in Mississippi and was then transferred to another base in Texas
• Marv trained with T-6 planes in advanced training and went through acrobatics, longer
flights dealing with different weather conditions; this lasted another 6 months
• Most of the people he was training with wanted to be fighter pilots, but Marv wanted to
work in transportation so that he would not get shot at; his lieutenant told him that he had
to be a fighter pilot
(9:45) Kansas
• Marv began training with F-80 jets, flying with an instructor for about 6 weeks
• The jets were very quiet and fast compared to other planes
• Marv was then sent to Las Vegas, Nevada to train for 6 months with advanced F-86 jets
• Each has 6-50 caliber machines guns and they were supersonic
• They focused mostly on air to air combat and dive bombings

�(12:10) Korea 1953
• Marv had a 12 hour flight from San Francisco to Hawaii, another 12 hours to Wake
Island, and then another to Tokyo
• They stayed in Tokyo for 2 weeks and the area was hard to get used to, but Marv found
that he really liked Japanese people and that they were very family oriented
• They were briefed on what was going to happen in Korea; basically they were supposed
to keep the enemy away from the DMZ
• They were sent to a camp near Seoul where they practiced runs for about a month
(15:20) Air Fights
• US jets could reach about 45,000 feet and North Korean jets got to about 50,000 feet
• The Koreans were a little faster but the US had better armament
• Korean jets had 2-23 mm guns and a cannon while the US had 6-50 caliber machine guns
• Marv worked as a wingman, protecting a shooter that was watching over dive bombers
• The US pilots were trained better and had a 10-1 ratio in kills
• They later found out that many of the Korean fighter pilots had actually been Russians
• They were all supposed to fly 100 missions, but the rules were later changed that stated if
you were married, you only had to fly 70 and Marv was married
(21:30) Average Days
• The men all wore G-suits so that if they had to dive, it would fill up air and keep their
blood above their waist
• Every day they had tons of scrambled eggs, bacon, and coffee
• They had briefing every morning after breakfast, were told their next mission, and
assigned a plane
• Some days men would not be assigned a mission, but would sit on alert in case of an
emergency
• They focused on attacking the supply lines of the Chinese near the Yalu River
• They did not actually attack the Chinese because they did not want to antagonize them
and pull them further into the war
• Marv liked to wander around in the country side on his time off and learn about Korean
culture
• There were many orphans and most of the people worked on rice paddies, living in
shacks; the weather was similar to that of Michigan
(31:30) Ohio
• Marv arrived back in the US the same day that a good friend had gotten back from Korea
as well
• Marv was sent to an Air Force base [Wright-Patterson] in Dayton, Ohio and trained with
advanced models of F-86s

�•
•
•
•

They flew them as much as possible to work out all the problems with the new jets
Sometimes they would have “air alerts” where they would have to be ready to fly 4
minutes after waking up in case of a Russian attack
They could fly anywhere they wanted and Marv often traveled back to Byron Center
[where he’s famous locally for buzzing the town]
They had many night alerts of UFOs, but found nothing once they were in the air

(41:50) Discharged
• Once Marv was discharged, he received job offers from three different major airlines, but
his wife wanted to go back to Byron Center
• He used the GI Bill to go back to school in Michigan
• Marv now thinks that everyone should be in the military for at least one year to learn
some discipline

�Page I 01'2

II1&lt;U V

Marv Honderd
Approximately March of 1950, I peeked in my mailbox and saw a draft notice for the Army. I quickly shut it,
knowing what it meant. After thinking it over, I had some years at Calvin Collage, which meant I had a chance
of getting into the pilot program in the Air Force. They took me in the regular Air Force with no promises. The
Korean war was very intense at this time.
I was sent to Lackland Air Force base in San Antonio, Texas for basic training. Everyone goes to basic
training to teach us farm boys how to march and take orders. I was on my way to radio school and SUddenly
ordered to flight school.
I was then sent to Columbus, Mississippi for six months of basic flight training. Our days consisted of Y2
classes and Y2 flying. I had never even been in a plane before. Our practice fields were usually in grass fields
between cotton fields. We had a large audience of cotton pickers on all sides most of the time. I was then
transferred to Lubbock, Texas for advanced pilot training for six months. This involved much navigation.
weather, acrobatics, and instrument training. I graduated from here and received my wings and a 2 nd
Lieutenant commission.
I was then transferred to Wichita. Kansas for jet training. Here we flew the
F-80 Shooting Star. This was a whole new ballgame. The F-80 was much
faster, quieter and flew higher. From now on we always breathed oxygen in
flight.
We then transferred to Nellis Air Force Base in Las Vegas. Nevada to
learn to fly the super-sonic F-86 Sabre Jet. Here we practiced gunnery, air
to air, and air to ground, aerial combat, close formation flying and more
instrument and navigation flying. It was so hot here we could only fly in the
early morning, so ground school was held in the afternoons. It was here
that they picked who was to be a fighter pilot. About one in three pilots
where picked for this.
After graduation, I was sent to Seoul, Korea. There I received about three
more months of combat training and the sent into action. By this time, we
were ready! This is where I was promoted to 1st Lieutenant.
After completing 100 combat mission, you could go home to a safer flying
job. These combat mission were spread out over roughly one year, depending on how the war was going.
Every two monlhs we went to Japan to replace lost aircraft.
This was a very hectic, intense time when a person's faith was very important to him. There were numerous
close calls and at times you say "This can't be happening to mel" More then once I came back with a crippled
jet, but always made it back safely.
Lew Kerkstra was down below us allhis time as a P.O.W. These prisoner of war camps were not visible to us.
r ..""1,...." .....

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�Page 2

or 2

Finally, our mission came to an end and I was spared. It was a long pleasant ride back to the states. Also at
time the North Koreans released Lew Kerkstra. Most POWs didn't come home.
Lew and I were furloughed together and we decided to go fishing for a day and talk over our experiences. We
went to Swan Lake in Allegan County. We didn't even care that the fish weren't biting. That was the most
enjoyable fishing day we ever had.
Lew was sent to an Army Hospital for recovery. (He was skin and bones) His experience in Korea was much
more traumatic then mine.
After the war, I was assigned for two years to the Wright Patterson AFB, Dayton, Ohio to tile Air Defense
Command. These new fighter planes had 36 rockets instead of six guns. We also had radar scanners in the
nose of our jets to see enemy planes in bad weather.
Our squadron had armed and on five minute alert at all times. This was
my job, and numerous times we were scrambled during the night to
intercept Unidentified Flying Objects.
And last but not least, Dayton was only 30 minutes from Byron Center
and some people say they saw a jet, flying low over Byron a few times.
The Pilot had a nose like mine. This rumor just won't go away.
This closes on big chapter on my life.
Marvin Honderd.

Home
email UC 1st C RC

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                    <text>Honestly Human
From the series: Religion and the Human Story
Romans 7:14-25; Mark 2:18-28
Richard A. Rhem
Christ Community Church
Spring Lake, Michigan
March 2, 2003
Transcription of the spoken sermon
Religion has damaged as many people throughout the centuries as it has healed. I
say that not as a shocking opening statement, I say that not to be provocative, I
say that because I really believe that. Religion has had a tendency to become
oppressive and to lead people into depression rather than into liberation,
freedom, and joy.
I met a person, in this case a woman, this past week whom I had not seen for over
forty years, and over forty years ago she was what one would call a deeply
spiritual person, and I say that positively, a woman of prayer, prayer circles,
missionary activity, great piety and devotion. When I saw her this week after forty
years, I was surprised at her face. Someone has said you could tell a great deal
about a person from his or her face. Her face did not reflect to me joy, pleasure,
delight, or a certain lightness of being. Her face, her visage communicated to me
a certain heaviness, even grumpiness. I thought to myself that all of the intense,
sincere and serious cultivation of the spiritual life, for all of that, she did not
strike me as being very happy.
Not so long ago I took a book down from the shelf that I hadn't touched in a long
time, blew the dust off and it flopped open to a spot where there was a small
brochure. It was produced in the early 60s when I was here the first time. We
weren't called Christ Community at that time; the other name will not be
mentioned. There I was with my picture on it, of course, just fresh out of
seminary, and my visage communicated in that picture, a serious, moral,
completely dedicated, young man, young old man, and in that little brochure we
had a number of affirmations, all very orthodox which we surely believed. I was
embarrassed and amused as I looked at it. So, I took it to Duba's on Tuesday to
the luncheon and gave it to Duncan Littlefair just so he would know the kind of
persons he, was hanging out with. The next week he came to the table and said to
the table, "I want to show you a story of salvation," and he held up that brochure
with my picture and he said, "This man was lost." And then he pointed at me and
he said, "Look at his face. He has been saved." That's a true story and I know
existentially that it is true.
© Grand Valley State University

	&#13;  

�Honestly Human

Richard A. Rhem

Page 2	&#13;  

To be human is to be a creature in conflict. It is to be a creature living with a
constant tension. The Apostle Paul knew that and that famous seventh chapter of
Romans I can never read without feeling the intensity of Paul's own inward
struggle. There is a long history of interpretation of that passage. It is amazing
what people get out of that passage. I am not going to bore you with all of that
interpretation all over the map. I think it is enough to read it and to say Paul
knew the excruciating pain of being a creature living in tension.
W. H. Auden, in the little quote in your liturgy, says, "There are times when
wouldn't we like to be unreflective animals? Or disembodied spirits?" because
either way, no problem. Don't we know in the depths of our being that about
which Paul was writing? Of course we do. Krister Stendahl says that for Paul this
was a midrash on the Genesis story of the fall, because Paul was trying to
understand how he could affirm the Torah, the way of life, the law of God, how he
could affirm that in his inward being and do such a miserable job of fulfilling it.
How could he will to do one thing and do another?
Have you ever been there? Don't we know? Is not there that within us that would
soar and love and grace and bless and affirm, and that within us which is dark,
mean, and that which makes us blush? That is the human situation. St. Paul
would say it is because we are fallen creatures. I don't happen to agree with Paul
on that one. I don't think it is because we are fallen creatures, I think it is because
we are human creatures. Here we are, after eons and eons and eons of time, of
evolutionary process that has brought about creatures like us who carry with us
all of the animality of our background rooted in the dust of the earth, and
creatures who have become aware, conscious, susceptible to the lure of love, able
at times to soar into transcendent realms and ecstatic joy. We are not fallen. We
are just human, and to be honestly human is to recognize that conflict within
which is a given, with being human beings such as we are.
In the wisdom of the ancient church, it was that tension within that gave rise to
Mardi Gras. I became aware of that rather late in life, too. It was the covering of
the parade in New Orleans, I suppose some few years ago, when the commentator
spoke about the wisdom of the ancient church in giving people an opportunity to
cut loose, to blow off steam and get it all out of their system before they entered
into the darkness and the solemnity of that season of Lent when they were called
to self-denial and contemplation. It immediately made sense to me that the
church jn its best wisdom has understood the nature of the human which it is
explained as a term of being fallen or whether it is understood, as we do today,
with psychological insight and behavioral sciences, etc., that it is simply the given
with being what we are. Nonetheless, in the wisdom of the church, the whole
being needs to be recognized and ownership taken.
Some years ago when Gertrud Mueller Nelson was here and we were introduced
to her wonderful book on the celebration of the seasons, Dance With God. I was
struck with her description of Carnival, and the purpose of Carnival and the

© Grand Valley State University

�Honestly Human

Richard A. Rhem

Page 3	&#13;  

acknowledgment of that shadow side that is within all of us and that need for
ownership thereof and release of, but release of in some measured and controlled
manner.
Martin Marty says that the church is afraid to allow us ecstasy, because ecstasy
actually from the Greek sfotis, out of that state in which one is, or to be out of
oneself; or to be beside oneself, to be crazy. The suggestion is that now and again
we should be given permission simply to be crazy. In the rituals of the church, to
the extent that they are healthy and human-enhancing, they will provide those
channels whereby we can tap our feet and be ushered into delight and know the
taste of sheer joy.
I love to watch the children when the jazz ensemble or the musicians are singing
on a day like this. I saw Greg Martin's little daughter doing her thing. She's got
the rhythm, Greg, she was replicating you right there in the pew, and when I see
that happen, I know there is something right about that. In contrast to the little
child who, sitting next to her mother, was turning around and making eye contact
and smiling with all those around until her mother reined her in, gave her a
squeeze and said, "Remember you're in church."
Gordon Cosby, who is the founder of that well-publicized and marvelous ministry
in Washington D.C., the Church of the Saviour, tells about a time when he was
invited by a New England congregation to come up and preach at a midweek
Lenten service, and he said the service was so dull and uninspiring, the only thing
that moved in the whole service were the offering plates. He and his wife left
rather down and dispirited and the congregation had secured for them a room in
the village, and it happened to be over the tavern, and he and his wife retired to
their room and beneath them were emanating the sounds of music and laughter
and joy, and he looked at his wife and said, "You know, if Jesus came to this
village tonight, I think he'd join the crowd at the tavern rather than the crowd at
the church."
And I know that existentially also, because that young man who was in the pulpit
here for those early years of 1960s, oh, it is painful to remember. But, I went to
Williamsburg, Virginia not so long after that and, in a tour of the colonial
buildings, there was this lovely hall on a second floor in the middle of that little
village restored, and the guide spoke about the fact that in this room – which was
light with windows and chair stacked and here and there great barrels of wine
vats, nice hardwood floor – the guide said here the social life of the community
took place. There were often Saturday evening dances, he said, and then the
chairs would be set up for divine worship on Sunday morning. I thought, "Bingo!
The only part of that story I know is Sunday morning, because I've never danced
a step, let alone a two-step, and wine never touched my lips apart from the
Eucharist." I know I am not preaching to many of you. There are a few dinosaurs
like me out there, but just let me get this off my chest. You can just go out of here
and thank God that you didn't know that kind of repressive religious experience,

© Grand Valley State University

�Honestly Human

Richard A. Rhem

Page 4	&#13;  

and yet I know I also speak for a good measure of religion which is in control and
which, as Martin Marty says, is afraid to let us experience something of the divine
madness which honors that part of our humanity which is also authentically
human.
Jesus, it seems to me, had the balance right. He was accosted by the religious
guardians of tradition for the fact that his disciples didn't carry on the fast. Maybe
they didn't keep Lent. He said to them, "Look, you can't fast when the
bridegroom is here." And then he was trying to say something new is a-birthing
and you simply cannot take that which is new and cram it into old containers
because it bursts the containers. And then they were going through the grain
fields and the disciples picked the grain for their own need on the Sabbath, which
again brought that conflict situation: why do they do that which is not lawful on
the Sabbath? Jesus said there is precedent for that. The meeting of human need
transcends the ritual prescription for the keeping of the Sabbath. And then he
said, "Look, the Sabbath, this marvelous gift of God, has been for humankind, not
humankind for the Sabbath."
It is so easy in our religious observances, it is so easy for those of us who are in
charge, it is so easy for us to forget that it is all for the enrichment and the
enhancement of your humanity lived before the face of God. With Jesus, there
was that ability to discriminate between the authentic observance and the
honoring of that which was even deeper, which was authentic human need. The
church doesn't live very easily with that kind of freedom because Luke and
Matthew we are told followed Mark a decade or two later. Mark's gospel, that we
read this morning, has that statement of Jesus, the Sabbath was made for the
human, not the human for the Sabbath. When Matthew and Luke picked up that
particular story, in both Matthew and Luke that statement was deleted. I think
the elders got together and said, "You know what? That is just too dangerous. You
can't trust the people to make that decision, and so we had better delete it."
It is a beautiful thing, really, when one can celebrate the full spectrum of being, to
come in here this morning to the sounds of joy. I caught you smiling and tapping
your feet because something deep down in you was being tapped, because there is
something marvelous about the experience of sheer joy and delight. And then, it
will be also a goose-bump experience on Wednesday evening at the opening of
Lent when you will come here to a dimmed sanctuary and kneel and I will place
the ashes on your forehead in the sign of the cross reminding you that dust you
are and to dust you will return.
So, you see, to be honestly human is to be able on Tuesday night to have pancakes
dripping with butter and sloshing with syrup, bacon deep in grease and sausage
that won't quit, raise a glass and party a while, and then come here to identify
with the lamb of God who loved us and gave himself for us. It is not either/or. It
is both/and. That is to be honestly human. That is to be all that God intends us to

© Grand Valley State University

�Honestly Human

Richard A. Rhem

Page 5	&#13;  

be, and when we live that way, then I suspect that increasingly with age, with
wrinkles and creases, our visage will reflect joy.

© Grand Valley State University

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Fifth Annual

HO.NOR OUR CHILDREN

row-wow

Sponsored By:

Detroit Indian Educational
And Cultural Center

Saturday

&amp;

Location:

Sunday, June 4th

&amp;

5th, 1983

Historic Fort W91'ne
Jefferson &amp; Livernois
Detroit, MichiBan

Grand Entry:

Sat. June 4 12:00 noon and
5:30 p.m.

Sunday, June 5 1:00 p.c.

CHILDREN

&amp;

ADULT CONTESTS

CAMPIOO AVAILABLE AT THE FOR!'

TRADER TABI.m AVAILABLE
ADMISSION:

Free to everyone

Bring your friends, faoily, coc, dad
and yourself to our Pow-wow • • • •
Jt)R ADDITIONAL INFORMATION PHONE:
(313) 898-0842 or 898-06?4
DETK&gt;IT INDIAN EDUCATIONAL AND CULTURAL CENTER

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                    <text>GIVE-A-WAYS
CAMPING AT
THE POW WOW
GROUNDS
LEAD DANCERS:
EVA ELBERT, INDIAN
EDUCATION SENIOR ,
PRINCESS AND
Tl
JERRY WAUCAUSH

TRADITIONAL
POW WOW
SPONSORED BY
DETROIT INDIAN EDUCATIONAL
AND CULTURAL CENTER

Jb)f~p
. - ,:?

'

AT
HISTORIC FORT WAYNE, DETROIT, MICHIGAN
JEFFERSON AVE. &amp;LIVERNOIS
CRAFTSPEOPLE AND PUBLIC WELCOMED
TRADER TABLES AVAILABLE AT $25 PER DAY
FOR FURTHER INFORMATION CONTACT: JUDITH A. MAYS, DIRECTOR
2750 SELDEN, DETROIT, MI
313/ 494-2442 OR 494-2427

d\~~~~~~

�</text>
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8 ~ utfnd '&amp;tdlawl ~en~
IS SPONSORING

THE

ANNUAt
Honor our Children
SA?U?.I:AY &amp; Su!·Dfa.Y
Ju:;::::; 21 &amp;. 22, 19E6

Grounds o'Oen 10 : 00 a.:m .
Arts &amp; Cr ~fts fo r Sale**?ood**Traditional
Singing &amp; Dancing

PRIZI::S A1·:AED:=L:
Traditional &amp; fancy Dance c~~~cst e
13T Prize: $500,00
2:E) Prize: ~·.200. 00
3RD Prize: $100 .00
:,:en &amp; '.·:or..ie~ ?articipants

Sug~est e d Donation :

4·2 . oc

Adults

$1 . 00 Child

Chief Little Slk - Sac,inaw/Chippewa
Reserve, ;:t. Pleasant

Le ac. Danc er s:
Kim Oga , Chippewa , Detroit , KI
D. I . E. C. C. Senior Princess

'.:'radi tional Ground Elessincs f.,
Cerer::tonies

v.'ayne Clel and , :3hawnee
Ponti a c , I:I

Trader Tabl es Available
~.25. 00 week- end
t15.oc per d.ay

Recistration: $4 . 0C Adults
$2 , 00 Child

Overni.;ht Car.iping Available

EVERYONE WELCOME
Historic- Fort W.iyne
***GIVE- A-v:J..YS*** !

Jefferaon &amp; Uvemol1

Detroi~Mi

Fe ast fo r all Dancers

For Additional Information , please call 494- 2442 , 494- 2427 or S49- 4796 .
***?lease note t:.at the route to Fort ',:ayne will not be affected

bj,T

the Gr and Prix . ***

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The Genesee Indian Center and Genesee County Indian Education
Committee Presents:

1st ANNUAL INDIAN POW WOW
''Honoring Our Heritage''
June 2-3, 1984
E.A. Cummings Center; 6130 E. Mt. Morris Rd.; Mt. Morris, Mi

*******

Open To Public

*******

Traders Welcome!
Fees :$15 per day
or
$25 for weekend
(Includes 3 admissions)
Traders Should Preregister
No Imports!
Indian Made Crafts Only

Emcee:
John Bailey
Open Drum
Featured Drums
Red Eagle Singers
All Nations Drum

Admissions:
Adults ... $2 .00 per day
or
$3 .00 weekend
Children(5-12 yrs)
and Elders ... $1.00 per day
Children under 5 yrs .
Admitted Free •

* * * * * * * Prizes For All Dancers! * * * * * * *
Dancers Must Register &amp; Participate in all events
Registration Closes 2 PM Saturday

Dancers are encouraged to contact us prior to the Pow Wow to insure that we have plenty of prizes on-hand

Grand Entry:
Saturday ... 2 PM, 7 PM
Sunday ... 2 PM
Free Camping
for Participants.
Tipi's Welcomed!
$4.00 per day max.
camping fee
for non-participants.

Head Dancers:
George Martin
Sid Martin
Contact For
Registration
&amp; Further
Information:
Jenny Auge' Smith
(313) 239-6621

Pow Wow Committee:
Michelle Chingwa ...Chairperson
Betty Jo Hinkle ... V. Chairperson
Christine Reed ...Secretary
Jenny Auge' Smith .. .Treasurer

NO ALCOHOL OR DRUGS ALLOWED

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                    <text>ii

•

The Genesee Indian Center and Genesee County Indian Education Committee
Presents

4Tlt ANNUAL

INDIAN POW WOW
"Honoring Our Heritage"

OcTohER JRd &amp; 4Tlt, 1987
Genesee County Fair Grounds
6130 E. Mt. Morris Rd. • Mt. Morris, Ml
(Inside facilities available if inclement weather)

Public INviTEd
Native American Music &amp; Dancing
Authentic Hand-Made Crafts
Indian Foods
Free Raffle Drawings for Children

Dances Start 2 p.m. Daily
Craft and Food Booths
open all day

Admission:
Adults - $2.00 per day or $3.00 weekend
Children &amp; Seniors - $1.00 per day
Group Rates Available

Call (313) 239-6621 for more Information

This activity is supported by the Michigan Council for the Arts through
their Regional!Regranting Agency. The Greater Flint Arts Council.

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124 W. First Street
Flint, MI 48502

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Council Drum News
2512 Union Ave., NE
Grand Rapids, MI 49505

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                    <text>Original Design by Ko Ko

The Genesee Indian Center and Genesee County Indian Education
Committee Presents:

2"d ANNUAL INDIAN POW WOW
''Honoring Our Heritage''
SEPT.28-29, 1985

E.A. Cummings Center; 6130 E. Mt. Morris Rd.; Mt. Morris, Mi

p~ : E ~

*******
Traders Welcome!
Fees :$15 per day
or
$25 for weekend
(Includes 3 admissions)
Traders Should Preregister
No Imports!
Indian Made Crafts Only

*******

Emcee:
John Bailey
Open Drum

Head Drum
All Nations Drum

Prizes For All Dancers!

*******
Admissions:
Adults ... $2 .00 per day
or
$3. 00 weekend
Children(5-12 yrs)
and Elders ... $1.00 per day
Children under 5 yrs.
Admitted Free •

*******

Dancers lyiust Register &amp; Participate in all events
Registration Closes 2 PM Saturday

Dancers are encouraged to contact us prior to the Pow Wow to insure that we have plenty of prizes on-hand

Grand Entry:
Saturday ... 2 PM, 7 PM
Sunday ... 2 PM
Free Camping
for Participants.
Tipi's Welcomed!

Contact For
Registration
&amp; Further
Information:

$4.00 per day max.
camping fee
for non-participants.

Aleyn Carter
(313) 239-6621

~~

Pow Wow Committee:
Michelle Chingwa ... Chairperson
Betty Jo Hinkle ... V. Chairperson
Aleyn Carter ... Secretary
Donna Swallows .. .Treasurer

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                <text>Honoring our Heritage Pow Wow flyer, Mt. Morris MI, September 28-29, 1985, collected by Edward Gillis included as part of his Native American publication collection.</text>
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                    <text>CrlgiMI Oe5l1Jn by KoKo

Genesee
\I GL. V

Vt1llcy

Indian

;\s;,~ci.ritic,n
September, 1986

,~U. 2

- - - - - -"HONORING
- - - - - - - - - - -0 -U-R- -HERITAGE"
1 9 8 6

P O W

WO W

The Genesee County Indian Education Committee and the Genesee Indian Center will be hosting our 3rd Annual "Honoring Our Heritage" Pow Wow September 27th and 28th at E./\. Cummings Center again this year .
The Head Drum will be Two Hawk Singers . Our Head Dancers are: Guy Fallis and Julia
Whitepigeon. Other Dancers and Traders can call the Genesee Indian Center at 313/2396621 for information and registration.
The Pow Wow Committee needs your help 1

Volunteers are needed for Lhe following :

1.

Admissions Booth:

contact Cheryl Spaniola at 733-5695

2.

Kitchen (participants meals): need food donated and manpower; conLict Beuy Jo
Hinkle al 635-9618

3.

Grounds Set-up : contact Riley Powell at 239-8404

4.

Security : leave a message for Jim Nursemcnt at 239-6621

5.

Gifts For Dancers:

6.

Information Booth : contact Ray Hunt at 787-1393

7.

Raffles: leave a message for Sally Terry at 239-6621

need donated new gifts; contact Jenny SmiLh at 239-6621

We also need cedar boughs to cover the arbor.
Powell al 239-8404 .

If you can donate, please call Riley

ME G WE T C H
NOMINATIONS OPEN FOR
GVIA BOARD OF DIRECTORS
The Board of Directors is the primary policymaking body .if the Association. They are the
instrument for setting priorities and planning
future developments that affect our lives.
Therefore, it is vitally important that you,
as a voter caret~lly review the candidates
and select individuals who you feel arc besL
qualified to serve as Board members.
SEE PAGE 6

�Paoe

THE

2

G R A P E V l N f

__S~tembe.I_, 1986 __

*************************k********~***********
:::

::~
:
:::

The Geneseo Va]ley Indian AssociaLion ' s
GRAPEVINE is published mon th l y by the

~~

rH HIS1MAS BASKET REQUEST

·'·

-Please Print legibly-

Genesee Indian Center, a non-profit
org,rnizati. 011 . The newslt&gt;tter is pub-

:
',:

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l i s he d a n c! nw i l e J l o a l l s u b s c r i b e .r s

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on a no-cl1arge basis. H,Lvevf'r, due !:o
increasing costs we wou ld be grateful
for all donati (1 ns Lo help s upp or t our
newsletter. Send donations to: Genesee
Valley Indian As soc iati on , Inc . - 124
West First Street - Flint, MI 48502 313/239-662 1

:'.:

*

Head-of-Household's Na~e: ------------,---.,..Head-of-Household's Social Sec. NuMber: _ _ _/ _ _ _
/ __ _
Spouse's Social Security NuMber: _ _ _~/_ _ _/_·_

:::

Address:

·'·

:
·'·

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GENESEl:

INDIAN

CENTER

STAFF'

;,:

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Jennifer A . Srnith ..... Cclln. Dev . Direct , , 1 •
A 1 c y n Ca rt , · r . . . . . . . . . • E c . P r (, _j • Coo r •
Virgie Knott ...•...... Outreach Work er
Bernade t t e Reyes ...... CulLural Aide
Candy Baker ........... Store Manager
Daniel Le ach .......... Bookkc~per
Nora Jacko ............ Admi.n. Assistanl
Vivian Na ganJshe ...•.• R~cepL i onist
Ji_m Nurserncn;_ ..•...... Vo lun t ecr

",' .

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Total Nu•ber of Household Members:

Naaes, ages, Sex of ALL Household Members:

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---------·TI AGE I ·---,---- - -----------r·---i
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NAME

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I

Tribal Affiliation:

·'·

Total Annual Haus ehcld Income: $
---Source of Income (Check ( ) one or more):
RETIREMENT
ADC
EMPLOYMENT
PENSION
SSI
S[Lf-EMPLOYMENT
0 lll[R
GA
Utl[MPLOYMENT (MESC)
Case Number (If Applicable): ______________ _

.,.
·'·

Please- check (

·'·

Patric~ Sayers ........ Chairperson
BeLt:y J o llin-kle .•...•• vh:~e--,. C'.ha-irpcr-sorr Sally Thi~len ..•...... Treas u rer
RPbyn lkc ry ••..•••••.• Sec re r ;1 ry
Terry Davi s-Cara bell .. Mernher
Larry Verga, Jr ....... Member
Katie Powers .......... Member

- - ----- - - --------

,,.

BOARD OF DIRE CTORS

.•.

CITY /ZIP CODE

County:
Phone Number: (

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.,.

-- - - - - - - - ----------·

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I, 1986 -

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S1REET

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-R ETURN NO LATER 1H.4N DECEMBER

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) if you have any of the fol lowing
speical Dietary needs:
Diabetic
Hypertension
Other (fxplai;)

---- -----

Will you allow us to refer your name to another Agency
for your food basket? Yes
No

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.,.

:,'.

MlClllGAN
NT
- -lNDIAN
- - - ---EMPLOYME
------&amp; TRAINlNG SERVlCES

.•.

[3 13 ] 235--7029

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Robyn Henry ........... Coo rdinator
Sheree P i ckett ........ R('pr.·es entative

·'·
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-'··

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COMMliNlTY HEALTH REPRESE['lTATIVE

Saginaw Intertribal

De bor ah (:;; h rman
co nta ct : 239--fi'S~ 1

1********************~*

CH RI ST~ ,\ S ~-1\_S ~~ ~ -~!:_O_U ESTS_ Nli W.. fl CI NG__ TAK EN

You have until DECEMBER I, 198G to P.[GISTER for
a CHRIS1MAS FOOD BASK[l through the Genesee Indian
Center .
To be eligible for a Christmas Basket from the
Center 1our family MUST (a) Be American I~dian,
(b) Be Lower Income, and (r) Resid e wit hin the CVIA
Service Ar ea (Genesee , Lapeer, Shia wa ss ee, iuscold ,
Huron a~d Sanilac Count ie s).
You MUST complete the form on the opposite page
and return it to the Genesee Indiar Center by
DECEMBEH I, 1986 .

.,.

.,.

If you answered "No" to the last Question, please check
( ) one of the following:
A ~ember of my household will pick-ur my basket at
the Children's Christ~as Party.
A member of my household will not be able to pick
up ou r Basket. Our Ba sk~ t will be pick~d ~Pat
Children's Chri s tmas Party by
--NAME
I need to have th, Basket delivered to my ho~se or
also understand that if
December 18th or 19th.
I am not home, th e Basket ,ay be left with a
neighbor.

My family i s eligible to receive a Christmas B~sket
through the Genesee Indian Center. My family is Native
American, Lower Inc ome, and residents of the Genesee
Vall ey Indian Ass ociation's Service Area.
Signature of Head-of-Household
Return Completed Form To:
Genesee Indian Center
124 West First Street
Flint, Michigan 48502

Date

�THE GENESEE 1ND1AN CENTER ( GENESEE CO. INDlAN EDWCA1lON COMM. PRESENT THE

3RD ANNUAL INDIAN

''HONORINCt OUR HERITAGE ••

5EPT.

27-28198b

GENESEE COUNlY FAIRGROUNDS

/)

PUBLlt INVITED

1/

NATIVE AMERICAN
HANDICRAFTS
FOODS
~AME5
RAFFLES
AND MORE!!
-ALL DA'&lt;-

'i'f·,~j~TIVE AMERICAN
,

DANCING(DRUM-

GRAND ENTRY-2PM.

�THE

September, 1986

GRAPEVINE

Page 3

.

The Genesee Indian Center and Genesee County Indian Education
Committee Presents:

3rd ANNUAL INDIAN POWWOW
"Honoring Our Heritage"
SEPTEMBER 27th &amp; 28th, 1986
Genesee County Fair Grounds • 6130 E. Mt. Morris Rd • Mt. Morris, Ml.

* * * * *

PUBLIC INVITED

Traders Welcome!

Emcee:

* * * * *

Fees $15 per day

John Bailey

Adults--$2.00 pur day

01

OPEN DRUM

or

HEAD DRUM
TWO HAWK SINGERS

$3.00 weekend

$25 for weekend
(Includes 3 admissions)
Traders Should Preregister
No Imports!
Indian Made Crafts On!y

Admissions:

Children (5-12 years/
and Elders--$1.00 per day
Children under 5 years
Admitted Free

* * * * * Prizes For All Dancers!* * * * *
Dancers Must Register &amp; Participate In All Events
Registration Closes 2 PM Saturday
Dancers are encouraged to contact us prior to the Pow Wow to insure that we have plenty of prizes on hand.

GRAND ENTRY
Saturday, 2 PM-7 PM
Sunday, 2 PM

Veteran Dancer
FRANK BUSH

HEAD DANCERS
GUY FALLIS
JULIA WHITEPIGEON

!, ________________________ _ ___.
FREE CAMPING
FOR PARTICIPANTS
Tipi's Welcomed!
$4.00 per day maximum
can•ping fee
for non participants

CONTACT FOR
REGISTRATION
&amp; FURTHER iNFORMATION:
Jennifer Smith at (313) 239-6621
Home: (313) 233-0792

POW WOW COMMITTEE:
Jennifer Smith--Chairperso n
Betty Jo Hinkle-V. Chairperson
Aioyn Carter·-Secretary
Donna Swallows-Treasurer

�.
C I\ /\

,, F V

l

S(•p t cmbl' r, 1986

N F

THE
- - ---··- -- -----·------·-------····
-·-· ------··-·- ------- - ·--- - -- - --------------- -- -- ------

Sponsored By: Genesee Indian Center
Indian Earth Arts &amp; Crafts
Store
Anishinabe Aki Museum of
the Living Arts
Michigan Indian Employment
&amp; Training Services

The GVIA would like Lo take this opporLuniLy
to express our sincere thanks and gratitude
for 111 ,1king our "FirsL County Music JamborC'c"
ii success'
\~c have had many fine complimcnls
on tht' pcrform,111ccs of all the Bands and
Si11gt'1-c,, \vho re,11 ly went ;i]] ouL to provide
dll entertaining afLcrnoon for all who
&lt;1ttC'11ded ,rnc! supported Anishinabe Aki Village.

Genesee Indian Center
124 W. First SL.
Fl int, Ml 48502
313/2Jg-662J

WHEN:

September 17, 1986

COST:

A minimal fee for each class to cover
cost of materials.
Scholarships arc
available to those who need it to
cover maLcrials.

ACTIVITY:

- ----- .

AN OPEN LETTER TO:
ALL THE ENTERTAINERS WHO PERFORMED
AT OUR BENEFIT JAMBOREE
SUNDAY, AUGUST 10, 1986

Cottage Industry Cultural Classes

WHERE:

··-· ··---------

Bugle Bead Earri1:~
(1 day and 1 evening class)
Date: Wednesday the 17th of Sept.
Time: 12 (Noon) - 2PM and

To the lfost B,ind: Trncey Lynne• ,incl The
MounL;iin Sxprcss and The M,lin Strvl'l Cloggc•rs;
tlc•l HammDn ;ind Lhc Old Sout: h; Two 1.anl' lli.gh1., .iy; 11 ,llll Criffin ; and ThC' Sn;ikl' Hivcr B,rncl:
hfE Tl!ANK YO[l'
Tr,1ccy and Crcg - Thank:.; for
wit h the Auction'.

greilt job

a

Thank you Li Lt I c• C,H:'Sil rs. And for your lw Ip
,incl coopcr;1Lic;n , Denise LeGc·nd1-c• we arc
deeply graLdul.

5PM - 7PM
Class Limited to 15 people
Instructors:
Candy Baker (Day Class)
Dan Leach (Evening Class)
Fee:
.$8.00
ACTIVITY:

You ,lr(• all

\I

Ccncsc('

Shawl MakinQ Class
Date: Sept. 23, 1986
Time: 1PM - 4PM
Class Limited to 10 people
Materials Neerlcrl:
1 spool fringe
2\ yards material
(polyester, calico)
1 yard of satin or ribbon
1 package of cones (tin)
Instructor:
Linda Ybarra
Fee: $25.00

\l;iJ

grc:1L srcup of peoplL· '

;-1

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I

I

E T C II

I

Indian AssociaLion, Inc.
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t\l~~:11Ell

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I- '·

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.

DESPERATELY

The Cenesel' lndi;in Center needs your clonal iL,n
o ( bah y c 1 o Llw s an cl f u r n i t u r l' f o r L ii L' i r
cl iL·nL assisLancc• program.
Tf you c;111 c!()lli!l.l'
c;d l the CenLer ( 2Jg-6621, or drop ()f f your
clonaLion ~1011r!;1y-FricL1y from 8.'\M - "&gt;PM.

For Further Information or to Register Call
Bernie at 313/239-6621.

M E G WE T C H

*********************************************
A

SPEC! .,\ L

TJ! /\NKS

",\,\ ,',,,,

Cultural Class currently being held:
Chippewa Language
Taught by: Adelia Reyes.
Class will run
until September 10, 1986
:, :, ,', ,', :, :, ,', ,'. ,'. ,'. ,\ ,', " " " " " ,', " " ,\ " " " " " " " ,'. " " ,, ,\ ,', ,', ,\ ,\ ,', " " ,\ "

Foi- her work (,11 org;inlzing t.hc Cc,untrv Music
J;imbo1-ee, Virgie _ 1vnrren-::Knotl was 11;1m( ' U th(•
"Gcnl'SL'(' lndi;111 Center Employee of t:lic Mo111 !1''
for August.
Congratualtions for a finL' .ioll'
"

�'

THE __ f_~_ P E_i_r~_lL _____
' ·_________________ ___ _l'_~)l~_2_____

;pt ember, __ 19_8_6_ _

H E L P

.

WA N T E D

NOTICE! NOTICE! NOTICE! NOTICE!
RUMMAGE SALE - RUMMAGE SALE -- RUMMAGE SALE

Secretarial/Clerical Training Position
WHERE:

WHERE:

Michigan Indian Employment &amp;
Training Services (MIETS)
124 W. First Street
Flint, MI
48502
313/235-7029
LENGTH OF POSITION:
1 Year, 40 hrs. per week, starting
September 22, 1986
SALARY:
$4 per hour
ELIGIBILITY:
Must Be JTPA, Sect. 401 Eligible
SKILLS:
Must have some typing experience
DUTIES:
Greeting clients, logging mail,
answering telephone, typing,
filing, and routine office duties
For an appointment, please call 313/235-7029
and ask for Robyn Henry, Employment Coordinator; or Sheree Pickett, Employment Service Representative.

Genesee Indian Center _
124 W. First St. (downtown Flint)
Community Room
WHEN:
September 8th thru 12th
COST:
All clothes for $1 a grocery bag
PROCEEDS TO:
Village Land Fund
BRING PAPER BAGS and DONATIONS TO CENTER
BEFORE SEPTEMBER 8, 1986.

*********************************************
NEW

ARRIVAL

Barbara Mitchell and Jack had a baby girl
August15, 1986.
They named her Julia Ann .
Congratulations Barb and Jack.

**********************************************
YMCA ANNUAL OPEN HOUSE

********************************************
REMINDER:

NOTICE!

Government Commodites distribution was the
last week of August.
If you fail to pickup your commodities, you will be dropped
from the Center's listing.
If for any reason
you are unable to pick them up, please call
(239-6621) to make arrangements.
Next scheduled distribution is for the last
week of October.
THANK YOU, OUT-REACH STAFF

********************************************
THANK

YOU

Thanks to all who donated items for our Rummage Sale and the Community Services Program.
We appreciate your continued support and
thoughtfulness.

ME G WE T C H

:--A:::;:z~~~::I- -i
ART &amp; CRAFTS STORE .

I Great Lakes Indian Crafts
1

I • Baskets
o
.

L

The Flint YMCA is holding their Annual Open
House on Saturday, September ~th, from 10AM
to 3PM.
Thi s is a great oppoitunity for the
community to come in and see 'what they has
to offer.
People are encouraged to stop in
and try out our facilities.
Swimmers can
bring their swimsuits, racquetball players
can challenge friends to a game and those 14
years and older can test their strength on the
Nautilus and free weight equipment.
Special
features include karate demonstrations and
weightlifting posers exercising their techniques.
If you have any questions fee free
to contact Diane Feckovics at 232-YMCA, ext .
207.

• Beadwork
Pottery
• Paintings
o Greeting Cards
• Jewelry

2J:J-6571
124 W First St.
'
Located In Downtown Flint
--

1

I
I

--- --------- - - - -- - --·---- -- -.~ - - -··-_J

PROGRAM ALERT
Channel 28 WFUM
"The Africans'
Major New Public TV Series
Premieres on Channel 28 October 7th
Flint, MI - The Africans, a major series about
Africa will premiere on Channel 28 on Tuesday,
October 7 at 9PM. Filmed in 16 African countries,
France, England and the U.S., THE AFRICANS is
the most comprehensive television study of
Africa ever attempted.
Channel 18 is a broadcasting service of The
University of Michigan-Flint.
For further
information contact: Barb Greene or Robin
Farmer 313/7~2-3028

***********1**********************************

�_P :l k e

6 ----------- ------------------ ____fl_l_E___!~. -'~_A_!~~ _y_
__l __[i __ Ii_ - - - - -

FLINT

INDIAN

GOLF

"BEST
SATURDAY
WHERE:

TOURNAMENT

BALL"

DINNER

INFORMATION

The Fall Harvest Dinner will be held on
Saturday November 1st (6-lOPM). Look
for more information in up-coming news' 1,etters.

SEPTEMBER 13, 1986
Southmoor County Club
G-4312 S. Dort Highway
Flint, MI

ENTRY FEE:

HARVEST

September, 1986

- -~- --------------------4

********************************************

$24.00

For Cart Reservations Phone 313/743-4080
9:30PM/TEE OFF TIME

REGISTRATION
Two Person Team

10AM

Men, Women or Mixed

1st Prize .......... $300.00
2nd Prize .......... $200.00
3rd Prize .......... $100.00
Prize Monies for 2nd and 3rd is based on 30
Team Entry
PRIZE
PRIZES

TABLE

PRIZES

PRIZES

LUNCH
For Further Information Contact:
John Kenny
7310 Irish Road
Millington, MI 48746
Phone: Business: 313/631-4611
Home:
517/871-2208
COME OUT AND HAVE A GOOOD TIME

FREE

PUPPIES

We have 3 cute little black and white
puppies to give away to good homes.
Call Jenny or David at 233-0792 after
6PM.

********************************************

GETTING READY FOR CHRISTMAS
The Flint Children's Christmas Party will be
held at Haskell Community Center on Tuesday,
December 16th, from 6-30PM - 8:30PM . More
details in up-coming newsletters.

T 1-1 A N K

y O lJ

VO L

lJ

NT E E R S

Just a quick little note to say MEGWETCH to
our fantastic, fabulous volunteers: Lloyd
Watson, Theresa Soper, Jim Nursement, Owen
Battice, Pam &amp; Rick Hnwcl and the Staff of
Genesee Indian Center. Thanks to all for
the assistance you gave making the County
Music Jamboree one of the best fund raisers
we have had.

ME G WE T C

1-1

1

NOMINATIONS OPEN FOR BOARD OF DIRECTORS
Nominations are open for the GVIA Board of
Directors .
If you would like to become a nominee tor
the Board, or wish to nominate another Association member, please contact Nora Jacko at 2396621. All candidates for the Board wi ll be
required to submit a synopsis of their background, experience and accomplishemnts. At
the Harvest Dinner, November 1st, voters will
be given a brief description of each candidates,
We would like to take this opportunity to
e ncourage your active participation in this
important elction. This is your Association'
It is your right, your privilege, and your
responsibility to insure that the Association
is governed by individuals who are amply
qualified for the task .

�THE

,.Jtember, 1986
AUGUST

Rosemary Smith
Allen Lee Martin
David SmiLh
Carl Benz
Lorraine
Michael Ford
Grace Kennedy
Albert Clark Martin
Marcella Benz
Mini Holt
Randy Riker
Charles Littlecalf
Lovina Marcou
Dolly Holzhausen
Laura Magee
John Petoskey
Joseph LaPine
John Henry
Clarence Shirley
Lloyd Brancheau

DATE
01
02
02
03
04
05
05
06

06
08
08
10
ll

13
13
13
13

13
15
15

SEPTEMBER

B I R T H D AY S

Michelle Metcalf
Carol Auge
Joseph Auge
Cynthia Mihulka
Karen Turkovics
Mary Ann Reedy
Emma Sadro
Jamie Mitchell
Leonard Nelson
Barbara Moore
Joey Michaeli
Amy Ingals
Jennifer Smith
Vickie Henderson
Tammy Luxton
Esther Auge
Tasia Vilapando
Mary L. Jacko
Janice Jacko

Happy Belated Birthday to John from Donna
Happy Belated Mom and Janice from Nora

1986

Page 7

G R A P E V 1 N E

DATE
16
16
16
18
22
23
24
25
26
27
27

28
28
29
29
29
29
30
30

BIRTHDAYS

Jessie Davis
Mark Coleman
Margery May Martin
Ray Hunt
Brandy Swallows
Juan Valdez
Mary Villalpando
E 1 sie Marki
Michael Pully
Mark Mihulka
Christine Thayer
Mike Deneen
R. Petoskey
Ray Fisher
Barbara Mi tche 11
Glenda Lee
Alvin Leon
Jimmie Baker
Chancy Magee
Chris Novak
Nora Jacko
Rosella Wagner

DATE
04
05
08
11
12
13
14
15
15
16
17
18
19
20
20
21
23
26
27
28
29
30

Happy Birthday to Robert Petoskey
from Donna
Happy Birthday to Brandy from
Mom with Love
1986

S E P T E MB E R

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124 W . First Street
Flint , Michigan 48502

Grand Rapids Inter-Tribal Council
45 Lexington, NW
Grand Rapids, MI 49504

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